The 25 best live music acts of 2015

Best Live Acts of 2015

Around this time last year, we shared our 25 favorite live performers of 2014 after spending the past 12 months covering many excellent bands, musicians and DJs. So, with 2015 almost in the books, we thought we would give the same exercise another try, except this year, we made the call to exclude any artists we named in 2014. What fun would it really be to list them two years in a row anyway?

In the end, it wasn’t an easy task whittling down our list to 25, but some tough decisions had to be made. Those who didn’t make the cut but still deserve to be mentioned here include the following artists and bands (in alphabetical order) who we either covered at their own show and/or at a music festival this year:

AlunaGeorge, Ariel Pink, BADBADNOTGOOD, Bad Religion, Battles, Beirut, Belle and Sebastian, Big Grams, Billy Idol, Black Lips, The Black Keys, Blonde Redhead, BØRNS, BROODS, Built to Spill, Catfish and the Bottlemen, Chet Faker, Chromeo, City and Colour, Classixx, Cold War Kids, Dâm-Funk, Damien Rice, Death Cab for Cutie, Dengue Fever, Django Django, Dr. Dog, Edward Sharpe and the Magnetic Zeros, Failure, The Flaming Lips, Flight Facilities, Goldroom, Glen Hansard, The Glitch Mob, Gorgon City, Holly Herndon, Interpol, Israel Nash, James Bay, Jeff Tweedy, Jenny Lewis, The Jesus and Mary Chain, JMSN, Jose Gonzalez, Jurassic 5, Kanye West, Kindness, King Tuff, Marina and the Diamonds, Miami Horror, Milky Chance, Modest Mouse, Morrissey, MS MR, Les Sins, Lotus, Natalie Prass, Neon Indian, ODESZA, Of Montreal, Oneohtrix Point Never, Panda Bear, Penguin Prison, Phantogram, Portugal. The Man, Preservation Hall Jazz Band, Purity Ring, Ratatat, Royal Blood, San Fermin, Shlohmo, Slow Magic, SOHN, St. Paul and The Broken Bones, STRFKR, Surfer Blood, Talib Kweli, Tame Impala, Tennis, Toro y Moi, Tycho, Umphrey’s McGee, Unknown Mortal Orchestra, Vintage Trouble, Vulfpeck, Widespread Panic, YACHT.

Now, without further ado, The Bam Team presents our 25 favorite live performers of 2015.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2015

Listen to The Bam Team’s favorite songs of 2015:


Best Live Music Acts of 2015 #25 - Lord Huron

25. Lord Huron

The audience reacted with just as much enthusiasm during classic Lord Huron tunes as they did in hearing brand-new material, especially during fan favorites like “She Lit a Fire” and back-to-back rockabilly-tinged jams “The World Ender” and “Fool for Love”. At this point, the crowd had not only warmed up to Lord Huron’s infectious stage presence, but also gave into their buoyant vibes as mini dance parties broke out throughout the venue. -Molly Kish, photo by Steve Carlson


Best Live Music Acts of 2015 #24 - Puscifer

24. Puscifer

Maynard James Keenan and friends have established themselves as not just a group of musicians who play songs on stage, but rather an assemblage of entertainers that provide their viewers and fans with something they may not have ever seen before — a true experience. Paying homage to the likes of Alice Cooper, Pink Floyd and the glory days of the rock opera, Puscifer have a very special way of combining their music with a stage show that offers so much more than just music. -Scotland Miller, photo by Mike Rosati


Best Live Music Acts of 2015 #23 - Viet Cong

23. Viet Cong

Once the appetizer had been digested, Viet Cong were taking the stage and beginning a theme of quirky banter that eased the crowd into the blistering set as opposed to bombardment. Within the first few chords, it was evident that continued time on the road found the band at the peak of perfection. -Kevin Quandt, photo by Diana Cordero


Best Live Music Acts of 2015 #22 - Kate Tempest

22. Kate Tempest

This decade will likely be known for the death of “genre,” the end of how groups have been contained into categories like R&B or rap since the birth of record labels. And with dance music on the rise, digitized conventions are creeping into pop, rap and indie music on the regular. With music more accessible than ever and for free, listeners are willing to experiment with their auditory material — and amalgamation is the natural result. Tempest represents this change as much or more than anyone as we enter the smack-dab middle of this decade. And that includes Kanye West, Sylvan Esso or Run the Jewels. -Mike Frash, photo by James Nagel


