Lo Moon are officially LA’s newest buzz band after their sold-out show at the Troubadour

Lo MoonBy Josh Herwitt //

Lo Moon with Psychic Twin //
Troubadour – West Hollywood, CA
November 16th, 2017 //

If there’s one public radio station in Los Angeles that always seems to have its finger on the pulse of all things music, it’s KCRW.

The NPR member station broadcasting from Santa Monica College has long had a penchant for discovering some of today’s most buzzworthy bands, and since 1977, its signature music program “Morning Becomes Eclectic” has played an instrumental role in maintaining what has been a strong track record for years. In fact, quite a few up-and-coming acts have come out of KCRW’s own backyard, whether it has been indie-rock groups like Silverlake’s Local Natives or solo artists such as Inglewood-bred jazz virtuoso Kamasi Washington.

But the latest group from the City of Angels to catch the station’s eye has been Lo Moon, the atmospheric, yet soulful indie-electronic trio that has only officially released three songs to date. One of them is called “Thorns”, which opened their sold-out show last Thursday at the Troubadour. With KCRW sponsoring the event, Illinois native/now LA transplant Erin Fein’s dreamy, synth-pop project Psychic Twin paved the way for the evening’s headliner, as a half-empty room prior to 9 p.m. turned into a crowded one 30 minutes later.

Despite what they call home right now, Lo Moon don’t consider themselves an “LA band,” at least not yet. All three full-time members — Matt Lowell (guitar, keyboards, vocals), Crisanta Baker (bass, keyboards, vocals) and Sam Stewart (guitar, keyboards, vocals) — arrived in LA from different parts of the world and wrote most of their forthcoming debut LP that’s due out next year in Seattle, a city Lowell says helped shape the album’s overall sound.

Lo Moon

Lo Moon, sonically, can be somewhat difficult to pin down. With a range of influences, their music has drawn comparisons to many of the UK’s biggest bands: Talk Talk, Cocteau Twins, My Bloody Valentine, Radiohead, Massive Attack and The xx, among others. That’s certainly some impressive company to be mentioned in when you get right down to it, especially for a band that took several months to unveil its second song. But Lo Moon have much more than just comparisons to hang their hat on at this point. The three-piece, for one, has inked a deal with Columbia Records and gotten the attention of former Death Cab for Cutie guitarist Chris Walla, who has since signed on to produce its first full length.

Lately though, Lowell, Baker, Stewart and touring member Sterling Laws (drums) have been hitting the road with some pretty big names, including AIR (read our show review here) and Phoenix, with shows lined up next month as support for London Grammar, Wilco frontman Jeff Tweedy and The War on Drugs. With those kind of opportunities this early in the band’s career, don’t be surprised if you find Lo Moon listed on the 2018 Coachella lineup in January.

Back at the Troubadour, Lo Moon ran through a number of tracks that we can expect to hear on their upcoming release, performing “The Right Thing” for the first time before closing the set on a high note with “This Is It”, their sophomore single that you could mistake for a Peter Gabriel song if you didn’t know any better. There’s no question Lowell and company have an affinity for synthesizers, and the limited studio material they’ve revealed so far suggests that. But what also makes them stand out is Lowell himself, who offered a poignant solo rendition on the piano titled “All In” to kick off the band’s brief encore.

Of course, as Lo Moon fans know or will come to know, the show couldn’t have ended without the song that started it all: “Loveless”. The sprawling, seven-minute anthem, which hooked a major record label, an A-list producer and listeners all over the world, is what initially put the threesome on the map, and with Laws’ drum rolls delivering one powerful crescendo after the next down the stretch, the crowd came visibly alive like it hadn’t all night. Sure, this may only be the beginning for these guys, but LA’s newest buzz band knows how to shoot for the moon.

Setlist:
Thorns
The Right Thing (live debut)
Wonderful Life
TTMYMO
Real Love
My Money
Camouflage
This Is It

Encore:
All In (Matt Lowell solo on piano)
Loveless

Beach Slang make good on their promise in LA, punching us in our ‘big, dumb heart’ at Echoplex

Beach SlangBy Zach Bourque //

Beach Slang with Dave Hause & The Mermaid //
Echoplex – Los Angeles
November 16th, 2017 //

“Hi, we’re Beach Slang and we’re here to punch you in your big, dumb heart.”

