WIN TICKETS: Hot Buttered Rum, Leftover Salmon & The Easy Leaves at the Indy

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The coming weekend promises a wide variety of bluegrass and not-so-bluegrass acts at Hardly Strictly Bluegrass 2013, a can’t miss free music festival in Golden Gate Park, San Francisco. The event takes place October 4-6 from 11am to 7pm.

But the music doesn’t have to stop there. The Independent, a mere three miles from the stages, will be hosting three excellent acts that fit right into the zeitgeist of the fest.

WIN FREE TICKETS to these kick-ass shows.

View show previews below, and enter at the bottom of the page for the chance to win 2 free tickets to Leftover Salmon or The Easy Leaves. Win free tickets to Hot Buttered Rum Friday by locating the Showbams flag at Hardly Strictly Bluegrass when the first shows start.


Hot Buttered Rum
The Independent ~ Friday, 10/4 at 9pm
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If you still have some life in your legs after the first day of the Hardly Strictly Bluegrass Festival, Showbams suggests you boogie on down to Divisadero Street for a little more Americana music to keep your feet moving til the wee hours over the weekend. Hot Buttered Rum and Front Country will be kicking off a 3-night run of bluegrass-leaning string music at the Independent which is sure to continue the acoustic celebration long into the late night hours.

2013 Telluride Bluegrass Band Winners Front Country tackle opening duties with a fresh take on contemporary roots music. These Bay Area locals have been making waves and garnering new fans over the past 2 years at en exponential rate. Keeping with the theme of Bay Area bluegrass, Hot Buttered Rum make their triumphant headlining return to the Indy for a banner weekend show. These local road-warriors have been burning down barns for over a decade with their characteristic style. Singer/Guitarist Nat Keefe loves this room, as he brings his Holiday show annually here, and it shows time and time again.


The Easy Leaves
The Independent ~ Saturday, 10/5 at 9pm
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Kevin Carducci and Sage Fifield are the powerhouse song-writing duo that anchors the Northern California Americana act, the Easy Leaves. They have been steadily gaining attention for their catchy lyrics, melodic delivery and dynamic stage interplay. Along with the West Coast Ramblers and DJ G “Neat-O” Yanito, these acts will present what the headliner has dubbed, “Honky Tonkin’ in the ‘Citay”.


Leftover Salmon & Friends
The Independent ~ Sunday, 10/6 at 8pm
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The finale in an explosive weekend of string-oriented music will culminate with one helluva “Polyethnic Cajun Slamgrass” fiesta anchored by Colorado’s own Leftover Salmon. Listed as “Leftover Salmon and Friends” leaves an air of mystery that can only lead to a scorching hot result. Just months ago Salmon was joined by Jackson Browne, Tim O’Brien and Sam Bush at their Telluride Bluegrass Night Show. With so many talented players in the city for Hardly Strictly, it’s anyones guess how many surprises will waltz onto stage.


Follow these steps to win two free tickets to one of these shows:

  1. Like Showbams on Facebook and follow Showbams on twitter to be eligible to win.
  2. Enter your full name and email address below for Leftover Salmon Sunday 10/6 & The Easy Leaves 10/5.
  3. To win 2 tickets to Hot Buttered Rum Friday 10/4, locate the Showbams flag starting at 11am Friday at Hardly Strictly Bluegrass Festival. We’ll be dropping hints via twitter to the flag’s location. The first 3 folks to calmly walk up to the flag and say “BAM” will win two tickets to Hot Buttered Rum Friday. We’ll also be giving away free beer koozies.

CONTEST CLOSED.

Enter to win tickets to Leftover Salmon & The Easy Leaves by submitting your full name, email address & by choosing the show you would like to attend in the dropdown.

Leftover Salmon & The Easy Leaves contests end Thursday, October 3 at 5pm. Winners will be notified via email by Noon Friday.

The Hot Buttered Rum flag hunt for tickets begins Friday at 12pm in Golden Gate Park.

Wild Belle continue fast-rising ascent at The Indy

Wild-Belle1Photos by Eldon Christenson // Written by Dara Shulman //

Wild Belle //
The Independent – San Francisco
September 26th, 2013 //

Fast-rising sibling duo Natalie and Elliot Bergman of Wild Belle impressed at the group’s sold-out show at The Independent. Lead singer Natalie remarked toward the end of the performance that “this first headlining show [in SF] has been a magical evening.” By the time the show concluded, it was obvious that many in the room were thinking the same thing.

Natalie Bergman’s sexy, raspy voice is a soulful blend of Macy Gray and M.I.A. for comparison sake and is clearly Wild Belle’s not-so-secret weapon. She fronts the four piece band, which features her songwriting partner and kin Elliot on both keys and saxophone. Natalie is an all around package of star power — from her seductive voice to her striking blonde locks, she beams on stage. Every move she makes exudes cool and a smooth style.

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The band follows her captive lead with on-point instrumentals. Jazzy, island sounds kept hips moving at a steady pace at this San Francisco show. There’s a worldly element to Wild Belle’s music, and the Chicago-based outfit’s approach to fuzing mildly psychedelic funk & reggae appeals to contemporary indie-rock fans that digest new music with a progressive twinge at a ravenous pace. It’s this amalgamation of genres that is most enticing about Wild Belle’s sound.

The talented Elliot plays a third instrument as well, the electric kalimba, keeping his worldly roots in tact from his former band NOMO. Fellow NOMO band members Erik Hall (guitar), Quinn Kirtcher (drums), and Kellen Harrison (bass) comprise the Wild Belle touring act.

