If we never see Nine Inch Nails live again, it’s been quite a ride

Nine Inch NailsPhotos by Rob Sheridan for NIN.com // Written by Josh Herwitt //

When Trent Reznor told Nine Inch Nails fans six years ago that it was “time to make NIN disappear for a while,” no one knew if they would ever have the opportunity to see the industrial rock goliath perform again.

As someone whose musical palette was heavily influenced by such 90’s masterpieces as The Downward Spiral and The Fragile — two albums that will likely go down as some of the best rock music that’s ever been made — but never got to see NIN live, it came as a shocking blow to my psyche.

For me, NIN was always that band whose music felt uniquely original and accessible, yet remained frighteningly dark in image. More than 20 years ago, it was MTV that was forced to significantly censor the music video for “Closer” — still NIN’s most popular song to this day — in which Reznor combined themes of religion, sex, animal cruelty, politics and terror to go along with his disturbingly eerie lyric “I want to fuck you like an animal.”

Nine Inch Nails

Still, for as creepy as Reznor made himself appear — and there may be no better example than NIN’s epic performance at Woodstock ’94, which was officially released online almost two weeks ago — there is no band that has bridged the gap between heavy metal and electronic music better than NIN. From his early days as a sound engineer to his passion for analog synthesizers and digital technologies more recently, Reznor created a genre of music that few have ever come close to emulating. While other industrial acts like Ministry, MDFMK, Killing Joke, Filter and Rammstein achieved moderate levels of success at one point in time, none of them ever garnered the same mainstream appeal that NIN has sustained for more than two decades.

But even with two Grammy Awards and nine full-length albums to his name, Reznor has had his doubts about keeping NIN going. It’s why he announced in early 2009 that the band would be done performing live “for the foreseeable future” before embarking on its “Wave Goodbye” tour, which culminated in a 37-song show at The Wiltern in Los Angeles, before that fire was eventually rekindled with the release of 2013’s Hesitation Marks last September.

It’s not that Reznor fell off the face of the Earth during that five-year layoff, though. With NIN on an indefinite hiatus, he went on to win an Oscar and a Grammy for his soundtracks to The Social Network and The Girl with the Dragon Tattoo, write the theme music for the video game “Call of Duty: Black Ops II” and form the post-industrial outfit How to Destroy Angels with his wife and lead vocalist Mariqueen Maandig, whom he shares two children with now. Over the last two months, he’s managed to find the time to finish composing the soundtrack for David Fincher’s upcoming movie Gone Girl while touring North America with his NIN sidekicks for quite possibly the last time.


After all, from what he told the crowd last Thursday night in Chula Vista, Calif., Reznor has no plans for another NIN album or tour right now. Even if he continues writing music like he told us he would that evening, just miles from the U.S.-Mexico border, there is no guarantee it will be for NIN. And at this point, it would be completely understandable for Reznor to retire the band he once gave birth to 26 years ago in Cleveland, where it will likely return to some day for its induction into the Rock and Roll Hall of Fame.

Reznor, of course, isn’t getting any younger. At the age of 49, the NIN mastermind and only official member of the band has battled plenty of inner demons in his younger life, having overcome both drug and alcohol addictions, depression, social anxiety disorder and sadly, even his own suicidal tendencies. Now as a sober family man, he has openly admitted that the rigors of touring have taken their toll on him.

So, if this was the last time I ever got to see Nine Inch Nails perform live, I have no regrets attending four of the 26 shows that they are co-headlining with Soundgarden this summer.

Nine Inch Nails

In fact, seeing one of my favorite bands of all time at the legendary Red Rocks Amphitheatre was an absolute dream come true — a show that no doubt will go down in memory as one of the best I have ever witnessed in all my concert-going years. Then, there was Monday night’s noteworthy performance at the Hollywood Bowl, which marked another important moment for the band in playing the historic LA amphitheater for just the second time ever, with the first coming almost nine years ago following the release of 2005’s With Teeth.

Sure, seeing four shows — Red Rocks, Chula Vista, Irvine and Hollywood — on this tour might seem like overkill to some. For me, it felt like the right thing to do. It didn’t matter that the setlists have varied little from show to show over the last month. Instead, just having the chance to connect with the music and art that Reznor specifically curates for each NIN tour more than once is something I will always cherish, whether or not I ever get to do it again.

Because even if I don’t, I’ll know that those four shows I saw were worth every penny spent.

