TBD Fest brings the heat amid Sacramento’s extended summer

Crowd-TBD_postPhotos by Sterling Munksgard // Written by Molly Kish //

TBD Fest //
The Bridge District (Riverfront Street) – West Sacramento, CA
October 3rd-5th, 2014 //

During last weekend’s sweltering Sacramento heatwave, the inaugural year of the TBD Festival kicked off in a dust-filled blaze of glory. Bringing heavy hitting headliners, an extremely talented undercard and a friendly bill of vendors, artists and local culinary talent, this “little festival that could” superseded its climate challenges and provided festivalgoers with a three-day dance party for the books.

Moby 1

FRIDAY HIGHLIGHTS

Top Set: Moby
For those used to Moby’s ethereal trance and commercially sampled funk beats, catching one of his “DJ sets” should be something immediately pushed to the front of your live music bucket lists. Taking the main stage of the festival after Dillion Francis and Gramatik is no easy feat, but Moby did so with authority.

Moby 3

With the bravado of an arena-headlining rock star, the diminutive DJ unleashed his electronic fury upon the Sacramento crowd, mounting his illuminated decks and demanding the audience to “get the fuck up” while donning an iconic Black Flag T-shirt.

Offering exhilarating, chaotic punk energy, he whipped the crowd into a dance-filled frenzy, ending the first night of the festival with a dirty electronic throw down and unleashing the fired-up 1 a.m. crowd into the quiet, unsuspecting West Riverfront streets of Sacramento. Final thought: “Moby doesn’t Play”.

Memorable Moments:
• MNDR joining RAC on stage for a live rendition of “Let Go” from their 2014 album Strangers
• Carousel’s sing-along cover of Drake’s “Hold On, We’re Going Home”
• Kauf’s impressive festival opening crowd at the Beautiful Buzz Stage amidst the mid-afternoon heat

Empire of The Sun 4

SATURDAY HIGHLIGHTS

Top Set: Empire of the Sun
True showmen and the epitome of “fucking rock stars”, Empire of the Sun ignited a heat-stricken, second-day crowd, closing out the night in all their grandeur.

Empire of The Sun 6Hardcore fans came dressed to the nines in their own homemade headdresses and were eventually invited on stage to be part of the production. First-time viewers were dumbfounded by the intensity of the group’s fully immersive, theatrical performance with backing band and dance crew.

The spectacle that is an Empire of the Sun stage show is something that can only be rivaled by large-scale arena tours and Broadway productions.

Blowing the minds of a festival crowd is pretty much a just another day at the office for these two, and they left the Saturday night TBD audience stunned in their wake.

Memorable Moments:
• TASK1ne’s early morning fire-spitting, nearly nude hip hop throw down on the Block Stage
• Metz and Explosions in the Sky delivering guitar-shredding, face-melting sets to an otherwise dance-heavy bill
• The inimitable Danny Brown commanding the sold-out crowd during a late afternoon set on the Lowbrau Stage

Yacht 1

SUNDAY HIGHLIGHTS

Top Set: YACHT
Owning the nu-disco slot on this year’s bill, Jona Bechtolt and Claire L. Evans brought their infectious energy and touring band members Jeffrey Brodsky and Rob Kieswetter to the early evening festival main stage.

Yacht 3An all-incorporated amalgamation of dance, punk, performance art, graphic design and party philosophy, YACHT’s conceptual stage show brought a much-needed turbo boost of energy to the festival-weary Sunday evening crowd.

At a crucially pivotal point in the weekend, YACHT mainlined their trademarked set of disco infiltration into the TBD festival audience, prepping them for a final evening filled with back-to-back dance parties spanning throughout the four various stages of the fairgrounds.

Reviving the audience as the night time approached with witty banter surrounding their abstract stage design, relentless energy and charisma, YACHT were the unsung heroes of the final hours of TBD.

Memorable Moments:
• Blondie’s free-for-all, DGAF’s set of brand new material, covers and everything in between — nothing short of the sassy, fierce and fan-blown, mini-skirt flashing Debbie everyone came to see
• Justice breaking all local sound ordinances well into the early evening hours, lighting up the surrounding suburbs with their closing set
• Viceroy’s party-rocking remix set, elevating the Sacramento crowd’s energy tenfold into a stage-wide, sing-along dance party

Flash-Mob-Dancers

OVERALL IMPRESSION

The festival, in the grand scheme of things, turned out be quite a success. Affordable prices, not only concerning tickets but also food and drinks, as well as many free samples and accommodating perks amidst the fairgrounds, made for an enjoyable experience, even amidst sold-out crowds.

The vendors had a great array of local fare, crafts, clothing and services to provide a comprehensive display of Sacramento’s budding independent culture. The art installations, cooking demonstrations, fashion displays and yoga classes were popular attractions to kill time between sets and were something everyone was generally excited to take part in all weekend.

The site and midday attendance were a little underwhelming at first impression, and there were some aspects that failed to deliver or were misleading about the location, including the complete absence of “The Barn” and a grassy park that was promised.

There were also some organizational and functionary issues on the production end of the spectrum:

• Mislabeled program guides, credential confusion and lack of signage for the stages

• Some technical issues cut into key sets, including The War on Drugs’ 45-minute soundcheck/guitar-tuning meltdown

Although with every first year festival there are complications, both anticipated and unexpected, TBD Fest made sure their problem-solving skills were on point and offered quick remedies to any issue that took place within their festival jurisdiction.

