My Morning Jacket close out their 2025 summer tour in a big way at Hollywood Palladium, Santa Barbara Bowl & Greek Theatre Berkeley

My Morning Jacket - Greek Theatre Berkeley 2025 - Jim James


My Morning Jacket at Greek Theatre Berkeley

By Josh Herwitt //

My Morning Jacket with Melt //
Hollywood Palladium, Santa Barbara Bowl & Greek Theatre – Los Angeles, Santa Barbara & Berkeley
August 19th-20th & 22nd, 2025 //

Is there a better season for live music than summer?

Even if it’s not your favorite season personally, it’s certainly live music’s. With the days long and weather warm, that’s when the industry truly thrives as summer tours and festivals take center stage all across of the world.

And while it doesn’t matter to us what time of the year it is when My Morning Jacket go on tour, it’s hard to beat seeing the Grammy-nominated quintet perform during the summertime. For fans of Jacket, that can often mean a chance to see them at some of the country’s best outdoor venues, and regardless of who’s onstage, there’s always something special about taking in a concert under the stars to go with an unlimited supply of fresh air.

Coming off two stellar performances at the iconic Red Rocks Amphitheatre (read our show review here) the previous weekend in support of their 10th full length is, MMJ headed west to California for the final three dates of their summer tour with NYC indie-soul outfit Melt.

My Morning Jacket - Santa Barbara Bowl 2025 - band


My Morning Jacket at Santa Barbara Bowl

It had been almost exactly two years since Jacket had played in LA during what was a magical evening at the Hollywood Forever Cemetery (read our show review here) after their headlining set at BeachLife Festival in 2024 was abruptly canceled due to high winds (read our festival review here), and with the band designating its already scheduled date at the Hollywood Palladium as one of five shows to honor the 20th anniversary of their fourth LP Z and playing its only indoor one of the summer, it felt like Jim James (lead vocals, guitar), Tom Blankenship (bass), Patrick Hallahan (drums, percussion), Bo Koster (keyboards, percussion, backing vocals) and Swiss Army knife Carl Broemel (guitar, pedal steel guitar, saxophone, backing vocals) were intent on making up for lost time without a strict curfew to follow. We were treated to two sets and an encore as a result, with MMJ extending past the 2.5-hour mark thanks to stirring renditions of “Beginning from the Ending”, “Touch Me I’m Going to Scream Pt. 2”, “Where to Begin” and “Spring (Among the Living)”, the latter of which featuring a beautiful hat tip to the late Ozzy Osbourne in the form of a “Mama I’m Coming Home” tag.

Though we wouldn’t hear Z from start to finish the following night, the album still got some play at the picturesque Santa Barbara Bowl as Jacket opened with “Anytime” and brought back the intro jam on “Off the Record” that we fell in love with when we first heard their MMJ Live Vol. 1: Live 2015 release drop in 2022. “Phone Went West” would lead straight into “Only Memories Remain” and serve as an instant highlight, along with is standout “River Road” stretching past eight minutes to jumpstart a four-song encore that also boasted “The Way That He Sings” from 2001’s At Dawn.

Summer tour came to a close more than 300 miles north for my first visit to the Greek Theatre Berkeley, and the Friday night finale proved to be well worth the trek up to the 8,500-person amphitheater. Older tunes such as “X-Mas Curtain”, “Honest Man” and “I Think I’m Going to Hell” that we didn’t happen to hear in either LA or Santa Barbara made it into the setlist, as well as the trippy “Still Thinkin” off 2020’s The Waterfall II and the live debut of John Lennon’s “Love” around the midway point. But easily one of the biggest surprises came on the other side of the encore break as the group uncorked Evil Urges cut “Librarian” for just the second time this year and eventually treated us to some “Thank You (Falettinme Be Mice Elf Agin” before it was all said and done — because a MMJ show in the Bay Area wouldn’t be complete without a little Sly & the Family Stone of course.