Wild-Belle

At one point during the set, the sibs traded instruments. Natalie took over on keys while Elliot projected lead vocals — are all siblings this talented? The only slight disappointment, which is typical for an act with one long player under their belt, was that the set was a short one.

Wild Belle played faithful versions of songs from their 2013 release Isles, including favorites such as “Shine,” “Keep You,” and “Backslider.” Those in attendance Thursday were treated to a sneak peak off Wild Belle’s next album, and the unnamed track possesses the same island-jazz roots but included heavy blues vocals.

This may have been the first headlining show in San Francisco for a group that is destined for bigger venues and more fans, and based on the vibes that circled around The Independent last week, things are just starting for Wild Belle.

Little Boots lights up for the encore at The Independent

Little-BootsPhotos by Marc Fong // Written by Mike Frash //

Little Boots //
The Independent – San Francisco
September 24th, 2013 //

Electro-pop darling Little Boots took the stage at The Independent on Tuesday to belt out her self-empowering anthems that mostly revolve around relationships and the search for love. Victoria Hesketh seemed slightly hesitant at first, but she grew more comfortable as her performance unfolded. The crowd was a bit lethargic for this one, save for super fan number one who was front and center and danced ecstatically throughout with a flat brimmed Amish-like hat.

The translation of Little Boots’ music in a live environment is relatively faithful to her recorded work, but a handful of extended breakdowns and seamless transitions kept things moving at a steady pace. Based in 70s disco grooves, yet rooted in the now with electronic overlays and vocoder modulation, Hesketh’s sound can safely be classified as disco nouveau. She’s backed by a drummer and two keyboard players that create the synthesized elements on the fly quite effectively while Hesketh keeps her fingers on the master controls via a stylish stand-up podium.

Little-Boots

The flat, projected visuals in Little Boots’ show were archaic, like something out of a screen saver from 2002. The fog that continuously pumped out of the venue infrastructure lent more effective visual enhancement then the visuals Ms. Boots brought with her.

The best highlight of the evening came at the encore, when Hesketh reappeared with a costume change and her most upbeat, dancy numbers. Little Boots sported a technicolor Rainbow Bright dress that lit up like the Electric Carnival Parade, changing colors to pulsating versions of “Remedy” and show-ender “Shake”. This impressive display of satisfying eye-candy got the entire crowd moving to the same beat as super fan number one.

During the extended outro for “Shake”, Little Boots took the flat brimmed hat off of super fan number one and placed it on her head like a crown as her dress started to spell out “S-H-A-K-E” one letter at a time. Hesketh may have begun the evening in a state of self-consciousness, but she ended it as empowered as her music, adding one final kiss into the mic to say goodbye.

MNDR put on a crazy-fun opening performance as well. Check out photos of Little Boots and MNDR shot by Marc Fong.

WIN FREE TICKETS to Chelsea Wolfe at Great American 9/30

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Enter your name and email address below for the chance to win 2 free tickets.

The “drone-metal-art-folk” fusion that Chelsea Wolfe has become known for in recent years has taken a relatively electronic turn with her third record, Pain Is Beauty. For example, “The Warden” uses multiple minimalist beats that serve as an understated baseline for Wolfe’s ghostly, ethereal vocals. But it would be a false statement to call it an electronic record — Wolfe has called the album a “love letter to nature”, and it explores a variety of subgenres and musical stylings. Like her previous work, Pain Is Beauty delves into atmospheric landscapes that allows the listener to give in to the music, putting everyday concerns aside to float along for the journey.

And Chelsea Wolfe does the same thing during her live performances, so expect a mind-expanding live music experience when she headlines at Great American Music Hall Monday. True Widow and Screature will be offering support.

For fans of: Esben and the Witch, Zola Jesus, Deafheaven


Win 2 Free Tickets! Enter to win if you can attend this show Monday, September 30 at Great American Music Hall in San Francisco.

Submit your full name and email address below.
Contest ends Monday, September 30 at Noon. Winners will be picked at random & notified by email. Your email will be kept private – we will share your email with no one.

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WKEND MIXTAPE: Bassnectar – Immersive Music Mixtape – Side 2

WKEND-Mixtape---Bassnectar

This past week the Bay Area was treated to a visit from hometown hero Bassnectar. This past Tuesday, Lorin dropped the second side of his Immersive Music Mixtape. The mix is a faithful interpretation of his live show, minus the bass shaking your insides. More than your standard dj mix, Lorin has his fingerprints on almost every track; be it a remix, edit, or an original. I think he says it best:

On this brand new Side Two excursion, take a trip through my sonic kaleidoscope and hear brand new music as well as some vintage selections and re-creations, with exclusives including remixes of Grimes, The Deftones, Lux and Telefon Tel Aviv.

The tracklist is below to follow along. Looking for more? Check out side 1 here.

Tracklist
– Intro
– Ming & FS – Retrace (Bassnectar Remix)
– Harmonic 313 – Battlestar (Bassnectar Remix)
– Bassnectar – Raw Charles
– Capital J – The Throwdown (Bassnectar Remix)
– Bassnectar – Heads Up (WCLF 2013 Remix)
– Bassnectar – Take You Down
– Bassnectar – Witch Doctor 808
– Culprate – Scarred edit
– DJ Wonder – ??? (Bassnectar 2013 Redux)
– Egyptrixx – Godzilla edit
– The Deftones – My Own Summer (Bassnectar Remix)
– Bassnectar – Window Seat 2013
– Lux – Forgotten Name (Bassnectar Redux)
– Telefon Tel Aviv – TTV edit
– Mos Def – I Against I [Instrumental edit]
– Grimes – Genesis (Bassnectar Remix)
– Outro

Win Free Shows: Monophonics at The Indy • Sioux City Kid at Great American

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WIN FREE TICKETS to these kick-ass shows this weekend.

