Portola Music Festival 2025: Our awards & highlights for Year 4

Portola Music Festival 2025 - LCD Soundsystem


LCD Soundsystem

Photos by Christine Kemp // Written by Molly Kish //

Portola Music Festival //
Pier 80 – San Francisco
September 20th-21st, 2025 //

The Bay Area celebrated Portola’s fourth edition this September by packing SF’s Pier 80 with its most diverse lineup so far. Attendees got the opportunity to catch legendary electronic artists, festival debuts, the iconic return of several dance-punk outfits and a show-stopping performance by one of the biggest pop stars on the planet.

The weather was impeccable, but that wasn’t enough to keep crowds from forming lines all weekend long to gain entry to the Bay Area debut of Despacio. James Murphy shared unofficial joint headliner duty with his high-fidelity audio immersion system that served as an honorary fifth stage. Folks waited sometimes hours to enter the dimly lit sound enclosure, lined with seven stacks of McIntosh-powered speakers, synchronized yet very sparse lighting, 50,000 watts of amplifiers and a giant disco ball. Lead audio engineer John Klett calls it an “emotional transmission machine,” and over the course of the two-day fest, many made a point to go find themselves in there.

Portola 2025 marked some monumental comebacks, including the first Bay Area show for The Rapture in more than 10 years, The Prodigy’s highly anticipated appearance after having to reschedule one of their two Coachella sideshows at The Warfield in April (read our show review here) and Moby’s return for the first time since the Ghostship Fire Benefit in 2020 to perform his seminal album Play with a live band and vocalist. Last but certainly not least was pop icon Christina Aguilera, who turned the festival into a girly-pop fever dream for 45 minutes and blazed through one of the weekend’s most epic sets.

Portola Music Festival 2025 - Despacio


Despacio

There were clear improvements to the layout for both the Warehouse and Pier Stage with larger and more accurately located VIP sections, and though the grounds felt less activated, they seemed to be more manageable. The selection of food vendors was also greatly improved, with less waiting time at the bars and larger selections of cocktails as well as specialty drinks than ever before.

For this latest installment, Portola went all in on tried-and-true favorites that included bringing back Dom Dolla, Caribou, Chemical Brothers and 2manydjs after their previous appearances. Goldenvoice paired down the over-the-top production from prior years and brought the focus back onto the music, too.

With noticeably smaller crowds and lighter fairground fluff, attending Portola this year felt different. But for a festival that draws fans who are more concerned about seeing quality performances than posting influencer-friendly content, it remained true to form in 2025 and was a much-needed party for the Bay Area’s club core.

Portola Music Festival 2025 - Christina Aguilera


Christina Aguilera

PORTOLA MUSIC FESTIVAL 2025 AWARDS:

Headliner of the Weekend: The Prodigy

Favorite Stage: Warehouse

Breakthrough Performance: Anti Up (Chris Lake & Chris Lorenzo)

Best Dance Party: Moby

Largest Crowd: Dom Dolla

Festival Daddy: Mau P

Portola Queen: Christina Aguilera

Best Legacy Act: Underworld

Hardest Set: Brutalismus 3000

Best Live Performance: LCD Soundsystem

Biggest Comeback: The Rapture

Most Cunty: Rico Nasty

Best Stage Production: Chemical Brothers (DJ set)

Favorite Festival Addition: Despacio

Best Afterparty: Peggy Gou B2B Mau P at 888 Garage

Biggest Improvement: Relocation of VIP section

Most Swoonworthy: Maribou State

Favorite Merch: Raccoon backpack

Silliest Trend: Food label stickers

Largest Obstacle: Lack of cellular service

Grieving the loss of their former bandmate, Baroness remember the past at a sold-out Lodge Room on the ‘Red & Blue Tour’

BaronessBy Josh Herwitt //

Baroness with Weedeater //
Lodge Room – Los Angeles
September 20th, 2025 //

There’s no doubt the past few months have been a tough time for heavy metal after Black Sabbath’s farewell show and Ozzy Osbourne’s subsequent passing over the summer shined a spotlight on the community and brought it closer together.

