SF Shows of the Week // GO4FREE to TV Girl, Les Sins, Mystery Skulls or Kindness at Noise Pop 2015

TV Girl, Le Sins, Mystery Skulls & KindessWritten by Molly Kish //

We got your tickets to six of the top featured shows at Noise Pop 2015.

But first, make sure to read our festival guide so you get the most out of San Francisco’s essential 12-day indie fest.

Win a pair of free tickets to one of our Shows of the Week by entering your name and email below.

Contests for all weekday shows end at 3 p.m. on the day of show. Contests for all weekend shows end at 3 p.m. this Friday.




The Black Ryder: February 24th (TUE) @ Rickshaw Stop // BUY TICKETS
Celebrating the release of their brand-new album The Door Behind the Door, Australian “rhinestone drone” outfit The Black Ryder make their only Bay Area tour stop during Noise Pop 2015. Detailing their recent break-up and writing process throughout the record, Aimee Nash and Scott Von Ryper bring their psychedelic ocean of hypnotic noise to Rickshaw Stop on Tuesday night.

Contest ends this Tuesday at 3 p.m.




TV Girl: February 25th (WED) @ Brick & Mortar Music Hall // BUY TICKETS
Trung Ngo and Brad Petering first called attention to themselves as TV Girl in 2010 after the release of their critically-acclaimed single “If You Want It” featuring a Todd Rundgren sample, which got them into a small copywrite debacle with Warner Music Group. Taking the high road, the twosome went on to release their material independently and absent of much Internet presence, managed to book several tour dates, including one at South by Southwest, and produce various EPs, a mixtape and a full studio album entitled French Exit.

Contest ends this Tuesday at 3 p.m.




Eleanor Friedberger: February 26th (THUR) @ Brick & Mortar Music Hall // BUY TICKETS
Frontwoman of the Fiery Furnaces and acclaimed singer-songwriter, Eleanor Friedburger brings her Personal Record to Brick & Mortar Music Hall on Thursday night. Channeling the golden age of California rock ‘n’ roll, Freidburger draws influence from her 70’s idols, dictating a narrative that is both personal and universally relate-able. Paying tribute to the sun-tinged pop aesthetics of timeless classics penned by her predecessors, she brings a modern flare to the classic rock formula, creating a sound that is romantically vibrant, unequivocally defined and truly her own.

Contest ends this Wednesday at 3 p.m.




Les Sins: February 26th (THUR) @ The New Parish // BUY TICKETS
Side project of chillwave ambassador and Toro Y Moi frontman Chaz Bundick, Les Sins was born from a series of 12” records Bundwick released on independent record labels Carpark and Jiaolong as “just another way to make weirder music without alienating TYM fans”. Offering a creative outlet for Bundick to experiment electronically, Les Sins spawned further obscure productions in addition to several alternate monikers, a tour CD-R, singles, collaborative interactive albums and a full length entitled Michael released on Bundick’s very own Company Records in November. Here is your chance to check out this talented renaissance man “work” it out at The New Parish.

Contest ends this Wednesday at 3 p.m.




Mystery Skulls: February 26th (THUR) @ Mezzanine // BUY TICKETS
Dallas native Luis Dubuc formed Mystery Skulls in 2011 after departing former project The Secret Handshake, packing up his belongings and officially setting up shop in Los Angeles. There, he refined his synthpop sound, released his four-song, self-titled EP and has been operating full steam ahead under his new moniker ever since. Opening for Flume and working alongside Chromeo, Avicii and Yeasayer at sold-out venues and festivals throughout Southern California, Mystery Skulls caught the attention of Warner Bros., signing a record deal with them, and in the meantime, is now working with Nile Rogers and Chic on their upcoming album while also producing his own full-length debut. Don’t miss him Thursday at Mezzanine with Blackbird Blackbird opening.

Contest ends this Thursday at 3 p.m.




Kindness: February 28th (SAT) @ Mezzanine // BUY TICKETS
Solo project of singer Adam Bainbridge, Kindness has become synonymous with a type of musical exploration focused on found work, sound sources and collaborations, all meant to branch out from atypical pop music into various mediums and creative fields. Winner of the Eric James Johnson Memorial Fellowship award while attending the Philadephia Institute for Advanced Study, Bainbridge credits his work to the “natural and verifiable magic”, of real interactions with fellow artists and contributors to his work. Playing a unique live show this Friday at Mezzanine, he’ll be performing with a full band usually saved for his festival dates and special one-off tour stops. You’ll want to catch this rare and extremely exceptional festival highlight.

Contest ends this Friday at 3 p.m.


Win-2-Tickets

Pick the show you would like to attend from the dropdown, then enter your name (First and Last) along with your email. If you win a contest, you’ll be notified on the day the contest ends (details above).

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CONTEST CLOSED.

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Noise Pop 2015: Get the most out of San Francisco’s essential 12-day indie fest

np2015_header-imageWritten by Mike Frash & Molly Kish //

Noise Pop //
Bay Area venues – San Francisco & Oakland
February 20th-March 1st, 2015 //

Indie-minded music and culture will be taking over the San Francisco Bay Area with the 23rd iteration of Noise Pop beginning this week. Progressive and innovative music is the hallmark of Noise Pop Fest, and this year is no exception. Outside of the incredible musical lineup, Noise Pop has curated a wondrous series of events including film, photography & stage for the 2015 showcase.

Noise Pop headquarters has moved to renovated Swedish American Hall on Market Street where a bunch of free, fun & intriguing events will take place.

And when it comes to the music, get there early. Most shows have 2-3 openers before the headliner takes the stage, and one of the best aspects of Noise Pop is discovering the next great indie act before they blow up.

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1. Go to under-the-radar Noise Pop Shows that aren’t sold out (yet)

If you can’t spring for a badge, consider going to these yet to sell out shows:

Flight Facilities, Touch Sensitive — The Regency Ballroom
Tuesday, February 24th

At long last Aussie production & remix-ranglin’ duo Flight Facilities released their first full length of original material last year with Down To Earth. Arguably the most essential dance party of Noise Pop, fans of Poolside, Classixx & Flume should queue up to kick off a colossal week.


Jessica Pratt, Kevin Morby, Carroll, Two Sheds – The Chapel
Wednesday, February 25th

Introverted songwriting and minimalist instrumentation lay the foundation for Jessica Pratt’s beguiling voice — one that is on the road touting her second album, On Your Own Love Again. The former San Franciscan was discovered and initially promoted by White Fence’s Tim Presley, so it’s no surprise Pratt’s warm take on dream pop includes a dash of subversive psych.


Les Sins, DJ Cali, DJ Dials — The New Parish
Thursday, February 26th

Did you know Toro y Moi has a side project and dance alias, Les Sins, that incorporates elements of two step garage and dub into an electronic-based smorgasbord? Well he does, and Chaz Bundick is taking the project to The New Parish after blowing minds at his Song Exploder Live Podcast Recording earlier that day for Noise Pop Thursday at Swedish American Hall (more on that below).


No Joy, Devon Williams, Vaniish, Chasms — Bottom of the Hill
Friday, February 27th

It might be a bit obvious to summarize the band No Joy as a shoegazing indie/noise pop outfit with an ounce of doom, but the label suits them well. The Montreal based group have promised their third record this year, stating last week that they are “still not sure when exactly or what it’s called, but its definitely pretty fucked! Played a lot of shows and partied really hard every single night, hope you like the music because we’re completely insane now.”


Kindness, Pell — Mezzanine
Saturday, February 28th

Adam Bainbridge is Kindness, the musician that brought the gems “House” and “Swingin’ Party” to the world in 2012. Last year he released his second album Otherness with contributions from his Blood Orange bud Dev Hynes, Kelela & Robyn — you’ll want get south of Market for this exciting indie mash of R&B, disco and funk.


James Vincent McMorrow (Solo), Kevin Garrett, Avid Dancer — Swedish American Hall
Sunday, February 29th

Post Tropical may have been one of the most underrated albums from 2014 — the enveloping album from James Vincent McMorrow hits the sweet spot for those on stand by for Justin Vernon’s next effort. McMorrow is helping to wrap up Noise Pop 2015 with a solo performance that’s sure to sweep listeners away into pure, crescendo-induced bliss.


