Ahead of their Red Rocks shows, My Morning Jacket are firing on all cylinders after rocking the Santa Barbara Bowl & Hollywood Forever

My Morning Jacket - Hollywood Forever Cemetery

My Morning Jacket at Hollywood Forever Cemetery

By Josh Herwitt //

My Morning Jacket //
Santa Barbara Bowl & Hollywood Forever Cemetery – Santa Barbara & Los Angeles
August 16th & 17th, 2022 //

When My Morning Jacket made the “deeply painful” decision to cancel their three-night New Year’s run at the Mission Ballroom in Denver last year with the COVID-19 pandemic still wreaking havoc thanks to the rise of the omicron variant, it was a gut punch for the Louisville rockers and their most diehard fans, many of whom were traveling from out of state to see them.

But more than six weeks later, the five-piece would announce its 2022 tour encompassing 33 dates with most of the venues booked, not surprisingly, being at outdoor amphitheaters and/or open spaces with a lawn. Keeping everyone’s safety in mind has always been the band’s priority first and foremost, and with the spring and summer bringing us the warmest months of the year, there was no way MMJ were going to further risk experiencing any cancellations during what we’ve dubbed as “outdoor concert season.”

And yet even with all the precautions that had been taken by everyone, it still wasn’t enough to prevent more COVID misfortune when frontman Jim James tested positive in June, just a day before the band’s two hometown shows — its first in six years — were scheduled to take place. While the news had MMJ fans once again feeling bummed about the state of live music after the last two-plus years, James (lead vocals, guitar) and his bandmates in Tom Blankenship (bass), Patrick Hallahan (drums, percussion), Bo Koster (keyboards, percussion, backing vocals) and Carl Broemel (guitar, pedal steel guitar, saxophone, backing vocals) have certainly put that behind them now after taking more than a month off from touring during July and part of August.

Believe it or not, MMJ in many ways sound better than they ever have after witnessing two of their three performances in California, starting with a return to the Santa Barbara Bowl last Tuesday only 11 months after their last visit (read our show review here) and continuing the following night in LA among the many celebrities now deceased — even “Toto” from the “Wizard of Oz” — at the Hollywood Forever Cemetery.

James, for one, has always sounded great at the mic and with a guitar in his hands, but he’s also never looked more at ease onstage despite his recent bout with the virus, shedding the big pair of sunglasses he once donned (as you can see here) for the naked eye — a clear sign that MMJ’s primary songwriter isn’t hiding from us if he ever was trying to previously.

My Morning Jacket - Santa Barbara Bowl

My Morning Jacket at Santa Barbara Bowl

Arriving in Santa Barbara two days after making a stop at Frost Amphitheater on the campus of Stanford University, the clock hit 7:30 p.m. and MMJ went to work, diving straight into their self-titled LP that came out last October with “Never in the Real World”. James and company didn’t wait long at all to turn up the volume, however, with “Lay Low” subsequently sending the crowd into a frenzy early on. The six-minute track off 2005’s seminal Z has always been a personal favorite of mine to hear live and would quickly set the tone for the rest of the evening.

For a band that has always put an emphasis on mixing up its setlists and will rarely perform songs in the same order though, it was a couple of cuts on its debut album The Tennessee Fire that were surprising to hear midway through its standard 2 1/2-hour set. In fact, it was the first time this year — and just the fifth over the last five years — that MMJ have played “I Will Be There When You Die” while the acoustic “If All Else Fails” has been heard on solely a handful of occasions so far in 2022.

While other highlights in Santa Barbara included an extended version of “Steam Engine” with Broemel trading his axe for the sax at one point and just the third time “I Never Could Get Enough” has made it onto a setlist, it was the Hollywood show that grabbed more of the MMJ fanbase’s attention. Of course, the heightened interest around it was somewhat understandable considering that it’s not every day you get to catch a concert inside a cemetery, let alone one where rock icons like Johnny Ramone and Chris Cornell are buried, but the setting was, at most, half the story on The Fairbanks Lawn as day eventually turned to night.

