‘Because the Internet’: Childish Gambino integrates digital tech at the Fox Theater Oakland for his rescheduled performance

Childish-Gambino_postBy Benjamin Wallen //

Childish Gambino //
Fox Theater Oakland – Oakland
May 6th, 2014 //

Childish Gambino (born Donald Glover) finally made it to a sold-out Fox Theater Oakland on Tuesday for a rescheduled performance after a last-minute cancellation in February. That original date was also supposed to be the opening night of his current tour, but the show could not go on at that time “due to hardware issues beyond my control,” according to Glover.

Sounds of a dial-up modem trying to connect to the internet were the first sounds heard, failing over and over again with many “busy” tones. Finally, a sound of connectivity broke through the static hiss and the room immediately came alive. Walking onto the stage mimicking his album cover zombie face, Gambino took a seat at the piano to start, but things quickly escalated into a high-energy set as we expected.

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Gambino bounced around the stage, even taking fans’ cell phones for some onstage selfies. The lights and production rivaled big household names and delivered in every way possible. Soul, hip-hop and the occasional space odyssey gave the Bay Area the very best of what they love about Childish Gambino.

Following the lead from his most recent album Because the Internet, the current tour includes a live feed from his “leaked” Snapchat account to a large screen behind the stage. This allowed fans in attendance to post messages on the screen and scribble ones to other fans. ‘Bino himself used the medium to spoil HBO’s “Game of Thrones” and reference other moments in pop culture. With a mega-youthful crowd on hand, it made sense for Glover to lace “digital age of information” aspects into his art, creating a unique experience and a memorable evening in Oakland.

PHOTOS: String Cheese Incident at the Fox Theater Oakland 4/24

SCI_THUR_postBy Benjamin Wallen //

String Cheese Incident //
Fox Theater Oakland – Oakland
April 24th, 2014 //

The String Cheese Incident returned to the Bay Area for a three-day run last week at the Fox Theater Oakland, a new venue for the band. Before Thursday night’s show, the band took to the legendary Amoeba Records in SF for a meet and greet and short set of all “new” tunes from their first album in a long time, Song in my Head.

The Amoeba show was filled to the brim with people swaying back and forth, Colorado flags waving and singing. SCI’s new LP consists of many songs the band has been playing on the road since their return to touring several years ago. Hearing them fleshed out with a new approach was amazing to see and hear. The stripped-down set included no drums, just a couple of shakers added for an intimate, unique show. However, the big one that night in Oakland pulled no punches.

Thursday shows are sometimes seen as a warm-up to the weekend. People leave early to make sure they go to work and so on, but the boys came to kick ass and take names. In traditional Cheese fashion, the band blended songs together and opened with a nice, long jam. We knew then that this wasn’t going to be your typical Night 1 show. SCI brought the heat and blew the roof off.

Being a big fan and never missing a SCI run, I was only able to make the one night. Although most die-hards would feel cheated or bummed, I was not. Thursday was a fantastic show that brought every bit of what you loved about them back again. Given the crowd reactions I have read from Friday and Saturday, we can only hope they return sooner than later!

Franz Ferdinand’s nostalgic dance party at Fox Theater Oakland

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Photos by Marc Fong // Written by Molly Kish //

Franz Ferdinand with Cate Le Bon //
Fox Theater — Oakland, CA
October 28th, 2014 //

Franz Ferdinand kicked off the North American leg of their tour this past Monday night at the Fox Theater Oakland, and we were on site, dancing ourselves into a nostalgic frenzy with the with the early weeknight crowd.

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Opener Cate le Bon, (with her touring band) got the crowd fired up, playing a short but sizzling set of material from her three full lengths and highlight tracks off her latest release, Mug Museum. Although relatively new in the mainstream American market, the Welsh singer-songwriter has been making her rounds in the European festival circuit and as a supporting act for various UK artists for several years now. Beyond her commanding vocals and impressive guitar training, le Bon had the stage presence of a seasoned veteran. Directing her supporting band members into a distorted blues jam, she impressed the Monday night crowd with her howling choruses and front woman confidence.

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Franz Ferdinand took the stage with little to no set up and in their matching, freshly-pressed monochromatic suits. Running with a similar aesthetic to that of other European bands of their breakthrough era, (ie: Hives, Jet, etc.) this definitely wasn’t their first rodeo. Further exemplified by a nearly two hour set list of greatest and latest hits off of their latest release, Right Words….

