WIN FREE TIX to Orgone at The Indy 9/13

Orgone

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Orgone‘s hybrid take on dance music is a highly infectious blend of retro soul, jazz and funk that is tough ignore, let alone stand still to. This relentless road band brings their dynamic show to The Independent Friday for what is sure to be a white hot evening of live music. They are a rare, full-band group on the long-honored label, Ubiquity, which speaks to their organic dance status. J Boogie’s Dubtronic Science will warm up the room, so make sure to get there early to have a prime dance spot.

If you are on the fence, keep in mind the definition of Orgone:
1. A universal life force, a cosmic unit of energy, the creative force in nature.
2. Eight souls from Los Angeles who will move your ass and melt your face.


Win 2 Free Tickets! Enter to win if you can attend this show Friday, September 13 at The Independent in San Francisco.

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Contest ends Friday, September 13 at Noon. Winners will be picked at random & notified by email. Your email will be kept private – we will share your email with no one. 21+ only.

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PHOTOS: Cody ChestnuTT at The Indy 9/7

Cody-Chestnutt_postPhotos by Marc Fong // Written by Mike Frash

Cody ChestnuTT came on stage at The Independent with his usual swagger Saturday (September 7), wearing his ever-present antiquated army helmet. ChestnuTT graced San Francisco’s finest room for the second time this year, continuing to tour on his 2012 LP Landing on a Hundred. The R&B crooner is best known as the voice of The Roots’ biggest song “The Seed (2.0)”, and ChesnuTT made waves in the early aughts with his double LP The Headphone Masterpiece.

ChestnuTT still has it a decade later — he’s fun, upbeat and he knows how to control the crowd.

PHOTOS: Big Gigantic @ Fox Theater Oakland 9/6

Big-GiganticPhotos by Marc Fong // Written by Mike Frash //

Big Gigantic //
Fox Theater Oakland – Oakland
September 6th, 2013 //

Big Gigantic have built a hefty following by producing an eclectic dance music experience that layers live saxophone and drums. Producer/melody-maker Dominic Lalli and drummer Jeremy Salken harness a sound that doesn’t discriminate, making room for hip-hop, house, funk and dubstep.

The Colorado-based duo brought their raging party to the Fox Theater Oakland last Friday, allowing the youthful crowd to get the weekend going properly. Marc Fong was on hand to capture the moment.

WIN FREE SHOWS: Mykki Blanco at The New Parish • The Moondoggies at Brick & Mortar

Mykki-Contest

Ready to witness live music at it’s best this week in the Bay Area?

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Check out our show previews below.

Enter to win tickets to these shows by submitting your full name, email address & by choosing the show you would like to attend in the drop down. All contests end Wednesday, September 11 at Noon. Winners will be notified via email Wednesday. Please choose one contest.


Mykki Blanco
The New Parish ~ Wednesday, 9/11

What’s “Acid Punk Rap” you may be asking yourself? Well, win tickets to Mykki Blanco to get the answer first-hand. This NYC MC is a mixed bag of fun, hitting on all sorts of styles of popular music and culture, including rave, trip-hop and rap. The New Parish will host this new-comer Wednesday, September 11 alongside Matrixxman, DJ Larry B, Boychild, Psycho Egyptian. If eclectic party vibes are your thing, this will be a great way to end hump day.

For fans of: Danny Brown, Die Antwoord, Odd Future


The Moondoggies
Brick & Mortar Music Hall ~ Thursday, 9/12

Start your weekend a night early with a diverse look at the state of West Coast rock at Brick and Mortar. Mahgeetah starts off a packed bill with an adventurous take on American rock and roll, bringing a weighted sound overflowing with harmony, rhythm and soul. Come support these local up-and comers, along with Pacific Northwest stalwarts the Maldives. The Moondoggies hail from the NW, and have successfully translated the muted beauty of the region into a folk-driven, vocally rich soundscape. Having recently wrapped up opening duties for Seattle’s superstar act, Pickwick, these guys are primed to take the stage as the top billed act on this large tour.

For fans of: Fleet Foxes, The Cave Singers, Futurebirds

Treasure Island Music Festival: New music from 2013 artists

Treasure-Island-Music-Festival-2013Photo by Marc Fong // Written by Mike Frash

Treasure Island Music Festival serves as the exclamation point to festival season in the Bay Area, giving music lovers one more chance to live it up before winter. The festival, which takes place this year October 19 & 20 in the middle of the bay, is properly stacked this year, offering a pleasant mix of up-and-coming indie fare along with DJs that bring the rage and rock outfits that bring the noise. Really, there are at least 7 reasons to GO BIG.

The placement of this festival mid-Fall creates some interesting dynamics for artist tours — some groups have been touring relentlessly and will likely be wrapping up their current road trip in the fall (see STRFKR, James Blake, Palma Violets and Major Lazer).

Other groups are just getting started, releasing new music in the coming weeks before playing TIMF. Here are six artists to keep an eye on before heading to the island.

Holy Ghost!
Dynamics releases September 10, 2013
Best Tracks: “Dumb Disco Ideas”, “Okay”, “Bridge & Tunnel”

Holy Ghost! procured a retro-house disco sound through live instrumentation long before nouveau disco became the sound of 2013 thanks to Daft Punk, and now Arcade Fire. Arcade Fire has launched their new single, “Reflektor”, in a big way September 9 — And LCD Soundsystem’s James Murphy is already garnering credit for helping to transform the group to a dance party catalyst with their forthcoming release. Before the Arcade Fire long player is available in full, James Murphy’s label DFA will release Holy Ghost!’s second LP Dynamics Tuesday, September 10.

While Holy Ghost!’s second full length doesn’t read as a raging dance party throughout, their live show sure does. The Brooklyn duo consists of a songwriting partnership between Nick Millhiser and Alex Frankel, but the touring group fills out to a thick porridge of seven people, including LCD System’s Nancy Whang at times. At FYF Music Festival August 25, the group set the crowd afire by playing songs faster, segueing them seamlessly and by curating a pleasing stage set-up (see “Dumb Disco Ideas” above). The sum of these parts is a pumped up, ass-shaking crowd that usually only happens with DJs these days — yet Holy Ghost! achieves this through instrumental layering that delivers a nuanced, deeper sound that isn’t found in the group’s studio work.

Whispers of “the new LCD Soundsystem” have been reverberating around the web and the water cooler, and it’s a fair comparison within the context of the live experience both groups create — LCD left a gaping hole in the world of live music by hanging it up, and it’s easy to envision Holy Ghost! filling this gap over the next year.

The group performed a live set on LA’s Morning Becomes Eclectic (KCRW) September 9, showing exactly why they are a group on the rise. When performing live they sound grittier, with faster BPMs, and they exhibit more control around build-ups and explosive moments. “Dumb Disco Ideas”, “Okay” and “Bridge and Tunnel” were all more intense than their clean, sanitized versions on Dynamics.

When asked about DFA, they said that the label is “somewhat responsible for the band’s existence,” and that they have been with Murphy’s label since the beginning. “DFA stuck with us for 4 years while we were figuring things out.” The morning show also announced Nancy Whang was performing with the group Monday. The inclusion of Whang on the full tour with Holy Ghost! would add yet another similarity between this musical metaphor.