Deafheaven, Bosse-De-Nage, Mortal Bodies, Cloak – Rickshaw Stop
Sunday, February 29th

San Francisco’s Deafheaven made a mondo impact in 2013 with Sunbather, which reintroduced their experimental black metal way beyond the Bay Area. They’ve hinted that their third LP will come out this year, so get to Rickshaw Stop for the chance to preview some new material.


2. Get a Super Fan Badge and do it all

Super Fan BadgeSee any Noise Pop show or event of your choosing if you spring for the Super Fan Badge, which includes these shows that are sold the fuck out:

• Best Coast at Bottom of the Hill, 2/24
• Surfer Blood at Rickshaw Stop, 2/25
• Giraffage at The Independent, 2/26
• Cathedrals at The Independent, 2/27 & 2/28
• Grouper at Swedish American Hall, 2/27
• Dan Deacon at The Chapel, 2/28
• Caribou at The Fillmore, 3/1 & 3/2


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3. Observe Toro Y Moi & How to Dress Well deconstruct their music (then watch your head explode)

These unique events are partially seated shows/Song Exploder Live Podcast Recordings where the audience becomes immersed in a live podcast that allows musicians to break down their songs through storytelling and personal perspectives.This year’s festivities, taking place at the Noise Pop Festival headquarters at Swedish American Hall, will focus on the creation of material by:

•Toro y Moi @ Swedish American Music Hall, 2/26 at 5 p.m.
Chaz Bundick will be breaking down a song from his forthcoming album, What For?, dropping May 7th.
RSVP HERE and get there early…

• How to Dress Well @ Swedish American Hall, 2/27 at 1 p.m.
Tom Krell will deconstruct “Pour Cyril” from his 2014 LP, “What Is This Heart?”
RSVP HERE and get there early…


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4. Take in Independent Cinema with the Noise Pop Film Series

The films on deck this year offer a wide variety of musical subject matter. One that peaks our interest is Salad Days: The Birth of Punk In The Nation’s Capital, West Coast Premiere + special guest short film curation by NOWNESS @ Roxie Theater, 2/21 at 7 p.m.



This event will be accompanied by a Q&A session with director Scott Crawford and Mark Haggerty (Gray Matter) Meghan Adkins and Nicky Thomas (Fire Party).

Here are all film options during Noise Pop. What strikes your fancy?

Hardcore Devo Live @ Roxie Theater, 2/20 7 p.m.
Metropolis: Live Scoring by Chrome Canyon @ The Swedish American Music Hall, 2/20 7 p.m.
Ollies, Dollies & Drones: A Survey of Spike Jonze’s Skate Video’s @ Roxie Theater, 2/20 9:15 p.m.
The Case of the Three-Sided Dream @ Artists’ Television Access, 2/21 2 p.m.
Welcome to Deathfest + Heavy Metal @ Artists’ Television Access, 2/21 4 p.m.
Lance Bangs: Immortal Volume @ Swedish American Music Hall, 2/21 5 p.m.
Beautiful Noise @ Roxie Theater, 2/21 9:15 p.m.
The 78 Project @ Artists Television Access, 2/22 2 p.m.
Christopher Willits Presents Opening: Film + Live Scoring @ Swedish American Music Hall, 2/22 7 p.m.
Stop Making Sense @ The Independent, 2/23 8 p.m.
Life on the V: The Story of V66 @ Artists’ Television Access, 2/24 7 p.m.
Sound and Chaos @ Artists’ Television Access, 2/25 7 p.m.
I’ve Rambled This Country Both Early and Late: Alan Lomaz Centennial Project @ Swedish American Music Hall, 2/28 3:30 p.m.


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5. Bathe in some of the best Bay Area photography from the past 23 years of Noise Pop

23 for 23: Celebrating Noisepop Rock Photograpahy in Year 23 @ Hotel Biron, 2/26 7 p.m.

This live music photography event will showcase the work of Showbams’ very own Michael Rosati alongside Bay Area photographers Paige Parsons, Deb Zeller, Peter Ellenby, Heather Bernard, John Hartsfield, Jeanne Ellenby, Tara Graves, Martin Lacey, Emily Anderson, Joey Pagliani and Daniel Kielman.


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6. Watch a raucously entertaining musical created by NOFX’s Fat Mike, a professional dominatrix & the guy that made Avenue Q

Home Street Home: A Original Rock Musical @ Z Space, 2/22

Created by Fat Mike of NOFX, Jeff Marx creator of Avenue Q and professional dominatrix Goddess Soma, Home Street Home is a brand new, highly unconventional dark comedy/musical, glorifying the hedonistic exploration of sex work, drug use and BDSM culture. Written from the collective perspectives of the authors’ own life experiences, the story follows Sue a teenage runaway who encounters and assimilates into a tribe of street punks, whom through their wild adventures form an atypical bond, finding strength and happiness amongst their abstract lifestyles.

Making its debut in San Francisco at Noise Pop 2015, the staged theatrical production will only play 11 performances through March 7th. Listen to the full concept album featuring songs by NOFX and members of Descendents, Lagwagon, No Use for a Name, Alkaline Trio, Mad Caddies, Frank Turner, The Living End, Old Man Markley, Me First and the Gimme Gimmes, Dropkick Murphys, Bad Cop/Bad Cop, Dance Hall Crashers, The Aggrolites, Limp, The Real McKenzies, Mariachi El Bronx, R.K.L. and Hedwig & the Angry Inch here:

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Festival Review: Noise Pop 2014

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Noise Pop 2014 has come and gone, and what a jam-packed week of music and merriment it was. This week-long festival event is spread out amongst the 22 finest venues in the Bay Area, making for one of the best extended independent music showcases around.

The Bam Team was on the scene throughout, capturing the many memorable moments — take a look at our show recaps and photos below!


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Photo by Kory Thibeault //

Digital Mystikz with DJ Rashad //
1015 Folsom – San Francisco
February 27th, 2014 //

This night of progressive dance and bass music was a long time in the making, and the results were not disappointing as those faithful to underground music were treated to this Teklife/DMZ doubleheader. DJ Rashad brought his own style to the stage, presenting the hyped crowd with his own unique brand of dance music that goes by ‘footwork,’ a variant offshoot of juke and ghetto house. The highly rhythmic tracks were a delight to those wanting to show off their fancy dance moves before the “bass bath” that is Digital Mystikz. Though Rashad was killing it, he seemed reluctant to hand over the decks to the duo of Mala and Coki. 

Dubstep and bass music fans in San Francisco finally got to experience the heaviness that is South London’s Digital Mystikz after years of waiting (and canned dates). They were rewarded with a straight vinyl set that had the two switching off dubplates every so often. The speakers flexed and breathed as an array of frequencies poured out, showcasing a slower tempo than Rashad. Mala played heavy on roots tracks while Coki spun his characteristic style of aggressive bass. Coki seems to be taking his musical career more seriously as he debuted a handful of bangers that are sure to make their way onto wax and various mix sets. “Anti-War Dub”, a legendary track, demonstrated their agenda as bass music with a message. “Gangster for Life” was a highlight for the amped crowd as many put their hands in the air and sand along to Movado’s vocal sample before dropping into some seriously filthy rhythms and sub-bass. Mala’s “Miracles” was featured towards the end of the set as the faithful were disappointed to see DMZ’s late start not be rewarded on the back end with an extra 10 minutes. -Kevin Quandt


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Photo by Tom Dellinger //

The Soft White Sixties, NO (LA), The SHE’S, Cannons and Clouds //
The Chapel – San Francisco
February 28th, 2014 //

After their set of about an hour and a half, it was confirmed that this was one of those performances that will be well remembered. Surely, The Soft White Sixties are destined to launch onto larger stages and broader success as a band. Ready and poised, all the ingredients are there. —Tom Dellinger

READ FULL REVIEW & VIEW PHOTOS


The Fresh & Onlys with Cool Ghouls, Sandy’s, Luke Sweeney //
Brick & Mortar Music Hall – San Francisco
February 26th, 2014 //

The Fresh & Only’s lead singer, Tim Cohen, who is strangely reminiscent of Danny McBride in his humor, cracked jokes between songs. The locally beloved band declared, “We are San Francisco, or we were San Francisco, or San Francisco was us.” The crowd seemed to eat up the commentary on the general culture shift happening around them in the City. -Katy Meacham

