Nick Murphy – Showbams

Bonobo with Tourist & O’Flynn //
Greek Theatre – Los Angeles
October 22nd, 2022 //

For those who have been following Simon Green’s work under the Bonobo moniker that the British DJ, producer and musician created more than two decades ago in the seaside city of Brighton, it shouldn’t necessarily be a surprise to hear his seventh LP Fragments arrived in January almost five years to the day since 2017’s Migration came out.

A lot has happened around the world over that span, though none more impactful than the COVID-19 pandemic of course. Green has even stated in interviews that the isolation he experienced during the lockdown stifled his creativity for much of 2020.

In fact, it wasn’t until he received Jamila Woods’ vocal parts that Fragments would begin to take shape, with “Tides” featuring the Chicago-based singer-songwriter, rapper and poet serving as its centerpiece. So while the 12-track album embodies Green’s struggles and introspection over the past two years with a deep sense of sorrow, it also offers moments of liberation and joy for the three-time Grammy nominee.

All of those emotions were channeled through Green’s music last Saturday at the Greek Theatre in his adopted hometown of LA. This wasn’t actually the first time he was headlining the historic amphitheater. No, we were there for that (read our show review here) as he shared the stage with Canadian electronic duo Bob Moses and demonstrated why his live performances are truly something special to witness.

Nicole Miglis

Nonetheless, this gig marked the final date of his U.S. live tour in support of Fragments, and what better way to end a weeks-long trek across the states than on a rainy night in the City of Angels? Green might very well disagree given that the inclement weather had fans abandoning their seats for shelter on each side of the venue, but the precipitation would fortunately last for only part of Tourist’s opening set as the clouds parted before the evening’s main attraction.

By the time Green stepped onstage with his live band after 9 p.m., the Greek was ready to welcome him with open arms. It’s not often he performs with a string section behind him, but with the increasing costs that have come with touring on a larger scale, Green knows it’s not likely he’ll be able to do this again in the same capacity down the road as he confessed recently on social media. Almost a third of the songs that he would unveil featured Nicole Miglis of Hundred Waters on lead vocals, and with her touching on some newer and older Bonobo material, she filled in seamlessly as a proper substitute for Green’s wide swath of collaborators that has included Joji, Nick Murphy (aka Chet Faker) and Rhye to name a few.

There was a small hope in us too that Green would debut his brand-new single “Defender” after its drop three days prior, but despite our wish not coming true, the inclusion of “ATK” following its release in early September as well as 2019’s “Linked” proved this tour was more than just a celebration of Fragments. If anything, it was him reminding us how much his eclectic sound has been rooted in the UK dance clubs it pervaded amid the early 2000’s.

With the live music industry still in a state of recovery as many established artists struggle to make ends meet, there’s no telling what a live Bonobo show will look like in the future. One could see Green scaling back to not have as much instrumentation and instead utilizing more prerecorded stems to ease some of the financial burden — or he could simply stick to the major markets and pass on the smaller cities such as Flagstaff, Ariz. Either way, we have little doubt that however Green’s performances look one day, they will be like they have always been: beautiful, euphoric, sad and all of those feelings in between.

Setlist:
Polyghost
Rosewood
Counterpart
Surface (feat. Nicole Miglis)
Tides (feat. Nicole Miglis)
Kiara (feat. Nicole Miglis)
Bambro Koyo Ganda
Cirrus
Outlier
ATK
From You (feat. Nicole Miglis)
No Reason (feat. Nicole Miglis)
Linked
Age of Phase
Otomo

Encore:
Break Apart (feat. Nicole Miglis)
Kerala

By Josh Herwitt //

Red Bull Sound Select – 30 Days in LA: Nick Murphy (fka Chet Faker) //
The Theatre at Ace Hotel – Los Angeles
November 30th, 2016 //

When Nick Murphy dropped his debut LP Built on Glass (read our review here) under the alias “Chet Faker” in 2014, the Australian singer-songwriter was relatively unknown outside of his home country.

Sure, his cover of Blackstreet’s “No Diggity” reached No. 1 on the Hype Machine charts and made an appearance in a Super Bowl commercial, but Murphy’s popularity had been mostly confined to the land Down Under, with a list of accolades including “Breakthrough Artist of the Year” at the Australian Independent Records Awards and “Best Independent Release” at the Rolling Stone Australia Awards.

Built on Glass changed all of that, paving the way for Murphy to sell out shows in major U.S. markets, including two in LA at The Roxy Theatre (read our review here). With the 12-track album boasting three singles — one of them being “Talk Is Cheap”, which shot all the way to No. 1 in the 2014 Triple J Hottest 100 countdown — the Melbourne native was quickly headed for mainstream status.

Since then, he has made an appearance on “Ellen” and this year headlined music festivals up and down California, including CRSSD Festival (see more photos here) as well as Lighting in a Bottle (read our festival review here), where he reaffirmed that moving to a full live band was one of the best career moves he has made. In fact, ever since his set on the main stage at FYF Fest (read our festival review here) in 2015, Murphy has taken his live show up a few notches.

The Theatre at Ace Hotel

But that was a different person; Chet Faker is now a man of the past. Nearly two months ago, Murphy made the announcement on Twitter, revealing that “there’s an evolution happening and I wanted to let you know where it’s going.” It was his way of telling us that he no longer wanted to hide behind the moniker he spun off in reference to famous jazz trumpeter Chet Baker. From here on out, his real name would be attached to his music. And as cheesy and cliché as it might be for a musician to change their identity for artistic reasons, Nick Murphy — the one who sold out another show in LA last Wednesday — is an extension of Chet Faker more than anything else. Call him Chet Faker, Nick Murphy or whatever name you want — it doesn’t change the fact that the 28-year-old Aussie always pours his heart and soul out when he’s onstage.

At The Theatre at Ace Hotel, the gorgeously ornate, Spanish Gothic-style movie house built in 1927 and owned by United Artists, Murphy put a stamp on Red Bull Sound Select’s 30 Days in LA, which after only three years is becoming a November staple for the city’s booming music scene. From opening night with Sampha at the Palace Theatre to Murphy’s series finale just a few blocks down Broadway, Red Bull continues to seemingly outdo themselves year after year with a month full of shows featuring top-notch talent at an affordable rate (all tickets were $15 or less before taxes and fees).

But unlike many of the series’ other shows, Murphy didn’t just hit the stage for an hour and call it a night. Instead, his 90-minute set extended past midnight as he dove into newer cuts — “Bend”, “Stop Me (Stop You)” and “Fear Less” — from his forthcoming sophomore studio album (release date TBA) and played older hits like “1998” and “Gold” off of Built on Glass. There were also guest appearances by Marcus Marr, the English DJ/producer whom Murphy worked with on last year’s collaborative EP Work, and Dave Harrington, the Brooklyn-based multi-instrumentalist who is best known for being one half of the now-on-hiatus electronic music duo Darkside that includes Nicolas Jaar. Murphy might be filling seats thanks to his uniquely soulful voice, but it’s his propensity to surprise that keeps them filled at bigger venues each and every time he performs in LA.

Murphy’s music, both new and old, can be difficult to describe. It’s equal parts electronic, rock and soul, a hybridization that accessibly encompasses all three genres. And while his latest material follows along a similar sonic path, Murphy continues to prove that he isn’t afraid to take risks with his honest, heartfelt songwriting. So, who really needs Chet Faker when you got Nick Murphy now anyway?