After more than two years, Telefon Tel Aviv finally gets the chance to entrance fans at Lodge Room before taking a break from performing

Telefon Tel AvivBy Josh Herwitt //

Telefon Tel Aviv with Chasms //
Lodge Room – Los Angeles
July 29th, 2022 //

More than a decade has passed since Joshua Eustis tragically lost the other half of Telefon Tel Aviv.

Forming the band with his high school friend Charles Cooper in 1999, the two would go on to release an EP, three LPs and a number of remixes together while carving out their own space in the glitch and IDM scenes alongside Leftfield, The Future Sound of London and Boards of Canada to name a few. But just two days after unveiling their third full length Immolate Yourself, Cooper was found dead.

Cooper’s accidental death marked a major turning point for Eustis. Had the time come for him to shut it down for good or should he continue to make music under the TTA moniker in honor of his bandmate?

Over the next four years, Eustis would find himself working with other bands. He co-produced Puscifer’s Conditions of My Parole in 2011 and then toured with Nine Inch Nails, manning any instrument that was requested of him whether it was guitar, bass, keyboards, saxophone or even the erhu.

Eustis, though, wasn’t ready to give up on a solo career quite yet so he returned to the studio in 2014 after NIN’s “Tension Tour” to focus on a different project named Sons of Magdalene before turning his attention to recording the first TTA album without Cooper.

Telefon Tel Aviv

The end result, almost five years later, would be 2019’s Dreams Are Not Enough. The nine-track effort on Ghostly International officially put TTA back on the map as it garnered high praise from music critics, including Pitchfork (if you can believe that), and offered him the chance to take the stage again.

So when Eustis announced in early 2020 that he would be playing a TTA show in his current hometown, it was an opportunity to cross another 90’s electronic act off my bucket list. Of course, the performance would end up being rescheduled twice due to the COVID-19 pandemic, but it finally came to fruition last Friday at LA’s Lodge Room inside the same historic, three-story building that the Highland Park Masonic Temple once called home.

To make things all the more special, Eustis had previously said on social media in advance that Lodge Room and Grey Area in San Francisco would serve as TTA’s final two dates in support of Dreams Are Not Enough and the last ones he’ll perform live (“like, not DJing” in his words) stateside for a while.

That might not be what TTA fans outside of California wanted to hear after waiting patiently for live music to come back safely, yet given the fact that Eustis has produced Apparat, Drab Majesty, Tropic of Cancer and Vatican Shadow among others and spent a few years in synthwave trio The Black Queen with Greg Puciato and Steven Alexander of The Dillinger Escape Plan, it’s not hard to understand why he’s taking a break now.

And while no one knows how “long” it will be except for maybe Eustis, if this was the only night I ever got to see TTA in the flesh, it will certainly not go lost on me.

Setlist:
Intro
The Means Whereby Lovers Are Waylaid
A Younger Version of Myself
Standing at the Bottom of the Ocean
Mouth Agape
What It Is Without the Hand That Wields It
Introductory Nomenclature
Something Akin to Lust
Not Breathing
Arms Aloft
Mean Friend (Telefon Tel Aviv Remix)

Encore:
I Dream of It Often
The Birds

Sharon Van Etten, Angel Olsen & Julien Baker deliver all the feels at LA’s Greek Theatre on ‘The Wild Hearts Tour’

The Wild Hearts Tour - Sharon Van Etten, Angel Olsen & Julien Baker


Sharon Van Etten (center), Angel Olsen (left) & Julien Baker (right)

By Steph Port //

Sharon Van Etten, Angel Olsen & Julien Baker with Quinn Christopherson //
Greek Theatre – Los Angeles
July 28th, 2022 //

It was a beautiful summer night in LA last Thursday as “The Wild Hearts Tour” featuring the powerhouse indie trio of Sharon Van Etten, Angel Olsen and Julien Baker rolled into the Greek Theatre for the first of two much-anticipated dates. The show left us with all the feels, completely in awe of all three artists, and ultimately not wanting it to end.

After cheekily walking onstage to Manfred Mann’s “Quinn the Eskimo”, Alaskan-born singer-songwriter Quinn Christopherson opened the evening with a set of his dreamy, minimalist pop songs from across his catalog of EPs and singles.

Julien Baker


Julien Baker

Baker then took the stage and opened with an old favorite in “Sprained Ankle” before unveiling mostly newer songs from last year’s Little Oblivions as well as a few from 2017’s Turn Out the Lights. Baker’s powerful vocals and raw, vulnerable lyrics had us glued to her visage and utterly impressed by the 26-year-old’s skilled, energetic guitar playing the entire way.

The sun went down just in time for Angel Olsen to serve us a dose of her quintessential moody-musical medicine. Joined by a large, colorful band that included a string section, Olsen’s performance contained a slew of the brooding ballads that we love her for, many from her new album Big Time that came out in June and of course her breakout hit “Shut Up Kiss Me” off 2016’s My Woman. Although her songs bend toward the emotional, Olsen’s stage banter featured lighthearted jokes and jovial crowd interactions that only endeared us to her more.

Angel Olsen


Angel Olsen

Finally, the incredible Sharon Van Etten brought an energy and focus that had us fully entranced and powerless to her presence. Her signature, edgy brand of rock was on full display as she and her band traversed across her deep discography, including tracks off her sixth LP We’ve Been Going About This All Wrong the New Jersey native unleashed back in May. Playing in her new hometown of LA since she moved cross country in 2019, Van Etten spoke to the crowd about the origins of her latest material after writing and recording as a new mother in her home studio during the COVID-19 pandemic. We listened as she humbly opened up her heart to share her experience with us.

