Fun. celebrate a year of triumph at the Fox Theater Oakland

fun.Photos by Marc Fong // Written by Mike Frash //

Fun. //
Fox Theater Oakland – Oakland
February 7th, 2013 //

No one can disagree that Fun. has had a banner year. During the 2012 Super Bowl, their horrifyingly catchy track “We Are Young” was featured in Chevy advertisement, and the pop sensation led by Nate Ruess haven’t looked back. They sub-headlined festivals throughout 2012, started playing much bigger venues and won best song for “We Are Young” on Sunday evening at the Grammys. They also won Best New Artist, even though they released their sophomore LP in 2012.

In support of Some Nights, Fun. performed at the small-yet-quintessential SF venue The Independent last March, and it was clear by then that Fun. would never play such a small venue again in the Bay Area. Now that they are one of the most popular acts in the country, they were able to sell out the Fox Theater Oakland months in advance of their show. Marc Fong was on the scene last Thursday to capture the moment.

Local Natives drench Fox Theater Oakland in harmonious grooves

Local NativesBy Marc Fong //

Local Natives //
Fox Theater Oakland – Oakland
January 30th, 2013 //

Local Natives sold out the Fox Theater Oakland on Wednesday night, supporting their brand new LP Hummingbird (read our review here). The LA-based group put on a strong show, and they have a great stage presence as they deliver ascending harmonies over contemplative grooves.

Check them out live if you can, as they should be touring throughout most of 2013.

Local Natives

Local Natives

Local Natives

Local Natives

Local Natives

Local Natives

Local Natives

Local Natives

Local Natives

Local Natives

Local Natives

Local Natives

Local Natives

Local Natives

Local Natives

Local Natives

Local Natives

Local Natives

Erykah Badu & The Coup ring in the New Year at Fox Theater Oakland

Erykah BaduBy Marc Fong //

Erykah Badu with The Coup, Syd tha Kid //
Fox Theater Oakland – Oakland
December 31st, 2012 //

It was an activist-themed New Year’s Eve this week in Oakland as Erykah Badu and her awesome hair headlined the Fox Theater to ring in 2013.

Local hip-hop and funk-rock heroes The Coup founded in 1991 by rapper Boots Riley delivered a strong set as always before “the queen of neo-soul” took the stage as the evening’s main event.

Happy New Year!

Showbams’ best shows of 2012

Showbams contributors name their favorite shows of 2012.

It has been a top-notch year for live music, and we witnessed some great acts that have come through California over the past 12 months. Check out our favorite shows from 2012.

What was your favorite concert in 2012? Let us know in the comments below.

The xx at Treasure Island Music Festival

The xx at Treasure Island Music Festival

Mike FrashSan Francisco

1. Sigur Rós at Outside Lands Music Festival – San Francisco, CA – August 11th
Leaving Metallica for Sigur Rós to end the second day at Outside Lands was a torturous decision. Metallica was a warzone spectacle, but i stuck to my guns and headed to the Twin Peaks stage. I’m glad I did. Jonsi now conducts a mini orchestra, and the eerie SF fog lowered on command to the slow builds & crescendos. It was a spiritual show that effected me more than any other concert in 2012.

2. Japandroids at The Independent – San Francisco, CA – June 14th
Brian King and David Prowse brought ecstatic energy to the sold out Independent in June the week after Celebration Rock was released. Brian King understands how to control the pace of his set, offering fun pre-song statements that prepare you for what’s next. Their songs are vibrant live – it doesn’t sound like only two people are playing instruments. They truly seem to live the life they glorify on their 2012 album – still drinking, still smokin, and full of hyperactive desperation.

3. Phish (Night #3) at Bill Grahm Civic Auditorium – San Francisco, CA – August 19th
The highly anticipated phish three-show SF run in August started off a bit slowly. Saturday’s show left me a little bummed about Phish due to some sloppy play (“Split open and melt”) and what felt like a lack of enthusiasm. I was questioning why I still see Phish live heading into the last show of the weekend. My lowered expectations combined with a killer show quashed those thoughts. “Crosseyed and Painless” > “Light” > “Sneakin’ Sally” > “Crosseyed” was some of the best Phish I’ve ever heard, “Boogie on” redeemed Stevie Wonder’s omission of the song at Outside Lands the week before, “Meatstick” made me really happy, and the San Francisco-mentioning “Ride Captain Ride” made a surprise encore appearance. The show was pure bliss.