The impact that both had on music at large will never be forgotten and thus why Osbourne’s death sent shockwaves around the world when it occurred just more than two weeks after he entertained a capacity crowd in his hometown of Birmingham, England.

But unfortunately Ozzy hasn’t been the only loss to hit metalheads and rock fans hard in 2025. Weeks later, Iron Maiden’s original lead singer Paul Mario Day succumbed to his battle with cancer while ex-Mastodon guitarist Brent Hinds was subsequently killed in a motorcycle accident months after parting ways with the Atlanta outfit (and days earlier making some disparaging comments online).

Among these recent tragedies has also been Allen Blickle, who played drums for alt-prog-sludge act Baroness when it formed back in 2003. Another cancer victim, he drummed on the group’s first three LPs and even contributed keyboards to 2012’s Yellow & Green before suffering a fractured vertebrae when the band’s tour bus crashed later that year and calling it quits shortly thereafter.

So despite the tragic news coinciding with the second leg of the “Red & Blue Tour” that Baroness had announced at the start of this year to celebrate their first two studio albums, it felt quite fitting to watch founding member John Baizley (lead vocals, rhythm guitar, keyboards, percussion) and his comrades Sebastian Thomson (drums), Nick Jost (bass, keyboards, backing vocals) and shredding partner Gina Gleason (lead guitar, backing vocals) perform music Blickle had a role in creating when the Grammy-nominated quartet rolled through his adopted home of LA for a sold-out gig at Lodge Room.

Baroness

An opening set by doom-metal trio Weedeater would see frontman Dave “Dixie” Collins getting pretty loose as he held down lead vocals and bass duties in his own unique way, making us wonder at one point how many libations he had consumed prior to taking the stage. Considering it has been 10-plus years since their last full length Goliathan came out, the thought of when we might hear new material from Collins, Dave “Shep” Shepherd (guitar, backing vocals) and Ramzi Ateyeh (drums) undoubtedly crossed my mind too as they touched on all five chapters of their current catalog in 45 minutes.

This evening on summer’s penultimate day, however, would belong to Baroness of course. Inside the Highland Park venue, the anticipation had been building and finally reached a breaking point by 9:15 p.m. when Baizley and company walked onstage to a loud barrage of cheers. From there, Baroness proceeded to do what exactly what they said they would and that meant pounding 2007’s Red Album along with 2009’s Blue Record straight into our earholes.

As a live music fan, I have witnessed my fair share of album tribute shows and though I can’t say I am completely against them, there is something about not knowing which songs we will hear that makes a concert feel special. The element of surprise can never be understated when it comes to experiencing live music and something I don’t take for granted when I see artists switch up their setlists every night.

We have seen Baroness do some of that during their previous visits to the City of Angels — including stops at The Echo (see more photos from the show here) in 2022 and The Bellwether in 2023 not long after it opened (read our venue review here) — yet understand the purpose of this tour wasn’t designed for that. The shock and grief was still too fresh after all, and given the circumstances, you couldn’t help but view the tour as a bigger opportunity for us to remember Baroness’ past in more ways than one (or two). And after hearing Baizley speak candidly about his late friend in between songs, it was impressive to see him rock out as feverishly as he did under the red and blue lighting that continuously flooded the room’s diminutive stage.

Baroness are now two years removed from dropping their sixth album Stone and have developed a loyal following in a matter of two decades. Nevertheless, the chemistry they exhibit onstage is ultimately what makes their performances exhilarating and why their music is best experienced live. Heavy metal might not be as popular as it once was in the 80’s and 90’s, but it has certainly evolved in that span. Because with innovative bands like Baroness still going strong, we can be rest assured there’s no end in sight for one of the most important subgenres in rock ‘n’ roll history.

