FCF finds first-year success for five game-changing reasons

First-City-FestivalPhotos by Marc Fong // Written by Molly Kish //

The inaugural First City Festival was a big success over the weekend (August 24 & 25) — something most new festivals do not pull off.

There were five particular reasons this first-year fest worked so well — and these five game changers are why FCF will return for year two. Be sure to keep scrolling down to view all the magnificent eye-candy captured by Marc Fong — there are over 150 artist and scene photos to take in.

Modest Mouse
Modest Mouse

1. The Comprehensively Diverse Music Line Up
Exhibiting a wide spectrum of genre and talent, First City Festival nailed the booking of the festival’s inaugural year. Filling both days with incredible sets performed by bands both at the height of their musical game or on the verge of a mainstream breakthrough, Goldenvoice SF made sure the bill was stacked.

The fairgrounds housed three separate stages within a five-minute walk of each other, sparse conflicts and ample set spacing optimized maximum viewing pleasure. The line-up encouraged audience members to branch out of their comfort zones between sets, encouraging the discovery of new music.

Passion Pit
Passion Pit

MGMT
MGMT

Neko Case
Neko Case2

2. Concession Placement and Prices
Given the spare time allotted between sets, sampling a variety of food and beverage choices located throughout the fairgrounds was a breeze. The general food court was set up at the midsection of the festival — food trucks, cocktails and beers could be found everywhere.

Drink prices ranged from $7-12, offering everything from the standard domestic to artisan crafted cocktails (the option to spritz your beverage with absinthe and chartreuse was available). Food prices also followed suit and presented modern spins on the traditional carnival fare.

FCF SCENE

3. VIP Perks in General Admission Area
Most festivals go out of their way to generally sanction off the VIP ticket holders from the GA masses. Although FCF reserved a special entrance, carnival perks, seating accommodations and swanky lounges for those who sprung for the VIP pass, the festival worked hard to deliver an enjoyable experience for all that attended. Ample indoor bathrooms were available for all, along with large charging stations, hard alcohol options and outdoor shaded chill areas that were well furnished. In its inaugural year, FCF ran crowd cohabitation smoothly and kept everyone in attendance happily content.

FCF SCENE

FCF 19

4. The Monterey County Carnival
Taking notes from modern day music festivals, FCF jumped on the idea that concert go-er’s enjoy alternative entertainment to suffice their down time between sets. Beyond providing eclectic acts throughout both days on the vaudeville stage, the festival utilized their fairground landscape to its full capacity.

In prep for Monterey’s upcoming county fair, the festival decided to take initiative and set up the rides and games early, allowing FCF crowds to have a complete carnival at their disposal all weekend. Boasting games, mazes and rides ushered in from Neverland Ranch, the concert attendees were able to split their time between a festival of live music and a dub step sound-tracked carnival. A smart move in crowd control, and an ingenious way to boost revenue and all around surreal experience, the carnival uniquely set FCF apart from other festivals.

FCF 2

5. Location, Location, Location
Although the Monterey County Fairgrounds have an impressive calendar of events and a historical legacy within the Bay Area music scene, there hasn’t been much recently to compete with the crowds and caliber of this past weekend.

Nestled in the small suburban coastal community of Monterey, a town that usually catches cover bands, rodeos and craft fairs at the fairgrounds, the promoters couldn’t have picked a better place to kick off what undoubtedly will become a premiere West Coast music festival.

FCF SCENE13

Even elements such as the constant overhead traffic of the adjacent small aircraft port were met with ease. Instead of being considered a distraction to the sets, musicians embraced the magical nature of each plane taking off or landing throughout their performance, usually incorporating banter and impeccable comedic timing

The weather, layout and charm of the surrounding neighborhood played a key part into how successful the FCF weekend played out. From the ample roadside accommodations and street parking within blocks of the fairgrounds, to the killer family owned restaurants and extremely congenial locals, FCF was a hospitable music festival for the books.