CONTEST COMPLETE

Like us on Facebook and follow us on Twitter to stay in the loop for more contests.

Enter to win tickets to these shows by submitting your full name, email address & by choosing the show you would like to attend in the dropdown. All contests end Friday, September 27 at Noon. Winners will be notified via email Friday. Please choose one contest.


Monophonics
The Independent ~ Saturday, 9/28

San Francisco’s psychedelic soul and funk ensemble Monophonics will be strutting their way onto the stage at the Independent for another Saturday night romp. The group has performed with Galactic, Dumpstaphunk, The New Mastersounds and Soulive, so you know the guys have some NOLA blood in them. The horn section is tight and powerful while their jazz-infused melodies pack a jammy punch.

This group of born and raised SF locals are certifiable road warriors, so welcome the guys home and join in the revelry Saturday at the Indy.

For fans of: The Greyboy Allstars, Charles Bradley, Orgone


Sioux City Kid
Great American Music Hall ~ Friday, 9/27

Celebrating the release of his highly anticipated second full length Minutes, Miles, Troubles and Trials, Sioux City Kid Jared Griffen will be reclaiming the stage at the Great American Music Hall Friday. Primed and ready for a hometown hoe-down, the band will be coming in hot off of their West Coast tour promoting their new album, video premiere & svelte new line up. Marking their second time headlining the historic music hall, SCK plans on blowing the roof off the concert venue with their incomparable energy and “blues heavy rock and roll”.

An evening billed for dancing, drinking and “getting into trouble,” this jovial homecoming will be their final Bay Area tour stop. Supported by up and coming local acts Vandella and Copper & Glass, this will be the perfect show to jumpstart your weekend off right.

For fans of: Tom Waits, Blitzen Trapper, Alabama Shakes

Gold Panda brings the worldly rhythm to The Independent

Gold-Panda Photos by Sam Heller // Written by Kevin Quandt //

It wasn’t long ago when avant-garde beat producers, like Gold Panda, would play small basement rooms filled with small crowds of dedicated music nerds watching these off-kilter musicians cook up something unique and not palpable for the masses. However, with the rise of artists such as Flying Lotus and Araabmuzik, a whole new genre has become more widely viable to the public. Not more than 2 years ago Gold Panda struggled to fill the Independent as he was still under-the-radar, but this past weekend he sold-out his Saturday showcase and nicely filled his second Sunday performance at the Independent.

Slow Magic would be the direct support for the night, and his lively show did not go unnoticed by those present early for one last weekend romp. Said opener was essentially a masked individual beating large drums to an array of pre-recorded EDM. It was energetic in it’s delivery, but failed to have much artistic merit beyond a spectacle. Enthusiasm can only go so far when paired with a live artist like Gold Panda, as he is a marvel to behold on stage.

Gold-Panda

Gold Panda represents a vast amalgam of electronic music, borrowing influences from all over the world and sound spectrum to weave an upbeat, futuristic tapestry. His latest release Half of Where You Live has been critically hailed as his third stab at a comprehensive full-length album. Well received tracks like “Brazil” demonstrate his use of South American rhythms in a very contemporary manner while consistently maintaining a dance beat. There are no ‘drops’ or huge frills to his dance ethic, but rather a rapturing, constant beat that listeners can lose themselves in rather easily.

Gold-Panda

Watching Gold Panda onstage is like watching a mad scientist at work, as he is fully enveloped in the process while constantly thinking about his next move, or in his case next loop or sample. The fan favorite and opening track off of Companion, “Quitters Raga”, was a blistering assault of sitar and Indian vocals that got the dwindling Sunday crowd throwing their arms in the air while busting out their best half-assed Bollywood dance moves.

This UK producer may not have risen to popularity via the hype vehicle that others like Flume and Burial have enjoyed, but Gold Panda’s steady progression gives his music a more authentic, genuine feel. Years ago, acts like this would struggle to make ends meet, especially outside their home territory. But, it’s a hopeful sign that outlying music such as this can be viable for the folks who lovingly produce it.

Gold-Panda

Gold-Panda

Gold-Panda

What to do if the police stop you at a music festival

Festival-Lawyer

Follow the Festival Lawyer on Twitter //

I know what you are thinking. What the heck’s a Festival Lawyer?

Is it a Public Defender who helps you out if you get arrested at a concert? No. (Although, to be honest, I wish I had thought of that as a job option after law school).

I’m a criminal defense attorney with a background as a former prosecutor. But I also have a background as a drummer, a DJ, and avid festivalgoer. The idea behind “The Festival Lawyer” column is to combine these backgrounds to give you legal and practical advice that will make you a safer, more responsible festivalgoer.

Advice like how to protect your rights if the police approach you at a concert. Or how to recognize the symptoms of a drug or alcohol overdose. We will talk about things like California’s Medical Marijuana laws or what to do if stopped for a DUI on your way to a concert. But mainly, the column will be focused on how we can make the Festival Experience work better for everyone as a more responsible, positive community.

As an aside, I’ve noticed that as soon as I start talking about knowing your rights, a certain percentage of people start complaining that I am somehow “teaching people how to commit crimes.”

This is dangerous nonsense. We don’t live in a police state (well, not yet anyway). As citizens it is not only our right but our duty to know and defend our Constitutional Rights and keep an eye on the police.

Anyway, let’s start with a hypothetical situation where the police stop you out of the blue in the middle of a music festival and start questioning you. They don’t say why they are stopping you but just immediately ask permission to search your person and backpack.

