Jagwar Ma incite a high-energy, psychedelic dance party for their Bay Area fans

Jagwar MaBy Norm de Veyra //

Jagwar Ma with NVO //
Mezzanine – San Francisco
May 24th, 2017 //

Australian psychedelic-dance outfit Jagwar Ma lit up the Mezzanine stage last Wednesday as they currently tour North America in support of their 2016 sophomore LP Every Now & Then.

Providing equal parts high-energy dance party and hazy, dreamy soundscapes, the Sydney trio straddled an exciting line in the current gamut of psych-indie bands.

NVO, another electronic-leaning three-piece from SF, got the crowd worked up with a funky opening set.

Setlist:
What Love
Loose Ends
Uncertainty
O B 1
Give Me a Reason
Ordinary
Come Save Me
Four
Slipping

Encore:
Say What You Feel
Colours of Paradise
The Throw

No matter what their band’s name is, JR JR are still a well-oiled, indie-pop machine

JR JRBy Zach Bourque //

JR JR //
The Echo – Los Angeles
May 25th, 2017 //

The band that at one time went by the name of a retiring NASCAR driver headlined The Echo for an intimate performance in LA last Thursday. Although its genre can be hard to pin down as it floats somewhere between electronic, indie and pop, it’s difficult to dispute JR JR’s shear power of infectious charm, which was on full display inside the packed Echo Park venue.

Formerly known as Dale Earnhardt Jr Jr., Daniel Zott and Joshua Epstein made a name for themselves back in 2011 with their debut full length It’s a Corporate World on Warner Bros. Records. Their fresh sound drew attention from the indie scene and LA public radio station KCRW but never seemed to find the mainstream audience that their music deserved. When it was announced back in 2015 that they had downsized (besides the capital letters) their name to JR JR, a move that coincided with the release of their third album, the Detroit duo managed to crack the charts and gain some radio play on stations like KROQ with its single “Gone”.

The crowd inside The Echo, which was packed to nauseating claustrophobia, was a wonderful melting pot that represented the band’s broad appeal. Hipsters brushed elbows with industry executives as they attempted to make their way to the bar. Closer to the stage, 20-somethings danced and sang along to “Gone” as did a few old-timers who we imagine might have been related to some of the band members.

JR JR

Zott and Epstein are both wonderfully eccentric figures onstage, as Zott’s side ponytail afro jives perfectly with Epstein’s auto-tuned vocals that are performed via a telephone receiver. Plus, the two have no shortage of charming banter in between songs, and you can tell they have been playing music together for quite some time.

While the short set was used to essentially “focus group” new material from their upcoming album, JR JR were able to sneak in a few oldies like “If You Didn’t See Me (Then You Weren’t on the Dancefloor)”. The group also donated a portion of each ticket to a non-profit named JED, which helps bring light to the emotional health of teens and young adults. Epstein had several stories regarding his own struggles with anxiety and depression, but none of them that we heard ever shifted the tone off too far away from the group’s ubiquitous positivity.

It’s hard to imagine JR JR’s momentum letting up anytime soon. It’s been a slow crawl for the group, but it appears that the word is finally out and we anticipate big things from their next LP. And to think that all along, the biggest detriment to the group’s success might have come from Dale Earnhardt himself. Long live JR JR.

Woods lead an eclectic night of music at The Chapel

WoodsBy Norm de Veyra //

Woods with Peacers, Golden Daze //
The Chapel – San Francisco
May 21st, 2017 //

Bay Area music fans were treated to an eclectic evening at The Chapel as Brooklyn folk-rock band Woods performed for a Sunday night crowd in support their new album Love Is Love.

Hailing from Los Angeles, fellow indie rockers Golden Daze kicked off the show while SF outfit Peacers filled out the sounds for the evening with their buzzy, harder-edge tunes.

