Goldenvoice fills up the rest of April with 2025 Coachella sideshows

Goldenvoice Presents April 2025 - Los Angeles

Ah, it’s that time of the year again … you know, when February showers bring April flowers?

We know that’s not exactly how the idiom goes of course, but with heavy storms this week bringing floods and mudslides to Southern California only a month after wildfires wreaked havoc all over Los Angeles, getting even a sliver of positive news is always nice to help uplift our spirits.

So as Coachella approaches after catching a lot of us off guard by revealing its 2025 lineup quite a bit earlier than usual, Goldenvoice has once again filled up the spring concert calendar with another list of sideshows in support of the famed music festival.

This is usually the week that Paul Tollett and company unveils those plans, and for those of you who aren’t interested in making the trek out to the desert for three days in the hot, scorching sun or quite understandably just don’t have the budget to make that happen right now, fans of live music can still have a taste — or multiple tastes if they are inclined — of Coachella all while not having to ever leave the confines of LA County.

Much like the 2024 sideshows, this year’s will be extending north to the Bay Area. After booking almost a dozen “Goldenvoice Presents April” dates in and around SF a year ago, the renowned promoter has continued the trend with 15 performances scheduled over a two-week stretch from Friday, April 4th to Saturday, April 19th during what we used to call Fauxchella before officially joining this annual series a year ago that began in 2012.

Goldenvoice Presents April 2025 - Bay Area

Also different from last April is the fact that not many sideshows will be taking place down south in San Diego after the Rady Shell at Jacobs Park and Humphrey’s Concerts by the Bay, among others, played host for the first time. Mostly venues owned and operated by Goldenvoice in and around LA will be used this time, with some of the farthest ones like The Glass House and Fox Theater Pomona extending east into Tollett’s old stomping grounds. Unfortunately if you enjoy a good gig out in Pioneertown at Pappy & Harriet’s (read our First Times coverage here), you will have to find another time to visit the famous biker haunt with it no longer being in the equation … at least for now.

Along with Blonde Redhead at the Belly Up in Solana Beach, kicking off the SoCal festivities on April 9th will be The Dare and Kumo 99 at The Glass House while The Go-Go’s rock The Roxy and Thee Sacred Souls headline the Fox Theater Pomona. But what really stands out right away is Basement Jaxx (Live) at The Fonda Theatre as well as Portishead lead singer Beth Gibbons at the Orpheum Theatre on what appears to be a busy April 17th. And sure, seeing Miike Snow play an 800-person room like The Glass House wouldn’t be too bad either. If we just go by past numbers, the amount of sideshows is back up to 45 in total between LA and the Bay after scheduling 35 in 2024 and 32 in 2023 (by our count, the record is still 62 in 2017) and that’s certainly a good sign for all parties involved.

Below is the list of “Goldenvoice Presents April” sideshows in SoCal:

• Blonde Redhead: April 9th (WED) @ Belly Up (San Diego)
• The Dare with Kumo 99: April 9th (WED) @ The Glass House
• The Go-Go’s: April 9th (WED) @ The Roxy Theatre
• Thee Sacred Souls with Los Yesterdays: April 9th (WED) @ Fox Theater Pomona
• Eyedress: April 10th (THU) @ El Rey Theatre
• Jimmy Eat World with Glixen: April 10th (THU) @ Fox Theater Pomona
• Alok presents Something Else: April 11th (FRI) @ Sound Nightclub
• Sparrow & Barbossa: April 12th (SAT) @ Sound Nightclub
• Seun Kuti & Egypt 80 + Los Mirlos: April 14th (MON) @ The Roxy Theatre
• Still Woozy: April 14th (MON) @ The Glass House
• Together Pangea with Prison Affair: April 14th (MON) @ El Rey Theatre
• Afrojack presents Kapuchon: April 15th (TUE) @ Sound Nightclub
• Djo with Post Animal: April 15th (TUE) @ Fox Theater Pomona
• GloRilla with Real Boston Richy: April 15th (TUE) @ The Novo
• Lola Young with Bob Vylan: April 15th (TUE) @ The Fonda Theatre
• Miike Snow: April 15th (TUE) @ The Glass House
• Speed with HiTech: April 15th (TUE) @ The Roxy Theatre
• Djo: April 16th (WED) @ The Sound (San Diego)
• DIXON + Jimi Jules + Yulia Niko: April 16th (WED) @ Sound Nightclub
• Hope Tala: April 16th (WED) @ Music Box (San Diego)
• julie + Fcukers: April 16th (WED) @ The Glass House
• Maribou State with Shermanology: April 16th (WED) @ The Roxy Theatre
• Parcels with Ginger Root: April 16th (WED) @ Fox Theater Pomona
• SAINt JHN: April 16th (WED) @ The Novo
• Basement Jaxx (Live): April 17th (THU) @ The Fonda Theatre
• beabadoobee with Pretty Sick + Keni Titus: April 17th (THU) @ Fox Theater Pomona
• Beth Gibbons with Bill Ryder Jones: April 17th (THU) @ Orpheum Theater
• Dennis Cruz + Beltran: April 17th (THU) @ Sound Nightclub
• El Malilla + Judeline: April 17th (THU) @ The Roxy Theatre
• Kneecap with Soft Play: April 17th (THU) @ The Glass House
• Medium Build: April 17th (THU) @ El Rey Theatre
• Underscores: April 17th (THU) @ Music Box (San Diego)
• Eli Brown: April 18th (FRI) @ Sound Nightclub