Breathing life into “What a Wonderful Man” and James’ own “State of the Art (A.E.I.O.U.)” for only the second time this year and first since the jam-adjacent group’s three-day “One Big Holiday” destination event back in March, we had hoped that MMJ would be setting up for a special finish down the stretch and that’s exactly what they gifted us with a 17-minute “Dondante” that conjured up some major disco vibes. With the Z finale serving as one of several tunes MMJ has been known to stretch out when they perform live, it felt rather fitting to hear what James wrote after the passing of his late bandmate Aaron Todovich while being surrounded by a bunch of tombstones.

Even though MMJ had more music lined up for us before hitting the road for New Mexico, that was all many of us needed to hear to be satisfied. After waiting almost a decade for another “Dondante” in LA since their epic, three-night run at The Wiltern, everything else that ensued — from the one-two punch of “Wasted” and “Dancefloors” to a more abbreviated encore featuring “Wordless Chorus” and “Touch Me I’m Going to Scream Pt. 2” that ended things on a spooky note — was gravy. After all, this is an act that has always kept its fans on their toes, and as MMJ gear up this weekend for their most significant shows of the tour with two sold-out nights at Red Rocks Amphitheatre, there’s no telling what’s in store when James steps into what he has coined “the birth canal of the universe.” Call it whatever you want Mr. James because either way, we’ll be there for it when the lights go down and the first note is struck.

SANTA BARBARA BOWL – AUGUST 16TH

Setlist:
Never in the Real World
Lay Low
Compound Fracture
Least Expected
Mahgeetah
Feel You
Victory Dance
Gideon
Holdin On to Black Metal
I Will Be There When You Die
If All Else Fails
Tropics (Erase Traces)
Spring (Among the Living)
Steam Engine
I Never Could Get Enough
Touch Me I’m Going to Scream Pt. 1
Love Love Love
Complex
One Big Holiday

Encore:
In Color
Circuital
Touch Me I’m Going to Scream Pt. 2
Wordless Chorus

HOLLYWOOD FOREVER CEMETERY – AUGUST 17TH

Setlist:
Feel You
What a Wonderful Man
Off the Record
I Will Sing You Songs
Victory Dance
Evil Urges
Golden (dedicated to “Toto” from “The Wizard of Oz”)
I’m Amazed
Spring (Among the Living)
Complex
One Big Holiday
State of the Art (A.E.I.O.U.) (Jim James song)
Love Love Love
Least Expected
Circuital
Dondante
Wasted
Dancefloors

Encore:
Wordless Chorus
Touch Me I’m Going to Scream Pt. 2

Outside Lands 2022: Tough conflicts, must-see acts, what to drink & our very own scavenger hunt

Outside Lands 2022Photo by Marc Fong // Written by Molly Kish & Kevin Quandt //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 5th-7th, 2022 //

Outside Lands takes over Golden Gate Park this weekend in celebration of its 14th year. Growing in fans and footprint since 2007, it has become a pilar of the Bay Area music scene and remains widely known as one of the country’s top-rated festivals. OSL kicks off August with three-jam packed days of music, food, art and magic, and this year’s edition aims to maintain its legacy while also continuing to diversify the fest’s roster of genre-expanding talent.

Changes for this year include several new lounges, an expanded SOMA Tent and augmented-reality installations throughout the festival grounds. Food vendors appear to have a larger presence, and the Outsider Art showcases have returned with live painting, balloon art and crowd-controlled AV pathways.

With the lineup being stacked, there are definitely plenty of tough conflicts, many of which are forcing attendees to make some tough decisions. To help you navigate OSL 2022, we put together a guide of recommendations and scavenger hunt (PRINT HERE) so you can get the most out of the experience.

Plus, don’t forget to create your own schedule here!

Outside Lands 2022 - SOMA Tent

Tough Conflicts

Like death and taxes, one thing is for certain at any given music festival: the dreaded schedule conflicts that can dampen many attendees’ plans to see all their favorite artists. Unless you plan to work on your GGP sprinting skills, you’ll likely be forced to make some rather difficult decisions. Below, you’ll find a few of our toughest conflicts.