In front of a hometown crowd at Rickshaw Stop, Lauv already looks like a natural performer

LauvBy Jacqueline Moore //

Lauv with Bows //
Rickshaw Stop – San Francisco
May 24th, 2017 //

As possibly music’s next teenybopper heartthrob, Lauv (born Ari Leff) arrived at Rickshaw Stop last night for the second stop on his “late nights, deep talks tour” this spring.

A little more soulful than the Biebs himself, Lauv set himself apart with his dark R&B tones and genuine connection to his fans. Although he’s still on the up and up, you could hardly tell due to his natural ability to get the audience adrenalized.

Lauv

Lauv’s 2016 single “The Other” currently has almost 80 million streams on Spotify, and it was nice to see the SF native back home performing amongst a group of dedicated followers.

Bows, a Berkeley band that described itself as “ethereal” and “space-like,” opened the show. Most of their songs had a whimsical reverb/auto-tune sound to them, leaving the crowd with a sense of excitement to hear more music as the night went on.

With summer near, Skyline festival makes its debut at the new & improved LA State Historic Park

Skyline 2017Photos courtesy of aLIVE Coverage, Banfy & DA BLACK SWAN // Written by Josh Herwitt //

Skyline feat. Duke Dumont, Miike Snow, Lido, EDEN, Michl, ELOHIM, Jason Bentley //
LA State Historic Park – Los Angeles
May 20th, 2017 //

Memorial Day weekend is often considered the unofficial start to summer, but for those of us living in the City of Angels, last weekend might as well have been.

With temperatures in downtown LA reaching the low 90’s, Radio Hill Events and KCRW made history on a hot and sunny day as they hosted the inaugural Skyline festival at the brand-new LA State Historic Park, which closed for renovation more than three years ago.

Though not all of the 32-acre open space just north of Chinatown was used for the single-day event, it felt nice to be back at the much-improved park taking in live music as an electronic-leaning lineup that consisted of Duke Dumont, Miike Snow, Lido, EDEN, Michl, ELOHIM and Jason Bentley all shared the somewhat diminutive stage over a nine-hour span.

Skyline 2017 - Miike Snow


Miike Snow

In many ways, Skyline felt like a trial run for potentially larger music festivals to eventually make their way back to the park, which was used for FYF Fest and HARD’s LA-based events prior to its closure. And after a reported attendance of 5,500, it wouldn’t be a surprise to see FYF Fest return to its former home next year after occupying Exposition Park for what soon will be four straight summers following its latest edition this July.

What might be best about LA State Historic Park, though, is the view. Particularly on a clear day, it’s hard to beat the sight lines of downtown LA’s skyline when you look south from the park. And lucky for us, that was the case this time around.

As day turned to night and the crowd’s energy gradually started to build thanks to a hit-laden set from Scandinavian indie-pop trio Miike Snow, it felt like a perfect way to spend a Saturday night in LA in mid-May. So, when English DJ/producer Duke Dumont took the baton and gave the festival’s final performance, he made sure to send us home with some deep-house vibes — deep enough to put us right to bed after what proved to be, all in all, a successful day.

Pallbearer, Gatecreeper fill Echoplex with plenty of doom & gloom in their return to LA

Pallbearer


Pallbearer

By Zach Bourque //

Pallbearer with Gatecreeper //
Echoplex – Los Angeles
May 18th, 2017 //

Doom-metal giants Pallbearer stormed into LA’s Echoplex last Thursday in support of their latest album Heartless with support from Gatecreeper. If the names listed on the bill didn’t already scream “metal night,” the pit of black in front of the stage certainly sealed the deal.

Not everyone seemed to have gotten the message, however. A couple donning formal business attire wandered in off the street, leaving shortly after the doorman was unable to break a $100 bill. “You do realize this is metal night, right?” the doorman asked the couple as it swiftly left the venue under the cover of darkness.

With the notable exception of seeing someone in a three-piece suit at a heavy metal show, the night’s biggest surprise came from Arizona’s Gatecreeper. Vocalist Chase Mason was every bit the death-metal archetype, complete with black, waist-long hair and a guttural howl that hits you right in the plums. The group’s speed paid dues in the pit, which erupted midway through the set for periodic fits of moshing.

