PLANETARIUM send fans at Fox Theater Oakland on an emotional journey to the cosmos

PLANETARIUMBy Norm de Veyra //

PLANETARIUM with Thao Nguyen //
Fox Theater Oakland – Oakland
July 21st, 2017 //

Singer-songwriter and multi-instrumentalist Sufjan Stevens, guitarist Bryce Dessner of The National, classical music composer Nico Muhly and drummer James McAlister brought the lush and eclectic sounds of their collaborative, celestial-themed project PLANETARIUM to a sold-out crowd of 2,800 fans at the Fox Theater Oakland last Friday on the final stop of their very brief tour that spanned only four dates.

PLANETARIUM’s music, which channels Stevens’ reflections on astronomy, science and even the intricacies of human consciousness, is a fusion of styles from all four band members that evokes feelings of unity. The group’s performance was accompanied by otherworldly visuals that filled the backdrop as it traversed the Solar System with quite a few emotionally charged songs inspired by the planets and other celestial bodies like “Neptune” and “Jupiter”.

PLANETARIUM

Stevens often spoke during the performance, charming the audience with his aforementioned reflections. The night closed out with a spirited tribute cover of David Bowie’s “Space Oddity” that felt like an appropriate and poignant cap to the night as the audience contemplated the cosmos and its place within it.

Opening the evening was Thao Nguyen, sans her usual support from Thao & the Get Down Stay Down. Nguyen’s blistering performance was rife with experimentation and playfulness as it featured tracks such as “Astonished Man” and “Slash/Burn” off her latest album A Man Alive, which was recorded at SF’s Tiny Telephone Studios. Produced by tUnE-yArDs founder and bandleader Merill Garbus, the album was released back in March via Ribbon Music and explores some darker and more personal territory as it relates to Nguyen’s relationship with her estranged father, unlike her earlier songwriting.

Perfume Genius pours his heart & soul out in SF

Perfume GeniusBy Norm de Veyra //

Perfume Genius with serpentwithfeet //
The Independent – San Francisco
July 19th, 2017 //

Better known by his stage name Perfume Genius, Mike Hadreas stunned those who showed up at The Independent last Wednesday with his emotional and layered pop music for what was the second of two nights in SF.

The Seattle-based musician displayed both a quiet vulnerability and a forceful confidence as he performed tracks from his new album No Shape, which dropped back in May on Matador Records, to an enchanted, sold-out crowd.

Opening the evening was Serpentwithfeet, aka Baltimore singer Josiah Wise, who was joined by British electronic musician and producer The Haxan Cloak (born Bobby Krlic), as the duo delivered a hypnotic set of bare-bones, confessional R&B that had hints of both Frank Ocean and James Blake.

Miguel’s silky-smooth voice captivates at this year’s Sound in Focus series opener

Sound in Focus - MiguelBy Rochelle Shipman //

Sound in Focus: Miguel with Gabriel Garzón-Montano //
Annenberg Space for Photography – Los Angeles
July 23rd, 2016 //

KCRW kicked off their annual Sound in Focus concert series last Saturday, bringing plenty of R&B grooves to the Annenberg Space for Photography.

Stones Throw Records’ Gabriel Garzón-Montano, who dropped the trip-hop-tinted Jardín earlier this year, got things started. Even though no one else but a drummer accompanied him, he effortlessly commanded the stage even while being tucked behind his keyboard.

Sound in Focus - Gabriel Garzón-Montano


Gabriel Garzón-Montano

Once the sun set and Miguel stepped onstage, the audience was transported somewhere else entirely. Born and raised in LA, the 31-year-old’s silky-smooth voice floated through the cool evening breeze over the twinkle lights in the trees, giving the impression of an island retreat rather than a concert in the park.

With the exception of an impromptu barstool-crooner cut, he spent the majority of his set on the tip of the stage, captivating a crowd that could have only otherwise looked away to admire the sultry enthusiasm of the ASL translators.

The Revivalists, Jamestown Revival bring the heat to wine country at Robert Mondavi Winery

The Revivalists


The Revivalists

By James Nagel //

The Revivalists with Jamestown Revival //
Robert Mondavi Winery – Oakville, CA
July 14th, 2017 //

Last Friday, The Revivalists and Jamestown Revival echoed through a vineyard-covered valley for their sold-out show at Robert Mondavi Winery. Groups of stereotypical wine lovers poured through the gates, enjoying good food, good drink and of course, good music under the warm California sun at this Napa Valley outdoor venue.