Dayglow (Friday, 5:20 p.m. Twin Peaks) vs. Washed Out (Friday, 5:20 p.m. Sutro)

This is kind of an interesting conflict as sonically, these two artists aren’t super far away from each other, yet a decade separates their rise to success. Dayglow, aka Sloane Struble, is a young Texan that continues to build his brand of throwback indie-pop in exciting ways that has been making waves with the younger demographic that is likely to be in strong attendance. His earworm tracks certainly bear influence from bands like Phoenix and Foster the People. I also have to believe Struble is keen on Washed Out in his formative years, hence why this conflict will be tough for the crowd and artist alike.

It’s been a couple years since the release of Washed Out’s last album, but that doesn’t mean the “godfather of chillwave” still can’t draw a crowd. It has been 13 years since this artist cemented his hipster status with “Feel It All Around” being featured as the opening track to the TV series “Portlandia”. Will we see a “generational divide” in the crowd between these two sets?

Green Day (Saturday, 8:25 p.m. Lands End) vs. Polo & Pan (Saturday, 8:30 p.m. Sutro)

It’s no big surprise that GD is up against one of the more popular dance acts on the bill for this year. The tricky part here is that both acts are simply crushing it with their current live show., Billie Joe and company put on one helluva headline performance at Lollapalooza over the past weekend, and you can surely bet they’ll only want to top it for their hometown crowd. That’s no easy feat as the power trio is widely known for their crowd interplay, covers and wall-to-wall energy.

Strike that 90’s punk angst against the French swagger of Polo & Pan, and we’ve got a real “Sophie’s choice” on our hands here. The Saturday party crowd is sure to be assembled in Lindley Meadow to hear the tropical-laced French house that is simply infectious.

Dixon (Sunday 3:30 p.m. SOMA Tent) vs. Wet Leg (Sunday 4 p.m. Sutro)

Sure, these two artists bring radically different music, so many fans of these acts won’t see this as a conflict. However, German powerhouse DJ Dixon is always worth catching, especially in the newly expanded SOMA Tent. Expect a pummeling mixture of techno and house, chock full of dramatic emotions that may transport you to the storied Berghain in Berlin. On the other hand, Wet Leg continue their dominant year as the tongue-in-cheek indie darlings hailing from Isle of Wight. Sure, Rhian Teasdale and Hester Chambers are still earning confidence onstage, but if you’re looking for more light-hearted guitar rock, head to Sutro.


Outside Lands 2022 - Illenium

Must-See Acts

Artist: Robert Glasper
Set date/time: Saturday, 2:50-3:40 p.m.
Location: Sutro

We’re thrilled to see some jazz make its way onto the OSL bill in 2022, and Glasper was a keen choice as he steps out to make a bigger name for himself after being a sideman for far too long. Even if the name isn’t recognizable, there’s little doubt that you’ve heard his playing on many of your favorite hip-hop releases of the past 10 years. He recently made waves at the Blue Note Jazz Festival in Napa this past weekend, playing in multiple configurations with various jazz and hip-hop stars. It wouldn’t surprise us if Dave Chappelle or Yasiin Bey (aka Mos Def) made a brief appearance for this afternoon set.

Artist: Illenium
Set date/time: Sunday, 8:20-9:35 p.m.
Location: Twin Peaks

It hasn’t been more than four years since we’ve seen Illenium grace the OSL bill, and we’ve included this selection as it’s billed as a “Special Hometown Performance.” What exactly does this mean? To be honest, we aren’t sure but are certainly curious to see what added production or even special guests Illenium may include. His bass-heavy selections that run the gamut of future bass to beat-driven pop-punk will certainly please the younger crowd, but his recent prevalence in the Las Vegas nightclub scene could pull the 30-something tech crowd to finish their weekend at Twin Peaks. Wonder who will have more lasers: Illenium or Posty? A laser battle in Golden Gate Park is the stuff we dream of, right?