4. The Rapture at Coachella – Indio, CA – April 13th
5. The xx at Treasure Island Music Festival – San Francisco, CA – October 14th
6. The Presets at The Independent – San Francisco, CA – October 12th
7. STS9 at High Sierra Music Festival – Quincy, CA – July 5th-6th
8. Head and the Heart at Hardly Strictly Bluegrass – San Francisco, CA – October 6th
9. Tame Impala at The Fillmore – San Francisco, CA – November 15th
10. My Morning Jacket at Greek Theatre Berkeley – Berkeley, CA – September 15th

Honorable Mentions:
Father John Misty at Jansport Bonfire – San Francisco, CA – September 30th
Of Monsters and Men at The Independent – San Francisco, CA – March 22nd

My Morning Jacket

My Morning Jacket at The Wiltern

Pete MauchLos Angeles

1. My Morning Jacket at The Wiltern – Los Angeles, CA – September 13th
MMJ capped off the best three-night run I saw this year with this stellar closing show complete with a horns section. This is a big statement for a band I knew I loved but wasn’t fully convinced about until this night. Highlights: “All Night Long” and “Movin On Up” with horns.

2. Phish at Bill Graham Civic Auditorium – San Francisco, CA – August 19th
Phish played a terrific 3-night run, and topped off by an amazing Sunday night show that proves that Phish is still top of the Jam Scene. Highlight: Light > Sneakin Sally Through the Alley

3. Ryan Adams at Walt Disney Concert Hall – Los Angeles, CA – February 17th
Ryan Adams, an acoustic Guitar, and a Piano is all this show contained, and it was truly special. Adams’ classic songs stripped down with his raspy croons is all I needed to make this a top show of the year. Highlight: “Rescue Blues” on Piano “Holy Diver” on Guitar

4. Trey Anastasio and LA Philharmonic at Walt Disney Concert Hall – Los Angeles, CA – March 10th
5. Neil Young & Crazy Horse at Hollywood Bowl – Los Angeles, CA – October 17th
6. Charles Bradley with Menahan Street Band at Royce Hall – Los Angeles, CA – November 29th
7. Radiohead at Coachella Music Festival – Indio, CA – April 21st
8. Trombone Shorty at Key Club – West Hollywood, CA – February 11th
9. Wilco at Hollywood Palladium – Los Angeles, CA – January 24th
10. New Multitudes (tribute to Woody Guthrie) at Mayan Theater – Los Angeles, CA – March 7th

Honorable Mentions:
Phish at Long Beach Arena – Long Beach, CA – August 15th
String Cheese Incident at Greek Theatre Berkeley – Berkeley, CA – July 14th
Roger Waters presents “The Wall” at LA Memorial Coliseum – Los Angeles, CA – May 21st
Umphrey’s Mcgee (True Hollywood Stories acoustic show) at House of Blues – West Hollywood, CA – March 16th

The Faint

The Faint at The Regency Ballroom

Molly KishSan Francisco

1. Radiohead at HP Pavilion – San Jose, CA – April 12th
After merely catching glimpses of them while shoved against thousands of festivalgoers at Outside Lands 2008, I was determined to catch Radiohead the next time they came through the Bay Area. The sound, visuals, performance and energy of the evening were electrifying. Although I was extremely lucky to have been viewing the concert from the sixth row, the entire crowd looked as though they were just as lost in the moment as I was. The band’s enigmatic stage presence, fully developed set composition and career-spanning choice of material made for one of the most collectively impressive concert experiences that I have ever witnessed.

2. Of Montreal with Deerhoof, Kishi Bashi at Slim’s – San Francisco, CA – March 22nd
As a long time Of Montreal fan, I was ecstatic to get the opportunity to interview their opening act and latest addition to the lineup (Kishi Bashi) the night of their Slim’s performance. It wasn’t only for the sake of getting a personal perspective on the band, but also due to the fact that this would actually be my first time catching them performing live. The entire show and evening that followed was everything I could’ve wanted for my first experience seeing Of Montreal. Accompanied by three screens of psychedelic visuals, various costumed extras, balloon drops, props and whole score of vaudevillian rivalry, the band took the crowd and venue by storm. During the encore to top it off, I was able to reconnect with Kishi Bashi and ended up initiating an after-party with the entire band, crew and record label affiliates at an industrial themed “dark carnival,” taking place across the street at local dive bar Butter. Several jello shots, deep-fried twinkies and contortionist carnie-prompted dance battles later, I looked around and felt assured that I had enough material to develop my own personal “Of Montreal” concert story contender.

3. The Presets at Treasure Island Music Festival – San Francisco, CA – October 13th
Completely blown away by their performance the night before, I was overwhelmed with excitement and intrigue to see how the Presets could accomplish translating such energy to a festival setting. Anyone who had caught their Treasure Island Music Festival opener at the Independent instantly was taken over by sensory recall as they broke into song almost right where they left us hanging less than 24 hours earlier. Almost in homage to those who witnessed them destroy their previous set, they picked the dance party up right where they left off, only this time kicking it up about ten notches with the accompanied stage show, visual intensity and professional grade sound of seasoned professionals. Completely upstaging their more commercially recognized headliner and showing the younger generation how it should be done, they stole the show and were easily the stand out act of the 2012 TIMF. To this day I still find myself saying that I wish I could continually be going to a Presets show, based off of the concert experience I had at these two performances.