Jamestown Revival incited sporadic dancing throughout their set, though most audience members chose to sit on the expansive lawn and take in the music from the ground. The crowd applauded the folk-rock duo’s performance, which included “California (Cast Iron Soul)” off their 2014 debut LP Utah as well as a James Taylor cover.

Jamestown Revival


Jamestown Revival

A beautiful sunset took center stage during the 30-minute changeover, followed by a killer set by The Revivalists that had fans on their feet from the start. People sang along to their favorite songs, including “Keep Going”, “It Was a Sin”, “Wish I Knew You” and an encore performance of “Hey Jude”, which brought them to the venue’s hard 10 p.m. curfew.

Don’t miss your next chance to catch either of these bands, and if you find yourself fortunate enough to call the Bay Area your home, treat yourself to a concert at Robert Mondavi Winery this summer.

Tool continue to melt minds on their latest tour

ToolBy Mike Rosati //

Tool with The Crystal Method //
SAP Center – San Jose
June 21st, 2017 //

With prog-metal giants Tool back on the road for a month-long trek across North America, my first experience at “The Shark Tank” (aka the SAP Center) in San Jose last Wednesday proved to be a memorable one.

After an early and sparsely attended set by big beat pioneers The Crystal Method, Tool hit the stage in standard formation as guitarist Adam Jones stood front left, bassist Justin Chancellor front right, drummer Danny Carey back right and vocalist Maynard James Keenan back left in the dark, sporting tactical assault gear that was replete with Puscifer rainbow logo stickers on his chest and knee pads.

The three-time Grammy winners haven’t released an album since 2006’s 10,000 Days, but they did debut new visuals on this latest tour, which ended with an epic, day-long event at Glen Helen Amphitheater out in San Bernadino, Calif., that also featured performances by Melvins, Fantômas, Clutch and Primus.

Set 1: The Grudge, Parabol, Parabola, Schism, Opiate, Ænema, Descending, Jambi, Third Eye, Forty-Six & 2

Set 2: Drum Solo, The Pot, Sweat, (-) Ions, Stinkfist

Con Brio close out SF Jazz Festival in style

Con BrioBy Norm de Veyra //

Con Brio //
SFJAZZ Center – San Francisco
June 18th, 2017 //

Con Brio’s scorching set offered no relief from the heat wave in SF last Sunday as the Bay Area band headlined two nights at the SFJAZZ Center, giving us a healthy helping of funk and soul to close out this year’s SF Jazz Festival.

Led by singer Ziek McCarter and his charismatic personality, the band effortlessly navigated multiple genres with songs from its latest release, 2016’s Paradise, that delighted the Father’s Day crowd.

Ryan Adams & The Unknown Band remind us at LA’s Greek Theatre why we keep coming back for more

Ryan AdamsBy Steph Port //

Ryan Adams & The Unknown Band with Karen Elson //
Greek Theatre – Los Angeles
June 3rd, 2017 //

“It’s good to be home,” touted singer and guitarist Ryan Adams, who performed at LA’s Greek Theatre with his Unknown Band last Saturday.

Fresh off a stop at Berkeley’s Hearst Greek Theatre the night before, Adams showcased some older favorites and a slew of new tunes from his 16th and latest studio album Prisoner, which came out in February. SoCal fans were treated to some extended full-band jamming, a couple of solo acoustic performances and Adams’ usual witty banter over the course of the evening.

English singer-songwriter Karen Elson got things started with a set of songs from her new LP Double Roses, as Jack White’s former wife and her bandmates exhibited airy vocals, ethereal melodies and haunting guitar licks.

Setlist:
Let It Ride (Ryan Adams & The Cardinals cover)
To Be Young (Is to Be Sad, Is to Be High)
Magnolia Mountain (Ryan Adams & The Cardinals cover)
Two
Gimme Something Good
Dirty Rain
Fix It (Ryan Adams & The Cardinals cover)
Prisoner
Outbound Train
Shakedown on 9th Street
Do You Still Love Me?
Stay With Me
When the Stars Go Blue
Ashes & Fire
Peaceful Valley (Ryan Adams & The Cardinals cover)
Dear John (Ryan Adams & The Cardinals cover)
Doomsday
Wonderwall (Oasis cover)
improv > “What the Fuck Is That Shirt”
Everybody Knows
Invisible Riverside
New York, New York
Come Pick Me Up

Jagwar Ma incite a high-energy, psychedelic dance party for their Bay Area fans

Jagwar MaBy Norm de Veyra //

Jagwar Ma with NVO //
Mezzanine – San Francisco
May 24th, 2017 //

Australian psychedelic-dance outfit Jagwar Ma lit up the Mezzanine stage last Wednesday as they currently tour North America in support of their 2016 sophomore LP Every Now & Then.

