MIDTERM REPORT: Best Albums of 2013

BEST-ALBUMS-so-far-2013Photos by Marc Fong and Mike Frash

Is 2013 the year digital dance music makes the big leap, fully taking over the Top 40 but also ingraining itself into the hearts of critics? Daft Punk made all the noise as the year was young, but young EDM-upstarts Disclosure, Flume & Jagwar Ma have all made an impact on the Bam Team.

That stated, the musical output in 2013 so far is pretty damn strong overall. And just think, we will be hearing new LPs from Arcade Fire, Earl Sweatshirt, Washed Out, Ty Segall, Franz Ferdinand, Nine Inch Nails, Arctic Monkeys, Holy Ghost!, Chvrches, and many more still. Take a gander at our favorite albums of the year as of July 17, 2013 – What are we missing?

*Any album released in the US in the year 2013 is eligible for Best Albums of 2013.
**Check out all of our music reviews from 2013.

Vampire Weekend

Mike Frash
1. Vampire Weekend – Modern Vampires of the City
2. Disclosure – Settle
3. The National – Trouble Will Find Me
4. James Blake – Overgrown
5. FOALS – Holy Fire
6. Flume – Flume
7. Foxygen – We Are The 21st Century Ambassadors of Peace & Magic
8. Daft Punk – Random Access Memories
9. Jagwar Ma – Howlin
10. Baths – Obsidian

Phoenix

Molly Kish
1. Atoms For Peace – AMOK
2. Vampire Weekend – Modern Vampires of the City
3. Disclosure – Settle
4. Toro Y Moi – Anything In Return
5. Phoenix – Bankrupt!
6. STRFKR – Miracle Mile
7. Devandra Banhart – Mala
8. Major Lazer – Free the Universe 
9. Cold War Kids – Dear Miss Lonelyhearts
10. Yeah Yeah Yeahs – Mosquito

Thee-oh-Sees

Kevin Quandt
1. my bloody valentine – m b v
2. The National – Trouble Will Find Me
3. Boards of Canada – Tomorrow’s Harvest
4. Kurt Vile – Wakin on a Pretty Daze
5. Thee oh Sees – Floating Coffin
6. Vampire Weekend – Modern Vampires of the City
7. Disclosure – Settle
8. Rhye – Woman
9. Foxygen – We Are the 21st Century Ambassadors of Peace & Magic
10. A$AP Rocky – Long Live A$AP

Sigur-Ros

Pete Mauch
1. Sigur Ros – Kveikur

2. Daft Punk – Random Access Memories
3. Superhuman Happiness – Hands
4. FOALS – Holy Fire
5. Boards of Canada – Tomorrows Harvest
6. Deerhunter – Monomania
7. Youth Lagoon – Wondrous Bughouse
8. Bonobo – The North Borders
9. Kurt Vile and The Violators – Walkin’ On A Pretty Daze
10. Disclosure – Settle

Toro Y Moi

Kevin Raos
1. Toro Y Moi – Anything In Return
2. Rhye – Woman
3. Vampire Weekend – Modern Vampires of the City
4. Boards of Canada – Tomorrow’s Harvest
5. Sigur Ros – Kveikur
6. FOALS – Holy Fire
7. Foxygen – We Are the 21st Century Ambassadors of Peace & Magic
8. Camera Obscura – Camera Obscura
9. Atoms for Peace – AMOK
10. Portugal. The Man – Evil Friends

Classixx

Sean Little
1. Flume – Flume
2. Daft Punk – Random Access Memories
3. Classixx – Hanging Gardens
4. Jessie Ware – Devotion
5. Hanni El Kattib – Head In The Dirt
6. Disclosure – Settle
7. Queens of the Stone Age – …Like Clockwork
8. Empire of the Sun – Ice on the Dune
9. Portugal. The Man – Evil Friends
10. DJ Koze – Amygdala

Starfucker5

Eric Shaden
1.  Jagwar Ma – Howlin
2.  James Blake – Overgrown
3.  Daft Punk – Random Access Memories  
4.  Starfucker – Miracle Mile
5.  Disclosure – Settle
6.  Phoenix – Bankrupt!
7.  Boards of Canada – Tomorrow’s Harvest
8.  Autre Ne Veut – Anxiety 
9.  Major Lazer – Free the Universe 
10. Thundercat – Apocalypse 

MS MR
Nikki De Martini
1. MS MR – Secondhand Rapture
2. Deap Vally – Sistrionix
3. Yeah Yeah Yeahs – Mosquito
4: CSS – Planta 
5: Little Boots – Nocturnes
6. Portugal The Man – Evil Friends 
7. Cold War Kids – Dear Miss Lonelyhearts
8. Kanye West – Yeezus
9. Great Gatsby Soundtrack
10. Sigur Ros – Kveikur

PHOTOS: Langhorne Slim at The Indy

Langhorne-Slim

Alternative folk-blues troubadour Langhorne Slim stopped by The Independent Monday evening for an energetic, foot stompin’ good time.

The night’s headliner proved to be an energetic and fun performer – just check out the photos below for evidence. Slim (née Sean Scolnick) danced and jumped around the stage and the crowd ate it up. A group from Oregon even made trek to SF just to catch the show.

Langhorne Slim and his band “The Law” brought the folky-fun to the bay, and he even played a couple dance numbers. Marc Fong was on the scene to capture the moments.

New Music: Thundercat – Apocalypse

apocalypse

ThundercatApocalypse

4-BamsTop Tracks:
“Tenfold”
“Oh Sheit It’s X”
“Lotus and the Jondy”

Album Highlights: The intergalactic, funk spaceship piloted by the virtuous Stephen Bruner, aka Thundercat, continues to plunge the depths of the galaxy with his latest release Apocalypse. Ever wonder what a more contemporary version of Jamiroquai with vocals by Pharrell Williams would sound like? It would sound a good amount like Apocalypse. Alright, now that you have a general idea of what this Los Angeles native sounds like, let’s delve into what makes this album such a blast to listen to while being a sonic success.