Nine Inch Nails

Nine Inch Nails

Nine Inch Nails

Nine Inch Nails

Nine Inch Nails

Showbams’ best shows of 2012

Showbams contributors name their favorite shows of 2012.

It has been a top-notch year for live music, and we witnessed some great acts that have come through California over the past 12 months. Check out our favorite shows from 2012.

What was your favorite concert in 2012? Let us know in the comments below.

The xx at Treasure Island Music Festival

The xx at Treasure Island Music Festival

Mike FrashSan Francisco

1. Sigur Rós at Outside Lands Music Festival – San Francisco, CA – August 11th
Leaving Metallica for Sigur Rós to end the second day at Outside Lands was a torturous decision. Metallica was a warzone spectacle, but i stuck to my guns and headed to the Twin Peaks stage. I’m glad I did. Jonsi now conducts a mini orchestra, and the eerie SF fog lowered on command to the slow builds & crescendos. It was a spiritual show that effected me more than any other concert in 2012.

2. Japandroids at The Independent – San Francisco, CA – June 14th
Brian King and David Prowse brought ecstatic energy to the sold out Independent in June the week after Celebration Rock was released. Brian King understands how to control the pace of his set, offering fun pre-song statements that prepare you for what’s next. Their songs are vibrant live – it doesn’t sound like only two people are playing instruments. They truly seem to live the life they glorify on their 2012 album – still drinking, still smokin, and full of hyperactive desperation.

3. Phish (Night #3) at Bill Grahm Civic Auditorium – San Francisco, CA – August 19th
The highly anticipated phish three-show SF run in August started off a bit slowly. Saturday’s show left me a little bummed about Phish due to some sloppy play (“Split open and melt”) and what felt like a lack of enthusiasm. I was questioning why I still see Phish live heading into the last show of the weekend. My lowered expectations combined with a killer show quashed those thoughts. “Crosseyed and Painless” > “Light” > “Sneakin’ Sally” > “Crosseyed” was some of the best Phish I’ve ever heard, “Boogie on” redeemed Stevie Wonder’s omission of the song at Outside Lands the week before, “Meatstick” made me really happy, and the San Francisco-mentioning “Ride Captain Ride” made a surprise encore appearance. The show was pure bliss.

4. The Rapture at Coachella – Indio, CA – April 13th
5. The xx at Treasure Island Music Festival – San Francisco, CA – October 14th
6. The Presets at The Independent – San Francisco, CA – October 12th
7. STS9 at High Sierra Music Festival – Quincy, CA – July 5th-6th
8. Head and the Heart at Hardly Strictly Bluegrass – San Francisco, CA – October 6th
9. Tame Impala at The Fillmore – San Francisco, CA – November 15th
10. My Morning Jacket at Greek Theatre Berkeley – Berkeley, CA – September 15th

Honorable Mentions:
Father John Misty at Jansport Bonfire – San Francisco, CA – September 30th
Of Monsters and Men at The Independent – San Francisco, CA – March 22nd

My Morning Jacket

My Morning Jacket at The Wiltern

Pete MauchLos Angeles

1. My Morning Jacket at The Wiltern – Los Angeles, CA – September 13th
MMJ capped off the best three-night run I saw this year with this stellar closing show complete with a horns section. This is a big statement for a band I knew I loved but wasn’t fully convinced about until this night. Highlights: “All Night Long” and “Movin On Up” with horns.

2. Phish at Bill Graham Civic Auditorium – San Francisco, CA – August 19th
Phish played a terrific 3-night run, and topped off by an amazing Sunday night show that proves that Phish is still top of the Jam Scene. Highlight: Light > Sneakin Sally Through the Alley

3. Ryan Adams at Walt Disney Concert Hall – Los Angeles, CA – February 17th
Ryan Adams, an acoustic Guitar, and a Piano is all this show contained, and it was truly special. Adams’ classic songs stripped down with his raspy croons is all I needed to make this a top show of the year. Highlight: “Rescue Blues” on Piano “Holy Diver” on Guitar

4. Trey Anastasio and LA Philharmonic at Walt Disney Concert Hall – Los Angeles, CA – March 10th
5. Neil Young & Crazy Horse at Hollywood Bowl – Los Angeles, CA – October 17th
6. Charles Bradley with Menahan Street Band at Royce Hall – Los Angeles, CA – November 29th
7. Radiohead at Coachella Music Festival – Indio, CA – April 21st
8. Trombone Shorty at Key Club – West Hollywood, CA – February 11th
9. Wilco at Hollywood Palladium – Los Angeles, CA – January 24th
10. New Multitudes (tribute to Woody Guthrie) at Mayan Theater – Los Angeles, CA – March 7th

