The Last Shadow Puppets continue their ascent in front of a sold-out crowd at The Fillmore

The Last Shadow PuppetsPhotos by Diana Cordero // Written by Rachel Goodman //

The Last Shadow Puppets with Alexandra Savior //
The Fillmore – San Francisco
April 17th, 2016 //

It had only been eight years since I had seen The Last Shadow Puppets. At the time, I was raving about how brilliant their debut LP The Age of the Understatement was. It was also a show that had stayed with me. I remember watching them from the balcony at New York City’s Hammerstein Ballroom. Even then, I knew that venue had to be too small for them. That said, I am still a bit dumbfounded that The Last Shadow Puppets aren’t huge and can still play venues like The Fillmore. It’s not a bad thing, at least as a fan. But they came back stronger than ever this year with their sophomore studio album Everything You’ve Come to Expect, which was released a few weeks ago.

Long story short, Alex Turner (Arctic Monkeys) and Miles Kane (The Rascals) should be that huge with this band. TLSP are a departure from Arctic Monkeys, but this is by far the better band. The two of them are the ultimate crooners. The way they sing to you, as if you’re the only person in the crowd, is pretty amazing. With their suits and dapper look, I was instantly reminded of the Rat Pack, with Turner combing his hair back as he takes a rest while Kane sings. Throw in some cool Tom Jones swagger and the emotion of Morrissey, and you get Turner. He has the charisma and charm that only Morrissey possesses.

I don’t think I had been to a show in a long time in which the girls were screaming like they were watching The Beatles. The girls were going crazy for Turner, including throwing things on the stage (unfortunately we can’t say for sure if there were any bras or panties that flew through the air). Their high-pitched screams and giggles when Turner looked their way were amusing. Sure, he’s a handsome man (and he knows it), but my God — when he sings, he becomes even more attractive. Miles, meanwhile, is the much louder, brasher of the two in commanding attention. The two of them together, however, work perfectly. And when they sing together, arms around each other, it really shows their fondness for one another.

The Last Shadow Puppets

Onto the music … TLSP brought a strings section to their show, an added element that helped keep things fresh and new. The show began with the beautiful sounds of violins and cellos, but the moment TLSP got onstage, the whole floor at The Fillmore lit up in billows of smoke. I’m sure the band was stoned by the end of the show if it hadn’t been already, appearing beyond excited to be playing on a Sunday night in SF. Turner and Kane must have yelled out something about SF every few minutes and incorporated SF into some of their songs. They were so incredibly tight, and I felt their set in some ways was a bit better than what I had witnessed years ago — the mix and order of the songs felt more succinct at The Fillmore.

Most of the songs were the same, save for “Used to Be My Girl”, which exudes pure sex and sultriness. The melodies from Turner and Kane in that song are absolutely perfect as their voices blend together so beautifully; it’s a song they should always perform live. “She Does the Woods” (with the intro from Arctic Monkeys’ “Joining the Dots”) came a couple songs later. Turner sounded so great on that song alongside Kane’s breathy vocals.

The one thing missing was the talkativeness of the band. Turner and Kane must have asked the crowd, “How you doing SF?” almost after every song and repeatedly said how excited they were to be performing in the City. In retrospect, the Santa Cruz crowd the following night was much more energized. People were beyond excited to see TLSP, with the line to get into The Catalyst wrapped around the block and down the street more than an hour before showtime. The crowds, though, were polar opposites with the Santa Cruz show filled with mostly college students from nearby UC Santa Cruz and other younger fans. Perhaps, SF’s music scene has become “too cool” where people don’t show their emotions. Either way, both shows that the band played in Northern California were incredible.

The Last Shadow Puppets

Some of the standouts from the SF show were easily off The Age of the Understatement. The ever-catchy “My Mistakes Were Made for You” showed just how great of a singer Turner is. “Standing Next to Me” has some of the best harmonies, especially as it transitions into the chorus, and “The Age of the Understatement” has the best buildup of any TLSP song, always making me think of a bullfight as it just gets more and more intense. “Meeting Place” was quite possibly my favorite song of the night with the strings section creating an emotional vibe along with Kane’s soft vocals and Turner’s dance moves/hip shaking. The song’s lyrics are heartbreaking, yet so beautiful at the same time.

It’s also awesome that TLSP are still playing pretty much everything off their two LPs. They could have cut their shows on this tour short, but they really put on quite a performance, one that included a cover of The Beatles’ “I Want You (She’s So Heavy)”. “Dracula Teeth”, which saw Kane playing the hell out of his guitar, was another pretty song, and the band’s single “Bad Habits” might be its most catchy tune of them all.

Opening the show was Alexandra Savior. She collaborated with Turner on her album, and he co-wrote most of the songs with her. At the Santa Cruz show, I noticed that he stood by the side and watched her perform while looking quite pleased. While she sings well, she seemed a bit too precious and twee for me. She was almost too cute — if that’s even possible — but at times, she had a sultriness and sexiness to her that made her quite appealing. She still put on a captivating show and should be one to watch down the road.

Setlist:
Everything You’ve Come to Expect (Extended string intro)
Sweet Dreams, TN
Meeting Place
Miracle Aligner
Dracula Teeth
Calm Like You
Used to Be My Girl
Aviation
She Does the Woods (Arctic Monkeys’ “Joining the Dots” intro)
Bad Habits
Only the Truth
The Element of Surprise
The Age of the Understatement
Pattern
My Mistakes Were Made for You
In My Room

Encore:
Standing Next to Me
The Dream Synopsis
I Want You (She’s So Heavy) (The Beatles cover)

Fauxchella Shows of the Month // GO4FREE to Hudson Mohawke, Savages or DMA’s

Hudson Mohawke & SavagesWritten by Nik Crossman //

Can’t make it to Coachella this year? No worries! We’ve got you covered with tickets to some of the best Fauxchella shows in the Bay Area.

Win a pair of free tickets to one of our Fauxchella Shows of the Month by entering your name and email below.


DMA’s: April 15th (FRI) @ The Independent // BUY TICKETS

Releasing their debut LP in February, these Aussies continue to rise on the popularity of their single “Delete”. Before heading down to the desert for their Saturday set at Coachella, DMA’s will headline The Independent the day before to showcase their unique, layered harmonies and acoustic-to-electric transitions.

Contest ends Friday, April 15th at 3 p.m.


Savages: April 19th (TUE) @ The Fillmore // BUY TICKETS

Pulling their name from the 1954 novel Lord of the Flies, this London-based punk quartet is the “closest thing to art that post-punk has offered in a while,” writes The Guardian. Their latest and second full-length album Adore Life dropped in January and peaked at No. 26 on the UK charts. In between their two sets at Coachella, Savages will make a pit stop in SF to play The Fillmore.

Contest ends Tuesday, April 19th at 3 p.m.


Hudson Mohawke: April 21st (THUR) @ Mezzanine // BUY TICKETS

Better known by his stage name Hudson Mohawke, Ross Birchard is a Scottish DJ/producer from Glasgow who started his claim to fame by becoming the youngest ever DMC UK finalist. Building on his early popularity through his work as a turntablist, he continues to win over fans with his genre-smashing, wonky approach; in 2013, he signed on to Kanye West’s GOOD Music label. If you can’t make it to Coachella, make sure to catch him in SF for a Thursday night party at Mezzanine.