Toro Y Moi
Toro Y Moi

Beach House
Beach House

Washed Out
Washed Out6

FCF SCENE

Devendra Banhart
Devendra Banhart

Deerhunter
Deerhunter

Purity Ring
Purity Ring

FCF SCENE

Father John Misty
Father John Misty2

Okkervil River
Okkervil River

FCF SCENE

The Hold Steady
The Hold Steady

The Black Angels
The Black Angels

Capital Cities
Capital Cities

FCF SCENE

Lucero
Lucero

The Antlers
The Antlers

Blitzen Trapper
Blitzen Trapper

FCF SCENE

Electric Guest
Electric Guest

Civil Twilight
Civil Twilight

The Dodos
The Dodos

FCF SCENE

Akron/Family
Akron:Family

Guards
Guards

FCF SCENE

Akron/Family’s psych-rock thrives with improv & freak-folk weirdness

Akron-FamilyPhotos by Sam Heller ~ Written by Kevin Quandt

A banner night in the Bay Area featured a plethora of psychedelic rock acts playing throughout the region. While Tame Impala and Jonathan Wilson held court at the Fox in Oakland, an impressive double-bill of Avi Buffalo opening for Akron/Family was happening across the Bay at the Independent in San Francisco. Those not in Oakland or scared off by a blustery Wednesday night show were treated to two fine American rock acts, each bringing something unique to the table, er, I mean stage.

Avi Buffalo has been missing from the live stage for a couple of years after breaking out as prodigal teenage songwriter and performer, and he’s reemerged with some serious maturity and further guitar prowess. The three piece act, featuring longtime Avi side-gal Sheridan Riley on drums, curated a set heavy on new songs for a moderately filled room. Avi has a great knack for silky guitar effects and note-filled solos when not manning the vast majority of the vocal arrangements. No release date in sight has me thinking he’ll road test a new batch of songs before entering the studio. Catch him this summer with Portugal. The Man, as he is sure to be a name to look for, once again.

Next up would be the reigning, underground freak-folk kings to kick up the ‘weird’ in the room just a few more notches. From the opening, totally-improvised full band drum jam, you could clearly tell they’re flying by the seat of their pants, patiently waiting to see what comes, only to further expand off that thought. They also occasionally play songs, and on this tour many were featured off their latest LP, Sub Verses. The dynamic play between members is key to their longtime success in the arena of envelope-pushing, much like acts such as Menomena, and even Animal Collective. Still flying under the radar, this is a band you should surely see while in smaller clubs across the nation.

WIN FREE TICKETS: Akron/Family at The Independent May 29

Akron

Experimental rock trio Akron/Family will be performing at The Independent May 29. The psych-rock group’s live performances are laced with three part harmony and folk/world music influences, while improvisation has become a hallmark element on the Akron/Family tours. Akron/Family released their sixth LP Sub Verses in April, so expect to hear some of this excellent new material. Avi Buffalo and M. Geddes Gengras will be the featured acts Wednesday evening.


Win 2 Free Tickets! Enter to win if you can attend this show Wednesday May 29 at The Independent in San Francisco.

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Contest ends Wednesday May 29 at Noon. The winners will be picked at random & notified by email. Your email will be kept private – we will share your email with no one.

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New Music Tuesday: Iggy and the Stooges • !!! • Akron/Family • Neon Neon

Iggy and the Stooges - Ready to Die

Every Tuesday, we focus on new music releases by naming our top tracks, album highlights, lowlights and important takeaways for select albums.


Iggy and the StoogesReady to Die

2.5-BamsTop Tracks:
“Gun”
“Ready to Die”
“Dirty Deal”

Album Highlights: Iggy got the band back together! Ready to Die is the first album released by the original Stooges lineup in over 40 years, and they haven’t messed with their balls-to-the-wall approach to irreverent punk rock. The return of James Williamson following the chemical breakdown of Iggy nearly a half century ago, adds a much needed kick to Iggy and the music he produced in the past years. The title track demonstrates Williamson’s chops to a tee, this coupled with Pop’s knack for rebel lyrics equals one rocking good time.

Album Lowlight: This album was not created to appeal to the masses, and will likely not garner much commercial success. It will please longtime fans, but is unlikely to convert many to this cult or weird and wild. Songs like “DDs” can be easily dismissed as campy and lame, but you know it’s quintessential Iggy Pop, so we have to grin and bear it.

Takeaway: God bless the fact that Williamson decided to call up his old Stooges buddies and lend his stellar playing to a previously sinking ship. I’m sure the supporting tour will feature all the onstage antics that blew minds in the 70s, and with some fresh songs the veil of nostalgia act may be lifted just a bit.

~Kevin Quandt


!!! (Chk Chk Chk)THR!!!ER

3-BamsTop Tracks:
“One Girl / One Boy”
“Californiyeah
“Slyd”

Album Highlights: Everyone’s favorite dance-punk group is back with their fifth LP, THR!!!ER. The formula hasn’t shifted for short-shorts frontman Nic Offer and the rest of the groove-tastic band; the instrumentalists build tasty 70’s-inspired drum and bass rhythms for Offer and a disembodied female singer to sing and freak out to.