If you’ve got the itch to see some live music now, tickets for the SoCal sideshows will go on sale here next Friday, February 21st or Friday, February 28th at Noon PT. All of the Bay Area shows, meanwhile, have already gone on sale. Fans can also win a pair of Weekend 2 passes to Coachella as well as two Golden tickets that gives access to every “Goldenvoice Presents April” show in SoCal or NorCal (there are separate contests at the aforementioned link). Wishing you all the best of luck!

Goldenvoice Presents April 2025 - San Diego

Goldenvoice shares latest round of Coachella sideshows this April after Weekend 1 tickets for festival’s 2024 edition finally sell out

Goldenvoice Presents April 2024 - LA

Is it spring yet? With all of the stormy weather California has experienced over the past few weeks, some sunnier and warmer days would certainly be welcomed right about now.

Of course, it’s around this time on the calendar when Goldenvoice starts turning our attention toward April for its biggest event of the year, but with Coachella’s announcement of its 2024 lineup coming a week behind schedule and tickets selling at a much slower pace than in prior years with Weekend 1 taking more than a day and almost a month longer than usual to sell out last week, it has seemingly been more of a challenge for the California concert and music festival promoter to convince folks to make the trek out to the desert.

Much of it has to do with the current, less-than-ideal economic conditions many people are facing at the moment, and with Lana Del Rey, Tyler, the Creator and Doja Cat set to make their headlining debuts in 2024, it’s far from the best the three-day, two-weekend music festival has had to offer in its 23 years on the scene.

But for those of you in the Golden State who might be living on a tighter budget than usual and can’t afford Coachella or just simply aren’t interested in spending thousands of dollars on a weekend out at the Empire Polo Club, the latest installment of sideshows in both Southern and Northern California can serve as a more economical option that still presents enough opportunities for everyone to catch some great live music soon.

After taking a look at the posters above and below, you might notice right away that there a significant number of more shows scheduled in SoCal versus NorCal, but the action will begin in the bay a week before Coachella’s first weekend gets underway when Belgian DJ/record producer Charlotte de Witte headlines the Cow Palace on Friday, April 5th. Other notable performances taking place in SF include Oneohtrix Point Never at The Regency Ballroom, Young Fathers at Great American Music Hall, Steve Angello at The Midway and Yoasobi at The Warfield.

Meanwhile, things pick up down south the following week as English rockers Blur stop by the Fox Theater in Pomona on Wednesday, April 10th for their first show on American soil since 2015 and another UK product in Jungle get set to play the 1,750-person venue the ensuing day. One change particularly noteworthy this year is the number of sideshows happening in San Diego, including the Rady Shell at Jacobs Park hosting Thai-funk trio Khruangbin with Latin instrumental duo Hermanos Gutiérrez and Alabama Shakes leader Brittany Howard performing at the world-famous Humphrey’s Concerts by the Bay. Back up north in the City of Angels, there’s once again a TBA act on the poster after boygenius earned the honor last year and that’s something we will be sure to keep our eyes on with the expectation that more details will emerge next month about who will visit the El Rey Theatre.

Nonetheless, it’s also worth mentioning after comparing previous iterations that Goldenvoice has dialed back on the number of sideshows over the years, peaking at 62 in 2017 before 52 in 2018, 34 in 2019, 44 in 2022 and 32 in 2023. With only 24 in SoCal this time around, having 11 in NorCal does help pad the number back to 35 and we imagine it will continue to hover around this amount in the future based on the way things have been trending.

Ready to catch some live music? Tickets for the sideshows in Southern California go on sale here this Friday, February 23rd at Noon PT over the next two weeks, while admission to the Northern California dates is already available. Fans can also win a pair of Weekend 2 passes to Coachella as well as two Golden tickets that gives access to every “Goldenvoice Presents April” show in SoCal or NorCal (there are separate contests at the aforementioned link). So, with that we say … good luck, friends!

Goldenvoice Presents April 2024 - SF

Doors Open: A Bay Area Reopening Series – The Midway

Photos courtesy of The Midway // Written by Molly Kish //

The Midway – San Francisco

On March 15th, 2020, bars, nightclubs, wineries and brewpubs all across the Bay Area were told to close effective immediately under California state order as industries long considered to be the backbone of the Bay Area’s cultural identity were shattered overnight by COVID-19.