Best Live Music Acts of 2015 #21 - Deerhunter

21. Deerhunter

Deerhunter’s Bradford Cox talked about how he decided on the way over to the island that he wouldn’t play many songs, how he took ayahuasca on Saturday night in LA and he was surprised at how reserved the TIMF audience was. He said we were “polite like the Japanese.” Bradford, that’s what we call “respect” — and you’ve earned it. -Mike Frash, photo by Marc Fong


Best Live Music Acts of 2015 #20 - Faith No More

20. Faith No More

It can be hard to know what to expect from a crew like Faith No More and their eccentric, yet prolific members. The entire stage was dressed in white, from the curtains to the amplifiers to the mic stands. Lining the entire length of the stage and any flat surface that would support them were thousands of dollars worth of beautiful, fresh flowers. The abundance of purples and pinks, reds and yellows created a very comfortable and soothing, yet incredibly eerie feeling as to what was about to happen next. Once the setup was complete and the lights dropped, the crowd was let in to the stark contrast that is the weird world of Faith No More. -Scotland Miller, photo by Greg Ramar


Best Live Music Acts of 2015 #19 - Sufjan Stevens

19. Sufjan Stevens

Stevens spoke of the need for community in the throes of grief, and the audience ably did their part to help him through this very public grieving process. At the end of the main set, a young woman crashed the stage to offer a bemused Sufjan something (a hug? words of love and encouragement?), and it seemed wholly appropriate, as if the audience needed in some small way to collectively reach out to the man after he bared his soul so openly. -Steve Carlson, photo by Steve Carlson


Best Live Music Acts of 2015 #18 - Allen Stone

18. Allen Stone

In many ways, Stone’s ideological stance on technology shapes not only his set as a performer but also his fan base. Watching an Allen Stone show, one can feel certain that all pretenses will be left at the door and those surrounding you will be committing their full attention to the music. Midway through Stone’s set, the venue was completely under his charismatic spell. The audience actively followed the Seattle-born frontman’s lead as he prompted a group participation “2-step” and rolled through crowd favorites from his self-titled LP and latest album Radius. -Molly Kish, photo by Tom Dellinger


Best Live Music Acts of 2015 #17 - The Kills

17. The Kills

Mosshart, tall and slender, strutted her way through just about all of it, displaying a bravado that exudes both sex and confidence, while Hince handled his axe like a bona fide rock star, eventually playing some slide guitar during the gritty, blues-infused track “Pots and Pans” that got the crowd roaring after it was over. After all, it’s that blues/garage-rock overlap, along with the chemistry exhibited between Mosshart and Hince onstage, that makes The Kills such a captivating rock ‘n’ roll act to see live these days. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #16 - The Chemical Brothers

16. The Chemical Brothers

Directly following their dramatic entrance to a recording of Junior Parker’s epic “Tomorrow Never Knows”, the duo kicked off their career-spanning set with crowd favorite “Hey Boy, Hey Girl” from 1999’s Surrender. They launched into a full-blown frenzy from that moment on, and the UK dance legends went hard (no pun intended) throughout the rest of their two-hour performance, debuting live remixes of new material from their 2015 release Born in the Echoes while interspersing nostalgia-inducing EDM classics off their seven previous albums. -Molly Kish, photo by Justin Yee


Best Live Music Acts of 2015 #15 - Eagles of Death Metal

15. Eagles of Death Metal

EODM have the perfect style as a rock band, one that takes itself just seriously enough. As a whole, they are a hard, fast and tightly-wound production, with their silly lyrics and even sillier frontman bringing a perfect balance to what you want to see at a rock show. Closing with “Speaking in Tongues”, EODM walked off the stage at the Great American Music Hall knowing that they had accomplished what they came to do — to prove that rock ain’t dead. -Brett Ruffenach, photo by Mike Rosati


Best Live Music Acts of 2015 #14 - Florence + the Machine

14. Florence + the Machine

Welch lapped around the inside ring of the bowl, stopping briefly at the sound stage. What a cool moment. -James Nagel, photo by James Nagel