READ FULL REVIEW


Papercuts, Vetiver, The Donkeys, EDJ //
The Chapel – San Francisco
February 26th, 2014 //

San Francisco’s Papercuts finished the night with a slightly more subdued set, especially when compared to Vetiver and the Donkeys, and the crowd had thinned a bit as the ‘school night curse’ fell over the headliner. -Kevin Quandt

READ FULL REVIEW


Com Truise with Phantoms, Kauf, DJ Dials //
Mezzanine — San Francisco
February 27th, 2014 //

The 80’s haven’t sounded this good since…well, ever. Com Truise intertwines reworked 80’s synth samples with modern sensibilities and the result induces random outbreaks of dancing in crowds. Buoyed by a new lighting rig that dominated the stage, Truise’s downtempo productions come across as more powerful and engaging than the recordings. Though the west coast leg of his tour is finished, having just released the first part of a planned series albums, hopefully he’ll pop back up sooner than later. -Steve Wandrey


El Ten Eleven with Mattson 2, Pale Blue Dot //
The New Parish – Oakland, CA
February 28th, 2014 //

The self-proclaimed “power duo” from Los Angeles created an immense sound with the aid of a looper and heavily modulated effects. Wielding a doubleneck guitar/bass combo, El Ten Eleven’s experimental sound was polished and fresh, never drifting into monotony, which looper pedals can sometimes do. -Kevin Raos

READ FULL REVIEW


Real-Estate

Photo by Sterling Munksgard //

Real Estate with The Shilohs & Dream Boys //
The Independent – San Francisco
February 28th, 2014 //

Real Estate played to a solemn, respectfully immersed Independent Friday for their first full show of their North American tour. Sure the indie-rockers played their yet-to-be released record Atlas in its entirety near their home turf in New York Thursday, but they chose Noise Pop Fest to debut their very square stage setup. -Mike Frash

READ FULL REAL ESTATE REVIEW & VIEW PHOTOS


Cold Cave with Painted Palms, Dirty Ghosts and Happy Fangs //
Slim’s – San Francisco
February 28th, 2014 //

An extensive bill of varied rock flavor, Saturday night’s line up at Slim’s had a little bit of something for everyone. Kicking off the evening, local duo Happy Fangs got the crowd amped with their juxtapositional noise-laden synth pop. Rebecca Gone Bad’s vocals penetrated through the brick walls of the venue, audible to the crowd lined up outside amidst the evenings’ partial showers. Next up to the stage, Dirty Ghosts shredded their way through a set of new material and crowd favorites, calling for their guitar levels to be raised so they can properly “rock the fuck out” of the weekend crowd. Painted Palms, brought a different type of temperament to the line-up, focusing their set around the band’s less dance driven tracks, epically stretching out their material into extended jams driven by cousins Reese Donohue and Chris Prudhomme, backed by a full band. Cold Cave closed out the evening with his brooding set of dark-wave synth pop, debuting new material off of his 2014 album Sunflower and utilizing the show as a warm up for his upcoming summer tour with NIN. -Molly Kish


No Age with Cheatahs, GRMLN, Straight Crimes //
Brick & Mortar Music Hall – San Francisco
March 1st, 2014 //

One of the more hyped, international artists on the Noise Pop bill was the rising stars that are Cheatahs. Though the band was marred by poor sound early in the set, they rallied to crush the second half of their set as the crowd began to open up to their sound. Charging out of LA for nearly a decade, No Age two weave the post-punk sentiment of Fugazi with a wall of sound volume that shakes you to your core. The “adult” crowd got a rare treat as No Age generally play all ages shows that quickly turn into frenetic chaos. -Kevin Quandt

READ FULL REVIEW


Dr. Dog with Saint Rich, Moses Sumney //
The Warfield – San Francisco
March 1st, 2014 //

Saturday night was a much anticipated one as the City descended upon the Warfield to get their dose of Dr. Dog. “Live in the Tenderloin” read a sign on stage, a nod to the neighborhood and a proclamation that they knew more about San Francisco than one would expect. And that is certainly how the night felt — Dr. Dog knew its audience and exactly what they wanted to hear. -Kory Thibeault

VIEW DR. DOG PHOTOS


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Mark Kozelek (of Sun Kil Moon & Red House Painters) //
Great American Music Hall – San Francisco
March 1st, 2014 //

“I don’t give a fuck about Noise Pop,” said surly 47-year-old control freak Mark Kozelek at Great American Music Hall Satuday, one of the first piercing, dry stage banter remarks he made. Always honest and amusing in an odd way, much like his music, Kozelek turned between-song breaks into hilarious and awkward moments as a matter of routine. -Mike Frash

READ FULL MARK KOZELEK REVIEW


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Photo by Marc Fong //

Rogue Wave with Trails and Ways, Wymond Miles //
The Chapel – San Francisco
March 2nd, 2014 //

A perfect end to an epic festival, Rogue Wave delivered as a closing act, demonstrating excellent showmanship & exciting crowd interaction, fluidly transitioning out of the daytime hours into what the band had promised to deliver from the start — a performance that “felt like a night show” all along. -Molly Kish

READ FULL ROGUE WAVE REVIEW & VIEW PHOTOS


Real Estate simply kick off U.S. tour at Noise Pop Fest

Real-EstatePhotos by Sterling Munksgard // Written by Mike Frash //

Noise Pop 2014
Real Estate with The Shilohs & Dream Boys //
The Independent – San Francisco
February 28th, 2014 //

Real Estate played to a solemn, respectfully immersed Independent Friday for their first full show of their North American tour. Sure the indie-rockers played their yet-to-be released record Atlas in its entirety near their home turf in New York Thursday, but they chose Noise Pop Fest to debut their very square stage setup.

The symmetrical grid of squares backing Real Estate’s new live show offers a simple yet effective merging of content & form — the shape is a plane figure, with equal straight sides and angles. Acting as a blank canvas to absorb lighting, the new background suitably reflects Real Estate’s new sound. There isn’t much that’s hidden. There’s little read-between-the-lines meaning, especially with the tracks from Atlas.

The new songs are distinctively more grown up in comparison to the carefree cuts from Days, though their jangly, daytime-chill tone persists. Single “Talking Backwards” already feels uuber-familiar in it’s catchiness and clarity, and it’s a song that fits well into Real Estate’s collection of music. “The Bend” drifts and sways, and it caressed a bit of head-nodding from the sedated feel in the room.

A false start toward the end of the set slowed things down for a moment, but the group is just gearing up and getting familiar with the new numbers live, so it was an easy transgression to forgive.

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For the encore, frontman Martin Courtney plainly stated, “Let’s leave it all out on the dance floor” after keeping the banter to a minimum on the night. Quite the ironic statement for a band that stirs an audience as much as at an orchestral symphony — not a person wiggled amongst the packed house, save for the house servers.

Although, “All The Same” capped the show with an incredible swirling psych-jam that could shuffle some feet in a less stoned environment. The lights, for the first time, brought bright white clarity to the stage, reiterating the surface level takeaway. The blaring guitar reverb became dominant, which was actually very pleasurable in the vein of Kurt Vile or Wild Nothing, but it appeared to be unintentional, as Ducktails guitarist Matt Mondanile kept giving hand signals that he had lost control of the effect. Perhaps dabbling a bit more into psych-territory would elevate their live sound.

Are they a bunch of squares now that the guys have hit their 30’s? That’s doubtful — they’re still keeping it real.


The Shilohs & Dream Boys got things started Friday, and photographer extraordinaire Sterling Munksgard was there to capture all the snaps.

12 reasons to grab a Noise Pop festival badge

NP-cover-postWritten by Mike Frash, Molly Kish, Kevin Quandt & Kevin Raos //

Noise Pop //
Bay Area venues – San Francisco & Oakland
February 25th-March 2nd, 2014 //

This time of year can often be a bit slow for live music, but not during Noise Pop Festival in San Francisco. This week-long event spread out amongst the 22 finest venues in the City by the Bay makes for the best extended independent music showcase on the west coast. Noise Pop Fest shows offer in-depth evenings — the best thing to do is to show up early and catch emerging artists before they graduate to headliner status.

