The unusual pairing of Glassjaw & Quicksand at the Observatory OC proves to be fruitful for both bands

Glassjaw


Glassjaw

By Zach Bourque //

Glassjaw & Quicksand //
Observatory OC – Santa Ana, CA
July 20th, 2018 //

Last Friday, fans flocked to the Observatory OC for a night of legendary post-hardcore with Glassjaw and Quicksand co-headlining. The unusual pairing seemed odd on paper, but the more you look at the two side by side, the more you start to see their important similarities.

And though Quicksand reached peak popularity in the mid-90’s while Glassjaw’s rise came later during the mid-2000’s, both bands were trailblazers within the genre, with Quicksand virtually inventing it and Glassjaw redefining it.

Both outfits also hail from New York and were inspired by the local hardcore scene in their own unique ways, shaped largely by the music of their perspective times. While Quicksand took cues from the grunge scene, Glassjaw found inspiration in the emo scene that came to prominence in the 2000’s.

Glassjaw and Quicksand, furthermore, were in town fresh off the release of their newest LPs from 2017. Quicksand’s Interiors stands as arguably their finest record yet, marking 22 years since their last full-length effort. Glassjaw’s powerhouse return entitled Material Control, in the meantime, was released quietly and without fanfare but quickly built hype as one of the year’s best releases. For both acts, the albums were fantastic reminders of their own unique styles that remain unprecedented to this day.

What the groups didn’t share in common on this warm evening in Santa Ana, though, was a fan base. There was a very noticeable age gap between audience members, one that was felt the second you entered the parking lot. A crowd of late 20-somethings could be seen — and heard — tailgating and blasting Glassjaw while Quicksand got into their hour-and-a-half set around 8 p.m.

Inside the venue, unenthused Glassjaw fans lined the walls as they waited for the band’s 10 p.m. set time. It was certainly a disappointing sight considering how influential Quicksand were to the post-hardcore genre and because of how truly incredible their performance was when looking back at it.

Quicksand


Quicksand

Glassjaw and Quicksand have alternated headlining spots on this tour, and while Quicksand played first for this particular show, it didn’t seem to affect their spirits. The quartet sounded incredibly tight and full of energy. For every Glassjaw fan who was waiting it out with a beer, there were two Quicksand fans surrounding the packed stage.

Quicksand played an eclectic set from their catalog that spans nearly 30 years, including plenty of tracks off Interiors such as “Illuminant”. As the group kicked into their final few songs, vocalist/guitarist Walter Schreifels shouted “get ready to bang the fuck out of your heads,” and with that, the crowd immediately followed orders. Schreifels, toward the end, even took a seat behind the drum kit for a final jam session with Quicksand/Deftones bass player Sergio Vega.

As the sea of Glassjaw fans started to fill in the various levels of the Observatory’s floor, you could feel the room’s energy building. Everyone appeared to be pretty psyched for what they were about to witness. In general, few bands have as much of a passionate cult following as Glassjaw, and their two-year hiatus from 2004-2005 only increased the enthusiasm that was emanating from inside the venue. As lead vocalist Daryl Palumbo came out of the shadows and grabbed the mic, the floor erupted.

Glassjaw’s show covered their entire discography, and very few fan favorites were left off the setlist. While it was to be expected that newer tunes like “Shira” and “New White Extremity” would rock, it was staggering how well their older songs held up in a live setting. Palumbo’s voice, though slightly less manic than it once was, is still unmatched in its vocal range and shear intensity.

Older Glassjaw tracks like “Tip Your Bartender” and “Two Tabs of Mescaline”, meanwhile, sounded as sharp as ever. The instrumentation was similarly top-notch with bassist Travis Sykes serving as the catalyst for the group’s evolved sound on Material Control, which was released in December. But to close out their 17-song set, these Long Islanders delivered an explosive performance of “Siberian Kiss” from 2000’s Everything You Ever Wanted to Know About Silence.

Having the chance to see Glassjaw and Quicksand share the stage is something that we’re likely never going to get again. And for those of us who drove down to Orange County from LA, we can only hope and pray to see more from both after what proved to be one hell of an experience for us.