Olsen joined Van Etten onstage to close out the evening with a crowd-pleasing rendition of their popular 2021 duet “Like I Used To” that was produced by Grammy winner John Congleton. As the tote bag being sold at the merch stand proclaimed, “I went to ‘The Wild Hearts Tour’ and all I got was emotional.” While that’s certainly true, in reality we ended up getting much, much more.

Sharon Van Etten


Sharon Van Etten

SHARON VAN ETTEN

Setlist:
Headspace
Comeback Kid
No One’s Easy to Love
Anything
Come Back
Hands
Every Time the Sun Comes Up
All I Can
Darkish
Born
Mistakes
Seventeen

Encore:
Like I Used To (with Angel Olsen)

ANGEL OLSEN

Setlist:
Dream Thing
Big Time
Ghost On
Right Now
Shut Up Kiss Me
Sister
Go Home
Through the Fires
All Mirrors
All the Good Times
Chance

JULIEN BAKER

Setlist:
Sprained Ankle
Bloodshot
Tokyo
Shadowboxing
Favor
Relative Fiction
Heatwave
Ringside
Faith Healer
Hardline
Ziptie

QUINN CHRISTOPHERSON

Setlist:
Bubblegum
Just Like Céline
Evelene
Loaded Gun
2005
(Unknown)
Thanks

Big Gigantic throw down at Hollywood Palladium with a host of special guests in support of their new album ‘Brighter Future 2’

Big GiganticBy Josh Herwitt //

Big Gigantic with Goldfish, Party Pupils, Covex //
Hollywood Palladium – Los Angeles
July 9th, 2022 //

You might not be aware, but Big Gigantic have been releasing new music consistently for more than a decade now.

The longest stretch between albums for the instrumental electronic/hip-hop/jazz act from Boulder, Colo., in fact, has been less than four years, and after dropping 2020’s Free Your Mind just before the COVID-19 pandemic took the world by storm, saxophonist/producer Dominic Lalli and drummer Jeremy Salken have already delivered another fresh set of tracks to tickle our earholes.

Hitting 18 U.S. cities this summer in support of an eighth LP entitled Brighter Future 2 that dropped last month, the duo took the stage at the Hollywood Palladium last Saturday for its first proper LA show in a while. The last time we caught Big G in the City of Angels (read our review here) ourselves, they were at another Tinseltown venue only a few blocks away and it was there that I began to wonder if I was too old to be attending their shows.

Big Gigantic - Dominic Lalli


Big Gigantic’s Dominic Lalli

Well, more than seven years have passed since then and I guess not much has changed for yours truly. Even though I didn’t happen to catch Lalli and Salken when they played The Novo in 2018, I have seen plenty of Big G performances from Avalon Hollywood to Red Rocks Amphitheatre. But this was the first tour I have witnessed that has included multiple special guests, and on this night a modest-sized crowd was treated to appearances by Covex, Party Pupils, Goldfish and ELOHIM — to name a few — during their roughly 90-minute set.

Lalli has always been at the center of things for Big G. The formally trained saxophonist who went to the Manhattan School of Music spent a few years touring with Colorado funk ensemble The Motet before he started making electronic music in 2008 but has become a seasoned veteran on the decks at this point. And with Salken laying the beat down on top of Lalli’s production, they had no problem filling the entire 4,000-person ballroom with their big (gigantic) sound.

As the years pass and I find myself listening to less and less EDM, I know there’s always Big G to bring me back to my more youthful days. Who knows when they’ll return to SoCal, and with coronavirus cases in California on the rise again, it’s hard to know when the next throwdown will be. Until then, we’ll make sure to savor every last moment of this one.

I celebrated my birthday at LA’s Greek Theatre with a proper probing by Puscifer as ‘The Existential Reckoning Tour’ rolls on this summer

PusciferBy Josh Herwitt //

Puscifer with Billy Howerdel, Moodie Black //
Greek Theatre – Los Angeles
June 12th, 2022 //

California has already felt its first heat wave this year, and we have only reached the middle of June.

For those of us living in the Golden State who are more familiar with the notion of June Gloom than triple digits, that should only serve as a warning sign that the next three months could be unfavorably H-O-T.

While the high temperatures might play well for the live music industry with this summer marking the first since it returned to full form due to the COVID-19 pandemic, the coronavirus still remains a major part of daily life in the U.S. For that reason alone, it’s these long days when the weather is warmer (than usual) that can feel particularly reserved for us to safely catch live music outside before the days become short and a chill fills the air again. Call it “outdoor concert season” if you’d like. Either way, it’s certainly one of our favorite times of the year.

In my own case, being invited to cover Puscifer’s show at the Greek Theatre seemed like a cool way — even if there was some “work” involved — to celebrate my birthday. After all, what could be better than watching your favorite vocalist perform on your special day at one of LA’s most historic music venues?

Puscifer

Maynard James Keenan has long been known as the frontman for the critically acclaimed rock bands Tool and A Perfect Circle dating back more than a couple of decades ago, but the third project that the 58-year-old multi-hyphenate — which includes his acting and winemaking ventures over the years — considers to be his “creative subconscious” has been making music for almost 15 years with its latest LP Existential Reckoning dropping toward the end of 2020.

Puscifer, in many ways, feels inspired at least in part by Keenan’s brief stretch in Green Jellÿ during the early 90’s that saw him sing those high-pitched backup vocals as one of the pigs on the 1992 hit “Three Little Pigs” (you might recall the song’s classic claymation music video, too). Half comedy rock and half joke metal, the trio that also consists of Mat Mitchell (guitar, bass, keyboards, synthesizers, production) and Carina Round (vocals, guitar, percussions, keyboards) as permanent members has found a niche among MJK fans who don’t always take their rock ‘n’ roll so seriously. As you can see from our photos below in fact, there were actually a couple of spectators sitting near us who dressed up in costume as Keenan’s “Billy D” character and special agent Round complete with a metal briefcase.