One great way to get the most value out of the week is with by springing for a badge. The purchase of a General or Super Fan badge gets you into all general admission shows, films, happy hours, NPHQ and more, along with a screen-printed festival poster. There’s also a Noise Pop Fest app to help keep you connected.

The lineup is as good as ever this year — our list doesn’t include top-notch artists Com Truise, Rogue Wave, Throwing Muses, Beardyman, Ladytron, No Age, Shabazz Palaces, Mikal Cronin, Bleached, Trails and Ways, The Fresh & Onlys, The Limousines, The Soft White Sixties, amongst others. Presented here are 12 compelling reasons to consider a badge upgrade, in day-to-day order.

Click artist names to buy individual tickets below, or simply buy a General or Super Fan badge.

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Noise Pop HeadQuarters (NPHQ @ The NWBLK) //
All week //

New this year in Noise Pop’s 22nd incarnation, Noise Pop Headquarters at The NWBLK is now the centerpiece of Noise Pop Festival. Festivalgoers can swing by the stunning gallery-turned-multimedia-space to grab a drink, watch a film, get some food, do some shopping, and experience a pivotal part of this year’s festival with friends and artists before heading out for the night’s events. Purchase tickets or RSVP to all free shows, which will grant you priority entry once capacity has been reached. Yet another reason to go big with a badge.


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Lord Huron, Superhumanoids //
The Fillmore – San Francisco
Tuesday, February 25 //
SOLD OUT // BUY A BADGE

A coupled bill of indie folk, rich with thick vocal harmonies and dense soulful compositions, Lord Huron and Superhumanoids pair perfectly to cover the modern state of rhythm and blues. Americana based, the Lord Huron dabble in psychedelic and experimental pop elements, which also can be heard in their counterparts Superhumanoids. The Los Angeles-based trio features genre bending soundscapes, delivering a groove-driven journey through layers of pop, soul and electronic musical arrangements. Each band, although unique in their melodious executions, cover a vast array of roots-rock influences while updating the archetypal sounds in their own innovative manners. This sold out show highlights a great pair of bands to kick off the festival and is one worth splurging a bit extra on a badge to guarantee entry. -MK


Audion

Matthew Dear Presents Audion Live: Subverticul //
The Regency Ballroom – San Francisco
Wednesday, February 26th //

The latest project from Ghostly International co-founder and experimental artist Matthew Dear, Audion Live: Subverticul is an all-encompassing multi-media experience. Teaming up with the innovative crew from LA-based design studio Vita Motus, Subverticul features a live set debuting new material from Matthew Dear. Audion Live promises to be a unique show, fashioned to resemble a moving audio visual sculpture. Composed of multi-layered experimental EDM and dazzling abstract art installations, Subverticul is an impressive feat in both live music entertainment and creative enterprises. Making its Bay Area debut in celebration of the Noise Pop 2014 and playing unreleased tracks off of his upcoming album, Matthew Dear’s Audion Live: Subverticul will undoubtedly be a highlight performance of this year’s festival. -MK


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Mistaken for Strangers (Film) //
Roxie Theater – San Francisco
Wednesday, February 26th //

Let’s not forget that live concerts aren’t the only offering from the citywide Noise Pop Festival as the film series has some gems being screened, including Mistaken for Strangers. This documentary follows budding horror filmmaker, Tom Berninger, embarking on a massive national tour with his brother’s little band that some may know as the National. The ensuing months shows the younger Berninger brother tossed into the indie touring machine as a functioning crew member while keeping focus on his ambitions as a creator himself. -KQ


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Papercuts, Vetiver, The Donkeys, EDJ, Vinyl DJ Selections by Britt Govea //
The Chapel – San Francisco
Wednesday, February 26th //

Artists under brand new label Easy Sound Recording Co. plan on presenting the future of folk at The Chapel during Noise Pop week. Jason Quever’s SF-based Papercuts have a new album Life Among the Savages in the works. The group’s sixth LP is set to release in May, so plan on seeing the group preview new tracks from their forthcoming album. They just released the albums’s lead single “Still Knocking at the Door”, and it’s promising. Vetiver is on the roster, another local group led by Andy Cabic. Their 2011 record The Errant Charm is oh so mellow and excellent, and we expect good things coming soon. The Donkeys are an emerging psyche-garage rock formation from San Diego, blending surf rock and jam sentiments into a bouncy, enjoyable time. -MF


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“Our Vinyl Weighs A Ton” Film Screening and Live Show //
The NWBLK (NPHQ) – San Francisco
Wednesday, February 26th (6:30 pm) //

Gain access to rare concert footage, backstage documentation, home videos and intimate portrayals of some of the most influential hip hop artists of our time in this cutting edge documentary brought to you by the iconic Stone Throw Records posse. Featuring appearances by Snoop Dogg, Mike D, Talib Kweli, Kanye West, Tyler the Creator and more, this feature length delves into the inner circle of the groundbreaking label to bring you a fresh perspective on the evolution and current state of modern day hip hop. Followed by a Q&A with director Jeff Broadway and Stones Throw Records founder Peanut Butter Wolf, tickets are still available with an additional option to upgrade to a “Film and Live Show Ticket”, granting access to a live performance after party with Peanut Butter Wolf, J Rocc, JonWayne and Knxledge. Happening at the Noise Pop 2014 headquarters NWBLK, this event is a great way to get into celebratory spirit and check out the brand new festival facility. — MK


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Bob Mould: 25 Years of Workbook, Zach Rogue, Jon Ginoli //
Great American Music Hall – San Francisco
Thursday, February 27th //
SOLD OUT // BUY A BADGE

Celebrating the groundbreaking icon’s diversion from his scene-defining hardcore act Husker Du, Bob Mould revisits his first album as a solo artist, Workbook, with help from fellow artists and friends. Mould pushed the boundaries of the independent rock scene with this record whilst mapping out an era of alternative music that influenced generations of artists for years to come. Mould will be joined on stage by longtime bassist Jason Narducy, along with Rogue Wave’s Zach Rogue and Jon Gignoli of San Francisco’s own Pansy Division. Gearing up for the deluxe double-album edition of this seminal record to be released February 25, this show will be the first live revisiting of the material in full since its 1989 debut. One of the first shows of the festival to have sold out, a badge is necessary for entry and in this case is well worth the cost of this once in a lifetime experience. — MK


Digital-Mystizk

Digital Mystikz, DJ Rashad //
1015 Folsom – San Francisco
Thursday, February 27th //

Sure, Digital Mystikz may be one of the higher listed names you have never heard of, but producers, Mala and Coki, nearly single-handedly built the UK bass-culture scene which eventually was termed, dubstep. This South London duo has been working together since teenagers, while also maintaining solo careers, eventually starting the progressive label, and club night, that goes by DMZ. After a few failed attempts to perform on the West Coast as a duo, it appears the day is almost here for Digital Mystizk to make their big San Francisco debut at 1015 Folsom with DJ Rashad and a slew of local warriors to back ‘em all up. —KQ


Cold-Cave

Cold Cave, Painted Palms, Dirty Ghosts, Happy Fangs //
Slim’s – San Francisco
Friday, February 28th //

Truly one of the more stacked bills this year will feature LA darkwave mastermind Wesley Eisold, popularly known as Cold Cave. With a release slated for 2014, expect new material that Eisold describes as a “mix between some of the bigger sounds on Cherish and more minimal stuff I’m interested in now.” Local psych-pop duo, Painted Palms are also featured on this bill after the release of a recent album on Polyvinyl. Expect a breezier affair before the headliner with these San Francisco rising stars. Local trio Dirty Ghosts will also be on hand to lend support via their female-fronted take on psych-pop with a tinge of world influence. —KQ


Real-Estate

Real Estate, The Shilohs, Dream Boys, Dominant Legs //
The Independent – San Francisco
Friday & Saturday, February 28th & 29th //
SOLD OUT // BUY A BADGE

It wasn’t too long ago that fans of breezy surf-rock were enjoying Real Estate at Treasure Island, but this time we get a pair of more intimate shows over the busy Noise Pop weekend. The recently expanded 5-piece band is prepping their third studio album set for release the first week of March and will go by the title, Atlas. Expect new songs peppered with old favorites for these sold out shows, which will be supported by Vancouver songsters The Shilohs, along with Dominant Legs on Friday and Dream Boys on Saturday. —KQ