Regarding the performance at FYF August 25, they called it the “Best show we’ve ever played in the United States,” saying the crowd was great and it was a memorable night. It seems distinctly possible that the party animals that populate Treasure Island October 19th will set the bar even higher.


HAIM
Days Are Gone releases September 30, 2013
Best Tracks (so far): “Forever”, “Falling” and “Don’t Save Me”

One of the fastest rising groups of 2013, Haim, have a not-so-obvious way of pronouncing their name. It rhymes with “time”, so if life were fair the spelling would be HIME. But, that’s the name these three talented sisters were given at birth.

Many of the tracks from their first long player, which officially drops September 30, have been trickling out for over a year. It’s apparent the premiere album from the LA sister trio will be well received, since about half the songs on the album track list are already out, and they are great. Songs like “Forever” and “Falling” are so well-regarded they’ve already received multi-artist remix treatment. And the group has been so productive the last couple years that some previously released songs like “Send Me Down” and “Better Off” didn’t make the final cut of Days Are Gone.

Este, Danielle & Alana HAIM have a unique relationship with rhythm & melody — their vocals often syncopate with rhythm over melody, especially with backing vocals. This unique vocal tactic circles around addictive hooks that twist and build while evolving past traditional verse/refrain/verse song structure.

Treasure Island Music Festival 2013 will somehow be the group’s first performance in the Bay Area, even though the LA-based group have played Southern California and in Europe dozens of times. Get there early Sunday for this one.


Sleigh Bells
Bitter Rivals releases October 8, 2013

Things have been evolving quickly for noise-rock duo Sleigh Bells. Their third album in three years, Bitter Rivals, will unleash in early October. Singer Alexis Krauss is now heavily involved in production — guitarist, songwriter and producer Derek Miller did all the heavy lifting on the groups’ 2010 breakthrough Treats.

Krauss & Miller have been planning a “cleaner, more melodic album” for their third record. Does this mean fuzzy guitar anthems are out in favor of easy to digest tracks like “Rill Rill”. Lead single “Bitter Rivals” hints that the answer lies somewhere in the middle.

Expect this set to be one of the loudest sets of the weekend, even though Sunday is usually a day reserved for more mellow indy fare like James Blake or Real Estate.


Beck
Two new albums to be released in late 2013, early 2014.

We’ve known for about nine months that Beck has had two albums in the works for this year — yet as we head toward the Fall we don’t have any official release dates for his acoustic album and the proper follow-up to 2008’s Modern Guilt.

What we do have are two new songs that are meant to be stand-alone tracks — Neither “Defriended” or “I Won’t Be Long” will be found on Beck’s forthcoming records. Although, both tracks would serve as excellent lead singles for any Beck record.

The most delicious part about these two new tracks are the 14+ minutes b-sides of the same songs. The extended version of “I Won’t Be Long” is an adventurous journey that begins in My Bloody Valentine territory, then it wallows blissfully in the refrain “I won’t be long” before grinding down into a feedback-based breakdown, then rebirthing where the song started.

Let’s hope Beck feels like extending these new tracks at Treasure Island to end the weekend.


Phantogram
New album, possibility titled Voices, to be released in late 2013, early 2014.

Phantogram haven’t released any new music from their second long player, which is due this fall, but expect to hear at least a couple new cuts before they hit up TIMF in six weeks. The group headlines a month-long tour in the fall and have been in the studio this summer. Phantogram’s recent teaser video (view it above) promises more of the same — an awesome amalgamation of dance, beats and indie rock.

There’s been a lot of hash tagging of #phantogramvoices lately on Phantogram’s social media — a new single and album release date seem imminent, maybe as early as this or next week.

UPDATE 9/12: Phantogram released a new song entitled “Black Out Days”:


Little Dragon
The group’s fourth LP to be released in late 2013, early 2014.

Much like Phantogram, Little Dragon are hard at work on a new album, and they’ve shared a video to prove it too. Little Dragon only have four shows lined up in October, including their appearance at Treasure Island Music Festival.

Win Free Shows: Cody ChesnuTT at The Indy • Titus Andronicus at Great American

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WIN FREE TICKETS to these kick-ass shows this weekend.

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Enter to win tickets to these shows by submitting your full name, email address & by choosing the show you would like to attend in the drop down. All contests end Friday, September 6 at Noon. Winners will be notified via email Friday. Please choose one contest.


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Hardly Strictly Bluegrass: 10 best ‘Hardly Bluegrass’ shows

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The artist lineup for the best free music festival (in the world?), Hardly Strictly Bluegrass, has been released and it’s as strong as ever. The festival began as “Strictly Bluegrass Festival” in 2001 through the hard work of Warren Hellman, the sole benefactor and founder of HSB who passed away in late 2011. Hellman has made sure the festival will continue on long after his death — the investment mogul, banjo performer and all around music fan routinely referred to his festival as a “selfish gift.”

After three years of “Strictly Bluegrass,” Hellman changed the name of the Festival to its current moniker and started inviting acts that strayed from pure bluegrass. In the past few years, San Francisco has witnessed performances from Buckethead, MC Hammer, and Broken Social Scene at Hardly Strictly, so clearly the fest has evolved over 13 years.

And this year there are plenty of acts that are “Hardly Bluegrass” — here are the 10 best looking non-bluegrass shows (and a bonus wildcard) October 4-6, 2013 in Golden Gate Park.


Father John Misty

For a guy that gained traction as ‘the drummer from Fleet Foxes,’ things have certainly changed in the course of 1.5 years for Father John Misty. Now, FJM is more well-known than the group that helped catapult him into contemporary culture. This entire conversation is a moot point as J. Tillman has presented himself as the twenty-first century troubadour, mixing a mentality dripping in Bohemianism with over-the-top stage theatrics. The result is a debaucherous yet beautiful live music performance that should fit nicely into HSB.

And his fall tour promises a new experience — it’s billed as a “Solo Variety Show” featuring comedian Kate Berlant. Doesn’t a Father John Misty show already seem like a solo variety hour? FJM’s San Francisco shows in October will kick off this fall tour, so if you can’t bear the possibility of showing up late to Golden Gate Park and settling on a poor spot, reserve a ticket for his Thursday pre-HSB show at Slim’s. -MIKE FRASH



Sonny and the Sunsets

With such a vast array of acts present on the many stages over the 3 days, it’s a wonder so many local artists are able to be present on the lineup. Well this year, Sonny Smith, and his band the Sunsets, is likely to win over many new fans with his infectious take on folkified psych-pop with a flair for catchy lyrics and a rousing stage presence. The multifaceted front-man connects to his audiences in very intimate ways, so try to catch this rising star before he’s out of reach. -KEVIN QUANDT



First Aid Kit

For a duo whose greatest single (so far) revolves around “Emmylou,” “June,” “Gram” & “Johnny”, it’s really not too surprising to see the sisterly Swedish group First Aid Kit on the Hardly Strictly bill. If the schedule doesn’t preclude them, the ladies from First Aid Kit can catch Emmylou Harris’ set in the flesh at Hellman Hollow (most likely on Sunday).