Their minimalistic set design staged the perfect backdrop for a show that was just as much a visual experience as it was an auditory one. Franz Ferdinand incorporated Dadaist movement-themed graphics and geometric art deco patterns into their light show. Highlight moments included crowd sing-a-longs to hits off the band’s 2004 self-titled album, an extended version of “Can’t Stop Feeling”, which trailed off into a Donna Summer disco hook from her 1977 hit “I Feel Love”, and an encore version of Blondie’s “Call Me” with Cate Le Bon pairing up on vocals.

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String Cheese Incident bring special guest, new music to the Fox Theater Oakland

SCI_postPhotos by Sam Heller // Written by Kevin Quandt //

String Cheese Incident //
Fox Theater Oakland – Oakland
April 25th, 2014 //

West Coast fans of the String Cheese Incident received quite the gift of a three-night run at the increasingly popular Oakland venue, The Fox Theater. While JazzFest pulled some Bay Area music fans down south to New Orleans, many rabid SCI fans were chomping at the bit for an intimate run of shows in a region known for colorful performances and eclectic crowds. Friday’s show demonstrated to a capacity crowd that String Cheese still want to melt some faces, create some new music and generally have a good time with their devoted army.

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After rather strong reports of Thursday’s show being above average for the beginning of a 3-night romp, expectations for the second night were understandably high. “Dudley’s Kitchen” opened the show to a gleeful response before heading into “Search”. Michael Kang’s mandolin playing left a little to be desired, but made up for it once he grabbed his fiddle in the second half. As the energy rose in the room a quick segue led into the Bob Marley classic, “Exodus”. The first set also saw the debut of the new Kang song, “You’ve Got the World”, and though it was a decent tune, it began to throw off the flow to this set just a small amount. “Freedom Jazz Dance” was featured before the set wrapped up with “Sweet Melinda” into “Far From Home”. Each member was well represented in this first suite of songs, and they seemed to be be enjoying themselves; as demonstrated through some feverish pogoing from singer/guitarist, Billy Nershi.

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Jerry Harrison, from Talking Heads and Modern Lovers fame, was bound to show up at one of these shows as he produced SCI’s latest release, Song In My Head. Well, the second set featured the legendary musician more than once, including opening the set with his 1980’s solo classic, “Rev It Up”. Harrison’s voice cut through the other members in an impressive way, and seemed to elevate the playing of everyone on stage. New track “Beautiful” was debuted to mixed reviews, but in the end is a stellar, upbeat tune that the majority of hardcore fans may come to embrace.

Another longtime spotlight song came in the form of “Sand Dollar”, which demonstrated some patience in their improvised segue into “Rosie” that featured the return of Harrison. A rather impressive suite of tunes closed out the set. “Desert Dawn” led into the final appearance by Jerry as he joined in on Talking Heads, and SCI, stalwart, “Naive Melody (This Must Be the Place)”. Cheese generally knocks this song out of the park, and it certainly didn’t hurt to have an original member anchoring the vocals and tagging up with Kyle Hollingsworth for a barrage of kets and synths. The show wasn’t done there as “Desert Dawn” re-appeared and led to one more joyous uproar before wrapping up the second set.

“Black Clouds” was featured as the encore to the delight of the throngs of attentive fans, and Friday closed out in solid form. Though the String Cheese Incident may not do it for everyone, it is truly hard to deny yourself of the good time that their shows bring.

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PHOTOS: The Knife at Fox Theater Oakland 4/15

The-Knife_postBy Pedro Paredes //

The Knife //
Fox Theater Oakland – Oakland, CA
April 15th, 2014 //

“Self-awareness is the illusion that this is happening only to you” echoed the crowd after the words of our DEEP Aerobics instructor (short for Death Electro Emo Protest Aerobics) at a sold-out Fox Theater in Oakland last week.

As the audience followed the dance steps and pop mantras recited by the person in charge of warming things up before The Knife, the night’s main event, we knew that we should expect nothing typical for the rest of the evening.

The tone had been set. It was time to shake off the habitual.

PHOTOS: Pet Shop Boys at Fox Theater Oakland 4/8

Pet-Shop-Boys_postBy Steve Roby //

Pet Shop Boys with DJ Omar //
Fox Theater Oakland – Oakland
Tuesday April 8th, 2014 //

Pet Shop Boys kicked off a run of live dates Tuesday at the Fox Theater in Oakland as they began the 2014 leg of their “Electric Tour.”

