Noise Pop 2015: Who made the ‘most’ of SF’s 12-day indie fest?

Caribou


Caribou at The Fillmore // Photo by Justin Yee

Photos by Justin Yee, Pedro Paredes, Mike Rosati, Alfonso Solis & Nicole Alfaro // Written by Molly Kish //

Noise Pop //
Bay Area venues – San Francisco & Oakland
February 20th-March 1st, 2015 //

2015 marked the Bay Area’s 23rd annual celebration of independent music, art, film and more, affectionately known as Noise Pop. Running 12 full days and taking place at more than 20 different venues throughout SF and the East Bay, this marathon party is best described as the West Coast version of South by Southwest.

Each year, Noise Pop highlights both the biggest stars within the independent music and art industries as well as emerging artists performing at the peak of their games and has always been ahead of the curve when it comes to booking their acts — and this year was no exception. Curating a demographic of music fans with limitless knowledge, expectations and preferential ranges, this festival never fails to create some of the most memorable experiences in live entertainment throughout the Bay Area.

Noise Pop remains one of our favorite times of the year, not only for its amazing lineups and exceptional performances, but also for its genuine ability to bring music and lifestyle connoisseurs from across the globe to extrapolate, communicate and participate in the independent culture of the Bay Area.

Here are some of our favorite moments from Noise Pop 2015.


Most Likely to Have a Hospital Bill: Ben Gibbard

Gibbard enlisted Sun Kill Moon’s Mark Kozelek to play guitar for him after breaking his wrist before his big opening night performance at the Swedish American Music Hall. We’re still surprised the notorious shit talker (Kozelek) didn’t give Gibbard a harder time about it, considering the last song off Kozelek’s Benji is titled “Ben’s My Friend” and is about how Kozelek went to the Greek Theatre in Berkeley to watch Gibbard play with The Postal Service before proceeding to have a mental breakdown.

Runner-up: PPL MVR

This second-place honor goes to SNWBLL after the band had to cancel its performance at Bottom of the Hill due to some unfortunate bladder issues.


The Black Ryder

Most Likely to Inspire 2015 Festival Fashion: The Black Ryder

Dark, brooding and beautifully tragic. Beyond the torrid love affair story and musical diatribe to accompany the duo of Aimee Nash and Scott Van Ryper, the band embodies its self-proclaimed “Rhinestone Drone” sound into a wicked wardrobe, guaranteed to materialize on the proverbial polo fields across the nation this summer.

Runner-up: Bestie

The Vancouver outfit brought some creativity to the merch table with fun and functional band gear, such as koozies and friendship bracelets, as you can see here via Instagram.

https://instagram.com/p/zjwd2OJ5-G/


Kindness

Most Bar-Raising Performance of the Festival: Kindness

“(Adam) Bainbridge grabbed one audience member’s cell phone out of its hands and filmed himself as well as the crowd with it at one point, elevating the crowd-interaction a notch. He sang from on top of the bar at stage left, walked into the crowd with his mic and made a huge lap while singing to individuals in the audience to end the night.”

Read the full review here.


Dan Deacon

Act Most Likely to Prompt a Mind-Altering Freak Out: Dan Deacon

“Layer upon insane layer of sound interprets into harmonious infectiousness, a feat that hints at an intersection of mathematical and creative genius. The guy takes all sorts of frequencies and cross sections of genre elements and composes it all together into a crescendo of weird, atypical pop. And by weird, I mean the very good kind of weird.”

Read the full review here.


Holly Herndon

Runner-up: Holly Herndon

“People laughed nervously as a slow burn of glitch sounds began to emerge, and before you knew it, her browsing gave way to an interactive, virtual world featuring two-dimensional cutouts of people floating about while strategically-placed cameras around the room recorded and projected images of the crowd, usually catching them unexpectedly on their phones, on two adjacent screens.”

Read the full review here.


Surfer Blood

Most Entertaining Attempt at a Cover Song: Surfer Blood

These guys covered “Hey Sandy” by Polaris, aka the theme song for “The Adventures of Pete & Pete.”

