Photos by Marc Fong // Written by Molly Kish //
ATOMIC BOMB! The Music of William Onyeabor performed by David Byrne, Alexis Taylor, Pat Mahoney, Lijadu Sisters, Kele Okereke & more //
The Warfield – San Francisco
May 6th, 2014 //
Who is William Onyeabor? This question was not only raised but also rectified with authority this past Tuesday night at The Warfield Theater in SF. But first, a bit of background here.
Nigerian-born electronic archetype William Onyeabor changed the entire scope of African funk music in the 1970’s, then he went almost completely unnoticed until recent years. Leading an existence shrouded in mystery and seclusion, Onyeabor single-handedly created a prolific sound through his use of rare sequencers and drum machines that, until then, had never been experimented with in his country.
Independently surpassing the technological achievements of most major record labels of his time, Onyeabor’s groundbreaking advances in electronic music were entirely unrivaled in the contemporary funk music scene. Venturing into new audio territories with the use of Moog synthesizers that were purportedly brought back from an excursion to Eastern Europe, Onyeabor created an infectiously futuristic groove that changed the entire course of electronic music not only in Africa, but on an ingenious level worldwide.
Fast forward to the present as Luaka Bop founder and musical virtuoso David Byrne has unearthed Onyeabor’s self-released eight album discography and organized a top secret live music project called “ATOMIC BOMB! The Music of William Onyeabor”, bringing it to life onstage for just the third time ever.
With an all-star cast of incredible artists, the Atomic Bomb! band took the stage to provide a near-religious experience (mock-secular program included), reviving the spirit of Onyeabor’s body of work. Lending their various talents to the incredible performance, Alexis Taylor (Hot Chip), Kele Okereke (Bloc Party), Pat Mahoney (LCD Soundsystem), Joshua Redman, Money Mark, The Lijadu Sisters and Sinkane (the musical director) were accompanied by Byrne (along with a full horn section and backing band) as an ensemble cast of transitioning singers, each representing their own version of the legendary Onyeabor.
This show included 12 extended songs, and it was surreal watching such an incredible supergroup work together to reinvigorate an astounding body of work. The stage was never inhabited with less than 6-8 bodies at a time, all of which was continuously reaffirmed with the shoulder-grazing capacity crowd.
Each member of the group had their moments to shine, playing off each other as though they had been performing the material together for years. The natural chemistry onstage between the collective was punctuated by quirky exchanges and various levels of individual showmanship, making for a live show that exceeded euphoric expectations.
The caliber of musicianship, paired with the group dynamic of the Atomic Bomb! band, was beyond explanation. Witnessing these pioneering artists reconceive compositions that helped to truly develop their own sound and genre’s place in musical history was incredibly fascinating and something every member of the house could tangibly feel they were part of.
The transcendental quality that Onyeabor set out to achieve through his work years ago was not only recognized, but also expanded upon into a completely otherworldly experience that anyone who was there will not soon forget.
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