What should you do?


1. Like the Clash said, “Know Your Rights.”

Okay, quick criminal procedure tutorial.

In any encounter with the police, a Judge will be looking after the fact at whether the police had a right to stop you in the first place. This is because the 4th Amendment of the Constitution says that you have a right as a citizen to freely go about your business unless the police can show they had a belief you were engaged in criminal activity.

What the police have to show to a Judge later depends completely on whether the Judge finds that you were being “arrested”, “detained” or were “free to leave”.

If the police arrest you, they have to show they had “Probable Cause” to believe you were committing a crime.

On the other hand, the police will probably argue that they weren’t arresting you but just “detaining” you. A “detention” is a situation where the police stop you briefly while they investigate a crime but haven’t arrested you yet. In a detention, the police have a much lower burden of proof. They only have to show a “reasonable suspicion” as to why they were detaining you. Or the police may argue that their entire contact with you was just a “consensual encounter” where you were free to go at anytime. In a consensual encounter, they don’t really need to justify why they stopped you because they were just talking to you and you were “free to leave”, (Because people always feel free to walk away when contacted by the police, right?)


2. Remember the Festival Lawyer’s Key Phrases.

So knowing the above, what should you do If a cop stops you?

The first question out of your mouth should be, “Am I being detained?” Then, “Why? What am being stopped for? Am I free to go, or am I under arrest?”

Memorize this. Repeat it out loud: “Am I being detained? Why? Am I free to go, or am I under arrest?”

Yes I am aware that like the cop in 99 Problems, the cop may not appreciate you being so “sharp as a tack” and view you as a potential troublemaker.

So your job in this situation is to keep calm and cool. Be respectful but clear and firm in what you are saying. It is completely reasonable (and legal) to ask why you are being stopped and whether you are free to go. By asking from the start if you are under arrest or free to leave you are forcing the officer to tell you exactly what is happening and whether you are a suspect.


3. Miranda Rights: Myths vs. Reality

One of the most common urban myths out there is that the police have to read you your Miranda rights or the arrest gets thrown out of court.

Not true. The police don’t have to read you these rights. In fact, the police have the right to completely lie to you in any interview. The only time they have to read Miranda rights is if:

  • A) You are under arrest
  • B) They want to use a statement you made after being arrested in court against you.

The Right against Self Incrimination is in the Bill of Rights for a reason. USE IT. You should NEVER give a statement to the police without a lawyer. Period. No exceptions.

In the above scenario, questions like “whose backpack is this?” should be answered with a firm, “Officer, I am choosing to remain silent. I want a lawyer.”


4. Do not give the authorities consent to search you.

One other major Constitutional right you have is the right to be free from an unlawful search of your person and property.

So lets say you are already in a Festival when the police approach you. They won’t let you leave and ask for permission to search your backpack. (Obviously, security has a right to search you as you enter a festival and go through their initial security screening.)

Cops always make it seem like you’re some kind of a criminal if you express the slightest hesitation about having your property searched without a warrant. You can expect to hear an “If you have nothing to hide, why can’t we search your stuff?” type of verbal approach from the cops.

Know this…If the police are asking you permission to search you or your property, it usually means they know they are making an illegal search. Let that sink in for a second. When the police ask you “Can I search this bag?”, they KNOW they are asking you to let them make a search they are not legally entitled to make.

My advice? Respectfully tell the police officer, “I’m not giving you consent to search my property.” If they ask what you have to hide, don’t argue with them. Simply say again, “Officer, I’m sorry I’m not giving you consent to search my person or my property. If I’m free to leave I’d like to leave. If not, I’d like a lawyer please…”

At this point, they can still search you if they have probable cause, but what you’ve done with your statements is make them declare their reason for doing so and force them to show they are legally entitled to search you.


5. Document the Encounter.

In future columns we are going to talk a lot about what a Festival Buddy is and what their responsibilities are. In this scenario, the Festival Buddy’s job isn’t to yell “Hey man leave him alone” or drunkenly argue with the cops. Festival Buddy’s job is to whip out his or cell phone and document the entire encounter.

SPOILER ALERT – COPS REALLY FREAKING HATE THIS. The best thing to happen to Civil Liberties in this country was the invention of the cell phone camera and YouTube. But just bear in mind, cops will do just about anything to avoid having you upload your video of them on YouTube or on Social Media.

This is an area where your own comfort level has to dictate how far you push it. Legally, since you are in a public place you are completely entitled to film and record what is happening. But cops will sometimes argue that you are “interfering with an investigation” and threaten to arrest you. Or if you have had anything to drink they will suddenly decide that you are “publicly intoxicated” and try to arrest you. As a Festival Buddy you have to decide if you can safely film what is happening. That’s because your other job as FB is to stay out of custody and post bail and let your buddy’s family know he just got arrested.

I suggest that you say the following if cops order you to turn off your camera.

“Officer, I’m not interfering with you in any way. I am just documenting this arrest. This is a public place and I’m entitled to record this”.

While making this statement, I would make a show of backing up and getting out of the way to prove that you are not interfering but just observing.

If that doesn’t work and your Latin is good you can just tell them, “Quis custodiet ipsos custodes” (pssst…that’s a joke but go ahead and Google it kids)

If things get crazier, be sure to get footage of the cop screaming “turn that camera off” before you turn it off. Everyone (You Tube, Media, Juries, Internal Affairs) loves footage of cops screaming “turn off that camera” to a calm person who is doing nothing but saying “I’m not interfering, just watching to make sure you are following the law.”

