Grizzly Bear & TV on the Radio unite for one night in their new hometown to play the Hollywood Bowl

Grizzly Bear


Grizzly Bear

By Josh Herwitt //

Grizzly Bear & TV on the Radio with Kaitlyn Aurelia Smith //
Hollywood Bowl – Los Angeles
September 23rd, 2018 //

In the early 2000’s, Grizzly Bear and TV on the Radio emerged out of Brooklyn’s crowded indie-rock scene as two of its biggest darlings. Both bands, in fact, would go on to release their seminal albums a little less than a decade later, starting first in 2008 with TV on the Radio’s Dear Science and continuing the following year with Grizzly Bear’s Veckatimest.

But Grizzly Bear and TV on the Radio have each issued two additional LPs since then and somewhat surprisingly, have both made the cross-country move out to LA within the past several years. So, when NPR member station KCRW revealed the lineup for its 2018 World Festival series at the iconic Hollywood Bowl, the final performance on the docket was one that easily stuck out with the two Brooklyn-bred outfits co-headlining and Kaitlyn Aurelia Smith opening.

As the glow of a full moon shined bright against a dark sky, Grizzly Bear and TV on the Radio gave us one last taste of summer on the season’s final day. And though it felt rather fitting for them to share a stage in their new hometown, especially one that’s as big as the Bowl’s, each group exhibits its own unique sound and style through a wide range of influences. They may get slapped with the generic “indie rock” tag by some lazy music critics, but without a doubt, their music is much different from the other’s.

TV on the Radio


TV on the Radio

The last time we caught Grizzly Bear was almost a year ago, when they performed at Apogee Studio for KCRW’s Apogee Sessions series (read our review here) and reminded us how they were making “chamber pop” sound cool again. The intimate gig came just a few weeks prior to TV on the Radio’s last show in LA (at David Lynch’s Festival of Disruption), and with their most recent album Seeds from 2014, this was probably one of the final times that they would be specifically showcasing that material live. Nevertheless, they made sure to close out their 70-minute set with a bang, finishing with classics like “Repetition” from 2011’s Nine Types of Light, “Wolf Like Me” off 2006’s Return to Cookie Mountain and lastly “Staring at the Sun” on their 2004 debut Desperate Youth, Blood Thirsty Babes.

Similarly, the gig also marked one of Grizzly Bear’s last performances in support of their fifth LP Painted Ruins, which they released last year on RCA Records, and having already played a two-night run at The Wiltern back in December, this was more of a victory lap than a coming-out party. Unfortunately for us, the five-piece had to cut things short due to the venue’s strict Sunday night curfew, ending on a rather sudden note. That’s just part of the deal at the Bowl, though. For those of us who have to work on Monday morning, it’s actually more of a blessing in disguise than a disservice to the overall concert experience as we’ve come to realize.

After all, any evening under the stars at the Hollywood Bowl feels like a magical one. There’s just something comforting about taking in some live music at one of the world’s most famous amphitheaters, no matter who’s listed on the marquee. And although there’s no telling when Grizzly Bear and TV on the Radio will tour again, let alone together, this was one pairing that we’re glad we didn’t miss before we officially said goodbye to summer.

GRIZZLY BEAR

Setlist:
Southern Point
Losing All Sense
Yet Again
Fine for Now
Ready, Able
Four Cypresses
Sleeping Ute
Two Weeks
Foreground
While You Wait for the Others
On a Neck, On a Spit
Three Rings
Sun in Your Eyes

TV ON THE RADIO

Setlist:
Young Liars
Lazerray
Golden Age
Province
Happy Idiot
Could You
Winter
Red Dress
Shout Me Out
Trouble
Repetition
Wolf Like Me
Staring at the Sun

First Times: Covering a show at the Hollywood Bowl

Kurt Vile & The ViolatorsBy Josh Herwitt //

Sufjan Stevens with Kurt Vile and The Violators, Ibeyi //
Hollywood Bowl – Los Angeles
August 7th, 2016 //

No matter what you think of LA, whether you love it, hate it or hold no opinion of it at all, the Hollywood Bowl has remained universally loved as one of the city’s most prized possessions. It’s safe to say that the Bowl, as us Angelinos like to call it for short, has always stood as one of the world’s most legendary outdoor music venues. In fact, it’s still considered the “largest natural amphitheater” in the U.S. (whatever that means) at 17,500, but just do a quick Google search for “best outdoor music venues in the U.S.” and you’ll see how often it’s included in listicles ranking the best amphitheaters in the country. For that reason alone — although the glitz and glamour of LA have certainly never hurt — there has always been an understanding within the music industry that any artist who headlines a show inside the Bowl’s iconic bandshell has officially “made it.”

