WIN TICKETS: Wavves & King Tuff at Slim’s 10/16

Wavves

Enter your name and email address below for the chance to win 2 free tickets.

Nathan Williams and Co. bring a packed bill to Slim’s this Wednesday, and you know you wanna be a part of this thrashing good-time. Wavves, King Tuff and Jacuzzi Boys are three thrilling acts that have etched their names into the poppier side of skate punk music, full of angst, beer bottles and general rowdiness. These hard-touring giants will each present their own take on this skizzy, youthful style of rock music. Wavves continue to tour their fourth, and latest, release Afraid of Heights. Don’t sleep as this bill could possibly sell out with all the kids hoping to make their name in the pit.

Buy tickets if you know you want to go!


Win 2 Free Tickets!
Enter to win if you can attend this show Wednesday, October 16 at Slim’s in San Francisco.

Submit your full name and email address below.
Contest ends October 16 at Noon. Winners will be picked at random & notified by email. Your email will be kept private – we will share your email with no one.

Like Showbams on Facebook and follow Showbams on twitter to be eligible to win.

CONTEST CLOSED

WIN TICKETS: King Khan & The Shrines at Slim’s 10/13

KingKhan

Enter your name and email address below for the chance to win 2 free tickets.

Arish “King” Khan is an entertainer. Whether he is gyrating wildly on stage in a speedo, collaborating with RZA on mysterious projects or crooning about food stamps and other odd subjects, basically the guy knows how to create a frenzy. Khan returns to the road with his band the Shrines, touring behind their first release together in over six years, entitled Idle No More. There are few shows that can pack the punch that Khan and his 9-person band deliver on a nightly basis, and subsequently they’ve become royalty in the garage-punk world.

Buy Tickets if you know you want to go!


Win 2 Free Tickets! Enter to win if you can attend this show Sunday, October 13 at Slim’s in San Francisco.

Submit your full name and email address below.
Contest ends October 11 at Noon. Winners will be picked at random & notified by email. Your email will be kept private – we will share your email with no one.

Like Showbams on Facebook and follow Showbams on twitter to be eligible to win.

contest complete

Father John Misty launches solo tour, performs with giant iPhone

Father-John-MistyPhotos by Marc Fong // Written by Brooks Rocco //

On May 1st 2011, President Barack Obama announced that nearly 10 years after the September 11 terrorist attacks on the World Trade Center in New York, the United States had killed Al-Qaeda mastermind Osama Bin Laden. But the President did not make this announcement inside of a giant iPhone.

June 12th 1987, on the 750th Anniversary of the founding of Berlin, Germany, US President Ronald Reagan challenged Soviet Leader Mikhail Gorbachev to “Tear Down This Wall!” But this was not a proclamation made from inside a giant iPhone.

July 4th 0 A.D., Yeshua of Nazareth (later canonized as ‘Jesus’) was allegedly crucified for our sins. But on a crucifix, not an iPhone.

On Thursday, October 4 2013, at Slim’s Music Club & Bar, San Francisco, California (37.771492, -122.4132385N37° 46.2895′, W122° 24.7943’), Joshua Tillman, performing under the moniker ‘Father John Misty’, played the first night of his American solo tour inside of a giant iPhone.

Perhaps as a garish nod to today’s unconscionable habit of spending too much goddamn time photographing experiences rather than actually experiencing them, or perhaps as a sardonic ‘fuck you’ to those content wizards in charge of drawing up lines around artists that turn them into slide-show ponies on the never-ending entertainment loops we despicably adore, the giant iPhone served as an unceasing and brutal reminder of what our egoistic and poisoned humanity hath wrought, which was soon lost on Father John Misty’s nearly sold out crowd when, after a sip of tea and a knowing laugh, he strummed his guitar and began to sing.

Father-John-Misty

Playing a mixture of older tracks from his now gracefully aging Fear Fun (Sub Pop, 2012), alongside a selection of new songs likely to appear on his forthcoming record, Josh Tillman channeled his former alter-ego J, taking us all on a mellow ride down his own personal lazy river. A tender version of “Nancy From Now On”, a lushly arranged “Fun Times in Babylon”, the excruciatingly honest new ballad “Bored In The USA“, and another new one chronicling the formulation of religion, language, black holes (in souls, of course), boredom, drugs, human frailty, distress, and the beautiful futility of love set the crowd quiet, considerate, and attentive.

That said, Slim’s is not an open mic cafe filled with bohemians & bean bag chairs. It is a rock n’ roll club with a full bar, and plenty of people in attendance were undoubtedly wondering when exactly we gon’ get our whiskey shoes on. The air was filled with a simmering anticipation for the savvy and snarky theatric that Father John Misty shows have become known for — which indeed he nailed during his last stint at SF’s Fillmore. This, being the first night of the solo tour, was really just the first test in this solo experiment, and due to FJM being FJM, he’s having fun toying with the ideas and clichés of the “solo show”; of the artist-as-content; as the one-man-act-cum-singer-cum-songwriter; as the “guy you’ve all paid to see”. All in all, he seemed a little nervous, though rightly so. The tour’s only just begun, he’s not the iron-clad and confident Ubermensch that played the 10th Annual Henry Miller Memorial Library Benefit two weeks earlier to a silent, attentive, and mostly stoned crowd, sitting ‘neath the redwood trees. (see video)

Father-John-Misty

I briefly spoke to Josh before that show at Henry Miller, and he mentioned that he was nicknaming this the ‘Father John Misty Disappoints Everyone Tour’, noting that there would be plenty of people unaware that this would be just a dude with a wooden string-box sitting on a stage. Though I never got that vibe from the crowd at Slim’s — I heard no audible “HEY WHAT THE SHIT IS THIS”’s from anyone. There were occasional twinges of discourtesy when it became clear that no one was going to be dancing in this club. As a result, the stunningly graceful new tune “We Met In A Store” was more than just a little marred by talking, iPhoning, heads and minds wandering, etc., which took away from the song’s soaring climax. It’s tough to get people to pay attention when you’re just an app in an iPhone.

That said, other than a few nervous hiccups, the man’s voice absolutely soared in even this early night of the tour, and it’s only bound to get better. Ditching the band in favor of a solo tour, utilizing the name that’s been on that fast ascent to wherever-the-hell-it’s-going is a ballsy move, and the hyper-aware Josh Tillman is gearing up a truly memorable run.

To anyone put off by the lack of a backing band: rest reassured that seeing this artist open up in what is likely the most vulnerable state he’s put himself in to date is well worth the price of admission for anyone who considers themselves a fan. The old songs have matured, the new songs are sickeningly sweet, and hey, he even takes questions from the crowd!

“Why haven’t you done this sooner?” one up-fronter queried.
“Well, the market research didn’t demand it,” Josh Tillman replied, inside of a giant iPhone.

It appears the market is now demanding his iTunes.

Father-John-Misty

Stars round out doubleheader at Slim’s

StarsPhotos by Chaya Frash // Written by Molly Kish //

Entering into the second leg of their US tour, promoting latest album The North, Montreal-based indie rock veterans Stars visited two historic venues in SF. Playing shows at both the Great American Music Hall and Slim’s, the band’s following in the Bay Area made each performance a night to remember. When asked by the band’s animated front man Torquil Campbell, “Who joined us last night at Great American?” the audience at Slim’s erupted in cheers September 18. This led into what was ultimately a set-long love letter to the city of San Francisco and its dedicated base of fans.