Extremely accommodating, well-organized and all in all, a very successfully tight-run ship, TBD Fest will only positively mature and evolve as a festival from this year forward. We definitely look forward to the “to be determined” future.

9 Sports Anthems for the 21st Century

21st-Century-Sports-Anthems_FIX

Whether it’s Brian Wilson running out to the pitchers mound to House of Pain’s “Jump Around” or a proud little league coach blaring “We are the Champions” after a big win, music has always played an important role in sports. Arguably the biggest weekend in all of sports is upon us, the Super Bowl, and here at Showbams we decided to compile a list of our favorite modern day jock jams.

Sports anthems have fueled athletes for decades and unfortunately a lot of those songs have gone stale. Survivor’s “Eye of the Tiger” is a classic example of a great anthem, particularly in “Rocky III”, but it’s been extremely played out in high school gyms, college arenas, and pro stadiums since 1982. Here is a list of modern day sports anthems that have either already made it to arenas or should be there soon.


9. “We Are The People”Empire Of The Sun
In the vein of Queen’s “We Are The Champions”, the anthemic line “We are the people who rule the world” sums up that “just won the game” braggart euphoria after a big win.


8. “Paddling Out”Miike Snow
Besides the fact that this could be any pro surfer’s theme song, this track could be used for any teams entrance as they come roaring out of the locker room.
 


7. “One Big Holiday”My Morning Jacket
” A bad man from California” needs to make this his pitching entrance.


6. “Empire State of Mind”Jay Z
When the biggest sports team in the world claims this as their anthem after they win the world series then it deserves to be on this list.


5. “Wilson” Phish 
An unusual-yet-awesome connection between Russell Wilson, Seahawks fans, and this classic Phish track is why it makes our list. If Seattle wins the big one then Phish was the 13th man. WIIILLLSOOOOON!!!!!


4. “Genesis” Justice
I can imagine a hockey team pouring onto the ice just as this beat drops. The crowd would go bonkers.


3. “Unstoppable”Santigold
If this song doesn’t get you off of your bench seat in the outfield then I don’t know what will. The sheer rhythm of this track and the catchy lyrics make it a “should-be” stadium anthem. Hell — it was the song that soundtracked one man’s proclivity to party-start at Sasquatch.


2. “Howlin’ For You”The Black Keys
This song has definitely made it to the big time as far as air time goes, but just recently the Phoenix Coyotes have started to use it after every goal and win.”Ohh baby I’m Howlin for you.”


1.”Seven Nation Army”The White Stripes
This track has already achieved sports anthem fame, but I bet Jack White would have never guessed his song would be chanted in international soccer stadiums by arguably the most enthusiastic fans in the world.

Showbams’ top shows of 2013

Top-Shows-of-2013

It’s been a rich year for music, but since most artists no longer rake in as much cash as they did in the past from record sales, performing live has become more essential. Easy access to streaming and torrents has created a world where music fans cultivate an increasingly wide-ranging palette. In turn, festivals have become exponentially more popular, out of necessity and due to the communal, diverse experiences festivals offer.

Most of the Showbams Team lives and frequents concerts in the Bay Area music scene (that’s what the “BAMS” in “Showbams” stands for), so many of our staff picks for best shows of 2013 took place in or around San Francisco.

The best live music performers blow minds on a nightly basis as they zig zag across the world, so if an act made our list, they probably left a lasting impact near you as well.

Click the links below to view the original show review.

El-P & Killer Mike as Run The Jewels - Photo by James Nagel

El-P & Killer Mike as Run The Jewels // Photo by James Nagel

Mike Frash // Founder, Editor, Columnist // @MikeFrash

01. El-P & Killer Mike (Run The Jewels) – The Independent – July 31st
El-P & Killer Mike provided the most engrossing live performance I witnessed this past year, both in their opening solo sets and their combined tour de force as Run The Jewels. Killer Mike, perhaps the most fascinating rapper on the planet, had the audience in the palm of his hands by enforcing crowd participation while performing “R.A.P. Music” and an a cappella version of “Reagan”. El-P’s set contrasted perfectly with Mike’s more message-driven set, but the the most magical moments occurred when the duo donned their “36” Chains”. The super-clever spits came at machine gun pace, faster than brains can process, and El-P’s weird, abrasive-yet-fun production work kept the show flowing at a delightfully hyperactive pace. The future is blindingly bright for Run The Jewels as they aim to take the throne.

02. Nine Inch Nails – Outside Lands – August 10th
Nine Inch Nails triumphantly returned this summer after a couple last minute personnel changes, but in the end it felt as though Trent Reznor knows exactly what he is doing. Far from feeling like a greatest hits nostalgia show (while they did play nearly all their big singles), Nine Inch Nails guided the uninitiated (including myself) by unfolding the performance in segments. Starting with “Copy of A” from this year’s Hesitation Marks, the first portion was distinctively electronic as shadows silhouetted the players onto the background of the stage. Then the stage opened up to reveal a live drum set, and a handful of pure rock tracks took over. From there, the mix of crunchy, industrialized rock and alternative metal that NIN is known for, including “March of the Pigs” and “Head Like a Hole”, became the focal point. In all honesty, show closer “Hurt” elicited some tears. The experience was intense, surprisingly dance-oriented and breathtakingly emotional.