Mark-Kozelek

An Evening with Mark Kozelek (Sun Kil Moon) //
Great American Music Hall – San Francisco
Saturday, March 1st //

While Mark Kozelek’s music comes in the form of many groups and collaborations, his new record Benji with Sun Kil Moon will likely solidify this group as his legacy. The lyrics are heartbreaking, the control of his cadence immaculate, and the words often relate to Bay Area locales, a place he calls home — there’s the Night Stalkers’ final victim who lived in San Mateo, barbecues in San Rafael, his Tenderloin summer (when he likely made the album), and going seeing the Postal Service perform at the Greek Theater only to rush to a hot tub-refuge in Tahoe. Billed as an evening with Mark Kozelek, an incredible live artist with throngs of records under his belt with Red House Painters, Sun Kil Moon and by his lonesome, expect a varied setlist with a heavy doses of cuts from Benji stealing the show. — MF


Dr-Dog

Dr. Dog, Saint Rich, Moses Sumney //
The Warfield – San Francisco
Saturday, March 1 //

Dr. Dog make their Noise Pop debut as headliners atop a talented lineup of performers. Road warriors and prolific song writers, these indie rockers from Pennsylvania make the west coast swing in support of their latest album, 2013’s B-Room. Dr. Dog has been making a name for themselves for 15 years, building a loyal fan base and graduating to larger venues along the way. Supported by Saint Rich and Moses Sumney, Saturday March 1st at the Warfield will showcase some of the finest indie rock around. Floor seats may be sold out, but you can still make your way to the dance floor with a Noise Pop badge. Don’t sleep on this show. -KR

Noise Pop 2014

Usher in the Indie-an Summer with Noise Pop’s 20th Street Block Party!

Block-PartyWritten by Molly Kish //

20th Street Block Party //
Mission District – San Francisco
August 24th, 2017 //

August is a hot month for music in the Bay Area! It’s a time that caters to the concertgoer, when competing venues stack their calendars with talent harvested from festival bills circulating throughout Northern CA. Late August will fill your pockets full of ticket stubs and your complexion with some Vitamin D, marking the unofficial start to our Indian summer.

Local indie powerhouses Noise Pop and friends (Do 415, Ne Tiemas, Nomic and The Bon Vivants) are teaming up to throw one hell of a FREE food and music celebration next month. The 20th Street Block Party will highlighting the local spirit, culture, diversity and artistic collectives of the outer Mission and Dogpatch neighborhoods.

The 2013 lineup highlights some of the most creative and successful innovators in hospitality and entertainment the Bay Area has to offer. Admission is FREE and all ages are welcomed. If interested in libations, bring a valid ID or Driver’s License and the event is entirely smoke-free.

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MUSIC!
A wide array of musical talent will be on display at the 20th Street Block Party. Offering a taste of talent both native and nationally recognized, this year’s bill has a little something to tickle the eardrums of just about everyone in attendance.

Two Gallants

Mac DeMarco

Quinn Deveaux and the Blue Beat Review

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FOOD & DRINK!
Local businesses will be providing some incredible Food & Drinks!

• The American Grilled Cheese Kitchen
• Asiento
• Atlas Cafe
• Blowfish
• Central Kitchen
• Coffee Bar
• flour + water
• Rhea’s Deli
• Salumeria
• Sightglass
• Trick Dog
• Benders Bar & Grill
• Jay’n Bee Club

Along with deals, discounts and delectable treats, Ne Timeas Restaurant Group will also be sponsoring a Food Workshop Tent with DIY demonstrations on food preparation, pasta making, pizza tossing and creative cooking tips throughout the day.

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CRAFT VENDORS!
A variety of local craft vendors will be on site engaging with the community, demonstrating their trades, sampling their products and hosting a ton of interactive activities for all ages.

• Alite
• Artspan
• The Bay Bridged
• Crossroads Trading Co.
• Insymmetry Massage
• J.Fein Designs
• Last Gasp Books
• Mission Cliffs
• Mission Creek Merchants Association
• Moxie Yoga
• Mutiny Radio
• Pretty Parlor a GOGO
• Radio Silence
• Side Stage Photo
• Southern Exposure
• TopShelf Boutique
• Z Space

Hopscotch

AFTER PARTY!
Continuing the party into the evening hours, Mission Dispatch and NWBLK Events will be hosting an after party from 6-10 p.m. featuring continued festivities, food, drinks and music for those not ready to call it quits after the block party.

An all ages affair, with a $5 suggested donation price, one can easily saunter over to the 1975 Bryant St. location from the 20th Street Block Party for a nightcap and final bite with this current roster of participants.

• Derby Cocktail
• Fuki Truck
• Phat Thai
• Burr-Eatery
• Garden Creamery
• Grandma Jean’s Whoopie Pie

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DETAILS!
The 20th Street Block Party takes place on August 24th from Noon-6 p.m. The after party goes from 6-10 p.m.

The 20th Street Block Party will be located between 19th and 20th St. in the Mission District, San Francisco, taking over the areas enclosed between Bryant and Harrison streets as well as the alleyway of Florida St.

Bike parking will be located at the main entrance of the Block Party on 20th and Harrison, with absolutely no vehicle access to the event area. Public transit is highly encouraged and available via the 27 and 12 bus lines.

!!! (Chk Chk Chk) go deeper into embracing change and pushing boundaries

chk-chk-chkPhotos by James Nagel // Written by Molly Kish //

Showbams recently sat down with ecstatic party-starters Nic Offer (vocalist) and Mario Andreoni (guitarist) for Chk Chk Chk (!!!) hours before their headlining Noise Pop show. This performance also marked the beginning of touring and support of Chk Chk Chk’s forthcoming 5th LP Thr!!!er.

Offer and Andreoni opened up about creating new jams through a different process, bringing in Spoon drummer/producer Jim Eno to harness a greater focus, and how the new LP is different than prior albums.

READ THE FULL REVIEW FROM THEIR SHOW AT NOISE POP HERE.


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Showbams: You guys have been a band now for a little over 17 years now …

Offer: Woah, woah, woah. Jesus, easy there. We’re getting to 17 (laughs). We’re in our 16th year. It’ll be 17 this fall.

Showbams: And you’re noted for somewhat pioneering the dance-punk genre.

Offer: Umm, well yeah. You can hate us or love us for starting it all.

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Showbams: You’re also a bit of a staple on the 2013 Noise Pop bill. This isn’t your first time playing the festival, so how is this year’s performance significant?

Andreoni: We have a lot of new jams, a record coming out and different lineup than last time. That’s significant, too.

Offer: Yeah, we were just trying out a brand-new song in soundcheck. You know you write the album, then you have to learn what you wrote. There’s going to be some guess work on stage tonight. But yeah, we were just talking about the Noise Pop’s of yesteryear on the way in and there’s been some really great ones. We’re always up for a San Francisco audience, and at Noise Pop, people usually get down. So, if it’s anything like the other ones, it should be good!

Showbams: Having played various shows, venues, festivals and locations globally at this point in your career, what get’s you most pumped to be on such a lineup as Noise Pop?

Offer: It’s home-ish. You know we’re from Sacramento originally, so there are always a lot of our friends here. Seeing your friends dance in the audience is always a little more exciting. San Francisco is a big deal, it’s quite a town and the festival is just so long-standing. The first time we played it we were like, “Woah, we’re playing Noise Pop.” It’s not like the San Francisco Disco Punk Fest, we’re like, “We’re not Noise Pop …” But, but we are!

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Showbams: This is also a show leading up to the release of your fifth album Thr!!!er, coming out April 30th, and you’ve released the free digital download of “Slyd” on www.chkchkchk.net with the prelude of it being “a jam unlike jams we’ve ever done before.” How is it different?

Offer: Whelp, (looks at Andreoni), I’m just going to stop and see if you can answer that question (laughs).

Andreoni: It’s a jam we had never really had. It was sort of this high-level project we had wanted to do. Nic had suggested that we try and do sort of a “Pump Up the Volume”-type of track, and with that, we just kind of took it and ran with it. Nic and I did a lot of the “jamming” with it, and as we were piecing it together, it just felt a lot different than any of the other ways we’ve constructed a song before.