GLASSJAW

Setlist:
Cut and Run
Tip Your Bartender
You Think You’re (John Fucking Lennon)
Pink Roses
Jesus Glue
Mu Empire
The Gillette Cavalcade of Sports
New White Extremity
Shira
Citizen
Strange Hours
Two Tabs of Mescaline
Bibleland 6
El Mark
Closer
My Conscience Weighs a Ton
Siberian Kiss

QUICKSAND

Setlist:
Freezing Process
Head to Wall
Brown Gargantuan
Omission
Backward
Illuminant
Warm and Low
Fazer
Blister
Shovel
Cosmonauts
Too Official
Multiverse
Unfulfilled
Thorn in My Side
Dine Alone
Delusional
Landmine Spring
Delusional
Jam (Sergio Vega on bass with Walter Schreifels on drums)

Outside Lands releases 2018 schedule

Outside Lands - 2018 schedule

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 10th-12th, 2018 //

With Outside Lands just a little more than two weeks away, the three-day music festival has revealed what many fans have been waiting for since this year’s lineup dropped: set times!

Check out the fest’s schedule for its 11th edition here and start making your plans for which artists you’ll be seeing at Golden Gate Park this August.

As usual, there are enough scheduling conflicts to sort through in 2018. Friday’s action will see festivalgoers choosing between Rex Orange County/Perfume Genius, N.E.R.D./Chicano Batman/Carly Rae Jepsen, ODESZA/The Growlers/Father John Misty and The Weeknd/Mac DeMarco/Beck, while Saturday offers its own assortment of difficult decisions with Broken Social Scene, Poolside and Daniel Caesar pitted up against one another. Of course, there’s also CHVRCHES vs. Big Gigantic, Bon Iver vs. Tycho and Florence + the Machine vs. Future that the masses will have to consider on Day 2.

Outside Lands 2018 - daily lineups

Sunday’s slate offers even more, with Janelle Monáe and LP scheduled only 15 minutes apart and The Internet on 10 minutes later. Portugal. The Man’s and Tash Sultana’s performances, meanwhile, are only separated by five minutes, and to close out the weekend, attendees will have to choose between Janet Jackson and DJ Snake, which presents quite a dichotomy.

Trying to decide who to see might feel a little overwhelming right now, but just remember you really can’t go wrong with whatever you choose. Much like every year, there are so many good options at Outside Lands that it’s not worth stressing over in the long run. Just be sure to wear a comfortable pair of shoes and download the mobile app here before you head to the park.

Overjoyed for Outside Lands’ return? Take a peek at our coverage from 2017 here.

Outside Lands - 2018 lineup

Thirty-five years later, the Melvins are still rockin’ as hard & loud as they ever have

MelvinsPhotos by Mike Rosati // Written by Andrew Pohl //

Melvins with ModPods, Yen Yen //
Great American Music Hall – San Francisco
July 16th, 2018 //

For as many times as the Melvins have performed in the Bay Area over their extensive career, I just hadn’t gotten around to seeing them. Several friends of mine have praised them as one of, if not THE best band to catch live, and though I admittedly didn’t know their material beyond a few songs that I had heard on occasion, I was happy to have the chance to catch them. With the sold-out gig taking place at one of my favorite venues in SF, that made it all the better.

Arriving at the Great American Music Hall about 15 minutes before showtime, I ran into a few good friends that I hadn’t seen in a while, which made the whole experience that much better. Kicking things off were Yen Yen, a Swedish electronic duo whose ethereal, 25-minute set was a refreshingly different sound when comparing it to what was supposed to be a Monday night of sonic bombardment by the mighty Melvins. As one of the band’s members twisted and turned knobs to manipulate some swelling synth-pad samples, the other waved his hands over what looked like a theremin type synth. Twenty-five minutes was the perfect length for their set, as much more than that might have become long in the tooth, but I did enjoy what I heard and it was pretty impressive to see what they could do with sound.

Next up were the Los Angeles-based ModPods. The three-piece dance/electro outfit proved to be another nice addition to the show’s bill and offered those in attendance a chance to shake their ass a bit. Singer Myriad Slits held court onstage as she delivered some strong vocals that exuded both soul and style. Instrumentalists Mindee Jorgenson and Daniel Guzman switched between bass, guitar and drums, layering sounds over backing tracks to each song. Although they were minimalist in their approach, the songs kept the crowd wanting more and I would venture to say that the ModPods won over the crowd with ease. I foresee them making some big waves in the future.