03. Savages – The Independent – September 29th
Savages made a big splash this year with their album Silence Yourself, and much of the publicity for the all female foursome out of London came from their phone “ban” at concerts. The idea behind this was to instill the idea of immersion into concert goers. Savages successfully put on a show that exhibited a “live in the moment” mentality through their songs and stage presence, and in turn the audience followed Jenny Beth and company to be hypnotically entranced. Savages curated a wholly attentive experience through the use of contrast, most notably in their look, their use of black and white, and the way Savages ultimately contrast with every other group that performs live.

04. FOALS – Coachella (Weekend 1) – April 12th
05. Atoms For Peace – Treasure Island Music Festival – October 29th
06. Deerhunter – FYF – August 24th
07. Bassnectar – Fox Theater Oakland – September 19th
08. Alt-J – Not So Silent Night at Oracle Arena – December 7th
09. The Flaming Lips and Tame Impala with White Denim – Bill Graham Civic – October 31th
10. Eric Prydz – Coachella (Weekend 1) – April 14th


Phoenix // Photo by Chaya Frash

Phoenix // Photo by Chaya Frash

Molly Kish // Artist Relations Manager, Columnist // @MollyKish

01. Phoenix – The Independent – April 1st
Preceding the release of their arena-filling 2013 smash album Bankrupt!, Phoenix stopped by San Francisco’s very own 500 person capacity venue to debut the new material. A last minute performance hosted a packed crowd of industry professionals and die-hard fans alike, and the setting felt more like a jam packed album release party than legitimate rock show. The French foursome dynamically performed their brand new tracks, fully engaging the attention of the audience through an intense stage show which fully used the venue’s limited space. Lead singer Thomas Mars even went as far as to stage dive, crowd surf, scale the back wall and return back full circle mid-encore without missing a beat. Catching a band of this magnitude, in a venue this size, performing yet to be released material was a once in a lifetime opportunity and one that anyone lucky enough to experience will undoubtedly remember forever.

02. Fiona Apple and Blake Mills – Zellerbach Hall at UC Berkely – October 8th
The only Bay Area stop on their “Anything We Want Tour”, guitar prodigy Blake Mills and the combustible Fiona Apple headlined an intimate performance this past October at UC Berkeley’s Zellerbach Hall. Billed as joint headliners, Mills and Apple playfully supported and challenged each other for command of the completely improvised set list and cohesively chaotic stage show that unveiled. The lecture hall audience was treated to a concert that highlighed both artists individuality, and as a collaborative duo, exercising complete creative control over an occasionally uncomfortably raw, extremely uncensored and truly unique live music experience.

03. Matthew Dear – Mezzanine – May 22nd
Catching the Ghostly International co-founder and experimental dance artist Matthew Dear in the spatial dimensions of the Mezzanine is amazing enough, however if the dance floor is nowhere near half capacity, you’re in for an unforgettable, private performance. Accompanied by a four person live band, Matthew Dear took the stage this past May with the bravado of a veteran rock star. Playing as though he were performing to a sold out arena, he dramatically danced and belted his way through crowd rousing favorites from his entire catalogue. Stage show theatrics involving the dismemberment of dozens of white roses and passionate crowd interactions stunned the unassuming audience members. The band dynamics, amazing set list and impeccably charismatic Matthew Dear ultimately enticed the intrigue of the entirely undersold venue, prompting everyone to actively participate in the spectacle that evening.

04. Major Lazer – The Independent – March 28th
05. Moving Units – DNA Lounge – September 11th
06. Washed Out – Rickshaw Stop – August 29th
07. Toro Y Moi – The Independent – March 2nd
08. The Postal Service – The Greek Theater Berkeley – July 27th
09. Yeasayer – Mezzanine – April 12th
10. Muse – Oracle Arena – January 28th


Arcade Fire as The Reflektors // Photo by Kevin Quandt

Arcade Fire as The Reflektors // Photo by Kevin Quandt

Kevin Quandt // Assistant Editor, Columnist // @KJQuandt

01. Arcade Fire as The Reflektors – Hollywood Palladium – October 31st
When I was lucky enough to score a ticket to this Halloween extravaganza, I knew I would be in for something special as I was in the process of falling in love with Reflektor. After donning a sharp suit and heading to Hollywood Boulevard, my show companion and I began to realize this was gonna be something special. The Palladium was alive as soon as you walked though the doors as revelers danced, socialized and admired each others outfits worn on this night. Obviously the band played heavy on the new tracks and the crowd was eating out of their hand for the duration with highlights such as “Here Comes the Night Time” and “We Exist”, to name a few. The evening didn’t end once the performance was done as the band joined the crowd for a post-show dance party to rival most. By the time we cruised out into the chilly night we were pretty thoroughly damp from the sweat that had amassed inside, and all was right on a Halloween in Hollywood.

02. Tame Impala – Coachella (Weekend 1) – April 14th
The continuously impressive Australian act delivered a loaded 40 minute set displaying their ability to crush, and expand, tracks on stage like rock and roll champs. Blustery winds blew through the Empire Polo Club, shaking the rows of palm trees behind the stage as if nature was swaying to the psychedelic goodness being enjoyed by the sizable crowd. The conditions may have led to some minor issues with a MIDI keyboard, but that didn’t phase them in the least and powered into a different direction without missing a beat. “Elephant” had an extended interlude before closing with old classic, “Half Full Glass of Wine”. Optimism at it’s finest.