One aspect of this release that lends to it’s greatness is the co-production of one Stephen Ellison, popularly known as Flying Lotus. Both artist have been longtime members of the Brainfeeder label and cross pollinate regularly, as Thundercat lent his skills to Until the Quiet Comes in a big way. The sublime combination of sultry space-funk and off-kilter beats creates something familiar but uniquely fresh and dynamic. Furthermore, this album isn’t trying to be a Billboard top-seller or something more than the sum of it’s parts. It’s avant-garde, futuristic, and left-leaning while projecting a massively wide range of appeal to a varied audience.

Songs like “Oh Sheit It’s X” combine funkified disco grooves that would light any dance floor in the 70’s on fire with it’s bubbly, complex bass lines and flying synths. Some could dismiss it as campy, but the track’s strength in arrangement and production would disprove any naysayer in seconds. “A Message for Austin” closes the album on a rather sad note, as Bruner pens a song to the recently deceased Brainfeeder artist and longtime member of Thundercat, Austin Peralta. It’s a truly touching track dedicated to a talented young musician taken all too soon.

Album Lowlight: Thundercat’s previous release, The Golden Age of Apocalypse, showcased Bruner’s bass playing mastery a bit more. This is minor, especially as the song-writing skills of Bruner have grown considerably stronger over the past few years. But, overall, there are few flaws with Apocalypse, in fact it’s ultimately refreshing to see a creation that isn’t trying to be anything more than Thundercat’s true vision.

Takeaway: In an era when virtuosic instrumentation doesn’t mean as much as one’s ability to twist knobs and hit buttons, it’s refreshing to hear albums like Apocalypse. Thundercat is an artist who dances to beat of his own drum, er, I mean bass. His dynamic live show has been winning accolades for years, as his set at Coachella 2012 drew this writer in, hook, line and sinker. Whether leading his stellar band in mind-blowing instrumental grooves or belting out one of his soul-funk tunes to the ladies in the front row, Thundercat is a competent musician all around who deserves more attention.

FREE SHOWS: Futurebirds • Tea Leaf Green • Big Black Delta • Kelly McFarling

THIS-WEEK_post

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Futurebirds
The Independent ~ Thursday 7/18

Futurebirds are back in the Bay Area this Thursday following an excellent evening set at High Sierra Music Festival July 7. Born from the innovative musical hotbed that is Athens, Georgia, Futurebirds unleashed their second long player Baba Yaga April 16. Country-alt rock twisted with Southern sensibilities might be the first thing that’s noticeable when listening to their studio recordings. But upon further listens, and certainly during their live show, subtle psychedelic sounds become more obvious, adding a tasty texture layer to their already palatable brew. -Mike Frash

For fans of: Jim James, Band of Horses, The Woods Brothers, The Whigs


Tea Leaf Green
The New Parish ~ Saturday 7/20

This Saturday, Bay Area natives Tea Leaf Green return to the New Parish in Oakland for an evening of face melting guitar solos, sweet melodies and improvisational rock. These monsters of rock have been in the game for over 20 years, however it was the 2007 addition of virtuosic bassist Reed Mathis that marked a turning point for the band. Since then they have been recording and touring at an unprecedented rate. Off the heels of their latest album In the Wake, the fourth album since Reed joined the band, Tea Leaf Green is easily making the best music of their careers. -Kevin Raos

For fans of: Railroad Earth, Anders Osborne, Phish


Big Black Delta
The Independent ~ Friday 7/19

Far from the cookie cutter hipster pretense associated with Echo Park, CA, Jonathan Bates brings his experimental electronic outfit Big Black Delta to the Bay Area this week. Bates’ musical background includes a stint as a lo-fi indie rock front man in Mellowdrone and bandmate of one of the most successful breakthrough acts of 2012, M83. Jonathan took to the road this past year in support of his debut self-titled album. The record dropped this past April, he is currently in the home stretch of his North American tour, rounding out the year with dates in the UK. Headlining the Independent this Friday, Bates brings his unique brand of darkly synthesized pop rock with support from San Francisco’s own, Breakdown Valentine. -Molly Kish

For fans of: STRFKR, Twin Shadow, Matthew Dear, The Cars.


Kelly McFarling
Brick & Mortar ~ Friday 7/19

In a city she claims as her second home, soulful songstress Kelly McFarling will be celebrating the release of her second full length album, Ridgeline, this Friday at Brick and Mortar. Hailing from Atlanta, Georgia where she developed her vocal stylings in church choirs and baseball stadiums, McFarling has since traveled the world playing for sold out audiences on both local and international stages. She honed her skills as a singer, songwriter and self-taught banjo player during time spent in Bay Area recording studios and collaborating with fellow local artists. McFarling developed her sound as part of the San Francisco music community, and she was encouraged to perform on stage for the first time ever during an open mic at local venue Hotel Utah. Five years later, she’s become a staple within the folk rock scene of San Francisco and has gained the attention of national media outlets, various record labels and legions of adoring fans. -Molly Kish

For fans of: Aimee Mann, St. Vincent, Neko Case

High Sierra Music Festival 2013: Top Sets

Photos by Sam Heller // Written by Kevin Quandt, Mike Frash & Pete Mauch //

High Sierra Music Festival //
Quincy, CA
July 4th-7th, 2013 //

Lennon-McCartney said it best when they stated, “Got to admit it’s getting better, getting better all the time.” High Sierra Music Festival, held every Fourth of July weekend for the past 23 years in lovely Quincy, Calif., somehow keeps getting better each year. The success of this event isn’t anything too surprising, as the producers truly know how to run a seamless event while drawing in such a rich diversity of musical talent from across the globe, year after year. The Plumas County Fairgrounds are amazingly transformed into a wonderland for both adults and kids, alike, becoming a community environment that allows people to lose themselves in the festivities.