When thinking about future Hardly Strictly mainstays amongst the new offerings this year, First Aid Kit just seems like the perfect fit going forward. And who would be more perfect than third year “Friday Friends” curator of the Rooster stage Conor Oberst to introduce the group to the festival?

Oberst made a cameo on the final track of First Aid Kit’s excellent 2012 LP The Lion’s Roar, and Klara Söderberg spoke about the experience last year: “People say you should never meet your idols. But for us it’s been the opposite, but that’s because our idols are the coolest, sweetest people.” Klara was referencing Oberst & company, so be sure to get to Golden Gate Park early Friday to secure your spot in Marx Meadow. Expect Oberst to make an appearance with First Aid Kit. -MF



The Evens

Ian MacKaye is not a name most would consider to be present on the bill for Hardly Strictly, but alas Conor Oberst invited the former Minor Threat/Fugazi frontman and his wife Amy Farina to his showcase on Friday. The Evens have a stripped-down punk-folk sound delivered in a guitar and drums format with husband and wife handling vocals equally. McCaye’s most consistent project after Fugazi demonstrates that a mellowed out sound is where his passions are now after years of hardcore and punk. You won’t be the only one calling in sick on Friday, October 4th. -KQ



Gogol Bordello

Gypsy-punk ensemble Gogol Bordello certainly fall into the “Hardly Bluegrass” category of this quintessential SF music fest. Eugene Hütz is the lead force of the bombastic, ecstatic curators of weird and crazy, but as many as five performers step into the spotlight to contribute vocals throughout any given song. A Gogol Bordello performance boarders on surrealism, projecting a humorous party atmosphere that is irresistible to join in on — just ask anyone in their small but loyal (and rabid) fan club near the front. -MF



Allah-Las

Hopefully the throngs of attendees will be rewarded with one of those perfect Indian Summer weekends; sun shining, a few patchy clouds and a steady on-shore breeze from the Pacific. Essentially a perfect storm to enjoy the lo-fi, surfed-out sound of LA band, the Allah-las. These garage rock wunderkids have been blazing a trail across the Western US with their melancholic, yet optimistic, take on traditional rock and roll. Tinges of psychedelia will certainly nod to the origins of loud, outdoor music events in Golden Gate Park. -KQ



The Wood Brothers

The Wood Brothers, Oliver and Chris Wood, procure roots-influenced folk rock that is simple and effective. The focus here is on straightforward lyricism, along with basic acoustic guitar and upright bass with simple rhythm backing. Chris Wood is better known as the bassist from Medeski, Martin & Wood, a jazz-fusion trio that has often included John Scofield in recent years. While you won’t hear a lick of vocals with MMW, The Wood Brothers should get music fans swooning and swaying come October.-MF



Low

These Minnesotan slow rockers have been mystifying their audiences for 20 years with a blend of muted tempos and minimized song stylings. Low are considered ‘slowcore’ mavericks, and have been heralded for dynamic stage shows that reach exploratory levels, especially in reinterpretations of cover songs from Toto to Outkast. An “anything goes” attitude is needed for the large crowds and distances at HSB, so might as well take another chance with indie demigods, Low. -KQ



Calexico

Named after the border town of Calexico California, Calexico aren’t your typical indie group. Aspects of Latin, country, jazz & rock can be gleaned from this band that has been going at it for about 15 years — but the overall product sounds mysterious and rambling. Joey Burns & John Convertino are the two constants in Calexico, who continue to tour on their 2012 LP, Algiers. Calexico will also be performing at Slim’s Friday night. -MF



Betty LaVette

50 years of soul singing makes Betty Lavette one of the vets in the industry, even if she is still a relatively new name to music lovers. A wide range of influences also lends to a truly unique voice and writing style, which is likely to thrill patrons of all ages. Her rise to fame was relatively late in her career, but she has since graced many of the biggest stages and collaborated with a “who’s who” of legends such as Sir Paul McCartney and Ringo Starr. A sunday morning slot could be a perfect way to ease into the final day. -KQ


WILDCARD BONUS:

String Cheese Incident

String Cheese Incident and the circus that follows the group on the road will most likely bring their joyful sound to the Satr Stage. Kyle Hollingsworth, keyboardist of SCI, appeared last year alongside Steve Kimock, Keller Williams & Bernie Worrell Sunday evening at the Star Stage — so maybe Hollingsworth (and Keller) convinced the rest of the group that HSB is a worthwhile festival to contribute to, for all the right reasons.

Will SCI play to the roots of Hardly Strictly Bluegrass by honing in on bluegrass numbers like “Good Times Around the Bend” & “Restless Wind”, or will the group curate a ‘normal’ show by incorporating jamtronica classics like “Rivertrance” or mind-melters like “Miss Brown’s Teahouse” or “Jellyfish”? -MF

THANKS-WARREN

The meteoric rise of Alt-J continues at Fox Theater Oakland

alt-J_postPhotos by Sam Heller // Written by Mike Frash

In just under nine months, quirky Brit-rockers alt-J have graduated from a double header at Bottom of the Hill to a two-night run at Fox Theatre Oakland — an impressive feat for any new band still touring on their first album.

The group’s meteoric rise can be attributed to their highly regarded 2012 record An Awesome Wave. Alt-J exhibit unique vocal syncopation, treating lyrics with off-beat rhythmic timing while also blending out-of-the-mouth sounds like a pleasant synth chord. Throw this in with some breathtaking bass drops and a drummer that performs cymbal-less, and you’ve got an exciting, breakthrough act.

In their third return to the Bay Area August 29 at a sold out Fox Theatre, the quartet seemed more comfortable than prior shows — and they delivered the proper, dreary set one would expect. Songs were played straight forward, but alt-J barely performed for an hour. Their live show should expand with additional material.

Win Free Shows: Ty Segall at The New Parish • Gold Fields at Mezzanine

Ty-Segall-Gold-Fields-contestReady to witness live music at it’s best this Thursday in the Bay Area?

WIN FREE TICKETS to these kick-ass shows:

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Check out our show previews below.

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Enter to win tickets to these shows by submitting your full name, email address & by choosing the show you would like to attend in the dropdown. All contests end Thursday, September 5 at Noon. Winners will be notified via email Thursday. Please choose one contest.


Ty Segall
The New Parish ~ Thursday, 9/5

Ty Segall is a man of mystery these days, whether he is releasing 3 psych-rock masterpieces in the span of a year, or more recently, pumping out a acoustic gem, Sleeper. He has currently been touring behind this toned-down release and winning accolades for his change in pace. At such a young age, Ty has displayed an ability to keep his fans and critics on their toes as he creates sonic structures, varied and satisfying every time. A handful of local talent will accompany Ty across the newly opened Bay Bridge. Mike Donovan (former Sic Alps), songstress Jessica Pratt and up-and-comer David Novick round out a slightly toned-down evening of lo-fi psychedelia.

For fans of: Ducktails, Six Organs of Admittance, Smog


Gold Fields
Mezzanine ~ Thursday, September 5

Gold Fields, curators of new wave influenced electro-pop, are part of the burgeoning Aussie invasion in the United States (see Cut Copy, Tame Impala, Empire of the Sun, Jagwar Ma, Flume). The fivesome is currently in the midst of the west coast swing of their US tour in support of their 2013 LP Black Sun. Mezzanine is 21+ and featured acts Thursday include Rush Midnight, Honeymoon and a DJ set from James & Evander.