Contest ends Thursday, April 21st at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Chuck Prophet: April 15th (FRI) @ Great American Music Hall
(((folkYEAH!))) Presents Marc & the Casuals with special guest Sean Hayes & Extra Classic: April 15th (FRI) @ The Chapel
Haelos: April 19th (TUE) @ Brick & Mortar Music Hall
Bombino: April 22nd (FRI) @ The New Parish
Keller Williams: April 22nd (FRI) @ Great American Music Hall
Bombino: April 23rd (SAT) @ The Independent
Day Wave: April 25th (MON) @ The Independent
Say Anything: April 27th (WED) @ Slim’s
Garden & Villa: April 27th (WED) @ Brick & Mortar Music Hall
Fruition: April 28th (THUR) @ The Chapel
The Sam Chase: April 29th (FRI) @ Great American Music Hall
The Slackers: April 30th (SAT) @ Slim’s
Thao & the Get Down Stay Down: April 30th (SAT) @ The Fillmore


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

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With Nicki Bluhm joining them at The Fillmore, The Infamous Stringdusters kick things into overdrive

The Infamous StringdustersBy Benjamin Wallen //

The Infamous Stringdusters feat. Nicki Bluhm with Della Mae //
The Fillmore – San Francisco
February 20th, 2016 //

The Fillmore welcomed Charlottesville’s Infamous Stringdusters to SF for a fun-filled night of bluegrass tunes last Saturday, and opening the show was Della Mae. These ladies from Boston have been delivering quality music for bluegrass lovers across the U.S. and around the world. In fact, their self-titled third LP was my favorite album of 2015.

Della Mae is what we all love about bluegrass, a perfectly tight group playing with roots and wisdom shining through on every song. “Old souls” would be a great way to describe their sound, but it’s also richly filled with life and energy. The last time I saw Della Mae they filled The Chapel, and this time they returned to a packed Fillmore — not a bad way to make your return to SF if you ask me. Although the six-piece lost out on a Grammy to the legendary Del McCoury in 2014, I imagine we will see them back up on the pedestal again sooner than later.

Della Mae


Della Mae

The Infamous Stringdusters, meanwhile, brought the heat and along with it, Bay Area favorite Nicki Bluhm to sit in on a few songs. Bluhm, the singer-songwriter who hails from Lafayette, Calif., and has collaborated with Chris Robinson, Bob Weir, Phil Lesh, Warren Haynes, Grace Potter, The Avett Brothers, Keller Williams and Galactic, proved to be a great fit, blending in perfectly with the group’s “jamgrass” sound — something different from the more traditional Americana rock/soul she usually cooks up as a solo artist — like the perfect amount of spice.

The Stringdusters blazed The Fillmore and whipped up a great double set that was incredible to witness. The last time I saw these guys was at Winter Wonder Grass in Lake Tahoe almost a year ago, and they definitely kicked it into overdrive at The Fillmore. I cannot wait to get back out to see them soon, and if they come through your town, make sure you don’t miss them.

Alessia Cara has a promising career ahead of her

Alessia CaraBy Steve Carlson //

Alessia Cara with Kevin Garrett, Craig Stickland, Leaf //
The Fillmore – San Francisco
February 11th, 2016 //

Toronto-area native and YouTube sensation Alessia Cara, 19, brought her soulful pop to The Fillmore last week in support of her debut LP Know-It-All, and the sold-out crowd was ready and eager for what proved to be a long and diverse night of music. The show featured no less than three opening acts, each with a completely different musical style from the others — truly a fitting lineup for the legendary Bill Graham’s former home.

First up was New York-based female rapper Leaf, who confidently hit the stage with a pair of dancers and later showed off the range of her talent by pulling out an acoustic guitar for a Justin Bieber singalong, which, unfortunately for her, fell a bit flat with the reserved crowd. Next was singer-songwriter Craig Stickland (not to be confused with the late country singer Craig Strickland), who stood and delivered a powerful set of soulful tunes with only the help of his acoustic guitar. And finally, there was Brooklyn soul-pop balladeer Kevin Garrett, who has toured alongside X Ambassadors and James Vincent McMorrow in the last year, arriving with a teddy bear look-alike in hand to serenade the audience with his own brand of smooth falsetto and downtempo, mellow pop.

Alessia Cara

With the stage clear for the night’s headlining act, Cara and her band arrived and proceeded to put on an energetic, hour-long set featuring every track from her debut album, culminating with the wildly popular single “Here” at the end of the main set. She paced back and forth across the stage like a caged animal, belting out her empowering hits with a confidence that went far beyond her age. But that’s not to say her youth didn’t show at times. When reflecting on the history of the legendary Fillmore, for example, Cara name-checked a few of the many famous acts who had played there, starting with … Coldplay. (She quickly redeemed herself with mentions of Jimi Hendrix and several others.) Thankfully, the appreciative crowd was more than happy to forgive her.

Setlist:
I’m Yours
Wild Things
Four Pink Walls
Overdose
Stars
Outlaws
Seventeen
Stone
River of Tears
Scars to Your Beautiful
Here

Encore:
Sweater Weather (The Neighbourhood cover)
My Song

Dan Deacon vs. The Fillmore: Crowd thoughts from a sold-out show in SF

Dan DeaconPhotos by James Nagel // Written by Molly Kish //

Dan Deacon //
The Fillmore – San Francisco
January 29th, 2016 //

The man, maestro and frenzy-inducing frontman Dan Deacon returned to the Bay Area last Friday to take over a sold-out Fillmore.

Following our coverage of Deacon’s ever-growing fan base over the past few years, we have documented several of his intense performances at both mid-size venues and large-scale music festivals. With the release of last year’s critically acclaimed Glass Riffer — escalating not only Deacon’s complexity as a musician, but also his reputation as a major player in the experimental and electronic music scenes — we had the opportunity to see him this time in one of the West Coast’s most historic theater’s, at capacity.

Regardless of space or context, a Dan Deacon show is unlike any other, currently selling out spaces of such magnitude. At the same time, the venues Deacon chooses to stage his unique, interactive performances plays a huge role in an audience’s translation of his music. So, who better to give us some perspective on Deacon’s latest SF show than the members of a sold-out audience? Check out our crowd responses and photo gallery below.

Did you go to the show? Leave your thoughts in the comments section, and the best answer will receive a pair of tickets to one of our next giveaways.


Dan Deacon

“It appeared to be a tougher task for DD to pull off his crowd antics in a bigger space than usual. The only engagement game that really worked was the high fives one. But a sold-out house was as enraptured as ever, bouncing and smiling along to the hyperactive, comedic bliss of a genius musical madman.” – Mike Frash, 33

“The show did not live up to my high expectations built on tales of invigorating and complete crowd participation. It seems The Fillmore was too large of a venue for those on the perimeter to see and engage with the activity of those folks centered under the disco ball. I got a taste of coordinated crowd movement when each side rushed through each other, palms up and open for high fives.” – Julie Mullen, 30

“As a first time ‘Dan Deaconer,’ I was pretty mesmerized by how the show was set up. Using the power of the crowd to unite one another was a fun and unique experience you don’t get from every show. I would say it was a blast.” – Trevor Laehy, 27

“Without fail, Dan provides magical and mind-bending experiences to captivate his audience and bring people together into one harmonious, bad-ass dance circle.” – Danielle Mansfield, 30

“Dan Deacon is epic. He has that rare ability to emotionally tie a crowd together: to one another, to the experience and to the music itself. He’s brilliantly creative and weird, and you can’t leave a show not feeling stoked to be weird, too!” – Roxanne Mansfield, 25

“Dan Deacon at The Fillmore was an electronica- and light-fueled dance frenzy where friends and strangers were free to get down and get weird.” – Amy Lightstone, 33

Nathaniel Rateliff & The Night Sweats bring the energy of gospel and folk to The Fillmore

Nathaniel Rateliff & The Night SweatsPhotos by Steve Carlson // Written by Brett Ruffenach //

Nathaniel Rateliff & The Night Sweats with Paper Bird //
The Fillmore – San Francisco
January 27th, 2016 //

Many great live performers are great because of one thing: energy. Energy, however, doesn’t come in just one form. It doesn’t just require dancing across a stage, clever banter with the audience or “turning it up to 11.” Sometimes, energy can be patient; energy can be humble.