That’s, of course, all part of the fun at a Puscifer show. Never short on theatrics, the group often plays pre-recorded videos during its live performances that only provide the audience with more laughs and further entertainment over the course of two hours. Even those who aren’t familiar with Puscifer’s four studio albums like “V” Is for Vagina and Money Shot should get a kick out of agent-in-training Keenan trying to play a strange game of celebrity lookalike on screen at one point in the evening.

Yet I would be remiss to not mention that when Puscifer announced “The Existential Reckoning Tour” in February, the slogan for the 21-date run was “Prepare To Be Probed.” And despite the message’s erotic undertones unsurprisingly, it does feel rather fitting as our world becomes more uncertain by the day. No one can know for sure if Planet Earth will be overtaken by extraterrestrials in the future, but with Keenan opening our eyes to the possibility while still managing to make us giggle, spending a night with Puscifer isn’t just an escape from reality whether you’re blowing out candles or not.

Setlist:
Act I
Bread and Circus
Postulous
Fake Affront
The Underwhelming
Grey Area
Theorem
Vagina Mine (Remixed)
UPGrade

Act II
Apocalyptical
The Remedy
Personal Prometheus
A Singularity
The Humbling River (Nagual del Judith Mix)

Act III (Billy D on vocals)
Bullet Train to Iowa
Flippant
Conditions of My Parole
Bedlamite

On a wild Oscars night, Baroness deliver their own brand of theatrics in LA for a sold-out crowd at The Echo

BaronessBy Josh Herwitt //

Baroness //
The Echo – Los Angeles
March 27th, 2022 //

If you didn’t catch it on live television, you probably have heard plenty about it. You know, how that one famous guy slapped the other famous guy in the face during an awards show over a bad joke?

Well, that’s all anyone can seem to talk about now. Even the ongoing war in Ukraine took a back seat to the “slap heard around the world.”

But for those Angelenos who could give a rat’s ass about the Academy Awards or the latest drama that’s surrounding Hollywood, you could find us at The Echo getting slapped in the face by some heavy metal … compliments of Baroness.

The alt-prog-sludge band with roots in Virginia but originally from Savannah, Ga., has been winning over metalheads dating back to the mid-2000’s with a sound reminiscent of former desert rockers Kyuss, and its fan base has only continued to grow in that time with a Grammy nomination five years ago.

Founding member John Baizley (lead vocals, rhythm guitar, keyboards, percussion) has been working with Nick Jost (bass, keyboards, backing vocals) and Sebastian Thomson (drums) for nearly a decade, and Gina Gleason (lead guitar, backing vocals) has proven that she can shred with the very best since replacing Baroness’ other founding member Peter Adams in 2017.

Baroness

While the four-piece has yet to follow up 2019’s Gold & Grey with another studio album, Baizley and company have been powering through the ups and downs of the COVID-19 pandemic on their “Your Baroness Tour” after having to cancel and reschedule last year’s shows in Boise, Salt Lake City and Denver, as well as subsequently postpone its second leg from January-February to March-April.

But when they arrived in the City of Angels last Sunday for their first appearance since headlining The Wiltern with Deafheaven, there was a capacity crowd waiting for them. And judging by the line outside the venue, I wasn’t quite sure The Echo could even fit everyone inside. The 350-person room did, but there certainly wasn’t a lot of space to maneuver once we got through its front doors.

What was different and unique about this tour, though, was that Baroness were giving ticket holders the opportunity to request songs each night, with the top 10 being included in the performance’s setlist. LA’s own “by-request evening” began like many of them have as “Ogeechee Hymnal” paved the way for lead single “Take My Bones Away” off 2012’s Yellow & Green — and a whole lot of headbanging as Baizley’s and Gleason’s guitars intertwined with ferocity and regularity for the next two-plus hours.

By the end of it all, no one could argue Baroness had shortchanged anyone. Unleashing a 22-song set that covered all five of their full lengths and concluded with “Swollen and Halo” on 2009’s Blue Record, they even had something a little special saved for the encore as they gave us the option of hearing the first recorded track “Tower Falls” from their aptly titled debut EP First instead of fan favorite Red Album track “Isak”, which has often assumed the position of show closer lately.

Would it have been better if they had uncorked both to completely melt our faces? Of course, but with Baizley seemingly in high spirits due to the sold-out audience’s response, you can count on Baroness’ next visit to Tinseltown being even bigger, better and bolder than their last.

Setlist:
Ogeechee Hymnal
Take My Bones Away
Rays on Pinion
Kerosene
Tourniquet
March to the Sea
Green Theme
A Horse Called Golgotha
Shock Me
Chlorine & Wine
The Gnashing
Cold-Blooded Angels (Acoustic)
I’d Do Anything (Acoustic)
Can Oscura
Little Things
Borderlines
If I Have to Wake Up (Would You Stop the Rain?) / Fugue
The Sweetest Curse
The Birthing
Cocainium
Eula
Swollen and Halo

Encore:
Tower Falls

*Editor’s Note: “Isak” was written on the setlist as the encore, but fans were given the option to choose.

Tool show us at SAP Center that they’ve only gotten bigger & better with more time

ToolBy Mike Rosati //

Tool with Author & Punisher //
SAP Center – San Jose
January 14th, 2020 //

My first Tool show was at the Trocadero Transfer, a small SF club in the SoMa neighborhood that has been remodeled and renamed as The Grand.