For fans of: Cut Copy, White Arrows, Atlas Genius

How to Dress Well previews new music at The Independent

How-To-Dress-Well2Photos by Sam Heller // Written by Mike Frash

“Call Your Mom!” became a phrase of humorous repetition throughout the How To Dress Well show at The Independent August 26 — And it wasn’t Tom Krell, aka How To Dress Well, who was yelling it.

Krell made the unfortunate mistake of admitting he forgot to call his Mom the day prior for her birthday due to the stresses of touring. This disclosure led to a semi-mob response as the crowd demanded that Krell call his Mom mid-show. All this is from a guy that croons “Dear Momma didn’t you tell me everything was gonna be right” in the song “When I Was In Trouble” — he clearly felt guilty.

And one female audience member kept coming back to the funny hook as she yelled “Call your Mom!!!” at opportune moments another half dozen times. Krell smiled each time it was bellowed, so it’s possible the gal giving Tom shit was a close acquaintance. The rowdy lady in the audience proclaimed one other word throughout the show: “Minna!”

How-To-Dress-Well

Minna Choi helped Krell produce the strings for his most recent album Total Loss, and for the second time she was performing live piano for How To Dress Well.

Krell usually defers to a fully electronic backing for concerts, save for his striking two-microphone singing. His right mic has a clean, true sound, while his left mic projects a heavy echo effect — and Krell has mastered the back and forth timing between his one and two mic, allowing him to replicate processed studio sounds in a live environment. Aaron Read controlled the electronics per usual while adding live violin and synthesizer play.

How To Dress Well’s biggest hit, “& It Was U”, was mashed up by Minna’s layering of “The Way It Is” by Bruce Hornsby as a keyboard melody. (You know, the Tupac “Changes” song.) How To Dress Well’s addition of live instrumentals is a welcome move — something Krell hopefully will evolve once his looming second LP is released.

One of the most noteworthy qualities of Tom Krell as a lead presence is his ability to bounce back and forth between engaged, spontaneous crowd banter and the way he falls into a trance while performing, channeling pain and projecting his inner passions without distraction. The only other contemporary performer that pulls off this “Jekyll & Hyde,” bipolar mastery is Jessie Ware.

How-To-Dress-Well

There is most definitely loads of heartache in Krell’s lyrics — the set ender “Set It Right” includes a lengthy list of family and friends whom have passed on. Between songs that often include huge bass-wall drops, Krell seems happy, smiling and radiating positivity. But Krell can also get a bit serious (and honest) during his mid-song banter, as he did with the first new song of the night “Let You Know”. Tom said, “This song is about feeling a lot of pain from the past, and trying to reckon that.”

Krell announced he has been holed up in Berlin making a new album in recent months, and he confessed that it’s “…great to play new music. We’ve been playing the same stuff for a while.” Someone in the crowd — not the “Call Your Mom!” chick — asked when the record would be coming out. In perfect timeless fashion, Krell stated, “June or April.”

The second unreleased “future” song of the night is called “Bad Shit Outweighs the Gladness”. At least, that’s what Krell said it’s called on his computer at the moment. He explained it came about as a product of his Grandmother’s very recent death, and how his Mom has now moved into a matriarch position for his family. Then Krell shifted to the point that he wants to have a baby, and how his friends have the most beautiful toddler. So this new song is about how his mom is a “Future Grandma.” Pretty heady.

The evening encored with one more new song. It was a dancy 80’s dance-pop track that is synth heavy and is a tonally upbeat departure from How To Dress Well’s typical sound. And as Krell was about to begin the final song of the night, what else would make sense but one more comical “Call Your Mom!!!”

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WKEND MIXTAPE: Oliver – Solé Fixtape

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Our mix this week comes courtesy of Oliver for Solé Bicycles, who curate a wide range of “Fixtapes” from artists across the dance spectrum. The producer/DJ duo of U-Tern and Oligee deliver a pulsing, sweat-inducing mix with their own tracks and the likes of Gesaffelstein, Scott Hardkiss, Miss Kitten, Fake Blood, Eli Escobar, and more.

Solé Bicycles has many more mixes on their website with the ability to download as well. Check it out, and Enjoy!



Tracklist
Oliver – Night Is On My Mind
DJ Day – Beta (Recloose’s Hit It Quit It Edit)
Jimmy Edgar – Sex Drive (Jon Convex Remix) (Slow Edit)
Zombie Nation – Maingame
Miss Kitten – Come Into My House
Prins Thomas – Flau Pappadans 1
Daniel Avery – Water Jump
Grand Corporation – Wonder & Amazement (Deetron Instrumental)
Luna Circus – Once Upon a Time
Supernova – Energizer (Supernova 2013 Mix)
Chicken Lips – He Not In
Gesaffelstein – Video Exposition
Little Dragon – My Step
Paranoid London – Paris Dub 1
Eli Escobar – Work It
Scott Hardkiss – Come On Come On (Morgan Geist Remix)
Djedjotronic – Walk With Me
D.I.M. – Eternal
Eigo – Bring It
Noob – Freak People
Fake Blood – All In The Blink
Toni Toni Lee – Girl I Used To Know (Shazam Remix)
Robots With Rayguns (Feat. Patrick Baker) – Right Through Me

WIN TICKETS: Z-Trip • Andre Nickatina • Rin Tin Tiger

Free-Shows

Ready to witness live music at it’s best this weekend in San Francisco?

WIN FREE TICKETS to these kick-ass shows:

  • Z-Trip @ Mezzanine – Friday 8/30
  • Andre Nickatina @ Slim’s – Saturday 8/31
  • Rin Tin Tiger & French Cassettes @ Great American Music Hall – Saturday 8/31

Like us on Facebook and follow us on Twitter to stay in the loop for more contests.
Check out our show previews below.

CONTEST PERIOD COMPLETE

Enter to win tickets to these shows by submitting your full name, email address & by choosing the show you would like to attend in the dropdown. All contests end Friday, August 30 at Noon. Winners will be notified via email Friday. Enter as many contests as you would like (Click “Go Back” and try for a different show after you enter once).


Z-Trip
Mezzanine ~ Friday, 8/30

Z-Trip is one of the best DJs in the world, focusing on the art of turntablism. Historically, Zach Sciacca is known as the Godfather of the mashup movement — he blazed this trail in the early aughts before Girl Talk got hyperactive. Z-Trip has worked with Dan the Automator, Kasabian, LL Cool J, Talib Kweli & MSTRKRFT amongst others. Get to Mezzanine early Friday — there is a HOSTED Russian Standard Vodka bar from 9-10PM (that means free vodka while suplies last).

For fans of: A-Trak, Backyard Bangers, DJ QBert


Andre Nickatina
Slim’s ~ Saturday, 8/31

Born and raised in the Fillmore District of San Francisco, Andre Nickatina has been a Hip-Hop/Rap luminary since the release of his critically acclaimed debut, The New Jim Jones. He changed his name from Dre Dog to Andre Nickatina in 1996, transforming his career to a plateau that allowed him to create and develop a loyal fanbase, most notably with hip hop fans who love idealizing cocaine.

