Avey Tare of Animal Collective gives us a peek into his process with an explosion of sounds & colors at a sold-out Lodge Room

Avey TareBy Rochelle Shipman //

Avey Tare //
Lodge Room – Los Angeles
May 13th, 2023 //

There’s something to be said about Avey Tare’s unapologetic capability to just be himself. It’s a center-stage trait that has always been a driving force behind experimental-pop band Animal Collective, and that also rings true on the plethora of solo pursuits he has blessed us with. The multi-instrumentalist born David Michael Portner brought his trademark ingenuity to life at LA’s Lodge Room last Saturday, the sold-out cherry on top of a two-month, cross-country tour.

On his phenomenal new album 7s, Tare takes the listener on a familiar mystical underwater journey — deep thoughts accompanied by a soft guitar, whimsical and vulnerable to a degree that nearly makes you blush. Despite that, it was still a bit surprising to see him step onstage and deliver the entire show completely alone (not to mention flawlessly, obviously). He navigated a maze of pedals, keys, strings and cables like the seasoned mastermind that he is, perhaps unironically singing, “Alone in a field I wonder how it is explained / That a person comes into the field of making sound and putting it together …” I found myself staring at the answer as he strummed a guitar and baring his entire soul onstage. In Tare’s case at least, it’s apparent that this person simply has no other choice but to make sound and put it together.

For the amount of instruments and equipment that he had onstage with him, nothing could hide the fact that Tare’s most valuable instrument is himself. Yes, his ability to play guitar and keyboards as well as to sing (and so on) is an essential part of his musical persona; however, they almost pale in comparison to his capability to express himself through nothing more than his very own body. Sound pulses through his veins just like blood runs through ours. It comes out in so many forms during a show — from measured yelps and head-to-toe shrieks to excerpts of heavy, rhythmic breathing. In those moments it appears he has surrendered all control and accepted pure freedom, finding his truest self (and borderline speaking his own language). His authenticity resonated with the capacity audience every time, garnering cheers and echoes that only grew each time his fits got wilder.

Avey Tare

Tare was stationed right in front of the 7s album cover and flanked by two alligators, switching between acoustic and electric guitars just as seamlessly as the neon lights overhead changed palettes. He hardly looked up except to spare a modest grin from time to time, almost as though he forgot the audience was there, and he barely spoke except to express gratitude.

Nevertheless, the energy in the room was buzzing throughout the entire set, folks pushing up against the stage desperate to be within shrieking distance of Tare. He seemingly had something for everyone, touching on all different corners of his solo catalog and even throwing in a quick version of “Chocolate Girl” in honor of the Animal Collective classic Spirit They’re Gone, Spirit They’ve Vanished, which was recently reissued.

Under the glow of the star-shaped chandelier inside this stunning, funny little masonic lodge on the outskirts of LA, for an hour and a half Tare gave us a peek into his process. It was an explosion of sounds and colors, a pure and absolute balm for the soul. It felt like a perfect summer night, even though it was the middle of May — nonsensical, yet peaceful and not unlike Tare himself.

Setlist:
Midnight Special
The Musical
Lips at Night
Hey Bog
Ghost of Books
Neurons
Ms. Secret (acoustic)
Coral Lords (acoustic)
Mystical
Invisible Darlings
Saturdays (Again)
Chocolate Girl (Animal Collective song)

Portola Music Festival returns to SF’s Pier 80 for second edition while tapping Eric Prydz & Skrillex as headliners in 2023

Portola Music Festival - 2023 lineup

Portola Music Festival //
Pier 80 – San Francisco
September 30th-October 1st, 2023 //

Well, look who’s back …

Portola, that’s who! Just when you thought we were done announcing lineups for music festivals this year, one of Goldenvoice’s newest events has returned for another go-around.

This time the two-day fest will have Eric Prydz and Skrillex, both of whom performed at Coachella last month, lead the charge after Flume and The Chemical Brothers were assigned headlining duties for its inaugural edition. But unlike last year, Portola 2023 will also boast a special guest that sees Chris Lake and Armand Van Helden teaming up for a B2B set on Saturday before Prydz presents his world-famous HOLO show.