Philly punks Beach Slang cut a unique cloth within the genre. Their music is tinged with shades of country and Americana without going full-force Stagecoach. They’re emotional without the emo, angsty without the anger and loud without the shouting. They’re punk music at its most authentic: raw, real and full of life.

Echoplex on a Thursday night appeared to be an ideal and logical location for Beach Slang’s return to LA as part of their “A Loud Bash of Teenage Feelings” tour. While most shows at the Echo Park venue border on claustrophobia, the lighter-than-usual crowd was both a pleasant surprise and a head-scratcher. Was this really the extent of the band’s fan base in LA? Finding a place close to the stage was refreshingly easy, which made the evening’s opening course all the more enjoyable.

Dave Hause & The Mermaid


Dave Hause & The Mermaid

Doubling down on the Americana trend this night was fellow Philly punk rocker Dave Hause. Backed by his band The Mermaid, the singer-songwriter who is now based in Santa Barbara had a surprisingly robust fan presence, many of whom provided backing vocals throughout his set. With a fantastic cover of Tom Petty’s “Won’t Back Down” serving as a standout track from his set, Hause put on a great show and certainly gained a few new fans within the less-than-packed house.

Despite getting their gear stolen in Austin just days before, Beach Slang arrived ready to rock. With his now-ubiquitous ruffled suit and shag of hair, frontman James Alex remains a unique figure onstage. Crooning into a microphone wrapped in flowers, Alex’s vocals filled the room with his trademark gruff energy. The group tore into an eclectic set with nary a hiccup despite their new, unfamiliar instruments. Highlights included “Wasted Daze of Youth” and “Punks in a Disco Bar” along with … wait for it, a rousing rendition of Santana’s “Smooth” featuring Rob Thomas of Matchbox Twenty.

While the show wasn’t sold out, those who made it out definitely got an intimate fix of Beach Slang. With their unmatched energy and peerless sound, they will undoubtedly be a favorite of many for some time to come.

SF Show of the Week // GO4FREE to Hot Chip (DJ set) at Mezzanine 11/22 (WED)

Hot ChipWritten by Chandler Kirkman //

Hot Chip feat. Felix Martin, Joe Goddard//
Mezzanine – San Francisco
November 22nd, 2017 //

Since forming in 2000 and releasing their debut EP Mexico, Hot Chip have remained one of today’s most distinctive and innovative bands with the way they combine indie and dance music in a refreshing manner. In addition to being known for their exciting, upbeat DJ sets and one-of-a-kind live performances, the London outfit has put out six studio albums, two mixed LPs, and both national and international radio mixes.

While Mexico launched the septet to stardom, frontman Alexis Taylor’s dreamy falsettos and Joe Goddard’s gruff vocals, plinky pianos and hypnotic, pulse-like techno beats have drawn more and more fans in worldwide. Each and every Hot Chip show feels unique, as the band’s members reinvent their original studio compositions and form an intense live improvisation that creates an energetic atmosphere.

Over the last 17 years, Hot Chip have performed in front of thousands at major music festivals like Coachella, Lollapalooza and Austin City Limits. The group has also received its fair share of accolades and recognition, including a Mercury Prize nomination for The Warning in 2006, a Grammy nomination for “Ready for the Floor” in 2009 and most recently, two Virgin Media Music award nominations in 2010.

Hot Chip released their sixth and most recent LP Why Make Sense? in 2015, reuniteing them with In Our Heads producer Mark Ralph as they explored a variety of sounds, from 90’s R&B to disco to post-punk.

This Wednesday, celebrate Thanksgiving one day early with a special extended DJ set from Felix Martin and Joe Goddard of Hot Chip. Tickets are available for $20, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Wednesday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Baio: November 21st (TUES) @ Rickshaw Stop
Dhani Harrison: November 22nd (WED) @ The Chapel
Lyrics Born: November 25th (SAT) @ The Independent
Swingin’ Utters: November 25th (SAT) @ Slim’s
Louisiana Love Act: November 25th (SAT) @ Great American Music Hall


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

CONTEST CLOSED.

