BOOTS – Showbams

Phantogram prove they are more than just headlining material at a sold-out Hollywood Palladium to wrap up their North American tour

By Josh Herwitt //

Phantogram with Sunday (1994), Ginger and the Peppers //
Hollywood Palladium – Los Angeles
February 28th, 2025 //

Even prior to catching Phantogram open for Kings of Leon at the always-beautiful Santa Barbara Bowl last summer (see our photos from their performance here), we knew that it wouldn’t be long before the street-beat/psych-pop duo embarked on its own proper headlining tour.

After all, Sarah Barthel (vocals, keyboards, piano, programming, synthesizers, guitars, production) and Josh Carter (vocals, guitars, programming, synthesizers, drums, percussion, production) a week earlier had just announced that their fifth LP Memory of a Day would be dropping in less than two months after unleashing “All a Mystery” and “Happy Again” as its initial two offerings.

The 12-track album arrived in October, more than four years after 2020’s Ceremony came at the height of the COVID-19 pandemic when things felt very uncertain around the world — and in many ways, they still feel very similar with an unhinged, autocratic demagogue running the free world again.

Despite having five singles issued ahead of its release after working with three-time Grammy-winning producer Andrew Dawson and the Grammy-nominated BOOTS in the studio though, Ceremony didn’t receive the same sort of fanfare as 2014’s Voices and 2016’s Three that boast some of Phantogram’s biggest hits in their catalog. While the record’s timing with the coronavirus raging out of control could have played a huge role in how it was received, you can hear Barthel and Carter chartering a different path sonically from where they started 10 years earlier on their debut full length Eyelid Movies as well.

It could be one of several reasons why at times only two songs (“Pedestal” and “Glowing”) off Ceremony made it onto the setlist during their recent “Running Through Colors” tour that spanned 28 cities across North America before a third tune (“Let Me Down”) was added back for the final three dates, culminating on a Friday night at a sold-out Hollywood Palladium with LA dream-pop act Sunday (1994) and Brazilian rockers Ginger and the Peppers serving as support.

Either way, Barthel and Carter have moved on with the spotlight squarely on their latest material now. There are moments on Memory of a Day that sonically evoke the spirit of the New York group’s early discography as Carter’s scintillating synths and bombastic beats collide with Barthel’s breathy, vibrant vocals — a recipe for success that has ultimately propelled them to pack rooms as large as the 4,000-person Palladium to the gills for more than a decade (here’s our proof in case you don’t believe us).

The hard-hitting trip-hop of “Jealousy” strikes that tone right from the onset as Barthel comes out guns blazing, leaving nothing up to interpretation with a candid inner monologue that quickly has us nodding along to her confessions of “Burning on the inside / It’s cool, I’ll kill you with a smile / Congratulations / But really ‘fuck you’ in my mind” in the opening verse. You know, because haven’t we all had some of these thoughts before?

Barthel’s lyrics have always been accessible and often relatable, but with this show being livestreamed for a modest price, she made sure to bring her “A” game for an evening that you could have unofficially labeled as “Date Night in LA: Phantogram edition” based on the sheer number of couples in attendance. The reward would be not only getting to hear Phantogram dust off gems like “Don’t Move” on their 2011 EP Nightlife and employ a full spectrum of colors to light up the stage over the course of 90 minutes, but also dig into more than half of Memory of a Day. What was somewhat curious is that Barthel and Carter didn’t perform “Running Through Colors” at any point on the tour given the name they chose — and the same could be said for the title track being skipped — yet the band did make the capacity crowd “Come Alive” via a rousing applause before exiting stage left for its brief encore break.

Since reconnecting in 2007 after returning home to the Saratoga Springs area, Barthel and Carter have turned their childhood friendship into a creative partnership that has earned them appearances at major music festivals around the world as well as unique collaborations with household names such as Big Boi and Tom Morello, the latter of which we actually covered a few weeks ago at the House of Blues down in Anaheim (read our show review here). Amidst all of the fame and fortune however, it only seems natural that a cross-country move to LA would eventually be in the cards for Phantogram considering this city’s penchant for attracting creatives and its undying love for live music.

And as much as they have fit right into their adopted hometown, Barthel and Carter know how to save their best for last when they are onstage. It’s hard to believe almost 10 years have passed since “You Don’t Get Me High Anymore” first entered our earholes, and in that span, the lead single on Three has not lost any of its staying power. In fact, we haven’t been able to stop replaying its catchy chorus in our head after being sandwiched in the middle of Phantogram’s three-song encore. That’s what any artist should hope for when it comes to telling their story, with the cream of the crop making music that can stand the test of time. Of course, only time will tell if Memory of a Day makes a lasting impression like most of their previous efforts have, and as Phantogram brought us back to the late aughts with “When I’m Small” tying a bow on the show and a six-week tour, we took a deep breath and remembered that the memory they have already left will live inside of us for more than a day but rather a lifetime.