Okay that’s it for this column. Be sure to follow me on Twitter @Festivallawyer and be sure to tweet at me for comments on this story or future story ideas. I’ll be back in two weeks with a new column!

Read the Festival Lawyer’s follow up article, highlighting the best reactions and responding to the most pertinent questions from this article.


BIO – The Festival Lawyer is not a professional writer (duh). I am also not a journalist or concert promoter. I am just a fan who has gone to concerts all my life. I like to say that I’ve gone to a “saw Pink Floyd, The Clash, White Stripes before they broke up” and “I wish I had started wearing ear plugs a long time ago” years-worth of concerts. I’m hoping you will consider The Festival Lawyer your legal spirit guide.


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St. Lucia treat POPSCENE patrons at Rickshaw Stop as full-length debut nears

St.-Lucia

St. Lucia (aka Jean-Philip Grobler) and his live backing band commanded the weekly Thursday night Popscene stage at Rickshaw Stop in San Francisco September 12. Playing to a sold-out crowd of rambunctious party people, the Brooklyn-based group kept the energy high with layered percussion and dance heavy anthems.

Jean-Philip Grobler’s vocals bellowed throughout venue, echoed by a crowd stacked high upon each other’s shoulders, coming close to swinging from the proverbial rafters. In order to even get a chance at some personal space to enjoy the show, one had to retreat to the upstairs loft, which was packed in itself. St. Lucia had the room buzzing, culminating in an off the charts dance party which easily could have filled a space double the size of the intimate venue.

St.-Lucia

St. Lucia’s band dynamic and infectious charisma spilled over into the crowd from the opening notes of their set. The group predominantly playing songs off the 2012 self-titled EP, and many in the audience sang and danced along with every track. Limited on material to cover at this point, the band stretched nearly every 4 to 6 minute song into extended dance floor frenzies. Grobler and company kept the crowd involved and entertained every minute of their performance with creative improvisation and an eccentric stage show.

Hinting at the soon to be released album, When the Night, due out next month, St. Lucia treated the crowd to an awe-inspiring performance of “Elevate” towards the end of the set. This is first single released off of the full length slated to drop October 8th, and crowd members reacted enthusiastically to the new material — a few even screaming out within earshot, “I fucking love this song!”


Download “Elevate” here.

Rickshaw Stop has been a venue to catch talent on the rise within the independent music scene for a while now. Clever booking and the success of their many curated evenings, including their regular Thursday installment of Popscene, play a major role in exposing many new artists to passionate young auditory pleasure seekers in the Bay Area. St. Lucia has gained enough traction at this early stage of his career to sell out much larger capacities, and it’s nights like this that truly resonate amongst music fans. A shear testament to what undoubtedly will be a successful full length debut while providing fodder for subsequent live shows going forward, St. Lucia’s performance at Rickshaw Stop was a special moment for both the band and fans alike.

Stars round out doubleheader at Slim’s

StarsPhotos by Chaya Frash // Written by Molly Kish //

Entering into the second leg of their US tour, promoting latest album The North, Montreal-based indie rock veterans Stars visited two historic venues in SF. Playing shows at both the Great American Music Hall and Slim’s, the band’s following in the Bay Area made each performance a night to remember. When asked by the band’s animated front man Torquil Campbell, “Who joined us last night at Great American?” the audience at Slim’s erupted in cheers September 18. This led into what was ultimately a set-long love letter to the city of San Francisco and its dedicated base of fans.

Stars played a set that spanned their entire discography, catering to the eclectic crew of fans they’ve accumulated over the years. Dense with emotionally charged ballads, the crowd swayed along entranced by the onstage dynamics of Torquil Campbell and Amy Milan. A much more mellow show than their previous Bay Area performance at the Fillmore this past year, the band took the focus off of their newest material and delved deep into their nostalgic, melancholy tunes.

Stars

Stars certainly sprinkled in dance jams from The North throughout the night’s performance, but the real focus seemed to be on earlier heavy-hitting rock anthems, to the crowd’s delight. Igniting the intimate venue with “Take Me To The Riot” and “Bitches In Tokyo”, those in attendance shouted along in glee to songs that were mentioned to have not been played on stage in 14 plus years. The crowd was treated to extended stage time with the group’s touring violinist, who was celebrating an early birthday.

Matching the crowd’s enthusiasm, the band ate up the energy of the packed venue. At one point Campbell took a front row fans gift of Japanese lilies, then proceeded to bite and rip the heads off of their stalks and disseminate the bouquet into the crowd throughout the show. Campbell, who wore a handmade “Dead Child Actor” t-shirt, graciously thanked the female audience member for her help in “creating drama.”

Stars

Culminating the set with a four-song encore, punctuated by a stripped down, band pow wow of “The 400”, each member sat together in front of the drum set singing into two mics, and they ultimately turned to the audience for participation. Exiting one by one into the downstairs dressing room, Stars’ members emphatically professed their love for the bay area and promised to return soon.

The next course post tour for Stars is to finish recording their new album, then get back on the road again. Promising that SF will be one of their first stops post-production, the crowd responded with their own fond farewell, and the night came to a bittersweet end.

SETLIST:
The Night Starts Here
Ageless Beauty
A Song Is a Weapon
Death to Death
Wishful
One More Night
Fixed
Soft Revolution
Dead Hearts
Personal
Your Ex-Lover Is Dead
Backlines
We Don’t Want Your Body
Heart
Take Me to the Riot
Hold On When You Get Love and Let Go When You Give It
Walls

Encore:
Calendar Girl
The Theory of Relativity
Elevator Love Letter
The 400

Stars

WIN FREE TICKETS to Little Boots at The Independent

Little-Boots

Enter your name and email address below for the chance to win.