Honorable Mentions:
Phish at Long Beach Arena – Long Beach, CA – August 15th
String Cheese Incident at Greek Theatre Berkeley – Berkeley, CA – July 14th
Roger Waters presents “The Wall” at LA Memorial Coliseum – Los Angeles, CA – May 21st
Umphrey’s Mcgee (True Hollywood Stories acoustic show) at House of Blues – West Hollywood, CA – March 16th

The Faint

The Faint at The Regency Ballroom

Molly KishSan Francisco

1. Radiohead at HP Pavilion – San Jose, CA – April 12th
After merely catching glimpses of them while shoved against thousands of festivalgoers at Outside Lands 2008, I was determined to catch Radiohead the next time they came through the Bay Area. The sound, visuals, performance and energy of the evening were electrifying. Although I was extremely lucky to have been viewing the concert from the sixth row, the entire crowd looked as though they were just as lost in the moment as I was. The band’s enigmatic stage presence, fully developed set composition and career-spanning choice of material made for one of the most collectively impressive concert experiences that I have ever witnessed.

2. Of Montreal with Deerhoof, Kishi Bashi at Slim’s – San Francisco, CA – March 22nd
As a long time Of Montreal fan, I was ecstatic to get the opportunity to interview their opening act and latest addition to the lineup (Kishi Bashi) the night of their Slim’s performance. It wasn’t only for the sake of getting a personal perspective on the band, but also due to the fact that this would actually be my first time catching them performing live. The entire show and evening that followed was everything I could’ve wanted for my first experience seeing Of Montreal. Accompanied by three screens of psychedelic visuals, various costumed extras, balloon drops, props and whole score of vaudevillian rivalry, the band took the crowd and venue by storm. During the encore to top it off, I was able to reconnect with Kishi Bashi and ended up initiating an after-party with the entire band, crew and record label affiliates at an industrial themed “dark carnival,” taking place across the street at local dive bar Butter. Several jello shots, deep-fried twinkies and contortionist carnie-prompted dance battles later, I looked around and felt assured that I had enough material to develop my own personal “Of Montreal” concert story contender.

3. The Presets at Treasure Island Music Festival – San Francisco, CA – October 13th
Completely blown away by their performance the night before, I was overwhelmed with excitement and intrigue to see how the Presets could accomplish translating such energy to a festival setting. Anyone who had caught their Treasure Island Music Festival opener at the Independent instantly was taken over by sensory recall as they broke into song almost right where they left us hanging less than 24 hours earlier. Almost in homage to those who witnessed them destroy their previous set, they picked the dance party up right where they left off, only this time kicking it up about ten notches with the accompanied stage show, visual intensity and professional grade sound of seasoned professionals. Completely upstaging their more commercially recognized headliner and showing the younger generation how it should be done, they stole the show and were easily the stand out act of the 2012 TIMF. To this day I still find myself saying that I wish I could continually be going to a Presets show, based off of the concert experience I had at these two performances.

4. Dan Deacon at Great American Music Hall – San Francisco, CA – October 23rd
5. Against Me! at The Catalyst – Santa Cruz, CA – September 10th
6. The Faint at The Regency Ballroom – San Francisco, CA – November 18th
7. Justice at Fox Theater Oakland – Oakland, CA – November 4th
8. Metallica at Outside Lands Music Festival – San Francisco, CA – August 10th
9. Animal Collective at Fox Theater Oakland – Oakland, CA – September 21st
10. The Shins at Santa Cruz Civic Auditorium – Santa Cruz, CA – April 22nd

Honorable Mentions:
Yeah Yeah Yeahs at Creators Project – San Francisco, CA – March 17th
Cold War Kids at Bottom of the Hill – San Francisco, CA – March 5th
Dr. John at The Independent – San Francisco, CA – August 17th
Girl Talk at Sasquatch! Music Festival – George, WA – May 25th

David Byrnes & St. Vincent

David Byrnes & St. Vincent

Kevin RaosSan Francisco

1. David Byrne & St. Vincent at Orpheum Theater – San Francisco, CA – October 15th
This is my number one show of 2012 for a couple of reasons. First off, Love this Giant, the recently released collaborative album between Byrne and St. Vincent, was a major disappointment. One of my most anticipated albums of the year ended up being one of the most disappointing. All was redeemed, however, when I saw these songs performed live. The accompanying brass band and the chemistry on stage breathed new life into was I felt was a stale album. Playfully executed and precisely choreographed, these songs shined live.