03. Paul McCartney – Outside Lands – August 9th
A Friday night set just shy of 40 songs punctuated the first day of Outside Lands as living legend Paul McCartney captivated a packed crowd. Though not my first time seeing Sir Paul show, it was a special one in many ways on a foggy summer evening. The tenderness of “Blackbird” is always a thing of beauty, and the recently road-approved Beatles tune “Lovely Rita” were just a few of the highlights from this banner set. Macca has got it, straight up. I have preached to the power of his show since I was 15 years old, and on this night many got to experience that power first hand.

04. Phish – Lake Tahoe Outdoor Arena at Harveys – July 31st
05. Holy Ghost! – Treasure Island Music Festival – October 19th
06. Mac DeMarco – FYF – August 25th
07. David Byrne & St. Vincent – Fox Theater Oakland – July 21st
08. Thee Oh Sees – The Independent – January 11th
09. Pickwick – The Getty Center – Los Angeles, CA – July 13th
10. The Walkmen & Father John Misty – The Fillmore – January 24th


Sigur Rós // Photo by Marc Fong

Sigur Rós // Photo by Marc Fong

Pete Mauch // Festival Manager & Columnist // @PeteMauch

01. Sigur Rós – Coachella (Weekend 2) – April 20th
Icelandic rockers Sigur Rós closed out night two of Coachella and put on an amazing performance that was highlighted by one of the most impressive visually striking stage set ups that I’ve seen. In addition to the mesmerizing video screen portrayal of various beautiful landscapes, the stage also had lamps with exposed bulbs that would light up in time to the music. The band was joined by a string and horn section for this unique experience, adding great texture to their already layered sound. The set was heavy on newer songs from their most recent album Kveikur with older tracks sprinkled in, which pleased new and old fans alike.  Sigur Rós provide a truly amazing experience.

02. M83 with Hollywood Bowl Orchestra – Hollywood Bowl – September 22nd
French indie-pop rockers stepped it up at the Hollywood Bowl this year with a little help from the in house orchestra.  It’s always tricky when mixing string instruments with electronic synthesizers, not to mention the full band, but M83 found the perfect medium. The band worked through most of their big hits like “Midnight City” and “Wait” with serious ambition and the subtle compliments from the orchestra really made the overall sound fuller.

03. Tame Impala – Fox Theater Pomona – May 30th  
This Australian Psychedelic band had a banner year as they played all over the world, but on this particular night in Pomona they showcased why they are going to be one of the biggest bands around. Their sound is pure psychedelic bliss that oozes ever so sweetly over your ears. The band weaved effortlessly between older tracks like “Desire Be Desire Go” and newer songs like the ever so popular “Elephant” and “Feels Like We Only Go Backwards”. After a solid two plus hour set, Tame Impala walked off the stage and I found myself standing there speechless. 

04. Phish – Dicks Sporting Goods Arena – Commerce City, CO – August 31st
05. Medeski Martin & Wood – UCLA Royce Hall – April 26th
06. Eric McFadden with Nels Cline and Mike Watt  –  The Mint – Los Angeles, CA – January 16th
07. Femi Kuti and The Positive Force – The El Rey Theater – Los Angeles, CA – January 18th
08. The Rolling Stones – Staples Center – Los Angeles, CA – May 3rd
09. Jim James – The Fonda Theater – Los Angeles, CA – May 11th
10. Anders Osborne with Neal Casal and Karl Denson’s Tiny Universe- The El Rey Theater – Los Angeles, CA – October 24th


Alt-J // Photo by Sam Heller

Alt-J // Photo by Sam Heller

Kevin Raos // Columnist // @Semirec

01. Phish – Lake Tahoe Outdoor Arena at Harveys – July 31st
In late July Phish performed two concerts at Harvey’s Lake Tahoe Outdoor Arena. Night 2 of the run contained one of the most infamous moments in recent Phish history: The Tahoe Tweezer. This 36 minute jam odyssey has already found it’s place in Phish lore as one of the defining moments of the current era of Phish. It’s not just the length that makes this jam so impressive, but also the song’s content, as Phish and the audience interact back and forth driving the jam deeper and deeper. Magical moments of improvisation like this do not come around very often. WOO!

02. Bjork – Craneway Pavilion – Richmond, CA – May 28th
This was my first time having the pleasure of seeing Bjork live, and she fully lived up to the hype. The entire crowd was on pins and needles as she performed her 2011 album, Biophilia, in it’s entirety. It was an audio/visual experience unlike any other concert, complete with a Tesla Coil instrument controlled by iPads and a series of sound-generating pendulums to accompany Bjork’s majestic voice. Bjork is a talent unlike anything I have ever seen live.

03. Tom Waits – Bridge School Benefit (Shoreline Ampitheatre) – October 27th
Checked a big one off the bucket list with this performance at Neil young’s annual Bridge School Benefit. It’s a wonder why Mr. Waits doesn’t tour more often as he is as talented, and as much of a showman, as he ever was. His voice sounded great, including the usual gritty and rawness that you can expect. One of the longer sets of the evening, Waits plucked tunes from his entire catalogue, yet he pulled mostly from his latest record Bad As Me. Don’t miss a chance to see Tom Waits as his shows are few and far between these days. A truly special individual and unique talent to behold.