BARONESS

Setlist:
Set 1 (Red Album)
Rays on Pinion
The Birthing
Isak
Wailing Wintry Wind
Cockroach En Fleur
Wanderlust
Aleph
Teeth of a Cogwheel
O’Appalachia
Grad

Set 2 (Blue Record)
Bullhead’s Psalm
The Sweetest Curse
Jake Leg
Steel That Sleeps the Eye
Swollen and Halo
Ogeechee Hymnal
A Horse Called Golgotha
O’er Hell and Hide
War, Wisdom and Rhyme
Blackpowder Orchard
The Gnashing
Bullhead’s Lament

WEEDEATER

Setlist:
Bull
Hammerhandle
Mancoon
Turkey Warlock
God Luck and Good Speed
Wizard Fight
For Evan’s Sake
$20 Peanut
Dirt Merchant
Jason… The Dragon
Monkey Junction
Time Served
Gimme Back My Bullets (Lynyrd Skynyrd cover)
Weed Monkey

Coachella jumps way ahead of schedule to unveil 2026 lineup led by Sabrina Carpenter, Justin Bieber & Karol G for festival’s 25th edition

Coachella - 2026 lineup

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 10th-12th & April 17th-19th, 2026 //

Well, if you thought Coachella released its 2025 lineup early … I can’t believe I am typing this halfway through September, but next year’s is already here!

After moving up its annual announcement more than six weeks prior from the January time frame that we had long become accustomed to, the three-day festival has jumped way ahead of schedule for 2026 with the bill being revealed earlier than ever since co-founders Paul Tollett and Rick Van Santen put on the inaugural edition in 1999 and lost nearly $750,000 doing so.

Goldenvoice’s signature event has transformed quite a bit following its late 90’s debut, adding a second weekend back in 2012 as well as more unique stages, performances and activations subsequently over the years at the Empire Polo Club, but the 25th anniversary of Coachella will follow a more recent trend with each day being headlined by a different pop star.

Sabrina Carpenter, Justin Bieber and Karol G have all previously performed at the fest in some capacity as either a scheduled performer or surprise guest — the latter of which Bieber has been multiple times — yet none have seen their name rise to the top of the poster until now. Coachella’s fourth and newest headlining spot will go to another electronic act in Anyma, the Italian DJ who played the Sahara Tent in 2024 and is coming off last spring’s “The End of Genesys” residency at the Sphere in Las Vegas. For those wondering which stage Matteo Milleri will be hitting and what his allotted time will be, we should know that when set times officially drop in April so stay tuned for more updates here. Nevertheless, a slot on the Coachella Stage is almost a certainty, and if we were to guess, Saturday or Sunday would seemingly be the most likely of the three days for the world premiere of his new “Æden” live show.

The undercard, meanwhile, is what really stands out to us upon first look thanks to a stacked roster boasting so many top-notch artists and bands, including The xx, The Strokes, Young Thug, Nine Inch Noize, GIVĒON, Kaskade, Disclosure, Turnstile, Addison Rae, BigBang, Ethel Cain, Labrinth, Laufey, Dijon, sombr, Major Lazer, Teddy Swims, David Byrne, Iggy Pop, Katseye, Interpol, FKA twigs, Devo, Alex G, Clipse, Sexyy Red, Swae Lee, Subtronics, Central Cee, Solomun, Little Simz, Central Cee, Taemin, Mochakk, Foster the People, PinkPantheress, Duke Dumont, Levity, Royel Otis, WORSHIP, Blood Orange, REZZ, Armin Van Burren, Moby, Fujii Kaze, Adriatique, Adam Beyer, Marlon Hoffstadt, Davido, Holly Humberstone, Lykke Li, Boys Noize, Gigi Perez, fakemink, Geese, The Rapture, GORDO, rusowsky, Suicidal Tendencies, Creepy Nuts, Yousuke Yukimatsu, BUNT., Joyce Manor, Green Velvet, French Police, BINI, AYYBO, Black Flag, Kettama, Luisa Sonza, Oklou, Groove Armada, ZULAN and Röyksopp. Check out the poster above to see who else will be making the trek out to Indio.

More specifically, there are a couple of collaborative projects — electronic supergroup Nine Inch Noize (consisting of Nine Inch Nails and Boys Noize) and hip-hop duo Clipse (featuring Malice and Pusha T) — that are particularly noteworthy and what separates Coachella from the other major festivals when it comes to the curation process. And of course as fans we can’t forget to mention the Radiohead “bunker” installation inspired by their 2000 album Kid A, which reached No. 1 on the U.S. Billboard 200, because that’s something you will not want to miss while roaming the polo fields — whether it leads to temporary “A mnesia” or not.