While the roster again leans primarily in the electronic direction, there are a few diversions — from funk and soul to hip-hop and R&B — sprinkled in that adds some variety to an excellent undercard. Here are just some of the acts you won’t want to miss at SF’s Pier 80 as September turns to October: Polo & Pan, Labrinth, FKJ, Thundercat, Nelly Furtado, Rina Sawayama, Jai Paul, Carl Cox (hybrid set), Underworld, Major Lazer B2B Major League DJz, Charlotte de Witte, Purple Disco Machine, The Blaze, Dom Dolla, Bonobo (DJ set), Hot Chip, Masego, Chromeo, Bassment Jaxx (DJ set), Tokischa, Little Dragon, Flying Lotus, Kenny Beats, Flying Lotus, Little Simz, SBTRKT, Todd Terje (DJ set), DJ Koze, Róisín Murphy, Jon Hopkins, 2manydjs (Live), Overmono, Kavinsky, Totally Enormous Extinct Dinosaurs (Live), Pabllo Vittar, Young Fathers and Jockstrap.

You can buy tickets to Portola starting this Friday, May 19th at 10 a.m. PT with payment plans available, but make sure to register here for your presale code. Two-day GA passes start at $339.95 and increase to $379.95 (or $229.95-$249.95 for single-day tickets) while two-day VIP can be purchased for $559.95 before jumping to $629.95 (or $324.95 for one day) here if you’re age 21 and up.

Who’s ready to dance the day away down by the bay?!

Portola Music Festival 2023 - Saturday set times

Portola Music Festival 2023 - Sunday set times

UPDATE (August 15th): There’s still six weeks to go before Portola’s second installment, but you don’t have to wait for set times anymore! That’s right, folks … you can find the schedule for both days above, and make sure to download the festival’s mobile app here before getting your groove on at Pier 80.

Goldenvoice

It’s great to see Mike Patton back onstage & performing once again as Mr. Bungle rile up a sold-out crowd at Hollywood Palladium

Mr. BungleBy Josh Herwitt //

Mr. Bungle with Melvins, Spotlights //
Hollywood Palladium – Los Angeles
May 11th, 2023 //

When news broke in Sept. 2021 that Faith No More and Mr. Bungle had canceled their upcoming tour dates with lead singer Mike Patton citing “mental health reasons” for the decision, I was concerned.

Patton, after all, had been one of my favorite vocalists growing up, and considering all of the incredible musicians we have lost over the past decade, I was afraid we might have another leave us far too soon. The sudden and tragic passing of Chris Cornell back in 2017 had hit me hard as it had for many fans of 90’s alternative rock, but I knew that losing someone as influential and talented as Patton would also be difficult for me to stomach.

Thankfully those fears of mine didn’t come true despite Patton battling depression during the COVID-19 pandemic and eventually being diagnosed with agoraphobia. Because with a vocal range that spans six octaves, the Northern California native has carved out a rather unique career as a singer, producer, film composer and voice actor over the last three decades, regularly collaborating with other genre-bending artists like avant-garde jazz saxophonist John Zorn, hip-hop producer Dan the Automator and classical violinist Eyvind Kang on music outside of the heavy material he has been known to write as a member of FNM, Mr. Bungle, Fantômas, Tomahawk and Dead Cross.

Patton, nevertheless, has always maintained a relentless work ethic. His schedule would often see him juggling a myriad of projects simultaneously — whether it was fronting one of his five bands, serving as a producer for Merzbow, The Dillinger Escape Plan, Sepultura, Melvins, Melt-Banana and Kool Keith or running Ipecac Recordings alongside co-founder Greg Werckman for the last 20-plus years.