For fans of: Mac Dre, Equipto, The Luniz


Rin Tin Tiger
Great American Music Hall ~ 8/31

Rin Tin Tiger is an alternative folk rock trio from San Francisco, who exude high energy, lyric heavy, acoustic guitar-led songs about life in contemporary society. They have shared the stage with Young the Giant, Manchester Orchestra, The Lumineers, Rogue Wave, and many more along the West Coast. Another luminous indie act French Cassettes are the featured act — and this show Saturday at Great American is serving as a double album release party for both Rin Tin TIger & French Cassettes.

For fans of: Bob Dylan, Violent Femmes, Tupac Shakur

FCF finds first-year success for five game-changing reasons

First-City-FestivalPhotos by Marc Fong // Written by Molly Kish //

The inaugural First City Festival was a big success over the weekend (August 24 & 25) — something most new festivals do not pull off.

There were five particular reasons this first-year fest worked so well — and these five game changers are why FCF will return for year two. Be sure to keep scrolling down to view all the magnificent eye-candy captured by Marc Fong — there are over 150 artist and scene photos to take in.

Modest Mouse
Modest Mouse

1. The Comprehensively Diverse Music Line Up
Exhibiting a wide spectrum of genre and talent, First City Festival nailed the booking of the festival’s inaugural year. Filling both days with incredible sets performed by bands both at the height of their musical game or on the verge of a mainstream breakthrough, Goldenvoice SF made sure the bill was stacked.

The fairgrounds housed three separate stages within a five-minute walk of each other, sparse conflicts and ample set spacing optimized maximum viewing pleasure. The line-up encouraged audience members to branch out of their comfort zones between sets, encouraging the discovery of new music.

Passion Pit
Passion Pit

MGMT
MGMT

Neko Case
Neko Case2

2. Concession Placement and Prices
Given the spare time allotted between sets, sampling a variety of food and beverage choices located throughout the fairgrounds was a breeze. The general food court was set up at the midsection of the festival — food trucks, cocktails and beers could be found everywhere.

Drink prices ranged from $7-12, offering everything from the standard domestic to artisan crafted cocktails (the option to spritz your beverage with absinthe and chartreuse was available). Food prices also followed suit and presented modern spins on the traditional carnival fare.

FCF SCENE

3. VIP Perks in General Admission Area
Most festivals go out of their way to generally sanction off the VIP ticket holders from the GA masses. Although FCF reserved a special entrance, carnival perks, seating accommodations and swanky lounges for those who sprung for the VIP pass, the festival worked hard to deliver an enjoyable experience for all that attended. Ample indoor bathrooms were available for all, along with large charging stations, hard alcohol options and outdoor shaded chill areas that were well furnished. In its inaugural year, FCF ran crowd cohabitation smoothly and kept everyone in attendance happily content.

FCF SCENE

FCF 19

4. The Monterey County Carnival
Taking notes from modern day music festivals, FCF jumped on the idea that concert go-er’s enjoy alternative entertainment to suffice their down time between sets. Beyond providing eclectic acts throughout both days on the vaudeville stage, the festival utilized their fairground landscape to its full capacity.

In prep for Monterey’s upcoming county fair, the festival decided to take initiative and set up the rides and games early, allowing FCF crowds to have a complete carnival at their disposal all weekend. Boasting games, mazes and rides ushered in from Neverland Ranch, the concert attendees were able to split their time between a festival of live music and a dub step sound-tracked carnival. A smart move in crowd control, and an ingenious way to boost revenue and all around surreal experience, the carnival uniquely set FCF apart from other festivals.

FCF 2

5. Location, Location, Location
Although the Monterey County Fairgrounds have an impressive calendar of events and a historical legacy within the Bay Area music scene, there hasn’t been much recently to compete with the crowds and caliber of this past weekend.

Nestled in the small suburban coastal community of Monterey, a town that usually catches cover bands, rodeos and craft fairs at the fairgrounds, the promoters couldn’t have picked a better place to kick off what undoubtedly will become a premiere West Coast music festival.

FCF SCENE13

Even elements such as the constant overhead traffic of the adjacent small aircraft port were met with ease. Instead of being considered a distraction to the sets, musicians embraced the magical nature of each plane taking off or landing throughout their performance, usually incorporating banter and impeccable comedic timing

The weather, layout and charm of the surrounding neighborhood played a key part into how successful the FCF weekend played out. From the ample roadside accommodations and street parking within blocks of the fairgrounds, to the killer family owned restaurants and extremely congenial locals, FCF was a hospitable music festival for the books.

Toro Y Moi
Toro Y Moi

Beach House
Beach House

Washed Out
Washed Out6

FCF SCENE

Devendra Banhart
Devendra Banhart

Deerhunter
Deerhunter

Purity Ring
Purity Ring

FCF SCENE

Father John Misty
Father John Misty2

Okkervil River
Okkervil River

FCF SCENE

The Hold Steady
The Hold Steady

The Black Angels
The Black Angels

Capital Cities
Capital Cities

FCF SCENE

Lucero
Lucero

The Antlers
The Antlers

Blitzen Trapper
Blitzen Trapper

FCF SCENE

Electric Guest
Electric Guest

Civil Twilight
Civil Twilight

The Dodos
The Dodos

FCF SCENE

Akron/Family
Akron:Family

Guards
Guards

FCF SCENE

10 Reasons to say ‘Fuck Yeah’ at FYF Fest 2013

FYF-Fest-2013_postPhotos by Mike Frash // Written by Mike Frash & Kevin Quandt //

FYF Fest //
LA State Historic Park – Los Angeles
August 24th-25th, 2013 //

FYF Fest has earned a rare new title in the Southern California region as the “new Coachella.” Even though many attendees may balk at this tag, it is an endearing way of stating this is fresh, new territory for independent music.

In its 10th year of existence, the event has grown out of the former Echo Park venues to a multi-day romp across thrilling genres of alternative music held at Los Angeles Historic Park. This convenient, downtown-esque locale offers great skyline views and a manageable, if not slightly dusty, venue that allows attendees the opportunity to experience more acts than your average 10,000-plus event.

With a vast array of attractive, buzzed-about artists gracing the FYF’s four stages, here are 10 acts to focus your valuable concert time on for the fest’s 2013 edition.