DJ Omar opened the show and was followed by a short film that focused on gay pride. After a brief pause, Neil Tennant and Chris Lowe stepped onstage to perform a variety of songs from Electric as well as their classic hits.

This weekend and next they will be in the desert to perform at Coachella in the Mojave Tent before heading overseas to Spain, the UK and Australia.

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PHOTOS: Yonder Mountain String Band at Fox Theater Oakland 4/5

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Photos by Steve Roby // Written by Kevin Quandt //

Yonder Mountain String Band with The Brothers Comatose //
Fox Theater Oakland — Oakland, CA
Saturday April 5th, 2014 //

Yonder Mountain String Band’s annual West Coast Spring tour has become highly anticipated by those who live on the left-side of the country. Moving from the more-intimate Fillmore to the grandiosity of the Fox Theater in Oakaland saw the 4-piece playing a more in-depth and technical set. With the venue not quite filled to capacity, it allowed the well-lubed crowd to expand their fancy bluegrass dance-moves while the expanded songs were plucked onstage. Highlights included a massive KOG/Oklahoma/Casualty sandwich to close out the first set, and a “Piece of Mind” that included Talking Head’s classic “Girlfriend Is Better” and Yonder stalwart “Riverside”. Though the days of Yonder at the tiny Connecticut Yankee are long gone, the band still finds a way to create intimacy, even in the Bay’s biggest rooms.

Set 1: Troubled Mind > 20 Eyes > Troubled Mind, Southbound,What You’re Selling, Easy As Pie, Pockets, Ripcord Blues,Keep on Going > If You’re Ever In Oklahoma > Casualty > If You’re Ever In Oklahoma > Keep on Going
Set 2: Going Where They Do Not Know My Name, Romance Blues, Landfall, Althea, Ain’t No Way of Knowing, Black Sheep,Crying Holy Unto My Lord, Hey Bulldog, Peace Of Mind >Girlfriend Is Better > Follow Me Down To The Riverside > Peace Of Mind
Encore: Good Hearted Woman

Fitz and the Tantrums creep closer to headline status at Fox

Fitz-and-the-Tantrums_postPhotos by Steve Roby // Written by Mark E. Ortega //

Fitz And The Tantrums with Bad Suns, Nightmare and the Cat //
Fox Theater Oakland — Oakland CA
Thursday April 3rd, 2014 //

Los Angeles-band Fitz & The Tantrums proved Thursday night at the Fox Theater that they’ve moved into headliner territory — and probably for good. The venue was packed a full hour before they’d go on stage, and their charisma and energy left a major impression on all who attended.

The band played most of their 2013 album More Than Just a Dream while also reaching back for the choice nugs from their 2010 debut Pickin’ Up the Pieces. What made Fitz stand out initially was their original sound, as their debut album featured not a single song with guitar. Their recent release featured guitar, so the concern heading into the show was that their sound wouldn’t be as unique as it sounded when I first heard them at Outside Lands in 2012. Thankfully, the set applied guitar to just one or two tracks and relied on the vocals of Michael Fitzpatrick and Noelle Scaggs, as well as the unbelievable saxophone and flute work from James King and, as one fan yelled out, the “funky bass lines” of Joseph Karnes.

The chemistry between Fitzpatrick and Scaggs is part of what makes their show so enjoyable. They feed off each other and the crowd feeds off of them. During one of the ballads from the new album, the two share an “Endless Love” type moment as they serenaded each other to the crowd’s delight. The flute solo from King during “Tell Me What Ya Here For” had the crowd euphoric, as did “Moneygrabber” in the encore.

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Bad Suns brought an 80s sound to modern rock, helping fire people up for the headliner with a solid set. Playing to “the biggest show on the biggest stage hands down” in their career according to singer Christo Bowman. Bowman has a memorable vocal style that compares well to early-U2 Bono. Bowman could probably do a killer cover of “New Years Day” if he wanted to. At times his vocals were hard to make out but their songs are catchy and had people moving. They’re definitely a band on the rise and a recommended show.