Offer: We wanted it to seem like it was made from a bunch of samples from about seven or eight different songs, like a collage piece that had some sort of center to it. It was a challenge for us. We were like, “Let’s try this and see if we can make it work.” We’ve kind of accepted the whole verse chorus verse chorus thing, so this was like a strange exercise conceptually. It was honestly really fun to work on, not having to tie it together lyrically and to figure out what kind of weird thing would happen next. It was definitely one of the funniest songs I have ever worked on.

Andreoni: So far, some of the initial responses I’ve heard is that it reminded people of Out Hud. Not having been in Out Hud myself …

Offer: You got to realize the dream, finally!

Andreoni: In spirit, there was just some sort of connection there, besides just having members.

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Showbams: I know you guys also recorded the album in a much more tight-knit and disciplined fashion, with help in production and engineering from Jim Eno of Spoon. Was this something that was brought about through having teamed up with him or an effort that you guys went into the studio really focusing on?

Andreoni: I think we needed more of a focus. We kept talking about who was going to be the producer and we happened to be sort of email friends with some of the people in Spoon. Things just kind of came together when we were at South by Southwest, and Nic went to visit Jim and as soon as we all assembled in the studio, we had just a big group focus the entire time we were there. There’s wasn’t a lot of dicking around.

Offer: I felt like we were definitely more disciplined working on this record, but he was definitely the taskmaster. With the six of us, you kind of need someone in charge.

Andreoni: We’ve never had anyone before say like, “This song. Let’s listen to the demo, and this is what I think is possible and let’s focus in on this song.” Before it was more like trying to get takes, assemble things post-recording, see what we can do afterward and how we can freak it out. But this time, everything was, “Let’s get to it right now!”

Offer: Just bottom line, he’s a good producer and it worked. We could feel that type of production, working with a good band.

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Showbams: What were some of the easiest and most difficult aspects of working with a fellow musician in this capacity?

Offer: I can honestly say it was one of the easiest records we made. We worked really hard, but the flow of it was good. We disagreed with him about very few things. We did, but it was just like the normal stuff. If you and I were to hang out all night, we would eventually start to have disagreements, but that’s just normal. Everything was cool, in that respect I think it was really easy.

Showbams: Many of the anticipatory descriptions from both the band and critics alike with Thr!!!er allude to it being not like any Chk Chk Chk album before, an effort made by choice to steer away from the “dance-punk” vibe of your previous four albums. What called for the change?

Andreoni: We don’t want to repeat ourselves, and with the way that the material was coming together, we just kind of went with whatever direction we were feeling on the track. The songs just kind of fell together in a different place. Before, a lot of it was that we had this sweet groove that we would just take and build on top of. With this album, there’s a little bit of that and more of a melodic structure.

Offer: Really, nobody’s successful at not changing. There’s AC/DC and Too Short, that’s it! Everyone else who’s still around changes. You have to, and the people who’ve had the longest careers like Bowie, Madonna and Blur, they’ve all changed. I feel like the basis of the group and things that we were excited by were bands that pushed and were new. So, I think we always knew that there was going to be that aspect of the band.

We knew that we would always be playing dance music because that’s how we get hit. When we saw the whole dance-rock thing happen, we knew we were going to be there afterward because it’s just what we like. But we hoped that we could push it so it felt different as well.

Chk-Chk-Chk

White Arrows get gone at Great American Music Hall

White Arrows

LA’s White Arrows made their way up our lovely state to the bay once again last week for Noise Pop Festival February 28 at Great American Music Hall, opening for !!!. White Arrows put on a killer performance in December at Fox Theater Oakland as a special guest of Santigold, and they did it again Thursday in continued support of their 2012 ablum Dry Land is Not A Myth.

Listen to White Arrow’s debut LP below, and view the eye candy shot by James Nagel.

STRFKR play new material, party with furries at Noise Pop

StarfuckerPhotos by Mike Frash ~ View Photo gallery below

Fresh off the release of their brand new album Miracle Mile, Starfucker sub-headlined Noise Pop Fest 2013 with a sold out and furry-friendly performance at the Regency Ballroom this past Friday night. A line wrapping around Van Ness and eager fans filled the venue to capacity during the opening set from Blackbird Blackbird. Re-visiting a familiar setting, the foursome whom played to a similar crowd back in September for Will Call’s pop up show took the stage with the confidence and casual demeanor of well-seasoned professionals.

Riding off the energy of local indie rock outfit Blackbird Blackbird’s opening set, the audience began to stir in anticipation for STRFKR to take the stage. Usually a high energy show right off the bat, people began to shuffle toward the front of the venue for better views of what would be an antic-filled stage show.

This time around though, the band had a different agenda, and took advantage of the crowd’s steadfast attention, utilizing the first half of their set to introduce their newer, more experimental tracks. Catching the audience off guard with early performances of dreamy pop songs like “Last Words,” and a crooning rendition of “Say to You,” the overtly ecstatic energy of the crowd was lulled into an ambient haze, transfixed by the band’s new material.

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Beyond the adjustments made to their set list, the group dynamic and their new visual stage design also showcased a higher level of professionalism. In past performances, the band’s stage presence was wrought with sarcasm and comedic undertones, but the guys took command without a hint of levity this time with their game faces on. Friday’s show was a well-manicured performance, the new LED screen with synchronized lighting certainly enhanced the experience.

Growing antsy with predetermined expectations, the crowd’s early response to STRFKR’s new material was mixed but easily appeased once the band broke into “While I’m Alive,” and subsequently the second half of the show. From there the audience exploded into a full-fledged dance party, screaming lyrics to familiar favorites off of previous releases Jupiter and Reptilians.

Highlight track’s included “Julius” and “Bury Us Alive,” and the audience was deluged with balloons from the end of the first set through the encore. The evening ended with Starfucker’s accustomed cover of “Girl’s Just Wanna Have Fun,” and before that with a San Francisco fashioned performance of “Boy Toy,” accompanied by a stage full of “furries”. Finishing the night strong with a cast of characters including a giant banana, panda bear, Gumby and two dudes in skin tight body suits, STRFKR left the Noise Pop 2013 crowd satisfied and impressed.

Noise Pop Wednesday: Ramona Falls, Social Studies, Harriet, Mahgeetah

Social-Studies
View our Noise Pop preview.

Noise Pop offered excellent mid-week options Wednesday, and while Rickshaw stop welcomed a post-hardcore bill headlined by Ceremony and Bottom of the Hill hosted local faves The Fresh & Onlys, the place to be Wednesday was at Brick & Mortar Music Hall, where the capacity crowd dug into indie rock with a tinge of electronica.

The Wednesday night Noise-Pop show glimmered with hopes and high expectations, as Ramona Falls & Social Studies showed off their road-perfected sets, Harriet got back in the live music game, and Mahgeetah showed that it’s bit foolish to arrive late during Noise Pop week.

Ramona-Falls

Ramona Falls have a smiley stage presence and friendly vibe in a live setting that doesn’t prepare you for their hyper-charged, synth-serious sound aesthetic. Portland based Brent Knopf is the leading creative force behind Ramona Falls, and he expanded the project for his 2012 LP Prophet to include a full band in the recording process. Knopf’s warm voice and lyrical delivery is pleasantly reminiscent of Ben Gibbard (The Postal Service & Death Cab for Cutie) and John Darnielle (Mountain Goats).

And it’s a live treat that Ramona Falls is touring with violinist Lauren Jacobson. Her strings added an extra emotional layer that isn’t present on Prophet. Much of the school night crowd thinned out early, and they missed a stellar set.


Social-Studies

Social Studies is a local SF group led by Natalia Rogovin, and her sultry vocals combined with her stunning, classic beauty will surely continue to elevate the group. They sound like slightly faster Beach house with an electronic jolt. Rogovin exhibits in-the-moment stage presence similar to Ruth Radelet from Chroamatics, and she is adept enough to guide auditory pleasure seekers into a hypnotic trance. Unfortunately, the drunk chick toward the front who continued to loudly proclaim “you’re killing it” and “keep going” at quiet moments did not allow herself to drift away with the chill waves.