Who’s ready for a Tuesday night dance party at the Independent this week? English Electro-pop darling on-the-rise Little Boots (born Victoria Hesketh) will take center stage with support from MNDR, a glossy electronic duo that should set the tone nicely for the evening.

Little Boots sharpened her teeth with help from Hot Chip’s Joe Goddard (who also creates unique beats with The 2 Bears), catalyzing Little Boots’ popularity in 2008 with standout tracks “Stuck on Repeat” and “Meddle”. Since then, Hesketh has developed a heavier electronic sound aesthetic, working with Simian Mobile Disco’s James Ford on “Shake” and with Ford & Maya Jane Coles on “Superstitious Heart” under the moniker LB. Turn your early-week doldrums into fun times by planning a night out on Divisadero Tuesday.


Win 2 Free Tickets! Enter to win if you can attend this show Tuesday, September 24 at The Independent in San Francisco.

Submit your full name and email address below.
Contest ends Tuesday, September 24 at Noon. Winners will be picked at random & notified by email. Your email will be kept private – we will share your email with no one. 21+ only.

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WIN FREE TIX to Gold Panda at The Indy 9/22

Gold-Panda

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Multi-facted producer Gold Panda returns to the Independent with not one, but two nights of his genre-bending take on electronic music. With the rise of producers such as Flying Lotus and Flume, many other similar artists are breaking out to larger crowds and stages as forward-leaning electronica garners a new level of popularity and appreciation. Ghostly International only signs the finest in contemporary dance music, so it’s no surprise that Gold Panda reps the prolific label.

We could insert a bunch of fancy genre names here to give you an idea of the sound represented, but we’d rather you win tickets to his show Sunday at the Independent alongside Slow Magic, Voices of Black and DJ Dials.


Win 2 Free Tickets! Enter to win if you can attend this show Sunday, September 22 at The Independent in San Francisco.

Submit your full name and email address below.
Contest ends Friday, September 20 at Noon. Winners will be picked at random & notified by email. Your email will be kept private – we will share your email with no one. 21+ only.

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PHOTOS: Warpaint at The Independent 9/17

WarpaintPhotos by Marc Fong // Written by Mike Frash

Warpaint have played only handful of festival sets over the past year, but the hypnotic LA-based fearless foursome performed to a full house at The Independent September 17, the start of a brief US tour before heading out on a longer European tour. Four new songs were road-tested in San Francisco, including “Keep It Healthy”, “Love Is To Die”, “High” and “No Way Out”. The dreamy ambiance and piercing lyrics from Emily Kokal, Theresa Wayman and Jenny Lee Lindberg are as hypnotic as ever, providing a moving, spiritual live music experience.

With new material and dozens of shows on the horizon, a new album seems likely in 2014 — check out Warpaint’s 2013 US schedule:

10/01 Brooklyn, NY – Music Hall of Williamsburg
10/11 Pomona, CA – The Glass House
10/12 Los Angeles, CA – El Rey Theatre
10/18-10/19 – Dallas, TX – Index Fest 2013

SETLIST:
Bees
Stars
Keep It Healthy
Love Is To Die
Composure
Undertow
High
No Way Out
Billie Holiday
Elephants

Encore:
Baby
Beetles

Moving Units get intimate at DNA Lounge

Moving-UnitsPhotos by Eldon Christenson // Written by Molly Kish //

Moving Units //
DNA Lounge – San Francisco
September 12th, 2013 //

Kicking off their much-anticipated 2013 tour on Thursday, Moving Units dominated the upstairs loft at the DNA Lounge with an exclusive audience of die-hard locals.

Walking into a venue usually filled with 800-plus audiences, it took a minute to wrap your head around the scene. Entering through a lengthy staircase into a space originally used as the late-night lounge for the main-room festivities, the crowd’s level of intensity created an eager anticipation for the night’s main act. Filling the micro-venue with enough fog to smoke out a space twice the size, excitement filled the air. After all, this was the kick-off performance of Moving Units’ first tour and album in six years, leaving no room for mediocrity in a city known to galvanize the wider live music scene.

After a few sound check teases of familiar pulsating bass lines, drum rattles and tweaks of synthesizer knobs, Moving Units took the stage. The current lineup — consisting of Mike Delgado, Pat Heany and the ever-controversial frontman Blake Miller — started the evening off by playing tracks off their album Neurotic Exotic. Released less than 24 hours before the band’s physical set time that evening, the show served as both a triumphant return to the Bay Area music scene and a listening party for everyone in attendance. The band’s new tracks were embraced by a crowd riding high off of the surreal experience, which later evolved into a full-force dance party.

Moving-Units

Between the gregarious couples making out mid-floor and ladies literally pawing at the band, falling over the front of the ground-level stage, the show morphed into an off-the-charts loft party with one of the most notoriously salacious house bands around. The band’s blinding light displays, seductive stage presence and instigating crowd banter kept the energy at an all-time high.

Hitting hard late in the set with hits from Dangerous Dreams and Hexes for Exes, Moving Units inspired the sweat-soaked crowd to dance themselves into a frenzy, belting every last lyric while bouncing off each other and Miller, who decided to join in the audience’s reverie.

Nearly running through their entire catalog of quintessential dance-punk hits, the show came to an abrupt end soon thereafter, leaving the crowd salivating for more. Uncertain as to why the cords got pulled so quickly, the band exited the stage to house music, yet they remained on the dance floor drinking and talking with fans well into the closing hours.