While many in the crowd were there exclusively for Pallbearer, Gatecreeper surprisingly had their own robust group of fans in attendance who never missed a chance to let everyone else know precisely who they were. The four-piece may not be breaking new ground in the genre, but nonetheless, it was incredibly solid live and certainly scratched the death-metal itch for those willing to indulge.

Gatecreeper


Gatecreeper

Hailing from Little Rock, Ark., Pallbearer took the stage shortly before 11 p.m. and couldn’t be more of a 180-degree turn from Gatecreeper. The band takes great pride in its doom roots and fully embraces the slow pace and clean vocals that the subgenre rewards.

As good as Pallbearer’s material sounds on their records, especially with the near-perfect production on Heartless, seeing them live is something else entirely. Despite only having seven tracks, the new album runs nearly an hour long, taking listeners on a sonic journey from one minute to the next. Pallbearer’s staid doom sound has continued to grow more mature and varied, and you can really get a sense of that seeing them perform live.

Pallbearer’s technical chops pair very nicely with lead singer/guitarist Brett Campbell’s killer voice, which sounds familiar and fresh. Meanwhile, the group’s collective sound really feels timeless — one that pays tribute to the doom bands that inspired them, and at the same time, one that remains accessible for a wide swath of metal fans.

Whether you dig your vocals screamed or serenaded, there was something for everyone at a packed Echoplex on this night. With an upcoming tour in support of Gojira, Pallbearer will return to Southern California soon to play the House of Blues Anaheim on August 5th.

DIIV showcase their fuzzy riffs, hazy melodies in SF

DIIVBy Norm de Veyra //

DIIV with The Paranoyds //
Mezzanine – San Francisco
May 16th, 2017 //

Brooklyn indie rockers DIIV invaded Mezzanine last Tuesday for a strong set that heavily leaned on material from their 2016 LP Is the Is Are. Led by vocalist/guitarist Zachery Cole Smith, the five-piece obliged the amped-up SF crowd with plenty of fuzzy riffs and hazy melodies.

Opening the show were The Paranoyds. The young punk quartet from Los Angeles stormed the stage with great energy and impressed the audience with solid tracks from their recently released EP Eat Their Own.

LA Show of the Week // GO4FREE to Skyline feat. Duke Dumont, Miike Snow, Lido & more 5/20 (SAT)

SkylineWritten by Josh Herwitt //

Skyline feat. Duke Dumont, Miike Snow, Lido, EDEN, Michl, ELOHIM, Jason Bentley //
LA State Historic Park – Los Angeles
May 20th, 2017 //

It’s been a while since LA State Historic Park has hosted a music festival — almost three years to be exact. The 34-acre open space just north of LA’s Chinatown neighborhood, after all, had been under construction during that time, with progress on the developement getting delayed at one point due to soil contamination at the site.

But in March, Radio Hill Events, a new group of concert producers, talent buyers and festival planners, teamed up with KCRW to announce Skyline, a single-day music, art and food event that will mark the first major music gathering at the recently remodeled park.

Featuring performances by Duke Dumont, Miike Snow, Lido, EDEN, Michl, ELOHIM and Jason Bentley, the fest’s inaugural music lineup leans heavily on electronic acts who play “live” (as opposed to performing a DJ set).

Kicking off the festivities this Saturday at 2 p.m. will be a surprise opener before Miike Snow and Duke Dumont close things out with back-to-back sets each lasting an hour (view the set times below).

If you’re looking for something to do this weekend and are itching to see some live music, you don’t want to miss this brand-new festival in downtown LA. Tickets are available for $50, but you could win a pair of tickets by submitting your full name and email below.

Contest ends this Friday at 3 p.m.