The penultimate performers this night have been touring with Ramona Falls, and Rogovin made sure it was clear that they were happy to be home for Noise Pop. And since Social Studies are hometown heroes, it makes sense that they drew a denser audience than the headliners. Holler & swaller!


Harriot

Contrasting Ramona Falls & Social Study’s endless touring, Harriet came to Noise Pop from LA with a fistful of new material never performed to a live audience. Based on this performance, Harriet is a band to keep both eyes on. Alex Casnoff’s stage banter is delightfully devious; he introduced a song by saying it is “about strippers you feel connected to after a lap dance.”

Casnoff promised an album to be released later this year, and it should be a good one.

Local SF group Mahgeetah were on fire when I walked in, but it was their last song of the night. They were thrashing away at a raging jam, finishing with a fuzzy wall of sound that was impressive. Instantly upon walking into Brick and Mortar I regretted leaving the house a bit late.

And to a certain degree, the opening acts are what Noise Pop week is all about. Most Noise Pop shows have two or three openers, and the supporting acts are almost exclusively from the best coast. If you can swing it, get to the venue early and discover an up-and-coming act.

!!! (Chk Chk Chk) tickest are somehow still available for Thursday night. Get ’em while you can. Don’t count on walking up to Great American Music Hall to buy tickets at the door.

Free Energy will be performing Thursday at Brick and Mortar Music Hall. Wednesday night’s B&M show sold out, so buy tickets while you can.

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Noise Pop preview: Indie music, film and art take over SF

Noise-Pop-2013

“I think our tag line “Championing Independent Culture” is an accurate description of what we are.” ~Julie Zielinski, Assistant Producer of Noise Pop

Written by Mike Frash & Molly Kish //

Noise Pop, an indie music festival that features emerging artists and living legends, is poised to take over 25 San Francisco venues from February 26th-March 3rd. It began as a one-night affair at The Independent 21 years ago, and has expanded to incorporate independent film and a wider range of art into the sphere of the week-long event.

The artist curation has also evolved over the years. “We’ve definitely extended Noise Pop as a concept. It started out so much as indie rock like Built to Spill and White Stripes,” said Julie Zielinski from Noise Pop headquarters. “But since we began Treasure Island Music Festival, we have expanded to electronic music and even hip hop a little bit.”

Subscribe to our Noise Pop 2013 Spotify playlist.

As you’ll see below, some of the best looking Noise Pop shows have already sold out. But fear not! You can purchase a Festival Badge, which is a super value for show hoppers & concert addicts. The badge grants access to all general admission (non-seated) shows, films, happy hours, Culture Club and other events during the festival.

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“We try to curate really unique shows and while we often have big headliners, it’s super important to us to have local bands and West Coast representation in all of the supporting acts.” ~Kelleyann Schilke, Noise Pop Production Coordinator

Noise Pop Headliners
toro-y-moi
Toro Y MoiFriday & Saturday March 1 & 2 @ The IndependentSOLD OUT Buy a badge

Coming off the recent release of his third studio album Anything in Return, Toro y Moi (aka Chaz Bundwick) brings the sexy to this year’s Noise Pop lineup. Bundwick is a “chill wave” innovator rooted deeply within the genres of R&B, Soul and Funk and now dance with the new LP. Toro Y Moi, Bundwick’s full band, will be heating up The Independent for two sold out nights. With support from Sinkane and Dogbite, prepare to leave a sweaty mess with no tread left on the soles on your shoes.

Best show to boogie your way into some baby making.


!!! (Chk Chk Chk)
!!! (chk chk chk)Thursday February 28 @ Great American Music HallBUY TICKETS

Kicking off the weekend early with some movement, bi-coastal dance-punk party starters Chk Chk Chk will be bringing down the house at Great American Music Hall. With their fifth studio album Thr!!!er dropping April 30, which the band describes as “auricular magic,” one can anticipate !!!’s first show of their tour to include a healthy dose of new material along with crowd favorites. Festival veterans, Chk Chk Chk know how to motivate crowds to get asses shaking. Nic Offer’s ecstatic outfit has the ability to continuously satisfy long term fans and blow the minds of first time witnesses. Combine that with the added support of three up and coming acts led by White Arrows, and this show is one not to miss.

Best show to gain a new appreciation for booty shorts and leave with some stellar dance moves.


Amon-Tobin
Amon Tobin (DJ set)Friday March 1 @ Public WorksBUY TICKETS

After a widely successful and rigorous schedule promoting his 2011 album ISAM, Amon Tobin brings his special blend of performance art & gritty beats to Public Works. His latest work, coming in the form of a Two Fingers album Vengeance Rythym and remixes of “Chaos Theroy,” is bound to be front and center at his Noise Pop performance, bringing to life his unique vision of “dub step built on an interplanetary level.” Accompanied by hard hitting openers Maus Haus, Naytronix and Group Rhonda, this show displays the diversity of Noise Pop 2013 by slapping you across the face with dirty electronic talent.

Best show to attend ready to rage and leave with enough optical stimulation to inspire the completion of your visual arts thesis.


Starfucker (STRFKR) Friday March 1 @ The RegencySOLD OUT Buy a badge

Polyvinyl darlings and favorites amongst the electro-indie scene, Starfucker (aka STRFKR) make their way back to the Regency Ballroom for one of the most anticipated shows of the Noise Pop 2013 Festival weekend! Celebrating the release of their forth LP Miracle Mile February 19, the boys took some risks with their songwriting and produced what is being hailed as their most ambitious effort to date. In addition to their infallible dance-floor-ready discography, expect to hear some of their recent successful experiments with funk, psychedelic pop and disco. Taking the stage after one of the strongest opening acts of the festival, Blackbird Blackbird, this show will leave you ready to take the city by storm (on your way to 1015 Folsom).

Best show to find yourself singing, jumping, dancing and/or making out with someone, whether you know ’em or not.


Rogue-Wave
Rogue WaveFriday March 1 @ Bottom Of The HillSOLD OUT Buy a badge

East Bay indie rockers Rogue Wave are headlining an intimate show with Wymond Mills, Mwahaha, and Brainstorm at Bottom of the Hill. On the heels of a cryptically announced LP that is in the works, this one of two shows Rogue Wave has on their touring calendar. Eager to debut new material and backed by a killer local line up, Rogue Wave play chaperone to a bar mitzvah of local Bay Area talent. Welcome back to Zach!

Rogue

Best show to avoid your ex that you see across the room. The one that stole your copy of Out of the Shadow and is still sporting your Rogue Wave T-shirt. Awkward …


YACHT
YACHTSaturday March 2 @ SlimsBUY TICKETS

YACHT began as Jona Bechtolt’s solo project, but at a live show you are more likely to have your eyes on singer Claire Evans. Evans officially made YACHT a twosome in 2008, and they haven’t looked back since. YACHT is much more than a creative duo that tours with a full band and recreates their digital sound with live instruments. YACHT is a movement, even a borderline religion. I’m not kidding.

Best show to Overcome Humanity and Become Your Own God


thermals
The ThermalsFriday March 1 @ Rickshaw StopSOLD OUT Buy a badge

The Thermals bring their infectious post-punk energy to Rickshaw Stop for Noise Pop 2013. Aiming to tear shit up with Bay Area bad asses Dirty Ghost’s, The She’s and EV Kain, this lineup is bursting with with raw talent and youth. The central core of Noise Pop is to feature bands on the rise in venues known for breaking new artists – to call attention to burgeoning talent, ya dig? Get on it!

Best show to watch a female spill her drink on you while pogo dancing, make fun of you for how ridiculous you look and buy you a shot in place of an apology.


Kim-Gordan
Body/HeadTuesday February 26 @ Rickshaw Stop • BUY TICKETS

One of the most anticipated and exciting acts of the Noise Pop 2013 line up, Body/Head has even the most seasoned of music professionals’ tongues wagging with predicative prose. Noise Pop Assistant Producer Julie Zielinski says, “We have some fun shows like Body/Head, Kim Gordon’s side project. The thing about this one is that really none of us have heard it, so it’s going to be this huge surprise.” An experimental project formed by indie rock legend and founding member of Sonic Youth Kim Gordon and free noise guitar superstar Bill Nace, this outfit is one that falls nicely into the Noise Pop realm.