Indeed, given the right context, this type of showmanship can be more powerful and garner more enthusiasm than any impressive guitar solo or dance move could muster. This type of energy was put on display last week by Nathaniel Rateliff & The Night Sweats, who played a pair of sold-out shows at The Fillmore.

As the warm glow of The Fillmore’s trademark chandeliers dimmed and Rateliff’s seven-piece band took the stage on the first of two nights in SF, the crowd — with an age range spanning multiple generations of live music fans — greeted them warmly. Opening with a organ-led jam session, the band’s frontman eventually followed behind.

Hailing from Hermann, Mo., Rateliff has a look that I would liken more to the bouncers who work at Zeitgeist in The Mission than a gospel/folk/rock bandleader. After quickly thanking the crowd for joining him on this night, Rateliff and his sidekicks jumped into “I Need Never Get Old”, the opening track from the band’s recently released self-titled album. In the first minute of the song, the three strongest elements of Rateliff’s live show — the organ, a horns section comprised of a booming tenor sax and trumpet and the group’s vocal talent — were made quite clear.

Nathaniel Rateliff & The Night Sweats

While the band played through the majority of its new album, one key difference between its studio and live renditions is the way the live performances are led by an extremely talented organist, filling every open space between The Night Sweats’ tight rhythms and their soaring harmonies. During “I’ve Been Falling”, a mid-tempo, blues-meets-soul ballad about a man pleading for forgiveness to a lost lover, Rateliff gave the classic Hammond organ sound plenty of room to shine during a captivating solo. With the end of the set nearing, Rateliff played “Wasting Time” with its cascading, nostalgic sound balancing perfectly between all of the band’s components.

The septet closed with its instant earworm of a single “S.O.B.” — a song, even described by Rateliff himself, that is more of a joke than a serious take on heartbreak — and the crowd howled while singing along all the way until the end. As Rateliff and company walked off stage, fans enthusiastically continued to sing the opening melody of “S.O.B”, getting louder and louder until The Night Sweats returned to the stage and jumped into a groovy cover of The Band’s “The Shape I’m In”.

Rateliff, subsequently, joined the rest of his backing band and wrapped up the set, expressing sincere gratitude to the crowd for spending the evening with them. The singer-songwriter is a performer who is not shy, but he is humble. His enthusiasm and gratitude is clear, and it’s also authentic.

As a band on the rise, especially with two upcoming appearances at Coachella and a number of other music festivals this year, it’s clear that Nathaniel Rateliff & The Night Sweats have found the right kind of energy to offer to a crowd: one of passion, one of talent and one of gratitude.

Setlist:
I Need Never Get Old
The Intro
Look It Here
I’ve Been Failing
Howling at Nothing
Parlor
Out on the Weekend
Mellow Out
Shake
Thank You
Trying So Hard Not To Know
Wasting Time
S.O.B.

Encore:
The Shape I’m In (The Band cover)
What I Need

SF Show of the Week // GO4FREE to Dan Deacon at The Fillmore 1/29 (FRI)

Dan DeaconWritten by Nik Crossman //

Dan Deacon with Kaitlyn Aurelia Smith //
The Fillmore – San Francisco
January 29th, 2016 //

While Dan Deacon released his first two solo albums in 2003, his musical journey began back in high school as a member of the local ska band Channel 59. Studying music composition in graduate school, Deacon has mastered the self-contained computer composition with classic orchestral epics to deliver a truly unique sound to his audience. More of an iconoclast than his recorded music might suggest, the Baltimore electronic musician brings the energy and engagement of ska music to his live performance.

Deacon often performs at ground level with his fans — much like we have witnessed before — leading the crowd through an interactive dancing experience. He even created both an iPhone and Android app to sync up with his live performances and combat the cultural annoyance of people staring at their phones during a show.

Deacon, who grew up playing in a number of alternative rock and punk/metal bands as a kid, followed up his 2012 LP America last February with Gliss Riffer, which boasted single “Feel the Lightning” and received favorable reviews from most major music outlets. This past summer, he proved to be one of our biggest highlights at Outside Lands Music and Arts Festival, reeling in a sizable crowd with his peer pressure and oddball antics.

This Friday, Deacon’s overstuffed, vegetable oil-fueled school bus makes a stop off in SF at The Fillmore with Kaitlyn Aurelia Smith providing support. Tickets are available for $20, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Friday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Jenny Lee: January 28th (THUR) at The Chapel
Soft Moon: January 29th (FRI) at The New Parish
The Soul Rebels: January 29th (FRI) & 30th (SAT) at The Independent
Battlehooch: January 30th (SAT) at Slim’s


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

Like Showbams on Facebook, follow Showbams on Twitter and follow Showbams on Instagram. Subscribe to our social channels for a better chance to win!

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The Bam Team’s 5 Favorite Shows, Albums & Songs of 2015

Caribou


Caribou at The Fillmore // Showbams’ Photo of the Year, by Justin Yee

Ah, where did 2015 go? It felt like we were just ringing in a new year a couple months ago. But with another year in the rear-view mirror, it’s time to once again doll out our annual “Best of” lists. Much like we did in 2014, we heard a lot of music this year, whether it was at a show or at a festival, at work, on the bus or in our cars. From established headliners who continue to amaze us to emerging artists who rekindled our excitement for new music, our collective lives were filled with one musical memory after another over the past 12 months.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2015.

The 25 Best Live Music Acts of 2015

Listen to The Bam Team’s favorite songs of 2015:


Tycho


Tycho at Lightning in a Bottle // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2015
1. Jack White at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 11th
There’s a reason why Mr. White was named our No. 1 live music act of 2014 around this time last year, and it’s not because he’s simply a guitar god. The Detroit native and former White Stripe is much more than that now, as he has proven with the kind of clever, genre-swirling songwriting that permeates his two solo albums Blunderbuss and Lazaretto. But witnessing White perform live almost feels like a musical right of passage in and of itself, reminding us that while inventive, mainstream rock ‘n’ roll may be harder to come by these days, it’s still far from dead. On this warm, spring night in the California desert, he imparted on us that “music is sacred” — not just with his words in between songs, but also with every ferverous note that he struck on his fret board. From the moment White appeared on the festival’s main stage, his 20-song, headlining set was bold and powerful, even if it would serve as one of his last shows for a while.