Stars played a set that spanned their entire discography, catering to the eclectic crew of fans they’ve accumulated over the years. Dense with emotionally charged ballads, the crowd swayed along entranced by the onstage dynamics of Torquil Campbell and Amy Milan. A much more mellow show than their previous Bay Area performance at the Fillmore this past year, the band took the focus off of their newest material and delved deep into their nostalgic, melancholy tunes.

Stars

Stars certainly sprinkled in dance jams from The North throughout the night’s performance, but the real focus seemed to be on earlier heavy-hitting rock anthems, to the crowd’s delight. Igniting the intimate venue with “Take Me To The Riot” and “Bitches In Tokyo”, those in attendance shouted along in glee to songs that were mentioned to have not been played on stage in 14 plus years. The crowd was treated to extended stage time with the group’s touring violinist, who was celebrating an early birthday.

Matching the crowd’s enthusiasm, the band ate up the energy of the packed venue. At one point Campbell took a front row fans gift of Japanese lilies, then proceeded to bite and rip the heads off of their stalks and disseminate the bouquet into the crowd throughout the show. Campbell, who wore a handmade “Dead Child Actor” t-shirt, graciously thanked the female audience member for her help in “creating drama.”

Stars

Culminating the set with a four-song encore, punctuated by a stripped down, band pow wow of “The 400”, each member sat together in front of the drum set singing into two mics, and they ultimately turned to the audience for participation. Exiting one by one into the downstairs dressing room, Stars’ members emphatically professed their love for the bay area and promised to return soon.

The next course post tour for Stars is to finish recording their new album, then get back on the road again. Promising that SF will be one of their first stops post-production, the crowd responded with their own fond farewell, and the night came to a bittersweet end.

SETLIST:
The Night Starts Here
Ageless Beauty
A Song Is a Weapon
Death to Death
Wishful
One More Night
Fixed
Soft Revolution
Dead Hearts
Personal
Your Ex-Lover Is Dead
Backlines
We Don’t Want Your Body
Heart
Take Me to the Riot
Hold On When You Get Love and Let Go When You Give It
Walls

Encore:
Calendar Girl
The Theory of Relativity
Elevator Love Letter
The 400

Stars

WIN FREE TICKETS to Stars at Slim’s 9/18

Stars
Enter your name and email address below for the chance to win!

Montreal-based indie rock pioneers Stars will be headlining an intimate performance at Slim’s in SF this Wednesday, September 18. The band continues to tour in support of their critically acclaimed, sixth full length studio album of the same name. Comprised of an all-star cast of indie rock elite and part-time collaborators with genre defining super-group Broken Social Scene, Star’s members have interchanged from tour to tour. Star’s sound is exciting and romantic, as well as desperately melancholy — a rollercoaster of emotions soundtracked by legends in the industry. Their live show is not one to be missed!

The band debuted two brand new unreleased songs via exclusive vinyl, digital download and now are available on itunes. Less than 500 albums were printed for distribution, they are selling fast via pre-order and are available at merch tables on tour, while supplies last. Purchase here.


Win 2 Free Tickets! Enter to win if you can attend this show Wednesday, September 18 at Slim’s in San Francisco.

Submit your full name and email address below.
Contest ends Wednesday, September 18 at Noon. Winners will be picked at random & notified by email. Your email will be kept private – we will share your email with no one.

CONTEST COMPLETE

Like us on Facebook and follow us on twitter to stay in the loop for more contest giveaways.

Best live music venues in San Francisco // Bay Area

Photos by Sam Heller, Marc Fong, Maggie Corwin, James Nagel & Mike Frash

Photos by Sam Heller, Marc Fong, Maggie Corwin, James Nagel & Mike Frash

San Francisco is one of the best live music cities in the world — if an act is touring the western United States, they will most likely swing through SF. Packed into 7×7 square miles, the City by the Bay offers some kind of concert nightly. The East Bay, Oakland and Berkeley, respectively, is home to a growing number of live music options as more and more folks flee the City for better living costs.

Here are the best places to catch a show in or near San Francisco.

The-Independent

The Independent

628 Divisadero St. San Francisco, CA 94117
View Current Show Listings

What To Expect: The Independent boasts the best sound, artist curation and lighting in the Bay Area for any room close to it’s 500-person max capacity — and you can count on 3-5 shows per week. It’s a great venue to catch artists on the rise from virtually every music genre, and already-established groups such as Phoenix, Green Day, TV on the Radio and Band of Horses have performed at this intimate musical oasis.

Best Features: The general admission venue is a conveniently-shaped square; no matter where you watch the show, the sound is stellar and you can see what’s happening on the lifted stage. The staff is professional, friendly and drinks are easy to procure. The Independent is simple and perfect, an ideal platform to witness bands and DJs live before they get bigger.

Drawbacks: Bring earplugs and sunglasses if sensitive to sound and light. Arrive early to secure a parking spot if driving — if possible, take public transportation and grab a drink nearby before the show. Get there when doors open if you need a seat.

The-Fox

Fox Theater – Oakland

1807 Telegraph Ave. Oakland, CA 94612
View Current Show Listings

What To Expect: Fox Theater Oakland is a premium, large theater-style venue with a general admission floor and sizable, assigned-seated balcony overhead. The renovation of this historic site was masterfully achieved in 2009, conserving the stellar artwork and design features.

Best Features: No expense was spared in this renovation. Cool air rises from hundreds of vents in the floor, keeping attendees comfortable. The multitude of bars are fully staffed and efficient.

Drawbacks: In order to accommodate BART travelers, the venue has a pretty strict curfew, with shows ending well before midnight.

The-Fillmore

The Fillmore

1805 Geary Blvd. San Francisco, CA 94115
View Current Show Listings

What To Expect: The Fillmore is nondescript from the outside, but a classic gem once you enter and climb the stairs. Expect a warm welcome, a selection of free fresh apples in the tradition of Fillmore founder Bill Graham and a free poster of the evening’s show (if the event sold out three weeks in advance usually).

Best Features: A large general admission floor area (1,200 capacity), surrounded by adult-beverage facilitators, is overshadowed by the venue’s iconic chandeliers that add a touch of sophistication to any affair. There is an additional saloon upstairs with ample seating away from the stage, and live acts will perform here on occasion before and during the opening act. Also, be sure to head upstairs to view previous show posters.

Drawbacks: If having a seat is on the agenda, arrive early and head for the poster room. Snag a seat and cozy up to the balcony rail for the best view in the house, but the best sound can be found on the floor.

*Bonus Venue: The BooM BooM RooM across Geary Blvd. is an excellent place for a pre-show martini and to keep the party going once The Fillmore has wrapped for the evening. This room focuses on jamming into the late night, often until 4 a.m.

Great-American-Music-Hall

Great American Music Hall

859 O’Farrell St. San Francisco, CA 94109
View Current Show Listings

What To Expect: This historic space has been a beloved jewel for live music for well over 100 years, able to house some 600 attendees on any given night. As SF’s oldest nightclub, the Great American Music Hall can transport music fans to a more elegant era with its ornate balconies, soaring marble columns and elaborate ceiling frescoes.