Best show to arrive with absolutely no expectations, except that you are seeing a new act before everyone else.


Damien-Jurado
Damien JuradoSaturday March 2 @ The ChapelBUY TICKETS

Those with a proclivity toward singer-songwriters might want to check out Damien Jurado at San Francisco’s newest venue The Chapel in the Mission. Lately Jurado has been been releasing new records at a yearly clip, and he’s currently touring on his 2012 effort Maraqopa. Jurado is certainly an under-the-radar talent; his songs and discography greatly outweigh his overall success.

Best show to discover a hidden musical gem.


Catch Em Before They Blow Up
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“I’ve been with Noise Pop for about five to six years now, and I remember the first year I said ‘Wow, I don’t even really know a lot of these bands,’ and I consider myself pretty well versed. Then from the progression of Noise Pop, to SXSW to the next set of festivals you would see bands like the Fleet Foxes play second of four at the Bottom of the Hill, then all of the sudden they are on the front cover of all of these magazines. It’s interesting to see how people are able to trampoline onto the next thing.” ~Julie Zielinski, Assistant Producer of Noise Pop

Thao & The Get Down Stay DownSaturday March 2 @ Great American Music Hall
SOLD OUT Buy a badge

Thao Nguyen, the spark-plug front-woman for The Get Down Stay Down, is ready for the spotlight and even mainstream radio-play with the release of We the Common on February 5. Title track “We the Common (For Valerie Bolden)” will be a hit – and for a good reason. The track plays on multiple genres successfully, contrasting a bluegrass/jazz based-sound with synth hits, alt-rock beat transitions and poppy, Regina Spektor-like accessible lyrics. By the time the refrain kicks in (“Whooo-a-hooo, haha), it becomes easy to speculate that Thao and The Get Down Stay Down could have a big year.

Ty-Segall-Fuzz
FUZZFriday March 1 @ The KnockoutSOLD OUT Buy a badge

When Trouble in Mind Records received an anonymous submission by a heavy psych rock band last year, the mystery of FUZZ was born in a wall of sound. When the veil was raised, it turned out to be Ty Segall and his long-time collaborator Charlie Moothart were the creators of this new ruckus. The plot thickened when it was learned that Ty was manning the drumkit while Moothart banged out riffs heavy enough to make Sabbath blush. Bongs across America rattled as this is no average stoner rock band. The vocals are unmistakably Segall, which couldn’t fit the limited tracks any better.

Having the pleasure of seeing this band at tiny Hemlock Tavern got me excited that this was not a waste of Segall’s increasingly valuable time and effort. Having known that Ty is competent on all instruments lends perfect sense to him truly wanting to try it all, and sooner than later.
-Kevin Quandt

DIIVFriday & Saturday March 1 & 2 @ Brick & Mortar Music HallSOLD OUT Buy a badge

Beach Fossil’s Zachary Cole Smith released a whopper of a solo effort in 2012 under the aquatic-name, DIIV (Dive). Heavy on the reverb and not lacking any quality of pop shoe-gaze mentality, DIIV’s sound has a way of grabbing you and holding on as the infectious guitar hooks play over and over in your skull. Apparently the secret is out, as two Noise Pop shows sold out rather quickly. The attention is deserved.

Nosaj-Thing
Nosaj ThingThursday February 21 @ California Academy of Sciences

Nosaj Thing produces subtle yet contemporary beauty at it’s finest. It was well worth the wait for Jason Chung’s new album Home under his Nosaj Thing monicker, as this fresh batch of progressive down-beat tracks is full of his unique sound. Nosaj Thing is headlining the weekly California Academy of Sciences Nightlife February 21, the Thursday before Noise Pop week.

Scene-Unseen
Washed Out, Toro Y Moi, Young Magic Scene Unseen II • Friday March 1 @ 1015 FolsomFree with RSVP

Did you see all the sick shows happening Friday March 1st? The place to be afterwards will be at 1015 Folsom, where Washed Out (Ernest Greene) and Toro Y Moi (Chazwick Bundick) spin at this free after-party.

Culture-Club-Logo

“The Culture Club, it is what all of these musicians and artists do outside of just making music…” ~Kelleyann Schilke

Culture Club Presented by Bay Bridged • Saturday @ Swedish American Music HallBUY TICKETS

Culture Club, now in its third year of celebrating this process and DIY spirit, gives you the rare opportunity to see and hear your favorite artists in the music, film, art, design, food and technology communities show in an interactive way how, why and what inspires them in creating their work(s). In addition to talks and unique performances, there are hands-on opportunities for participants to delve into their own creativity as well. Culture Club creates an all-around immersive experience to get in touch with your favorite creatives on a deeper and more insightful level.

“One thing we’re highlighting this year is Olek, who is a famous crochet artist that does “crochet bombing.” She’s going to come in a teach crochet workshops and talk about that aspect of public movement which is pretty cool.”

“Also highlighting music, we’ll be featuring Dust & Grooves: For the Love of Vinyl, whom are going to come in and take photographs of local musicians and their record collections, then talk about how people are influenced by music and how vinyl has continued to effect really popular music. The concept itself is really just to highlight how much music really effects artistic movement and movement in the world.” ~Kelleyann Schilke

Culture-Club

Noise-Pop-Film
Noise Pop Film SeriesBuy a film series badge

See a Little Light: A Celebration of the Music and Legacy of Bob Mould
Q&A with director Justin Mitchell & Bob’s manager Jordan Kurland
February 27 / Roxie Theater / 9 p.m. / $10

Last November at the Walt Disney Concert Hall in Los Angeles, some of today’s most influential artists gathered to celebrate the music of Bob Mould. Dave Grohl (Foo Fighters), Britt Daniel (Spoon), Ryan Adams, No Age, Craig Finn and Tad Kubler (The Hold Steady), Margaret Cho with Grant Lee Phillips, and Jessica Dobson (The Shins, Deep Sea Diver) all performed songs from Bob’s historic catalog. Fortunately, the entire evening was captured in stunning audio and high-quality video quality by filmmaker Justin Mitchell. Justin and his camera crew followed Bob and the other artists meticulously throughout their day catching the rehearsals, preparation, interactions—and of course the night’s unforgettable performances.

“We also have a lot of great films I’m excited about like See a Little Light, A Celebration of the Music and Legacy of Bob Mould. Shepard Fairey is going to be there as well as Jordan Kirland, our boss in honor. Also the Bad Brains film, I’m excited about that as well.” ~Julie Zielinski

Noise-Pop-Art

Strom Thorgerson & Hipgnosis Taken by Storm: Iconic Album Art
Pre-screening Reception: Thursday, February 28, 2013 / 5–8 p.m.
San Francisco Art Exchange; February 28th-March 16th

For over 40 years using album covers as his canvas, Storm Thorgerson has created some of the most iconic images in the history of music from Pink Floyd’s Dark Side of the Moon, Led Zeppelin’s Houses of the Holy, Peter Gabriel, Black Sabbath, Paul McCartney to Biffy Clyro, Muse, The Mars Volta—in fact possibly 80% of your classic vinyl collection! Eschewing digital manipulation in favor of building massive sets and tableaus, staging performances and actions and ‘doing it for real’, Storm has deliriously confounded expectations of the relation of images and music, hyperrealism and the everyday, and the role of the record sleeve at the intersection of art and commerce.

Taken by Storm, with Storm Thorgerson is really being hyped and will be accompanied by a champagne toast down at the SF Art Exchange downtown, which has the world’s largest collection of Rock and Roll Art, which is really neat as well and such an honor to have that as part of the festival.” ~Kelleyann Schilke

San Francisco Rocks! Noise Pop & Treasure Island Photography (2007–2012)
Opening: Thursday, February 7, 2013 / 7 p.m.
Festival Reception: February 26th, 2013 / 5 p.m. / Hotel Biron

In the past five years Noise Pop has brought the Bay Area some incredible live music from local bands. And, while most of us were just getting off on the music itself, a select group of some of the world’s best music photographers were taking some spectacular shots of these shows. This exhibition is a rare treat as we get a unique look at what’s been happening onstage here in our own backyard over the past half a decade.

TIMF