Moving Units continue their West Coast tour throughout the remainder of the month in support of Neurotic Exotic. Be sure to pick up their brand-new album and check them out at a venue near you.

PHOTOS: Grouplove at The Independent 9/14

GROUPLOVE_postPhotos by James Nagel // Written by Mike Frash

Hyper-hooky Grouplove returned to the Independent as headliners days before the group’s second album Spreading Rumors released September 17. A rabidly excited crowd enjoyed more than a handful of new tunes including lead single “Ways To Go”, but frontman Christian Zucconi and spandex catsuit-clad Hannah Hooper rightfully displayed the most energy in the room, even though a wedding proposal took place to begin the encore.

Grouplove’s lyrics are laboriously didactic and cheesy — but the band has established a large, dedicated audience, so much so that they garner heavy radio play and sold out this show instantly when it went on sale. Really though, what would you expect from an outfit that got mega-big by soundtracking iPod commercials with the candy-coated song “Tongue Tied”.

Plenty of people were having a great time Saturday, but Grouplove can be a tad formulaic and predictable. They read as a repetitious sugar blast of chamber pop, and nearly every song features late-era Michael Jackson doppledanger Zucconi screeching at the top of his lungs, slightly off pitch on purpose — it didn’t exactly hit ‘nails on the chalkboard’ status, but it came close.

The LA-based group is popular enough to play bigger venues than The Indy going forward, and they will. The members are happy and benevolent, and the music they create and perform live seem authentic to who they are — their smiles are genuine and they played a long, passionate show at The Independent. Grouplove really did give it their all.

They are simply too one-note and earnest, wearing heart-on-sleeve without an iota of mysteriousness. But as Hooper said, she’d “rather be a hippy than a hipster.”

WIN FREE TICKETS to Stars at Slim’s 9/18

Stars
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Montreal-based indie rock pioneers Stars will be headlining an intimate performance at Slim’s in SF this Wednesday, September 18. The band continues to tour in support of their critically acclaimed, sixth full length studio album of the same name. Comprised of an all-star cast of indie rock elite and part-time collaborators with genre defining super-group Broken Social Scene, Star’s members have interchanged from tour to tour. Star’s sound is exciting and romantic, as well as desperately melancholy — a rollercoaster of emotions soundtracked by legends in the industry. Their live show is not one to be missed!

The band debuted two brand new unreleased songs via exclusive vinyl, digital download and now are available on itunes. Less than 500 albums were printed for distribution, they are selling fast via pre-order and are available at merch tables on tour, while supplies last. Purchase here.


Win 2 Free Tickets! Enter to win if you can attend this show Wednesday, September 18 at Slim’s in San Francisco.

Submit your full name and email address below.
Contest ends Wednesday, September 18 at Noon. Winners will be picked at random & notified by email. Your email will be kept private – we will share your email with no one.

CONTEST COMPLETE

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Local Natives return to Fox Theater Oakland with bag of new tricks

Local-NativesPhotos by Marc Fong // Written by Mike Frash //

Local Natives with Wild Nothing //
Fox Theater Oakland – Oakland
September 12th, 2013 //

Local Natives kicked off the first show of their new tour by returning to the Fox Theater Oakland on Thursday, the same Bay Area venue the group graced in February (see our photos from the show here). While there may have been a dose of déjà vu for super-fans that caught both shows, Local Natives’ super-charged lighting is now grander and the headliners surprised the faithful with a couple acoustic numbers for the first time.

Slow-building, three-part harmony and layered instrumentals signify the LA natives, and the group has enhanced their live performance through a strikingly new light show. Staggered floodlights are now placed behind the five performers as smoke machines continuously billowed wispy textures toward the center of the stage.

Local-Natives1

One consistent element that can be found in Local Natives’ song structures is a mid-song break, a quiet lull that gives context and more meaning to the high-decibel crescendos. Then, to end the brief respite, the thunderous wall of sound returns — but now it’s not simply the listener’s ears that are barraged. The back lighting is blinding, almost seizer-inducing — and maybe this is what the group is going for. The absence of sight does make the process of hearing sound (including music if you are at a concert) more critical to the brain. The timing and tone of the lighting matches the music perfectly, but sunglasses would still have been useful.

My Bloody Valentine might be the loudest show I’ve ever heard, and without hesitation, it’s easy to proclaim this was the brightest show I’ve ever seen. Dangling firefly lights descended from above the stage toward the end of the set and remained for the evening. The bulbs would light in unison, then blip randomly at times to reflect sonically chaotic performance parts. The firefly lights made their biggest impact during the final encore song, “Sun Hands”, when the hanging light bulbs twirled around like a whirling dervish — this made Local Natives’ last song more memorable than usual, sending the young audience onto Telegraph Street en fuego.

Local-Natives2

Mustachioed frontman Taylor Rice announced they would be “trying something new,” as two acoustic songs ended the main set. “Warning Sign” was first, but it was a stripped-down version of “Who Knows Who Cares” that brought pure glee to many faces in the crowd. Rice pointed out they had performed the song for La Blogotheque in 2011, but this was the first time they performed the acoustic version live.

One of the best attributes a live music group can have is passion, but if an artist doesn’t put enthusiasm front and center, what good is it? Local Natives get this concept. They seem spiritually invested in the music they have created and give to people on stage, and physically they couldn’t try any harder. Cheers to Local Natives for being one of the most enthusiastic outfits in indie rock.

Wild Nothing did a bang-up job opening to an empty-ish house, and their positively toned psych-rock is oh-so-delightful live. “Paradise”, one of Wild Nothing’s best songs, was jaw-droppingly wonderful and surprisingly heavy. Swirling instrumentals allow for floaty mind-wandering, and lead singer/songwriter Jack Tatum uses both a high and low vocal range in his singing, often in the same song. Hopefully the group swings by SF again soon for a proper show.