Scene1

Young and old are ever-present at HSMF — while the little ones enjoy family yoga and children’s sets by the one Vince Herman from Leftover Salmon, the older attendee may likely enjoy wine tasting by sponsors or fresh sushi in the morning or fresh oysters in the afternoon. From the wide variety of cuisine available from Gerard’s Paella to crab-smothered artichoke to the array of music play shops to explore the deeper, inner workings of music. It’s qualities such as these that lend to one overall thrilling experience, which keeps so many returning every year and most newcomers pledging the same.

High Sierra caters to everyone, and if you are unable to have an amazing time, you may want to check your pulse. But let’s be honest, the masses primarily flock to the Sierra Mountains to enjoy the varied selection of musical acts. Without further ado, here are our top sets from the long weekend.

Allen-Stone

Artist: Allen Stone
Set date/time: Thursday, 7:15 p.m.
Location: Big Meadow

Young soul powerhouse Allen Stone and his electrifying band held down a two-hour (!) set at the Big Meadow on Thursday — not bad for a performer who self-released his two full-length albums and toured hard and strong enough to catch fire over the past year. He stretched his set out for the last 20 minutes by announcing a dance-off and asking the crowd to create an aisle down the middle toward the soundboard. Either it was too early in the fest on a hot day, the two-hour set was too long or people were too high because no one obliged. Stone had to collect himself before trying again, and after some chastising by the neo-soulster, a dance-off was ignited. -MF


Artist: White Denim
Set date/time: Thursday & Friday, 7:15 p.m.
Location: Grandstand & Big Meadow

Fast-rising indie-psych rockers White Denim delivered a couple excellent sunset shows on Thursday and Friday. The foursome is tightly synced, precisely nailing oft-changing time signatures in a set that rarely paused. The songs segued seamlessly, blending with the help of swirling electric guitar layering and looping. The Thursday show on the Grandstand came as a relief as the ridiculously hot sun dipped behind the trees while many sat down waiting for Thursday’s legendary headliner. White Denim’s show on Friday at the Big Meadow ended spectacularly — a tighter crowd gave way to more heady psychedelic fare, including a sneaky and effective light show once full darkness arrived for the set-ending song “Drugs”. -MF


Robert-Plant

Artist: Robert Plant presents The Sensational Space Shifters
Set date/time: Thursday, 9:30 p.m.
Location: Grandstand

Robert Plant is a legend — we all know this — so to have this mammoth performer be featured as the first major headliner of the event led to seriously large crowds, especially on Thursday. His banner set did not disappoint with his mix of rockin’ Zeppelin classics, blues-laden solo material and a rich representation of various world music styles. Plant’s band was a very impressive conglomeration of modern musicians featuring players from Massive Attack and other highly regarded acts, which lent well to the characteristic howl of the Zeppelin legend on a clear, cool first evening. Highlights were a show-opening “Baby I’m Gonna Leave You”, Zep classic “Black Dog” and a version of Willie Dixon’s “Spoonful”. The response was unanimous that Plant and his latest touring act were a rousing success as one would expect from this caliber performer. -KQ


Tumbleweed-Wanderers

Artist: Tumbleweed Wanderers
Set date/time: Friday, 1:15 p.m.
Location: Vaudeville

Tumbleweed Wanderers out of Oakland benefited from being placed in the shady Vaudeville tent Friday afternoon, and the folky, soulful group took full advantage of the dense crowd seeking solar protection. Frontman Zak Mandel-Romann fearlessly ripped into tracks from their 2012 debut LP So Long as he would jump off the stage to engage with the audience. The crowd reciprocated, and upon the end of the set the rousing applause was so widespread and forceful that the band members tried to hide their unbridled joy, an indication they were experiencing the best response of their careers. It was a goose bump-inducing moment, and after the continuous applause interrupted the stage emcee, the Tumbleweed Wanderers were called back for a rare encore. -MF


Artist: Nataly Dawn
Set date/time: Friday, 3:45 p.m.
Location: Big Meadow

Nataly Dawn was yet another newcomer to the festival, and she represented the singer-songwriter sect in splendid form. Her songbook may not be extensive but is incredibly strong with playful elements of both comedy and heartfelt songs of real life and love. Dawn’s delivery was flawless as she was simply accompanied by an electric guitar player, augmenting her vocals ever so slightly. Some may know this Sacramento rising star as one half of the act Pomplamoose, but with a recent release entitled How I Knew Her making waves, she is sure to be a name to look out for. High Sierra is generous with the amount of time a performer gets onstage, and in Dawn’s case, too much time for her limited song selection. However, with the crowd gaining size, she went through a few selections twice, including “Caroline”. Hey, exposure is exposure. -KQ


Artist: Houndmouth
Set date/time: Friday, 5:45 p.m.
Location: Big Meadow

Indiana-based Houndmouth showcased their Americana folklore to the High Sierra masses on Friday, and they did so with amazing harmonies, precise musicianship and all-around great whiskey-drenched songwriting. Their songs speak of troubled travelers, coked-up drug dealers and any vigilante vagabond looking to make amends with oneself. The set focused on their debut album From the Hills Below the City, with “Come On, Illinois”, “Houston Train” and “Penitentiary” rounding out the show highlights. One aspect that makes High Sierra so wonderful is its intimacy. After Houndmouth’s set, I let them know everything sounded excellent. They were extremely grateful and thanked me as I walked away to my next adventure. -PM