Outside Lands 2022 - Beer Lands

Beer Lands

There’s little doubt that the masses that will stampede Golden Gate Park over the next three days will arrive thirsty. Literally. The beer-swilling variety know where to go for all things craft brews, and this year is no exception as the ever-changing list of breweries offers all our local favorites alongside some fresh choices. Also, don’t be fooled by the name, as Beer Lands offers options for cider (i.e. Ace and Golden State) and hard kombucha (i.e. Strainge Beast).

New to the “Beer Lineup” this year is a nice mix of up-and-coming local breweries. Santa Cruz’s buzzy Humble Sea will make their debut and are likely to offer some of their DDH hazy IPAs that have put them on the map in the past couple of years. SF’s Laughing Monk has no shortage of varieties to offer to attendees, but we think their Peach Kettle Sour or Prophetess Blonde Ale would go down easy in the polo fields. Old Caz Beer, out of Rohnert Park, are a young brew crew with a lot to offer, so keep your eyes peeled for potentially pouring their RPX Pale Ale and maybe they’ll even bring their Lavender Radler or Pineapple Seltzer. Golden State Cider of Sonoma will make their debut in 2022, yet the question remains if they will bring their Mighty Dry, Brut, Jamaica, Ginger Grass or maybe something exclusive to the festival. Come thirsty, my friends.

OUTSIDE LANDS 2022 SCAVENGER HUNT: PRINT HERE

Outside Lands - updated 2022 lineup

After more than two years, Telefon Tel Aviv finally gets the chance to entrance fans at Lodge Room before taking a break from performing

Telefon Tel AvivBy Josh Herwitt //

Telefon Tel Aviv with Chasms //
Lodge Room – Los Angeles
July 29th, 2022 //

More than a decade has passed since Joshua Eustis tragically lost the other half of Telefon Tel Aviv.

Forming the band with his high school friend Charles Cooper in 1999, the two would go on to release an EP, three LPs and a number of remixes together while carving out their own space in the glitch and IDM scenes alongside Leftfield, The Future Sound of London and Boards of Canada to name a few. But just two days after unveiling their third full length Immolate Yourself, Cooper was found dead.

Cooper’s accidental death marked a major turning point for Eustis. Had the time come for him to shut it down for good or should he continue to make music under the TTA moniker in honor of his bandmate?

Over the next four years, Eustis would find himself working with other bands. He co-produced Puscifer’s Conditions of My Parole in 2011 and then toured with Nine Inch Nails, manning any instrument that was requested of him whether it was guitar, bass, keyboards, saxophone or even the erhu.

Eustis, though, wasn’t ready to give up on a solo career quite yet so he returned to the studio in 2014 after NIN’s “Tension Tour” to focus on a different project named Sons of Magdalene before turning his attention to recording the first TTA album without Cooper.

Telefon Tel Aviv

The end result, almost five years later, would be 2019’s Dreams Are Not Enough. The nine-track effort on Ghostly International officially put TTA back on the map as it garnered high praise from music critics, including Pitchfork (if you can believe that), and offered him the chance to take the stage again.

So when Eustis announced in early 2020 that he would be playing a TTA show in his current hometown, it was an opportunity to cross another 90’s electronic act off my bucket list. Of course, the performance would end up being rescheduled twice due to the COVID-19 pandemic, but it finally came to fruition last Friday at LA’s Lodge Room inside the same historic, three-story building that the Highland Park Masonic Temple once called home.

To make things all the more special, Eustis had previously said on social media in advance that Lodge Room and Grey Area in San Francisco would serve as TTA’s final two dates in support of Dreams Are Not Enough and the last ones he’ll perform live (“like, not DJing” in his words) stateside for a while.

That might not be what TTA fans outside of California wanted to hear after waiting patiently for live music to come back safely, yet given the fact that Eustis has produced Apparat, Drab Majesty, Tropic of Cancer and Vatican Shadow among others and spent a few years in synthwave trio The Black Queen with Greg Puciato and Steven Alexander of The Dillinger Escape Plan, it’s not hard to understand why he’s taking a break now.

And while no one knows how “long” it will be except for maybe Eustis, if this was the only night I ever got to see TTA in the flesh, it will certainly not go lost on me.