Skyline - set times


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Ho99o9: May 18th (THUR) @ The Independent
Pallbearer: March 19th (FRI) @ The New Parish
Dead Winter Carpenters: March 19th (FRI) @ Slim’s
Shiba San Poolside Party: March 21st (SUN) @ The Phoenix Hotel


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Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above). 21+

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Conor Oberst’s sad songs make us feel happy at LA’s Greek Theatre

Conor OberstBy Rochelle Shipman //

Conor Oberst with Julien Baker //
Greek Theatre – Los Angeles
May 13th, 2017 //

As the crowd filled into the Greek Theatre during Julien Baker’s opening set last Saturday, the young singer softly said it best: sad songs simply make us feel happy.

This is what keeps fans coming back to see Conor Oberst year after year, this most recent time in support of his latest release Salutations. This is what quieted the crowd low enough to hear a sniffle or two during songs like “Lua”, which is now 12 years old and still inciting a cheerful uproar as it crescendoed midway through.

And for anyone who has been comforted by Oberst at some point during the last 20-plus years of his career, this was the truth that will keep us listening for 20 more.

Setlist:
Afterthought
Four Winds (Bright Eyes song)
Time Forgot
Too Late to Fixate
Till St. Dymphna Kicks Us Out
Eagle on a Pole
Barbary Coast (Later)
Well Whiskey (Bright Eyes song)
Mamah Borthwick (A Sketch)
Anytime Soon/Overdue
Map of the World (Monsters of Folk cover)
Lua (Bright Eyes song)
Jack at the Asylum (The Felice Brothers cover)
Salutations
Artifact #1
Poison Oak (Bright Eyes song)
A Little Uncanny

Encore:

Unknown (new song)
Train Under Water (Bright Eyes song)
Napalm

After more than 30 years, The Flaming Lips are still one of music’s most wildly entertaining live acts

The Flaming LipsBy Josh Herwitt //

The Flaming Lips with Klangstof //
The Theatre at Ace Hotel – Los Angeles
May 9th, 2017 //

Say what you want about The Flaming Lips’ music. You might call it strange, humorous or even childish. I guess that’s to be expected when one of your most popular songs is called “She Don’t Use Jelly” and another goes by the name of “Yoshimi Battles the Pink Robots”.

But not too many rock bands have been able to say they put on a show quite like Wayne Coyne and company have for more than three decades now. When it comes to live performance, The Flaming Lips are one of those bucket-list bands every live music fan should see at least once. Even as Coyne nears the age of 60, the Lips haven’t forgot how to entertain a crowd, whether it’s at a music festival or at one of their own stand-alone gigs.

I had caught The Flaming Lips live a handful of times prior to their show at The Theatre at Ace Hotel in LA, but never had I watched them perform in a theater, let alone one with a capacity of only 1,600. The show, not surprisingly, was sold out, and for a weeknight, it was impressive to look around the venue’s lobby and see a number of audience members dressed in costume for the occasion. And maybe it was only fitting considering this latest tour was named “There Should Be Unicorns” after the band’s Oczy Mlody track featuring Reggie Watts.

The Lips, of course, made sure to play that song, and even though it was without Watts, it still proved to be an unforgettable moment due to the fact that Coyne rode a life-size unicorn from one end of the stage to the other as he belted out lines like “Yeah, there should be unicorns / The ones with the purple eyes / It should be loud as fuck / Hope the swans don’t die” to open the tune while wearing a big smile across his face. If that’s not psychedelic to you, then I don’t know what is.

The Flaming Lips

At any Flaming Lips show, there are always an array of theatrics. From confetti cannons and balloons to rainbow visuals, there’s a lot more to the performance than simply just the music. But that doesn’t mean the music comes second to the rest of the “show.” Halfway through the set, Coyne and his fellow bandmates — Michael Ivins (bass, keyboards, vocals), Steven Drozd (guitar, keyboards, bass, drums, vocals), Derek Brown (guitar, keyboards, percussion, vocals), Jake Ingalls (keyboards, guitar), Matt Duckworth (drums, percussion, keyboards, vocals) and Nick Ley (percussion, drums, samples) — unleashed an apropos cover of David Bowie’s 1969 hit “Space Oddity” considering it felt like we could have been living on another planet inside The Theatre at Ace Hotel.