Secondly, I am a huge David Byrne fan and was able to check a big one off my bucket list of musical artists. Byrne’s career needs no introduction, and this evening we were treated to a few Talking Heads classics such as “Burning Down the House”, “This Must Be the Place (Naive Melody)” and “Like Humans Do”.

This show was simply a once in a lifetime experience.

2. Phish at Bill Graham Civic Auditorium – San Francisco, CA – August 19th
A three night run at the Bill Graham Civic Auditorium was capped off with a masterful performance by jamband kings, Phish. The final night of the run was easily the best night as the band flexed their improvisational muscles in a blistering two-set performance, highlighted by covers of the Talking Heads’ “Crosseyed and Painless” and Robert Palmer’s “Sneakin’ Sally Through the Alley.”

3. Sigur Rós at Outside Lands Music Festival – San Francisco, CA – August 11th
Sigur Rós on my birthday to cap off an unbelievable festival day? How could it possibly get any better? It can’t really.

4. Duo de Twang at Terrapin Crossroads – San Rafael, CA – October 4th
5. Keller Williams, Steve Kimock & Kyle Hollingsworth feat. Bernie Worrell, Wally Ingram & Andy Hess at Hardly Strictly Bluegrass Music Festival – San Francisco, CA – October 7th
6. Miike Snow with Penguin Prison at Fox Theater Oakland – Oakland, CA – April 12th
7. Washed Out at Mezzanine – San Francisco, CA – May 4th
8. Electric Guest at The Independent – San Francisco, CA – November 2nd
9. The Album Leaf with Blackbird Blackbird at Bottom of the Hill – San Francisco, CA – September 30th
10. CITIZENS! with Tomorrow’s World, Lescop and Housse de Racket at Rickshaw Stop – San Francisco, CA – October 12th

Honorable Mentions:
Zee Avi at The New Parish – Oakland, CA – September 28th
M83 at The Fillmore – San Francisco, CA – April 22nd

Japandroids

Japandroids

Eric ShadenSan Francisco

1. D’Angelo at House of Blues – West Hollywood, CA – July 4th

2. Passion Pit at Rock en Seine – Paris, France – August 26th

3. STRFKR at The Independent – San Francisco, CA – January 7th

4. Stevie Wonder at Outside Lands Music Festival – San Francisco, CA – August 12th
5. Miike Snow with Penguin Prison at Fox Theater Oakland – Oakland, CA – April 12th
6. A.Skillz + Krafty Kuts Presents Tricka Technology at MIGHTY – San Francisco, CA – June 1st
7. Aaron Freeman (Gene Ween) at The Independent – San Francisco, CA – October 19th
8. Japandroids at The Independent – San Francisco, CA – June 14th
9. Guns N’ Roses (Bridge School Benefit) at Shoreline Amphitheatre – Mountain View, CA – October 21st
10. Kid Koala (Vinyl Vaudeville Tour) at The Independent – San Francisco, CA – November 4th

The Lumineers

The Lumineers at The Chapel

Marc FongSan Francisco

1. Edward Sharpe and the Magnetic Zeros at Slim’s – San Francisco, CA – March 25th
It’s not often I gush like a school girl (only about once or twice a week), but seeing ESatMZ at Slim’s was panty dropping. Can I say that? Well, I just did. It was a secret/private show so Slim’s was overcrowded. I stood center stage close enough to see the dirt on Alex Ebert’s suit. The sound was great, and the band always puts on a damn fine show.

2. The Lumineers at The Chapel – San Francisco, CA – October 11th
LIVE 105 brought the Lumineers to newly opened Chapel in SF and the band didn’t disappoint. The venue was the perfect size for the band and like most of the other bands on this list, the Lumineers had fun playing and it made for a great show.

3. Kronos Quartet at Greek Theatre Berkeley – Berkeley, CA – October 5th
OK, this was really Amon Tobin’s show, but Kronos opened and performed beautifully. Being a longtime fan, it’s not a surprise these openers made my list. Great music from great performers. And the Greek Theatre in Berkeley was the best venue to see them at … and most other concerts.