4. Dan Deacon at Great American Music Hall – San Francisco, CA – October 23rd
5. Against Me! at The Catalyst – Santa Cruz, CA – September 10th
6. The Faint at The Regency Ballroom – San Francisco, CA – November 18th
7. Justice at Fox Theater Oakland – Oakland, CA – November 4th
8. Metallica at Outside Lands Music Festival – San Francisco, CA – August 10th
9. Animal Collective at Fox Theater Oakland – Oakland, CA – September 21st
10. The Shins at Santa Cruz Civic Auditorium – Santa Cruz, CA – April 22nd

Honorable Mentions:
Yeah Yeah Yeahs at Creators Project – San Francisco, CA – March 17th
Cold War Kids at Bottom of the Hill – San Francisco, CA – March 5th
Dr. John at The Independent – San Francisco, CA – August 17th
Girl Talk at Sasquatch! Music Festival – George, WA – May 25th

David Byrnes & St. Vincent

David Byrnes & St. Vincent

Kevin RaosSan Francisco

1. David Byrne & St. Vincent at Orpheum Theater – San Francisco, CA – October 15th
This is my number one show of 2012 for a couple of reasons. First off, Love this Giant, the recently released collaborative album between Byrne and St. Vincent, was a major disappointment. One of my most anticipated albums of the year ended up being one of the most disappointing. All was redeemed, however, when I saw these songs performed live. The accompanying brass band and the chemistry on stage breathed new life into was I felt was a stale album. Playfully executed and precisely choreographed, these songs shined live.

Secondly, I am a huge David Byrne fan and was able to check a big one off my bucket list of musical artists. Byrne’s career needs no introduction, and this evening we were treated to a few Talking Heads classics such as “Burning Down the House”, “This Must Be the Place (Naive Melody)” and “Like Humans Do”.

This show was simply a once in a lifetime experience.

2. Phish at Bill Graham Civic Auditorium – San Francisco, CA – August 19th
A three night run at the Bill Graham Civic Auditorium was capped off with a masterful performance by jamband kings, Phish. The final night of the run was easily the best night as the band flexed their improvisational muscles in a blistering two-set performance, highlighted by covers of the Talking Heads’ “Crosseyed and Painless” and Robert Palmer’s “Sneakin’ Sally Through the Alley.”

3. Sigur Rós at Outside Lands Music Festival – San Francisco, CA – August 11th
Sigur Rós on my birthday to cap off an unbelievable festival day? How could it possibly get any better? It can’t really.

4. Duo de Twang at Terrapin Crossroads – San Rafael, CA – October 4th
5. Keller Williams, Steve Kimock & Kyle Hollingsworth feat. Bernie Worrell, Wally Ingram & Andy Hess at Hardly Strictly Bluegrass Music Festival – San Francisco, CA – October 7th
6. Miike Snow with Penguin Prison at Fox Theater Oakland – Oakland, CA – April 12th
7. Washed Out at Mezzanine – San Francisco, CA – May 4th
8. Electric Guest at The Independent – San Francisco, CA – November 2nd
9. The Album Leaf with Blackbird Blackbird at Bottom of the Hill – San Francisco, CA – September 30th
10. CITIZENS! with Tomorrow’s World, Lescop and Housse de Racket at Rickshaw Stop – San Francisco, CA – October 12th

Honorable Mentions:
Zee Avi at The New Parish – Oakland, CA – September 28th
M83 at The Fillmore – San Francisco, CA – April 22nd

Japandroids

Japandroids

Eric ShadenSan Francisco

1. D’Angelo at House of Blues – West Hollywood, CA – July 4th

2. Passion Pit at Rock en Seine – Paris, France – August 26th

3. STRFKR at The Independent – San Francisco, CA – January 7th

4. Stevie Wonder at Outside Lands Music Festival – San Francisco, CA – August 12th
5. Miike Snow with Penguin Prison at Fox Theater Oakland – Oakland, CA – April 12th
6. A.Skillz + Krafty Kuts Presents Tricka Technology at MIGHTY – San Francisco, CA – June 1st
7. Aaron Freeman (Gene Ween) at The Independent – San Francisco, CA – October 19th
8. Japandroids at The Independent – San Francisco, CA – June 14th
9. Guns N’ Roses (Bridge School Benefit) at Shoreline Amphitheatre – Mountain View, CA – October 21st
10. Kid Koala (Vinyl Vaudeville Tour) at The Independent – San Francisco, CA – November 4th

The Lumineers

The Lumineers at The Chapel

Marc FongSan Francisco

1. Edward Sharpe and the Magnetic Zeros at Slim’s – San Francisco, CA – March 25th
It’s not often I gush like a school girl (only about once or twice a week), but seeing ESatMZ at Slim’s was panty dropping. Can I say that? Well, I just did. It was a secret/private show so Slim’s was overcrowded. I stood center stage close enough to see the dirt on Alex Ebert’s suit. The sound was great, and the band always puts on a damn fine show.