2. My Morning Jacket at Santa Barbara Bowl – Santa Barbara, CA – October 11th
3. Modest Mouse at Hollywood Forever – Los Angeles, CA – August 21st
4. Tycho at Lightning in a Bottle – Bradley, CA – May 24th
5. The War on Drugs at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 10th

Top 5 Albums of 2015
1. My Morning JacketThe Waterfall
When My Morning Jacket announced that they would be releasing a new studio LP in May after nearly a four-year layoff, their longest between albums since forming in the late 90’s, I wasn’t sure if they could top what they had devised on 2011’s Circuital. But these Louisville rockers, rather, did just that, putting together a flawless record that opens with the inspiring “Believe (Nobody Knows)” and concludes with the gloomy, yet poignant “Only Memories Remain”. In between it all, frontman Jim James continues to build off his 2013 solo album, showing what a thoughtful songwriter he has become — knowing when to step on the gas pedal and when to ease off of it. With an already impressive catalog highlighted by 2005’s Z, it’s hard to definitively say that The Waterfall has taken over the throne as MMJ’s best album now, but there’s no doubt it belongs in the conversation.

2. Father John MistyI Love You, Honeybear
3. Silversun Pickups – Better Nature
4. Jamie xxIn Colour
5. Tame ImpalaCurrents

Top 5 Songs of 2015
1. My Morning Jacket – “Tropics (Erase Traces)”
It’s only fitting that my favorite album of the year also boasts my favorite song of the year. The penultimate track on My Morning Jacket’s The Waterfall is an absolute rocker that gradually builds from the opening, Led Zeppelin-esque guitar lick before peaking midway through for a chilling finish. There might not be a better example in MMJ’s catalog that demonstrates how well Jim James and Carl Broemel play off each other, and if the two guitarists haven’t already, then they’ve certainly cemented themselves as one of rock’s best one-two punches by now.

2. The Weeknd – “The Hills”
3. Modest Mouse – “The Ground Walks, With Time in a Box”
4. Battles – “The Yabba”
5. Tame Impala – “The Less I Know the Better”


The Chemical Brothers


The Chemical Brothers at The Armory // Photo by Justin Yee

Molly Kish // San Francisco

Top 5 Shows of 2015
1. Jamie xx at Bimbo’s 365 Club – San Francisco, CA – July 31st
Whereas those familiar with his early XL Records mixtapes were satiated by his intermingling of Gil Scott-Heron and Idris Muhammad samples between hits, Jamie xx’s newfound, post-In Colour fans experienced equally breathtaking moments with the crowd hitting peak energy levels during the chorus of “Loud Places” amidst the glow of a warped-speed, neon-green strobe light. Another notable moment included the near-religious choral drop of “Gosh” that escalated the packed house to spiritual levels of enthusiasm, all while bathed in the glowing sparkle of Jamie Smith’s staggeringly iridescent, ceiling-to-floor disco ball and stage lights.

2. The Chemical Brothers at The Armory – San Francisco, CA – November 30th
3. Kate Tempest at The Independent – San Francisco, CA – May 20th
4. Kishi Bashi at Palace of Fine Arts Theatre – San Francisco, CA – January 30th
5. Caribou at The Fillmore – San Francisco, CA – March 1st

Top 5 Albums of 2015
1. Jamie xxIn Colour
Acclaimed London-based producer and half of electronic powerhouse The xx, Jamie Smith (aka Jamie xx) broke the mold this past year with his stunning solo debut In Colour. Earning top accolades within the music industry, including a 2015 Mercury Prize nomination and a Grammy nomination for “Best Electronic/Dance Album”, In Colour featured both individually conceptualized strokes of production ingenuity as well as many of the biggest contemporary-crossover hits this year. Smith explored his dubstep, house, garage and trip-hop influences on In Colour to deliver a genre-spanning masterpiece, highlighting his illustrious career as an electronic composer while setting the standard for the current and future state of EDM.

2. Kendrick LamarTo Pimp a Butterfly
3. Tame ImpalaCurrents
4. The Weeknd – Beauty Behind the Madness
5. Lord Huron – Strange Trails

Top 5 Songs of 2015
1. Jamie xx – “Loud Places”
As part of a track list that included some of 2015’s most groundbreaking and genre-defining hits, “Loud Places” holds its own as a standout cut on Jamie xx’s monumental solo debut In Colour. It comes in toward the latter half of the UK producer’s LP and enlists the gorgeously haunting vocals of Romy Madley Croft, one of Jamie Smith’s partners in The xx and a longtime collaborator of his. Amid a packed roster of acclaimed vocalists, emcees and iconic samples, Croft’s contributions, while paired with a full choir, help manifest the lyrical content of the song while evoking a near-religious experience for its listener.

2. Tame Impala – “Let It Happen”
3. Robyn – “Love Is Free”
4. Kendrick Lamar – “King Kunta”
5. FKA twigs – “In Time”


Outside Lands 2015 - Tame Impala


Tame Impala at Outside Lands Music and Arts Festival // Photo by James Nagel

Brett Ruffenach // San Francisco

Top 5 Shows of 2015
1. Four Tet b2b Floating Points at Public Works SF – San Francisco, CA – May 3rd
Sparked by their set at Plastic Peoples in London earlier in the year — a set, coincidentally, that was named “Best of the Year” by THUMP a few days ago — SF’s own DJ Dials was kind enough to bring Kerian Hebden and Sam Shepherd, better known as Four Tet and Floating Points, to Public Works last May. Starting early in the evening, the two well-established English producers put on a scorching, non-stop, six-hour, vinyl-only DJ set. Kicking off the evening with over an hour of early-70’s Brazilian samba and steadily moving from there to all forms of funk, big band, soul, jazz and of course their own eclectic catalog of music, the two DJs seamlessly moved between tracks, bringing up and down the energy at just the right point to keep you guessing what’s going to happen next. After dozens and dozens of shows and DJ sets this year, I always keep thinking back to this one because it wasn’t only a chance to see an artist I like play their music — it was a chance to see two artists I like play the music that they love, and do it on an absolutely killer sound system.

2. Kendrick Lamar at Fox Theater Oakland – Oakland, CA – November 10th
3. Tame Impala at Outside Lands Music and Arts Festival – San Francisco, CA – August 8th
4. Jamie xx “In Colour” album release show at Church of St John-at-Hackney – London, England – July 16th
5. Nicolas Jaar at Symbiosis Gathering – Oakdale, CA – September 19th

Top 5 Albums of 2015
1. Kendrick LamarTo Pimp a Butterfly
Kendrick wins. No contest. At this point, there’s nothing I can say that will be new or not already over-analyzed by the blogosphere over TPAB. All I can say is that TPAB is one of those rap albums that, just like Kanye West’s My Beautiful Dark Twisted Fantasy in 2010, expanded my understanding of what a rap album can be. From the very start you hear Lamar’s voice in the genius, FlyLo-produced “Wesley’s Theory” — a track that I think is among the greatest album openers ever — to the closing conversation with 2Pac in Mortal Man, TPAB is among the most ambitious and thoroughly conceptualized productions I have had the pleasure of hearing (and seeing) in my life.