04. Tame Impala – Fox Theater Oakland – May 29th
05. Sigur Ros – Fox Theater Oakland – April 16th
06. Alt-J – Fox Theater Oakland – August 29th
07. Nine Inch Nails – Outside Lands – August 10th
08. Rhye – Outside Lands – August 9th
09. Alabama Shakes – Fox Theater Oakland – March 5th
10. Bassnectar – Hangout Music Festival – Gulf Shores, AL – May 18th


Shpongle // Photo by Mike Frash

Shpongle // Photo by Mike Frash

The Festival Lawyer // Columnist // @FestivalLawyer

01. Shpongle – Sea of Dreams at Concourse Exhibition Center in SF – December 31st (2012)
Just a really interesting, weird and exotic New Year’s Eve show. He had a performance art group that accompanied him that night as well as a live violinist. This combo led to a really trippy, trance inducing sight and sound experience. So cool.  

02. The Cure – Austin City Limits – October 12th
When I first saw the Cure I was an eyeliner-wearing 80’s Goth kid. ACL has a 10 o’clock curfew, so when their set got close to 10 o’clock, Robert Smith announced, “Listen, we are going to play all the hits that we can until they shut us down.”  What followed next was just a very cool trip down memory lane.  Funny how music can just instantly take us back to a time or memory in our life.

03. Muse – Oracle Arena – January 28th
It’s always weird to see how much shit people talk about Muse. They seriously have a stage act only rivaled by groups like Swedish House Mafia (I still call SHM’s set at Coachella “The Night of a Million Lasers.”)  Muse combines moving TV sets, lasers, even robots all combined with the stage bravado of legendary UK acts like Queen. If you can’t sing along with me at the top of your lungs to “Uprising” then you just are really missing out on a terrific experience. 

04. Yeah Yeahs Yeahs – Coachella (Weekend 2) – April 19th
05. Bassnectar – Coachella (Weekend 2) – April 19th
06. Father John Misty – Fillmore – June 21st
07. Iggy Pop and the Stooges – C2SV Festival – St. James Park – San Jose, CA – September 28th
08. Disclosure – Treasure Island Music Fest – October 19th
09. Paul McCartney – Outside Lands – August 9th
10. Arctic Monkeys – Coachella (Weekend 2) – April 19th


Thundercat // Photo by James Nagel

Thundercat // Photo by James Nagel

James Nagel // Photographer // @JdropsKnowledge

01. Thundercat – The Independent – November 13th
Stephen Bruner delivered a performance that felt truly unique, deviating from the standards set on his album by slapping some soulful, jazzy rhythms on his epic bass. He wrapped the entire audience with the warm embrace of his music in the most personal, improvesed way. 

02. Savages- The Independent – September 27th
Jenny Beth is a goddamn rockstar. Period. 

03. The Flaming Lips with Tame Impala and White Denim – Bill Graham Civic – October 31st
This show was truly a surreal experience and did not disappoint when it came to the scope of the production. Confetti and balloons rained down endlessly it seemed, while the visual and lighting components completely enhanced this drone-filled yet enlightening event. 

04. Toro Y Moi – Fox Theater Oakland – November 15th
05. Cut Copy – Fox Theater Oakland – November 2nd
06. Digitalism – The Independent – May 7th
07. !!! – Great American Music Hall – March 1st
08. El-P and Killer Mike (Run The Jewels) – The Independent – July 31st
09. Grouplove – The Independent – September 14th
10. Palma Violets – The Independent – April 25th


The Black Keyes // Photo by Sterling Munksgard

The Black Keyes // Photo by Sterling Munksgard

Sterling Munksgard // Photographer // @sterlingmphoto

01. The Black Keys – Bottle Rock – Napa, CA – May 10th 
Bottle Rock was a first-year festival situated in the Napa wine country, and it featured a lineup which rivaled many well-established festivals. The Black Keys brought their in-your-face attitude and rocked the crowd good and hard. Bottle Rock was my fourth Keys show and they still had me singing along and dancing. 

02. Empire of the Sun – Life Is Beautiful in Las Vegas, NV – October 27th
When I got home from this festival and showed my photos to friends and family, many people asked, “what kind of music was Empire of the Sun?” The only thing I could come up with was the showmanship of Kiss and the sound and style of Phoenix. But classification aside, this band was not only one of my favorites to watch on stage in 2013 but one of my favorite to photograph. Next time they are in town I will for sure be at their show.  

03. Dave Matthews Band and Gogol Bordello – Jiffy Lube Live – Bristow, VA – July 27th
DMB keeps me coming back for more. At 60+ shows they still keep turning out new tunes and bringing back songs that haven’t been played in years. This show had many highlights including a show opening “Ants Marching”, something that band hadn’t done since 2004.  The band also busted out fan favorites such as “Granny”, “Spoon”, “Long Black Veil”, “Crazy Easy”, and “#41”.  