My Bloody Valentine
Sunday • 10:45 • Carrie Stage

If there is one show where earplugs may be a good idea, it’s Kevin Shields and MBV. Spinal Tap “volume at 11” jokes aside, this will be a triumphant return to the stage and a region for the Irish alt-noise kings and queens. Even more thrilling than their live return to the US is the fact that they will be playing a ton of new music to longtime and new fans alike off this year’s magnificent release m b v. Expect some gems off of Loveless and Isn’t Anything mixed in for good measure. What a perfectly blistering manner to bring the festival to a close on Sunday, even if you hear ringing in your ears on Monday. -KQ



Death Grips
Saturday • 11:05 • Miranda Stage

After a head-scratching ‘performance’ surrounding Lollapalooza in past weeks, the only thing to expect is the unexpected from the Sacramento doom-hop act Death Grips. This line-blurring act featuring Zach Hill and Stefan “MC Ride” have been making waves for a couple of years, and have cemented themselves as a ground-breaking live act committed to off kilter beats and aggressive hip-hop vocals growled over the top. With some new music trickling out this week, it’s sure to create a ton of buzz among festival goers. Well, that is if they show. -KQ



TV on the Radio
Saturday • 9:15 • Carrie Stage

TV on the Radio have released one new song, “Mercy”, in late July, but there are no confirmed plans for a fifth studio album at the moment. In fact, it’s the first music TVOTR has created and shared since bassist Gerard Smith passed away in 2011, and it’s confirmed this excellent new cut and a second unreleased track titled “Million Miles” will be issued by David Sitek’s label Federal Prism. Sitek has grown to be one of the best producers in music over the past 10 years, helping to churn out gems from Yeah Yeah Yeahs, Liars, FOALS, Santigold, Beady Eye and of course, TV on the Radio. Might the group produce their next record under Federal Prism? Let’s hope these new songs and this FYF set inspire the creative juices. FYF and its patrons are getting a one-off treat since this is the only performance on the group’s calendar, and it’s only their second performance since touring in support of Nine Types of Light. -MF



Flume  
Sunday • 7:25 • Samantha’s Tent

Harley Streten is an Australian electronic musician that is just about the fastest rising DJ on the planet. Performing under the moniker Flume, Streten’s meteoric rise began when his self titled LP dropped in late 2012, jumping to the top of the Australian charts. At 21 years old, Flume exudes cross-genre originality in his music, mashing together elements of dance, R&B and hip-hop. And on his forthcoming swing through the U.S. starting this weekend, Flume will introduce Americans to the “Prism Tour”. Streten calls it a “bigger, grander show”, and by the looks of it, the stage production is now fitting of his music. He DJs from atop a large prism that looks like it will blow minds live, while live visuals and stage lighting layer visuals appropriately. Flume fully controls the ‘power’ of the complete audio-visual performance, as the visuals are tied into each change he makes behind the deck. Looks (and sounds) pretty awesome. -MF



Holy Ghost!
Sunday • 11 • Charlotte Stage

Holy Ghost! seem to be on the cusp of getting much bigger — and for good reason. The Brooklyn duo has James Murphy’s DFA label on their back, their second LP Dynamics will be unleashed September 10th, and singles “Dumb Disco Ideas” and “Okay” indicate said album will provide fire. Sophomore slump be damned. FYF will provide the premiere performance of the “Dynamics Tour 2013” — but unfortunately this raging electro-pop disco dance party is pitted directly against My Bloody Valentine to end the weekend. Those that can’t stop moving their feet come Sunday’s finale should head to the Charlotte Stage. -MF



No Age  
Sunday • 6:05 • Charlotte Stage

Randy and Dean return to FYF after a glaring absence last year, this from an act that has been a constant over the past decade in the Los Angeles underground music scene. After a quiet 2012, the experimental art-punk duo are amped and ready to hit the road hard to close out this year, touring behind An Object, their latest Sub Pop release. Though some may be bummed that Foxygen had to cancel in order to gain No Age, this duo is sure to kick up a dust storm by the throngs of young kids who have gravitated to these guys over the years, likely through their involvement with LA all-ages, and alcohol/drug free venue called The Smell. Don’t expect your average rock show by two guys who thrive on doing things a bit differently. — KEVIN QUANDT



Dan Deacon
Saturday • 8:45 • Charlotte Stage

A Dan Deacon show isn’t simply a live electronic music performance — it’s an interactive experience that forces all those present to be a part of it. He remixes all sorts of pop-culture like a sword-wielding ninja, almost exclusively curating upbeat energy. Deacon’s live production consistently thrives off tension and release, but so very differently than other EDM artists. There aren’t big drops, but a hodgepodge of hyperactive sounds that draw from the musical stratosphere, then shift after four or eight measures. It’s a mad, glorious, engaging dance party that deserves, at minimum, a 20 minute stop by. -MF



Mac DeMarco
Sunday • 3:35 • Miranda Stage

Need a little break from the craziness of hardcore and garage rock? Might we suggest you spend a little time with Canadian jangle-slacker Mac DeMarco and band. His infectious surf-rock influenced pop songs are sublime slices of the stony life-lessons and nuggets of young wisdom, all crooned over guitars oozing a stylized chorus effect. Mac’s stage presence alone is worth a trip to the Miranda Stage at 3:55 on Sunday. Fun fact: Mac will be following Johnathan Richman, a stated influence on the young Canadian and his quirky music. -KQ



Washed Out  
Sunday • 8:30 • Charlotte Stage

The evolution of Ernest Greene will be on full, blooming display as Washed Out begin touring in support of Paracosm this weekend. Washed Out began as Greene’s computer-based bedroom project, but to make touring a reality in support of his first LP Within and Without, he turned the touring group into a foursome with the aim of performing the material live through a mix of MIDI pads and live instrumentation.

As Greene continues down the chill-wave path he helped start, he’s clearly gravitating toward creating sounds live as opposed to playing a software plugin — a recording method that will only make his live shows better with time. -MF



Baroness
Sunday • 7:05 • Miranda Stage 

It’s been a long and dangerous road for Baroness the past few years after their tour bus careened off the road in England, injuring many of the members. Though there was some personnel changes before the band got things up and running again, they have sludged on, bringing their white-hot brand of progressive metal to the throngs. The heavy metal sound that Baroness brews up is a quintessential part of the variety that FYF curates, so take a chance and see something that will shake you to the core. -KQ

FYF

WIN FREE TICKETS to How To Dress Well at The Indy 8/26

How-to-Dress-Well

Enter your name and email address below for the chance to win!

How To Dress Well is Tom Krell, a songwriter and vocalist that immerses himself in his emotional live performances. His songs are, well, usually pretty sad, dealing with death and mortality through poetic prose. But they are also confessional, full of climatic moments and ultimately they are life-affirming. The hair on your arm will raise, followed by goosebumps — then collective pin-drop silence allows Krell’s echoing vocals to imprint an impacting effect.

Krell dropped a little bomb this week via social media on Monday, then on his website Tuesday. He announced the last seven shows of the current tour would be the “Final @HowToDressWell shows“, and that Krell will be accompanied by live piano and violin, something he hasn’t done in the past. And per usual, there were plenty of hearts.

So it depends on what the definition of “final” is, but usually it means “the last time.” Anyone that is a fan of How To Dress Well’s falsetto loud-whispering needs to make it to this performance Monday.



Win 2 Free Tickets! Enter to win if you can attend this show Monday, August 26 at The Independent in San Francisco.

Submit your full name and email address below.
Contest ends Monday, August 26 at Noon. The winners will be picked at random & notified by email. Your email will be kept private – we will share your email with no one. 21+ only.

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The Polyphonic Spree attempt to transcend technology at The Chapel

Polyphonic-SpreePhotos by Marc Fong // Written by Nikki de Martini

The size of the audience swelled after opening acts Harper Simon and Seryn Monday evening (August 19) at The Chapel, as show-goers eagerly waited to absorb The Polyphonic Spree in all of it’s glory.
 
Are they gypsies?
Are they hippies?
What will they be wearing?!
 
