The surreal world of Nels Cline on display at The Chapel

Nels-Cline-SingersBy Tom Dellinger //

Nels Cline Singers //
The Chapel — San Francisco
May 9th, 2014 //

This past Friday, a packed house of fans spent a few hours in the unique sonic world of guitarist, Nels Cline, for his appearance at The Chapel. Cline has a lengthy discography and is perhaps best known for his work with Wilco, which he joined in 2004, though he also performs with his other bands, the Nels Cline Trio and the Nels Cline Singers. He’s been selected as one of the top 100 guitar players of all time by both Spin and Rolling Stone magazines and it’s not likely that anyone in attendance at this show would take issue with that. Appearing with Nels were drummer Scott Amandola, bassist Trevor Dunn and percussionist, Cyro Baptista, who has been referred to as “the mad scientist of Brazilian percussion.”

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To enter the unique world of Nels Cline is to enter a musical sphere where virtually everything is possible. It’s a dynamic realm filled with flights of seemingly non musical soundscapes blended with great rhythmic colors and textures provided by his rhythm section. Nels is remarkably resourceful in his approach to guitar and is open to all manner of exploration. He makes use of an extensive array of electronic devices that he uses as tools to color his work and coupled with his physical techniques on the guitar, he takes the listener on an exhilarating ride where nothing is predictable. In addition to brilliant guitar playing in the traditional sense, he also employs the use of tools such as chopsticks, a spring, and a small self contained mic/speaker he uses to vocalize right into the pickup of the guitar.

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His compositions are all about movement. Often, they are soundscapes of squelches, clicks, feedback, looping dense drones, jarring passages on guitar and anything else one could pull out of the “kitchen sink” that somehow find a rhythmic context when combined with the work from Scott, Cyro and Trevor. Throughout the evening, one could find themselves in a comfortable, more traditional section of a composition, and in an instant, be launched into an aural world filled with sonic flights of fancy as surreal as any dream. It was a night of moving in and out of that dream-like world, only to reluctantly wake up at its conclusion.

True innovators in the world of guitarists are few and far between and Nels is most certainly in that realm. It is his restless, artistic curiosity and creativity that places him there and we were very fortunate to have had the opportunity to experience his music in such a fine intimate setting.

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Eric McFadden and his star-studded cast shred The Mint in LA

McFadden-and-FriendsBy Pete Mauch //

Eric McFadden //
The Mint – Los Angeles
January 16th, 2013 //

The Mint is hosting San Francisco native Eric McFadden every Wednesday this month, and I was fortunate enough to catch the most anticipated third Wednesday show in January. The evening’s All-Star lineup featured guitarist Nels Cline from Wilco and bassist Mike Watt from The Minutemen.

Eric McFadden is considered by many, especially his peers, to be a straight-up, bad-ass guitar virtuoso, and he showcased his many different skills on this night.

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McFadden started things off with a couple solo songs with just him and an acoustic guitar, which he actually plays more like an electric. His playing is hard to pin-point because he can switch from a hard-rocking solo to a finger-picking flamenco jam. I particularly liked the second song he played called “Sister Maggie, Brother Sam”, which has a Western feel to it — almost to the point where it should be on the soundtrack for “Django Unchained”. McFadden has a very dark side to his songs, and this one definitely fits the category.

Throughout the night, McFadden would alternate his cast of All-Stars, but he started with Seth Ford-Young from Edward Sharpe & The Magnetic Zeros on bass and studio drummer Curt Bisquera on the skins.

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Also, the amazing Norton Wisdom was painting live on stage, which was truly amazing to see. He never stays with one painting, but instead just wipes it away and starts on a new one. He repeated this at least ten times and he truly added to the overall atmosphere, which was a little twisted.  

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Staying with the theme, McFadden then covered “Blight”, which pleased the Widespread Panic fans in attendance. The song is a nod to his bandmate Dave Schools, who he plays with in the band Stockholm Syndrome.

Nels Cline and Mike Watt finally joined forces in the second set, and they absolutely rocked out. It got really loud and a little drowned out, but the fire between Cline and Watt is undeniable. They play in a supergroup together called Banyan with Stephen Perkins of Jane’s Addiction and Wisdom, who paints at every show of theirs as well.

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Mike Watt only stayed on stage for about t30 minutes, but he definitely made his presence known. Nels Cline stayed on stage for the majority of the second set, and he never disappoints. He is a master of the whammy bar, alternating his tone all while wailing away.
 
McFadden and company encored with “Maggot Brain” by Parliament Funkadelic. McFadden previously toured with P-Funk as their first mandolin player but later played guitar with the band.

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It was one hell of a night out, and I can’t wait to do it all again next week when McFadden once again brings some amazing talent, including Steve Molitz of Particle, to the stage.

You can buy tickets here for the next Eric McFadden residency show on Wednesday, January 23rd at The Mint.