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SF Show of the Week // GO4FREE to The Stone Foxes at The Independent 11/17 (FRI)

Written by Chandler Kirkman //

The Stone Foxes with Thee Commons, Jonny Ramada //
The Independent – San Francisco
November 17th, 2017 //

The Stone Foxes are SF’s rock band. Originating in the sleepy foothills of California’s Central Valley where former founding member Aaron Mort as well as brothers Spence (guitar, vocals) and Shannon Koehler (drums, harmonica, vocals) grew up, the group formed while attending San Francisco State University when Elliot Peltzman (keyboards, vocals), Vince Dewald (bass, vocals) and Ben Andrews (guitar, vocals) came aboard.

Since their formation in 2005, The Stone Foxes have carried the torch of their predecessors with the knowledge and belief that rock ‘n’ roll can move a new generation. After spending the first few years together developing and balancing its musical style, the six-piece’s self-titled debut LP hit the shelves in 2008 and was met with adoration.

Over the last few years, The Stone Foxes have played in front of thousands at major music festivals and have been featured on TV shows, such as Showtime’s “Shameless” and FX’s “Sons of Anarchy”. They’ve headlined the legendary Fillmore in SF and toured with huge bands like The Black Keys, Cage the Elephant and ZZ Top, invoking their audiences with a commanding, energetic stage presence that has built them a strong reputation among live music fans.

The Stone Foxes’ fourth and most recent LP Twelve Spells came out in 2015 and chronicles their new beginning with lyrics and sounds that take on the issues of their lives and ours, tying elements of western darkness, punk, surf and Americana to their rock ‘n’ roll roots. Their latest single “Broken” dropped earlier this year and has been met with rave reviews.

This Friday, The Stone Foxes will take the stage at The Independent with East LA’s own Thee Commons and SF native Jonny Ramada kicking off the show. Tickets are available for $22, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Friday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Cold Specks: November 16th (THUR) @ Rickshaw Stop
Gavin Turek: November 17th (FRI) @ The New Parish
James Brown Dance Party: November 17th (FRI) @ Mezzanine


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

CONTEST CLOSED.

Like Showbams on Facebook, follow Showbams on Twitter and follow Showbams on Instagram. Subscribe to our social channels for a better chance to win!

SF Show of the Week // GO4FREE to HUMANS at Café du Nord 11/10 (FRI)

Written by Chandler Kirkman //

HUMANS with Starfari //
Café du Nord – San Francisco
November 10th, 2017 //

Since forming in 2010, Canadian indie-electronic pop duo HUMANS have consistently impressed audiophiles with their composition skills and reputation of performing with unbelievable amounts of energy.

Vancouver’s own Robbie Slade and Peter Riq created HUMANS after spending the summer making music together and then dropped their self-released EP Avec Mes Mecs, which was quickly accepted as a house-party staple by fans around the globe.

HUMANS have established a unique sound through their successful fusion of experimental-electronic elements and catchy, indie-pop hooks that entered the spotlight on their 2012 EP Traps. Consequently, they held the No. 1 spot on the Earshot Electronic charts for six weeks following the release and continue to receive high praise from music media outlets such as Resident Advisor, DJ Mag and Exclaim!

Over the past few years, HUMANS have toured North America with festival slots at South by Southwest, Squamish Valley Music Festival, Bass Coast Music and Arts Festival, CMJ Music Marathon and more, and have been featured in projects with Red Bull, Entourage and MTV. The duo has also steadily been expanding its creative endeavors into the world of directing and visual artistry.

HUMANS’ latest EP Water Water came out in 2016 and has been a hit with electronic music fans as they continue to bring their high-energy, visually-based performances that use live audio input from the crowd, making each show feel like a one-of-a-kind experience, much like HUMANS’ signature sound.

This Friday, HUMANS will hit the stage at Cafe du Nord as Orange County’s own Starfari gets things started with a DJ set. Tickets are available for $15, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Friday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Shigeto: November 9th (THUR) @ Rickshaw Stop
Pell: November 9th (THUR) @ Brick & Mortar Music Hall
Kelley Stoltz: November 9th (THUR) @ The Chapel
Eric Bellinger: November 9th (THUR) @ The New Parish
Escort: November 10th (FRI) @ Mezzanine
Rebirth Brass Band: November 11th (SAT) @ Mezzanine


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

CONTEST CLOSED.