Though the setlist hasn’t changed much since the Lips embarked on their tour in support of this year’s Oczy Mlody, they’ve assembled a collection of songs that any fan can get behind. In addition to dialing it back to the late 90’s with tracks like “Race for the Prize” and Waitin’ for a Superman” from The Soft Bulletin, the Oklahoma City sextet also worked in “The Yeah Yeah Yeah Song (With All Your Power)” and “The W.A.N.D.”, two of my favorite cuts on the group’s 2006 studio album At War with the Mystics.

With the show extending past midnight, the Lips returned to the stage for one last hurrah, a three-song encore that made us feel young again (even for those of us who aren’t anymore). Yet, as they put the finishing touches on the night with “Do You Realize??” off their critically acclaimed 2002 LP Yoshimi Battles the Pink Robots, I couldn’t help but think that after almost 35 years on the scene, The Flaming Lips — unicorns and all — still throw one hell of a party.

How’s that for a Tuesday night?

Setlist:
Race for the Prize
Yoshimi Battles the Pink Robots, Pt. 1
There Should Be Unicorns
Pompeii Am Götterdämmerung
The Yeah Yeah Yeah Song (With All Your Power)
What Is the Light?
The Observer
How??
Space Oddity (David Bowie cover)
Feeling Yourself Disintegrate
The Castle
Are You a Hypnotist??
The W.A.N.D.
A Spoonful Weighs a Ton

Encore:
She Don’t Use Jelly
Waitin’ for a Superman
Do You Realize??

Andrew McMahon in the Wilderness take a big leap at The UC Theatre with Atlas Genius, NIGHT RIOTS

Andrew McMahon in the WildernessBy Norm de Veyra //

Andrew McMahon in the Wilderness with Atlas Genius, NIGHT RIOTS //
The UC Theatre – Berkeley, CA
May 6th, 2017 //

With pool inflatables and space suits in tow, Andrew McMahon in the Wilderness played a rollicking show at The UC Theatre last Saturday to kick off a two-night run in the Bay Area. Seated center stage at his piano, the former frontman for Something Corporate and Jack’s Mannequin took command of the nearly sold-out crowd early with his boundless energy.

Highlighting the catchy, anthemic jams from their 2017 studio album Zombies on Broadway, McMahon and company delivered a rousing performance that found the lead singer leaping off pianos, stage diving and riding atop the crowd in an inflatable duck on several occasions.

NIGHT RIOTS from Southern California opened the evening with a strong set of dance-rock anthems from their latest release Love Gloom. Australia’s Atlas Genius followed, continuing the good vibes with their own brand of dance-infused indie rock.

SF Show of the Week // GO4FREE to What So Not at 1015 Folsom 5/12 (FRI)

What So NotWritten by Lindsay Alamillo //

What So Not //
1015 Folsom – San Francisco
May 12th, 2017 //

Coachella (read our festival review here) may have come and gone, but your chance to see everyone from that desert lineup is not over! What So Not hits the Bay this weekend for a sold-out show.

Australian producer Chris Emerson began releasing music under the name Emoh Instead in collaboration with Flume back in 2011. He has since ventured off on his own under the alias What So Not and is now signed to OWSLA Records.

What So Not’s big break came in 2014 after the release of “High You Are (Branchez Remix)”, and his name has continued to soar since. His most recent EP Divide & Conquer came out in September as well as the single “Waiting” featuring RL Grime and Skrillex.

Emerson is hitting the festival circuit hard this summer (including a stop at HARD Summer), but he’s also coming to SF as part of his 2017 spring tour. This Friday, What So Not brings his unique style of combining house, hip-hop and bass to 1015 Folsom for what’s sure to be one hell of a party. Tickets are already sold out, but you could win a pair of tickets by submitting your full name and email below.