4. Willie Nelson and Family at Fox Theater Oakland – Oakland, CA – March 15th
5. Of Monsters and Men at The Independent – San Francisco, CA – May 22nd
6. Fun. at The Independent – San Francisco, CA – May 28th
7. Sage Francis at The Independent – San Francisco, CA – March 17th
8. Steve Aoki at Bill Graham Civic Auditorium – San Francisco, CA – January 21st
9. Edward Sharpe and the Magnetic Zeros at Fox Theater Oakland – Oakland, CA – May 12th
10. Avicii at Bill Graham Civic Auditorium – San Francisco, CA – June 28th

Tame Impala at The Fillmore in November

Tame Impala at The Fillmore

Kevin QuandtSan Francisco

1. The Walkmen at The Independent – San Francisco, CA – January 20th-21st
These 10th anniversary shows were a Walkmen fan’s wet dream as they played their first album in full among multiple sets and configurations including a horn section. Over 30 songs of Hamilton Leithauser and company churning out their own brand of rock and roll to devote fans from across the States.

2. Refused with The Hives, The Bronx at The Warfield – San Francisco, CA – April 18th
Having seen their Coachella show a week prior, the anticipation was less palpable, yet the reigning post-punk champs delighted a more rowdy and dedicated crowd with a spirited set for the masses who patiently waited a decade to witness.

3. Trey Anastasio with Los Angeles Philharmonic at Walt Disney Concert Hall – Los Angeles, CA – March 10th
Dressing up for a show is fun, especially when Trey is at the helm of philharmonic symphony in one of the best rooms to hear, and see, music in. From the playful rendition of “Guyute” to the half hour “Time Turns Elasctic,” this night had the packed concert hall re-charmed by Ernest and his recharged song book.

4. Tame Impala at The Fillmore – San Francisco, CA – November 15th
5. Phish at Bill Graham Civic Auditorium – San Francisco, CA – August 19th
6. Woods & White Fence at The Chapel (Preservation Hall West) – San Francisco, CA – October 17th
7. Howlin Rain at The Independent – San Francisco, CA – February 18th
8. Radiohead at Santa Barbara Bowl – Santa Barbara, CA – April 12th
9. Father John Misty with Har Mar Superstar at Bottom of the Hill – San Francisco, CA – May 5th
10. Mala at Yoshi’s – Oakland, CA – June 23rd

Festival sets:
Sigur Rós at Outside Lands Music Festival – San Francisco, CA – August 11th
Future Islands at FYF Fest – Los Angeles, CA – September 1st
Flying Lotus at Coachella – Indio, CA – April 14th

Justice

Justice at The Warfield

Sean LittleSan Francisco

1. Justice at The Warfield – San Francisco, CA – November 4th
What else is there to say about Justice that hasn’t already been said. They came, they saw, and they melted faces with an amazing set the blew fans away and converted first timers alike. At least half my friends decided to go last minute (tickets were still available because it was a Sunday) and all of them became huge fans. Some of these friends are not into electronic music of any kind either, so that really says something. It was one of those rare shows where you leave euphoric and can’t stop saying “wow” to the people you went with.

2. Florence & the Machine at Coachella – Indio, CA – April 15th
The only other performer I’ve ever seen that commanded an audience like Florence did was Snoop Dogg back in 02 at the Smoke Out (stop-you’re not better than me so put that eyebrow back down). It was one of the rare festival sets where everyone felt really in tune with the performer and each other, singing along and knowing when to interact with each other and the songs. She was absolutely amazing, and the set was a dark horse highlight to my festival as I didn’t expect her to command the audience like she did. She’s truly a presence.

Showbams

Bob Dylan at the Hollywood Bowl … warts and all

By Pete Mauch //

Bob Dylan //
Hollywood Bowl – Los Angeles
October 26th, 2012 //

Bob Dylan came to The Hollywood Bowl on Friday night and played a solid 15-song set that contained many raspy growls, bluesy harmonica solos and not-so-quiet sing-alongs. The 71-year-old living legend managed to put together a fine little show, despite having a frog in his throat the entire time on stage.

Any Dylan fan these days should know to expect the raspy voice, very little guitar playing and unusual song arrangements from his shows. Knowing this, I went in with an open mind and a sense of amazement that I was actually seeing Dylan. He has played the Bowl three times before this show, the first time being all the way back in 1965 when he was just 25 years old, back in 1965 was when he first plugged in and went full electric at the classic Newport Folk Festival.