While restaurants and retail began to slowly continue operations, the state’s color coded reopening plan left venues shuttered. Without any clear indication or timeline as to what the future held, SF’s nightlife was left to wonder when (or if), they’d ever be able to announce “Doors Open” again.

Amidst this last year of pandemic chaos, several local entities demonstrated resilience in preserving the city’s entertainment infrastructure. Setting the precedent for the rest of the country through unwavering passion and innovation, this series highlights key figures and institutions that continue to survive, fight for and usher in the re-opening of the Bay Area economy.

To start things off, we feature a SF venue that has progressively and successfully transformed in order to keep its doors open throughout the COVID-19 pandemic: The Midway.

Providing moderated crowds with uniquely intimate and COVID-19 friendly experiences, we spoke with The Midway’s assistant general manager Andrea Kirk about the struggles, endurance and ingenuity it takes to run an entertainment space during a global pandemic.

“The Midway is an intersection of art, culture, technology and food. We really aim to bring together all of those different elements that would be considered to be part of the creative realm and to be a canvas for different types of ideas that are coming through.” – Andrea Kirk, Assistant General Manager

It’s 3 p.m. on a Thursday, and The Midway patio is surprisingly active. Technicians are testing speakers, managers are laying out floor plans and several forklifts continue to load in tables, chairs and audio equipment. The energy is bustling. Kirk arrives and suggests that we relocate to the venue’s main room to avoid the noise.

Sitting at a table staged for an upcoming event, Kirk proceeds to laugh and lament about the absurdity of everything, humbly recognizing the fact that it’s a privilege to even have the opportunity to be interrupted by a load-in this afternoon. She’s still processing the emotions of the pandemic and subsequent toil it took on the Bay Area as she candidly discusses the moment it all became real and the past 18 months at The Midway.

“I mean, I think that there was definitely a certain level of disbelief. Not in a ‘is COVID real?’ sort of way but more of a ‘Is this really happening?’ It felt very surreal. Having to drop everything to a 250-person capacity effectively meant that we had to shut everything down. Afterwards we went into shelter in place for the two weeks which then was extended and extended again and it just was sort of like, ‘What is happening in the world?’ and not even having words to even identify thoughts or feelings about it. Just being really in shock.”

During the months leading up to reopening, Kirk’s main focus was to keep optimistic, explore all creative options and maintain open and honest communication with the staff. As businesses stood by watching the Bay Area dance between colors on the tier system, the staff of The Midway decided to be proactive with their options.

“I remember when we were approaching our initial ability to reopen, which I guess would’ve put us into the purple tier the first time and it was really such an experiment for us. We realized that outdoor dining was going to open and that we have our café on site, so one of the things we kept doing regularly was have a weekly staff check in. It really helped for all of us to stay on the same page.

This allowed for us to really have the conversation and realize that ‘Oh, wait we do fit this criteria?’ and raise the question of ‘Do we actually think anyone would come out, if we did it?’ You know those first several events I think we were losing money on them, but we really felt that it was so important to have something for people to do. When I say that I’m not just talking about the people who are coming to these events, I mean it was really important for us psychologically. Our team having the ability to do something and have ‘work’ … many tears of relief were shed.”

The Midway made its best efforts to comply with the city’s fluctuating live entertainment regulations, with initial events ranging from comedy shows to movie nights and even outdoor drag shows. Providing one of the only spaces in the Bay Area to engage in socially distant entertainment, the venue operated for about six weeks before it ran into its biggest obstacle yet.

“There was obviously that fact that we were shut down, which I think everyone knows about. The funny part was when an article was published about it months after the fact, people assumed that it had happened again, when it hadn’t. I think that was really hard because first of all, on that evening we were less than 10 minutes away from the end of the event and of course this is when the cops show up. When they wrote us up, they were saying ‘Oh, you guys don’t have food and you don’t have this or that,’ and literally my chef was walking out and the rest of the kitchen staff was still on site. It was just one of those moments where you’re thinking, ‘This looks so much worse than it is.’

Most disappointing was not the fact that we got a lot of feedback from the health department or anything like that, it was actually that they straight up gave us a cease and desist order instead of anybody reaching out to contact us. It was point blank ‘You have done all of the things wrong’ and ‘Let’s get the lawyers involved,’ which was really unfortunate.”

On July 22nd, 2020, The Midway was amongst a large sweep of businesses that were temporarily closed by the San Francisco Health Department. Along with the EndUp, The Knockout and Valencia Room amongst others, the venue’s live entertainment and dining experiences were once again placed on hold just weeks after it got up and running.

