With a new album out, Tycho scratch a strong itch to surprise in front of a capacity crowd at The Fonda

TychoBy Josh Herwitt //

Tycho //
The Fonda Theatre – Los Angeles
October 6th, 2016 //

It’s always inspiring when you see someone incorporate the skills they have developed over the years and apply them in new and different ways. For Scott Hansen, Tycho has been more than just a path to sonic exploration. While music remains at the forefront of Hansen’s vision, the project has served as a vehicle for his overall creative expression.

Before he became better known by his astronomical stage name, Hansen spent more than a decade working as a graphic designer, and his affinity for photography is no secret. For his photographic and design work, he operates under the moniker ISO50, and sometimes he’ll even include notes with his Instagram photos detailing the exact camera settings that were used (like in this one). The results — as you can see here, here and here, for instance — are incredibly beautiful and awe-inspiring for any young photographer. And in many ways, the music Hansen writes is just as pretty.

But it’s also worth mentioning that Hansen designs all of the art (including the album covers) for Tycho, often using geometric shapes like circles to represent such natural wonders as the sun that in turn serve as metaphors for life and the connection to the human experience. The live show similarly plays off these reoccurring themes, with a large video screen set up behind Hansen and his bandmates to reveal footage of nature, surfing and other subject matter that’s pleasing to the eye. In fact, as Hansen recently explained in his ISO50 blog, “the imagery tells a story that the music can’t fully articulate, and vice versa.”

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It’s rare to find a musician who’s talented enough to create all of the music and artwork on his own, let alone one who can get the two to perfectly coincide with each other. Hansen, though, has managed to do this better than most, and he continues along that path with Tycho’s fifth studio album Epoch, which he unexpectedly dropped less than two weeks ago with no formal announcement. The 11-track LP and third Tycho album originally released on Michigan/New York record label Ghostly International picks up right where 2014’s Awake left off, combining the group’s signature ambient-techno sound with more post-rock flourishes than we’ve heard previously. It hasn’t peaked quite as high on the Billboard 200 chart yet, but there’s still plenty of time for Epoch to make up more ground in the weeks and months ahead.

For as much as Epoch was a surprise, so were Tycho’s two most recent shows in LA last week. It was the first time Hansen and company had played The Fonda Theatre since the Awake tour back in 2014 (read our review here), and Thursday’s sellout, which was announced less than a week before the show, along with the subsequent need to add a second date the next night, made it clear that more than ever, Angelinos have a strong appetite for what Hansen is doing on both a musical and visual level. It helps, too, that KCRW Music Director Jason Bentley, who opened the shows at The Fonda with a DJ set, has helped expose Tycho to a broader audience, whether through the “Morning Becomes Eclectic” theme song or live, in-studio performances by the band. Even nowadays with an abundance of streaming sites, you can’t underestimate the power of radio in a city with a driving culture as large as LA’s. And truth be told, Tycho is some of the best music to drive to, especially when you’re surrounded by nature.

When it came time to take the stage, the four-piece comprised of Hansen (synthesizers, guitar, bass, visuals, programming), Zac Brown (bass, guitar), Rory O’Connor (drums) and Billy Kim (bass, keyboards, synthesizers) didn’t waste any time diving into some material from Epoch, opening a 75-minute set with the album’s lead single “Division”. However, what might have been just as surprising as the album and show announcements themselves was the fact that of the 15 songs they played last Thursday, only one-third came from the new LP — and none were performed during the encore. With three critically acclaimed full lengths to draw from, Hansen has continued to evolve the live show, pulling equally from Dive and Awake and still including a couple tracks from 2006’s Past Is Prologue in crafting a setlist that covers all the bases. I suppose I should lay off the baseball analogies when describing one of Tycho’s latest performances, but we are in the month of October and Hansen, after years of hard work and dedication, has been playing in the big leagues for long enough now.

