SF Show of the Week // GO4FREE to Penguin Prison at Mezzanine 2/10 (WED)

Penguin PrisonWritten by Nik Crossman //

Penguin Prison with Manics //
Mezzanine – San Francisco
February 10th, 2016 //

Growing up in New York City’s Upper East Side, Chris Glover (aka Penguin Prison) embarked on his musical journey early in life. From joining his school’s gospel choir at the age of 10 to fronting a punk band in high school and forming a boy band in college, Glover has never been shy of the spotlight. In 2009, he made a name for himself under the moniker Penguin Prison with his Animal Animal/A Funny Thing EP.

Released in 2015, Penguin Prison’s latest album Lost in New York refers to “a journey that someone is going on who’s trying to find his way, trying to just grow up, become an adult,” and borrows the title from the 1992 comedy film “Home Alone 2: Lost in New York”. The last time Penguin Prison came to SF, the one-man pop machine was accompanied by a full band and took a sold-out Independent by storm, proving why he deserves to be in the spotlight.

This Wednesday, Penguin Prison returns to SF to headline Mezzanine after Bay Area nu-disco act Manic opens the show. Tickets are available for $20, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Wednesday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Built to Spill: Feb 9th (TUE) at Slim’s
Jukebox the Ghost: Feb 10th (WED) at Great American Music Hall
Kiefer Sutherland: Feb 11th (THUR) at Great American Music Hall
Waters: Feb 12th (FRI) at Slim’s
Con Brio: Feb 12th (FRI) at The Independent
The Donkeys: Feb 12th (FRI) at The Chapel
Hepcat: Feb 13th (SAT) at Slim’s
Sophie B. Hawkins: Feb 14th (SUN) at The Chapel


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

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SF Show of the Week // GO4FREE to DeVotchKa at GAMH 1/14 (THUR)

DevotchkaWritten by Nik Crossman //

DeVotchKa with Barrio Manouche //
Great American Music Hall – San Francisco
January 14th, 2015 //

Start with Nick Urata on theremin, bouzouki, guitar and piano, throw in Tom Hagerman on accordion and violin, add Jeanie Schroder on sousaphone, upright bass and flute, and finally round it out with Shawn King on percussion, trumpet and organ. Put them all together, and you have DeVotchKa, a multi-instrumental and vocal ensemble from Denver.

Starting as a backing band for burlesque shows, the quartet gained an underground following while touring the U.S. in support of its self-released albums. But the band’s following turned more mainstream when its song “How It Ends” was featured in the trailers for the 2005 film “Everything Is Illuminated” and for the video game “Gears of War 2” a few years later.

In 2008, Boston alternative newspaper The Phoenix tabbed DeVotchKa as the “Best New Band from Colorado”, and their hit “How it Ends” climbed to as high as No. 101 on the UK Singles Chart. From scoring the 2006 film “Little Miss Sunshine” to performing covers of Siouxsie and the Banshees, they continue to produce a unique sound with their incredible musicianship.

This Thursday, the four-piece lands in SF to play the Great American Music Hall with opening support from Barrio Manouche, the Spanish gypsy-jazz group. Tickets are available for $26, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Thursday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Ghost Parade: January 13th (WED) at Brick & Mortar Music Hall
Blockhead: January 15th (FRI) at The New Parish
The Seshen: January 16th (SAT) at The New Parish
The Go! Team: January 18th (MON) at Great American Music Hall


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

Like Showbams on Facebook, follow Showbams on Twitter and follow Showbams on Instagram. Subscribe to our social channels for a better chance to win!

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The Bam Team’s 5 Favorite Shows, Albums & Songs of 2015

Caribou


Caribou at The Fillmore // Showbams’ Photo of the Year, by Justin Yee

Ah, where did 2015 go? It felt like we were just ringing in a new year a couple months ago. But with another year in the rear-view mirror, it’s time to once again doll out our annual “Best of” lists. Much like we did in 2014, we heard a lot of music this year, whether it was at a show or at a festival, at work, on the bus or in our cars. From established headliners who continue to amaze us to emerging artists who rekindled our excitement for new music, our collective lives were filled with one musical memory after another over the past 12 months.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2015.