Melvins

But the time had finally come for the legendary Melvins to hit the stage. Over the years, the group has undergone quite a few lineup changes, with lead vocalist/guitarist Buzz Osborne (aka “King Buzzo”) being the one constant member and drummer Dale Crover being a close second. For this roster, former Butthole Surfers bassist Jeff Pinkus and Redd Kross/Off! bass player Steven Shane McDonald signed on to be part of the equation, creating a rich, punchy and crunchy element to the already fuzz-heavy sound. This was one show, after all, that you definitely wanted to have earplugs for.

I’m far from an expert on this kind of thing (because I’m not), but I didn’t expect to see the Melvins perform with the amount of energy that they showcased. For a band that has been touring and putting out new material for the past 35 years, they performed as if everything depended on it. You weren’t going to catch “King Buzzo” standing in one place for too long, with his signature fro whipping in the wind from the fans that were on the stage, McDonald and Pinkus holding it down on their own instruments, and Crover beating the living hell out of his drums. Fans were ready to receive the band and responded to the various sonic blasts coming from the amplifiers. During the thrashy songs, they formed a brutal pit, and during the sludgier songs, they lit up joints and bobbed their heads to the music.

I, myself, was pleased see that the Melvins were thoroughly enjoying themselves and weren’t just going through the motions. Their 18-song set in SF included cuts from across their entire catalog, a handful of covers — including David Bowie’s “Saviour Machine”, Butthole Surfers’ “Moving to Florida” and The Rolling Stones’ “Sway” — and toward the end, “Don’t Forget to Breathe” from their most recent full-length album Pinkus Abortion Technician.

Setlist:
Sesame Street Meat
At a Crawl
The Kicking Machine
Saviour Machine (David Bowie cover)
What They Say (Redd Kross cover)
Anaconda
Stop (James Gang cover)
Moving to Florida (Butthole Surfers cover)
Edgar the Elephant
Sway (The Rolling Stones cover)
Let It All Be
Honey Bucket
The Bit
Don’t Forget to Breathe
Onions Make the Milk Taste Bad
The Talking Horse
Evil New War God
Eye Flys

SF Show of the Week: GO4FREE to Goldroom’s High Seas Boat Tour feat. GIGAMESH & more 7/14 (SAT)

High Seas Boat Tour 2018 - San FranciscoWritten by Molly Kish //

Goldroom presents High Seas Boat Tour feat. GIGAMESH, LUXXURY, MANICS
Pier 3 – San Francisco
July 14th, 2018 //

Los Angeles-based songwriter and electronic musician Goldroom sets sail on the SF Bay this Saturday for his High Seas Boat Tour and is bringing some of the biggest names in nu-disco, house and funk along with him on the open sea for four hours.

No stranger to nautical adventures, Josh Legg, better known by his stage name Goldroom, is a longtime sailor who has mentioned extensively that his passion for the ocean has influenced not only the style of his music, but also the sounds he likes to create in the studio. Captaining this lineup of electronic instrumentalists, the Massachusetts native and USC alumnus writes compositions deeply rooted in the West Coast scene, drawing inspiration from classic disco, funk, synthwave and pop.

GIGAMESH, LUXXURY and MANICS will also hop on board to offer a mix of indie-dance jams, dub remixes, and live percussion, modulation and visuals. While all three have already made names for themselves as multi-platinum-selling artists, dublab radio hosts and staples in the global club and festival scene, their ability to rock a dance floor, whether on land or water, is indisputable by now.

Summertime in the Bay Area has come early, and the High Seas Boat Tour is cruising into the season in style. With tickets nearly sold out, you’re not going to want to miss out on this one-of-a-kind dance party. Tickets are still available for $65, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Friday at 3 p.m.


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

Doors at 5 p.m. Boat sets sail at 6 p.m. (must board by 5:59) and docks at 9 p.m. 21+ only.

CONTEST CLOSED.

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