Best Features: The Great American features a great variety of acts over the year and offers something for everybody. The space, sound and staff are top-notch. Opt for dinner and a show (quick tip: the food is great) to secure a seat on the balcony rail upstairs.

Drawbacks: The location is rather central to many areas of the city, though it’s not the safest in the the City. The venue’s lights are rather basic, but they aren’t needed in a room with such grand decor.

The-Greek

The Greek Theatre – UC Berkeley

2001 Gayley Rd. Berkeley, CA 94720
View Current Show Listings

What To Expect: A seasonal venue from the Spring to the Fall at the top of the UC Berkeley campus, The Greek Theatre can pack 8,500 folks into their popular, yet infrequent concerts. Constructed after the ancient Greek theater of Epidaurus in 1903 and listed on the National Register of Historic Places in 1982, this space often inspires magical performances.

Best Features: The sound from within the bowl provides incredible acoustics, but get there early for a spot in the seated steps or within the pit. If all seats are taken, get closer and stand in the general admission area as close as possible for a memorable live music experience.

Drawbacks: Don’t retreat to the grass — the magic is lost outside of the main bowl area. Getting to the venue (and back) requires walking up the campus, or driving to the top. Parking near the theater also means it will take forever to leave, and it will cost you $20 or more. Give yourself plenty of time and plan on walking. Shows won’t go past 11 p.m. due to the campus’ curfew, and be sure to head to the top of the grass for the quickest bathroom lines.

The-Warfield

The Warfield

982 Market St. San Francisco, CA 94102
View Current Show Listings

What To Expect: A 2,300-capacity theater located on Market Street, The Warfield beckons a near century-long history as a premier downtown music venue. Ornate gilding and details are found throughout this lovely space, and a recent renovation upgraded many areas in need of a little help.

Best Features: The tiered floor has become a staple for California mid-size venues like The Fox in Oakland and The Wiltern in Los Angeles, allowing an array of sight-lines for attendees. It’s in an easily accessible location with decent bars and restaurants within proximity.

Drawbacks: Mid-Market is trying to revive itself from a once-peppered history. Similar to many other “overhang” theater venues, the sound can leave a bit to be desired if in the middle or back of the general admission floor.

Bimbos 365 Club

Bimbo’s 365 Club

1025 Columbus Ave. San Francisco, CA 94133
View Current Show Listings

What To Expect: Bimbo’s 365 Club, located on the fringes of North Beach, offers one of the most unique live concert settings in SF. Red velour curtains and exquisite details lend to an entirely classy experience in this 685-capacity, theater-like live performance space.

Best Features: It’s not like any other venue in the City in regards to location and style — side rooms and bars create an ideal pre-show place to socialize and imbibe. The low stage creates an intimate atmosphere with the limited acts that grace the stage over the year.

Drawbacks: The North Beach location is not the easiest venue to reach in comparison to others, and the booking leaves much to be desired as folks love this space.

Rickshaw-Stop

Rickshaw Stop

155 Fell St. San Francisco, CA 94102
View Current Show Listings

What To Expect: This recent hot-spot hosts many up-and-coming indie acts bursting onto the scene before they graduate to larger rooms. Expect a hip crowd sipping on strong drinks in a no-frills room, enjoying heat-seeking artists from across the globe. Shows start late, even on weekdays.

Best Features: Rickshaw Stop has very dynamic booking, bringing in all sorts of parties to utilize this Civic Center area venue. The bar is efficient for a small-ish room that can fill up nicely, but not overly.

Drawbacks: It’s basically a long narrow room with a small “balcony”, therefore sight-lines can be rough for those who are vertically challenged on the main floor.

Mezzanine

Mezzanine

444 Jessie St. San Francisco, CA 94103
View Current Show Listings

What To Expect: Mezzanine specializes in up-and-coming club scene shows, hosting DJs from all over the world and bands that incorporate electronic elements into their music. Expect young people ready to party in a rectangular room that can hold up to 1,000 people.

Best Features: DJs will perform on the ‘side stage’, cultivating a dance-centric environment before and after live acts. A great choice for birthdays, bachelor parties and other special occasions, secure a table and bottle service on the floor or in a private area upstairs.

Drawbacks: Ins and outs are not permitted, and it can get a bit crunchy near the front and in the smoking area. Getting drinks can be a challenge during peak times.

Brick and Mortar

Brick and Mortar Music Hall

1710 Mission St. San Francisco, CA 94103
View Current Show Listings

What To Expect: An intimate, square space for live music, Brick and Mortar Music Hall in the Mission hosts concerts almost nightly, and they are always affordable. Rock, bluegrass, funk, soul and many more types of shows go down here.

Best Features: Brick and Mortar has that “neighborhood rock/club” feel — if you are in the ‘front row’, then you are basically on the stage — and it just became the new home of outcast swine-house Bacon Bacon during lunchtime.

Drawbacks: Cash only at the box office. It can get a little tight during capacity shows unless you squiggle to your left against the wall.

The-Chapel

The Chapel

777 Valencia St. San Francisco, CA 94110
View Current Show Listings

What To Expect: The newest venue in the heart of San Francisco’s Mission District, The Chapel opened in 2012 and includes an attached restaurant and bar. The building was originally built as a mortuary, so the funeral home’s Chapel was converted to the music room upon renovation. There is a mezzanine above the floor level of the Chapel for bird’s-eye view observing.

Best Features: The restaurant and bar is brand-new and swanky, and the high ceilings and beams in the formerly sacred space give it a unique, striking feel for live music. More acts are booked with each passing month, and bigger names becoming more frequent too. Artists usually have a rootsy and indie sound aesthetic, but The Chapel recently had their first DJ night.

Drawbacks: It’s a great location for nightlife, but not for parking. The stage is small, and it can be tough to secure a drink at peak moments.

The-New-Parish-why

The New Parish

579 18th St. Oakland, CA 94612
View Current Show Listings

What To Expect: This unique venue has recently sprouted up in the East Bay, and many are taking notice of their recent success. With a courtyard and large, wrap-around balcony, The New Parish offers many options for patrons to get down, watch the act or be social with friends.

Best Features: A plethora of national touring acts are opting to stay east of the bay and hold court in this ever-rising space. Securing a view of the stage isn’t terribly tough with a less traditional venue setup. Proximity to the Fox Theater makes it a popular place to keep the night going.

Drawbacks: The design of the space is unlike any other, and this has a few negatives regarding access to the bar or sound being optimal. It’s in Oakland and goes late, so not great for SF-bound BART riders.

Civic-Center

Bill Graham Civic Auditorium

99 Grove St. San Francisco, CA 94102
View Current Show Listings

What To Expect: As big an open, indoor floor space that exists in the Bay Area (not including arenas), the Bill Graham Civic Auditorium can fit 7,000 people into its vast confines.

Best Features: There’s plenty of floor space — and plenty of seats upstairs if you arrive early enough. The location adjacent to City Hall makes it easy to get to via public transportation. When the Civic Auditorium is packed and full of energy, it comes alive.