He opened the show with the upbeat classic “You Ain’t Goin’ Nowhere”, which I’ve always loved, and it was a great way to get things rolling. Dylan traded off between his mic stand and his piano the entire night. Not once did he care to pic up a guitar, which I felt was odd, but he does have Charlie Sexton on guitar duty. I was glad to hear “Tangled Up in Blue” early in the set. It had a nice bluesy solo by Dylan on harmonica, which was well-received by the crowd.

Being the enigmatic figure that he is, Dylan didn’t make good use of the many big screens at the Bowl. Instead of focusing in on his playing or at least giving us different perspectives on the screen, all they showed was a zoomed-out view of the stage. I’ve been to many shows at the Bowl, and these screens really do help with the overall show experience, so I felt bad for the many fans in the upper tiers. Dylan and his band continued with a standout version of “The Levee’s Gonna Break”, as he growled to the crowd in his raspy voice, which by this time had cleared up a bit.

Dylan has done a decent job of switching up songs this tour, except for his finale, so I was glad to hear “Desolation Row” and the swirly rocker “Highway 61 Revisited.” Dylan’s four-song finale was quite fun, as it consisted of classics of “Ballad of Thin Man”, “Like a Rolling Stone”, “All Along the Watchtower” and the stripped-down encore featuring “Blowing in the Wind”. It’s quite impressive knowing he penned all these songs, and I feel privileged to have seen him perform them live. I also found it pretty amusing to watch people try and sing along with Dylan because his arrangements and vocal phrasing are very different today then they were in all his classic albums.

Dylan is arguably the greatest American songwriter of our generation. Go see him live … warts and all.

Setlist:
You Ain’t Goin’ Nowhere
To Ramona
Things Have Changed
Tangled Up in Blue
The Levee’s Gonna Break
To Make You Feel My Love (Billy Joel cover)
Cry a While
Desolation Row
Highway 61 Revisited
Love Sick
Thunder on the Mountain
Ballad of a Thin Man
Like a Rolling Stone
All Along the Watchtower

Encore:
*Blowin’ in the Wind

B.B. King, Tedeschi Trucks Band delight at the Hollywood Bowl

By Pete Mauch //

B.B. King with Tedeschi Trucks Band //
Hollywood Bowl – Los Angeles
September 5th, 2012 //

Walking into the Hollywood Bowl armed with two bottles of wine, a six pack of beer, dinner and your lady by your side is guaranteed to be a good time. Now add one of the all-time great blues guitarists in B.B. King and powerhouse jazz/blues rockers Tedeschi Trucks Band with some summer weather, and having a great night out in LA seems inevitable.

As we ventured to our seats we were greeted with a beautiful cover of “The Night They Drove Old Dixie Down” originally from The Band. I really enjoyed the Tedeschi Trucks take on the song, especially Derek Trucks’ blistering lead solo after the final verse. 

The highlight of the set for me was the powerful cover of George Harrisons “Wah-Wah.” This was where Susan Tedeschi’s voice truly shined and was complimented well by Trucks’ finger-picking greatness. You can tell that Susan Tedeschi and Derek Trucks are husband and wife – they seem so relaxed on stage and I truly believe it lets the music play itself. I highly recommend the Tedeschi Trucks Band to all music lovers.

B.B King’s set started off with his band jamming and switching off leads for a solid 15 minutes, and it got the crowd roaring with anticipation. When B.B. finally took the stage, the 86-year-old was cracking jokes with the crowd and his band before they finally dove into some classic blues standards. It is really hard for me to write anything bad about B.B. King, but I must say it felt like he and his band were just trading off solos and not really playing full songs. The only true song that I remember him doing was “The Thrill is Gone”, and it was impeccable. I find myself asking why they didn’t play more songs, and for that I was left a little unsatisfied with B.B King’s set. 

The highlight of the evening for much of the crowd was the last song when Trucks, Tedeschi and John Mayer all joined King for yet another solo-oriented jam that had no real meat to it besides what Trucks offered, which was truly face-melting. I witnessed two of America’s greatest guitarists jam together, and for that, I am grateful.

King is already a true American legend, and Trucks is following right in his footsteps. Trucks began as a guitar prodigy coming up with The Allman Brothers Band, and he is clearly one of the greatest guitarists now. I look forward to following his career for a very long time.