04. Tedeschi Trucks Band and The Black Crowes – Bill Graham Civic – December 14th
05. Imagine Dragons – Life is Beautiful – Las Vegas – October 27th
06. JJ Grey & Mofro – The Fillmore – November 15th
07. Grateful Grass feat. Keller Williams, Keith Moseley, Michael Kang and Jeff Austin – Rex Benefit – The Fillmore – December 7th
08. Sleigh Bells – Treasure Island Festival – October 20th
09. The Lumineers and Dr. Dog – The Greek Theater Berkeley – April 19th
10. Edward Sharpe and the Magnetic Zeros – Portland Rose Festival – Portland, OR – May 25th


!!! // Photo by James Nagel

!!! // Photo by James Nagel

Dara Shulman // Columnist

01. David Byrne and St. Vincent – Fox Theater Oakland – July 21st
Byrne’s eclectic and eccentric sound, coupled with St. Vincent’s own quirkiness and talent, proved to be a fantastic performance. Creating rich, warm sound, the eight-piece brass band was as impressive as the two talented singers themselves. Playing mostly off their solid album, Love This Giant, the combination of choreography and Talking Heads songs turned out to be the icing on the cake.

02. Paul McCartney – Outside Lands – August 9th
It’s not every day you get to see a Beatle play a three-hour set complete with fireworks. McCartney wowed the packed main stage playing his hits from the Beatles, Wings and his solo efforts. It’s hard to determine which was more impressive, the acoustic set which included a beautiful “Blackbird” or the set-closing sing-along that was “Hey Jude”. Eight more songs over two encores only helped to make this an all-time show.

03. !!! – Great American Music Hall – March 1st
Vocalist and dance machine Nic Offer never fails to entertain the crowd. Offer and the band were on fire when they debuted songs such as “Slyd” off their fifth-album release Thr!!!er. Their upbeat, dance rock kept the crowd moving throughout the show.

04. FOALS – Outside Lands – August 11th
05. Atoms for Peace – Treasure Island Music Festival – October 19th
06. Vampire Weekend – Outside Lands – August 11th
07. Primus – High Sierra Music Festival – July 5th
08. Holy Ghost! – Treasure Island Music Festival – October 19th
09. Cut Copy – Fox Theater – November 2nd
10. Robert Plant and the Sensational Space Shifters – High Sierra Music Festival – July 4th


View the Showbams 40 Best Albums of 2013
View the Showbams Contributor Picks for Best Songs of 2013
View the Showbams picks for Best Live Music Venues in 2013

Zedd shows his Bay Area fans at the Fox Theater Oakland that he’s not just the future of pop music but also the immediate present

ZeddPhotos by Marc Fong // Written by Mike Frash //

Zedd //
Fox Theater Oakland – Oakland
October 9th, 2013 //

Zedd has settled on a pretty effective and lucrative EDM sound. Just take a look at the German DJ’s two sold-out shows in Oakland last week while on his “Moment of Clarity World Tour.”

Let’s be honest here: This is not just the future of pop music but the immediate present. Encroaching into Kaskade’s long-developed aesthetic but producing singles like “Clarity” even more accessible for radio play, Zedd’s music is anthemic and centered around angelic female vocals.

Along these lines, Zedd is now cashing in — wouldn’t you? — by producing tracks for Lady Gaga and Justin Bieber. A Zedd show still packs a punch, giving bass heads the drops and video-game inspired noises they crave, and we were on the scene at the Fox Theater to capture every moment of it.

Setlist:
Spectrum (Tristan Garner & Gregori Klosman Knight Remix)
In My Mind (Swedish House Mafia cover)
Here & Now (Ummet Ozcan cover)
Wake Me Up (Avicii cover)
It’s You (Duck Sauce cover) (DJ Snake Remix)
Komon (Madeon cover)
Breakn’ a Sweat (Skrillex cover) (Zedd Remix)
Kick Out the Epic Motherfucker (Dada Life cover)
BBBS (Clockwork cover)
Anxiety (Charlie Darker cover)
Ode to Oi (TJR cover) (Crookers Remix)
Slam the Door
Cinema (Benny Benassi cover)
Animals (Martin Garrix cover)
Animals (Martin Garrix cover) (Martin Garrix & Victor Niglio Trap Remix)
Animals (Martin Garrix cover) (Botnek Remix)
Karmma (Deep Dish cover)
Stay the Night (DJ Snake Remix)
Toulouse (Nicky Romero cover) (Tommy Trash Remix)
Clarity
Nuke (Wolfgang Gartner cover)
Silhouettes (Avicii cover) (Syn Cole Mix)
LRAD (Knife Party cover)
Bubble Butt (Major Lazer cover) (Dada Life Remix)
Atom (Nari & Milani cover) (Afrojack Edit)
Mercy (Kanye West feat. Big Sean, Pusha T & 2 Chainz cover) (RL Grime & Salva Remix)
Clarity (Brillz Remix)
Niggas in Paris (Jay-Z & Kanye West cover)
Bird Machine (DJ Snake cover)
Coming Home (Diddy – Dirty Money cover)
Quasar (Hard Rock Sofa cover)
Follow You Down
Reload (Sebastian Ingrosso cover)
Safe and Sound (Capital Cities cover) (Tommie Sunshine & Live City Remix)
Save the World (Swedish House Mafia cover) (Zedd Remix)
ID (Dillon Francis cover)
Awooga (Calvin Harris cover)
I Love It (Icona Pop cover) (Sick Individuals Remix)
Push Play
Sub Zero (Rick Mitchells cover)
The Legend of Zelda Theme (Koji Kondo cover)
Just Another Groove (Mighty Dub Katz cover) (Lookback Remix)
Datsun Tropicalia (2 Edit cover) (Torro Torro Remix)
Through the Night (Botnek cover)
Codec
Sweet Nothing (Calvin Harris cover)
Greyhound (Swedish House Mafia cover)
Tung! (Deniz Koyu cover)
Stache
Fall Into the Sky
Freak (Lucky Date cover)
Bender (Tom Piper cover) (Angger Dimas Remix)
Bounce (Marco del Horno cover)
Uncle Sam (Dirty Disco Youth cover)
Spectrum
Lost at Sea
Alive (Empire of the Sun cover) (Zedd Remix)