But that all changed in 2020 when the coronavirus spread and much of the world locked down. Afraid to go outside and be around people, Patton turned to alcohol as a way to cope but found himself unable to perform and in need of some professional help. The isolation, like it had for plenty of others, had gotten to him and zapped his confidence, causing him to freak out right before FNM were slated to hit the road and pull the plug on a dozen shows (none have been rescheduled so far).

Mr. Bungle - Mike Patton

“That’s when I kind of lost it, and it was ugly and not cool,” he told Rolling Stone last summer about his struggles. “I didn’t want to be in front of people, which is weird because I spent half of my life doing that.”

So when Patton made his first appearance onstage a few months later with Mr. Bungle touring in South America, there was a sense of relief that the 55-year-old was finally in a better place and back on track. Then came a spring tour announcement at the beginning of this year, offering further evidence that he was ready to make up for lost time on an 11-date run on the West Coast with labelmates Melvins and Spotlights that included a sold-out showing at the Hollywood Palladium last Thursday.

For everything that he has been through, Patton seemed to be in good spirits when Mr. Bungle took the stage in LA shortly after 10 p.m. The quintet made up of Patton (lead vocals, keyboards, samples), Trey Spruance (lead guitar, keyboards, backing vocals), Trevor Dunn (bass, backing vocals), Anthrax’s Scott Ian (rhythm guitar, backing vocals) and Slayer’s Dave Lombardo (drums, glockenspiel) has been kicking off several of its headlining sets on the “Geek Show 2023” tour with a cover of John Sebastian from The Lovin’ Spoonful before tearing into tracks — including “Bungle Grind”, “Eracist”, “Anarchy Up Your Anus”, “Methematics” and “Raping Your Mind” — off the group’s fourth LP titled The Raging Wrath of the Easter Bunny Demo that dropped toward the end of 2020, and with the Palladium’s large ballroom floor packed to the gills, you could tell that the capacity crowd had been waiting eagerly through both supporting acts to be whipped into a frenzy.

No further indication of that was necessary less than a minute into Mr. Bungle’s performance, as one crowd surfer after another came crashing into the photographer’s pit at the front of the stage and into multiple pairs of arms from the venue’s security team. And while the conditions for those of us on the photo list weren’t totally ideal given that we were only allowed to capture Mr. Bungle’s first two songs (plus unexpectedly dodge numerous horizontal bodies), it was quite a way to cover live music for the first time since being sidelined with a ruptured Achilles tendon.

I will be first to admit that Mr. Bungle, which only reunited a few years ago as a thrash metal outfit with Ian and Lombardo signing on, isn’t my favorite project featuring Patton. After more than a 20-year gap between albums, their latest is actually a re-recording of the outfit’s first self-released demo tape from 1986. That doesn’t make it bad of course, though it would be nice to hear something else new by this current iteration of the band. But as someone who has experienced his own health setback recently, I know it’s not always easy getting back out there, and that could certainly still be the case for Patton at times. You never know what someone else is going through or when will be the last time you see them, and that’s something you often learn with age. But life moves pretty fast, too … and right now we’re all better off with Patton in it once again.

MR. BUNGLE

Setlist:
Welcome Back (John Sebastian cover)
Bungle Grind
Eracist
Spreading the Thighs of Death
Territory (Sepultura cover)
Hypocrites
Speak English or Die (Stormtroopers of Death cover) (changed to “Speak Spanish or Die”)
Glutton for Punishment
Anarchy Up Your Anus
Methematics
Hell Awaits (Slayer cover) (intro)
True / Cold War / True
Raping Your Mind
World Up My Ass (Circle Jerks cover)
Sudden Death

Encore:
Loss of Control (Van Halen cover)
My Ass Is on Fire (with PEP tag)

MELVINS

Setlist:
Snake Appeal
Zodiac
Copache
I Want to Hold Your Hand (The Beatles cover)
Hammering
Never Say You’re Sorry
Evil New War God
Let It All Be
Blood Witch
Your Blessened
A History of Bad Men
Honey Bucket

SPOTLIGHTS

Setlist:
The Alchemist
Sunset Burial
Algorithmic
False Gods
Part IV