Drawbacks:
When the venue isn’t sold out, there’s an empty, hollow feel to live music here. The sound can seriously lack at times, especially from the sides. The best bet is to get in front of the large speaker banks (duh). Some acts, like Phish, bring additional sound equipment to fill out the copious space in the building.

Bottom-of-the-Hill

Bottom of the Hill

1233 17th St. San Francisco, CA 94107
View Current Show Listings

What To Expect: This legendary little rock club at the foot of Potrero Hill has room for 350 partygoers of varying ages. It’s a well-oiled and well-regarded space that breeds lively shows by bands of all sizes and eras.

Best Features: Not exclusively a 21-and-over club, Bottom of the Hill allows patrons of all ages the chance to enjoy a high-energy show in this wacky space. Ample parking, a large smoking section and reasonably priced drinks as well as tickets make it an ideal spot to rock out.

Drawbacks: The booking doesn’t veer terribly far off the path of rock ‘n’ roll. The lights are simple, as one might expect from a venue like this.

Cafe-Du-Nord

Cafe Du Nord

2170 Market St. San Francisco, CA 94114
View Current Show Listings

What To Expect: Walking down the stairs into the main room lends the vibe of a classic speakeasy with red velour and classical seating in the back. It’s yet another historic space to enjoy some fresh artists of the 21st century in an intimate setting.

Best Features: Located rather conveniently on Market Street makes Cafe Du Nord both accessible and flush with pre-show drink options. Cafe du Nord is amazing for the fan hoping to engage with his or her favorite artists.

Drawbacks: The room has an odd shape with a bar, seating and even a pool table in the back, while the front is slightly sectioned off for live music.

Slim's

Slim’s

333 11th St. San Francisco, CA 94103
View Current Show Listings

What To Expect: Slim’s is located in a lively section of SOMA, and the venue hosts a vast array of lively acts for an all-ages crowd with a maximum capacity of 400. A high-ceiling room with few frills makes it a good option for dedicated fans.

Best Features: A large bar makes grabbing a beer or cocktail a snap, and they offer dinner with premium, upstairs seating if that’s your thing. The sound is just fine to accommodate either hardcore punk-rock or some of the Bay’s finest hip-hop.

Drawbacks: Oddly-placed pillars can obstruct attendees’ views and make a sold-out room that much more less appealing.

Public-Works

Public Works

161 Erie St. San Francisco, CA 94103
View Current Show Listings

What To Expect:
Expect two venues in one. Public Works offers a live music space and a separate room dedicated to dance music curated by some of the best DJs around. A separate ticket is needed for each option.

Best Features: The location is pretty central to most of the City. The live venue offers a balcony overhang — get there early for the best spot in the house. The staff is friendly.

Drawbacks: There are a few columns that make the live space a bit cumbersome at times, and the mobility at sold-out shows can be tough.

The-Recency

The Regency Ballroom

1290 Sutter St. San Francisco, CA 94109
View Current Show Listings

What To Expect: The large, well-worn ballroom with a horseshoe-shaped, wrap-around balcony and teardrop chandeliers can hold plenty of people at The Regency Ballroom. Most shows are general admission.

Best Features: There are plenty of seats to grab upstairs if sitting is a must.

Drawbacks: Shows here are infrequent, and the sound can get drowned out at times by the massive space of the ballroom, especially from the seats. Drinks are priced astronomically.

WIN FREE TICKETS to Free Energy at Slims 6/8

FREEE_ENERGY

Free Energy will be power-pop rockin’ at Slim’s in San Francisco Saturday. Fresh off departing from DFA records and forming their own label “Free Energy Records”, the band is celebrating the release of their sophomore studio effort Love Sign. Free Energy’s debut album Stuck on Nothing received top honors from both Pitchfork and Rolling Stone, and they aim to continue their artistic growth and push themselves further by hitting the road with their new material.

Crafting their music in homage to the great themes of rock and roll, Free Energy creates songs that transcend categorization and aim to speak to their audience in meaningful ways. As the group writes on their Soundcloud Page, Love Signs is an album that “should be played on a cassette deck in a Camaro screaming down the highway; stereo cranked, feather roach clip dangling from the rearview,” and the new LP will be a principle focus of their 2013 Summer Tour. So put on your wayfarers and cut off jean shorts – these boys came ready to rock!


Win 2 Free Tickets! Enter to win if you can attend this show Saturday, June 8 at Slim’s in SF.

Fill out your full name and email address below.
Contest ends Friday June 7 at Noon. The winner will be picked at random & notified by email. Your email will be kept private – we will share your email with no one.

CONTEST CLOSED

Like us on Facebook and follow us on twitter to stay in the loop for more contest giveaways.

Noise Pop preview: Indie music, film and art take over SF

Noise-Pop-2013

“I think our tag line “Championing Independent Culture” is an accurate description of what we are.” ~Julie Zielinski, Assistant Producer of Noise Pop

Written by Mike Frash & Molly Kish //

Noise Pop, an indie music festival that features emerging artists and living legends, is poised to take over 25 San Francisco venues from February 26th-March 3rd. It began as a one-night affair at The Independent 21 years ago, and has expanded to incorporate independent film and a wider range of art into the sphere of the week-long event.

The artist curation has also evolved over the years. “We’ve definitely extended Noise Pop as a concept. It started out so much as indie rock like Built to Spill and White Stripes,” said Julie Zielinski from Noise Pop headquarters. “But since we began Treasure Island Music Festival, we have expanded to electronic music and even hip hop a little bit.”

Subscribe to our Noise Pop 2013 Spotify playlist.

As you’ll see below, some of the best looking Noise Pop shows have already sold out. But fear not! You can purchase a Festival Badge, which is a super value for show hoppers & concert addicts. The badge grants access to all general admission (non-seated) shows, films, happy hours, Culture Club and other events during the festival.

Noise-Pop-2013

“We try to curate really unique shows and while we often have big headliners, it’s super important to us to have local bands and West Coast representation in all of the supporting acts.” ~Kelleyann Schilke, Noise Pop Production Coordinator

Noise Pop Headliners
toro-y-moi
Toro Y MoiFriday & Saturday March 1 & 2 @ The IndependentSOLD OUT Buy a badge

Coming off the recent release of his third studio album Anything in Return, Toro y Moi (aka Chaz Bundwick) brings the sexy to this year’s Noise Pop lineup. Bundwick is a “chill wave” innovator rooted deeply within the genres of R&B, Soul and Funk and now dance with the new LP. Toro Y Moi, Bundwick’s full band, will be heating up The Independent for two sold out nights. With support from Sinkane and Dogbite, prepare to leave a sweaty mess with no tread left on the soles on your shoes.

Best show to boogie your way into some baby making.


!!! (Chk Chk Chk)
!!! (chk chk chk)Thursday February 28 @ Great American Music HallBUY TICKETS

Kicking off the weekend early with some movement, bi-coastal dance-punk party starters Chk Chk Chk will be bringing down the house at Great American Music Hall. With their fifth studio album Thr!!!er dropping April 30, which the band describes as “auricular magic,” one can anticipate !!!’s first show of their tour to include a healthy dose of new material along with crowd favorites. Festival veterans, Chk Chk Chk know how to motivate crowds to get asses shaking. Nic Offer’s ecstatic outfit has the ability to continuously satisfy long term fans and blow the minds of first time witnesses. Combine that with the added support of three up and coming acts led by White Arrows, and this show is one not to miss.