2. Tame ImpalaCurrents
3. Nicolas Jaar – Nymphs I-IV
4. Jamie xxIn Colour
5. Beach HouseDepression Cherry

Top 5 Songs of 2015
1. Pumarosa – “Priestess”
“Priestess” is a seven-minute, punk-meets-disco dance party that starts as an observation and ends as a declaration. Its declaration? To dance. Its lyrics (for instance: “Cut from clay and stone / Electricity flows through your spine and shoulders/In the night when we’re alone”), its visceral rhythm and undeniably entrancing, three-minute instrumental closing out the track (DAT SAX) are what make it an easy choice for my favorite of the year. In a culture engulfed in consumerism, celebrity and over-consumption, “Priestess” reminds us all that dancing is free. Dancing can be a protest. Dancing can be a celebration. Dancing is whatever you make of it. “Priestess” is a track that reaches into your soul and forces you to do one simple thing: dance. That’s something we all need in our lives every once and a while.

2. Kendrick Lamar – “Wesley’s Theory”
3. Jamie xx – “Gosh”
4. Tame Impala – “Eventually”
5. Nicolas Jaar – “Swim”


High Sierra Music Festival 2015 - The String Cheese Incident


The String Cheese Incident at High Sierra Music Festival 2015 // Photo by Benjamin Wallen

Benjamin Wallen // San Francisco

Top 5 Shows of 2015
1. Greensky Bluegrass at The Independent – San Francisco, CA – November 1st
Many bands get bigger and play bigger shows. Every now and then, you get to see them in a smaller venue with a more “intimate” feel. This was that show. Following a crazy night at the Fox Theater Oakland celebrating Halloween, the band crossed the Bay Bridge to play a birthday show for its dobro player Anders Beck at The Independent. It was a “Greatest Hits” setlist of all the songs I loved the most: past, present and future. The show was definitely intimate and filled with energy, and Greensky ended the night with some acoustic tunes. I think it says a lot about a band that can pack a big venue and then play a smaller venue and still the heat. This is my favorite band these days. They are consistently great and just too much fun.

2. String Cheese Incident at High Sierra Music Festival – Quincy, CA – July 3rd
3. The Sam Chase at High Sierra Sierra Music Festival – Quincy, CA – July 3rd
4. Jeff Austin Band at Great American Music Hall – San Francisco, CA – April 26th
5. The Devil Makes Three at Fox Theater Oakland – Oakland, CA – February 3rd

Top 5 Albums of 2015
1. Della Mae – Della Mae
These girls are damn talented as much as they are cute. I stumbled upon these five girls from Nashville while at The Chapel a few years back, and they were just damn good. Then, I heard that they were nominated for a Grammy and only beaten by the legendary Del McCoury Band. These ladies can pick and tick and get the crowd jumping. For Della Mae, powerful songs and epic throw-down jams are just par for the course. This album was Kickstarter-funded, which I was happy to contribute to, and continues the revival of bluegrass for the younger generation and modernizing the sound with the energy of youth. I find myself playing this album more and more each day from start to end — it’s just that good.

2. The Dustbowl Revival – With a Lamp Shade On
3. Father John MistyI Love You, Honeybear
4. Nicki Bluhm and the Gramblers – Loved Wild Lost
5. Jackie Greene – Back to Birth

Top 5 Songs of 2015
1. Jackie Greene – “A Face Among the Crowd”
I have been a Jackie Greene fan since I moved to SF almost 10 years ago. This song I heard a number of years ago when Greene was uploading hotel room solo tracks on the road. This song was put up on Father’s Day for Greene’s dad and was a touching song. Creepily sitting in a hotel room, you can feel the emotion. Hearing it on a record in my home is just heaven. After some of those really tough days in life, I come home, put this song on while listening on my best pair of headphones and zone out — let all the crap from the day that doesn’t mean shit just fade away. This song does that for me, and as a music lover, finding this type of song is like finding gold on the street.

2. The Dustbowl Revival – “Standing Next to Me”
3. The California Honeydrops – “When It Was Wrong”
4. Father John Misty – “I Went to the Store One Day”
5. Nicki Bluhm & The Gramblers – “Mr. Saturday Night”


Father John Misty


Father John Misty at Treasure Island Music Festival 2015 // Photo by Marc Fong

Andrew Pohl // San Francisco

Top 5 Shows of 2015
1. Father John Misty at Treasure Island Music Festival – San Francisco, CA – October 18th
Of all of the performers on Day 2 at the festival, Father John Misty held my attention the most. A stellar performance, hitting all of the right points, which gave me good reason to believe that he may in fact be one of the best frontmen of the last 10 years.

2. Hum at Slim’s – San Francisco, CA – September 18th
3. Fat Wreck Chords 25th Anniversary at Thee Parkside – San Francisco, CA – Aug 22nd & 23rd
4. Refused at Great American Music Hall – San Francisco, CA – May 28th
5. alt-J at Greek Theatre – Berkeley, CA – April 16th

Top 5 Albums of 2015
1. Tame ImpalaCurrents
From top to bottom, this is an album that I can listen to over and over without feeling burnt out (and believe me, I have). I appreciate the fact that on this album, they steer clear of too much “jam” and keep it straight forward. I can’t help but move my feet when I hear some of the tracks on Currents.

2. Kendrick LamarTo Pimp a Butterfly
3. Failure – The Heart Is a Monster
4. Father John MistyI Love You, Honeybear
5. God Is an Astronaut – Helios/Erebus

Top 5 Songs of 2015
1. Tame Impala – “The Less I Know the Better”
From the first time I heard this track, I knew it was the best song of the year. Infectious as hell, you cannot stop your body from getting into that groove.

2. Grimes – “Kill V. Maim”
3. Father John Misty – “Bored in the USA”
4. The Velvet Teen – “All Is Illusory”
5. Viet Cong – “Continental Shelf”


Viet Cong


Viet Cong at Rickshaw Stop // Photo by Diana Cordero

Kevin Quandt // San Francisco

Top 5 Shows of 2015
1. Viet Cong at Rickshaw Stop – San Francisco, CA – March 5th
Viet Cong were easily one of the most brilliant bands in 2015 as they shook up South by Southwest (even when their drummer had a broken arm), generally not caring about the whole band-name fiasco and releasing a stellar debut LP. The brooding studio work from this Canadian outfit turned out to be way more accessible on the live stage as bassist/singer Matt Flegel bounced between playful banter and pile-driving post-punk.

2. Caribou at The Fillmore – San Francisco, CA – March 1st
3. Todd Terje (Live) at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 10th
4. Kendrick Lamar at Fox Theater Oakland – Oakland, CA – November 10th
5. BADBADNOTGOOD at FYF Fest – Los Angeles, CA – August 22

Top 5 Albums of 2015
1. Kendrick LamarTo Pimp a Butterfly
No surprises here, as truly this was objectively the best album of the year. With expectations high from his growing fan base, Lamar delivered an LP that had it all: crushing singles, a bold concept and a clear message. The smorgasbord of genres and vibes TPAB lays out for the listener further shows that K-Dot’s bag of tricks has no end in sight.

2. Protomartyr – The Agent Intellect
3. DJ Paypal – Sold Out
4. Tame ImpalaCurrents
5. Archy Marshall – A New Place to Drown

Top 5 Songs of 2015
1. Tame Impala – “Let It Happen”
This track was our first taste of Currents, and it got fans salivating in no time. “Let It Happen” was the perfect amuse-bouche with Kevin Parker’s vision shifting a bit toward synths over his trusty Rickenbacker guitar, which slightly became the resounding chatter behind the LP. Oh yeah, and there was the “record skip” in the middle of the track that we all went mental over.