It was 1993, and the band’s debut album Undertow had dropped several months earlier that year. My friend had been following the East Bay Express’ music column, which published a review of Tool’s 1992 EP Opiate. He picked up a cassette and we quickly became enamored, playing the snot out of it on every road trip we took together.

Unfortunately, we mistimed that show at the Trocadero Transfer and didn’t catch Failure’s opening set. The room was packed so we had to find a spot at the very back of the venue. And although we couldn’t see through the crowd from where we stood, we noticed that there was a trash can along the back wall. With little time to think, we turned it upside down, climbed atop of it and grabbed onto the fire sprinkler pipe. For us, that seemed to make all the difference, providing an amazing view of the room as the audience moved like an undulating ocean of bodies when Tool finally took the stage. Frontman Maynard James Keenan appeared shirtless and donned a Mohawk ponytail braid while standing at the front of the stage under a spotlight. Since then, I have seen a lot of shows but nothing quite like the moshing that transpired that night.

Tool

Fast forward to Tool’s latest Bay Area stop at San Jose’s SAP Center, and things have changed quite a bit for the prog-metal titans. Compared to that first performance I witnessed almost 27 years ago, Keenan (vocals), Danny Carey (drums), Adam Jones (guitar) and Justin Chancellor (bass) are now selling out arenas all around the world with a massive lighting rig, immersive video backdrop and veil of strings at the front of the stage when they open with the title track on their fifth LP Fear Inoculum.

But unlike the quartet’s previous tours, Keenan was actually illuminated at different points during the show as he strutted across the raised platforms behind Jones and Chancellor in a leather jacket with a Puscifer logo, a pair of red plaid pants and another Mohawk (albeit this one was spiked). Jones, as usual, was an economy of movement but his guitar voluminous in sound while Carey’s drums have only grown more into an incredible shrine of percussion.

Tool have certainly come a long way since that December night at the Trocadero Transfer nearly three decades ago, but looking back now, I’m sure glad we found that trash can.

Setlist:
Fear Inoculum
Ænema
The Pot
Parabol
Parabola
Pneuma
Schism
Jambi
Vicarious
Descending

Encore:
Chocolate Chip Trip
Invincible
Stinkfist

Maribou State feel the love at The Regency Ballroom

Maribou StateBy Karina Kristensen //

Maribou State with Sea Moya //
The Regency Ballroom – San Francisco
October 16th, 2019 //

On a Wednesday evening in SF, a packed crowd at The Regency Ballroom showered English electronic act Maribou State with love. The duo that consists of Chris Davids and Liam Ivory received quite the reception for a mid-week performance.

While Maribou State released their debut album Portraits in 2015, this tour was specifically in support of their sophomore LP Kingdoms in Colour, which dropped more than a year ago now and features long-standing collaborator Holly Walker on the tracks “Nervous Tics” and “Slow Heat” as well as Texas-based three-piece Khruangbin on “Feel Good” (and yes, it does).

Serving as support was Sea Moya, a kraut-beat combo that energized us with their German-styled aesthetic. Their music was the good kind of weird — the different, yet perfect fun for warming up a crowd.

Maribou State

When Sea Moya concluded, the lights illuminated the crowd that had subtly grown to fill the space and continued to show the sea of bodies getting denser toward the front of the stage as Davids and Ivory began.

Joining Maribou State for much of their set was London-born multi-instrumentalist and singer-songwriter Obi Franky, whose vocals sounded nothing short of incredible and fit perfectly with the feelings you get while listening to Davids’ and Ivory’s music. Past the midway point of the show, she returned to perform “Midas” off Portraits on a stage that radiated pink and we couldn’t have been happier to see Franky do her thing again.

When Maribou State walked off stage for their encore break, it was almost as if the crowd immediately expected an encore. But no one left until they came back out and performed “Turnmills” from Kingdoms in Colour in honor of the London club that closed in 2008. We really couldn’t have asked for a better way to spend a fall night in The City by the Bay.

Setlist:
Feel Good
Nervous Tics
Steal
Glasshouses
Wallflower
Kingdom
Beginner’s Luck
Vale
Midas
November Nights
Rituals
The Clown
Kama

Encore:
Turnmills

Empire of the Sun are walking on more than just a dream after selling out three straight shows in SF

Empire of the SunBy Karina Kristensen //

Empire of the Sun //
The Regency Ballroom – San Francisco
June 25th, 2019 //

As they continue to celebrate the 10th anniversary of their debut album Walking on a Dream, Australian synthpop outfit Empire of the Sun hit the West Coast hard during the latter half of June with three-night stands in three different cities, including a trio of sold-out shows in SF at The Regency Ballroom.

We showed up for the second of three Bay Area performances only to find the crowd anxiously awaiting the group’s arrival onstage. When lead vocalist/guitarist Luke Steele finally emerged through all the smoke donning his usual headdress and face paint however, it quickly came to life. Complemented by a pair of backup dancers and plenty of eye-catching on-screen visuals, Empire of the Sun kicked things off appropriately with “Standing on the Shore” and between multiple costume changes and instrument swaps, completely blew us away before uncorking the LP’s title track to close their headlining set.

With fans screaming for more music during a short break, Steele and his cohorts returned to the stage for a two-song encore. Of course, how could they call it a night without performing “Alive” from 2013’s Ice on the Dune?

Naturally, Empire of the Sun couldn’t so they delivered one last taste of Walking on a Dream with “Tiger by My Side” and then sent us home feeling totally “Alive” after only 90 minutes, further proving that they have been walking on more than just a dream for the past decade.