Runner-up: Girrafage‘s rendition of Miley Cyrus’ “Party in the USA”


Caribou

Most Likely to Be Headlining Future Festivals: Caribou

Absolutely destroying two back-to-back, sold-out nights at The Fillmore, Caribou’s live show is currently on a world tour, hitting all of the largest festival stages in its wake. We unanimously believe that this act will be one of the biggest of 2015 and are keeping our fingers crossed that they will be filling the empty spot in their August tour schedule with a stop at this year’s Outside Lands Music Festival.


Flight Facilities

Runner-up: Flight Facilities

“… to consider booking this lineup on a ‘school night’ at a venue with a max capacity of 1,424 people was a pretty bold call. Subsequently though, it was also one that paid off in easily the largest dance party of the festival.”

Read the full review here.


Les Sins

Most Likely to Break the “Local Music” Barrier: Les Sins

“Intermingling his own material with disco classics, 90’s pop jams and dirty trap beats, Bundick had the crowd on fire and easily could have prolonged the party well into the after hours had there been the option to do so.”

Read the full review here.

Geographer

Runner-up: Geographer

With a doctored lineup and powerful new songwriting approach, Mike Deni has taken full reign of the band’s beloved history of material and is moving forward into bold, uncharted territory — a leap of faith that just might cover the extra ground needed to penetrate a mainstream audience.


Seeing Holly Herndon perform is a multisensory labyrinth

Holly HerndonBy Alfonso Solis //

Holly Herndon //
The LAB – San Francisco
March 1st, 2015 //

It seems only fitting that Holly Herndon would bring her computerized abstraction of sounds to The LAB in SF, a space where she could freely experiment with her distorted, disembodied voice against a minced background of chaotic percussion and garbled samples without the necessary expectation of moving the crowd in the conventional sense.

Those familiar with Herndon’s work will know her music is more academic than pop, full of theory rather than infectious with melody, which isn’t to say it isn’t enjoyable, but its appreciation comes from a different angle than say Caribou, who played his lush, dreamy dance-pop also on Sunday to round out Noise Pop 2015. Perhaps this was intentional on behalf of the organizers, to highlight the noise and pop spectrum of their festival at its most extreme. Caribou’s two-night sold out show can attest to the power of pop, but the small, intimate crowd willing to submit to Herndon’s dense, often difficult noise was taken on a strange and dark journey.

Holly Herndon

What is most striking initially about Herndon’s show was how well her audio experiments translated into a visual experience. With a projector behind her connected to a laptop, Herndon introduced herself by writing down some text on her computer. Right when it seemed that she was about to close the laptop and begin playing, she did what all of us do, logging on to Facebook and ingesting the endless amount of personal information that comes with it. She explored her news feed, humorously joining the show’s Facebook event page and then browsing endlessly through friends’ pages and photos.

Long after the joke was over though, Herndon continued further, navigating an endless labyrinth of profiles, uncomfortably looking at the information of friends of friends and trying to request their friendship. Where was she going? Who were these people? Should she be stalking and adding them?

Holly Herndon

People laughed nervously as a slow burn of glitch sounds began to emerge, and before you knew it, her browsing gave way to an interactive, virtual world featuring two-dimensional cutouts of people floating about while strategically-placed cameras around the room recorded and projected images of the crowd, usually catching them unexpectedly on their phones, on two adjacent screens.

Electronic artists have always explored humanity’s uncomfortable relationship with technology, but Herndon’s meta-commentary updated the formula to focus on our socially-networked existence and our vulnerability to web-based privacy violations. It’s a multimedia presentation that worked brilliantly in tandem with her music, which in and of itself has the ADHD feeling of browsing the Internet. Never content in one place, Herndon seamlessly shapes her music from glitch techno to bass-heavy ambiance to abstract delights — sounds supposedly culled from her daily web-browsing experience. Her samples are distorted to an extreme degree, almost to the point of agitation, but it’s fascinating to see how she scrambles the audio. The information is still there but beyond recognition.