New Music Tuesday: Kanye West • Sigur Rós • Empire of the Sun

NMT_Kanye
Every Tuesday, we focus on new music releases by naming our top tracks, album highlights, lowlights and important takeaways for select albums.


Kanye WestYeezus

3.5-BamsTop Tracks:
“Black Skinhead”
“New Slaves”
“I’m In It”

Album Highlights: West’s most avant-guarde effort to date, Yeezus explores the pulsating bass-lines of trap music, glitch electronic beats and experimental noise. In taking some of the largest creative risks of his career, West enrolled a dream team of collaborators to keep the album cohesive and provoking. Executive produced by Rick Ruben, the album boasts a contributing roster of industry heavyweights both past and present. Beyond the tracks crafted by the likes of Daft Punk or featuring West’s handpicked protégé Chief Keef, “Yeezus” is filled with an impressive collection of samples from musical innovators both past and present. A collision of contemporary tastemakers and musical archetypes best exemplified on the standout track “Blood on the Leaves”. The track hits hard with quintessential trap horns and the paralyzing bass of TNGHT’s “R U Ready”, paired with vocals appropriated from Billie Holiday’s classic “Strange Fruit”.

Embellishing further upon audio elements explored in Cruel Summer, his most recent release with G.O.O.D. Music, Yeezus re-introduces us to West’s affinity for the abrasive. Lyrically he continues his legacy of controversial subject matter, with blatant misogyny, self-perpetuated deism and a “fuck the world” attitude dominating as themes. Touching upon the idea of modern-day slavery, within a society that feeds into and conversely scrutinizes his egocentric self-image, West angrily spits, screams and snarls his way through many of the albums tracks. “New Slaves” and “Black Skinhead,” the hardest hitting political tracks on the album bookend the aptly titled “I Am A God”, which will undoubtedly be a contentious track for most. Yeezus also has ample tracks in which West airs his relationship grievances and romantic dirty laundry. A signature trait of Kanye’s previous work, these private details are delivered this time around in a most uncensored manner, aggressively communicated and pornographically depicted. A sexually explicit manifesto, “I’m In It” may be the most NSFW track on the album with lines depicting unveiled racist foreplay with condiments and fisting. West let’s his freak flag fly in the albums’ most interesting collaboration, with vocals by Justin Vernon of Bon Iver fame and Agent Sasco.

Album Lowlight: Understandably, the album was not intended for airplay like his masterfully executed My Beautiful Dark Twisted Fantasy, which West makes sure to drive home with his blatant disregard for composition and lyrical structure. Although his choice of samples for this album is impressive and displays an advanced understanding of the contemporary music scene, they become convoluted within many of the songs. With his previous experience producing albums and tactfully paying homage to the artists he draws from, it’s jarring to hear certain tracks’ awkward incorporation of otherwise perfectly rendered samples. Splicing song structures to purposefully create a free form dissonance may ultimately be part of a larger-picture remix operation, but this ultimately leaves the album feeling raw and unfinished.

Takeaway: West set out to push buttons both literally and figuratively with Yeezus, embracing the idea of a gritty concept album over something he could have easily mailed in, ensuring commercial success and very immediate top 40 hits. Following in the vein of not only the collaborators he teamed up with on this album, but also a running theme present in many of 2013’s most successful new music releases, West went out on limb with hopes of producing something unique and game changing. Although Yeezus isn’t an entirely novel production, it undeniably will be an album that invokes reaction and causes discourse amongst industry professionals and fans alike. I commend West for his efforts to push himself creatively, and think he’s a genius for bringing on the talent he chose. Whether or not Yeezus will be a catalyst for a Kanye West 3.0 is still yet to be determined. Either way, I’m intrigued by how this new direction will play out and influence his future work.