Contest ends this Friday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Peter Silberman: May 10th (WED) @ Swedish American Hall
Monster Rally: March 12th (FRI) @ Brick & Mortar Music Hall


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

Like Showbams on Facebook, follow Showbams on Twitter and follow Showbams on Instagram. Subscribe to our social channels for a better chance to win!

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Cursive’s Tim Kasher breathes an orchestral breath into his solo music at The Echo

Tim KasherBy Rochelle Shipman //

Tim Kasher //
The Echo – Los Angeles
May 3rd, 2017 //

Tim Kasher stopped by The Echo in LA last Wednesday during his tour behind No Resolution, the latest LP in a string of beautifully bummer solo releases about the realities of growing up and growing old.

The Cursive/Good Life frontman tapped a carefully constructed backing band to breathe an orchestral breath into some cuts from his extensive catalog, including some older songs that don’t normally get the spotlight.

He also announced the release of a feature film he wrote and directed that’s coming later this year, seemingly (fortunately/unfortunately) unrelated to his 2013 studio album Adult Film.

Setlist:
A Raincloud Is a Raincloud
Cold Love
Messes
Runts
No Fireworks
Lay Down Your Weapons
Break Me Open
Night and Day (The Good Life cover)
Monogamy
An Answer for Everything
Into the Fold (Cursive cover)
Bloody Murderer (Cursive cover)
The Prodigal Husband
No Secret

Encore:
From the Hips (Cursive cover)
Truly Freaking Out

After making Coachella history, Klangstof are blazing a trail for other Dutch indie bands

KlangstofPhoto by Jack McKain // Written by Josh Herwitt //

Those of us who have been attending Coachella for a while know how difficult it is for artists filling early-afternoon slots to draw large crowds at the Empire Polo Club. The sun, for one, is usually scorching hot by then, and most of the acts performing between the hours of 12 and 3 p.m. are still relatively unknown.

But for some on the come up like Klangstof, who this year became the first Dutch band to ever perform at Coachella, just the opportunity to play one of the oldest and biggest music festivals in the U.S. has already paid huge dividends back home.

“We’ve never really been big in our home country,” says bandleader Koen van de Wardt, who started Klangstof as a solo project when he was 14 years old and living in Norway at the time. “Being the first (Dutch) band to play Coachella gave us that boost.”

It’s only been a little more than a couple weeks since Klangstof hit the stage for Coachella’s second weekend, but since returning home to Amsterdam, van de Wardt says the response has been palpable.

“I hope it’s a start for more Dutch bands to play big U.S. festivals,” he adds. “We have a pretty cool indie scene. I hope we’re a band that can get things going for Dutch indie culture.”

So far, they’re off to a strong start. This month van de Wardt (vocals, guitar, bass, keyboards) and his colleagues — Wannes Salome (keyboards, vocals), Jun Christian Villanueva (drums, programming) and Jobo Engh (guitar) — kick off a 21-date North American tour that will see them open for The Flaming Lips and Miike Snow and make appearances at other major U.S. festivals like Sasquatch!, Bonnaroo and Firefly along the way. That’s not bad for a new band with members who have only been playing together for a year.

As van de Wardt explains, turning Klangstof into a touring outfit wasn’t his intention. When he first started writing the demos for what would become — over a seven-year stretch — the group’s 2016 debut LP Close Eyes to Exit, it was simply “out of boredom.”

Yet, everything changed for van de Wardt when he uploaded “Hostage” as the first Klangstof song to his Soundcloud account in 2015. Two days later, he picked up the phone in the middle of the night to learn it was David Dann from Mind of a Genius, the London/Los Angeles-based indie label that has ZHU, Gallant, THEY. and KWAYE currently signed to its roster. Dann liked what he had heard and saw Klangstof as the next addition to his growing list of clients — and van de Wardt was more than happy to oblige to deals with Mind of a Genius and subsequently Warner Bros. Records months later.

“I never thought something like that would’ve happened,” the 24-year-old frontman admits.