Nightmare and the Cat (also of Los Angeles) opened things up and had a surprising number of followers out in support who were very up on their music. Singer Django Stewart displayed a memorable stage presence, as he seemed to be a graduate of the George Michael school of hip gyration, which meshed perfectly with their sound, which felt like if INXS had been brought into the 21st century with Michael Hutchence still at the forefront. “Blackbird Smile” was the high point, showcasing how well Django and brother/guitarist Samuel Stewart are at writing hooks. Interestingly, Django’s British accent is only apparent when he talks between songs and not very much so when he sings. For a band that’s been together just four years, they have things well together in a live setting, a promising sign.

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The only downside of the evening was some of the crowd themselves. One guy was severely intoxicated at the outset of the first opener and had to be that guy who seeks attention by yelling at the most inopportune times. Then there was the older couple that shot scowls to everyone in their vicinity, with the man putting his hands on a nearby lady for dancing too close to him and his wife. This was in the early part of Fitz’s set but luckily the wife decided to say it was time to leave, to the high-fives of everyone around who had suffered their intolerable behavior.

The Fox Theater is an excellent venue and served as a perfect stage for a fast-rising band in Fitz & The Tantrums, helping to announce the fact they can sell out well-sized venues away from their home base in SoCal.

Bad Suns shed light on debut LP

Bad-Suns3By Steve Roby //

Bad Suns, an indie four-piece from Los Angeles’ San Fernando Valley, opened for Fitz and the Tantrums on April 3rd at the Fox Theater Oakland, describing the performance as “the biggest theater we’ve ever played.”

Showbams spoke with Christo Bowman (vocals), Gavin Bennett (bass), Ray Libby (guitar) and Miles Morris (drums) before the show about how the band formed, its musical influences, songwriting and touring on the strength of its debut, four-song EP Transpose.


Showbams: How did you guys meet, and how did the band form?

Bowman: It’s a terribly long and boring story, but essentially we met the way bands meet in Southern California, in the San Fernando Valley. We went to school together and eventually got together after a couple of years of doing our own thing. We’ve been doing Bad Suns since January of 2012, and it’s been great.

Showbams: Christo, can you tell me about your father’s record collection and the influence it had on you?

Bowman: I grew up with my parents playing world music, it wasn’t rock ‘n’ roll at all, but at a certain age, when I developed an interest in the guitar, my dad started to pull out records that he was listening to when he was a little bit younger. Elvis Costello, The Clash, The Police — that’s when I started to get excited about music and began playing it.

Showbams: Any particular Elvis Costello album?

Bowman: I’d have to say This Year’s Model.

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Showbams: Describe the band’s songwriting process.

Bowman: It’s fun because it varies. Some of the songs that will be on the album we’re working on right now can be a bunch of pieces of songs that came together and ended up as one song. An example of that would be “Cardiac Arrest”. We constantly change it up and are excited about it. I feel like the quality never changes. We always work on a song until it feels like it’s a Bad Suns song that we’re proud of.

Showbams: Why did you chose to release an EP, comprised of only four songs, and what is like touring behind such a limited amount of material?

Bowman: It’s the business these days. EPs are good way to get yourselves heard first. It’s better then releasing a 15-track album for a group that no one has heard of. It’s a good way for people to start talking about the band and get ready for the full-length album.

Libby: I think an EP is a good way to get some type of interest in the group, and that’s how it works now.

Showbams: How did your EP Transpose come together?

Bennett: We originally recorded five songs in the summer of 2012 and then went back again and did five more the next summer, then picked the four we liked the best to represent the band. It’s a long process. We’ve been working with the same producer since this band started and came up with the Transpose EP.

Bowman: We did this all without a manager, record company or any of that sort of stuff. So between the four of us and our producer, we developed those four songs and then did the second half. I think you’d have a hard time figuring out what was written first. I like that aspect of it.

Showbams: What’s next for the band as far as a release?

Bowman: We’re working on the album right now. We were in the studio yesterday and then drove up here to The Fox. We’re driving back tomorrow, and it’s another day in the studio. Hopefully it will be out in the summer.

Showbams: Can you tell us the title?

Bowman: I feel like if I did, I might get in trouble (laughs).

Showbams: How is the tour going?

Morris: We just got back from South by Southwest a few weeks ago, and this is our first one-off show since then. We have another show at the Hollywood Palladium on Saturday with Fitz and the Tantrums. On April 16th, we leave to go out on the road with The 1975 for two months.

Bowman: This is our warm-up show. It’s the biggest theater we’ve ever played.

Hear the full interview with Bad Suns here and catch them perform live April 8th on “Conan”.