2. The Lumineers at The Chapel – San Francisco, CA – October 11th
LIVE 105 brought the Lumineers to newly opened Chapel in SF and the band didn’t disappoint. The venue was the perfect size for the band and like most of the other bands on this list, the Lumineers had fun playing and it made for a great show.

3. Kronos Quartet at Greek Theatre Berkeley – Berkeley, CA – October 5th
OK, this was really Amon Tobin’s show, but Kronos opened and performed beautifully. Being a longtime fan, it’s not a surprise these openers made my list. Great music from great performers. And the Greek Theatre in Berkeley was the best venue to see them at … and most other concerts.

4. Willie Nelson and Family at Fox Theater Oakland – Oakland, CA – March 15th
5. Of Monsters and Men at The Independent – San Francisco, CA – May 22nd
6. Fun. at The Independent – San Francisco, CA – May 28th
7. Sage Francis at The Independent – San Francisco, CA – March 17th
8. Steve Aoki at Bill Graham Civic Auditorium – San Francisco, CA – January 21st
9. Edward Sharpe and the Magnetic Zeros at Fox Theater Oakland – Oakland, CA – May 12th
10. Avicii at Bill Graham Civic Auditorium – San Francisco, CA – June 28th

Tame Impala at The Fillmore in November

Tame Impala at The Fillmore

Kevin QuandtSan Francisco

1. The Walkmen at The Independent – San Francisco, CA – January 20th-21st
These 10th anniversary shows were a Walkmen fan’s wet dream as they played their first album in full among multiple sets and configurations including a horn section. Over 30 songs of Hamilton Leithauser and company churning out their own brand of rock and roll to devote fans from across the States.

2. Refused with The Hives, The Bronx at The Warfield – San Francisco, CA – April 18th
Having seen their Coachella show a week prior, the anticipation was less palpable, yet the reigning post-punk champs delighted a more rowdy and dedicated crowd with a spirited set for the masses who patiently waited a decade to witness.

3. Trey Anastasio with Los Angeles Philharmonic at Walt Disney Concert Hall – Los Angeles, CA – March 10th
Dressing up for a show is fun, especially when Trey is at the helm of philharmonic symphony in one of the best rooms to hear, and see, music in. From the playful rendition of “Guyute” to the half hour “Time Turns Elasctic,” this night had the packed concert hall re-charmed by Ernest and his recharged song book.

4. Tame Impala at The Fillmore – San Francisco, CA – November 15th
5. Phish at Bill Graham Civic Auditorium – San Francisco, CA – August 19th
6. Woods & White Fence at The Chapel (Preservation Hall West) – San Francisco, CA – October 17th
7. Howlin Rain at The Independent – San Francisco, CA – February 18th
8. Radiohead at Santa Barbara Bowl – Santa Barbara, CA – April 12th
9. Father John Misty with Har Mar Superstar at Bottom of the Hill – San Francisco, CA – May 5th
10. Mala at Yoshi’s – Oakland, CA – June 23rd

Festival sets:
Sigur Rós at Outside Lands Music Festival – San Francisco, CA – August 11th
Future Islands at FYF Fest – Los Angeles, CA – September 1st
Flying Lotus at Coachella – Indio, CA – April 14th

Justice

Justice at The Warfield

Sean LittleSan Francisco

1. Justice at The Warfield – San Francisco, CA – November 4th
What else is there to say about Justice that hasn’t already been said. They came, they saw, and they melted faces with an amazing set the blew fans away and converted first timers alike. At least half my friends decided to go last minute (tickets were still available because it was a Sunday) and all of them became huge fans. Some of these friends are not into electronic music of any kind either, so that really says something. It was one of those rare shows where you leave euphoric and can’t stop saying “wow” to the people you went with.

2. Florence & the Machine at Coachella – Indio, CA – April 15th
The only other performer I’ve ever seen that commanded an audience like Florence did was Snoop Dogg back in 02 at the Smoke Out (stop-you’re not better than me so put that eyebrow back down). It was one of the rare festival sets where everyone felt really in tune with the performer and each other, singing along and knowing when to interact with each other and the songs. She was absolutely amazing, and the set was a dark horse highlight to my festival as I didn’t expect her to command the audience like she did. She’s truly a presence.

Showbams

Santigold captivates a packed Fox Theater Oakland with some help from her SG1 dancers

SantigoldBy Mike Frash //

Santigold //
Fox Theater Oakland – Oakland
December 12th, 2012 //

As we near the end of 2012, it’s safe to say that Santigold has had a long and successful year. The 36-year-old singer-songwriter’s star is rising fast, and she’s done it by releasing genre-bending tracks that are super catchy and by also touring endlessly.

In support of her current material, Santigold (born Santi White) first appeared in the Bay Area headlining Sea of Dreams on New Years Eve almost a year ago. That was four months before her addictive LP Master of My Make-Believe was released. Santi played a short festival set at Outside Lands opposite Jack White, so it was a pleasure to experience a full Santigold show at a sold out Fox Theater Oakland on Wednesday.