Best show to gain a new appreciation for booty shorts and leave with some stellar dance moves.


Amon-Tobin
Amon Tobin (DJ set)Friday March 1 @ Public WorksBUY TICKETS

After a widely successful and rigorous schedule promoting his 2011 album ISAM, Amon Tobin brings his special blend of performance art & gritty beats to Public Works. His latest work, coming in the form of a Two Fingers album Vengeance Rythym and remixes of “Chaos Theroy,” is bound to be front and center at his Noise Pop performance, bringing to life his unique vision of “dub step built on an interplanetary level.” Accompanied by hard hitting openers Maus Haus, Naytronix and Group Rhonda, this show displays the diversity of Noise Pop 2013 by slapping you across the face with dirty electronic talent.

Best show to attend ready to rage and leave with enough optical stimulation to inspire the completion of your visual arts thesis.


Starfucker (STRFKR) Friday March 1 @ The RegencySOLD OUT Buy a badge

Polyvinyl darlings and favorites amongst the electro-indie scene, Starfucker (aka STRFKR) make their way back to the Regency Ballroom for one of the most anticipated shows of the Noise Pop 2013 Festival weekend! Celebrating the release of their forth LP Miracle Mile February 19, the boys took some risks with their songwriting and produced what is being hailed as their most ambitious effort to date. In addition to their infallible dance-floor-ready discography, expect to hear some of their recent successful experiments with funk, psychedelic pop and disco. Taking the stage after one of the strongest opening acts of the festival, Blackbird Blackbird, this show will leave you ready to take the city by storm (on your way to 1015 Folsom).

Best show to find yourself singing, jumping, dancing and/or making out with someone, whether you know ’em or not.


Rogue-Wave
Rogue WaveFriday March 1 @ Bottom Of The HillSOLD OUT Buy a badge

East Bay indie rockers Rogue Wave are headlining an intimate show with Wymond Mills, Mwahaha, and Brainstorm at Bottom of the Hill. On the heels of a cryptically announced LP that is in the works, this one of two shows Rogue Wave has on their touring calendar. Eager to debut new material and backed by a killer local line up, Rogue Wave play chaperone to a bar mitzvah of local Bay Area talent. Welcome back to Zach!

Rogue

Best show to avoid your ex that you see across the room. The one that stole your copy of Out of the Shadow and is still sporting your Rogue Wave T-shirt. Awkward …


YACHT
YACHTSaturday March 2 @ SlimsBUY TICKETS

YACHT began as Jona Bechtolt’s solo project, but at a live show you are more likely to have your eyes on singer Claire Evans. Evans officially made YACHT a twosome in 2008, and they haven’t looked back since. YACHT is much more than a creative duo that tours with a full band and recreates their digital sound with live instruments. YACHT is a movement, even a borderline religion. I’m not kidding.

Best show to Overcome Humanity and Become Your Own God


thermals
The ThermalsFriday March 1 @ Rickshaw StopSOLD OUT Buy a badge

The Thermals bring their infectious post-punk energy to Rickshaw Stop for Noise Pop 2013. Aiming to tear shit up with Bay Area bad asses Dirty Ghost’s, The She’s and EV Kain, this lineup is bursting with with raw talent and youth. The central core of Noise Pop is to feature bands on the rise in venues known for breaking new artists – to call attention to burgeoning talent, ya dig? Get on it!

Best show to watch a female spill her drink on you while pogo dancing, make fun of you for how ridiculous you look and buy you a shot in place of an apology.


Kim-Gordan
Body/HeadTuesday February 26 @ Rickshaw Stop • BUY TICKETS

One of the most anticipated and exciting acts of the Noise Pop 2013 line up, Body/Head has even the most seasoned of music professionals’ tongues wagging with predicative prose. Noise Pop Assistant Producer Julie Zielinski says, “We have some fun shows like Body/Head, Kim Gordon’s side project. The thing about this one is that really none of us have heard it, so it’s going to be this huge surprise.” An experimental project formed by indie rock legend and founding member of Sonic Youth Kim Gordon and free noise guitar superstar Bill Nace, this outfit is one that falls nicely into the Noise Pop realm.

Best show to arrive with absolutely no expectations, except that you are seeing a new act before everyone else.


Damien-Jurado
Damien JuradoSaturday March 2 @ The ChapelBUY TICKETS

Those with a proclivity toward singer-songwriters might want to check out Damien Jurado at San Francisco’s newest venue The Chapel in the Mission. Lately Jurado has been been releasing new records at a yearly clip, and he’s currently touring on his 2012 effort Maraqopa. Jurado is certainly an under-the-radar talent; his songs and discography greatly outweigh his overall success.

Best show to discover a hidden musical gem.


Catch Em Before They Blow Up
thao

“I’ve been with Noise Pop for about five to six years now, and I remember the first year I said ‘Wow, I don’t even really know a lot of these bands,’ and I consider myself pretty well versed. Then from the progression of Noise Pop, to SXSW to the next set of festivals you would see bands like the Fleet Foxes play second of four at the Bottom of the Hill, then all of the sudden they are on the front cover of all of these magazines. It’s interesting to see how people are able to trampoline onto the next thing.” ~Julie Zielinski, Assistant Producer of Noise Pop

Thao & The Get Down Stay DownSaturday March 2 @ Great American Music Hall
SOLD OUT Buy a badge

Thao Nguyen, the spark-plug front-woman for The Get Down Stay Down, is ready for the spotlight and even mainstream radio-play with the release of We the Common on February 5. Title track “We the Common (For Valerie Bolden)” will be a hit – and for a good reason. The track plays on multiple genres successfully, contrasting a bluegrass/jazz based-sound with synth hits, alt-rock beat transitions and poppy, Regina Spektor-like accessible lyrics. By the time the refrain kicks in (“Whooo-a-hooo, haha), it becomes easy to speculate that Thao and The Get Down Stay Down could have a big year.

Ty-Segall-Fuzz
FUZZFriday March 1 @ The KnockoutSOLD OUT Buy a badge

When Trouble in Mind Records received an anonymous submission by a heavy psych rock band last year, the mystery of FUZZ was born in a wall of sound. When the veil was raised, it turned out to be Ty Segall and his long-time collaborator Charlie Moothart were the creators of this new ruckus. The plot thickened when it was learned that Ty was manning the drumkit while Moothart banged out riffs heavy enough to make Sabbath blush. Bongs across America rattled as this is no average stoner rock band. The vocals are unmistakably Segall, which couldn’t fit the limited tracks any better.

Having the pleasure of seeing this band at tiny Hemlock Tavern got me excited that this was not a waste of Segall’s increasingly valuable time and effort. Having known that Ty is competent on all instruments lends perfect sense to him truly wanting to try it all, and sooner than later.
-Kevin Quandt

DIIVFriday & Saturday March 1 & 2 @ Brick & Mortar Music HallSOLD OUT Buy a badge

Beach Fossil’s Zachary Cole Smith released a whopper of a solo effort in 2012 under the aquatic-name, DIIV (Dive). Heavy on the reverb and not lacking any quality of pop shoe-gaze mentality, DIIV’s sound has a way of grabbing you and holding on as the infectious guitar hooks play over and over in your skull. Apparently the secret is out, as two Noise Pop shows sold out rather quickly. The attention is deserved.