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PHOTOS: Widespread Panic at the Fox Theater Oakland 3/28

Widespread-Panic_postBy Sterling Munksgard //

Widespread Panic //
Fox Theater Oakland – Oakland
Friday March 28th, 2014 //

It had been a couple of years since the Bay Area got a proper Widespread Panic run, and that patience was rewarded with massive early-Spring tour along the West Coast. The first of two nights at Oakland’s Fox Theater featured a well-oiled band playing to a rather ravenous crowd of locals and out-of-towners. The photos and stacked setlist speak for themselves.


Set 1: The Take Out > Ain’t Life Grand > Big Wooly Mammoth > Makes Sense To Me, Dirty Side Down, Down, Good People, Gimme > Machine > Barstools and Dreamers*, Tail Dragger

Set 2: All Time Low, Solid Rock, Happy, Second Skin > Greta > Entering a Black Hole Backwards > Chilly Water > Me and the Devil Blues, Henry Parsons Died > Jack > Henry Parsons Died

Encore:
Tall Boy, Pilgrims > Stop Breakin’ Down Blues

Notes: * w/ Thank You (Falettinme Be Mice Elf Agin) rap

PHOTOS: Jackie Greene headlines the Fox Theater Oakland with The Mother Hips, Tumbleweed Wanderers 3/21

Jackie-Greene_postBy Sterling Munksgard //

Jackie Greene with The Mother Hips, Tumbleweed Wanderers //
Fox Theater Oakland – Oakland
March 21st, 2014 //

This past Friday at the Fox Theater Oakland featured three rockin’ Bay Area groups.

“The Pride of San Francisco”, a nickname bestowed upon Jackie Greene by legendary Grateful Dead bassist Phil Lesh during Greene’s years playing in Phil & Friends, headlined the show with a three-set performance. After a more traditional first set and second that was all acoustic, the third boasted a suite of Dead covers, as Greene once again channeled the role of Jerry Garcia while performing the classic songs in his own style.

Led by Tim Bluhm, local legends The Mother Hips got the evening started along with Oakland’s own fast-rising Tumbleweed Wanderers before Greene took the stage and we were there to capture it all.

Set 1: Gone Wanderin’, Uphill Mountain, I’m So Gone, A Moment of Temporary Color, Medicine, Till the Light Comes, Closer To You

Set 2 (Acoustic): About Cell Block #9, Captain’s Daughter, Another Love Gone Bad, Prayer for Spanish Harlem

Set 3: So Hard To Find My Way*, Shaken*, Tell Me Mama, Tell Me Right*, Animal, New Speedway Boogie > Bird Song jam > The Other One jam > New Speedway Boogie
Encore: What’s Going On, White Headphones^

Notes: Entire show with Adam MacDougall of The Black Crowes on keys, *Jackie on piano, ^w/The Mother Hips

St. Vincent spellbindingly shreds with support from Noveller

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Photos by Pedro Paredes // Written by Molly Kish //

St. Vincent with Noveller //
Fox Theater Oakland — Oakland, CA
Saturday March 22, 2014 //

An incredible bill of female fronted art-rock took center stage this past weekend at Fox Theater Oakland. Axe-wielding composers Annie Clark and Sarah Lipstate systematically stunned the audience with their powerful arrangements and domination of the stage. Although diverse in execution, both women brought a refreshingly captivating perspective on the modern-day female lead. Noveller’s opening act opus segued perfectly into St. Vincent’s theatrical headlining set, exceeding expectations with their striking performances and spectacularly eclectic skill sets.

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Sarah Lipstate’s solo project, Noveller, took the stage performing a minimalistic guitar jam, drawing in the attention of the early evening crowd. Absent of the over-the-top dramatics and quirky nuances most would expect from a St. Vincent opener, Lipstate remained stoically immersed in the entrancing compositions she single-handedly was emitting from her guitar. Barely looking up to acknowledge her environment, Lipstate ambled around the stage noticeably engrossed in her own performance, effectively developing a continued intrigue from her audience. Both visually enticing and aurally magnetic, Lipstate’s skills as a solo electric guitarist are spellbinding.

Noveller’s drone-filled and relatively short set obscurely offset the general mood of the nearly filled theater, but in a way offered a perfect juxtaposition to the headlining performance of the evening. Anyone familiar with Annie Clark’s early work could easily draw similarities between both women’s backgrounds, musical influences and styles of presentation. Noveller’s starkly contrasting noise-laden performance was simply a palette cleanser for the spectacle of a set by St. Vincent.