If the desert is suddenly calling your name, make sure to register here before passes go on sale this Friday, September 19th at 11 a.m. PT. While it only takes throwing down $49 to secure your spot with Coachella’s payment plan, Goldenvoice recommends looking for Weekend 2 tickets with Weekend 1 already close to sold out. And if car camping for $40 per night isn’t exactly your thing (we understand), plenty of hotel and shuttle packages can be found here. However you decide to experience one of the biggest music festivals in the world, it’s sure to be one you will never forget.

Good luck, Coachellans!

Coachella 2026

The Flaming Lips & Modest Mouse team up for one of the summer’s best co-headline tours as we witnessed at the Santa Barbara Bowl

The Flaming Lips


The Flaming Lips

By Josh Herwitt //

The Flaming Lips & Modest Mouse with Dehd //
Santa Barbara Bowl – Santa Barbara, CA
September 5th, 2025 //

A couple of weeks ago, we made the case that summer continues to be live music’s biggest and most important season after Louisville five-piece My Morning Jacket closed out their summer tour with three dates in California (see more photos from the shows here).

While the industry has always thrived when the days are long and weather is warm, one of the draws about seeing live music in the summer is the co-headline tour. Back in 2023 there was not only MMJ and Fleet Foxes sharing the iconic Hollywood Bowl’s stage (read our show review here), but also The Revivalists and Band of Horses that subsequently proved to be a fun mix to catch on a night out under the stars (see more photos from the show here).

Last summer didn’t offer much as far as co-headline tours go, and while having Phantogram open for Kings of Leon (see our photos from the show here) marked one of the best double bills from 2024, this year has brought together some new pairings and one standing out right away was psych-rock veterans The Flaming Lips joining forces with indie-rock pioneers Modest Mouse for “The Good Times Are Killing Me” tour across 18 U.S. cities.

Considering the longevity of both bands, each has spent countless hours on the road. Modest Mouse, after all, are no strangers to the co-headline tour, and while no pun was intended there, we do say that after watching them share the stage with Brand New back in 2016 on the heels of releasing their sixth studio album Strangers to Ourselves (read our show review here). Isaac Brock, who has served as the project’s lead vocalist, principal songwriter, guitarist and only constant member since forming out of the Pacific Northwest in the early 90’s, has kept things afloat even with founding members Eric Judy (bass, acoustic and rhythm guitar, keyboards, backing vocals) and of course the late Jeremiah Green (drums, percussion) no longer in the picture.

It has already been more than four years since Modest Mouse put out new music, but they also remain one of a select few indie acts to craft a unique setlist for each show — something you can expect from a jam band — and it’s what has compelled us to be “in the room” whenever they come to town. There are plenty of bigger fans of jam bands than yours truly, yet there’s something about not following the same script every night that makes a Modest Mouse concert feel special.

Modest Mouse


Modest Mouse

Surprisingly, no material on 2021’s The Golden Casket was touched when Brock and his sidekicks came to the Santa Barbara Bowl for their first visit in almost two decades. Instead, they leaned into older tunes from 2007’s We Were Dead Before the Ship Even Sank, 2004’s Good News for People Who Love Bad News, 2000’s The Moon & Antarctica, 1997’s The Lonesome Crowded West and even 1999’s Night on the Sun EP that was only made available in Japan. Highlights throughout their 75-minute set included several deep cuts starting with “Fly Trapped in a Jar” and “Paper Thin Walls” before “Perfect Disguise” and “Styrofoam Boots” came later as well as the new, unreleased “Dogbed/Sheetrock” that provided a change of pace sonically without Brock’s usual shout-bark vocals. What we found a bit ironic was not hearing the song the tour was named after, though we realized with a little bit of online research that it wasn’t played at any point during the tour and only twice so far in 2025.