2. Ought – “Beautiful Blue Sky”
3. The Weeknd – “Can’t Feel My Face”
4. DJ Spinn – “Dubby” (feat. DJ Rashad & Danny Brown)
5. Deerhunter – “Snakeskin”

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SF Show of Week (Halloween edition) // GO4FREE to Passion Pit & RAC at The Masonic 10/30 (FRI)

Passion Pit & RACWritten by Nik Crossman //

Passion Pit with RAC, Coleman Hell, Aaron Axelsen //
The Masonic – San Francisco
October 30th, 2015 //

Releasing Passion Pit’s third studio album Kindred in April, frontman Michael Angelakos finally steps into the light and pulls back the veil of anonymity that he so carefully crafted with the band’s first two albums. Passion Pit’s sophomore album Gossamer quickly gained popularity when it debuted at No. 4 on the Billboard 200 in 2012. While Angelakos’ quixotic nature is not absent in Kindred, it is more refined without the distancing reverb and esoteric lyrics that were prevalent in the group’s previous releases. Passion Pit has been promoting their latest album on tour since its release and brings the tour to a close this week in SF at LIVE 105’s Scream Scene 2015.

Meanwhile, think of your favorite rock, indie, electronic and dance artists — and Remix Artist Collective (RAC) has likely remixed one of their songs. From The Shins to Death Cab for Cutie to Kings of Leon to Lana Del Rey, RAC expands their sound while maintaining the integrity of a song’s original structure. Developing RAC in 2007, André Allen Anjos set out to redefine how songs were remixed, using analog keyboards and tape machines to create his signature sound and steer away from the typical club/dance remix. While RAC initially gained popularity from Anjos’ remixes, the band released its first original song “Hollywood” in 2012 with the help of Penguin Prison’s Chris Glover and a second original track “Let Go” in 2013 that features Bloc Party frontman Kele Okereke and MNDR (aka Amanda Lucille Warner).

This Friday, Passion Pit and RAC will storm into The Masonic with Coleman Hell and Aaron Axelsen providing support. You can buy tickets for $50, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Friday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Wand: October 29th (THUR) at Brick & Mortar Music Hall
Awolnation: October 29th (THUR) at The Masonic
Ceremony: October 29th (THUR) at Great American Music Hall
Roky Erickson: October 31st (SAT) at The Independent


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SF Show of the Week // GO4FREE to DIIV at The Fillmore 10/22 (THUR)

DIIVWritten by Nik Crossman //

DIIV with No Joy, Sunflower Beam //
The Fillmore – San Francisco
October 22nd, 2015 //

“Everyone in the band is a water sign, that’s why the name ‘Dive’ really spoke to us,” Zachary Cole Smith, the 30-year-old mastermind behind Brooklyn indie-rock band DIIV, said in a 2012 interview following the release of the group’s debut album Oshin.

DIIV began as Smith’s solo project in 2011, releasing three singles before forming a live band alongside guitarist and childhood friend Andrew Bailey, bassist Devin Ruben Perez, drummer Ben Newman and keyboardist Colin Caulfield. In an acid-induced 5 a.m. text followed by a phone call to Smith, Perez explained why the Nirvana song “Dive” was really about them and why their astrological water signs mattered.

After releasing Oshin in 2012, the band toured in support of its debut album and Smith continued writing, creating more than 150 songs in just two years. DIIV’s live performances contain hits from Oshin along with several of these 150 unreleased songs. In September, DIIV released “Dopamine”, the first single from Is the Is Are, their second album which is set to come out in November.

This Thursday, the current five-piece invites you to an intimate evening with them at The Fillmore after No Joy and Sunflower Beam kick things off. at. Tickets are still available for $20, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Thursday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

MUTEMATH: October 21st (WED) at Brick & Mortar Music Hall
No Bunny: October 22nd (THUR) at Leo’s Music Club
Joyce Manor: October 24th (SAT) at Slim’s


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SF Show of the Week (TIMF edition) // GO4FREE to YACHT at The Independent 10/17 (SAT)

YACHTWritten by Nik Crossman //

YACHT with Sage Caswell //
The Independent – San Francisco
October 17th, 2015 //

There exists a band, belief system and business coordinated by Jona Bechtolt and Claire L. Evans under the acronym YACHT. Named after, but not affiliated with, an educational program in Portland, YACHT stands for “Young Americans Challenging High Technology”. The movement, which Bechtolt and Evans have dubbed “The YACHT Trust,” suggests the creation of an idea into form provides a spiritual high attainable by anyone willing to try.

Bechtolt began transmitting YACHT’s belief system into music and PowerPoint presentations in 2002 as a solo project before Evans joined in 2008. After Evans came on board, the dance-punk/electropop duo continued developing its personal philosophy and embodied the result in 2009’s See Mystery Lights and an ebook entitled The Secret Teachings of the Mystery Lights: A Handbook on Overcoming Humanity and Becoming Your Own God. The album, which was released on NYC label DFA Records, received rave reviews from critics, including a “Critic’s Choice” honor from The New York Times.

With support from Los Angeles solo artist Sage Caswell, The YACHT Trust will lead its community through another experience of discovery this Saturday at The Independent in what will serve as a late-night show for this weekend’s Treasure Island Music Festival. You can buy tickets for $22, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Friday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Hinds: October 14th (WED) at Slim’s
The Districts: October 14th (WED) at Great American Music Hall
El Ten Eleven: October 15th (THUR) at Great American Music Hall
Guy Fox: October 15th (THUR) at Brick & Mortar Music Hall
Gang of Four: October 16th (FRI) at The New Parish
Deafheaven with Tribulation: October 17th (SAT) at The Fillmore


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SF Show of the Week (TIMF edition) // GO4FREE to Albert Hammond, Jr. at The Independent 10/16 (FRI)

Albert Hammond, Jr.Written by Nik Crossman //

Albert Hammond, Jr. with Day Wave //
The Independent – San Francisco
October 16th, 2015 //

Citing The Beach Boys, John Lenon, Buddy Holly and The Velvet Underground as some of his major influences, Albert Hammond, Jr. has made a name for himself beyond playing guitar and keyboard in the indie-rock goliath The Strokes. Releasing his debut album Yours to Keep in 2006 launched Hammond’s solo career with much support from his fellow bandmates — lead singer of The Strokes Julian Casablancas, in fact, even played bass and sang backup vocals on the track “Scared”.

After years of living the rock ‘n’ roll lifestyle, Hammond opened up about his life in an exclusive interview with Rolling Stone in 2013, explaining why he put himself in rehab and subsequently dove into the making of his first solo EP AHJ. With the release of his latest full-length album Momentary Masters this past July, Hammond continues to balance life as a double agent, refusing to blend the sound of his solo career with that of The Strokes.

This Friday hours before Treasure Island Music Festival gets underway, Hammond invites SF to share an intimate evening with him and opening act Day Wave at one of the city’s most charming venues, The Independent. You can buy tickets for $20, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Friday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Hinds: October 14th (WED) at Slim’s
The Districts: October 14th (WED) at Great American Music Hall
El Ten Eleven: October 15th (THUR) at Great American Music Hall
Guy Fox: October 15th (THUR) at Brick & Mortar Music Hall
Gang of Four: October 16th (FRI) at The New Parish
Deafheaven with Tribulation: October 17th (SAT) at The Fillmore


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Conor O’Brien leads the way as Ireland’s Villagers deliver two nights of powerful songwriting in SF

VillagersPhotos by Victoria Smith // Written by Emmanuel Castro //

Villagers //
Swedish American Hall & The Fillmore – San Francisco
October 3rd & 4th, 2015 //

Last weekend, Villagers, an indie-folk project out of Dublin, Ireland, from sonic mastermind Conor O’Brien, reminded SF what powerful songwriting can be.