Santigold’s unique sound blends electronic production, indie rock sensibilities and hip hop phrasing and confidence. She’s likable & relatable in her new record, and it translates at her live show.

From the beginning of “Go!” the disparate crowd was fully engaged all night long, even during great ballads like “The Riot’s Gone.” She said her bay area fans are her favorite rather convincingly, she smiled and showed emotion comfortably on stage, and her stage banter helped her connect with the audience.

Her 2012 record Master of My Make Believe makes more sense live because Santigold gets to act out the different parts she’s established. She exudes femininity and is strong and powerful. Her outfits are outrageous and fun, and her SG1 background dancers fill the stage with props and casually precise choreography.

Santigold

Santigold’s live performance is decidedly “feminist” (can we find a more positive term for this), not only because she celebrates girl-power and female creativity. Her all-male backing band is figuratively emasculated in their outfits, which look like they work at Hot Dog on a Stick at the mall. The band’s outfit certainly works with the 80s-nouveau aesthetic overall, and it reminds you that this Santigold & SG1’s parade.

It’s Santigold’s SG1 dancers who provide a large portion of the entertainment value at Santigold’s live show. Without them, stronger lighting and video accompaniment would be necessary. But the SG1 dancers fill out the stage, and their style wreaks of post-ironic swagger, without a hint of a smile. They work with props like pom-poms, umbrellas, briefcases, and sledgehammers while performing backup singing duties at times. Their staged antics are highly entertaining, and their pantomiming performance alongside Santigold’s strong delivery harks back to Charlie Chaplin and Buster Keaton.

One of the highlights was when Santigold brought up selected super fans to dance to “Creator,” which is certainly an allusion to the viral video from Sasquatch 2009 that put her on the map after one person started a huge dance party on the lawn during “Unstoppable”. “Big Mouth” capped off the set with a nice peak, bookending the set with the opening and closing tracks from Master of My Make Believe.

The absence of “Look at These Hoes” as the most exciting and aggressive track on Santigold’s newest LP was a slight disappointment. The evening ended with a song that had the SG1 dancers showing off their “dirty south’ moves, showcasing their booties as the final prop.

After touring for more than a year, it would be easy to go through the motions, but White made her material feel fresh and far from stale in proving why she is So Damn Gold.

Setlist:
GO!
L.E.S. Artistes
Lights Out
Say Aha
Get It Up
Hold the Line (Major Lazer cover)
Disparate Youth
This Isn’t Our Parade
I’m a Lady
Anne
The Keepers
Creator
Freak Like Me
Starstruck
Brooklyn Go Hard (Jay-Z cover)
Shove It
Fame
Big Mouth

Encore:
Unstoppable
B-O-O-T-A-Y (Spank Rock cover)

Bloc Party pulverize expectations at the Fox Theater Oakland

Bloc-PartyPhotos by Mike Frash

After getting just a taste of the newly reunited Bloc Party at Outside Lands 2012, I’ve been obsessively fiending for more. Leaving that festival set Sunday afternoon in August, I vowed to see them the next time they came through the Bay Area, and I was able to do so this past Thursday at the Fox Theater, Oakland. Although playing to a venue only half full, Bloc Party performed as though they were headlining a sold out arena. They pulverized the crowd’s expectations one hard hitting, dance rock anthem at a time.

Bloc-Party

Bloc-Party

Bloc Party mostly played tracks off of their 2012 release Four, and the crowd instantly fed off the energy from the stage once Kele Okereke and his crew appeared following an opening appearance from The Dum Dum Girls. Heavily saturated in 90’s era electronic grunge songs, the set’s dance tracks had an even harder edge to their sound at the Fox. What I presumed would be a drum and base driven set morphed into more of a punk rock concert with underlying dance sensibilities. Refreshingly different from their greatest hits festival performance I witnessed at Outside Lands, Bloc Party chose to rock the fuck out of this Thursday night crowd.

Bloc-Party

Bloc-Party

Bloc Party jumped straight into it with a rousing rendition of “So He Begins To Lie.” They followed this opening track with a sampling of hits from their previous four albums. The crowd ate up fast-paced renditions of “Hunting for Witches,” “Positive Tension” and “One More Chance.” Bloc Party performed a rousing rendition of the crowd favorite “Banquet,” and it transitioned out of “Song for Clay.” It brought the crowd to a jumping frenzy, as many in attendance mimicked the unrelenting pogo jumping of lead singer Kele.

Bloc-Party

Bloc-Party

The night ended with two separate encores, foreshadowed by the conclusion of the main set with ”We Are Not Good People,” and the band’s casual mention that “This will end the first part of our evening.” The band came on quickly thereafter to play a four song encore of slower jams that included “This Modern Love” and ended with Rihanna’s “We Found Love,” which was actually an into for “Flux.” This encore concluded about twenty minutes before the concert curfew, and the crowd was amped and ready for more.