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Quickly after the opening act’s conclusion, St. Vincent started her extra-long early evening set. Annie Clark pranced her petite axe-wielding frame around the Fox Theater stage as she broke into nearly two hours worth of material. Focusing largely on her latest self-titled release, Clark began the performance with “Rattlesnake” and “Digital Witness”. Extending most songs to include her signature dance interpretation and band choreography, Clark had the crowd’s full attention with her wild stage antics and insatiable vocals.

Captivating an audience has never been much of an issue for St. Vincent due to the incredible musical talent Clark possesses. Her amazing skills as songwriter, lyricist and guitar-shredding icon are nearly unmatchable in contemporary pop. This tour however is incredibly unique, in that it finally showcases these undeniable aspects of Clark on a grand scale. From the production elements to various costume and instrument changes amidst an encapsulating set design, Clark has finally emerged as a true rock star.

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Standout moments include Clark climbing atop and slithering down a neon-lit staircase without missing a beat during her performance of “St. Johnny”. Also, ending the evening by hurling her body across the floor during a riveting rendition of “Krokodil” was a nice touch. Clark capped off the epic production with a solo encore of “Strange Mercy” along with two other classic St. Vincent tracks, bringing the crowd to their feet for a final, riveting punctuation.

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PHOTOS: Flogging Molly at Fox Theater Oakland 3/14

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By James Nagel //

Flogging Molly
Fox Theater Oakland — Oakland, CA
March 14, 2014

A sold out Fox Theater crowd gathered to see Flogging Molly at the tail end of their 10th and final Green 17 Tour. Lead singer and guitarist Dave King and company incited the audience with hits like “Drunken Lullabies”, turning the floor into a wave, with mohawk-clad crowd surfers riding their way to the front. Although the music itself was played so loud it was nearly inaudible, it was still successful in sending the fans into a frenzy of drunken cheers and ear-to-ear smiles.

Couldn’t get a ticket in time? Get the next best thing by clicking through the gallery below!

PHOTOS: Umphrey’s McGee, The California Honeydrops at Fox Theater Oakland 3/8

Umphreys-McGee_postBy Sterling Munksgard //

Umphrey’s McGee with The California Honeydrops //
Fox Theater Oakland – Oakland
March 8th, 2014 //

When progressive rock meets a jam mentality, one must be discussing road warriors Umphrey’s McGee. The double-bass drum wielding behemoth did what they do best last Saturday, delivering a high-energy show as intense as any metal or punk performance, weaving in elements of jazz, bluegrass, electronic music and all points between. Umphree’s McGee isn’t simply a jam band — they are a band for lovers of music.

Straight out of Oakland, The California Honeydrops got things warmed up with their rich R&B and soul flavor. Sterling Munksgard was in the middle of it all to capture the moment.

Set 1: In the Kitchen, Mullet (Over), There’s No Crying in Mexico, Spires, Glory, Wife Soup, Nothing Too Fancy, In Bloom, Wappy Sprayberry, In the Kitchen

Set 2: Wizard Burial Ground, Bad Friday, Mulche’s Odyssey, Tango Mike, Higgins, Life During Exodus, Partyin’ Peeps

Encore: Bridgeless, Regulate, Bridgeless

PHOTOS: Pixies, Best Coast at Fox Theater Oakland 2/21

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By Sterling Munksgard//

Pixies with Best Coast //
Fox Theater Oakland – Oakland, CA
February 21st, 2014 //

Pixies, back on the road, played a blend of songs from Surfer Rosa, Come on Pilgrim, Doolittle, Trompe le Monde, and a handful of new tunes from their recent releases EP 1 and EP2. The band played 33 songs in total, a vast group of tunes to entertain new and old fans alike. Bethany Cosentino’s cheery outfit Best Coast got things started, and Sterling Munksgard was there to capture the moment.

PHOTOS: Amos Lee and Langhorne Slim at Fox Theater Oakland 2/19

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By Sterling Munksgard//

Amos Lee with Langhorne Slim (solo) //
Fox Theater Oakland — Oakland, CA
February 19th, 2014

Singer-Songwriter Amos Lee and his band brought his seriously soothing soul-folk songs to the Fox Theater last week. The all-seated show featured many tracks from Lee’s most recent record, Mountains of Sorrow, Rivers Of Song. Lee told stories and gave some background throughout the evening, inviting the concert-goers into his creative thought process. Langhorn Slim opened the night with a delightful solo set.