James and his sidekicks will return to the road for the third leg of “My Morning Jacket ‘is’ On Tour” this fall, and although we don’t have plans (or the funds quite honestly) to follow one of our favorite live acts around the country for a few weeks, it wouldn’t take much to convince us otherwise. That’s how good it feels to bathe in MMJ’s music whenever they turn on the lights, plug in and melt minds, compelling us to travel considerable lengths to witness each of their three California shows in a span of four days. In the meantime, here’s hoping we don’t have to wait as long before we get to experience it again.

AUGUST 19TH – HOLLYWOOD PALLADIUM

Setlist:
Set 1 (Z)
Wordless Chorus
It Beats 4 U
Gideon
What a Wonderful Man
Off the Record
Into the Woods
Anytime
Lay Low
Knot Comes Loose
Dondante

Set 2
Beginning From the Ending
Touch Me I’m Going to Scream Pt. 1
Die for It
Holdin on to Black Metal (with Veronica Stewart-Frommer)
Mahgeetah
Time Waited
Everyday Magic
Circuital
Touch Me I’m Going to Scream Pt. 2

Encore:
Where to Begin
Spring (Among the Living) (with “Mama I’m Coming Home” and “Dear Prudence” tags)
Dancefloors

Editors’ Note: “Z” 20th anniversary show.

AUGUST 20TH – SANTA BARBARA BOWL

Setlist:
Anytime
I Can Hear Your Love
Circuital
Lemme Know
Mahgeetah
Golden (with Veronica Stewart-Frommer)
Run It
Half a Lifetime
Evil Urges
Here in Spirit (Jim James song) (with Veronica Stewart-Frommer)
Phone Went West (>)
Only Memories Remain
Wordless Chorus
Off the Record (included intro jam)
Squid Ink
Smokin’ From Shootin’
Touch Me I’m Going to Scream Pt. 2

Encore:
River Road
I’m Amazed
The Way That He Sings
One Big Holiday

AUGUST 22ND – GREEK THEATRE BERKELEY

Setlist:
Out in the Open
X-Mas Curtain
Lay Low
Honest Man
Time Waited
Still Thinkin
Everyday Magic
Least Expected
Gideon
Love (John Lennon cover) (live debut by MMJ)
Steam Engine
Cobra
Here in Spirit (Jim James song) (with Veronica Stewart-Frommer)
Holdin on to Black Metal (with Veronica Stewart-Frommer)
I Think I’m Going to Hell
Victory Dance
Die for It
Wordless Chorus

Encore:
Librarian
Spring (Among the Living) (with “Dear Prudence” tag)
Phone Went West (>”Thank You (Falettinme Be Mice Elf Agin)” by Sly & the Family Stone)

Paul Simon’s ‘Graceland’ gets royal treatment

Fely Tchaco performing

Fely Tchaco performing “I Know What I Know”

By Steve Roby //

Paul Simon‘s Graceland by UnderCover Presents & Faultline Studios //
Jewish Community Center – San Francisco
April 11th, 2014 //

In the not too distant past, faithful music fans purchased full-length record albums. Some contained obvious filler, but others stood out with coherent themes and not just individual tunes. You’d wear the grooves out, playing them from the beginning to the end. The hits from these LPs are played on classic rock radio stations, but the majority of the material remain deep tracks tucked away in our memories.

Some bands like The Who have performed live recreations for their “rock operas” Tommy and Quadrophenia, but founder of UnderCover Presents Lyz Luke discovered a unique chemistry occurred when multiple bands came together to perform their own interpretations. She’s recently revived this full-album listening experience in a concert setting to consistently great reviews.

“The project started about three-and-a-half years ago,” Luke says. “When musicians Charith Premawardhana (founder of Classical Revolution), Adam Theis (Jazz Mafia) and I had a very late-night conversation about assembling a live tribute for the 1967 classic LP The Velvet Underground & Nico. We wound up calling a roster of musicians the next day, and ended up with one band per song.”

The project evolved and caught the attention of Third Eye Blind frontman (and S.F. resident) Stephan Jenkins, and singer/guitarist Liz Phair, who along with 40 local musicians preformed the entire record to a sold-out crowd at the Coda Jazz Supper Club on Mission Street back in 2010.