“We’ve since come around and been able to really have more of a real conversation with them. It’s been a balance to do this both safely and in a manner that people feel comfortable, which aren’t always the same thing.

There was a lot of back and forth during the shut down. Some very valuable information was exchanged but also with consecutive frustration when for example: you’ve got redlined documents in which we stated ‘tables and chairs are cleaned between guests,’ and we get told, ‘You need to say tables and chairs are sanitized between each guest’ I do feel like a lot of that could’ve happened in a really good conversation and that it didn’t need to go the way it went, but again, there were good things that came out of it too. We definitely revamped a few things, including how our security worked and service was conducted.”

After adjustments were made to comply with the new standards, The Midway was able to continue with their operations within a matter of weeks. The current outdoor layout spans two full city blocks accommodating more than 100 tables, all of which are limited to four people per designated space. The patio remains open with access to two outdoor bars and the venue’s café, Madame Zola’s Fortune, is providing both brunch and dinner menu options.

“Some of the changes just sort of happened naturally, like how we have the ability for people to do contactless ordering from their tables. This was something that we had just started to do via online ordering with our café, for our neighbors. I think we were some of the early adopters of that, and now you see it at just about every restaurant that I’ve been to in multiple states at this point. It was really nice to just be able to do that, and it definitely has been the thing that has allowed us to successfully scale. Getting 100 tables out here is a lot, especially if you have service. So, the online ordering has been really key in our ability to operate at the level that we are.”

Transitioning from streams and virtual events into full scale performances was no easy feat. Besides the logistical nightmare of attempting to book artists who were available and interested in performing, The Midway faced the challenge of creating an audio experience that would be comparable to the venue’s main room, but outdoors.

“We had to uninstall a bunch of equipment from one of the rooms here and really dig into our inventory to make sure that we were able to hit the sound outside, which in part was due to the new standards but also conversations with the neighbors, who have been absolutely amazing. I’m grateful that they are very supportive and they basically have an open invitation to come to any of the shows, (they just have to let us know so that we can reserve them a table).”

Though navigating the last few months has been no easy feat, Kirk remains positive in the fact that the venue has booked a consistently busy event calendar that people continue to remain excited about. As the vaccination rates rise in SF, the possibility of a “return to normalcy” in 2021 becomes more and more realistic by the day. Even with the current limitations, The Midway has already started to book their several indoor spaces for upcoming events and dining series.

“As for additional culinary things coming up, they’re still kind of in the works, but we’re developing a series of different types of tastings, food and liquor pairings. We’re very excited about those. In terms of the exhibits, we actually opened up our ‘Artist in Residence’ program, which was supposed to be a six-month cohort and it’s now going to be like nine or ten months just because we had opened and shut. We’ll be doing some shows with them later in the fall, and we actually are going to be launching some workshops with the artists as well.”

Instead of viewing this past year as an insurmountable challenge, Kirk and The Midway’s staff have taken risks to provide the Bay Area with an ingenious spin on outdoor entertainment. By utilizing its property and assets to their full potential, The Midway has not only been able to work around barriers other clubs have not been able to, but it also has produced events and concepts that have exceeded so many of their guests’ expectations.

“Well, our brunch has been really successful, and I think that there’s at least some elements of that we would love to keep. It’s funny because I moved to San Francisco just about four years ago and one of the things I said was that ‘I still love to go out and go dancing, but I just don’t know if I want to be up until 4 a.m. for much longer. Then I thought, day parties … day parties are great in the Bay Area!

They’ve been so good for our café, to really just come up with solid menus and develop them to shift seasonally. Whereas before, I think a lot of our café food was based on what corporate events would say they’d want on their menus. We will always have certain key dishes, but now there’s seasonal changes that will happen as well. So, I think from a creative aspect there is a lot more going on now.”

Looking toward the future, Kirk sees no slowing down and expects California — should things continue to trend positively — to be back in action in accordance with the statewide projection of June 15th. She remains grateful for The Midway’s ability to survive the challenges of this past year but could not be happier for the proverbial end in sight.

Remaining cognizant of everything that the venue has been able to endure, Kirk mentions how she has been humbled and changed personally by the pandemic. Her main takeaway, however, is much more indicative of the strength of her work force as well as her genuine leadership and core values as the venue’s assistant GM that truly make The Midway a relentless force in the re-opening of the Bay Area.

“No. 1 thing that I have gotten out of COVID is an emphasis on how we all work together. In my opinion, The Midway has always had a family vibe and I roll my eyes a little because I know that people say that and it’s annoying. But we really had each other’s backs through this across the board, and I am super duper proud of this team and how they’ve worked together.

I would say secondarily was the need for people to get out and have a way to do that in a safe manner. But 100% it has all been to make sure that our staff is taken care of.”

Check out The Midway’s event calendar for reservations here.

DOORS OPEN: MORE COVERAGE HERE