Bloc Party returned to the stage with a double encore. They played “Truth,” then finished the night with the crowd scream-along track “Helicopter” off of 2005’s “Silent Alarm.”

Bloc-Party

Considering this was a fantastic concert at a beautiful venue with a super energetic mid-week crowd, I feel extremely fortunate to have seen Bloc Party in this way. Agreed as a consensus amongst a majority of friends in attendance, had this show been earlier in the year, it would have certainly been a contender for top ten shows of 2012.

Bloc-Party

Bloc-Party

Bloc-Party

Bloc-Party

Bloc-Party

The Dum Dum Girls opened for Bloc Party, and their set highlighted songs of their excellent 2012 LP "End of Daze"

The Dum Dum Girls opened for Bloc Party, and their set highlighted songs of their excellent
2012 EP “End of Daze”

Animal Collective consume the Fox Theater Oakland with musical chaos & an incredible set design on their ‘Centipede Hz’ tour

By Molly Kish //

Animal Collective with Micachu & The Shapes //
Fox Theater Oakland – Oakland
September 21st, 2012 //

Nearly a week after Animal Collective’s first of two nights in Oakland, I am still reeling from what we got to witness last Friday at the Fox Theater. The show was my first time seeing the Baltimore quartet live, and I tried but in no way could have been able to mentally prepare for the concert spectacle, which the band has come to be known for over the past 12 years.

The current tour highlighting their ninth LP Centipede Hz is one that showcases venues indicative of their veteran status. With appearances scheduled for Pitchfork Music Festival in Chicago and Big Day Out in Australia plus shows at various museums and large-scale music halls throughout the band’s European stretch, I felt fortunate to have caught them in such a beautiful location like the Fox.

Upon entering the theater’s lobby, you could feel the electricity in the air. With the venue reaching capacity and opener Micachu & The Shapes finishing their set, AC fans started scampering wildly through the hallways further heightening the anticipation ever present amongst the crowd. Although opinions are subjective on where the best place to view the stage is at this theater, I chose to opt for general admission.

After entering into the lower level and further positioning myself above the swarming bodies in the pit, I could not have felt any better about my position and subsequent immersion within the masses. The demographic ranging from burners still shaking off playa dust to UC undergrads dressed to the nines, I immediately was entertained by the diverse range and obscurely wide spectrum of responses the show inevitably was about to evoke.

As a longtime AC fan, I had my preferences for the potential setlist ahead. Knowing that they were going to obviously focus on cuts from “Centipede Hz” I previewed the tracks beforehand extensively. As for the rest of the audience, those not familiar with the new material were definitely thrown for a loop. They hit us hard with four brand-new tracks back to back with a dizzying array of vocal ranges and improvisational jam sessions, immediately setting the tone for the rest of the evening’s plan to desensitize even the most seasoned concertgoers.

The complex electronic arrangements interlaced with tribal drum beats, pulsing baselines and static noise conclusions to most of the songs on their new album, making way for near-perfect transitions between the opening tracks “Rosie Oh”, “Today’s Supernatural” and “Wide Eyed.” Once Animal Collective had asserted their presence, the band shifted over into more lighthearted material, with the next song “Applesauce” from Centipede HZ serving a playful homage to the simplicities of childhood. This led straight into the funk-driven A-side off of their eponymous 7″ single “Honeycomb”, which got a great response from the partially disseminated crowd.

Laughing I turned to a girl whom I’d been watching through my peripheral vision. Deducting she felt the same way I did through her abhorrent body language directed at the current surrounding crowd of underage hipster hookers, I reassured her that the band’s playlist will clear out the amateurs soon enough — a notion that was only further punctuated by the next song, an old-school crowd favorite in “Lion In A Coma” from 2009’s Merriweather Post Pavilion. Sending the pit into a frenzy, the prevalent sound of the didgeridoo vibrated skin off of anyone within 100 feet of the stage while the entire crowd amidst screaming the chanted chorus was bouncing along in a cohesive pogo clusterfuck.

Subsequently in the same pop-centric manner came two more tracks from the 2012 release in “Moonjock” and “Father Time”, which effortlessly segued into the show’s second half. Both songs continued in the same vein as dance-driven, lyrically decipherable and melodic gems with opportunities for vocal improvisation and band interaction. Though the boys were almost lost amongst the musical chaos, set design and incredible light show during the first half of their set, they had taken full command of the stage — and their audience — by this point. Dancing with each other and losing themselves in the moment, you could tell that they were enjoying their performance as well as spatial capacity contributing to their vantage point from the stage.

Slowing down the dance party briefly, the band then transitioned into “New Town Burnout” — another track off of Centipede HZ — that creates a strong, jam-based musical atmosphere, further aiding in the dispersal of those strictly present for the high-energy commercial AC hits. It was clear that the hardcore fans were amped, and rightfully so — because not only were they aware of the dynamic ending of the song, but correspondingly the possibility of it escalating into a full-blown party block.