Setlist:
Intro (video segment)
Standing on the Shore
Old Flavours
Half Mast
Breakdown
We Are the People
Way to Go
The World
Chrysalis
High and Low
Delta Bay
(Unknown) (instrumental)
Between Me and You (Brandon Flowers cover)
This Land Is Your Land
Swordfish Hotkiss Night
Without You
Walking on a Dream

Encore:
Tiger by My Side
Alive

The Lil Smokies take on SF & burn down the house

The Lil SmokiesBy Benjamin Wallen //

The Lil Smokies with Michigan Rattlers //
Slim’s – San Francisco
April 19th, 2019 //

With spring in the air, Montana progressive-bluegrass outfit The Lil Smokies rolled into Slim’s on a Friday night and graced the Bay Area with some of their sweet sounds.

The intimate venue allowed for a more personal experience as the crowd fed off the energy of the LA-based Michigan Rattlers, who opened the show with their meticulous playing and sent the audience into a frenzy with their heavy-hearted folk rock.

The Lil Smokies, meanwhile, gave us quite a treat to close their headlining set, performing a cover of The Beatles’ 1966 single “Paperback Writer”, the last new song to be featured on the legendary band’s final tour. Nevertheless, the five-piece crushed as it always does and we’re sure glad we were there to witness it. If you weren’t unfortunately, don’t miss either of these acts the next time they visit your town!

You Me at Six know how to make their fans go wild as they exhibited at Great American Music Hall

You Me at SixBy Karina Kristensen //

You Me at Six with DREAMERS, machineheart //
Great American Music Hall – San Francisco
March 7th, 2019 //

English rockers You Me at Six paid a visit to SF’s Great American Music Hall last Thursday in support of their sixth studio album VI, which they released back in October.

Kicking things off with a five-song set were machineheart, the Los Angeles-based indie-pop group, and another LA act in DREAMERS as they opened with their 2018 single “Screws” all while lead singer Nick Wold warmed up the crowd with other hits like “Painkiller” and their newest song “Die Happy” to get us ready for You Me at Six.

“On three, everybody jumps!” he yelled.

The whole room started to jump and cause the floor to shake. DREAMERS would eventually close, of course, with their biggest hit “Sweet Disaster” on 2016’s This Album Does Not Exist.

DREAMERS


DREAMERS

“This is a song about drinking with people you love,” Wold explained right before we started singing along to the song’s lyrics.

Just as You Me at Six were getting ready to hit the stage, you could tell that the audience was ready to erupt. They began with “Fast Forward” and would perform “Take on the World” off their 2017 LP Night People more than halfway through the show. At one point, frontman Josh Franceshi asked everyone to turn on their phone’s flashlight feature, creating a wave of light throughout the crowd. And before their encore break, “Bite My Tongue” from You Me at Six’s 2011 LP Sinners Never Sleep got even more spectators jumping with their hands in the air.

“You Me at Six!” the crowd constantly screamed, eager for Franceshi and company to return.

The UK five-piece finished with four more songs and left everyone’s ears ringing as we made our way out of the venue — a true sign of a great night for many live music fans.

YOU ME AT SIX

Setlist:
Fast Forward
Lived A Lie
Reckless
Loverboy
Back Again
Night People
Fresh Start Fever
Cold Night
Predictable
Give
3AM
Take on the World
IOU
Bite My Tongue

Encore:
Room to Breathe
No One Does It Better
Straight to My Head
Underdog

DREAMERS

Setlist:
Screws
Fake It Til You Make It
All Washed Out
Die Happy
Wolves
Painkiller
Sweet Disaster

MACHINEHEART

Setlist:
Intro
Overgrown
Do You Love
Chained
Peace of Mind
Who Said
Altar

Max Frost brings ‘The Gold Rush Tour’ to Slim’s for a fun-filled night with Mikey Mike

Max Frost


Max Frost

By Karina Kristensen //

Max Frost with Mikey Mike //
Slim’s – San Francisco
March 2nd, 2019 //

After turning heads with such hits as “White Lies” and “Adderall” in 2016, Max Frost stopped through SF to showcase a new bag of songs from his 2018 debut album Gold Rush.

Mikey Mike warmed up the crowd at Slim’s, and I mean he really warmed us up. The alt-pop musician performed songs like “Cooler”, “Strange Times” and “Doin’ Me”, all of which have powerful lyrics. But he also had a wheel onstage and brought a few audience members up to spin it. One landed on a dare and had to drink whiskey out of his boot. Another had to drink whiskey out of his belly button. But after another spin, we all got to see Mikey Mike light his chest hair on fire. What could be a better way to get things going on a Saturday night?

Mikey Mike


Mikey Mike

Frost followed and quickly got his fans singing along. The lights onstage were incredible and full of colors — from green to pink to blue. The talented singer-songwriter is a one-man band and moved between keyboards, guitar and drums as he ran sounds and riffs on loop.

One fan of Frost’s near the front of the stage donned a baseball cap with a GoPro attached to it. Frost didn’t hesitate to take it off his hat, put it on and have the camera face the audience. At one point during his set, he brought his acoustic guitar out to play a few songs, including “Die Young”, which sounded absolutely amazing. He thanked us for a fun night and told us what a great start to “The Gold Rush Tour” it had been before his next West Coast show.

Setlist:
New Confessional
$Dreams
Paranoia
Sometimes
Nice and Slow
Eleven Days
Anxious
A$$hole (No Apologies)
Die Young
Stranger to Me Now
Slow Jamz
Put It on Me
Withdrawal
Money Problems
Adderall
White Lies

Encore:
Let Me Down Easy
Irreplacable (Beyoncé cover)
Good Morning

MØ gets colorful & a bit personal at the Fox Theater Oakland after LPX’s energetic opening set

MØBy Karina Kristensen //

with LPX //
Fox Theater Oakland – Oakland
February 9th, 2019 //

On a Saturday night, the Bay Area had the pleasure of watching Danish singer-songwriter MØ conclude the North American leg of her world tour in support of last year’s Forever Neverland.