Nosaj-Thing
Nosaj ThingThursday February 21 @ California Academy of Sciences

Nosaj Thing produces subtle yet contemporary beauty at it’s finest. It was well worth the wait for Jason Chung’s new album Home under his Nosaj Thing monicker, as this fresh batch of progressive down-beat tracks is full of his unique sound. Nosaj Thing is headlining the weekly California Academy of Sciences Nightlife February 21, the Thursday before Noise Pop week.

Scene-Unseen
Washed Out, Toro Y Moi, Young Magic Scene Unseen II • Friday March 1 @ 1015 FolsomFree with RSVP

Did you see all the sick shows happening Friday March 1st? The place to be afterwards will be at 1015 Folsom, where Washed Out (Ernest Greene) and Toro Y Moi (Chazwick Bundick) spin at this free after-party.

Culture-Club-Logo

“The Culture Club, it is what all of these musicians and artists do outside of just making music…” ~Kelleyann Schilke

Culture Club Presented by Bay Bridged • Saturday @ Swedish American Music HallBUY TICKETS

Culture Club, now in its third year of celebrating this process and DIY spirit, gives you the rare opportunity to see and hear your favorite artists in the music, film, art, design, food and technology communities show in an interactive way how, why and what inspires them in creating their work(s). In addition to talks and unique performances, there are hands-on opportunities for participants to delve into their own creativity as well. Culture Club creates an all-around immersive experience to get in touch with your favorite creatives on a deeper and more insightful level.

“One thing we’re highlighting this year is Olek, who is a famous crochet artist that does “crochet bombing.” She’s going to come in a teach crochet workshops and talk about that aspect of public movement which is pretty cool.”

“Also highlighting music, we’ll be featuring Dust & Grooves: For the Love of Vinyl, whom are going to come in and take photographs of local musicians and their record collections, then talk about how people are influenced by music and how vinyl has continued to effect really popular music. The concept itself is really just to highlight how much music really effects artistic movement and movement in the world.” ~Kelleyann Schilke

Culture-Club

Noise-Pop-Film
Noise Pop Film SeriesBuy a film series badge

See a Little Light: A Celebration of the Music and Legacy of Bob Mould
Q&A with director Justin Mitchell & Bob’s manager Jordan Kurland
February 27 / Roxie Theater / 9 p.m. / $10

Last November at the Walt Disney Concert Hall in Los Angeles, some of today’s most influential artists gathered to celebrate the music of Bob Mould. Dave Grohl (Foo Fighters), Britt Daniel (Spoon), Ryan Adams, No Age, Craig Finn and Tad Kubler (The Hold Steady), Margaret Cho with Grant Lee Phillips, and Jessica Dobson (The Shins, Deep Sea Diver) all performed songs from Bob’s historic catalog. Fortunately, the entire evening was captured in stunning audio and high-quality video quality by filmmaker Justin Mitchell. Justin and his camera crew followed Bob and the other artists meticulously throughout their day catching the rehearsals, preparation, interactions—and of course the night’s unforgettable performances.

“We also have a lot of great films I’m excited about like See a Little Light, A Celebration of the Music and Legacy of Bob Mould. Shepard Fairey is going to be there as well as Jordan Kirland, our boss in honor. Also the Bad Brains film, I’m excited about that as well.” ~Julie Zielinski

Noise-Pop-Art

Strom Thorgerson & Hipgnosis Taken by Storm: Iconic Album Art
Pre-screening Reception: Thursday, February 28, 2013 / 5–8 p.m.
San Francisco Art Exchange; February 28th-March 16th

For over 40 years using album covers as his canvas, Storm Thorgerson has created some of the most iconic images in the history of music from Pink Floyd’s Dark Side of the Moon, Led Zeppelin’s Houses of the Holy, Peter Gabriel, Black Sabbath, Paul McCartney to Biffy Clyro, Muse, The Mars Volta—in fact possibly 80% of your classic vinyl collection! Eschewing digital manipulation in favor of building massive sets and tableaus, staging performances and actions and ‘doing it for real’, Storm has deliriously confounded expectations of the relation of images and music, hyperrealism and the everyday, and the role of the record sleeve at the intersection of art and commerce.

Taken by Storm, with Storm Thorgerson is really being hyped and will be accompanied by a champagne toast down at the SF Art Exchange downtown, which has the world’s largest collection of Rock and Roll Art, which is really neat as well and such an honor to have that as part of the festival.” ~Kelleyann Schilke

San Francisco Rocks! Noise Pop & Treasure Island Photography (2007–2012)
Opening: Thursday, February 7, 2013 / 7 p.m.
Festival Reception: February 26th, 2013 / 5 p.m. / Hotel Biron

In the past five years Noise Pop has brought the Bay Area some incredible live music from local bands. And, while most of us were just getting off on the music itself, a select group of some of the world’s best music photographers were taking some spectacular shots of these shows. This exhibition is a rare treat as we get a unique look at what’s been happening onstage here in our own backyard over the past half a decade.

TIMF

Showbams’ best shows of 2012

Showbams contributors name their favorite shows of 2012.

It has been a top-notch year for live music, and we witnessed some great acts that have come through California over the past 12 months. Check out our favorite shows from 2012.

What was your favorite concert in 2012? Let us know in the comments below.

The xx at Treasure Island Music Festival

The xx at Treasure Island Music Festival

Mike FrashSan Francisco

1. Sigur Rós at Outside Lands Music Festival – San Francisco, CA – August 11th
Leaving Metallica for Sigur Rós to end the second day at Outside Lands was a torturous decision. Metallica was a warzone spectacle, but i stuck to my guns and headed to the Twin Peaks stage. I’m glad I did. Jonsi now conducts a mini orchestra, and the eerie SF fog lowered on command to the slow builds & crescendos. It was a spiritual show that effected me more than any other concert in 2012.

2. Japandroids at The Independent – San Francisco, CA – June 14th
Brian King and David Prowse brought ecstatic energy to the sold out Independent in June the week after Celebration Rock was released. Brian King understands how to control the pace of his set, offering fun pre-song statements that prepare you for what’s next. Their songs are vibrant live – it doesn’t sound like only two people are playing instruments. They truly seem to live the life they glorify on their 2012 album – still drinking, still smokin, and full of hyperactive desperation.

3. Phish (Night #3) at Bill Grahm Civic Auditorium – San Francisco, CA – August 19th
The highly anticipated phish three-show SF run in August started off a bit slowly. Saturday’s show left me a little bummed about Phish due to some sloppy play (“Split open and melt”) and what felt like a lack of enthusiasm. I was questioning why I still see Phish live heading into the last show of the weekend. My lowered expectations combined with a killer show quashed those thoughts. “Crosseyed and Painless” > “Light” > “Sneakin’ Sally” > “Crosseyed” was some of the best Phish I’ve ever heard, “Boogie on” redeemed Stevie Wonder’s omission of the song at Outside Lands the week before, “Meatstick” made me really happy, and the San Francisco-mentioning “Ride Captain Ride” made a surprise encore appearance. The show was pure bliss.