As anticipated, the music blended perfectly into another new song “Monkey Riches”, which in turn becomes more of an extension of the predecessor and was perfect to go with the evening’s crowd dynamic, allowing for truly fervent fans to be front and center for the explosively climactic cut “Brothersport”. Beyond the mind-blowing light show and overwhelming intensity of the screaming crowd sing-along, Animal Collective took it even further by playing the extended bridge version of the song, leaving every person present at that moment feeling as though they might combust with unprecedented excitation during the monster buildup midway through.

The concert then ended with the crowd marching to the beat of “Peacebone”, an old favorite from 2007’s Strawberry Jam. In no way could they have finished on such an upbeat and obviously unfinished note, and shortly thereafter they remedied any thought of that with an encore of “Cobwebs” into “My Girls” before wrapping up with “Amanita” to reach a mellow conclusion, using two older, popular tracks known for their mainstream appeal and one of the quieter songs on Centipede Hz to round it all out.

Beyond the incredibly professional execution of their performance and incomparable musical talent, the set design for this tour was one derived from beautiful nightmares and hit the nail right on the head for that perfect AC ambiance. The band staged itself dead center in the middle of giant teeth with Burton-esque inflatable tentacles growing around them at all angles, intermittently dispersed among glowing, floor-based stalagmites. All of which only was further accentuated by various psychedelic images being projected on their surface along with a rainbow’s worth of light fixtures. Needless to say, they didn’t spare on the design budget while still managing to create a remarkably unique and encapsulating experience.

Ultimately I left the Fox not only satisfied, but also hungry for more as I chatted with friends on the BART ride back home about how we were going to try and find tickets for the following night’s performance. If they delivered that magnitude of a show the first night, what more could they have in store for the second date?

Although I didn’t in fact make it back out, I can’t wait for them to come back and grace the Bay Area with their presence once more. I am surprised I have waited so long to see them in the first place, and now I will be confirming my future reservation for all upcoming performances within my vicinity. If you get a chance to check them out in a town near you, be sure to do so with an open mind and sense of adventure. For all those who are already fans, don’t let yourself miss them … it’s an experience like no other.

Setlist:
Rosie Oh
Today’s Supernatural
Wide Eyed
Applesauce
Honeycomb
Lion in a Coma
Moonjock
Father Time (New Song? Intro)
New Town Burnout
Monkey Riches
Brother Sport (Extended Bridge)
Peacebone

Encore:
Cobwebs
My Girls
Amanita

Hot Chip prove to us at the Fox Theater Oakland that they are not LCD Soundsystem

By Mike Frash //

Hot Chip //
Fox Theater Oakland – Oakland
September 11th, 2012 //

English synthpop outfit Hot Chip has been crowned the reigning king of the electronic/indie/dance scene since LCD Soundsystem hung it up.

There are many reasons this comparison is ever-present. They share a love of synth, dance beats, 70’s grooves and building a wall of sound with more musicians than the typical live act utilizes. These two groups refreshingly have delivered electronic dance music through live instruments — something lost to many electronic music performers in the year 2012. Al Doyle plays guitar, synthesizer, percussion, bass and performs backup vocals in Hot Chip. He literally did all that as a member of LCD Soundsystem, except he did not back up James Murphy on vocals. Both groups are loved by indie-rock and dance fans, and their music in a live setting uses percussion as a leading force to improvise and give concertgoers that feeling of the unexpected.

The comparison ultimately falls short when it comes to vocals, though. James Murphy is the king of personality and one of the most charismatic frontmen in music history. Alexis Taylor simply is not. At times on Tuesday night at the Fox Theater, it was hard to find Taylor onstage. So in the end, the comparison is not really valid. That said, Taylor’s voice blends with the instruments more than Murphy’s voice, which often would contrast abrasively (and awesomely) to LCD’s instrumental sound. Taylor’s vocal style is rooted in R&B, while Murphy’s voice is somewhere between punk rock and David Byrne. But LCD is dead (for now) and Hot Chip is alive, so let’s enjoy what we have.

The first eight songs of the set had everyone moving. “Shake a Fist” was an ideal opener, setting the tone with laser zap sounds and visuals that must have caused at least one minor seizure. The following four songs probably sounded like one epically long jam to anyone in attendance that isn’t familiar with the Hot Chip catalog. “Boy From School”, “Don’t Deny your Heart”, “One Life Stand” and “Night & Day” are tracks that employ a steady 128 beats per minute. The songs segued one into the other, allowing no time for resting.

“Night & Day” gave way to “Flutes,” the best track from Hot Chip’s new album, In Our Heads, which the band is currently touring to support. The one-two punch of ‘Flutes’ into fan favorite “Over & Over” was a clear highlight of the night for many in attendance. These two songs slowed down the tempo from the previous bunch of songs, but at the same time, the energy in the room picked up.