The Flaming Lips, meanwhile, are still one of a kind and going strong for 40-plus years. This wasn’t our introduction, having seen them as early as 2003 when they were touring in support of what has become their landmark 2002 LP Yoshimi Battles the Pink Robots, and the feeling of being totally overstimulated by Teletubbies and other costumed dancers onstage at the age of 18 has been burned into my memory forever. Since then, we have caught the Lips in a variety of other settings — from festivals to their own headline gigs — but maybe none better than when they took a sold-out audience in Los Angeles for a ride at The Theatre at Ace Hotel (now known as the United Theater on Broadway), the historic movie palace that was built in 1927 and only seats 1,600 (read our show review here).

As much as its music sounds different from Modest Mouse’s, there is enough crossover appeal with the Oklahoma City outfit led by founding member and frontman Wayne Coyne for a co-headline tour like this to work. In fact, this wasn’t the first time the two groups have played the same night at the Bowl after the “Unlimited Sunshine Tour” that also featured Kinky, Cake and De La Soul stopped through in 2002. And when we saw Modest Mouse celebrate the quarter-century mark for The Lonesome Crowded West just a few years ago at The Wiltern, they covered “Five Stop Mother Superior Rain” on the Lips’ 1990 studio effort In a Priest Driven Ambulance during the encore, so to assume that there is no familiarity between them would be foolhearted. That said, any enthusiast of 90’s rock could get behind what occurred over the next several hours and despite the venue’s tight curfew making for an early start time of 6 p.m., you could not ask for a more picturesque scene on a warm and beautiful Friday evening as Chicago three-piece Dehd kicked things off well over a year after their fifth full length Poetry dropped on Fat Possum Records to favorable reviews.

With all of the antics and shenanigans that transpire during a Flaming Lips performance, there’s no way someone could be bored by the constant barrage of confetti cannons, inflatable stage props, oversized costumes and trippy visuals projected on the large screen behind them. If so, we probably don’t want to hang out with them. There’s so much happening up there it’s easy to get lost in the chaos, but it’s really the music and not the production that has convinced us to come back for more. A cover of “The Golden Path” by The Chemical Brothers that the Lips contributed vocals on, for instance, got its own permanent spot midway through, and Coyne’s homage to Ozzy in the form of Black Sabbath’s “War Pigs” was the most recent tribute to the legendary Prince of Darkness we have witnessed after Primus at LA’s Greek Theatre (read our show review here) and MMJ at Red Rocks Amphitheatre (read our show review here) delivered their own to loud applauses.

Coyne and his cohorts have been honoring the 20th anniversary of Yoshimi for the past three years and their setlist for this tour, unlike Modest Mouse’s, did not deviate at all from one city to the next. Usual live staples “The Yeah Yeah Yeah Song (With All Your Power)”, “She Don’t Use Jelly” and crowd favorite “Do You Realize??” brought things to a fever pitch prior to the final homestretch that saw them end with The Soft Bulletin single “Race for the Prize”, which we remember was the opener for that initial encounter at the Hollywood Palladium. A lot has changed for the Lips in that span, whether it has been welcoming in new cast members or collaborating with household names such as Miley Cyrus, Thievery Corporation, Erykah Badu, Kesha, Nick Cave, Neon Indian and more. Coyne, for one, doesn’t appear to be slowing down at 64 years old, with his charisma channeling a love and zest for life he hasn’t lost, and we sure hope somehow he never does.

THE FLAMING LIPS

Setlist:
Sleeping on the Roof
Yoshimi Battles the Pink Robots, Pt. 1
Yoshimi Battles the Pink Robots, Pt. 2
Turn It On
Pompeii Am Götterdämmerung
Five Stop Mother Superior Rain
The Golden Path (The Chemical Brothers cover)
Feeling Yourself Disintegrate
The Yeah Yeah Yeah Song (With All Your Power)
She Don’t Use Jelly
Do You Realize??

Encore:
War Pigs (Black Sabbath cover)
Race for the Prize

MODEST MOUSE

Setlist:
King Rat
Float On
Fly Trapped in a Jar
Teeth Like God’s Shoeshine
Dogbed/Sheetrock
Paper Thin Walls
Ocean Breathes Salty
Perfect Disguise
Night on the Sun
Dance Hall
Dashboard
Little Motel
Third Side of the Moon
Styrofoam Boots
Spitting Venom