Primus

Artist: Primus
Set date/time: Friday, 5:45 p.m.
Location: Grandstand

Primus are weird in all the right ways. Legendary bassist Les Claypool’s primary vehicle headlined Friday, proving to be an über-suitable headliner that fits High Sierra’s full embrace of individuality. An intense, trippy “Southbound Pachyderm” gave way to more energetic favorites like “Jerry Was a Race Car Driver” and “Jilly’s on Smack”. Plus, Skerik appeared to add yet another twisted layer of sax to “Groundhog’s Day”. Two consistent factors relate to Claypool — his bass is the driving force, and his uniquely weird songwriting and vocal delivery make it work every time. Claypool hid in the shadows all night, letting his jazz-paced diction, offbeat baseline and leadership boggle the minds of the packed main stage. -MF


Artist: The John Scofield Uberjam Band
Set date/time: Friday, 11:30 p.m.
Location: Vaudeville

The return of John Scofield’s electric band was a bit of a surprise to longtime fans of this freaked-out, electric jazz-fusion act. Jazz legend Scofield brought old friends and new to blaze through some selections from his past catalogue (Up All Night, Uberjam) and most recent (Uberjam Deux) to a healthily packed free, late night show. His mix of funky-fusion, hip-hop and electronic drum beats generally adds up to sonic grooves that are easy to dance to, but complex in their melody and solos arranged onstage. Some highlights were “Polo Towers”, “I Brake for Monster Booty”, and “Everynight is Ladies Night.” Try to catch this act on tour, as it could be the last time Scofield brings this band on the road for awhile before he likely returns to more straight-ahead jazz projects. -KQ


Artist: Skerik’s Lab
Set date/time: Saturday, 3:30 p.m.
Location: Music Hall

High Sierra vagabond-and-artist-at-large Skerik once again showcased his teaching abilities, along with his oddly-interesting poetic musings. The best woodwind and brass musicians, some in official acts and others just at High Sierra to camp and have fun, line up on stage at the Music Hall. With Mike Dillon supporting on drums, each player on stage gets a turn to take the lead, and everyone else joins in until a ferocious jam builds to a peak. Skerik then introduces the next performer, and often will ask the audience for the next musical key. Once again Carley Meyers from Mike Dillon Band stole the show. -MF


SCENE


Artist: The Barr Brothers
Set date/time: Saturday, 7:55 p.m.
Location: Big Meadow

Brad and Andrew Barr are two longtime performers who have graced the many stages at High Sierra for well over a decade. Generally, they represent their early project the Slip, sometimes with their Marco Benevento and Nathan Moore collaborative project, Surprise Me Mr. Davis. This year, they towed along a giant harp for the Barr Brothers, a rising indie-leaning project garnering impressive underground success. Songs like “Give The Devil Back His Heart” demonstrate Andrew’s complex rhythmic arrangements and Brad’s ability to write dynamic songs under any moniker. This set saw the band joined by Mike Dillon on vibraphone and the Rubblebucket horns for a bombastic set closer. -KQ


Artist: Thievery Corporation
Set date/time: Saturday, 9:30 p.m.
Location: Grandstand

Thievery Corporation brought a much-needed dance party to the main stage on Saturday, also delivering on the promise of being an ideal headliner for HSMF. With rotating live singers seriously augmenting the beats laid down by Rob Garza and Eric Hilton, the upbeat set never got too stuck in downtempo territory. After getting “Lebanese Blonde” out of the way early, hip-hop and dance influences took center stage. So much more than a DJ show, the DC-based duo have curated a revolving door spectacle supported by Rob Myers, Frank ‘Booty Lock’ Mitchell, Jeff Franca and Ashish Vyas and live instrumentation. Put it all together, and it was an awe-inspiring production that hit the High Sierra sweet-spot. -MF


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Artist: Lee Fields and the Expressions
Set date/time: Sunday, 12:15 a.m.
Location: Vaudeville

The final Vaudeville late night featured soulful R&B brought by the charismatic Lee Fields and his young, competent band, The Expressions. A possible new name to many in attendance, few could deny the soul-drenched revue delivered in true professional form by a 40-plus year veteran. Hands in the air in rejoice were plentiful while the dapper-dressed frontman channeled the obvious comparison, James Brown. Come Sunday, the High Sierra faithful were murmuring about their new favorite act for the time being and how friends had to catch Fields’ set on the big stage for their final Sunday performance in Quincy. -KQ


Artist: moe.
Set date/time: Sunday, 1:30 a.m.
Location: Music Hall Late Night Show

Sunday night jam headliners moe. played a sold-out, late-night show early Sunday morning, and as usual it raged. Rob, Al, Chuck and and the rest of the gang were pretty subdued as a physical presence onstage, but they sounded as good as always. Classic opening one-two punch “Not Coming Down” and “Wormwood” kicked things off nicely, and “McBain”, “Moth” and “Timmy Tucker” were set highlights. “Seat of My Pants” ended the epic third day on a high note. -MF


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Artist: Lukas Nelson & Promise of the Real
Set date/time: Sunday, 12:45 p.m.
Location: Grandstand

Lukas Nelson & POTR made their High Sierra debut this year and put on quite an impressive set that caught the eye of many a festivalgoer, including that night’s headliner moe.(Nelson guested on “Opium” during moe.’s set). Nelson started things off with his single “Forever is a Four Letter Word”, which was well received by the growing crowd. Nelson is the son of the legendary Willie Nelson, and he truly shines on his own, clearly not leaning on his namesake to achieve success (I’m looking at you Jakob Dylan). Nelson delivers high energy sets full of excellent originals, many of which are about “Weed”, so the apple doesn’t fall too far from the tree. The band also ran through great cover songs including an amazing take on The Grateful Dead’s “Althea”, Pink Floyd’s “Money” and set closer “Sympathy for the Devil” by The Stones. Lukas Nelson should just be getting started –plan on seeing him grow exponentially from here. -PM