Holly Herndon

Electronic music can often come across as disengaging, with the perception being that the music is planned out in ones and zeroes, but Herndon injects a level of chance and spontaneity into her performance that few other electronic artists accomplish. Singing into her microphone, her voice is immediately processed, chopped and distorted. Spontaneous moments like drinking water or laughter from her and the audience became instantly a part of her repertoire of sounds as they were manipulated into the rhythms of her music.

Herndon’s show can come across as more conceptual than actually enjoyable, her music’s database of discombobulated sounds of the Internet and her voice seeming to be a commentary on our social dependence of technology and the alienation that follows. Indeed, the show’s one-hour length left more to be desired, but Herndon finds a nice balance between electronic experimentation and accessibility. Just as the cacophonous combination of agitated percussion, glitch samples and voice manipulation would seem overwhelming, her music would give way to more recognizable, danceable songs such as “Chorus” or “Movement.” Such are Herndon’s shows, challenging and demanding but filled with gorgeous checkpoints to gather oneself and simply move to the music.

Holly Herndon

Holly Herndon

Holly Herndon

Holly Herndon

Kindness makes world restart at Mezzanine

KindnessBy Justin Yee //

Kindness with Pell //
Mezzanine – San Francisco
February 28th, 2015 //

Kindness, a one-man, indie disco-funk-R&B band led by Adam Bainbridge, graced the Mezzanine stage this past Saturday as part of Noise Pop 2015. His sound at times features upbeat funk riffs or mellow, soulful vocal drones, even sometimes meshing the two to create a more addictive pop sound that is deep with emotion.

The British singer/producer is currently at the start of his world tour in support of his sophomore studio album Otherness, which was released in October via Female Energy/Mom+Pop Records.

Bainbridge grabbed one audience member’s cell phone out of its hands and filmed himself as well as the crowd with it at one point, elevating the crowd-interaction a notch. He sang from on top of the bar at stage left, walked into the crowd with his mic and made a huge lap while singing to individuals in the audience to end the night.

Kindness

Unsurprisingly, Kindness covered their friends and collaborators Blood Orange and Solange with “Champagne Coast” and “Some Things Never Seem To Fucking Work.”

It may not have been a sold-out show, but Bainbridge mentioned that this was the ideal crowd the band was hoping for the first time it played the Bay Area, exceeding its expectations.

Pell, a New Orleans-based hip-hop artist who released his newest album Floating While Dreaming in May via PellYeah, was the opening act on this night.

Les Sins get The New Parish grindin’

Les SinsPhotos by Justin Yee // Written by Molly Kish //

Les Sins with DJ Cali, DJ Dials //
The New Parish – Oakland
February 26th, 2015 //

Chaz Bundick is a man of many monikers. Known best as the “chillwave” movement ambassador and talent behind Toro y Moi, he also has ventured out into the world of experimental electronic music as both Sides of Chaz and Les Sins. Last week as part of the Noise Pop 2015 roster, the Bay Area was treated to a rare, live Les Sins set at one of Oakland’s most intimate venues, The New Parish.

Supported by opening acts DJ Cali and DJ Dials, Bundick delivered a late-night performance on the venue’s main stage for a sold-out, Thursday night crowd. While it was kind of a mixed bag as far as the attendance went, the audience took a minute to warm up to what most definitely wasn’t a simple Toro y Moi DJ set. Something Bundick had alluded to in the Noise Pop “Song Exploder” podcast earlier that day, Les Sins have always meant to be a completely separate project in which Bundick can explore obscure electronic soundscapes without alienating his Toro y Moi fan base.

Les Sins

Delving into funky, house-driven tracks off his 2014 release Michael, Bundick had the audience either feeling compelled to nervously check their watches and reconsider their weeknight curfew or giving into Les Sins’ infectious grooves. Many of those in attendance couldn’t help but indulge in Bundick’s quirky, trip-hop samples, soulful piano riffs and R&B synth hooks, filling out the dance floor while some crowd members even found their way onstage.

Not even taking the stage until about 11:30 p.m., the show was intentionally scheduled for the late-night music fan. Once those who were committed settled into their dance space, the venue exploded into a funky house party that extended into the early a.m. hours. Intermingling his own material with disco classics, 90’s pop jams and dirty trap beats, Bundick had the crowd on fire and easily could have prolonged the party well into the after hours had there been the option to do so. And by ending the evening with “Working,” the lead single off of Les Sins’ 2014 full length, he really had the venue raring for more by the end of his set.