“There are 12 of them, yeah?” my friend asked, “No.” I replied. “I think there are more.”
 
Excitement was in the air, most notably from the two guys I found myself sandwiched between — one sported a foot-high mohawk and hugged the stage, guarding a poster tube while the other, a 50 something-year old construction worker lookin’ type firmly stood his ground. This eclectic variety of fans alone drummed up more anticipation and exemplified the headlining collective’s wide range of supporters.

Polyphonic-SpreeUnobtrusively they entered. The band wore matching citrus colored paisley choir robes, the 5 piece female back-up singers were adorned in matching white lace dresses and front man Tim DeLaughter rocked a citrus colored paisley man tunic. 

There were 18 members of the Spree in total, all of them squeezed into the frame of The Chapel’s alter-less stage when a warm, fuzzy feeling transcended throughout the picturesque venue. Tucked behind the wide array of instruments and musicians, the ladies’ angelic voices and happy faces stood out.  All eyes were transfixed on the 5 piece back-up singers for show opener “Section 12 (Hold Me Now)”, but quickly the ensemble projected exuberant optimism as a cohesive unit. The whole thing is a sight to be seen.  

Polyphonic-SpreeWhile teetering on top of a speaker joyously singing “Younger Yesterday”, DeLaughter fleetingly told an audience member to “put that (camera phone) away.” The Polyphonic Spree frontman didn’t harp on the issue as the group started “Popular by Design” amidst multi-colored swirling disco lights that turned the venue into one big happy kaleidoscope — but even more camera phones popped up as a consequence. In a year where Savages & Yeah Yeah Yeahs have scorned camera phones in favor of ‘being in the moment’, this artist trend seems to be on the rise.

The choral-symphonic-pop-rock-gospel band played cuts from their entire collection, including their fourth live performance of “Carefully Try”. DeLaughter thanked everyone for making it out the show, expressing his cheerful excitement that this performance at The Chapel was the group’s first sold out show in San Francisco. The announcement was met with an equally enthusiastic reaction.

Set List
1: Section 12 (Hold Me Now)
2: Younger Yesterday
3: Popular by Design
4: Light to Follow
5: 2000 Places
6: Carefully Try
7: I’m Calling
8: You Don’t Know Me
9: Hold Yourself Up
10: Soldier Girl
11: The Best Part
12: We Sound Amazed
13: Lithium
14: My Umbrella
15: Light and Day
 

Free NOLA Friday: Win tix to Funky Meters or Kermit Ruffins

NOLA-Tickets

New Orleans legends invade the Bay Area this Friday!

WIN FREE TICKETS to these NOLA shows:

  • Funky Meters – Friday 8/23 @ The New Parish
  • Kermit Ruffins & the BBQ Swingers @ Brick & Mortar Music Hall – Friday 8/23

Enter to win tickets to these shows by submitting your full name, email address & by choosing the show you would like to attend in the dropdown. All contests end Thursday, August 22 at 5pm. Winners will be notified via email Friday morning or sooner.

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New Orleans royalty alert! The Funky Meters are the Original Meters, sans Leo Nocentelli and Zigaboo Modeliste. Art Neville & George Porter Jr. are still going strong after all these years, spreading the unmatchable vibes NOLA has to offer. Plan on hearing all time classics like “Cissy Strut”, “Fire On The Bayou” and “New Orleans”.


From co-founding the Rebirth Brass Band, to transforming his love of barbecue into his band name and mid-show passion, to playing himself on HBO’s Treme, Kermit Ruffins and the BBQ Swingers are quintessential NOLA. Ruffins is one of the finest trumpeters around, and he leads this traditional jazz quintet through originals and New Orleans standards.

Kermit Ruffins and the BBQ Swingers will also perform at Brick and Mortar Thursday night as well.

First City Festival: Set conflicts & resolutions

First-City-FestWritten by Molly Kish //

First City Festival //
Monterey County Fairgrounds – Monterey, CA
August 23rd-24th, 2014 //

First City Festival graces the sacred Monterey County Fairgrounds this weekend, with a jam-packed line up of indie talent. FCF Kicks off its inaugural year with two days full of hard hitting headliners and an undercard of up and coming acts. Catching such an abundance of uniquely curated artists can be a formidable task, requiring careful time management and appropriation.

For your convenience, we’ve broken down the toughest conflicts of the weekend to help you sort out your plan of attack.

First-City-Festival


Saturday, August 24 VIEW SATURDAY SCHEDULE


The Black Angels vs. The Hold Steady vs. Guards

Depending on what kind of headspace you’re in, this one could be difficult. All three bands round out the first half of the day with a varying take on the modern state of rock music. The Black Angels will draw in a hardcore fan base and offer the most explosive undercard show.

However if a super psychedelic freak out isn’t your bag so early in the fest, The Hold Steady brings the same amount of energy to the stage — but in a much more choral manner. Primed for a punk rock sing along, this band will ignite the Redwood Stage with infectious energy that’ll carry over nicely into the evening hours.


If neither of these options float your boat, Guards is the perfect third choice. Falling somewhere between shoe-gaze bliss and contemporary alternative, this pop rock outfit segues perfectly into an opening night of dance heavy indie-rock headliners.


The Black Angels3:30 pm, Cypress Stage
The Hold Steady4pm, Redwood Stage
Guards3:55, Manzanita Stage



Delta Spirit vs. MGMT vs. Washed Out

This problematic trifecta conflict comes later in the evening Saturday. Although the bands during the magical hours contain musical elements that contribute to the overall sound of headliner Passion Pit, they contrast plenty in their musical focus as groups. Delta Spirit will be the choice for those riding high off the rock heavy vibes this year’s line up offers. Their sunny disposition and group harmonies will provide a perfect set for the seven o’clock hour – the show will also serve as a beautiful sunset transition into the follow up act on the Cypress Stage.

Taking over directly after Delta Spirit will be Washed Out, which if one chooses to stick around for effortlessly shifts the mood from pop rock into dance. Anticipate a mélange of hits from 2011’s Within And Without as well as Ernest Greene’s delightfully spacey 2013 LP Paracosm.


MGMT plays the wild card in this dilemma. Drawing from two albums – Oracular Spectacular brimmed with mainstream hits while Congratulations polarized waves of fans by bathing in psychedelic experimentalism — you never really know what you’re in for with their live show. With a third, self titled release on the way in September, plan on catching a handful of debut cuts. Benjamin Goldwasser and Andrew VanWyngarden are clearly on a mission to do what makes them happy in creating new music, scorning the search for radio hits while honing in on awesome weirdness.


Delta Spirit7:30pm, Cypress Stage
MGMT7:45pm, Redwood Stage
Washed Out8:30, Cypress Stage


Sunday, August 25 – VIEW SUNDAY SCHEDULE


Devendra Banhart vs. Electric Guest vs. Generationals

Three polar opposite artists provide the first difficulties on Sunday’s schedule. The FCF five o’clock hour is filled with some pretty difficult decisions as the fest showcases undercard heavy hitters, all coming from seriously divergent musical backgrounds. Devendra Banhart takes the cake when it comes to the stage that will be most dense during this time slot. Drawing influences from folk, indie, world music and pop, this multi-linguist singer songwriter will have ladies (and many dudes) from all walks of life swooning as he croons into the early evening hours. A perfect booking for a Sunday afternoon set, Banhart may be too mellow for those looking to keep the energy going into the evening.