~Molly Kish


Sigur RósKveikur

4-BamsTop Tracks:
“Brennisteinn”
“Rafstraumur”
“Bláþráður”

Album Highlights: Sigur Rós creates much more Godly material than Kanye West, evidenced with Kveikur, the second full length record the Icelandic trio has released in 14 months. The post-rock deities are pretty well-known for their grand live shows — they tour with a mini orchestra to recreate their layered sound — but between these two albums they lost core member and multi-instrumentalist Kjartan Sveinsson. What they’ve gained between albums is a stronger sense of immediacy and urgency. Kveikur is a more upbeat continuation of their 2012 album Valtari, offering a heavier wall of sound approach with faster beats-per-minute compared to the 2012 effort. That stated, it’s not a massively large departure, as neither record is in a hurry to prove a point. Each song takes the listener on a journey, yet all cuts work together within the context of their respective album as a whole. Kveikur is simply louder, showcasing more chaotic builds and rooting itself in epic dissonance. The tone of the newer album is darker, even demonic at times; Jónsi and his cohorts channel their demons and come out on the other side, transformed with an added emphasis on ‘Von’. (for non-Sigur Rós fanatics, ‘Von’ means ‘hope’ in the faux language the group invented called “Hopelandic”)

Both albums are continued steps away from mainstream fare, yet at the same time Sigur Rós invite you to join their chaotic world of hope. Opening track “Brennisteinn” commands attention and delivers a foreboding feeling, utilizing bass bombs and ecstatic feedback blasts to introduce the album. As “Brennisteinn” begins to wind down into its ambient outro, the static feedback returns to contrast sharply with the supposedly peaceful finale. “Stormur” begins with Jonsi’s angelic euphoria, but the song only takes flight when the positively pitched, high energy percussion arrives a minute in. “Rafstraumur” uses a typical Sigur Rós song structure — building to a peak, then ephemerally retreating into the valley of calmness before building to a euphoric release point that successfully climbs higher than the previous peak. The long-lasting crescendos are driven by invasive drums on “Rafstraumur”, making the calm respite mid-song especially effective. Kveikur ends as strong as it begins, with “Rafstraumur” and “Bláþráður” leaving a distinctively intense, new taste on your tongue before finishing with the albums’ only mellow cut “Var”.

Album Lowlight: Title song “Kveikur’ is a racing demonic soundscape, but it isn’t one of Sigur Rós’ best songs. “Kveikur” contains punk-rock influences and is particularly hard and rough around the edges for the Icelandic outfit, and it isn’t a track that is particularly satisfying. Maybe it sticks out as a lowlight because it’s missing the beautiful ambiance that is present in every other song, at least in some way. It rejects the duality concept of Kveikur, that being euphoric ambiance versus moments and excursions into jarring dissonance.

Takeaway: Kveikur is Sigur Rós’ best album since 2005’s Takk… largely due to the rapid pace throughout and the sonically jarring jolts that strike like a viking on the attack. The cacophonous noises that contrast with the typical Rós ambiance makes the LP all the more memorable. The resulting effect of this cognitive dissonance is immersive, thought-provoking music. The group favors ‘stress’ over ‘release’ here, but there are enough release moments to help the listener avoid a nervous breakdown. While the sound of Kveikur is certainly heavy, it is less emotionally heavy than Sigur Ros’ classic early releases Agaetis Byrjun, ( ), & Takks… — the albums that made Sigur Rós a worldwide phenomenon, so don’t expect this output to be in the same vein as those classics. Though this is quintessential Sigur Rós, and a must listen for fans of post-rock.

~Mike Frash


Empire of the SunIce on the Dune

3-BamsTop Tracks:
“DNA”
“Alive”
“Keep a Watch”

Album Highlights: The pair of Aussie lads from Empire of the Sun have followed up 2008’s blazing Walking on a Dream with another striking dose of synth rock, full of shiny production and dance grooves. Ice on the Dunes took almost five years to arrive at our ears, and there are some truly positive attributes to glean on this sophomore release. First, the visual marketing of the group has not tamed down, as their music videos, imagery and basically all aspects of the act, actually, are over-the-top and cinematic, to say the least. The bombastic vision of Luke Steele and Nick Littlemore is something to behold, as clearly demonstrated by their music video for “Alive” and subsequent tracks, and it appears to be the continuing vision of the duo. There was potential uncertainty for the future of this act as Nick decided not to tour behind Walking on a Dream, leaving Luke to span the globe a couple of times as the sole torch-bearer.

Now that the band is back together, it is able to create more pristine electro landscapes that could make Kylie Minogue weak in the knees. It’s maximal music at it’s best, so I suppose the five-year wait makes a bit of sense (see: Daft Punk) and comes through on the release, even if the strength of the songs do not hold up to the highlights on the previous release. Who would have thought that Australia would be such a hotbed for a unique brand of dance-driven synth-pop, but here we are. Songs like “Concert Pitch” epitomizes the EOTS sound with all it’s 80’s grandeur coupled with cute EDM-inspired, “feel good” lyrics that make the kids go a special type of crazy.

Album Lowlight: Over-production isn’t necessarily a bad thing, and no one should be surprised by this element from Empire. However, one can’t help but roll their eyes at certain spots where it’s simply too bright and shiny to be taken as something brilliant. I wasn’t quite sure what to expect from an album I personally didn’t think would ever be made, but this is pretty damned close, even if it lacks multiple stand-out tracks. Lastly, a certain homogeneity of tracks is much more pronounced, especially when compared to the previous release.

Takeaway: What was once a side/pet-project by two well-established Aussie musicians has fully developed into festival headliner status and are gearing up for a sizable summer to growing crowds. Luke and Nick have a master plan for their most recent project, this plan includes a multifaceted approach to the music industry by cultivating both a sound and an image. It could be argued that both are equally valuable in drawing in new fans that yearn to experience the mega-production stage act or simply blasting their albums in a convertible cruising PCH.

~Kevin Quandt