It was from that point that van de Wardt had to consider something he hadn’t had to quite yet: How was he going to play his music live? He spent the next six months searching for the right musicians to join him before settling on Villanueva and Engh, two of his friends from Norway, as well as Salome, whom van de Wardt had only “met” through Facebook but knew to be one of the “top synth wizards in The Netherlands.”

“It has been a pretty weird journey because I never wrote the record as something that I was going to play live,” he says. “I just did everything myself.”

And while turning his solo project into a live band was an adjustment for van de Wardt, it’s not like he hadn’t played in bands before. In fact, just a few years prior, he had moved from Norway to The Netherlands to join Dutch indie band Moss, which he says ultimately helped him decide if he wanted to pursue music as a full-time profession or not. Even more, it gave van de Wardt the confidence to start his own project and eventually assemble his own band, the same one that he’ll bring this week to The Theatre at Ace Hotel in LA and Fox Theater in Oakland as opening support for the three-time Grammy-winning Flaming Lips.

“I feel now after one year with the band, I know what the Klangstof sound is,” he asserts.

Such a sound, with its alt-rock roots and electropop tinges, has drawn lofty comparisons to Radiohead, a group that van de Wardt cites as one of his major influences, but you can also hear hints of other prominent UK “indie” bands, from alt-J to Foals, in the finished product. Meanwhile, onstage it’s been an exhilarating experience for van de Wardt, who can’t wait to jump back in the studio with his bandmates once they’re off the road at the end of this year.

“I’m really excited to go in and record the second album because I feel like all four of us know what we’re doing and how it should be sounding now,” he says, and hearing that from van de Wardt should be music to any Klangstof fan’s ears.

The Avalanches make their long-awaited return to SF after more than a decade

The AvalanchesPhotos by Norm de Veyra // Written by Brett Ruffenach //

The Avalanches with Jel //
Mezzanine – San Francisco
April 18th, 2017 //

Amid a flurry of incredible talent that made its way to the Bay Area in April, perhaps the most exciting to see on the list was The Avalanches, considering it has been over a decade since the Australian outfit has toured in the U.S. Walking into a packed Mezzanine on a Tuesday night, Jel warmed up the crowd with some impressive, live-produced hip-hop beats and some decent banter in between tracks.

Shortly after Jel’s set, The Avalanches took the stage, including the five-piece’s two founding members in guitarist Robbie Charter and Tony Diblasi, who manned a mix of drum machines, sampling kits and turntables. The group chose to take its “plunderphonics” style, consisting of intricately woven together samples, and turn it into a live band that boasts drummer Paris Jeffree, singer Eliza Wolfgramm and emcee Spank Rock.

Kicking off with “Because I’m Me”, the opening track on their 2016 sophomore LP Wildflower, which (ranked as my favorite album of the year), there was a clear issue when combining the mixing of their studio samples with what sounded like a conventional funk/rock band.

The Avalanches

While Wolfgramm and Spank Rock could more than hold their own on the mic, the energy coming from the band felt discordant and awkward, forcing Spank Rock to work more as a hype man than as a rapper. As they made their way through classic tracks “Flight Tonight” and “Radio” along with more recent hits like “Subway”, something just seemed … off.

Taking their studio efforts to the stage as a live band may not have been the right decision for The Avalanches, and that’s simply because of what makes them so appealing: their sampling. Sampling, after all, sounds very strange when you’re performing live.

The intricate textures and layers of The Avalanches’ material is what people find incredible about them. Yet, in an attempt to translate these productions into a live show, they ended up sounding more like “Flight Tonight: A Tribute to The Avalanches” than the actual Avalanches.

Setlist:
The Leaves Were Falling
Because I’m Me
Frankie Sinatra
The Guns of Brixton (The Clash cover)
Flight Tonight
Radio
Subways
Live a Lifetime Love
Bump (Spank Rock cover)
Frontier Psychiatrist
Life’s a Bitch (Nas cover)

Encore:
The Noisy Eater
Electricity
Since I Left You