Electric Guest conversely kicks it up a notch with their dance-heavy soul. This band’s live show is an energy packed production, and the LA outfit promises to rouse audience members to their feet for a Sunday fun day dance party with hits off of their critically acclaimed 2012 album Mondo, which was produced by Danger Mouse. This is a bit of a one off performance for Electric Guest, who are working on a second album and have more touring planned in October.

If neither of those options sound ideal, then the Generationals on the Manzanita stage will be killing it with their patented guitar driven, surf-rock party anthems. Celebrating their recent shift over to indie label extraordinaire Polyvinyl Records with their latest release Heza, this show will provide a burst of welcomed energy to any weary festival go’er.


Devendra Banhart5:10pm, Redwood Stage
Electric Guest4:40, Cypress Stage
Generationals5:05, Manzanita Stage



Deerhunter vs. Toro Y Moi vs. Avey Tare’s Slasher Flicks

The most eclectic conundrum of the festival comes up during the twilight hours on Sunday evening. These three acts are equally unique, representing some of the top talent of the entire weekend. Deerhunter, fronted by indie rock ingénue Bradford Cox, is simply a must see live music experience. Cox creates both touching and ecstatic music at a rapid pace with Deerhunter and his solo vehicle Atlas Sound – but Deerhunter thrives on a duality of layered psychedelic screamers and clean, to-the-point pop songs that seem like they came from a simpler time in the past — something our collective minds have manufactured. Fans will be rolling deep to this set, looking to hear live cuts from their 2013 album Monomania for the first time.


There are a couple great opening options for Deerhunter. Toro Y Moi will be on the Redwood Stage curating head-nodding pleasure loops. Blending his smooth jazz vocals with innovative samples and hip hop beats, Chaz Bundwick delivers as front man and live Dj.

This set will provide a soulful come down and polar opposite experience than the competing Avey Tare’s Slasher Flicks. One of the most intriguing additions to this year’s bill, ATSF is an experimental electronic journey captained by Animal Collective’s Dave Portner. An audio-visual site to behold for the senses, this show will incorporate Portner’s affinity for sound production, crocodiles and cinematography into one giant spectacle. FCF’s most “choose your own adventure” moment of the weekend, eight o’clock on Sunday night will be a definitive moment in many festival attendees’ night.


Deerhunter7:10pm, Cypress Stage
Toro Y Moi6:25pm, Redwood Stage
Avey Tare’s Slasher Flicks6:30pm, Manzanita Stage


We recommend creating and sharing your own personal schedule on the FCF website to help coordinate via social media with friends. While there, you can purchase NO FEE tickets to the recently announced NIGHTSHOWS!

FCF

If you aren’t ready to call it a day Saturday night at the fairgrounds, FCF boasts two stellar options to continue the party post festival. Providing a second chance to catch major acts from Saturday line up, these options are factors to weigh into your day time decision making.

Both are not only affordable, but within walking distance from the festival site and WILL SELL OUT QUICK! Click here to purchase tickets and to avoid surcharges.

Smallpools bring summer anthems to Popscene, their first California show

Smallpools-Popscene-August-8Nikki de Martini // Sweet Sound Bites

SF music fans were in for a treat at the Smallpools Popscene show August 8, as the Jersey foursome made their debut California performance. That could explain why Smallpools’ singer, Sean Scanlan, seemed a little nervous at the start of the show — and maybe it was the fact that the show was sold out and the group just started touring in July.
 
After a short-lived technical hiccup as they situated on stage in front of an eager, young and (always) trendy packed house at Rickshaw Stop, the band dove right into the set with “Mason Jar”, the second track off of their self titled EP.  Any nerves Smallpools may have had went away as the band’s laid-back coolness took over. The buoyant audience was already in the groove, dancing and having fun as Sean, Mike (guitar) and Joe (bass) continually connecting with SF fans.

Laughing about being stuck in Costa Rica when they created the “islandy” track “Over & Over”, the guys have a way of making you feel like you’ve been friends since way back when. Their bountiful, insightful banter about needing to get to work on their much needed (not to mention highly anticipated) LP resonated well with the excited crowd.  
 
Since the four tracks off their debut EP are their only released material, it made sense for Smallpools to cover a song or two to beef up their set list. The cheerful riff to the New Radicals’ hit “Get What You Give” was a great fit for the LA 4-piece indie-band’s mellow vibes. The song also served as the best build up for the song everyone was waiting to see live — this summer’s anthem, “Dreaming”.

Popscene burst with enthusiastic applause, breaking out into a full fledge dance party as Smallpools played their smash hit single — they definitely ended the night on a high note!


 

New Music: Earl Sweatshirt – Doris

DORIS

Earl SweatshirtDoris

4-BamsTop Tracks:
“Chum”
“Sunday” ft. Frank Ocean
“Hoarse”

Highlights: It’s been a long time coming for Doris, and Earl has rightfully graduated from gory themes to a more matured sound that evaluates some of the horrors of everyday life while never compromising his preternatural phasing skills. However, it’s still raw and shocking, but for better reasons than the prolific Earl mixtape from days when he couldn’t even legally buy Swishers. This release is also boosted by the characteristic down-trodden beat type that Earl thrives on, mainly produced by Earl himself, though under the pseudonym randomblackdude, and Christian Rich. Flying Lotus, the Neptunes, Samiyam and RZA are just a handful of beatmakers who lent their hand to this release.

One highlight track which has been garnering attention is “Sunday”, a organ-driven churner aided by Odd Future soul-wonder, Frank Ocean. Earl spits “All my dreams got dimmer when I stopped smoking pot/Nightmares got more vivid when I stopped smoking pot” to a lurching back beat while Frankie’s distorted vocals paint a similar picture. Other banner guest spots are held down by Vince Staples, Domo Genesis and Mac Miller to name a few. Even with a laundry list of helpers, it really is Earl who shines brightest, a young MC who is calculated and at MENSA-level mastery of wordplay.

Album Lowlight: It’s been a long few years for the young underground rapper, and it feels like a piece of the puzzle is missing from his first mixtape, to his time at Samoan boarding school and eventually returning to fame back in LA. Even after turning 18 and being released from his international “prison”, Earl has been relatively quiet. Talk about hype for a sophomore release, am I right?

Some hardcore fans may feel slightly let down with it’s shift from NC-17 to R-rated themes and lyrics, but that shock factor could only be short-lived for the widely considered rhyme champion of Odd Future. Nonetheless, the profanity is more veiled and less blatant on Doris.

Takeaway: With a new era of hip-hop being ushered in by the likes of the Odd Future crew, Danny Brown, Action Bronson, Chance the Rapper and so on, Earl has staked his ground as one of the most exciting wordsmiths in the past decade. Many listeners were originally drawn in by the deadly effective mix of obscene and smart, simultaneously. On Doris we witness a few notches of maturity being whittled into Earl’s belt, and listeners can’t help but think about the bright future this kid will have if he keeps up his clever writing coupled with one of the most unique phrasing styles being spat into a mic.