Like Showbams on Facebook, follow Showbams on Twitter and follow Showbams on Instagram. Subscribe to our social channels for a better chance to win!

Jessie Ware charms SF with an intimate show

Jessie WareBy Norm de Veyra //

Jessie Ware //
The Independent – San Francisco
November 1st, 2017 //

It’s a rare treat to catch one of today’s rising pop stars perform in an intimate setting like The Independent, but Jessie Ware made the most of it last Wednesday evening, delivering a truly special moment for her SF fans.

Showcasing some of the newest tracks off her recently released third LP Glasshouse, the UK pop-soul crooner breathlessly charmed the sold-out crowd with her grace, humor and vocal power. And while the gig marked only the second of three stops on Ware’s current U.S. tour, she promised to be back in the Bay Area (and the states) sometime again next year.

After two sold-out nights at The Fillmore, LANY’s popularity only continues to trend upward

LANYBy Steve Carlson //

LANY with Dagny //
The Fillmore – San Francisco
October 30th, 2017 //

The first time I saw LANY perform in SF, they opened for X Ambassadors at The Independent back in 2015. I remember being impressed by their brief set and pondering that if there were ever a band that had the perfect ingredients to launch to stardom on a rocket ship, which in this case is the teen-female demographic, it was this one.

Raw, unapologetic lyrics about the joy and inevitable heartache of falling in and out of love? Check. Catchy, synth-laden pop hooks that you can’t get out of your head for days? Check. A deeply emotional and earnest male model for a frontman? Check!

And so, two years since LANY’s show at The Independent, the Los Angeles-based three-piece made a triumphant return to the Bay Area for two sold-out nights at The Fillmore in support of its debut self-titled LP. It was immediately clear from the line, which wrapped around the block, that despite cool temperatures, the band has grown an enviable, die-hard audience.

LANY

Opening the show was Norwegian pop singer Dagny, who charmed the packed room with her infectious smile and had the whole crowd dancing to her hook-filled grooves. You can expect to hear more from the “Backbeat” singer in the near future. And if her brief, yet energetic set was any indication, she has both the confidence and talent to be a star before long. But once the evening’s headliner stepped onstage (with an audio recording of a British woman politely informing us that we were about to experience “the best 80 minutes of our life”), it was clear that liftoff had been achieved.

LANY’s Jake Goss (drums) and Les Priest (guitar, keyboards) spent the majority of the night in the background, laying down ample beats and textures as frontman Paul Klein (vocals, guitar, keyboards) did what he does best, wearing his heart on his sleeve while engaging the mostly-female audience. Countless long-stem roses littered the antiseptically clean, shiny stage as the night went on, and Klein seemed to genuinely enjoy every minute of the promised 80-minute set, which felt like it was packed with far more hits than a band its age should already have (a benefit of releasing fresh tracks regularly in the form of EPs over the last two years), as well as a smartly chosen cover of Harry Styles’ recent hit “Sign of the Times”.

When Klein spoke, he did so with a noticeably greater maturity since that opening slot back at The Indy, which perhaps owes itself to the comfort and confidence that comes with achieving a certain measure of fame. Whatever the reason, it was clear from this performance in SF that LANY’s popularity is trending upward and their confidence is growing with it. It seems to me that their potential could perhaps be most closely compared to another emotionally charged pop band with a curly-haired frontman that’s hit another level in recent years: The 1975. That would not be bad company to be in if it pans out for them, but in the meantime, it should be interesting to see where LANY go with their future songwriting.

Back on the road, Broken Social Scene rock The Fox with a career-spanning set

Broken Social ScenePhotos by Norm de Veyra // Written by Brett Ruffenach //

Broken Social Scene with The Belle Game //
Fox Theater Oakland – Oakland
October 26th, 2017 //

To cap off a stellar “Rocktober” season in the Bay Area, one of the true titans of early-aughts indie rock brought their All-Star lineup of musicians to the Fox Theater Oakland as Toronto’s Broken Social Scene headlined with support from The Belle Game.