Starting on Saturday night, the band took a break from their tour with Paul Weller and braved it alone for their first-ever headlining show in SF at the Swedish American Hall. The all-seated venue was the optimal environment to wrap oneself in O’Brien’s resonant voice.

Villagers

Touring as a stripped-down three-piece featuring welsh virtuosos Gwion Llewelyn (drums, trumpet, vocals) and Mali Llywelyn (keyboard, piano, vocals), the band shuffled through top-drawer tracks from its three albums, harmonizing like a finger ringing around a crystal glass — perfection. The wide-eyed audience was then hit with “Becoming a Jackal”, where full crowd participation harmonizing was required, and they obliged creating an environment where no drugs were required to feel the high.

The next night, the band rejoined Paul Weller at The Fillmore. This was O’Brien’s chance to take the momentum from the previous evening and conquer a new fan base. Although the set was shorter, it was delivered with the same intensity, and the new crowd was captivated by the perfect harmonies the trio manifests.

SF Show of the Week // GO4FREE to Rudimental at Mezzanine 10/8 (THUR)

RudimentalWritten by Nik Crossman //

Rudimental with Samo Sound Boy //
Mezzanine – San Francisco
October 8th, 2015 //

Releasing their second album We the Generation last Friday, British drum-and-bass band Rudimental kicked off their North American tour this month and will make their way to Mezzanine in SF this week. After the group’s first album Home debuted at No. 1 on the UK Album Charts and was nominated for a Mercury Prize in 2013, much is to be expected from this platinum-selling quartet.

From humble beginnings surrounding their debut single “Deep in the Valley” to collaborating with English singer-songwriter Ed Sheeran on “Bloodstream” this past March, Rudimental continue to prove their validity through the many accolades they’ve garnered over the last four years. Beyond their studio sound, Rudimental’s energetic live show leads the audience through a journey of jubilant drum-and-bass tones. The nature of their sound lends them the opportunity to exploit an exaggerated stage presence and fully engage their fans throughout.

Rudimental will fill Mezzanine with the exultant energy many have come to know and love this Thursday with support from Samo Sound Boy (aka Sam Griesemer). You can buy tickets for $25, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Thursday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Hiatus Kaiyote: October 6th (TUE) at The Fillmore
Alcest: October 6th (TUE) at Slim’s
The Mynabirds: October 8th (THUR) at Swedish American Hall
Mirel Wagner: October 8th (THUR) at The Chapel
The Human Condition: October 8th (THUR) at Great American Music Hall
Kopecky: October 9th (FRI) at Brick & Mortar Music Hall
Lyrics Born: October 9th (FRI) at The New Parish
Jr. Jr.: October 9th (FRI) at Great American Music Hall


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Mew rock The Fillmore in their return to SF

MewBy Diana Cordero //

Mew //
The Fillmore – San Francisco
September 26th, 2015 //

Mew drew in a great following at The Fillmore last Saturday for an impeccable performance by one of the most relevant European acts to ever succeed in the U.S. The Danish alt-rockers played a solid set from beginning to end, proving how talented they are.

Lead singer Jonas Bjerre’s falsetto is beyond impressive. The guy manages to sound just like he does on records for the entire show, always revealing a slight discomfort by the screaming females who want to marry him yet still eternally grateful for their attendance and support throughout the years. He’s definitely not the “rockstar” type but rather just an exceptional musician. Guitarist Mads Wegner, meanwhile, brings the band’s theatricality to life with his powerful chords and guitar god-like poses.

But it’s bassist Johan Wohlert who is the real “rockstar” in Mew. The show started with him alongside drummer Silas Utke playing a progressive rhythm section, which ignited a flame that kept burning until the concert ended. And Wohlert, of course, never stopped dancing. He’s also the one who interacts the most with the audience, cheering, talking and overall just blasting badassery. Touring keyboardist Nick Watts is a key element to their live sound and a great backup singer.

With a wide repertoire under their belt — Mew released their sixth and latest studio album + – in April — the show kept a nice variety of new and old songs, but certainly the ones with the most resonance came from their classic 2003 album Frengers, which exposed them to global fame. The emotive moment of the night came when Mew broke into their classic tune “Am I Wry?” and had the entire venue singing along.

SF Show of the Week // GO4FREE to Tobias Jesso Jr. at The Fillmore 9/29 (TUE)

Tobias Jesso Jr.Written by Nik Crossman //

Tobias Jesso Jr. with Wet //
The Fillmore – San Francisco
September 29th, 2015 //

Releasing his debut album Goon in March, Tobias Jesso Jr. has been compared to singer-songwriters of the 60’s and 70’s. After playing bass for The Sessions in Los Angeles, the Vancouver native moved back home after his mother was diagnosed with cancer. In the abruptness of his move, he left all his instruments in LA and subsequently taught himself how to play the piano, the main instrument used in most of his solo work.

Pulling from his experiences in LA that included a painful breakup, Goon received universal acclaim from contemporary music critics, including some praise from Rolling Stone for his “12 beautifully lean ballads sung in a vulnerable tenor.” With the help of Chet “JR” White from Girls, Patrick Carney from The Black Keys, Jonathan Rado from Foxygen, John Collins from The New Pornographers and Grammy-winning record producer and sound engineer Ariel Rechstaid, Jesso followed through with his vision and maintained the timeless honesty of his emotional songs on Goon.

This Tuesday, Jesso is bringing his heart to The Fillmore with support from Brooklyn-based synthpop trio Wet. You can buy tickets for $25, or you could win a pair of tickets by registering your full name and email below.

Contest ends this Tuesday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Uncle Acid & the Deadbeats: September 29th (TUE) at Slim’s
The Blank Tapes: September 30th (WED) at Leo’s Music Club
Night Terrors of 1927: September 30th (WED) at The Chapel
Algiers: September 30th (WED) at The Independent


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SF Show of the Week // GO4FREE to Washed Out (DJ set) at Mezzanine 9/17 (THUR)

Washed OutWritten by Nik Crossman //

TBD Fest Kick-Off PartyWashed Out with Touch Sensitive, Prince Fox //
Mezzanine – San Francisco
September 17th, 2015 //

Born into rural America in the early 80’s, Ernest Greene (aka Washed Out) initially pursued a life of books and research with a Masters of Library and Information Science. Unable to land a job after graduation, Greene moved back in with his parents in Perry, Ga., and began making music in his bedroom. While developing his nostalgic sound, which he later packaged under the moniker Washed Out, Greene also worked on dance-pop songs with a group from South Carolina appropriately named Bedroom.

Introducing his sound as Washed Out in 2009 with the release of his first EP Life of Leisure, Greene received solid feedback from the music community that brought him to perform at Pitchfork Music Festival in 2010. Described as “nostalgic, hypnotic bedroom electro-disco pop”, Washed Out’s unique sound landed him with Sub Pop Records, and his single “Feel It All Around” was picked in 2011 as the theme song for the satirical sketch comedy television series “Portlandia” on IFC.