Setlist:
Intro
The Means Whereby Lovers Are Waylaid
A Younger Version of Myself
Standing at the Bottom of the Ocean
Mouth Agape
What It Is Without the Hand That Wields It
Introductory Nomenclature
Something Akin to Lust
Not Breathing
Arms Aloft
Mean Friend (Telefon Tel Aviv Remix)

Encore:
I Dream of It Often
The Birds

Sharon Van Etten, Angel Olsen & Julien Baker deliver all the feels at LA’s Greek Theatre on ‘The Wild Hearts Tour’

The Wild Hearts Tour - Sharon Van Etten, Angel Olsen & Julien Baker


Sharon Van Etten (center), Angel Olsen (left) & Julien Baker (right)

By Steph Port //

Sharon Van Etten, Angel Olsen & Julien Baker with Quinn Christopherson //
Greek Theatre – Los Angeles
July 28th, 2022 //

It was a beautiful summer night in LA last Thursday as “The Wild Hearts Tour” featuring the powerhouse indie trio of Sharon Van Etten, Angel Olsen and Julien Baker rolled into the Greek Theatre for the first of two much-anticipated dates. The show left us with all the feels, completely in awe of all three artists, and ultimately not wanting it to end.

After cheekily walking onstage to Manfred Mann’s “Quinn the Eskimo”, Alaskan-born singer-songwriter Quinn Christopherson opened the evening with a set of his dreamy, minimalist pop songs from across his catalog of EPs and singles.

Julien Baker


Julien Baker

Baker then took the stage and opened with an old favorite in “Sprained Ankle” before unveiling mostly newer songs from last year’s Little Oblivions as well as a few from 2017’s Turn Out the Lights. Baker’s powerful vocals and raw, vulnerable lyrics had us glued to her visage and utterly impressed by the 26-year-old’s skilled, energetic guitar playing the entire way.

The sun went down just in time for Angel Olsen to serve us a dose of her quintessential moody-musical medicine. Joined by a large, colorful band that included a string section, Olsen’s performance contained a slew of the brooding ballads that we love her for, many from her new album Big Time that came out in June and of course her breakout hit “Shut Up Kiss Me” off 2016’s My Woman. Although her songs bend toward the emotional, Olsen’s stage banter featured lighthearted jokes and jovial crowd interactions that only endeared us to her more.

Angel Olsen


Angel Olsen

Finally, the incredible Sharon Van Etten brought an energy and focus that had us fully entranced and powerless to her presence. Her signature, edgy brand of rock was on full display as she and her band traversed across her deep discography, including tracks off her sixth LP We’ve Been Going About This All Wrong the New Jersey native unleashed back in May. Playing in her new hometown of LA since she moved cross country in 2019, Van Etten spoke to the crowd about the origins of her latest material after writing and recording as a new mother in her home studio during the COVID-19 pandemic. We listened as she humbly opened up her heart to share her experience with us.

Olsen joined Van Etten onstage to close out the evening with a crowd-pleasing rendition of their popular 2021 duet “Like I Used To” that was produced by Grammy winner John Congleton. As the tote bag being sold at the merch stand proclaimed, “I went to ‘The Wild Hearts Tour’ and all I got was emotional.” While that’s certainly true, in reality we ended up getting much, much more.

Sharon Van Etten


Sharon Van Etten

SHARON VAN ETTEN

Setlist:
Headspace
Comeback Kid
No One’s Easy to Love
Anything
Come Back
Hands
Every Time the Sun Comes Up
All I Can
Darkish
Born
Mistakes
Seventeen

Encore:
Like I Used To (with Angel Olsen)

ANGEL OLSEN

Setlist:
Dream Thing
Big Time
Ghost On
Right Now
Shut Up Kiss Me
Sister
Go Home
Through the Fires
All Mirrors
All the Good Times
Chance

JULIEN BAKER

Setlist:
Sprained Ankle
Bloodshot
Tokyo
Shadowboxing
Favor
Relative Fiction
Heatwave
Ringside
Faith Healer
Hardline
Ziptie

QUINN CHRISTOPHERSON

Setlist:
Bubblegum
Just Like Céline
Evelene
Loaded Gun
2005
(Unknown)
Thanks