Artist: Guitarmaggeddon
Set date/time: Sunday, 4 p.m.
Location: Music Hall

The 10th annual Guitarmaggeddon face-melt was a special treat. Each year, Tea Leaf Green’s Josh Clark leads a group of electric guitar thrashers on a set of covers that revolve around a theme, and the songs always give way to epic guitar wailing and thrashing. It seemed like last year’s Talking Heads set would be tough to beat, but the “Stadium Rock!” theme was plenty epic. From the steady opening of “Slow Ride” to “Satisfaction” (with a younger Mic Jagger in tow) to “Layla”, the show just killed it as expected. Lukas Nelson and Al Schnier from moe. guested for multiple songs, and fest-goers who still had a couple ounces of energy left benefited from a jamtastic, raging two hours of fun. -MF


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Artist: Steel Pulse
Set date/time: Sunday, 7:15 p.m.
Location: Grandstand

Roots-reggae legends Steel Pulse would also make their debut appearance at the event this year, and they filled the Sunday “worldly afternoon” slot in proper form. The legendary English act out of Birmingham has some of the most proficient performers in the business, likely due to nearly 40 years of pumping out revolutionary songs and touring the globe. “Roller Skates” and “Chant a Psalm” were just a few of the hits played to a nicely sized late-festival crowd as the sun dropped behind the main stage one final time this year. A new, tribute song to Trayvon Martin called “Put Your Hoodies On [4 Trayvon]” may have been too borderline serious for the crowd, but the masses embraced the message of equality for all. -KQ


Artist: Rubblebucket
Set date/time: Sunday, 10 p.m.
Location: Big Meadow

Representing Brooklyn, Rubblebucket have really come into their own as an entrancing mix of pop, rock and world music that thrives on crowd energy and is helmed by one helluva frontwoman, Kalmia Traver. This would be their first evening set after gracing the fairgrounds for a few years now, and they brought their already stellar show to the next level on the final evening. Highlights from the set included “Overstaurated”, “Rescue Ranger” and “L’Homme”. Kalmia invited attendees up onstage to join in the revelry, and the throngs rewarded this act by crowd surfing her across the stage during “Came Out a Lady”. -KQ

Rogue Wave’s emotional homecoming at The Independent

Rogue-WavePhotos by Marc Fong // Written by Mike Frash //

Rogue Wave //
The Independent – San Francisco
July 12th-13th, 2013 //

A chatty Friday crowd greeted indie rock veterans and Bay Area locals Rogue Wave for a family and friends homecoming show, the first of a double-banger at The Independent in SF. After three-plus-years abstaining from regular touring, Zach Rogue & the rest of Rogue Wave exhibited remarkable crowd control abilities throughout the evening by radiating positive energy, connecting with fans through engaging stage banter and by presenting live music that was better than their studio recordings.

Halfway through the warm, cinematic favorite “Eyes” three-songs in, some of the crowd couldn’t settle down, as a persistent buzzy layer of sound from the fourth wall intermingled with the song’s aural simplicity. Zach Rogue didn’t seem bothered, as he was clearly living in the moment and taking it all in. But during the next song, a blistering “Publish My Love”, the combination of band and house lighting drew everyone’s full attention for the remainder of the night. The Rogue Wave frontman and driving creative force projected a “living in the moment” mantra — his eyes searched the room looking for familiar faces, and he said ‘we only live for tonight’ more than once.

Rogue-Wave

Zach’s “be where you are” mentality led to some very memorable moments, including one during the intro to “Chicago x 12”. Zach put on his serious face, and said “Life is full of surprises. In 2006 we were here for a benefit for Pat”, as Zach pointed at his drummer and song-crafting collaborator.

Seven years ago, Pat Spurgeon was in desperate need of a second kidney transplant, as he was only born with one kidney that failed when he was a teenager. The group put on a benefit show at The Independent to help pay for medical costs and bring awareness to Pat’s life-or-death search for a donor match. By 2007, Pat had received a kidney and underwent successful transplant surgery January 12. The quick mention most likely drew a couple tears from the close friends and family in the room.

It’s hard to believe a band so musically talented, with a plump catalogue now after releasing their very good fifth LP Nightingale Floors in June, isn’t more popular. Have many of the faithful fans from the mid-aughts moved on to a suburbain home life with 2.5 kids and the white picket fence?

Rogue-Wave

Before “California”, the final song of the night, Zach announced he and his partner were expecting a child. Mr. Rogue had shown flashes of emotion in his face while waxing philosophically earlier in the show — “You never know who’s going to walk through that door” and “Change is inevitable” were stated with conviction and grace. As Zach launched into their flagship song, Zach said “Here’s to new beginnings.”

The tone of Rogue Wave’s music and the content of their songwriting adds up to a life affirming live music experience, but Friday felt extra special with Zach’s charming leadership and candor with the close-nit crowd combined with sophisticated musicianship.

Rogue-Wave

SHOW HIGHLIGHTS:

The set started with new songs ended with ecstatic classics — The new material from Nightingale Floors translated wonderfully live. Rogue Wave are at their best when they build up songs to an emotional wall of sound apex.

“Figured It Out”, one of the best tracks from Nightingale, was delivered with sincerity, but they didn’t simply put the song to bed as they did in the studio recording. The song developed with sonically swirling layers, finishing with a strong crescendo.

This epic, anthemic outro technique was used throughout the night. But it’s this live expansion of their studio material that is the distinguishing difference-maker that musically made this show so memorable. Also, the psychedelic outros contrasted nicely with the clarity of Zach Rogue’s slightly modulated vocals.

Set-ender “Harmonium” was stretched out with massive, thrashing circular reverberation — something The Independent specializes in providing. Go to any corner of the venue during sustained instrumentation layering and the sound balance is more than stellar.