When we arrived at the Fox Theater Oakland, the venue was close to empty, but as soon as LPX stepped onstage, a crowd appeared. For seven years Lizzy Plapinger served as the lead vocalist of MS MR before the indie-pop duo announced that it was going on hiatus a couple years ago so she could focus on her solo project under the name LPX.

But after delivering her 2018 EP Bolt in the Blue more than a year ago, her set was incredibly energetic with lots of lights and smoke. Plus, Plapinger’s cow-patterned outfit and outgoing personality onstage was a great way to get things started.

LPX


LPX

MØ’s performance, meanwhile, was even brighter than LPX’s with the colors just completely all over the place and smoke coming from behind her as the lights created larger shadows of the 30-year-old’s body against the back wall. Karen Marie Aagaard Ørsted Andersen went on to perform all five singles — “Imaginary Friend”, “Nostalgia”, “Sun in Our Eyes”, “Blur” and “Way Down” — off her sophomore album and even showcased her 2017 collaboration “Don’t Leave” with British electronic duo Snakehips.

Also known for working with EDM juggernauts such as DJ Snake, Diplo and Cashmere Cat, MØ’s interaction with the crowd during her shows is something that not all artists do these days. She spoke to us, asked questions, stepped onto the platforms in front of the stage and held hands with her fans. There was nothing but smiles across the audience as MØ finished with her popular “Final Song” and took us on one last pass through Forever Neverland.

Because whenever MØ takes the stage in your town, be prepared for a wild ride.

Setlist:
Purple Like the Summer Rain
Imaginary Friend
I Want You
Kamikaze
Pilgrim
Get It Right
Red Wine
Trying to Be Good
Nostalgia
Nights With You
Sun in Our Eyes
Turn My Heart to Stone
Beautiful Wreck
Blur
Mercy
If It’s Over
Way Down
Lean On (Major Lazer cover)
West Hollywood
Don’t Leave (Snakehips & MØ cover)
Final Song

Mother Mother are watching their dreams come true right in front of their very eyes

Mother MotherBy Karina Kristensen //

Mother Mother with Winnetka Bowling League //
Great American Music Hall – San Francisco
January 19th, 2018 //

Vancouver indie-rock band Mother Mother played the sixth show of their current “Dance and Cry Tour” at Great American Music Hall last Saturday. Before they were ever officially Mother Mother in the mid-2000’s though, lead singer/guitarist Ryan Guldemond and his sister Molly Guldemond (keyboards, vocals) used to attend rock concerts together.

“Never in a million years did we think we’d be doing this,” Ryan told those of us in the crowd.

The other members of the quintet are Jasmin Parkin (keyboards, vocals), Ali Siadat (drums) and Mike Young (bass), who replaced Jeremy Page after he left the outfit in 2016. Originally, Mother Mother used to only do acoustic sets, so Ryan brought out his acoustic guitar at one point to “honor that moment” with a tune. They even covered Radiohead’s 1992 hit “Creep” after finishing “Body of Years” from their 2008 sophomore album O My Heart.

Los Angeles-based group Winnetka Bowling League kicked things off and set the tone for the night with some great energetic vibes.

MOTHER MOTHER

Setlist:
I Must Cry Out Loud
Dance and Cry
O My Heart
Let’s Fall in Love
Monkey Tree
Get Out the Way
Bottom Is a Rock
It’s Alright
Body of Years/Creep (Radiohead cover)
Good at Loving You
The Drugs
Family
Dirty Town
So Down
Get Up
Hayloft
Bit by Bit

Encore:
Biting on a Rose
Ghosting
The Stand

WINNETKA BOWLING LEAGUE

Setlist:
Daydreamer
Sixteen
Feeling California
Diane
Something in the Air
Kombucha
Slow Dances
are you okay?
On the 5

KONGOS kick off their ‘1929 Tour’ in SF & show us why they’ve been together for more than a decade

KONGOSBy Karina Kristensen //

KONGOS with FITNESS //
Great American Music Hall – San Francisco
January 9th, 2018 //

For the first stop on their “1929 Tour” last Wednesday, KONGOS gave their Bay Area fans an unforgettable performance at Great American Music Hall. The South African alt-rock group now based in Phoenix has been together for 16 years, and the connection it has established onstage in that time frame is quite evident as fans got the opportunity to hear material from its fourth studio album 1929 (Part One), which will be released this week with Part Two and Part Three expected to follow.

The four brothers — Johnny, Jesse, Dylan and Danny — who comprise the band have music in their family and in their blood. Those who were there danced, screamed and sang along to all of their songs, and I wouldn’t expect anything less at KONGOS’ upcoming shows over the next month, including ones in Los Angeles and San Diego down the homestretch.

LA synthpop duo FITNESS got things started, setting the mood for the night with plenty of energy and lots of sweat, as they performed several tracks off their debut LP Karate for the first time.

Setlist:
I Am Not Me
The World Would Run Better
Take It From Me
When You’re Here
Take Me Back
Keep Your Head
Underground
Hey I Don’t Know
Stand Up
Everything Must Go
Real Life
I Don’t Mind
Come With Me Now
I Want to Know
Something New
Birds Do It
Pay for the Weekend

Encore:
Eleanor Rigby (The Beatles cover)
I’m Only Joking

The Mother Hips celebrate a Merry ‘Hipmas’ with their hometown fans at Great American Music Hall

The Mother HipsBy Benjamin Wallen //

The Mother Hips with Paula Frazer and Tarnation //
Great American Music Hall – San Francisco
December 14th, 2018 //

SF rockers The Mother Hips were back at the Great American Music Hall last Friday for their annual holiday shows, commonly dubbed “Hipmas” by the three-piece band. Quite fittingly, the venue was decked out in Christmas decorations and the stage was lit by Hunter Pipes.