Although Les Sins haven’t alluded to any new material coming out this year, fans of Bundick will be able to catch him on tour as Toro y Moi starting at the end of this month with a new album dropping on April 7th. But knowing this man’s proclivity to keeping himself creatively occupied, something tells me it won’t be too long before he gives us another taste of his electronic expansion.

Flight Facilities soar above expectations at The Regency Ballroom

Flight FacilitiesPhotos by Justin Yee // Written by Molly Kish //

Flight Facilities with Touch Sensitive, Owl Eyes //
The Regency Ballroom – San Francisco
February 24th, 2015 //

Australian electronic production duo Flight Facilities landed at The Regency Ballroom on the only Bay Area stop of their North American “Down to Earth” tour last week for Noise Pop 2015. Transforming the venue into an aeronautic disco, these two flyboys brought the house down with help from tourmate Touch Sensitive and Owl Eyes (aka Brooke Addamo).

Pumping through a showcase of their club-banging singles and a majority of the duo’s 2014 studio album, Flight Facilities kept the audience moving and surprisingly enthusiastic for a packed house on a Tuesday night. Beyond electrifying the dance floor with live remixes of crowd favorites “Crave You” and “Clair De Lune,” highlights of the night included Owl Eyes performing “Heart Attack” amongst several other vocal tracks in person and Touch Sensitive joining the whole crew on stage for a rousing rendition of Stardust’s “Music Sounds Better With You” to close the night.

Flight Facilities

Both Touch Sensitive and Flight Facilities have rocked several of the Bay Area’s venues with DJ sets and live performances over the past year, promoting their debut albums as labelmates on Future Classic Records. Without question, both acts on this bill would have been equally capable of throwing a raging party at any mid-size venue, warehouse or club in SF on a weekend night.

So, for Noisepop 2015 to consider booking this lineup on a “school night” at a venue with a max capacity of 1,424 people was a pretty bold call. Subsequently though, it was also one that paid off in easily the largest dance party of the festival. Selling out and tossing aside attendee’s inhibitions for the chance to take flight with their fellow weekday warriors, the combo and impressive live collaboration of Touch Sensitive and Flight Facilities with special guest Owl Eyes undoubtedly made for a special night at Noise Pop 2015.

SF Shows of the Week // GO4FREE to TV Girl, Les Sins, Mystery Skulls or Kindness at Noise Pop 2015

TV Girl, Le Sins, Mystery Skulls & KindessWritten by Molly Kish //

We got your tickets to six of the top featured shows at Noise Pop 2015.

But first, make sure to read our festival guide so you get the most out of San Francisco’s essential 12-day indie fest.

Win a pair of free tickets to one of our Shows of the Week by entering your name and email below.

Contests for all weekday shows end at 3 p.m. on the day of show. Contests for all weekend shows end at 3 p.m. this Friday.




The Black Ryder: February 24th (TUE) @ Rickshaw Stop // BUY TICKETS
Celebrating the release of their brand-new album The Door Behind the Door, Australian “rhinestone drone” outfit The Black Ryder make their only Bay Area tour stop during Noise Pop 2015. Detailing their recent break-up and writing process throughout the record, Aimee Nash and Scott Von Ryper bring their psychedelic ocean of hypnotic noise to Rickshaw Stop on Tuesday night.

Contest ends this Tuesday at 3 p.m.




TV Girl: February 25th (WED) @ Brick & Mortar Music Hall // BUY TICKETS
Trung Ngo and Brad Petering first called attention to themselves as TV Girl in 2010 after the release of their critically-acclaimed single “If You Want It” featuring a Todd Rundgren sample, which got them into a small copywrite debacle with Warner Music Group. Taking the high road, the twosome went on to release their material independently and absent of much Internet presence, managed to book several tour dates, including one at South by Southwest, and produce various EPs, a mixtape and a full studio album entitled French Exit.

Contest ends this Tuesday at 3 p.m.