WKEND MIXTAPE: Radio Soulwax Essential Mix

soulwax_post

Our mix this week is a bit of a throwback, but this mix holds up to the test of time. This mix originally aired on BBC 1’s Essential Mix at the beginning of 2005. Soulwax curated an impressive collection of originals, remixes, and their own covers of dance tracks as a full band. At their core, Soulwax are two brothers from Belgium who perform as a live band and dj under the 2manydjs guise. Look for tracks from the likes of David Bowie, Hot Chip, Beastie Boys, Bob Seger, Ladytron, !!!, LCD Soundsystem, Queens of the Stoneage, ZZ Top, Simian Mobile Disco, and many more.

Soulwax also have a website and app (osx, android) that allows you to stream 24 one-hour mixes with accompanying visuals. Totally free and worth checking out. Enjoy!


Tracklist
1. David Bowie – Rebel Rebel [Soulwax Edit] (White)
2. Soulwax – E-Talking [Soulwax Nite Version Feat.Nancy Whang] (PIAS)
3. Unknown – Martini Bros (White)
4. Tiga Vs Human League – Unknown (White)
5. Thomas Anderson – Unknown (Bpitch)
6. P.Diddy (With Felix Da Housecat) – Jack U (White)
7. Bob Seger – Ramblin (White)
8. Unknown – Gamblin Man (Capitol)
9. Whitey – Y.U.H.2.B.M. (1-2-3-4 Records)
10. Ladytron – Sugar (Island)
11. Fisherspooner – Just Let Go [Thin White Duke Remix] (EMI)
12. Sweet Light – Abusator (Freak n Chic) [Soulwax Edit] (White)
13. Vitalic – Valletta Fanfares (PIAS)
14. Miss Kitten – Requiem For Hit [Soulwax Edit] (White)
15. Simian Mobile Disco – The Count (Kitsune)
16. Who Made Who – Satisfaction (Gomma)
17. Jackos One – Bats Danse (Toxic Wreckords)
18. Zongamin – Bongos Song (White)
19. Midnight Mike – Hot In The Kitchen (Gomma)
20. Hot Chip – Over And Over (White)
21. Beastie Boys – Stand Together [Soulwax Edit] (Capitol)
22. Annie – Chewing Gum [Acapella] (679 Records)
23. Nocturnal Emissions – Unknown (Sterile Records)
24. Queens Of The Stoneage – First It Giveth (Interscope)
25. ODB – Got Your Money [Acapella] (Elektra)
26. Fatal Error – Fatal Error (R&S)
27. Adriano Celentano – Alright (Prisencolinensinainciusol)
28. The Girls – Zebra Jeans (Wall Of Sound)
29. Kling Klang – Heavydale (Rock Action Records)
30. LCD Soundsystem – Daft Punk Is Playing In My House [Soulwax ShibuyaMix] (Emi/DFA)
31. Franz And Shape – Countach (Relish)
32. Yellow House – Jack My Body (Dance Mania Records)
33. Jersey Devil Social Club – Homage At 121bpm (Environ Records)
34. Tiga – Louder Than A Bomb (PIAS)
35. !!! – Louden Up [Rubn Tug Mix] (Warp)
36. Whitey – Leave Them All Behind [Soulwax Mix] (Regal)
37. Jon Spencer Blues Explosion – Unknown [DFA Remix] (Mute)
38. Johanman – Move My Body (Turbo)
39. Linus Loves – Night Music (Breastfed)
40. Lopazz – Blood [Tiefschwarz Remix] (Output)
41. Static – Dream It [US Rave Mix] (Strictly Rhythm)
42. Human Resource – Dominator Vs 808 (White)
43. State – Cubik [Soulwax Renominator Mix] (White)
44. Audion – Kisses (Spectral/Ghostly International)
45. MU – Paris Hilton (Output)
46. Mr. Oizo – Flat Beat (F Com)
47. The Ark – Mr Oizo Remix (White)
48. Soulwax – Teachers (PIAS)
49. Gary Numan – Steel And You (Beggars Banquet)
50. Jimi Hendrix – Little Miss Lover (Polydor)
51. MIA – Galang (679)
52. ZZ Top – Cheap Sunglasses (Warner Bros)
53. Jay-Z – 99 Problems (Roc-A-Fella)
54. Meat Beat Manifesto – Pressure (Waxtrax)
55. Snoop Dogg – Drop It Like Its Hot (Doggystyle)
56. Public Enemy – Channel Zero (Def Jam)
57. Siouxsie And The Banshees – Supernatural Thing (PVC)
58. Kraftwerk – Man Machine (EMI)
59. Dutch Breaks – Unknown (Demon Fuzz Records)
60. Ronnie James Dio – Unknown (White)
61. DJ Shadow – Number Song (Universal)
62. The Animals – A Girl Named Sandals (IRS)
63. Chemical Brothers – Galvanize (Virgin)
64. Dizzee Rascal – Fix Up
65. Look Sharp (679)

Free Shows: Rogue Wave • Sonny and the Sunsets • Chico Mann

Free-Shows_Rogue-Wave

Ready to witness live music at it’s best this weekend in the Bay Area?

WIN FREE TICKETS to these kick-ass shows:

Like us on Facebook and follow us on Twitter to stay in the loop for more contests. Check out our previews for these can’t miss shows below.

CONTEST OVER

Enter to win tickets to these shows by submitting your full name, email address & by choosing the show you would like to attend in the drop down. All contests end Friday, July 11 at Noon. Winners will be notified via email on Thursday. Enter as many contests as you would like (Click “Go Back” and try for a different show after you enter once).