WKEND MIXTAPE: Disclosure Essential Mix

Disclosure_wkendmixtape

This week’s mix comes from electronic golden boys Disclosure with their turn on BBC’s Essential Mix. With the recent release of their debut album Settle, the Surrey-based brothers have been showing up everywhere lately.

The two-hour mix opens with a tribute to J Dilla, showcasing tracks from Q-Tip, Slum Village, Gang Starr, and Jaylib. From there, it moves on to what one would expect from Disclosure. Among tracks from Moodyman, Bassjackers, Adonis, Native Soul, Omar, and others you will find a couple of their own jams (“Latch”, “When a Fire Starts to Burn”). A refreshingly eclectic mix from the duo. Enjoy!



Tracklist
Onra – Intro [All City Dublin]
Slum Village – Players [Good Vibe Recordings]
Gang Starr – Put Up Or Shut Up [Virgin]
Jaylib – React (feat. Quasimoto) [Stones Throw]
Q-Tip – Let’s Ride [Arista]
Vic Mensa – Orange Soda
Moodymann – U Ranaway
Linkwood – Secret Value [Shevchenko]
Mike Huckaby – Melodies From The Jazz Republic / I Get Deeper (Acapella) [Still Music]
[unknown] – J.A.W.S.
Trankilou – Bill Collector [BPM Records]
T. Williams – Three Letters [PMR]
Bassjackers & Apster – Klambu [Sneakerz MUZIK]
Dusky – Sunsets & Dolphins
Midland – Archive [Graded]
Mark Henning – Trojan [Cityfox]
Ten Walls – Gotham [Innervisions]
Disclosure – When A Fire Starts To Burn [PMR]
Rachel Row – Follow The Step (Breach Hood Remix) [Defected]
New York Transit Authority – 95′
Soul Purpose – Sublim3 [Lo:Rise]
Friend Within – The Scene [Method Records]
Paul Woolford – Untitled
Hannah Wants – Teardrop On The Fire
GoldFfinch – Once You Wrap
Adonis & Charles B – Lack Of Love [Desire]
Native Soul – A New Day (Spencer Parker’s A Gun For Hire Remix) (feat. Trey Washington) [Defected]
Eddie Niguel – Absolute [Midnight Shift]
Omar – Feeling You (Henrik Schwarz Remix) [Peppermint Jam]
Hauswerks – Puppet Factory [Moda Black]
Disclosure – Latch (Maddslinky Remix) (feat. Sam Smith)

AlunaGeorge share ‘very sexy’ vibes in SF

AlunaGeorgePhotos by Marc Fong // Written by Mike Frash //

AlunaGeorge //
The Independent – San Francisco
September 11th, 2013 //

Buzzy British duo AlunaGeorge blasted into The Independent, proceeding to get the house bouncin’ while announcing their presence with authority. Singer and sultry frontwoman Aluna Francis referred to the clubbier-than-normal crowd as “very sexy” before launching into “You Know You Like It”. But it was Francis’ confident dance moves and spot-on vocals, combined with George Reid’s live production work, that proved sexiest.

Based on AlunaGeorge’s current tour schedule, the she-him collaboration of Francis and Reid (hence, the group’s name) are an international phenomenon in the making. How often does a group this new, who just released their first record, embark on such a long, worldwide tour? They are ready for the big spotlight — their tight, quick set packed a heavy punch, one that kept building in excitement.

Francis and Reid have expanded to a foursome on the road by adding live drums and bass, and this live instrumentation makes the beats sound more immediate, drawing you into the dreamy, sensual soundscape.

AlunaGeorge

AlunaGeorge’s show feels like a DJ performance. Sonically, the brain is processing clean sound that mashes principles of UK garage, 90’s R&B and hip-hop, but it’s all so infectiously poppy thanks to Francis’ easy-to-digest hooks, smart lyric inflection and a vocal tone that gets more addictive with each listen.

Reid creates the production elements live on MIDI pads and keys, building his studio vision on the fly — it’s the furthest thing from button-pushing EDM laziness. Low-bass vocal effect samples are utilized as hooks (like in “Your Drums, Your Love”), and these moments help to make the performance hypnotic. Every note curated by Reid is slick and seductive, and when someone as striking as Francis is the one attracting all eyes in sight, it all works perfectly.

AlunaGeorge

Highlights from Wednesday’s show included a slowed-down translation of Disclosure’s “White Noise” (which AlunaGeorge collaborated on), and a much more evolved rendition of “Analyser”, the track that put AlunaGeorge on the map early on. They also covered “This Is How We Do It” by Montell Jordan — how appropriate.

It’s as if Aaliyah came back from the dead, hooked up with Flume and put on an amazing live show — so maybe this helps to explain why AlunaGeorge is so popular. Any way you look at it, AlunaGeorge is a live-music experience worth investing in.

PHOTOS: Plácido Domingo at the Greek 9/7

Placido-Domingo_postBy Marc Fong //

Plácido Domingo //
Greek Theatre – Berkeley, CA
September 7th, 2013 //

Plácido Domingo brought the symphony crowd outdoors to the Greek Theatre in Berkeley (one of our favorite Bay Area venues) last weekend. The weather permitted a beautiful night, which set the stage for a beautiful performance.

Our photographer Marc Fong said, “It was AMAZING to see the symphony and Plácido (and guest Sopranos) at the iconic Greek Theatre. This was the only place to see this show.”