It’s great to see Mike Patton back onstage & performing once again as Mr. Bungle rile up a sold-out crowd at Hollywood Palladium

Mr. BungleBy Josh Herwitt //

Mr. Bungle with Melvins, Spotlights //
Hollywood Palladium – Los Angeles
May 11th, 2023 //

When news broke in Sept. 2021 that Faith No More and Mr. Bungle had canceled their upcoming tour dates with lead singer Mike Patton citing “mental health reasons” for the decision, I was concerned.

Patton, after all, had been one of my favorite vocalists growing up, and considering all of the incredible musicians we have lost over the past decade, I was afraid we might have another leave us far too soon. The sudden and tragic passing of Chris Cornell back in 2017 had hit me hard as it had for many fans of 90’s alternative rock, but I knew that losing someone as influential and talented as Patton would also be difficult for me to stomach.

Thankfully those fears of mine didn’t come true despite Patton battling depression during the COVID-19 pandemic and eventually being diagnosed with agoraphobia. Because with a vocal range that spans six octaves, the Northern California native has carved out a rather unique career as a singer, producer, film composer and voice actor over the last three decades, regularly collaborating with other genre-bending artists like avant-garde jazz saxophonist John Zorn, hip-hop producer Dan the Automator and classical violinist Eyvind Kang on music outside of the heavy material he has been known to write as a member of FNM, Mr. Bungle, Fantômas, Tomahawk and Dead Cross.

Patton, nevertheless, has always maintained a relentless work ethic. His schedule would often see him juggling a myriad of projects simultaneously — whether it was fronting one of his five bands, serving as a producer for Merzbow, The Dillinger Escape Plan, Sepultura, Melvins, Melt-Banana and Kool Keith or running Ipecac Recordings alongside co-founder Greg Werckman for the last 20-plus years.

But that all changed in 2020 when the coronavirus spread and much of the world locked down. Afraid to go outside and be around people, Patton turned to alcohol as a way to cope but found himself unable to perform and in need of some professional help. The isolation, like it had for plenty of others, had gotten to him and zapped his confidence, causing him to freak out right before FNM were slated to hit the road and pull the plug on a dozen shows (none have been rescheduled so far).

Mr. Bungle - Mike Patton

“That’s when I kind of lost it, and it was ugly and not cool,” he told Rolling Stone last summer about his struggles. “I didn’t want to be in front of people, which is weird because I spent half of my life doing that.”

So when Patton made his first appearance onstage several months later in December with Mr. Bungle touring South America, there was a sense of relief that the 55-year-old was finally in a better place and back on track. Then came a spring tour announcement at the beginning of this year, which only offered further evidence that he was ready to make up for lost time on an 11-date run with labelmates Melvins and Spotlights that included a sold-out showing at the Hollywood Palladium last Thursday.

For everything that he has been through, Patton seemed to be in good spirits when Mr. Bungle took the stage in LA shortly after 10 p.m. The quintet made up of Patton (lead vocals, keyboards, samples), Trey Spruance (lead guitar, keyboards, backing vocals), Trevor Dunn (bass, backing vocals), Anthrax’s Scott Ian (rhythm guitar, backing vocals) and Slayer’s Dave Lombardo (drums, glockenspiel) has been kicking off some of their headlining sets on the “Geek Show 2023” tour with a cover of John Sebastian from The Lovin’ Spoonful before tearing into tracks — including “Bungle Grind”, “Eracist”, “Anarchy Up Your Anus”, “Methematics” and “Raping Your Mind” — off the group’s fourth LP titled The Raging Wrath of the Easter Bunny Demo that dropped toward the end of 2020, and with the Palladium’s large ballroom floor packed to the gills, you could tell that the capacity crowd had been waiting eagerly through both supporting acts to be whipped into a frenzy.

No further indication of that was necessary less than a minute into Mr. Bungle’s performance, as one crowd surfer after another came crashing into the photographer’s pit at the front of the stage and into multiple pairs of arms from the venue’s security team. And while the conditions for those of us on the photo list weren’t totally ideal given that we were only allowed to capture Mr. Bungle’s first two songs (plus unexpectedly dodge numerous horizontal bodies), it was quite a way to cover live music for the first time since being sidelined with a ruptured Achilles tendon.

I will be first to admit that Mr. Bungle, which only reunited a few years ago as a thrash metal outfit with Ian and Lombardo signing on, isn’t my favorite project featuring Patton. After more than a 20-year gap between albums, their latest is actually a re-recording of the outfit’s first self-released demo tape from 1986. That doesn’t make it bad of course, though it would be nice to hear something else new by this current iteration of the band. But as someone who has experienced his own health setback recently, I know it’s not always easy getting back out there, and that could certainly still be the case for Patton at times. You never know what someone else is going through or when will be the last time you see them, and that’s something you often learn with age. But life moves pretty fast, too … and right now we’re all better off with Patton in it once again.

MR. BUNGLE

Setlist:
Welcome Back (John Sebastian cover)
Bungle Grind
Eracist
Spreading the Thighs of Death
Territory (Sepultura cover)
Hypocrites
Speak English or Die (Stormtroopers of Death cover) (changed to “Speak Spanish or Die”)
Glutton for Punishment
Anarchy Up Your Anus
Methematics
Hell Awaits (Slayer cover) (intro)
True / Cold War / True
Raping Your Mind
World Up My Ass (Circle Jerks cover)
Sudden Death

Encore:
Loss of Control (Van Halen cover)
My Ass Is on Fire (with PEP tag)

MELVINS

Setlist:
Snake Appeal
Zodiac
Copache
I Want to Hold Your Hand (The Beatles cover)
Hammering
Never Say You’re Sorry
Evil New War God
Let It All Be
Blood Witch
Your Blessened
A History of Bad Men
Honey Bucket

SPOTLIGHTS

Setlist:
The Alchemist
Sunset Burial
Algorithmic
False Gods
Part IV

New Music Tuesday: Ben Harper with Charlie Musselwhite • Tegan and Sara • Local Natives • Emmy Rossum • Tomahawk • Ducktails

Ben Harper with Charlie Musselwhite - Get Up

Every Tuesday, we focus on new music releases by naming our top tracks, album highlights, lowlights and important takeaways for select albums.