Providing equal parts high-energy dance party and hazy, dreamy soundscapes, the Sydney trio straddled an exciting line in the current gamut of psych-indie bands.

NVO, another electronic-leaning three-piece from SF, got the crowd worked up with a funky opening set.

Setlist:
What Love
Loose Ends
Uncertainty
O B 1
Give Me a Reason
Ordinary
Come Save Me
Four
Slipping

Encore:
Say What You Feel
Colours of Paradise
The Throw

Woods lead an eclectic night of music at The Chapel

WoodsBy Norm de Veyra //

Woods with Peacers, Golden Daze //
The Chapel – San Francisco
May 21st, 2017 //

Bay Area music fans were treated to an eclectic evening at The Chapel as Brooklyn folk-rock band Woods performed for a Sunday night crowd in support their new album Love Is Love.

Hailing from Los Angeles, fellow indie rockers Golden Daze kicked off the show while SF outfit Peacers filled out the sounds for the evening with their buzzy, harder-edge tunes.

In front of a hometown crowd at Rickshaw Stop, Lauv already looks like a natural performer

LauvBy Jacqueline Moore //

Lauv with Bows //
Rickshaw Stop – San Francisco
May 24th, 2017 //

As possibly music’s next teenybopper heartthrob, Lauv (born Ari Leff) arrived at Rickshaw Stop last night for the second stop on his “late nights, deep talks tour” this spring.

A little more soulful than the Biebs himself, Lauv set himself apart with his dark R&B tones and genuine connection to his fans. Although he’s still on the up and up, you could hardly tell due to his natural ability to get the audience adrenalized.

Lauv

Lauv’s 2016 single “The Other” currently has almost 80 million streams on Spotify, and it was nice to see the SF native back home performing amongst a group of dedicated followers.

Bows, a Berkeley band that described itself as “ethereal” and “space-like,” opened the show. Most of their songs had a whimsical reverb/auto-tune sound to them, leaving the crowd with a sense of excitement to hear more music as the night went on.

DIIV showcase their fuzzy riffs, hazy melodies in SF

DIIVBy Norm de Veyra //

DIIV with The Paranoyds //
Mezzanine – San Francisco
May 16th, 2017 //

Brooklyn indie rockers DIIV invaded Mezzanine last Tuesday for a strong set that heavily leaned on material from their 2016 LP Is the Is Are. Led by vocalist/guitarist Zachery Cole Smith, the five-piece obliged the amped-up SF crowd with plenty of fuzzy riffs and hazy melodies.

Opening the show were The Paranoyds. The young punk quartet from Los Angeles stormed the stage with great energy and impressed the audience with solid tracks from their recently released EP Eat Their Own.

Conor Oberst’s sad songs make us feel happy at LA’s Greek Theatre

Conor OberstBy Rochelle Shipman //

Conor Oberst with Julien Baker //
Greek Theatre – Los Angeles
May 13th, 2017 //

As the crowd filled into the Greek Theatre during Julien Baker’s opening set last Saturday, the young singer softly said it best: sad songs simply make us feel happy.

This is what keeps fans coming back to see Conor Oberst year after year, this most recent time in support of his latest release Salutations. This is what quieted the crowd low enough to hear a sniffle or two during songs like “Lua”, which is now 12 years old and still inciting a cheerful uproar as it crescendoed midway through.

And for anyone who has been comforted by Oberst at some point during the last 20-plus years of his career, this was the truth that will keep us listening for 20 more.

Setlist:
Afterthought
Four Winds (Bright Eyes song)
Time Forgot
Too Late to Fixate
Till St. Dymphna Kicks Us Out
Eagle on a Pole
Barbary Coast (Later)
Well Whiskey (Bright Eyes song)
Mamah Borthwick (A Sketch)
Anytime Soon/Overdue
Map of the World (Monsters of Folk cover)
Lua (Bright Eyes song)
Jack at the Asylum (The Felice Brothers cover)
Salutations
Artifact #1
Poison Oak (Bright Eyes song)
A Little Uncanny

Encore:

Unknown (new song)
Train Under Water (Bright Eyes song)
Napalm

Andrew McMahon in the Wilderness take a big leap at The UC Theatre with Atlas Genius, NIGHT RIOTS

Andrew McMahon in the WildernessBy Norm de Veyra //

Andrew McMahon in the Wilderness with Atlas Genius, NIGHT RIOTS //
The UC Theatre – Berkeley, CA
May 6th, 2017 //

With pool inflatables and space suits in tow, Andrew McMahon in the Wilderness played a rollicking show at The UC Theatre last Saturday to kick off a two-night run in the Bay Area. Seated center stage at his piano, the former frontman for Something Corporate and Jack’s Mannequin took command of the nearly sold-out crowd early with his boundless energy.