With the venue beginning to fill up, The Belle Game arrived onstage. Their music combines rock-band sensibilities with a dreamy, ethereal pop sound to create a powerful effect. It was quite clear that Broken Social Scene, Arcade Fire, Grizzly Bear and other heavy hitters from the mid-2000’s were a major influence on their sound.

A five-piece act hailing from Vancouver, The Belle Game’s greatest asset — the stunning vocal range of lead singer Andrea Lo — became clear from their rendition of “Spirit”, the lead single off their sophomore LP Fear/Nothing. Through soaring synths and reverb-heavy guitar effects, they certainly garnered a few new fans in Oakland this time around.

Broken Social Scene

After a short break, Broken Social Scene took the stage as an eight-piece band backed by a six-piece horns section. They kicked things off with the thumping and fast-paced “KC Accidental” from 2002’s You Forgot It in People, which quickly demonstrated the roles of all four guitarists onstage and the unstoppable power of drummer Justin Peroff.

Racing through the first three tunes of what would be a career-spanning, 20-song set, BSS eventually revealed what the rush was all about — the horn section joining them featured members of the Brooklyn-based afrobeat band Antibalas, and they had a gig to play just a block away at The New Parish later that night. Nevertheless, it was a special way to get the show started.

In my head, I counted 22 different people taking stage at one point or another. It was one of those shows where the crowd roared in excitement at the opening notes of each song, from older tracks like “Fire Eye’d Boy” on their 2005 self-titled LP to newer material off their 2017 studio effort Hug of Thunder, including a booming version of “Halfway Home”.

Broken Social Scene

At The Fox, BSS’ newest female vocalist, Ariel Engle, was able to confidently fill the shoes of her predecessors Emily Haines and Leslie Feist. For “Stay Happy”, the first track demanding two female vocalists, The Belle Game’s own Andrea Lo joined Engle onstage. This song was a personal highlight of the set for me; not only is it one of BSS’ best cuts off of Hug of Thunder, but they cleverly turned the glitchy, staccato guitar lick into a cool saxophone melody.

As the night went on, Lo joined Engle onstage once again to sing one of the Canadian outfit’s most famous songs: “Anthems for a Seventeen Year-Old Girl”. But instead of using the studio version’s heavy vocal distortion, Lo and Engle sang, perfectly in sync, contrasting harmonies that produced a repetitive, swelling effect. It was truly a breathtaking moment to witness.

BSS were certainly feeling the love, too. After closing their set with “It’s All Gonna Break”, they returned for an encore, informing us that they had time for only one more song.

Broken Social Scene

But in an attempt to decide whether to play “Lover’s Spit” or “Cause = Time” by the crowd’s applause, BSS founding member and bandleader Brendan Canning said that they were just going to have to do both. I initially took this as an (admittedly successful) attempt to rile up the crowd, but after later seeing a picture of the setlist, it looked like the band chose to play an additional three songs due to the energy in the room.

Here’s the thing about BSS — after 15 years, the web of musicians that makes up the collective have created their own individual projects, from Metric to Stars to Feist to Do Make Say Think to Emily Haines & The Soft Skeleton. And while many of the band’s members who have gone on to find success in their own solo careers didn’t happen to join the group on this particular tour, the sense of professionalism built into the BSS live experience remains prevalent. Every person who stepped onstage demonstrated consummate abilities in their own realms, never missing a beat or a note.

Fortunately for those who didn’t make it to this incredible show, word on the street is they’ll be heading back to The Fox early next year for Noise Pop 2018.

Setlist:
KC Accidental
7/4 (Shoreline)
Halfway Home
Protest Song
Fire Eye’d Boy
Texico Bitches
Stars and Sons
World Sick
Stay Happy
Hug of Thunder
Sweetest Kill
Skyline
Almost Crimes
Major Label Debut (Fast)
Ibi Dreams of Pavement (A Better Day)
Looks Just Like the Sun
Anthems for a Seventeen Year-Old Girl
It’s All Gonna Break

Encore:
Lover’s Spit
Play Video
Cause = Time