Setlist:
Division
Dive
PBS
Source
Past Is Prologue
Montana
Receiver
Epoch
Spectre
Horizon
A Walk

Encore:
Daydream
Hours
Awake

Tycho take a big step forward in LA

TychoBy Josh Herwitt //

Tycho with Gardens & Villa //
The Fonda Theatre – Los Angeles
May 7th, 2014 //

It wasn’t that long ago that I stumbled upon Scott Hansen and his musical project Tycho.

At the time, I had heard good things about the San Francisco-based act, but I had yet to take the time to find out for myself.

So, when I learned last spring that Tycho was tabbed as the opening act for a Sound Tribe Sector 9 show I had already been scheduled to cover, I knew I had to make the most of my opportunity.

And boy, am I glad that I did.

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Because since that night more than a year ago, I have come to realize that Hansen’s foray into music deserves just as much praise as the photography and design work he produces under his ISO50 moniker. In fact, when I saw Tycho perform just a few months later at the boutique festival Lightning in a Bottle, it only validated those initial feelings I had at the Hollywood Palladium.

Fast forward to this month, and Tycho’s appeal has only continued to grow among the masses. With the release of its fourth full-length album Awake in March, the four-piece band — Hansen (guitar, bass, synthesizers, programming, visuals), Zac Brown (bass, guitar), Rory O’Connor (drums) and newest member Joe Davancens (bass, guitar, keyboards, synthesizers) — packed The Fonda Theatre for two sold-out performances, showcasing both new and old material after Santa Barbara’s Gardens & Villa warmed up the crowd with its unique brand of indie-synth rock.

But what may be most impressive about Tycho is the way Hansen continues to captivate electronic-leaning audiences without any of the EDM flare that so many big-name DJs abuse these days.

Tycho

After all, Hansen’s music is not to be confused with the EDM tsunami that’s taken the music industry by storm over the last five years. Rather, these are ambient soundscapes rooted in techno, with dashes of IDM and downtempo sprinkled throughout. Unlike the deep thud of house, trap or dubstep, these are moments of introspection and inspiration metamorphosed into rich, sonic layers and textures.

It’s fitting, then, that Hansen’s visuals — from sweeping, majestic landscape shots of nature to more traditional geometric shapes — pair perfectly with the mood his music affords listeners.

This is nothing new for Hansen, though. He’s been working at his craft for over 10 years, starting with his self-produced EP The Science of Patterns back in 2002. But a lot changed for Hansen in 2008 when he left Merck Records and signed a deal with Ghostly International, paving the way for 2011’s Dive, which garnered critical acclaim while drawing comparisons to chillwave artists like Washed Out and Toro Y Moi.

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As its successor, Awake feels very much like an extension of Dive, and we were treated to a majority of the eight-track LP at The Fonda, along with a few cuts from 2006’s Past Is Prologue.

Of course, if there were any grievances to air, it was that Hansen and his sidekicks didn’t play quite long enough. For an hour and 15 minutes, they hypnotized a room full of fans with one ambient groove after another, taking us on a short vacation from Planet Earth in the process. As we would later find out when the house lights came back on, the only problem with that was it had to eventually end.

Tycho guide fans into an ethereal trance in SF

TychoPhotos & videos by Kevin Raos // Written by Mike Frash //

Tycho //
The Independent – San Francisco
January 18th-19th, 2013 //

SF ambient-techno producer Scott Hansen, better known by his stage name Tycho, played two sold-out shows at The Independent last weekend to highly attentive audiences. Tycho’s music has the uncanny ability to lull you into into a semi-dream state with ambient melodies, then a well-timed minimalist house beat kicks in to pick up the pace and euphoria.

Friday’s crowd was guided into a hypnotic trance by Scott Hansen, who has been playing live shows with drummer Rory O’Connor and bassist/guitarist Zac Brown for more than a couple years now.

The visual imagery at a Tycho live show is striking and certainly complimentary to Hansen’s unique sound. For his photographic and design works, he also goes by the moniker ISO50, so Hansen is clearly a man of many aliases. The timing of the visual editing matches the beats and emotional builds perfectly.

The chillwave, downtempo adventure Tycho leads in a live environment provides a floaty, ethereal experience. More than most other live shows, a Tycho set allows the concertgoer to close their eyes and forget where they are.

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