Best Live Music Acts of 2015 #13 - Sturgill Simpson

13. Sturgill Simpson

Simpson has stage presence, that is without a doubt. The conviction of his voice bolsters his words as he describes a life of highs and lows, trials and tribulations. This was evident on renditions of songs like “Turtles All the Way Down”. If there is a song to capture your attention and convince you of Simpson’s talents as a songwriter, this is one of them. Just like that of his predecessors, he writes music that goes against the grain of popular country music. It may be defined as “outlaw country,” but I personally feel it is music that resonates with a wider audience than that of its counterparts. -Kory Thibeault, photo by Kory Thibeault


Best Live Music Acts of 2015 #12 - alt-j

12. alt-J

The 2012 Mercury Prize winners echoed a semblance to that of Sigur Rós or Volcano Choir, leaving audience members entranced in a near-altered state while observing the foursome. The biggest fan responses erupted during the band’s singalong favorites “Breezeblocks”, “Fitzpleasure” and their token cover of Bill Withers’ “Lovely Day”. -Molly Kish, photo by Mike Rosati


Best Live Music Acts of 2015 #11 - Hot Chip

11. Hot Chip

In recent years, only ever getting the chance to see the outfit in stripped-down DJ sets or as part of side projects/collaborations, the afternoon crowd full of die-hard, nu-disco fans were not disappointed as the UK dance veterans set the polo fields ablaze. Refraining from any slow builders, Hot Chip performed an hour-long set of career-spanning bangers, keeping the crowd moving with hit after hit, that seamlessly blended into one another. The set procured one of the most viral dance party moments of the festival, with the audience spiraling into a collective bliss as it came to a close. -Molly Kish, photo by Josh Herwitt


Best Live Music Acts of 2015 #10 - Dan Deacon

10. Dan Deacon

One of the toughest things to do in the world of electronic music is to sound organic, to imbue a sense of heart into the digitized nature of ones and zeroes. The Baltimore native accomplishes this through his hilarious and improvisational free-form, stand-up comedy, which thrives on wandering non sequiturs. And he mirrors this by adapting his insane-train of sound to meet and exceed the energy in the room. The “America” suite finished off the show with an extended doom metal quality that gave a sense that no aesthetic boundaries can contain Deacon’s sense of musical exploration. -Mike Frash, photo by Pedro Paredes


Best Live Music Acts of 2015 #9 - FKA twigs

9. FKA twigs

British singer-songwriter Tahliah Debrett Barnett, better known as FKA twigs, has been all the rage lately after performing at Coachella in April, and she closed out FYF in style, donning an elaborate burgundy- and gold-colored robe for her Sunday night set. Just the week before, the 27-year-old fiancée of actor/musician Robert Pattinson released her brand-new EP M3LL155X, and with it receiving high marks from a number of music outlets, there were quite a few fans who stuck around after 11:30 p.m. on a “school night” to watch her perform some of them, including the opening track “Figure 8”, “In Time” and “Glass & Patron”. FKA twigs might be one of the most compelling live acts out there right now, and after scheduling Purity Ring to close out The Lawn the night before, FYF seemed to make a point of letting women rule that stage in the late-night hours this year. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #8 - Empire of the Sun

8. Empire of the Sun

As Steele belted out “Alive”, the hit single off the band’s sophomore studio album Ice on the Dune, to close things out, he brought the audience to a transcendent place of exhilaration. Crowd members embraced and danced amongst a like-minded family of people lost in the moment, even if it involved intergalactic creatures dancing in colored smoke and a crowned Emperor playing without his bandmate on stage. EOTS shows are a special kind of magic that regardless of the material’s absurd nature, translate into an experience unlike anything else. -Molly Kish, photo by Steve Carlson


Best Live Music Acts of 2015 #7 - My Morning Jacket

7. My Morning Jacket

Though it was more than understandable to see the band play a large majority of The Waterfall for its first performance at the Santa Barbara Bowl in almost four years, there were plenty of other deep cuts mixed in over the next two hours, from “Bermuda Highway” to “Mahgeetah” to “Touch Me I’m Going to Scream Pt. 2”. After all, it’s no secret that My Morning Jacket have always been good to their most loyal and dedicated fans, and in once again taking song requests as part of their “Spontaneous Curation Series,” they made sure to dig up many of the classics from their seminal album Z, including “Wordless Chorus” and “Off the Record” one after the other in the middle of a loaded, four-song encore. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #6 - Jamie xx