PHOTOS: Phantogram at the Fox Oakland 2/20

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By Marc Fong //

Phantogram with White Sea //
Fox Theater Oakland — Oakland, CA
February 20th, 2014 //

Fox Theater, staying true to trend, hosted yet another amazing act to yet another sold out crowd. NY electronic rock duo, Phantogram, played to a packed house last Thursday, kicking off their US tour with style and energy. The band came out a bit timid, but soon enough they were loose on stage, and leads Sarah Barthel and Josh Carter eventually danced comfortably between the strobe of shadow and light. Likewise, their multifaceted sound waxed and waned between ethereal, shiny melodies and haunting beats.

PHOTOS: Panic! at the Disco at Fox Theater Oakland 2/15

Panic!-at-the-Disco_postBy James Nagel //

Panic! at the Disco with The Colourist, X Ambassadors //
Fox Theater Oakland – Oakland
February 15th, 2014 //

It was another full house at the Fox Theater Oakland last Saturday night, as fans eagerly awaited a headlining performance from Panic! at the Disco.

Notable opener The Colourist, led by Adam Castilla and Ellen Page doppelganger Maya Tuttle, offered an entertaining performance of their latest EP Lido, but it was obvious the audience was there to see one band and one band only.

I was pleasantly surprised by the performance offered by Panic! at the Disco. After sifting through several YouTube videos of their live shows and having seen similar bands like Fall Out Boy, All-American Rejects and Boys Like Girls over the years, I had come to expect the high-energy dancing at the expense of a great vocal performance. It may have been that extra burst of stamina that comes from an end to a long tour, but Brendon Urie and company met the standards set by their recorded albums for range and lyrical complexity.

Visually, Panic! at the Disco pleased the eyes of the crowd with giant screens as backdrops, platforms for the bassist and guitarist and smoke spouts at the front of the stage. As always, the Fox Theater provided excellent lighting. Check out the photos below to see what I mean.

Jake Bugg headlines modern-day Americana showcase at Fox Theater Oakland

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Photos by Marc Fong // Written by Molly Kish //

Jake Bugg with Albert Hammond Jr., The Skins //
Fox Theater Oakland — Oakland, CA
Janaury 23, 2014 //

A stacked bill of guitar-driven talent commanded the stage at Fox Theater Oakland this past Thursday night. Opening the show Brooklyn based powerhouses, The Skins and Albert Hammond Jr. ignited the crowd for a headlining set from the nineteen-year-old British prodigy, Jake Bugg.

The McKeithan siblings tore through their set, bringing youthful energy and infectious charisma starting the night off with their five piece rock band, The Skins. Bayli McKeithan had the prowess of a front woman well beyond her years, mesmerizing the audience with her rich, soulful vocals along with an insatiable stage presence. This stellar team of underage musicians are the epitome of up-and-coming rock stars. Treating the audience to a stunning performance, this band won’t be playing the role of opening act for too much longer.

Albert Hammond Jr. took the stage next, displaying his characteristic bravado and charm. Entering amidst sea of red light with an ensemble of musicians, he immediately broke into some crowd favorites off of his 2006 debut album Yours to Keep. Filling the venue with his guitar-shredding pop-riffs and howling vocals, Hammond Jr. impressed the crowd that seemed equally in attendance for his set as the headliner.

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Highlights from his hour-long performance included a rousing rendition of “Postal Blowfish”, along with the extended album version of “Hard To Live(In The City)”. Playing to the enthusiastic crowd, Hammond expressed his gratitude towards being part of such a talented bill and excitement to be playing the historic venue intermittently throughout his set. Hammond and band ended the performance, which featured nearly all the material off of his two solo releases, with a surprisingly impressive cover of East Coast punk legends the Misfits’ “Last Caress”.

Approaching Jake Bugg’s headlining set, the ‘couple-centric’ Thursday night audience filed into the main floor quickly. The crowd anxiously waited, murmuring audibly about their excitement for Bugg’s first Bay Area performance since dropping his sophomore album last November. The songwriter’s setlist was dominated by familiar favorites off his critically acclaimed debut while also offering a generous sampling of the rollicking tunes featured on 2013’s Shangri La. Impossible to not draw comparisons between his adenoidal vocals, stoic stage presence and archetypical sound, Bugg’s performance played out as a modern day tribute to various Americana legends and rhythm and blues pioneers. Beyond the general artistic nods to his genre’s predecessors and stylistic similarities of his work, Bugg also included notable tributes to Howlin’ Wolf and Neil Young, which were woven perfectly into his main set and encore. Rounding out the show with an explosive rendition of his hit single, “Lightning Bolt”, the audience bobbed around euphorically singing along through the last notes of the evening.