Though I don’t know if the same can be said for my music journalism career, there have been at least a few bright spots, one as most recently as last Sunday, when I was invited to cover my first show at the Bowl. It might sound cliché (actually it definitely sounds cliché), but never in my wildest dreams did I ever think I would get credentialed for a show at one of music’s most storied and historic venues, one that I grew up going to regularly as a kid. When you write for a small music blog like this one, getting the opportunity to cover a show at the Bowl doesn’t come around all that often, if ever. And what a show it turned out to be.

With a bill headlined by neo-psychedelic folk singer-songwriter Sufjan Stevens and featuring sets from lo-fi indie rocker Kurt Vile with his backing band, The Violators, and French-Cuban soul/R&B duo Ibeyi, the lineup of performers on this night was eclectic to say the least. Yet, with two of the three acts already in California to play Outside Lands Music and Arts Festival (read our review here), NPR member station KCRW made sure to take advantage for its World Festival series.

Sufjan Stevens


Sufjan Stevens

It’s always tough for an opener to play the Bowl, and unfortunately Ibeyi had to find that out the hard way for its first appearance. With the show’s early start time due to the Bowl’s 10:30 p.m. curfew on Sundays (it slides back to 11 p.m. Monday-Saturday), most of the seats were empty when twin sisters Lisa-Kaindé Diaz and Naomi Diaz took the stage at 7 p.m. sharp. It wasn’t until 7:40 p.m., when Vile and his three bandmates were subsequently up next, that the amphitheater started to fill up, especially in the upper-level sections. Vile, who has been touring heavily since the release of his sixth solo album b’lieve I’m goin down…, let out a few hoots and hollers as he opened his 50-minute set, doing his best to pump up the somewhat subdued crowd. But it was his music that ultimately got fans excited, leaning heavily on his newest material as he moved between electric guitar, acoustic guitar and banjo.

The spectacle of the night, however, was no doubt Sufjan Stevens’ set. The Michigan native, who professed his love for his home state on his 2003 LP, had it pretty rough growing up, as he details in “Should Have Known Better” from his latest studio effort Carrie & Lowell. The album, which recounts some of the more unsettling moments Stevens shared with his late mother (Carrie) and stepfather (Lowell) — including times when Carrie abandoned him as a child — and the emotional pain he felt following her death in 2012, has taken his career of almost 20 years to new heights, with many music critics pronouncing it his best yet.

On this evening though, Stevens did his best to spin things in a positive light, proclaiming at one point that he wanted to “sing about life” after spending “a year-and-a-half singing about death.” “Feel your heart and your lungs and the warmth of your skin, and know you’re alive,” he told us in between songs while preaching that we as a society need “less resistance” and “more acceptance.” Coming from a man who dons a pair of giant wings, a neon-colored track suit and at times, a bizarre balloon costume onstage, a spiritual pep talk as such could sound like a bunch of hocus pocus to glass-half-empty types. But the stories Stevens tells on Carrie & Lowell are real and heartfelt, ones that take guts to broadcast publicly like he does, and with a rainbow of fluorescent lights covering the Bowl’s band shell once night fell, the final stop on his 2016 summer tour felt more like a celebration of sorts than a memorial service. So, as the man in a foil-like suit ran through the crowd at the start of his encore, which concluded with a tribute to another one of his fallen heroes in Prince, I couldn’t help but smile and take it all in, knowing full well that the chance to cover a show at the Bowl may never come my way again.

SUFJAN STEVENS

Setlist:
Seven Swans
Too Much
All of Me Wants All of You
Come On! Feel the Illinoise!
I Walked
Vesuvius
Blue Bucket of Gold
Fourth of July
Should Have Known Better
Carrie & Lowell
I Want to Be Well
Impossible Soul
Chicago

Encore:
Concerning the UFO Sighting Near Highland, Illinois
For the Widows in Paradise, For the Fatherless in Ypsilanti
Kiss (Prince cover) (with Moses Sumney)

KURT VILE & THE VIOLATORS

Setlist:
Dust Bunnies
I’m an Outlaw
Jesus Fever
Goldtone
KV Krimes
Walkin’ on a Pretty Day
Pretty Pimpin’
Puppet for the Man
Freak Train

IBEYI

Setlist:
Elleggua
Lost in My Mind
Mama Says
I’m on My Way
Oya
Think of You
Oddudua
River