Diana Gameros performing

Diana Gameros performing “Gumboots”

“The audience got to see a dozen different bands in one night, and loved it,” recalled Luke. “The connections for the musicians lasted long after this initial show, and they started recording and guesting on each other’s albums and concerts. I don’t think this would’ve happened if this performance hadn’t taken place.”

Although Luke grew up in Los Angeles, she’s now a Bay Area local, and appreciates the strength of the artistic community. She’s been involved with other large-scale events like the AIDS Walk and The San Francisco Marathon. In 2010, she co-founded UnderCover Presents, which to date has produced 9 showcases as part of their album series. The diversity of recordings covered ranges from Joni Mitchell’s Blue, a record that explored intimate relationships, to Black Sabbath’s bone-crunching Paranoid, considered by some as the best heavy metal album of all time.

Back in January, UnderCover presented Sly & The Family Stone’s Stand! at The Independent (see our recap and photos here). It was coordinated by Music Director Rob Shelton, and even had some help from former Family Stone band members. As Luke fondly remembers, “We got drummer Greg Errico, guitarist Freddie Stone, and Rustee Allen who replaced bassist Larry Graham. We also tried to get (trumpeter) Cynthia (Robinson) and (saxophonist) Jerry Martini, but it didn’t work out in time. There will be an encore show for Stand! next January [2015] at Oakland’s Fox Theater.”

Luke’s latest presentation takes on Paul Simon’s classic Graceland, which features an eclectic mixture of musical styles including pop, a cappella, isicathamiya, rock and mbaqanga. Simon’s inspiration for the album came when he listened to a cassette called Gumboots – Accordion Jive Hits Number 1 by the South African band The Boyoyo Boys. Graceland won the 1987 Grammy Award for Album of the Year, while the title song won the 1988 Grammy Award for Record of the Year.

Afrofunk Experience performing

Afrofunk Experience performing “Under African Skies”

Last Friday UnderCover Presents debuted their Graceland tribute to a sold-out crowd at SF’s Jewish Community Center. It featured 109 musicians under the direction of the very talented Rob Shelton. DJ Dizzy Victrola spun appropriate music between sets, and Elia Vargas provided amazing backdrop visuals. After Graceland, Luke plans to expand UnderCover’s horizons.

“We’ve found ourselves getting stuck in the 1970s, which is a great time in music, but we definitely don’t want to be known as the classic rock tribute show. In fact we’re working with a new music director, and plan to do a Bob Marley album next. After that, maybe a hip-hop album. We’ve also been in talks with the folks who organize the Stern Grove Festival about doing an outdoor performance that features a Bay Area band’s album. The Grateful Dead and Creedence Clearwater Revival are some suggestions that have come up so far.”

If you have missed any of the previous shows, Undercover has recorded studio versions with the musicians that performed them live. To hear a sample, or to purchase CDs, check out their online store here.

Setlist:
The Boy in the Bubble – Fanfare Zambaleta (Balkan Brass Band)
Graceland – John Vanderslice (Indie Rock)
I Know What I Know – Fely Tchaco – World Music Awards Winner (West African/World Beat/Cote d’Ivoire)
Gumboots – Diana Gameros (Indie/Latin/Pop/Folk)
Diamonds on the Soles of Her Shoes – DRMS (Noir Pop)
You Can Call Me Al – Bill Baird (Experimental Pop)
Intermission
Homeless – Pacific Boychoir,Grammy Awards Winner – (Pop-Influenced Classical Choral)
Under African Skies – Afrofunk Experience (Afrofunk)
Crazy Love, Vol. II – Guy Fox (Indie Rock)
That Was Your Mother – Trio Zincalo (Tangos/Choros/Gypsy)
All Around the World or the Myth of Fingerprints – Midtown Social (California Soul)

Stayed tuned for their next performance below:

UnderCover Presents: Paul Simon’s Graceland
Freight & Salvage – Berkeley, CA
April 20th, 2014 – show at 8 p.m.; doors open at 7 p.m.
510-644-2020 // info@freightandsalvage.org

Steve Roby is a music journalist/photographer whose work has appeared in Billboard, Rolling Stone and Guitar World. You can email him at steve@steveroby.com.