6. Jamie xx

Throughout his tour, Smith has refused to compromise his individual style for the sake of appeasing either extreme of his now commercially hybrid audience. Whereas those familiar with his early XL Records mixtapes were satiated by his intermingling of Gil Scott-Heron and Idris Muhammad samples between hits, his newfound post-In Colour fans experienced equally breathtaking moments with the crowd hitting peak energy levels during the encore chorus of “Loud Places” amidst the glow of a warped-speed, neon-green strobe light. Other notable moments included the near-religious choral drop of “Gosh” that escalated the packed house to spiritual levels of enthusiasm, bathed in the glowing sparkle of Smith’s staggeringly iridescent ceiling to floor disco ball and stage lights. -Molly Kish, photo by James Nagel


Best Live Music Acts of 2015 #5 - Elton John

5. Elton John

The star-spangled legend sat at his majestic piano as the sun went down on Sunday and moved the crowd with his brilliant playing. The adoring audience hung on every word and joined in singing his most popular hits. Walking off stage quickly after his last song, the audience demanded more and Elton happily obliged. With rumors of Lion King songs being played at past performances, some doting fans wanted a second encore to the tune of “Circle of Life”. While he didn’t indulge the Lion King fans, his stellar performance was a perfect ending to an amazing weekend at Outside Lands, leaving everyone’s festival tank full of love. -Nik Crossman, photo by James Nagel


Best Live Music Acts of 2015 #4 - Father John Misty

4. Father John Misty

Father John (Sassypants) Misty has his festival game on point, and he has progressed his I Love You, Honeybear songs into epic plateaus since premiering them in the Santa Cruz mountains last February. He spewed banter like an Stephen Colbert-esque contrarian, saying, “Look at these suckers with their hair blowing all over the place.” And as he approached the mic for more improv-snark later on, Tillman paused to say, “Sorry, I have nothing to say. Ha.” FJM was speechless for once, but granted, it might have been set up for “Bored in the USA”, a song that should be considered an American classic at this point. -Mike Frash, photo by Pedro Paredes


Best Live Music Acts of 2015 #3 - Kendrick Lamar

3. Kendrick Lamar

As Kendrick Lamar’s incredible performance began to wrap up with his newest single “Alright”, a group of fans in the crowd proceeded to lift someone up in a wheelchair, who, if I recall correctly, was the same guy who had his photo famously taken at Outside Lands in 2013. Kendrick took notice and called him out — his sense of sincere appreciation for a place like the Bay Area was written all over his face. -Brett Ruffenach, photo by Marc Fong


Best Live Music Acts of 2015 #2 - Caribou

2. Caribou

Described by fellow musician Dan Deacon as “one of the most brilliant acts touring right now” just before their set, Caribou lived up to the hype. Starting with “Our Love”, the four-piece band led by Dan Snaith perfectly set the stage for the next hour — a series of tightly wound compositions that, as the song progresses, expand in rhythmic complexity before reaching a climax that will get even the most tired Sunday afternoon crowd moving. Heavily augmenting its live performances from its studio recordings, the band’s live rendition of “Jamelia” in particular was a highlight of the set. Caribou is a band not to be missed. -Brett Ruffenach, photo by Justin Yee


Best Live Music Acts of 2015 - D'Angelo & The Vanguard #1

1. D’Angelo & The Vanguard

One of the most anticipated sets of the entire weekend was none other than D’Angelo’s — and for good reason. The R&B/neo-soul singer-songwriter hadn’t put out an album in 14 years until he suddenly dropped his 2014 masterpiece Black Messiah last December, so you knew that getting the rare opportunity to see Michael Eugene Archer work a crowd at FYF would be something special. Sounding more like a youthful James Brown than a wannabe Prince (we still don’t totally understand where those comparisons are coming from), D’Angelo and his eight-piece backing band The Vanguard took the audience for a ride as they doled out new and old hits. -Josh Herwitt, photo by Josh Herwitt

Outside Lands 2015 - Dan Deacon

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Noise Pop 2015: Who made the ‘most’ of SF’s 12-day indie fest?

Caribou


Caribou at The Fillmore // Photo by Justin Yee

Photos by Justin Yee, Pedro Paredes, Mike Rosati, Alfonso Solis & Nicole Alfaro // Written by Molly Kish //

Noise Pop //
Bay Area venues – San Francisco & Oakland
February 20th-March 1st, 2015 //

2015 marked the Bay Area’s 23rd annual celebration of independent music, art, film and more, affectionately known as Noise Pop. Running 12 full days and taking place at more than 20 different venues throughout SF and the East Bay, this marathon party is best described as the West Coast version of South by Southwest.