PHANTOGRAM

Setlist:
Jealousy
Don’t Move
Fall in Love
Feedback Invisible
Pedestal
It Wasn’t Meant to Be
Mouthful of Diamonds
Run Run Blood
Attaway
You Are the Ocean
Answer
All a Mystery
Happy Again
Black Out Days
Let Me Down
Come Alive

Encore:
Glowing
You Don’t Get Me High Anymore
When I’m Small

SUNDAY (1994)

Setlist:
Blonde
Stained Glass Window
TV Car Chase
Mascara
Our Troubles
Blossom
Tired Boy

GINGER AND THE PEPPERS

Setlist:
Intro
Nails
Pinch
The Ocean
Alê solo
Stolen Crown
Neighborhood
Spirals of Time

Run the Jewels spoil 5,000 fans in LA with special guests Zack de la Rocha, Danny Brown & more

By Josh Herwitt //

Run the Jewels //
Shrine Expo Hall – Los Angeles
February 1st, 2017 //

When Jaime Meline and Michael Render teamed up to form Run the Jewels in 2013, neither were household names all on their own. Meline, better known as El-P among underground hip-hop fans, had built a modest career as a beatmaker/producer, rapper and independent record label owner, while Render, aka Killer Mike, had garnered some slight fanfare for his collaborations with OutKast and fellow Atlanta emcee Big Boi.

Yet, in just four years, Run the Jewels have already reached hip-hop’s mountaintop with their politically charged lyrics and hard-hitting beats. Just take last Wednesday’s sold-out show in LA for example. With the duo’s third studio album still only a few weeks old, 5,000 or so fans poured into the spacious Shrine Expo Hall to watch El-P and Killer Mike fuck shit up (for lack of a better term). And that’s exactly what they did after opening sets from The Gaslamp Killer, Nick Hook, Gangasta Boo and CUZ.

From the moment they walked onstage to Queen’s “We Are the Champions” blasting out of the PA system, much like they did at FYF Fest (read our review here) a couple summers ago, El-P and Killer Mike kept the energy odometer at 100. They jumped right into material from their latest LP Run the Jewels 3, starting with “Talk to Me” and continuing in chronological order, before telling us to raise our hands in the air and flash their patented fist-and-a-gun hand gesture in between songs.

By the time El-P and Killer Mike dove into “Blockbuster Night, Part 1” and “Oh My Darling Don’t Cry” from their critically acclaimed sophomore record, the capacity crowd was fully entrenched in RTJ’s aggro-hip-hop stylings. But unlike most of the dates on their “Run the World Tour” so far, this one was loaded with top-notch special guests. Going into it, I had a good feeling that we were in for at least a couple knowing RTJ’s penchant for surprises and the fact that we were in La La Land after all. What played out, though, surpassed just about all of my expectations.

As soon as we heard the opening guitar riff to DJ Shadow’s “Nobody Speak” from his 2016 LP The Mountain Will Fall, I thought we might be getting an appearance from the legendary Bay Area producer and turntablist himself. Instead, it was the ensuing song that proved to be our first surprise of the night, as Detroit rapper Danny Brown emerged from the shadows to trade lines with El-P and Killer Mike on their RTJ3 collaboration “Hey Kids (Bumaye)”. Of course, as unexpected as Brown’s appearance was, RTJ had plenty of more tricks up their sleeves. One of them was the aforementioned Gangsta Boo guesting on their crude, raunchy RTJ2 track “Love Again (Akinyele Back)” as she has done throughout the tour, but as the clock hit 11 p.m., El-P and Killer Mike had a few more friends to introduce. BOOTS, the enigmatic singer/rapper and songwriter who worked on Beyoncé, was up next, contributing the same vocals he supplied in the studio for “Early” before a drum set was rolled out for Blink-182’s Travis Barker, who made his presence felt with a dramatic, blood-pumping finish — sticks twirling and all — to “All Due Respect”. And if that wasn’t enough, the Brooklynlanta team made sure we got to briefly meet Dungeon Family member and singer Joi via its RTJ3 opener “Down” before exiting stage right.

But while it’s clear that RTJ have come a long way even since their early days, El-P and Killer Mike made sure to save the best for last at the Shrine Expo Hall. It’s well-known, in fact, that they have brought out Zack de la Rocha from time to time, most recently in Washington D.C. during a pre-inauguration performance last month, but there’s still something exhilarating about seeing the Rage Against the Machine frontman grab the mic and go to work. Lucky for us, RTJ’s encore featured de la Rocha on both “Kill Your Masters” and “Close Your Eyes (And Count to Fuck)”, the latter of which is one of the duo’s most powerful and provocative songs. It was a fitting way to end the night, particularly in our current political climate, but at least we have El-P and Killer Mike to help us make sense of it all.

Setlist:
We Are the Champions (Queen song)
Talk to Me
Legend Has It
Call Ticketron
Blockbuster Night, Part 1
Oh My Darling Don’t Cry
Nobody Speak (DJ Shadow cover)
Hey Kids (Bumaye) (with Danny Brown)
Stay Gold
Don’t Get Captured
Panther Like a Panther
Love Again (Akinyele Back) (with Gangsta Boo)
Lie, Cheat, Steal
Early (with BOOTS)
All Due Respect (with Travis Barker)
Run the Jewels
A Report to the Shareholders
Down (with Joi)