NOLA supergroup Dragon Smoke keep surprising

DragondSmokeBy Josh Herwitt //

Dragon Smoke featuring Ivan Neville, Stanton Moore, Eric Lindell & Robert Mercurio //
The Mint – Los Angeles
December 4th, 2013 //

There’s an old adage that “where there’s smoke, there’s fire.” Well, these days, where there’s Dragon Smoke, there’s also fire — but in a good way.

That’s just a testament to the kind of energy the New Orleans supergroup brings every night it hits the stage. Of course, whenever you put four All-Star musicians in the same room, good things can often happen.

Yet, it still takes chemistry to make a band click on all cylinders, and Dragon Smoke certainly has that with Ivan Neville, Eric Lindell, Stanton Moore and Robert Mercurio on board.

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For one, you won’t find a much better rhythm section in the music business than Moore and Mercurio, who are best known for their work with New Orleans funk outfit Galactic. Moore, after all, has become one of the most sought-after drummers over the last decade. With a burgeoning solo career that has led to playing in other supergroups like Garage A Trois and Street Sweeper Social Club, it’s hard to fathom how he has found the time for another side project. Mercurio and his bass, meanwhile, know how to stay plenty busy as well.

So, when you add Neville’s impeccable dexterity on the keys and Lindell’s tasty guitar licks to the mix, you’ve got quite the four-piece on your hands. And that’s without mentioning that Neville and Lindell can both hit the high notes when it’s time to take the mic.

After catching last year’s show at The Mint, Showbams returned to the diminutive jazz club in LA on Wednesday to see what exactly the quartet had in store this time around.

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Playing two sets that predictably extended past the three-hour mark, Dragon Smoke cooked up a mean batch of gumbo and followed that up with a healthy helping of jambalaya. There were covers of Bill Withers (“Grandma’s Hands”), BLACKstreet (“No Diggity”) and even some old school War (“Slippin’ into Darkness”).

But one of the biggest surprises of the night — and a pleasant one at that — was the band’s rendition of Fleetwood Mac’s “Landslide”, serving as another piece of evidence that at any point in time, Dragon Smoke is more than capable of taking someone else’s song and making it entirely its own.

If the packed crowd was any indication of what Dragon Smoke has become in the last 10 years, you can bet that these four horsemen will be touring again sometime next year.

Dragon Smoke unleash their fury at The Mint

Dragon SmokeBy Pete Mauch //

Dragon Smoke //
The Mint — Los Angeles
December 12th, 2012 //

New Orleans supergroup Dragon Smoke made their annual winter trip west, and they once again brought the heat to The Mint in LA. The band is Galactic’s rhythm section of Stanton Moore on drums and Robert Mercurio on bass and features Ivan Neville of Dumpstaphunk and New Orleans guitar staple Eric Lindell.

Lindell's-Guitar

Dragon Smoke got things going early with a funky version of “Let a Woman be a Woman, Let a Man Be a Man”. This classic song originally by Dyke and The Blazers had the crowd dancing early in the set. Lindell and Neville shared vocal duties on most songs, and they are both excellent singers. Lindell has a very Southern soul sound to him that just reeks of New Orleans. Of course, Ivan Neville also has his soulful growl he delivers with great phrasing, as he did with the song “Out in the Country”.

As always, Moore and Mercurio were locked in tight. They seemed especially fired up for this concert. Moore did his signature “standing up and going apeshit on the drums”, while Mercurio head-bobbed his way through the groove. It was quite a treat to see this up close at The Mint.

Stanton-&-Mecurio

The highlight of the night came deep in the second set and was a huge sandwich of “Slipping into Darkness” > “Fire on the Bayou” > “Fly Like an Eagle” >”Fire on the Bayou”  > “Slipping into Darkness.”  All of the songs were weaved in and out of each other effortlessly.

Lindell-and-Stanton

Lindell then had a soulful take on George Jones’s “She Thinks I Still Care” that was very moving. They ended the night with Billy Prestions “Will it Go Round in Circles” that was the perfect way to end the show.