Each year, Noise Pop highlights both the biggest stars within the independent music and art industries as well as emerging artists performing at the peak of their games and has always been ahead of the curve when it comes to booking their acts — and this year was no exception. Curating a demographic of music fans with limitless knowledge, expectations and preferential ranges, this festival never fails to create some of the most memorable experiences in live entertainment throughout the Bay Area.

Noise Pop remains one of our favorite times of the year, not only for its amazing lineups and exceptional performances, but also for its genuine ability to bring music and lifestyle connoisseurs from across the globe to extrapolate, communicate and participate in the independent culture of the Bay Area.

Here are some of our favorite moments from Noise Pop 2015.


Most Likely to Have a Hospital Bill: Ben Gibbard

Gibbard enlisted Sun Kill Moon’s Mark Kozelek to play guitar for him after breaking his wrist before his big opening night performance at the Swedish American Music Hall. We’re still surprised the notorious shit talker (Kozelek) didn’t give Gibbard a harder time about it, considering the last song off Kozelek’s Benji is titled “Ben’s My Friend” and is about how Kozelek went to the Greek Theatre in Berkeley to watch Gibbard play with The Postal Service before proceeding to have a mental breakdown.

Runner-up: PPL MVR

This second-place honor goes to SNWBLL after the band had to cancel its performance at Bottom of the Hill due to some unfortunate bladder issues.


The Black Ryder

Most Likely to Inspire 2015 Festival Fashion: The Black Ryder

Dark, brooding and beautifully tragic. Beyond the torrid love affair story and musical diatribe to accompany the duo of Aimee Nash and Scott Van Ryper, the band embodies its self-proclaimed “Rhinestone Drone” sound into a wicked wardrobe, guaranteed to materialize on the proverbial polo fields across the nation this summer.

Runner-up: Bestie

The Vancouver outfit brought some creativity to the merch table with fun and functional band gear, such as koozies and friendship bracelets, as you can see here via Instagram.

https://instagram.com/p/zjwd2OJ5-G/


Kindness

Most Bar-Raising Performance of the Festival: Kindness

“(Adam) Bainbridge grabbed one audience member’s cell phone out of its hands and filmed himself as well as the crowd with it at one point, elevating the crowd-interaction a notch. He sang from on top of the bar at stage left, walked into the crowd with his mic and made a huge lap while singing to individuals in the audience to end the night.”

Read the full review here.


Dan Deacon

Act Most Likely to Prompt a Mind-Altering Freak Out: Dan Deacon

“Layer upon insane layer of sound interprets into harmonious infectiousness, a feat that hints at an intersection of mathematical and creative genius. The guy takes all sorts of frequencies and cross sections of genre elements and composes it all together into a crescendo of weird, atypical pop. And by weird, I mean the very good kind of weird.”

Read the full review here.


Holly Herndon

Runner-up: Holly Herndon

“People laughed nervously as a slow burn of glitch sounds began to emerge, and before you knew it, her browsing gave way to an interactive, virtual world featuring two-dimensional cutouts of people floating about while strategically-placed cameras around the room recorded and projected images of the crowd, usually catching them unexpectedly on their phones, on two adjacent screens.”

Read the full review here.


Surfer Blood

Most Entertaining Attempt at a Cover Song: Surfer Blood

These guys covered “Hey Sandy” by Polaris, aka the theme song for “The Adventures of Pete & Pete.”

Runner-up: Girrafage‘s rendition of Miley Cyrus’ “Party in the USA”


Caribou

Most Likely to Be Headlining Future Festivals: Caribou

Absolutely destroying two back-to-back, sold-out nights at The Fillmore, Caribou’s live show is currently on a world tour, hitting all of the largest festival stages in its wake. We unanimously believe that this act will be one of the biggest of 2015 and are keeping our fingers crossed that they will be filling the empty spot in their August tour schedule with a stop at this year’s Outside Lands Music Festival.


Flight Facilities

Runner-up: Flight Facilities

“… to consider booking this lineup on a ‘school night’ at a venue with a max capacity of 1,424 people was a pretty bold call. Subsequently though, it was also one that paid off in easily the largest dance party of the festival.”