Paula Frazer and Tarnation got things started, easing us into the night before The Hips took the stage. The SF-based singer-songwriter and her backing band played music that was both deep and soothing, serving as a perfect warm-up to the rock ‘n’ roll that soon awaited.

For The Mother Hips, this performance was specifically dubbed as an “Ultimate Setlist” show where fans could submit their dream setlist and they would choose one to play. Although the contest’s winner, Dave Berman, is actually currently living in Thailand, the group’s Bay Area fans still got to enjoy his amazing song selections.

The Mother Hips

Having been at it for more than 25 years now, the Hips are showing no signs of slowing down, and at GAMH, they really brought the heat and tore it up for two full sets, plus an encore.

One year, I hope to make it to one of their “Hipnic” getaways in Big Sur. As a fan at the show told me, “It’s the best band in one of the most amazing places on Earth.”

After a very Merry “Hipmas” in SF, we’ll take their word for it.


Set 1: Can’t Sleep > Sleep Eyes > At All, Two > Whiskey River > Blues, Are You Free? > Freed From a Prison, Old Man From the Mountain > Mountain Time > Time-Sick > Seaward Son > Of a Grizzly Bear, Honeydew > Do It on the Strings

Set 2: Emotional Gold > Gold Plated, Stoned Up the > Potrero Road, The Cosmo > Not So Independent, Best > Friend of the Devil > In Town, Precious O > Put Us All Together, Third Floor > Stories We Could Tell

Encore: Mona Lisa and the Last > Superwinner

Neko Case brings some stomp-foot vigor & sway-sweet happy to the Fox Theater Oakland

Neko CaseBy Ria Burman //

Neko Case with Destroyer //
Fox Theater Oakland – Oakland
December 3rd, 2018 //

Well-known as a member of the two-decade-old indie-rock outfit The New Pornographers, Neko Case delivered a fun and lively performance Monday at the Fox Theater in Oakland.

Singing songs both new and old, Case’s distinctive vocals and guitar playing brought stomp-foot vigor and sway-sweet happy to the crowd, which whooped and cheered throughout the evening. Her stage setup was anchored by a backdrop of hornet nests above the seven-piece that added a simple, yet interesting visual aspect to what ended up being a stellar show.

Destroyer


Destroyer

The distinguishing voice and strums of Case’s creations intertwined beautifully with her backing band, which also featured pedal steel guitar, keyboards, bass and drums, as the setlist on this night ranged from country-tinged tunes to more rocking, folk-driven feels.

Destroyer, which fellow Canadian and frontman Dan Bejar formed back in 1995, opened with Bejar performing a solo acoustic set that included SiriusXMU favorite “Tinseltown Swimming in Blood” from the group’s 2017 album ken and even a new song that has yet to be named.

NEKO CASE

Setlist:
Pitch or Honey
Last Lion of Albion
Deep Red Bells
Winnie
Maybe Sparrow
Margaret vs. Pauline
Calling Cards
Bad Luck
Curse of the I‐5 Corridor
Gumball Blue
Oracle of the Maritimes
Hex
Look for Me (I’ll Be Around)
Halls of Sarah
Dirty Diamond
Hold On, Hold On
Man

Encore:
Hell‐On
The Pharaohs
Loretta
Ragtime
This Tornado Loves You

DESTROYER

Setlist:
(Unknown)
Times Square
Tinseltown Swimming in Blood
Goddess of Drought
A Light Travels Down the Catwalk
Helena
(Unknown) (new song)
Chinatown
Foam Hands

Deap Vally unleash a full-on assault at The Chapel

Deap VallyBy Mike Rosati //

Deap Vally with Shana Falana //
The Chapel – San Francisco
November 12th, 2018 //

LA indie-rock duo Deap Vally assaulted Bay Area fans at The Chapel with their grungy riffs and garage-heavy sound last Monday.

Lindsey Troy (guitar, vocals) and Julie Edwards (drums, vocals) played songs from both of their albums — 2013’s Sistrionix and 2006’s Femejism — as well as two new ones that they released this year. Toward the end of the set, someone dressed as a dinosaur joined them onstage for “Bring It On”, their latest track to get the music video treatment, with friends, family and military veterans filling the room.

Serving as support were New York-based shoegaze band Shana Falana. The two-piece have two studio LPs to their name, both on the indie label Team Love co-founded by Bright Eyes leader Conor Oberst, and are currently touring the U.S. through early December.

Setlist:
Baby I Call Hell
Bad for My Body
Little Baby Beauty Queen
Get Gone
Smile More
Heart Is an Animal
Walk of Shame
Teenage Queen
Gonna Make
Critic
Bring It On
End of the World

Encore:
Grunge Bond
Royal Jelly

RÜFÜS DU SOL are on top of the music world after selling out three straight shows at Shrine Expo Hall

RÜFÜS DU SOLBy Lindsay Alamillo //

RÜFÜS DU SOL //
Shrine Expo Hall – Los Angeles
November 1st, 2018 //

RÜFÜS DU SOL came through LA a week ago for three sold-out nights at the Shrine Expo Hall. We have caught the Australian alt-dance trio before in both LA (read our review here) and San Francisco (read our review here) while on tour in support of their 2016 LP Bloom, and fresh off the release of their third album Solace last month, they came out in full force and opened with “Eyes” from their newest studio effort.