 

As a one-man, hypno-pop home-studio producer, Greene plays keyboards, a guitar and a piano before mixing it together on a computer. Without the help of a touring band, Washed Out live performances resemble a DJ set with Greene singing over the top of the music while re-arranging it with live keyboards to keep the tempo up and “make it as fun as possible.”

This Thursday, Greene will bring his chillwave/hipster sound to Mezzanine for TBD Fest Kick-Off Party presented by Beautiful Buzzz with Touch Sensitive and Prince Fox providing support. You can buy tickets for $25, or you could win a pair of tickets by registering your full name and email below.

Contest ends this Thursday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Donavon Frankenreiter: September 16th (WED) at The Independent
Circa Waves: September 17th (THUR) at The Chapel
Lindstrom: September 18th (FRI) at Mezzanine
Natural Child: September 18th (FRI) at Brick & Mortar Music Hall
Radkey: September 18th (FRI) at Leo’s
Destroyer: September 19th (SAT) at The Fillmore
Sonny Knight: September 20th (SUN) at The Independent


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

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the Mountain Goats have come a long way to ‘Beat the Champ’

the Mountain GoatsPhotos by Marc Fong // Written by Misty Brewster //

the Mountain Goats with Blank Range //
The Fillmore – San Francisco
June 1st, 2015 //

The historic Fillmore kicked off June with a stunning performance by Blank Range, serving as the opening act for the Mountain Goats. The group approached the stage with a Grateful Dead-like swagger. The band members’ worn jeans told stories of late nights in Nashville, where the band originated, long rides on tour and now their first-ever performance in SF.

They opened with a warm melody that sounded like it had jumped off a psychedelic surf poster. The lead singer’s raspy voice rested nicely against the synthy smooth melody. This combination with an overlay of folk and classic rock makes Blank Range’s sound diverse and widely appealing, and the audience, which consisted of several age groups and tax brackets, took notice.

The crowd favorite for the night was “Roommate’s Girlfriend”, a heartfelt love song about a bromance lost to a lady love interest. Throughout their set, Blank Range kept the energy flowing and the tempo upbeat. Their enthusiasm for their SF debut was apparent, and those present loved every minute of it.

Blank Range


Blank Range

Before the Mountain Goats took the stage, the sold-out Fillmore was treated to perhaps the greatest WWE monologue of all time. The stage was still black when former pro wrestler Dusty Rhodes began his rant. An obvious nod to the band’s 2015 release Beat the Champ, a concept album about pro wrestling, the monologue spoke of hard times in America and Rhodes’ triumph over Ric Flair. Moreover, Rhodes’ tirade was a battle cry to overcome something bigger, and it was quite an appropriate intro in later watching bandleader John Darnielle and company perform.

the Mountain Goats are known for their quirky garage sound — a gritty one full of life and verve. Arguably, the sound fits the Mountain Goats. However, the live show at The Fillmore showed something different. There was depth, confidence and a sound that was extremely well-polished. The band played some of its older, more familiar songs and a lot of the new tracks off Beat the Champ. In doing so, it showcased how far it has come and how talented it is.

the Mountain Goats play with an unexpected, polished flair, even though their music is still charmingly unique and fun. Their live show had the energy one would expect from the band, which ended with two encores on this night, reminding us that the Mountain Goats have beaten the champ.

The Wombats rock the pants off a sold-out Fillmore

The WombatsBy Marc Fong //

The Wombats with Life in Film, Cheerleader //
The Fillmore – San Francisco
May 16th, 2015 //

The Wombats and fellow English rockers Life in Film played to a sold-out Fillmore this past Saturday night along with Philadelphia indie-pop band Cheerleader. A show at The Fillmore never disappoints, and Saturday’s was no exception.

Cheerleader started the party off with their unique sound serving as a fun mix of pop on a sunny summer afternoon. Jangle-pop wizards Life in Film kept the momentum going by performing songs off their debut album Here It Comes, which came out in March. To finish the night off, The Wombats arrived on stage around 10:15 p.m. and rocked the pants off the packed house. The trio sounded great and put on a fun show with their amazing English flair that did not fall short.

Sturgill Simpson continues to show why he’s country music’s next great talent

Sturgill SimpsonBy Kory Thibeault //

Sturgill Simpson //
The Fillmore – San Francisco
April 18th, 2015 //

Country music can be quite polarizing. At least that is an honest opinion coming from someone who grew up surrounded by the genre. While the majority of my high school was throwing on their cowboy boots and getting inebriated on the lawns of New England’s largest venues, I was laying back and listening to the tasty licks of David Gilmour and Jimmy Page. I detested country music. Then again, I was just a kid.

Maturity brought a new perspective, a realization that only a fool would define themselves in such black and whites. And with that new perspective came a newfound appreciation for musicians like Willie Nelson, Waylon Jennings, Johnny Cash, Kris Kristofferson and The Highwaymen.

Outlaw country was something I could get behind — musicians creating songs reflecting the fabric of our nation with honest lyrics painting the landscape of the American country or of one American’s life. Willie, Waylon, Johnny and Kris. Legends. Throw John Prine in there, and we can call it a day. And that’s how it felt once I discovered these musicians — it was over as soon as it started. Their catalogs were deep and forever giving. But where do I go from there? Who was carrying the torch that those men lit long ago?

Sturgill Simpson

For a long time, I thought the answer to that was simply no one. No one was, nor would they be putting out the kind of lyrically rich songs that defined the careers for so many of those aforementioned country heroes. But last year I was introduced to Sturgill Simpson’s second album Metamodern Sounds in Country Music, with the title ironically spitting in the face of my beliefs that country would die with The Highwaymen.

This man’s music is outlaw country to the tee. Powerful vocals, rich lyrics and musically tight. The live performance, in fact, is even more powerful than the album. The excitement was palpable as Simpson and his band walked out onto The Fillmore’s stage last Saturday. The audience was adorned with smiles and tucked in flannels, cowboy boots and Stetsons. I have never seen The Fillmore in such a way. Yet, after a few minutes, it became apparent that this crowd traveled for miles to come see Simpson — and that, I must say, is something truly amazing.

Simpson has stage presence, that is without a doubt. The conviction of his voice bolsters his words as he describes a life of highs and lows, trials and tribulations. This was evident on renditions of songs like “Turtles All the Way Down”. If there is a song to capture your attention and convince you of Simpson’s talents as a songwriter, this is one of them. Just like that of his predecessors, he writes music that goes against the grain of popular country music. It may be defined as “outlaw country,” but I personally feel it is music that resonates with a wider audience than that of its counterparts.

Sturgill Simpson

The entire performance was engaging and loose — loose in the sense that the band was willing to let each song take its course, never reeling it in too early or letting it get out of control. There is an apparent respect Simpson holds for his band, and that is always great to see. Trust in your band, after all, is the key to taking your music to its greatest peak.

In terms of Simpson’s music and live performances, I am an amateur fan. Certainly more exposure to his concerts would allow me to take a more critical stance. However, for those who have not seen or heard his music, I would recommend listening to it. It is undoubtedly country music through and through, but like that of his predecessors, his lyrics transcend boundaries and have a whole lot to give if you give them a chance.

When I walked out of The Fillmore on Saturday, I saw a lone cowboy stepping into a cab. I could only imagine the length of road ahead of him as he made his way home. While I may not know where he came from, I know what he was walking away with. That man, as well as myself, caught a night of music with one of country’s most promising artists. And that’s a pretty cool feeling.