4. The Rapture at Coachella – Indio, CA – April 13th
5. The xx at Treasure Island Music Festival – San Francisco, CA – October 14th
6. The Presets at The Independent – San Francisco, CA – October 12th
7. STS9 at High Sierra Music Festival – Quincy, CA – July 5th-6th
8. Head and the Heart at Hardly Strictly Bluegrass – San Francisco, CA – October 6th
9. Tame Impala at The Fillmore – San Francisco, CA – November 15th
10. My Morning Jacket at Greek Theatre Berkeley – Berkeley, CA – September 15th

Honorable Mentions:
Father John Misty at Jansport Bonfire – San Francisco, CA – September 30th
Of Monsters and Men at The Independent – San Francisco, CA – March 22nd

My Morning Jacket

My Morning Jacket at The Wiltern

Pete MauchLos Angeles

1. My Morning Jacket at The Wiltern – Los Angeles, CA – September 13th
MMJ capped off the best three-night run I saw this year with this stellar closing show complete with a horns section. This is a big statement for a band I knew I loved but wasn’t fully convinced about until this night. Highlights: “All Night Long” and “Movin On Up” with horns.

2. Phish at Bill Graham Civic Auditorium – San Francisco, CA – August 19th
Phish played a terrific 3-night run, and topped off by an amazing Sunday night show that proves that Phish is still top of the Jam Scene. Highlight: Light > Sneakin Sally Through the Alley

3. Ryan Adams at Walt Disney Concert Hall – Los Angeles, CA – February 17th
Ryan Adams, an acoustic Guitar, and a Piano is all this show contained, and it was truly special. Adams’ classic songs stripped down with his raspy croons is all I needed to make this a top show of the year. Highlight: “Rescue Blues” on Piano “Holy Diver” on Guitar

4. Trey Anastasio and LA Philharmonic at Walt Disney Concert Hall – Los Angeles, CA – March 10th
5. Neil Young & Crazy Horse at Hollywood Bowl – Los Angeles, CA – October 17th
6. Charles Bradley with Menahan Street Band at Royce Hall – Los Angeles, CA – November 29th
7. Radiohead at Coachella Music Festival – Indio, CA – April 21st
8. Trombone Shorty at Key Club – West Hollywood, CA – February 11th
9. Wilco at Hollywood Palladium – Los Angeles, CA – January 24th
10. New Multitudes (tribute to Woody Guthrie) at Mayan Theater – Los Angeles, CA – March 7th

Honorable Mentions:
Phish at Long Beach Arena – Long Beach, CA – August 15th
String Cheese Incident at Greek Theatre Berkeley – Berkeley, CA – July 14th
Roger Waters presents “The Wall” at LA Memorial Coliseum – Los Angeles, CA – May 21st
Umphrey’s Mcgee (True Hollywood Stories acoustic show) at House of Blues – West Hollywood, CA – March 16th

The Faint

The Faint at The Regency Ballroom

Molly KishSan Francisco

1. Radiohead at HP Pavilion – San Jose, CA – April 12th
After merely catching glimpses of them while shoved against thousands of festivalgoers at Outside Lands 2008, I was determined to catch Radiohead the next time they came through the Bay Area. The sound, visuals, performance and energy of the evening were electrifying. Although I was extremely lucky to have been viewing the concert from the sixth row, the entire crowd looked as though they were just as lost in the moment as I was. The band’s enigmatic stage presence, fully developed set composition and career-spanning choice of material made for one of the most collectively impressive concert experiences that I have ever witnessed.

2. Of Montreal with Deerhoof, Kishi Bashi at Slim’s – San Francisco, CA – March 22nd
As a long time Of Montreal fan, I was ecstatic to get the opportunity to interview their opening act and latest addition to the lineup (Kishi Bashi) the night of their Slim’s performance. It wasn’t only for the sake of getting a personal perspective on the band, but also due to the fact that this would actually be my first time catching them performing live. The entire show and evening that followed was everything I could’ve wanted for my first experience seeing Of Montreal. Accompanied by three screens of psychedelic visuals, various costumed extras, balloon drops, props and whole score of vaudevillian rivalry, the band took the crowd and venue by storm. During the encore to top it off, I was able to reconnect with Kishi Bashi and ended up initiating an after-party with the entire band, crew and record label affiliates at an industrial themed “dark carnival,” taking place across the street at local dive bar Butter. Several jello shots, deep-fried twinkies and contortionist carnie-prompted dance battles later, I looked around and felt assured that I had enough material to develop my own personal “Of Montreal” concert story contender.

3. The Presets at Treasure Island Music Festival – San Francisco, CA – October 13th
Completely blown away by their performance the night before, I was overwhelmed with excitement and intrigue to see how the Presets could accomplish translating such energy to a festival setting. Anyone who had caught their Treasure Island Music Festival opener at the Independent instantly was taken over by sensory recall as they broke into song almost right where they left us hanging less than 24 hours earlier. Almost in homage to those who witnessed them destroy their previous set, they picked the dance party up right where they left off, only this time kicking it up about ten notches with the accompanied stage show, visual intensity and professional grade sound of seasoned professionals. Completely upstaging their more commercially recognized headliner and showing the younger generation how it should be done, they stole the show and were easily the stand out act of the 2012 TIMF. To this day I still find myself saying that I wish I could continually be going to a Presets show, based off of the concert experience I had at these two performances.

4. Dan Deacon at Great American Music Hall – San Francisco, CA – October 23rd
5. Against Me! at The Catalyst – Santa Cruz, CA – September 10th
6. The Faint at The Regency Ballroom – San Francisco, CA – November 18th
7. Justice at Fox Theater Oakland – Oakland, CA – November 4th
8. Metallica at Outside Lands Music Festival – San Francisco, CA – August 10th
9. Animal Collective at Fox Theater Oakland – Oakland, CA – September 21st
10. The Shins at Santa Cruz Civic Auditorium – Santa Cruz, CA – April 22nd

Honorable Mentions:
Yeah Yeah Yeahs at Creators Project – San Francisco, CA – March 17th
Cold War Kids at Bottom of the Hill – San Francisco, CA – March 5th
Dr. John at The Independent – San Francisco, CA – August 17th
Girl Talk at Sasquatch! Music Festival – George, WA – May 25th

David Byrnes & St. Vincent

David Byrnes & St. Vincent

Kevin RaosSan Francisco

1. David Byrne & St. Vincent at Orpheum Theater – San Francisco, CA – October 15th
This is my number one show of 2012 for a couple of reasons. First off, Love this Giant, the recently released collaborative album between Byrne and St. Vincent, was a major disappointment. One of my most anticipated albums of the year ended up being one of the most disappointing. All was redeemed, however, when I saw these songs performed live. The accompanying brass band and the chemistry on stage breathed new life into was I felt was a stale album. Playfully executed and precisely choreographed, these songs shined live.

Secondly, I am a huge David Byrne fan and was able to check a big one off my bucket list of musical artists. Byrne’s career needs no introduction, and this evening we were treated to a few Talking Heads classics such as “Burning Down the House”, “This Must Be the Place (Naive Melody)” and “Like Humans Do”.

This show was simply a once in a lifetime experience.