Read the full review here.


Les Sins

Most Likely to Break the “Local Music” Barrier: Les Sins

“Intermingling his own material with disco classics, 90’s pop jams and dirty trap beats, Bundick had the crowd on fire and easily could have prolonged the party well into the after hours had there been the option to do so.”

Read the full review here.

Geographer

Runner-up: Geographer

With a doctored lineup and powerful new songwriting approach, Mike Deni has taken full reign of the band’s beloved history of material and is moving forward into bold, uncharted territory — a leap of faith that just might cover the extra ground needed to penetrate a mainstream audience.


Seeing Holly Herndon perform is a multisensory labyrinth

Holly HerndonBy Alfonso Solis //

Holly Herndon //
The LAB – San Francisco
March 1st, 2015 //

It seems only fitting that Holly Herndon would bring her computerized abstraction of sounds to The LAB in SF, a space where she could freely experiment with her distorted, disembodied voice against a minced background of chaotic percussion and garbled samples without the necessary expectation of moving the crowd in the conventional sense.

Those familiar with Herndon’s work will know her music is more academic than pop, full of theory rather than infectious with melody, which isn’t to say it isn’t enjoyable, but its appreciation comes from a different angle than say Caribou, who played his lush, dreamy dance-pop also on Sunday to round out Noise Pop 2015. Perhaps this was intentional on behalf of the organizers, to highlight the noise and pop spectrum of their festival at its most extreme. Caribou’s two-night sold out show can attest to the power of pop, but the small, intimate crowd willing to submit to Herndon’s dense, often difficult noise was taken on a strange and dark journey.

Holly Herndon

What is most striking initially about Herndon’s show was how well her audio experiments translated into a visual experience. With a projector behind her connected to a laptop, Herndon introduced herself by writing down some text on her computer. Right when it seemed that she was about to close the laptop and begin playing, she did what all of us do, logging on to Facebook and ingesting the endless amount of personal information that comes with it. She explored her news feed, humorously joining the show’s Facebook event page and then browsing endlessly through friends’ pages and photos.

Long after the joke was over though, Herndon continued further, navigating an endless labyrinth of profiles, uncomfortably looking at the information of friends of friends and trying to request their friendship. Where was she going? Who were these people? Should she be stalking and adding them?

Holly Herndon

People laughed nervously as a slow burn of glitch sounds began to emerge, and before you knew it, her browsing gave way to an interactive, virtual world featuring two-dimensional cutouts of people floating about while strategically-placed cameras around the room recorded and projected images of the crowd, usually catching them unexpectedly on their phones, on two adjacent screens.

Electronic artists have always explored humanity’s uncomfortable relationship with technology, but Herndon’s meta-commentary updated the formula to focus on our socially-networked existence and our vulnerability to web-based privacy violations. It’s a multimedia presentation that worked brilliantly in tandem with her music, which in and of itself has the ADHD feeling of browsing the Internet. Never content in one place, Herndon seamlessly shapes her music from glitch techno to bass-heavy ambiance to abstract delights — sounds supposedly culled from her daily web-browsing experience. Her samples are distorted to an extreme degree, almost to the point of agitation, but it’s fascinating to see how she scrambles the audio. The information is still there but beyond recognition.

Holly Herndon

Electronic music can often come across as disengaging, with the perception being that the music is planned out in ones and zeroes, but Herndon injects a level of chance and spontaneity into her performance that few other electronic artists accomplish. Singing into her microphone, her voice is immediately processed, chopped and distorted. Spontaneous moments like drinking water or laughter from her and the audience became instantly a part of her repertoire of sounds as they were manipulated into the rhythms of her music.

Herndon’s show can come across as more conceptual than actually enjoyable, her music’s database of discombobulated sounds of the Internet and her voice seeming to be a commentary on our social dependence of technology and the alienation that follows. Indeed, the show’s one-hour length left more to be desired, but Herndon finds a nice balance between electronic experimentation and accessibility. Just as the cacophonous combination of agitated percussion, glitch samples and voice manipulation would seem overwhelming, her music would give way to more recognizable, danceable songs such as “Chorus” or “Movement.” Such are Herndon’s shows, challenging and demanding but filled with gorgeous checkpoints to gather oneself and simply move to the music.

Holly Herndon

Holly Herndon

Holly Herndon

Holly Herndon