Highlighting the catchy, anthemic jams from their 2017 studio album Zombies on Broadway, McMahon and company delivered a rousing performance that found the lead singer leaping off pianos, stage diving and riding atop the crowd in an inflatable duck on several occasions.

NIGHT RIOTS from Southern California opened the evening with a strong set of dance-rock anthems from their latest release Love Gloom. Australia’s Atlas Genius followed, continuing the good vibes with their own brand of dance-infused indie rock.

Cursive’s Tim Kasher breathes an orchestral breath into his solo music at The Echo

Tim KasherBy Rochelle Shipman //

Tim Kasher //
The Echo – Los Angeles
May 3rd, 2017 //

Tim Kasher stopped by The Echo in LA last Wednesday during his tour behind No Resolution, the latest LP in a string of beautifully bummer solo releases about the realities of growing up and growing old.

The Cursive/Good Life frontman tapped a carefully constructed backing band to breathe an orchestral breath into some cuts from his extensive catalog, including some older songs that don’t normally get the spotlight.

He also announced the release of a feature film he wrote and directed that’s coming later this year, seemingly (fortunately/unfortunately) unrelated to his 2013 studio album Adult Film.

Setlist:
A Raincloud Is a Raincloud
Cold Love
Messes
Runts
No Fireworks
Lay Down Your Weapons
Break Me Open
Night and Day (The Good Life cover)
Monogamy
An Answer for Everything
Into the Fold (Cursive cover)
Bloody Murderer (Cursive cover)
The Prodigal Husband
No Secret

Encore:
From the Hips (Cursive cover)
Truly Freaking Out

Emily King dazzles a sold-out crowd at The Chapel with an intimate acoustic show

Emily KingBy Norm de Veyra //

Emily King //
The Chapel – San Francisco
April 21st, 2017 //

You know when a show starts off with the audience singing along to Bill Withers’ “Lean on Me” over the PA system that it’s bound to be a special night. Such was the case last Friday as Grammy-nominated singer-songwriter Emily King brought her stripped-down, acoustic “You and I Tour” to The Chapel.

With nothing but a couple of guitars, a desk lamp and her powerful voice, King hypnotized the sold-out crowd with pared-down versions of tracks off her 2015 studio album The Switch.

None of the songstress’ typical funk or groove was lost with the minimal production onstage. In fact, the exact opposite happened, with King’s star power shining even brighter while she navigated through her 90-minute set without the accompaniment of her full band or backup singers. King has shows lined up for May and August, and if she’s coming to a city near you, we recommend checking her out.

Gucci Mane brings his ‘Trap God Tour’ to the Bay

Gucci ManeBy Marc Fong //

Gucci Mane //
The Warfield – San Francisco
April 17th, 2017 //

If you mention trap in the context of Southern hip-hop, the first name that should come to mind is Gucci Mane.

The Atlanta native has been a busy man since being released from prison last year. Back in December, he dropped his 10th studio album titled The Return of East Atlanta Santa, which boasts collaborations with Drake and Travis Scott, and has been perfecting his live show in the meantime.

Hitting the road for his “Trap God Tour” in support of the new LP, Gucci paid a visit to SF in between his performances at Coachella and fans who made it to The Warfield on a Monday night weren’t disappointed with what they witnessed. To say the least, it was a show to be experienced and not just seen.

Setlist:
Classical (Intro)
Both
1st Day Out Tha Feds
Play Video
Back on Road
I Think I Love Her (Greg Street cover)
I Don’t Love Her
Bricks
Lemonade
Freaky Gurl
Photoshoot
Pillz (I Might Be)
Black Beatles (Rae Sremmurd cover)
St. Brick
Trap House 3
Last Time
My Kitchen
Trap House
I’m a Dog
Vette Pass By
Pussy Print
Gucci Please
Make Love
Steady Mobbin
Nuthin’ on You
Fuck 12o
Heavy
Make Tha Trap Say Aye (OJ da Juiceman cover)
Slippery (Migos cover)
Making Love to the Money
Wasted
First Day Out

Pond invigorate a sold-out crowd at The Echo

PondBy Rochelle Shipman //

Pond //
The Echo – Los Angeles
April 20th, 2017 //

Australian psych-rockers Pond stopped through LA in between Coachella dates last Thursday, playing to a sweaty, sold-out Echo. Most of the crowd looked just young enough to be out past their bedtime, but once the quintet hit the stage, they perked right up.