2. Phish at Bill Graham Civic Auditorium – San Francisco, CA – August 19th
A three night run at the Bill Graham Civic Auditorium was capped off with a masterful performance by jamband kings, Phish. The final night of the run was easily the best night as the band flexed their improvisational muscles in a blistering two-set performance, highlighted by covers of the Talking Heads’ “Crosseyed and Painless” and Robert Palmer’s “Sneakin’ Sally Through the Alley.”

3. Sigur Rós at Outside Lands Music Festival – San Francisco, CA – August 11th
Sigur Rós on my birthday to cap off an unbelievable festival day? How could it possibly get any better? It can’t really.

4. Duo de Twang at Terrapin Crossroads – San Rafael, CA – October 4th
5. Keller Williams, Steve Kimock & Kyle Hollingsworth feat. Bernie Worrell, Wally Ingram & Andy Hess at Hardly Strictly Bluegrass Music Festival – San Francisco, CA – October 7th
6. Miike Snow with Penguin Prison at Fox Theater Oakland – Oakland, CA – April 12th
7. Washed Out at Mezzanine – San Francisco, CA – May 4th
8. Electric Guest at The Independent – San Francisco, CA – November 2nd
9. The Album Leaf with Blackbird Blackbird at Bottom of the Hill – San Francisco, CA – September 30th
10. CITIZENS! with Tomorrow’s World, Lescop and Housse de Racket at Rickshaw Stop – San Francisco, CA – October 12th

Honorable Mentions:
Zee Avi at The New Parish – Oakland, CA – September 28th
M83 at The Fillmore – San Francisco, CA – April 22nd

Japandroids

Japandroids

Eric ShadenSan Francisco

1. D’Angelo at House of Blues – West Hollywood, CA – July 4th

2. Passion Pit at Rock en Seine – Paris, France – August 26th

3. STRFKR at The Independent – San Francisco, CA – January 7th

4. Stevie Wonder at Outside Lands Music Festival – San Francisco, CA – August 12th
5. Miike Snow with Penguin Prison at Fox Theater Oakland – Oakland, CA – April 12th
6. A.Skillz + Krafty Kuts Presents Tricka Technology at MIGHTY – San Francisco, CA – June 1st
7. Aaron Freeman (Gene Ween) at The Independent – San Francisco, CA – October 19th
8. Japandroids at The Independent – San Francisco, CA – June 14th
9. Guns N’ Roses (Bridge School Benefit) at Shoreline Amphitheatre – Mountain View, CA – October 21st
10. Kid Koala (Vinyl Vaudeville Tour) at The Independent – San Francisco, CA – November 4th

The Lumineers

The Lumineers at The Chapel

Marc FongSan Francisco

1. Edward Sharpe and the Magnetic Zeros at Slim’s – San Francisco, CA – March 25th
It’s not often I gush like a school girl (only about once or twice a week), but seeing ESatMZ at Slim’s was panty dropping. Can I say that? Well, I just did. It was a secret/private show so Slim’s was overcrowded. I stood center stage close enough to see the dirt on Alex Ebert’s suit. The sound was great, and the band always puts on a damn fine show.

2. The Lumineers at The Chapel – San Francisco, CA – October 11th
LIVE 105 brought the Lumineers to newly opened Chapel in SF and the band didn’t disappoint. The venue was the perfect size for the band and like most of the other bands on this list, the Lumineers had fun playing and it made for a great show.

3. Kronos Quartet at Greek Theatre Berkeley – Berkeley, CA – October 5th
OK, this was really Amon Tobin’s show, but Kronos opened and performed beautifully. Being a longtime fan, it’s not a surprise these openers made my list. Great music from great performers. And the Greek Theatre in Berkeley was the best venue to see them at … and most other concerts.

4. Willie Nelson and Family at Fox Theater Oakland – Oakland, CA – March 15th
5. Of Monsters and Men at The Independent – San Francisco, CA – May 22nd
6. Fun. at The Independent – San Francisco, CA – May 28th
7. Sage Francis at The Independent – San Francisco, CA – March 17th
8. Steve Aoki at Bill Graham Civic Auditorium – San Francisco, CA – January 21st
9. Edward Sharpe and the Magnetic Zeros at Fox Theater Oakland – Oakland, CA – May 12th
10. Avicii at Bill Graham Civic Auditorium – San Francisco, CA – June 28th

Tame Impala at The Fillmore in November

Tame Impala at The Fillmore

Kevin QuandtSan Francisco

1. The Walkmen at The Independent – San Francisco, CA – January 20th-21st
These 10th anniversary shows were a Walkmen fan’s wet dream as they played their first album in full among multiple sets and configurations including a horn section. Over 30 songs of Hamilton Leithauser and company churning out their own brand of rock and roll to devote fans from across the States.

2. Refused with The Hives, The Bronx at The Warfield – San Francisco, CA – April 18th
Having seen their Coachella show a week prior, the anticipation was less palpable, yet the reigning post-punk champs delighted a more rowdy and dedicated crowd with a spirited set for the masses who patiently waited a decade to witness.

3. Trey Anastasio with Los Angeles Philharmonic at Walt Disney Concert Hall – Los Angeles, CA – March 10th
Dressing up for a show is fun, especially when Trey is at the helm of philharmonic symphony in one of the best rooms to hear, and see, music in. From the playful rendition of “Guyute” to the half hour “Time Turns Elasctic,” this night had the packed concert hall re-charmed by Ernest and his recharged song book.

4. Tame Impala at The Fillmore – San Francisco, CA – November 15th
5. Phish at Bill Graham Civic Auditorium – San Francisco, CA – August 19th
6. Woods & White Fence at The Chapel (Preservation Hall West) – San Francisco, CA – October 17th
7. Howlin Rain at The Independent – San Francisco, CA – February 18th
8. Radiohead at Santa Barbara Bowl – Santa Barbara, CA – April 12th
9. Father John Misty with Har Mar Superstar at Bottom of the Hill – San Francisco, CA – May 5th
10. Mala at Yoshi’s – Oakland, CA – June 23rd

Festival sets:
Sigur Rós at Outside Lands Music Festival – San Francisco, CA – August 11th
Future Islands at FYF Fest – Los Angeles, CA – September 1st
Flying Lotus at Coachella – Indio, CA – April 14th

Justice

Justice at The Warfield

Sean LittleSan Francisco

1. Justice at The Warfield – San Francisco, CA – November 4th
What else is there to say about Justice that hasn’t already been said. They came, they saw, and they melted faces with an amazing set the blew fans away and converted first timers alike. At least half my friends decided to go last minute (tickets were still available because it was a Sunday) and all of them became huge fans. Some of these friends are not into electronic music of any kind either, so that really says something. It was one of those rare shows where you leave euphoric and can’t stop saying “wow” to the people you went with.

2. Florence & the Machine at Coachella – Indio, CA – April 15th
The only other performer I’ve ever seen that commanded an audience like Florence did was Snoop Dogg back in 02 at the Smoke Out (stop-you’re not better than me so put that eyebrow back down). It was one of the rare festival sets where everyone felt really in tune with the performer and each other, singing along and knowing when to interact with each other and the songs. She was absolutely amazing, and the set was a dark horse highlight to my festival as I didn’t expect her to command the audience like she did. She’s truly a presence.

Showbams