The following two songs, “These Chains” and “The Warning”, slowed things down to a halt. This mid show lull actually worked nicely to split the show in half between the first part, full of dancy hits, and the second part of the show, which provided songs that peaked harder and provided a bit more improvisation than the first set.

“How Do You Do” and “Ready for the Floor” set up the second half of the show for success. The group then covered Fleetwood Mac’s “Everywhere”. This was a lovely song to cover, as Taylor’s voice mirrors the vocal range and pitch of Christine McVie’s voice nicely. “Hold On” ended the first set with an epic climax, book-ending the set with extended songs that peaked with rapid strobe lights and lazer beams.

The encore began with a rarity, as “Crap Kraft Dinner” was played for the first time in four years. This bust out was a set-up song for the final tune of the night, “I Feel Better”. When Taylor crooned “This is the longest night,” it seemed like the encore might continue on for a bit. But that was it, and once it was over, the show felt short.

Bottom Line: Hot Chip is a guaranteed dance party if that’s what you’re looking for. The drum and bass elements drive the group’s sound in a live setting, making Alexis Taylor’s vocals seem secondary.

Watch part of “How Do You Do” filmed by Kevin Raos below and listen to our Hot Chip playlist here.

The Tallest Man on Earth fires on all cylinders at Fox Theater Oakland

By Mike Frash //

The Tallest Man on Earth //
Fox Theater Oakland – Oakland
September 6th, 2012 //

Kristian Matsson’s powerful voice and legitimate swagger as The Tallest Man on Earth has earned him increased notoriety with every new album and tour. He released his third LP in June and has two memorable EPs under his belt. About half of his tunes at the Fox Theater ended with Matsson projecting his guitar pick across the stage, but he often attempted to arrange the picks into a neat pile. As he performs, he wanders around the stage to rile the audience, but when it’s time to sing, he approaches the microphone like a cobra poised to attack as he belts out his delivery. This bravado translates to the strength of his voice, and his deep baritone notes were spot-on all night. He missed a couple high notes or passed on them completely as he did during the first encore song “The Wild Hunt”. It didn’t matter to this crowd, which was either quietly taking it all in or singing along and applauding.

He’s Swedish, but he exudes pure Americana. His songwriting and vocal style is beyond Dylanesque, as he’s often compared to Bob Dylan, and rightfully so. He wears pointed-toe boots, skinny jeans and a sleeveless shirt that looks more greaser-nouveau than the typical apparel trends these days, and his look accentuates his Elvis-like moves. His stage banter is ever-present between songs, with what seems like a California accent. Between songs, he mumbles like a drunk cowboy; his speaking voice is so low in pitch. Matsson’s songwriting and album covers invoke thoughts of wide open spaces and traveling adventures in the tradition of Kerouac. His stage name is reminiscent of traditional American folklore like Paul Bunyan — and as Matsson’s drawing power increases with every tour, he could be adopted as an living legend stateside before too long.

As the Tallest Man on Earth continued his circuit across the U.S., he did not disappoint this night in Oakland. The first half of the show featured many tracks from Matsson’s 2012 album There’s No Leaving Now, but the first transcendent moment came during “Love is All”, as Matsson extended the song to pin-drop silence. After a couple songs, Matsson said he liked the Fox Theater, but also liked Rickshaw Stop and The Independent, which were the first two venues he performed at in the Bay Area.

Matsson is known for his guitar work, but his first song at the piano “There’s No Leaving Now” slowed it down and punched up the emotion. Upon finishing the first piano song, Matsson moved back to the guitar to rip into “Leading Me Now”. The songs contrasted nicely in style and songwriting, and they worked in succession because it felt like Matsson was telling a story. This pairing of songs from the new LP was particularly powerful. At the end of it, a man in the audience yelled “I love you!” to which Matsson responded, “You should take me on a date first!”

The Tallest Man on Earth then invited his friend Steven on stage to help with a handful of songs on trumpet, including “It Will Follow the Rain”, which Matsson said we probably haven’t heard live since Rickshaw Stop. The Tallest Man’s friend Steven from Sweden, who Matsson said he’s always admired, added a layer of depth that is sometimes lacking in Matsson’s songs, but not often.

The song that got the most attention from the crowd was “King of Spain”. The audience immediately began clapping along, then Matsson busted a string on his guitar. The Tallest Man skillfully extended the intro of the song with one hand to buy time, as he used his strumming hand to calmly move the broken string out of the way. The Tallest Man on Earth is one with his instrument. This inspired further cringe-inducing crowd banter, including “You’re my tallest man,” which got a quizzical head turn from Matsson.

Matsson saves his best songs for the encore. It began with an unfinished version of “The Wild Hunt”, as he segued it seamlessly into a successful version of Paul Simon’s “Graceland”. The night finished with “The Dreamer” from his 2010 EP Sometimes the Blues is Just a Passing Bird. The set passed quickly, which signifies that it was a thoroughly enjoyable experience. The Tallest Man on Earth has proved to be a top notch singer-songwriter live who is in full command of his stage presence and musical prowess.