Ben Harper with Charlie MusselwhiteGet Up!

4-BamsTop Tracks:
“I Don’t Believe a Word You Say”
“I Ride at Dawn”
“Get Up!”

Album Highlight: Ben Harper and Charlie Musselwhite’s new collaboration Get Up! is one of the best blues albums I’ve heard in a while. A mix of acoustic and electric, Get Up! showcases the strengths of both artists. Musselwhite’s haunting and impassioned harmonica is a constant throughout, while Ben Harper’s signature slide guitar finds it’s moments to shine.

Album Lowlight: This album is very bluesy, and although that is what makes it work so well, it is also the reason it can be a little pedestrian at time. I really would love to hear what Musselwhite can do outside of the realm of blues.

Takeaway: Harper and Musselwhite have created a rejuvenating blues album merging what we love about both artists into one cohesive record. It sounds like Musselwhite had carte blanche to layer his trademark sound throughout. This is a record that will get regular play in my rotation.

~Kevin Raos


Tegan and SaraHeartthrob

3-BamsTop Tracks:
“Closer”
“Drove Me Wild”
“I Couldn’t Be Your Friend”

Album Highlight: “Closer” is the catchiest and most club friendly track on the album. Tegan and Sara divert from their typically indie-rock, girl band strengths to produce a fantastically successful new-wave dance jam. “Closer” showcases their strong grasp of current pop music trends and signifies their evolution as songwriters. However, the opening track falsely sets you up for a less than exciting sophomore effort.

Album Lowlight: “Now I’m All Messed Up” feels like the overproduced, female vocalized electro-rock bands songs of the late nineties. The track lacks in both lyrical content and musical style. The added effects and distorted chorus almost seem like a cover-up for the lack of song structure and lyrics that sound like a high school journal entry.

Takeaway: “I Couldn’t Be Your Friend” has a great piano hook from the beginning, but takes a minute to pick up. Once involved in the chorus though, it is one song that you can’t help but continue to listen and maybe even sing along. “I couldn’t Be Your Friend” is the best lyrical effort on the album and all around most complete track on Heartthrob.

~Molly Kish


Emmy RossumSentimental Journey

2-BamsTop Tracks:
“Sentimental Journey”
“I’ll Be with You in Apple Blossom”
“Nobody Knows You When You’re Down”
“All I Do Is Dream of You”

Album Highlight: “Sentimental Journey” is the title track and best example of the direction this album should have gone in. This song is a wonderful display of Rossum’s vocals and unlike the rest of the obnoxiously campy show-tune album has a beautifully simplistic blues arrangement, paying homage to the female jazz legends she is attempting to emulate.

Album Lowlight: Although an obvious cover straight off the 1933 soundtrack for Roman Scandals, the final track of the album “Keep Young and Beautiful” further accentuates the actress/musician cross-over effort Rossum struggles with throughout the entire album. It’s over the top within the opening five seconds of the track’s vaudeville monologue and instantly makes me want to listen to it as an actresses’ audition rather than as a recording artists tribute.

Takeaway: Amidst the various efforts on the album to display contemporary jazz ballads, “All I Do Is Dream of You” is the most successful. Rossum clearly has the chops to produce a beautiful love song, best done in this manner of a stripped-down standard.

~Molly Kish


TomahawkOddfellows

2.5-BamsTop Tracks:
“Stone Letter”
“White Hats/Black Hats”
“South Paw”

Album Highlight: Mike Patton has always had a knack for the experimental, whether it be Mr. Bungle, Peeping Tom or any of his various acts. “Rise Up Dirty Waters” displays the balance between quiet beauty and maniacal frenzy, always keeping his listeners on their toes.

Album Lowlight: Their sound is kind of stuck in an area of Nu-metal meets Les Claypool. One needs to truly love the singing style of Mike Patton in order to truly appreciate — and enjoy — Tomahawk.

Takeaway: This alt-metal supergroup has been featuring the weird, Patton-fueled sound for over a decade, and this album continues that tradition. A fun romp of a listen for any Nine Inch Nails or Tool fan still holding onto the hard rock heydays of the 90’s and early 2000’s.

~Kevin Quandt


DucktailsThe Flower Lane

3-BamsTop Tracks:
“Flower Lane”
“Under Cover”
“Academy Avenue”

Album Highlight: The Flower Lane is a Steely Dan-inspired album with a fuller sound than previous releases, yet it’s still in the beach vibe of Matt Mondanile. Tracks like “Assistant Director” feature electronic effects and a danceable vibe, a new sound to this once solo project.

Album Lowlight: I feel like a few of these songs might get a better treatment from his No. 1 gig, Real Estate. Vocals could leave a little to be desired, but it doesn’t subtract from the overall sound much.

Takeaway: Ducktails takes the breezy feel of Real Estate and mixes in more 80’s pop and world influence. For fans of heavy reverb! The inclusion of Big Troubles as Mondanile’s backing band adds the feeling of a full band as opposed to the entirely solo efforts previously released under the Ducktails moniker.

~Kevin Quandt