Eleanor Friedberger: February 26th (THUR) @ Brick & Mortar Music Hall // BUY TICKETS
Frontwoman of the Fiery Furnaces and acclaimed singer-songwriter, Eleanor Friedburger brings her Personal Record to Brick & Mortar Music Hall on Thursday night. Channeling the golden age of California rock ‘n’ roll, Freidburger draws influence from her 70’s idols, dictating a narrative that is both personal and universally relate-able. Paying tribute to the sun-tinged pop aesthetics of timeless classics penned by her predecessors, she brings a modern flare to the classic rock formula, creating a sound that is romantically vibrant, unequivocally defined and truly her own.

Contest ends this Wednesday at 3 p.m.




Les Sins: February 26th (THUR) @ The New Parish // BUY TICKETS
Side project of chillwave ambassador and Toro Y Moi frontman Chaz Bundick, Les Sins was born from a series of 12” records Bundwick released on independent record labels Carpark and Jiaolong as “just another way to make weirder music without alienating TYM fans”. Offering a creative outlet for Bundick to experiment electronically, Les Sins spawned further obscure productions in addition to several alternate monikers, a tour CD-R, singles, collaborative interactive albums and a full length entitled Michael released on Bundick’s very own Company Records in November. Here is your chance to check out this talented renaissance man “work” it out at The New Parish.

Contest ends this Wednesday at 3 p.m.




Mystery Skulls: February 26th (THUR) @ Mezzanine // BUY TICKETS
Dallas native Luis Dubuc formed Mystery Skulls in 2011 after departing former project The Secret Handshake, packing up his belongings and officially setting up shop in Los Angeles. There, he refined his synthpop sound, released his four-song, self-titled EP and has been operating full steam ahead under his new moniker ever since. Opening for Flume and working alongside Chromeo, Avicii and Yeasayer at sold-out venues and festivals throughout Southern California, Mystery Skulls caught the attention of Warner Bros., signing a record deal with them, and in the meantime, is now working with Nile Rogers and Chic on their upcoming album while also producing his own full-length debut. Don’t miss him Thursday at Mezzanine with Blackbird Blackbird opening.

Contest ends this Thursday at 3 p.m.




Kindness: February 28th (SAT) @ Mezzanine // BUY TICKETS
Solo project of singer Adam Bainbridge, Kindness has become synonymous with a type of musical exploration focused on found work, sound sources and collaborations, all meant to branch out from atypical pop music into various mediums and creative fields. Winner of the Eric James Johnson Memorial Fellowship award while attending the Philadephia Institute for Advanced Study, Bainbridge credits his work to the “natural and verifiable magic”, of real interactions with fellow artists and contributors to his work. Playing a unique live show this Friday at Mezzanine, he’ll be performing with a full band usually saved for his festival dates and special one-off tour stops. You’ll want to catch this rare and extremely exceptional festival highlight.

Contest ends this Friday at 3 p.m.


Win-2-Tickets

Pick the show you would like to attend from the dropdown, then enter your name (First and Last) along with your email. If you win a contest, you’ll be notified on the day the contest ends (details above).

Like Showbams on Facebook, follow Showbams on Twitter and follow Showbams on Instagram. Subscribe to our social channels for a better chance to win!

CONTEST CLOSED.

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Noise Pop 2015: Get the most out of San Francisco’s essential 12-day indie fest

np2015_header-imageWritten by Mike Frash & Molly Kish //

Noise Pop //
Bay Area venues – San Francisco & Oakland
February 20th-March 1st, 2015 //

Indie-minded music and culture will be taking over the San Francisco Bay Area with the 23rd iteration of Noise Pop beginning this week. Progressive and innovative music is the hallmark of Noise Pop Fest, and this year is no exception. Outside of the incredible musical lineup, Noise Pop has curated a wondrous series of events including film, photography & stage for the 2015 showcase.

Noise Pop headquarters has moved to renovated Swedish American Hall on Market Street where a bunch of free, fun & intriguing events will take place.