Ambitiously orchestrated, the evening offered an insight into three artists that should easily be booked on top of their own bill in the coming years. Providing a taste of youthful talent, exciting solo efforts and a headliner possibly hitting the peak of his creative stride, one could only hope that this type of lineup is demonstrative of the future state of modern folk.

11 reasons to celebrate five years of Magik*Magik Orchestra at Fox Theater Oakland

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Photos by Sterling Munksgard //

Led & conducted by Minna Choi, Magik*Magik Orchestra and their many contemporaries have prepared an evening for the ages at Fox Theater Oakland January 31. A dynamic group of mostly local performers will join forces over three 45 minute acts to deliver a gala concert to revolve around the theme of childhood, and “collaboration” will be the word of the evening.

Here are 11 reasons why celebrating 5 years of Magik*Magik Orchestra should be in your plans this month. Secure your seats here.

Two-Gallants

11. Two Gallants
SF-based duo Two Gallants will be joining the festivities — “Fly Low Carrion Crow” from their self titled record might flourish with symphonic backing…


10. The Lonely Forest
The Lonely Forest and Magik*Magik joined forces on “Be Everything”, the first track from the group’s first track on their debut album Arrows. The band has confirmed John Van Deusen will be playing this song and a Peter Gabriel cover with M*MO.


9. Zoe Keating
The one-woman orchestra teamed up with the Magik string section in 2011 for two shows at Great American Music Hall, so Keating should be pretty locked in with the headliners.


Geographer

8. Geographer
The City’s very own Geographer performed with M*MO at Stern Grove Music Festival last summer, where they opened for Kronos Quartet. Will they simply add a tasty layer of electronic sound or will songs like Geographer’s “Original Sin” get full orchestral support? Maybe both…


7. The event benefits Magik-For-Kids, Outreach & More
Magik-For-Kids is Magik*Magik’s key community project, giving local children access to brass instruments. The initiative also allows kids to compose their own string quartet, build a band, and more. So that’s pretty cool.


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6. Rogue Wave
Oakland-based Rogue Wave seem like an obvious choice to include in the experience, and classics like “Eyes” or “California” seem like solid song bets. “Everyone Wants to Be You” from last year’s Nightingale Floors might be a tremendous selection for full Magik backing.


The-Dodos

5. The Dodos
Magik have backed The Dodos on their last two records and they performed together at Noise Pop 2010, so they are probably able to send subliminal mind messages to each other at this point. Watch them perform “Substance” below with the stars of the night at Tiny Television in San Francisco.


4. How To Dress Well
Tom Krell is one of the best singers around, and his double mic technique to control vocal echo combined with minimalist, digitized R&B is remarkably haunting. We’ve been promised “Cold Nites” from Total Loss, and the 30-piece Pacific Boychoir will join a 30-piece M*MO for it. Also, let’s hope we get “Talking To You”. Expect goosebumps.


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3. Nicki Bluhm & The Gramblers
Nicki Bluhm will lend the sole female vocals to the affair, so in this way she is key to the proceedings. Uber-popular locally yet under the radar nationwide, the group’s California Soul will sweeten the overall sound.


2. John Vanderslice
Local luminary & Tiny Television recording studio owner John Vanderslice has collaborated with Minna Choi and Magik*Magik for years — in fact M*MO is the official house orchestra of Tiny Television.

They recorded 2011’s White Wilderness together over 3 days, and joined together again last year on Vanderslice’s incredibly underrated Dagger Beach. Here’s hoping for a glorious live version of “Song for David Berman”. Watch “Promising Actress” from Cellar Door.


1. Celebrating 5 years of Magik*Magik
It’s the Orchestra’s night to shine after five years of providing auditory pleasure backing to over 100 projects. A lineup has been curated that highlights some of the ensemble’s strongest partnerships, so the comfort level and past experiences should set the table for a night to remember.

*BONUS: It’s at Fox Theater Oakland — can you imagine a better setting?

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