Rogue Wave
The Independent ~ Friday 7/12 & Saturday 7/13

Local indie rock veterans Rogue Wave are back in the Bay Area for a two night stint at the Independent. Headlining both July 12th and 13th with support from Caveman and Hey, Marseilles, the Oakland outfit is currently on tour promoting their excellent new album Nightingale Floors. Gaining rave reviews from both Pitchfork and Consequence of Sound (and Showbams), expect to hear plenty of tracks from their fifth studio album mixed in with familiar favorites for their native fan base. There’s no better way to celebrate an album release than a double header with friends and family. For your chance to get in on the home-front festivities, register above to win a pair of tickets.

For fans of: Ra Ra Riot, Mates of State, Spoon, Stars


Sonny and the Sunsets
The New Parish ~ Friday 7/12

Polyvinyl prodigies Sonny and the Sunsets bring their vintage flare to the New Parish Friday. Touring throughout the West Coast this summer promoting the release of their 4th studio album Antenna to the Afterworld, the group has been treating crowds to critically acclaimed new material since the album dropped on June 11th. Garnering attention from NPR Music, Stereogum and international audiences alike, the crew brings their infectious energy back stateside as they prepare to embark upon a tour of the Western US with Kurt Vile and friends. Be sure to catch them at the New Parish this weekend before they kick off their summer road trip with the “king of slacker rock” himself. To hear new cuts from Antenna to the Afterworld and catch the last glimpse of Mr. Smith and his Sunsets before the fall, register above for your chance to win tix.

For fans of: Deerhunter, Mikal Cronin, The Fresh & Onlys, Kurt Vile


Chico Mann
Brick and Mortar ~ Sunday 7/14

Chico Mann will bringing the Latin heat all the way from New Jersey Sunday, performing live at the Brick and Mortar Music Hall with special guest, DJ El Kool Kyle. Riding off of the buzzworthy success of his recently released Magical Thinking LP, this self-proclaimed “time traveling multi-instrumentalist-producer” will be taking over the mission district venue for a Sunday Funday set that’s guaranteed to prolong the weekend partying well into the evening. To get down with the Antibalas alumni and rest of this funky bill!

For fans of: Antibalas, Rubblebucket, Dragonette


WIN TICKETS: SORNE at The Independent 7/11

SORNE

This Thursday, experimental ingénue SORNE perpetuates his epic House of Stone saga at the Independent in SF. A fully immersive audio visual experience, SORNE’s concerts are surrealist odysseys layered with ancient trance, mystic dialogue and spellbinding performance art. Morgan Sorne’s unique formula that combines abstract psychedelic pop and stage theatrics has earned him shared billings with TV on the Radio, Beats Antique, Little Dragon and more. Depicting “the archetypes of the human condition”, Sorne brings his esoterically mesmerizing “Breakthrough” tour to the Bay Area for a one night only performance.

To get a quick idea of what SORNE is like live, watch the top video below. This show looks amazing. The next embed is the music video for SORNE’s new song “Ego Altar”. For a chance to catch this mind-expanding, truly inimitable show, register below for a pair of tickets courtesy of Showbams.


Win 2 Free Tickets! Enter to win if you can attend this show Thursday, July 11th at The Independent in San Francisco.

Submit your full name and email address below.
Contest ends Thursday July 11 at Noon. The winners will be picked at random & notified by email. Your email will be kept private – we will share your email with no one. 21+ only.

← Back

Thank you for your response. ✨

Like us on Facebook and follow us on twitter to stay in the loop for more contest giveaways.

The Limousines get hot and sweaty at their “Hush” album release party

The-Limousines-@-The-Blank-Club-June-28th,-2013-#24
Writing and photos by Nikki de Martini

Last weekend was hot, but it got even hotter in downtown San Jose at The Limousines’ album release party for their new LP HUSH June 28 at The Blank Club.

Local buzz band, Anya & The Get Down presented amped reggae funkiness for a healthy 45 minute opening act. Lead singer Anya Kvitka commanded the venue, showcasing her soulful singing style and abrasive stage presence. Under a gold-plated, stud drenched baseball cap she dropped F-bombs between songs, challenged hecklers and threatened to have people kicked out of the club, while maintaining an upbeat vibe. Regardless of her attitude, the crowd got down with Anya and The Get Down and whom did a great job warming the stage up for The Limousines!

It was just about midnight when the The Limousines hit the stage kicking things off with “Love is A Dog From Hell”, which is the first track off of their second studio album, HUSH. By the second song of their set, “Stranger”, it was apparent the club was filled with Limousines fanatics because everyone knew all of the words to every new song!

Dressed in black from head to toe, singer/songwriter Eric Victorino worked up a sweat while owning the minuscule stage and I’m guessing that he wished that the artificial fog that started pouring out around him was real (I know I did!). He looked literally hot and exhausted, but it didn’t affect his performance. Engaging minimally with fans in an attempt to save his energy, Eric did end up acknowledging the general hotness a couple different times last, stating: “We had a CD release show in San Francisco, HUSH came out on June 6th, but a lot of our San Jose fans couldn’t make it! What the Fuck?! I think this is the hottest fucking room…so…thanks for sticking with us!” and “I swear to god, if I didn’t love this band and I was in this crowd I’d be the FUCK out of here.”

Half way through the set fans started chanting requests for older material like “Wishing Well” and “Very Busy People”, but the band continued on playing tracks off the new album. They seemed to be slowing down little by little on stage as the crowd conversely got rowdy, shovey and even more sweaty. After playing the heart aching ballad, “The Last Dance”, Eric explained that The Limousines were playing HUSH all the way through.

Staying true to his word, title track “Hush” was the last song of the night and Eric invited fans to stick around after the show and drink with them as they were not going to be doing an encore. The Bay Area indie-tronica boys beat the heat, delivering a good hometown show at a club that apparently doesn’t have air conditioning. Friday night’s show was the last Bay Area gig The Limousines have lined up in a while so hopefully you were fortunate enough to get youre sweat on at the Blank Club!