With a youthful, invigorating energy, Pond delivered a solid set with a few new songs from their upcoming LP The Weather — all of which their fans seemed to know already. Though lead vocalist/guitarist Nick Allbrook easily commanded the spotlight onstage with several dramatic moves, all five members — Jay “Gumby” Watson, Shiny Joe Ryan, Jamie Terry and Ginolé — impressively shared the tiny stage equally, clearly in tune with each other literally and physically.

Pond’s punchy sound and attitude is exactly what rock ‘n’ roll needs right now if it’s going to have any chance of competing with current spotlight-stealers like Kendrick Lamar, Chance the Rapper and Frank Ocean. Pond’s new album is due out May 5th, so their current U.S. tour has just started. If you can swing it, these guys are definitely worth your time.

In SF, Julie Byrne makes it feel like summer in April

Julie ByrneBy Christopher Vigue //

Julie Byrne with Meernaa, Lila Blue //
Swedish American Hall – San Francisco
April 16th, 2017 //

Despite it occurring on Easter, indie-folk singer-songwriter Julie Byrne’s headlining show at the Swedish American Hall last Sunday received a strong showing. Due to the venue’s warm porch lights, an intimate stage and a close crowd of sitting individuals, it felt like a beautiful summer night in April.

Lila Blue opened the show with her sweet and strong vocals. She backed them up well with some consistent guitar tracks and even broke out the ukulele, too. Audience members were thoroughly entertained with her performance as almost not a sound was heard besides Lila herself and the flood of clapping in between.

Lila Blue


Lila Blue

Meernaa, an Oakland power quartet, were next up and made everyone feel comfortable by keeping an already intimate night even closer with plenty of jokes and a few conversations with the crowd. It’s always nice when an artist or band can not only engage with fans, but also put on a show that holds up — and this was all icing on the cake.

All on her own, Julie Byrne subsequently came out with open arms. Her performance was expressed so well through her music. After a few powerful songs, she asked for the house lights to be dimmed and welcomed both a violin and keyboard player onstage. In between songs, Byrne told the crowd stories about her time in the Bay Area. When her set was over, she returned for a three-song encore and stayed long enough to chat with her fans. Though “summer” only happens sporadically in SF, you could feel it for a few hours on this night.

Petit Biscuit marks his Bay Area debut with a sold-out dance party at Rickshaw Stop

Petit BiscuitBy Norm de Veyra //

Petit Biscuit with shallou //
Rickshaw Stop – San Francisco
April 14th, 2017 //

At the age of 17, French DJ and producer Mehdi Benjelloun has certainly been productive since arriving on the scene in 2015 with his first single “Alone”. Better known by his stage name Petit Biscuit, the baby-faced musician entertained a sold-out audience last Friday at Rickshaw Stop during his Bay Area debut for POPSCENE.

Chicago-based electronic band Shallou got the party started with a solid set. If you happened to miss Petit Biscuit this time around, make sure to catch him when he returns to SF in August for a show at The Warfield as he continues to tour in support of his 2016 self-titled LP.

Twin Peaks, Hinds hit The Chapel before Coachella

Twin Peaks


Twin Peaks

Photos by Christopher Vigue // Written by Eben Benson //

Twin Peaks & Hinds with White Mystery //
The Chapel – San Francisco
April 14th, 2017 //

Twin Peaks and Hinds stopped by The Chapel this month for a two-night stint during their co-headlining tour along the West Coast that ended with two performances on Coachella’s new Sonora Stage (read our festival review here).

Hinds, for one, were sure to show off their energetic brand of garage punk in SF, where they performed in front of a sold-out crowd at a venue known for hosting a myriad of electrifying garage-rock shows. White Mystery were the first to appear onstage, blasting through a fairly short set of fuzzy psych-rock that certainly woke up the audience and set the stage for their fellow Chicagoans in Twin Peaks, but not before it was Hinds’ turn to fill our ears.

Hinds


Hinds

Hinds are originally from Spain (Madrid to be exact), but at first listen, you might think they sound like they’re from Southern California. They mix in elements of classic rock ‘n’ roll and lo-fi pop, and they’re not afraid to pick up the pace if it gets folks to dance. As co-headliners on this night, a large contingency — full of singing fans and a lot of dedicated enthusiasm — was there to see Hinds play.

To close the show, indie-garage rockers Twin Peaks took the stage to a blaring applause and got right down to business, playing crowd favorites and a good portion of their 2016 LP Down in Heaven. They seemed to be right in their element in a city like SF, which has churned out a number of psych-rock artists from Ty Segall to Thee Oh Sees — and it’s clear that their legacy is in good hands for now.