About half the cuts on the record are instantly addictive & danceable. “Slyd” is a high-energy single with a female-voice hook that gives way to a heavy bass-driven beat. “Californiyeah” explains why they love California over a clap-centric jam, but at the same time tells why they won’t live in the Golden State (“…but why would I live somewhere where the bars close at 2?”). The track that most resembles a traditional ‘song’ and could find radio play is “One Girl / One Boy”, but what what fun is there in normalcy?

Album Lowlight: On the other hand, about half the cuts on the record are shockingly hard to get into, and some never get over the likability hump. It’s not surprising that the biggest offenders have a slower beats-per-minute, present repetitious lyrics without a payoff and end up being too singsongy. “Even When The Water’s Cold” & “Fine Fine Fine” fall into this category. The biggest problem with these tracks is that your ass should be shaking, and it’s not. It’s even more curious as to why these tracks were featured first and fourth on the record.

Takeaway: Chk Chk Chk only partially succeeds with their newest album, which proves that the faster and more intense their songs are, the better. Listening to THR!!!ER is an up and down experience, and the only two songs that really succeed in succession are “Slyd” and “Californiyeah”, and that’s over halfway through it. This effort has produced a big handful of upbeat, catchy tracks that will translate at Chk Chk Chk’s sweaty live shows. In addition, the female voice prominently featured in this record needs to translate to the live experience. !!! should do their best to find a female mirrored version of Nic Offer for live performances – if they could find the right match for Offer’s over-the-top stage presence and alpha-male dance moves, it will take !!! to the next level.

~Mike Frash


Akron/FamilySub Verses

3.5-BamsTop Tracks:
“No Room”
“Until the Morning”
“Whole World is Watching”

Album Highlights: From the opening song “No Room”, it quickly becomes apparent that a long, epic journey in psychedelic folklore is about to transpire. Almost every song starts off on the slower side and builds into a colossal sound full of a variety of percussion and blissful guitar riffs that blend seamlessly into each other. The best example of this is in “Whole World is Watching”, which starts out with industrial sounding drums then breaks into haunting melodies. “Until the Morning”, which is the first single on the album, might be the most “normal” sounding song, but its truly beautiful, capturing the overall emotion of the album.

Album Lowlight: “Holy Boredom” was a little odd even for this album, but it serves its purpose as the transition between the lighter side of the album and the darker side. I see how this song could grow on me though.

Takeaway: This album tackles many different genres and is really a treat to listen to. The mix between psychedelic rock and folk is gaining mainstream popularity, but Akron/Family has been doing it for years and they’ve done it again. The song “Sometimes” is very gloomy and dark, yet “Sand Talk” is uplifting and very catchy. Sub Verses displays a wide range of emotions and each song evokes a different mood.

~Pete Mauch


Neon NeonPraxis Makes Perfect

3.5-BamsTop Tracks:
“Dr. Zhivago”
“Ciao Feltrinelli”
“The Jaguar”

Album Highlights: Super Furry Animal fans rejoice! There is new material, not from Super Furry Animals, but from SFA frontman Gruff Rhys. Being a long time Super Furry Animals fan, and a fan in general of everything Rhys touches, I was excited for the new Neon Neon album. Praxis Makes Perfect is the second album by Neon Neon, a collaborative project between Gruff Rhys and producer Boom Bip.

Praxis Makes Perfect continues Neon Neon’s tradition of conceptual albums. Their debut album, Stainless Style, told the life story of famous automobile engineer John DeLorean. Praxis Makes Perfect centers around the Italian publisher and political activist Giangiacomo Feltrinelli. Song titles like “Dr. Zhivago”, “The Leopard” and “Ciao Feltrinelli” pay homage to Feltrinelli’s career.

Neon Neon creates a unique blend of electronica, pop and indie rock, with a dash of 80’s smooth synth pop. Electro-heavy, Praxis Makes Perfect makes heavy use of the synthesizer. Mix the synth-heavy sounds with Gruff Rhys’s distinctive vocals and you have a catchy, poppy album.

Album Lowlight: This is a short album. Only 10 songs in length, this album clocks in at slightly over 30 minutes. I’m just getting started by the time the album finishes, leaving the listener yearning for more.

Takeaway: Praxis Makes Perfect is a great album despite it’s length. Gruff Rhys’ distinctive voice is at the forefront of this album. You may have heard Gruff Rhys on the Gorillaz’s Plastic Beach, guesting on the song “Superfast Jellyfish.”

Fans of Super Furry Animals will get their fix with this album while they await the group’s next move. I can only hope that SFA is delayed even longer in lieu of a Neon Neon tour.

~Kevin Raos