From there, it was a lovely wave of old and new with a surprising cover of Portishead’s “Glory Box” thrown right in the middle. RÜFÜS played all the favorites, from “Treat You Better” and “You Were Right” to “Underwater” and “Innerbloom” before breaking for a two-song encore. We couldn’t help but dance during the show as everyone who packed the room seemed to be in great spirits throughout the night.

Setlist:
Eyes
Like an Animal
New Sky
Brighter
Sundream
Treat You Better
Glory Box (Portishead cover)
Say a Prayer for Me
Solace
All I’ve Got
You Were Right
Underwater
Innerbloom

Encore:
Lost in My Mind
No Place

Gov’t Mule honor Tom Petty & more at The Wiltern

Gov't MuleBy Josh Herwitt //

Gov’t Mule //
The Wiltern – Los Angeles
September 11th, 2018 //

It’s hard to believe that summer is already over. Just a few months ago, we were celebrating the start of the season at Arroyo Seco Weekend (read our festival review here) with modern-day guitar royalty as Jack White, Gary Clark Jr., Neil Young and more highlighted what was mainly a rock-centric lineup in Pasadena.

Thus, it was only fitting that we closed out summer the same way we started it, with another legendary guitarist soothing our souls. Warren Haynes has been prolific in every sense of the word, whether he’s playing with The Allman Brothers Band, the Grateful Dead or his primary band Gov’t Mule, and watching him work his Gibson Les Paul onstage always feels like a rare treat as he nears the age of 60.

Gov't Mule

Touring in support of their 11th studio album Revolution Come…Revolution Go that came out last year, Gov’t Mule made their return to LA on a Tuesday night with a solid crowd showing up at The Wiltern. The Southern rock act has been at it for almost 25 years, and even though they’ve been working together for a decade now, Haynes (guitar, vocals), Matt Abts (drums, percussion, vocals), Danny Louis (keyboards, guitar, trumpet, vocals) and newest member Jorgen Carlsson (bass) have offered no signs of slowing down of late. In fact, Mule have put out a new release every year since 2013, and while they haven’t disclosed any plans to do so before the end of 2018, it’s always possible that could change once they’re off the road soon.

Unlike what they did four years ago in LA when they played the Orpheum Theatre, Haynes and company paid tribute to a smaller list of heroes this time around, most notably the late Tom Petty with a cover “Breakdown” coming during an extended version of their The Deep End, Volume 1 track “Beautifully Broken” before transitioning into covers of The J.B.’s and finally Al Green to end the second set. Ann Peebles’ “I Feel Like Breaking Up Somebody’s Home” with a special guest appearance from “Conan” band leader Jimmy Vivino on guitar brought us all the way home, serving as just another reminder that every show Gov’t Mule plays these days feels like a special one.

Setlist:
Set 1
Bad Little Doggie
Broke Down on the Brazos
Rocking Horse
Pressure Under Fire
Scenes From a Troubled Mind
Revolution Come, Revolution Go
Million Miles From Yesterday
Easy Times
Time to Confess

Set 2
Slackjaw Jezebel
Mr. High & Mighty
Steppin’ Lightly
Mother Earth (Memphis Slim cover)
Beautifully Broken (>)
Breakdown (Tom Petty and the Heartbreakers cover) (> “Beautifully Broken” reprise)
Doing It to Death (The J.B.’s cover) (with Doug Woolverton)
I’m a Ram (Al Green cover)

Encore:
I Feel Like Breaking Up Somebody’s Home (Ann Peebles cover) (with Jimmy Vivino) (with “Will It Go Round in Circles” lyrics)

Dancing the night away with Cut Copy in LA

Cut CopyBy Josh Herwitt //

Cut Copy with Kauf //
The Wiltern – Los Angeles
September 7th, 2018 //

Cut Copy are no strangers to LA. If you didn’t know any better, you might think the synthpop outfit that spawned out of Dan Whitford’s solo DJ project actually lived in the City of Angels.

But the Australian four-piece undoubtedly enjoys coming to California every time it drops a new album, and with the release of their fifth LP Haiku from Zero nearly a year ago now, the past 12 months have been action-packed for Whitford (vocals, keyboards, guitar), Tim Hoey (guitars), Ben Browning (bass, vocals) and Mitchell Scott (drums, vocals).

Cut Copy

For those in LA who missed Cut Copy 10 months ago when they visited the Shrine Expo Hall with De Lux, Palmbomen II and Cooper Saver also on the bill, their headlining performance last Friday at The Wiltern was another chance to dance the night away upon hearing several classics such as “Need You Now”, “Free Your Mind”, “Future”, “Hearts on Fire” and to close, “Lights & Music”. In fact, the last time that we caught them back in March, a mini downpour erupted at Shaun White’s Air + Style (read our festival review here), but it didn’t phase them. Who said playing — and dancing — in the rain isn’t fun anyway?

Nevertheless, Cut Copy always know how to throw one of the best dance parties in the biz, and though they just finished their latest tour with three West Coast shows in LA, Berkeley (supporting Phoenix) and Portland last weekend, it’s plausible that these Aussies could be back in the states next year for some more dates, particularly once festival season officially returns. Until then, this one should hold us over.

Setlist:
Need You Now
Black Rainbows
Visions
Nobody Lost, Nobody Found
Airborne
Living Upside Down
Free Your Mind
Counting Down
Future
Pharaohs & Pyramids
Hearts on Fire
Standing in the Middle of the Field
Take Me Over
Out There on the Ice

Encore:
Meet Me in a House of Love
Lights & Music