The Mother Hips go beyond Cali rock

Mother-Hips
Photos by Marc Fong // Written by Kevin Quandt //

The Mother Hips //
The Independent – San Francisco
June 29th-30th, 2013 //

The term California rock ‘n’ roll can, and has been, thrown around a bunch in the past many years, and sure, everyone has their own idea of what that exactly sounds like. However, all subjectivity aside, The Mother Hips are easily in the running to be crowned champions of this regional genre, chock full of elements of soul, folk, psychedelia and many more factors which all equal to one sonic ode to the state of California and all it’s deranged beauty.

San Francisco’s very own Independent hosted the Chico-bred band over the course of two thrilling nights to longtime and newcomer fans, alike. Jackpot held down the opening duties on Friday, while Acacia took the reigns on Saturday. One aspect that has kept fans of the headliner on their feet for well over 20 years is the chameleon nature of the band, and this characteristic stretched far and wide across vocal ranges and styles, to the varied tones of the double guitar onslaught that is Tim Bluhm and Greg Loiacono, original founding members and longtime collaborators. “Smoke” opened the Friday show nicely, a track that always makes the crowd smile with it’s lyrical reference to Wilco and all. Bluhm has proven to be an insanely strong songwriter, and likely this is a big factor to his longtime success in music, even without blowing up to superstar status.

Mother-Hips

These two nights were also album release shows behind a new release titled Behind Beyond, which is set to be released July 9th on their own label. One of the standout new tracks, “Freed From a Prison”, demonstrated Loiacono’s songwriting and frontman abilities, which displays a more democratic process on stage. The two-frontman dynamic is one of the strongest suits going for these guys as Tim and Greg are able to nail some serious vocal harmonies. “Magazine” was nicely placed in the middle of the 18-song set and proves yet again to be a big vehicle for soloing by the respective members, that night being no exception. A three-song encore featured the classic Hip’s jam “Time-Sick Son of a Grizzly Bear” before closing the night with the new ballad entitled “Song for JB”. All in all, these guys know what they are doing onstage more than most bands, likely a product of nearly two decades of kicking out true California rock.

Setlist:
Smoke
White Falcon Fuzz
Freed From a Prison
One Way Out
Toughie
Mother Hips
Isle Not of Man
Gold Plated
Shape the Bell
Stephanie’s for L.A.
Space
Magazine
Del Mar Station
Jefferson Army
Third Floor Story
Behind Beyond
Rose of Rainbows
Hey Emilie

Encore:
Stoned Up the Road
Time-Sick Son of a Grizzly Bear
Song for JB

WIN FREE TICKETS to White Denim at The Independent 7/6

White Denim

Rock-niche melders White Denim will bring their swirling blend of indie, psych, soul and everything in between to The Independent Friday, and we’ve got a couple pairs to give away. Their live show leans toward the jam-side side rock, using (formerly) experimental methods of looping, vocal effects & song structures to get your head spinning – in a good way. With groups like Tame Impala and Jagwar Ma gaining popular and critical success, this cross-pollenating approach to rock has become more and more common – and White Denim deliver with the best of em’.

They’ll head to San Francisco after a pair of performances at High Sierra Music Festival this week, and they’re likely to premier new material. The group has shared videos (view them below) showing them recording and mastering a new song, utilizing their usual home-based recording approach.


Win 2 Free Tickets! Enter to win if you can attend this show Saturday June 6th at The Independent in San Francisco.

Submit your full name and email address below.
Contest ends Friday July 5th at Noon. The winners will be picked at random & notified by email. Your email will be kept private – we will share your email with no one. 21+ only.

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Thank you for your response. ✨

Like us on Facebook and follow us on twitter to stay in the loop for more contest giveaways.

A White Denim classic, “Drug”


Working on the new album…this new song sounds spectacular and will most likely be played at The Indy Saturday. The two videos above show White Denim recording and mixing a new track.

Afrojack crowd gets higher in Puerto Rico

What’s one major difference between the EDM scene in Puerto Rico versus similar rage-tastic Afrojack shows in Las Vegas or Miami?

The answer: Balance.

Sure, throwing your girlfriend on your shoulders for optimal concert viewing is a common worldwide byproduct of rock and metal, and subsequently this action has shifted to be gender-neutral at U.S. dance music mega-parties in the 21st century. Frat-boy, bro-on-bro stacking is now a common sight at dance shows, and some impressive, circus-like triple stacking was even witnessed during Pretty Lights’ set at Coachella’s first weekend in April. But at Afrojack’s performance last Saturday in San Juan, the young Puerto Rican crowd showed that they can simply take their enthusiasm higher. Literally.

Watch the video above for proof. With the help of friends, many show-goers achieved lofty views and even took center-stage attention away from Afrojack for much of the evening. Are all Puerto Ricans sent to cheerleading camp as children? We would venture to guess (probably not). The most impressive aspect of the ecstatically achieved equilibrium was how next-level super fans launched onto their human pedestals and seamlessly stood on shoulders as if they were on solid ground a level above the rest of the audience, dancing like there was no tomorrow.

The show began by putting the spotlight on four Hollywood-style karate dancers imitating a Jackie Chan fight scene as Afrojack took to his laptop, though the stars of the evening were these YOLO/YOLA-crazy body riders that kept one-upping one another. Every time the faithful erupted into drop-induced group coitus, a new person angelically rose up to become the visual center-point, and this effect collectively over shadowed Afrojack’s stage production and visual aesthetics.

Puerto Rico could easily be America’s 51st state. It’s a country where U.S. corporate influence is dense, English is institutionalized and you can get excellent cell phone reception in the rain forest — it’s the closest thing to neo-colonialism that exists. As sad it is to see our mall-outlet syndrome imprinted on this U.S. territory’s beautiful landscape, the Puerto Rican dance scene gave a glimpse of one interesting difference between the two cultures with impressive human-stilt dancing.