And when it comes to the music, get there early. Most shows have 2-3 openers before the headliner takes the stage, and one of the best aspects of Noise Pop is discovering the next great indie act before they blow up.

np2015-NPHQ


1. Go to under-the-radar Noise Pop Shows that aren’t sold out (yet)

If you can’t spring for a badge, consider going to these yet to sell out shows:

Flight Facilities, Touch Sensitive — The Regency Ballroom
Tuesday, February 24th

At long last Aussie production & remix-ranglin’ duo Flight Facilities released their first full length of original material last year with Down To Earth. Arguably the most essential dance party of Noise Pop, fans of Poolside, Classixx & Flume should queue up to kick off a colossal week.


Jessica Pratt, Kevin Morby, Carroll, Two Sheds – The Chapel
Wednesday, February 25th

Introverted songwriting and minimalist instrumentation lay the foundation for Jessica Pratt’s beguiling voice — one that is on the road touting her second album, On Your Own Love Again. The former San Franciscan was discovered and initially promoted by White Fence’s Tim Presley, so it’s no surprise Pratt’s warm take on dream pop includes a dash of subversive psych.


Les Sins, DJ Cali, DJ Dials — The New Parish
Thursday, February 26th

Did you know Toro y Moi has a side project and dance alias, Les Sins, that incorporates elements of two step garage and dub into an electronic-based smorgasbord? Well he does, and Chaz Bundick is taking the project to The New Parish after blowing minds at his Song Exploder Live Podcast Recording earlier that day for Noise Pop Thursday at Swedish American Hall (more on that below).


No Joy, Devon Williams, Vaniish, Chasms — Bottom of the Hill
Friday, February 27th

It might be a bit obvious to summarize the band No Joy as a shoegazing indie/noise pop outfit with an ounce of doom, but the label suits them well. The Montreal based group have promised their third record this year, stating last week that they are “still not sure when exactly or what it’s called, but its definitely pretty fucked! Played a lot of shows and partied really hard every single night, hope you like the music because we’re completely insane now.”


Kindness, Pell — Mezzanine
Saturday, February 28th

Adam Bainbridge is Kindness, the musician that brought the gems “House” and “Swingin’ Party” to the world in 2012. Last year he released his second album Otherness with contributions from his Blood Orange bud Dev Hynes, Kelela & Robyn — you’ll want get south of Market for this exciting indie mash of R&B, disco and funk.


James Vincent McMorrow (Solo), Kevin Garrett, Avid Dancer — Swedish American Hall
Sunday, February 29th

Post Tropical may have been one of the most underrated albums from 2014 — the enveloping album from James Vincent McMorrow hits the sweet spot for those on stand by for Justin Vernon’s next effort. McMorrow is helping to wrap up Noise Pop 2015 with a solo performance that’s sure to sweep listeners away into pure, crescendo-induced bliss.


Deafheaven, Bosse-De-Nage, Mortal Bodies, Cloak – Rickshaw Stop
Sunday, February 29th

San Francisco’s Deafheaven made a mondo impact in 2013 with Sunbather, which reintroduced their experimental black metal way beyond the Bay Area. They’ve hinted that their third LP will come out this year, so get to Rickshaw Stop for the chance to preview some new material.


2. Get a Super Fan Badge and do it all

Super Fan BadgeSee any Noise Pop show or event of your choosing if you spring for the Super Fan Badge, which includes these shows that are sold the fuck out:

• Best Coast at Bottom of the Hill, 2/24
• Surfer Blood at Rickshaw Stop, 2/25
• Giraffage at The Independent, 2/26
• Cathedrals at The Independent, 2/27 & 2/28
• Grouper at Swedish American Hall, 2/27
• Dan Deacon at The Chapel, 2/28
• Caribou at The Fillmore, 3/1 & 3/2


Toro-Y-Moi

3. Observe Toro Y Moi & How to Dress Well deconstruct their music (then watch your head explode)

These unique events are partially seated shows/Song Exploder Live Podcast Recordings where the audience becomes immersed in a live podcast that allows musicians to break down their songs through storytelling and personal perspectives.This year’s festivities, taking place at the Noise Pop Festival headquarters at Swedish American Hall, will focus on the creation of material by:

•Toro y Moi @ Swedish American Music Hall, 2/26 at 5 p.m.
Chaz Bundick will be breaking down a song from his forthcoming album, What For?, dropping May 7th.
RSVP HERE and get there early…

• How to Dress Well @ Swedish American Hall, 2/27 at 1 p.m.
Tom Krell will deconstruct “Pour Cyril” from his 2014 LP, “What Is This Heart?”
RSVP HERE and get there early…


NP_film

4. Take in Independent Cinema with the Noise Pop Film Series

The films on deck this year offer a wide variety of musical subject matter. One that peaks our interest is Salad Days: The Birth of Punk In The Nation’s Capital, West Coast Premiere + special guest short film curation by NOWNESS @ Roxie Theater, 2/21 at 7 p.m.



This event will be accompanied by a Q&A session with director Scott Crawford and Mark Haggerty (Gray Matter) Meghan Adkins and Nicky Thomas (Fire Party).

Here are all film options during Noise Pop. What strikes your fancy?

Hardcore Devo Live @ Roxie Theater, 2/20 7 p.m.
Metropolis: Live Scoring by Chrome Canyon @ The Swedish American Music Hall, 2/20 7 p.m.
Ollies, Dollies & Drones: A Survey of Spike Jonze’s Skate Video’s @ Roxie Theater, 2/20 9:15 p.m.
The Case of the Three-Sided Dream @ Artists’ Television Access, 2/21 2 p.m.
Welcome to Deathfest + Heavy Metal @ Artists’ Television Access, 2/21 4 p.m.
Lance Bangs: Immortal Volume @ Swedish American Music Hall, 2/21 5 p.m.
Beautiful Noise @ Roxie Theater, 2/21 9:15 p.m.
The 78 Project @ Artists Television Access, 2/22 2 p.m.
Christopher Willits Presents Opening: Film + Live Scoring @ Swedish American Music Hall, 2/22 7 p.m.
Stop Making Sense @ The Independent, 2/23 8 p.m.
Life on the V: The Story of V66 @ Artists’ Television Access, 2/24 7 p.m.
Sound and Chaos @ Artists’ Television Access, 2/25 7 p.m.
I’ve Rambled This Country Both Early and Late: Alan Lomaz Centennial Project @ Swedish American Music Hall, 2/28 3:30 p.m.


primus_MIKE

5. Bathe in some of the best Bay Area photography from the past 23 years of Noise Pop

23 for 23: Celebrating Noisepop Rock Photograpahy in Year 23 @ Hotel Biron, 2/26 7 p.m.

This live music photography event will showcase the work of Showbams’ very own Michael Rosati alongside Bay Area photographers Paige Parsons, Deb Zeller, Peter Ellenby, Heather Bernard, John Hartsfield, Jeanne Ellenby, Tara Graves, Martin Lacey, Emily Anderson, Joey Pagliani and Daniel Kielman.


home-street-home-album

6. Watch a raucously entertaining musical created by NOFX’s Fat Mike, a professional dominatrix & the guy that made Avenue Q

Home Street Home: A Original Rock Musical @ Z Space, 2/22

Created by Fat Mike of NOFX, Jeff Marx creator of Avenue Q and professional dominatrix Goddess Soma, Home Street Home is a brand new, highly unconventional dark comedy/musical, glorifying the hedonistic exploration of sex work, drug use and BDSM culture. Written from the collective perspectives of the authors’ own life experiences, the story follows Sue a teenage runaway who encounters and assimilates into a tribe of street punks, whom through their wild adventures form an atypical bond, finding strength and happiness amongst their abstract lifestyles.

Making its debut in San Francisco at Noise Pop 2015, the staged theatrical production will only play 11 performances through March 7th. Listen to the full concept album featuring songs by NOFX and members of Descendents, Lagwagon, No Use for a Name, Alkaline Trio, Mad Caddies, Frank Turner, The Living End, Old Man Markley, Me First and the Gimme Gimmes, Dropkick Murphys, Bad Cop/Bad Cop, Dance Hall Crashers, The Aggrolites, Limp, The Real McKenzies, Mariachi El Bronx, R.K.L. and Hedwig & the Angry Inch here:

Noise_Pop_cover