The 25 Best Live Music Acts of 2015

Listen to The Bam Team’s favorite songs of 2015:


Tycho


Tycho at Lightning in a Bottle // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2015
1. Jack White at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 11th
There’s a reason why Mr. White was named our No. 1 live music act of 2014 around this time last year, and it’s not because he’s simply a guitar god. The Detroit native and former White Stripe is much more than that now, as he has proven with the kind of clever, genre-swirling songwriting that permeates his two solo albums Blunderbuss and Lazaretto. But witnessing White perform live almost feels like a musical right of passage in and of itself, reminding us that while inventive, mainstream rock ‘n’ roll may be harder to come by these days, it’s still far from dead. On this warm, spring night in the California desert, he imparted on us that “music is sacred” — not just with his words in between songs, but also with every ferverous note that he struck on his fret board. From the moment White appeared on the festival’s main stage, his 20-song, headlining set was bold and powerful, even if it would serve as one of his last shows for a while.

2. My Morning Jacket at Santa Barbara Bowl – Santa Barbara, CA – October 11th
3. Modest Mouse at Hollywood Forever – Los Angeles, CA – August 21st
4. Tycho at Lightning in a Bottle – Bradley, CA – May 24th
5. The War on Drugs at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 10th

Top 5 Albums of 2015
1. My Morning JacketThe Waterfall
When My Morning Jacket announced that they would be releasing a new studio LP in May after nearly a four-year layoff, their longest between albums since forming in the late 90’s, I wasn’t sure if they could top what they had devised on 2011’s Circuital. But these Louisville rockers, rather, did just that, putting together a flawless record that opens with the inspiring “Believe (Nobody Knows)” and concludes with the gloomy, yet poignant “Only Memories Remain”. In between it all, frontman Jim James continues to build off his 2013 solo album, showing what a thoughtful songwriter he has become — knowing when to step on the gas pedal and when to ease off of it. With an already impressive catalog highlighted by 2005’s Z, it’s hard to definitively say that The Waterfall has taken over the throne as MMJ’s best album now, but there’s no doubt it belongs in the conversation.

2. Father John MistyI Love You, Honeybear
3. Silversun Pickups – Better Nature
4. Jamie xxIn Colour
5. Tame ImpalaCurrents

Top 5 Songs of 2015
1. My Morning Jacket – “Tropics (Erase Traces)”
It’s only fitting that my favorite album of the year also boasts my favorite song of the year. The penultimate track on My Morning Jacket’s The Waterfall is an absolute rocker that gradually builds from the opening, Led Zeppelin-esque guitar lick before peaking midway through for a chilling finish. There might not be a better example in MMJ’s catalog that demonstrates how well Jim James and Carl Broemel play off each other, and if the two guitarists haven’t already, then they’ve certainly cemented themselves as one of rock’s best one-two punches by now.

2. The Weeknd – “The Hills”
3. Modest Mouse – “The Ground Walks, With Time in a Box”
4. Battles – “The Yabba”
5. Tame Impala – “The Less I Know the Better”


The Chemical Brothers


The Chemical Brothers at The Armory // Photo by Justin Yee

Molly Kish // San Francisco

Top 5 Shows of 2015
1. Jamie xx at Bimbo’s 365 Club – San Francisco, CA – July 31st
Whereas those familiar with his early XL Records mixtapes were satiated by his intermingling of Gil Scott-Heron and Idris Muhammad samples between hits, Jamie xx’s newfound, post-In Colour fans experienced equally breathtaking moments with the crowd hitting peak energy levels during the chorus of “Loud Places” amidst the glow of a warped-speed, neon-green strobe light. Another notable moment included the near-religious choral drop of “Gosh” that escalated the packed house to spiritual levels of enthusiasm, all while bathed in the glowing sparkle of Jamie Smith’s staggeringly iridescent, ceiling-to-floor disco ball and stage lights.

2. The Chemical Brothers at The Armory – San Francisco, CA – November 30th
3. Kate Tempest at The Independent – San Francisco, CA – May 20th
4. Kishi Bashi at Palace of Fine Arts Theatre – San Francisco, CA – January 30th
5. Caribou at The Fillmore – San Francisco, CA – March 1st

Top 5 Albums of 2015
1. Jamie xxIn Colour
Acclaimed London-based producer and half of electronic powerhouse The xx, Jamie Smith (aka Jamie xx) broke the mold this past year with his stunning solo debut In Colour. Earning top accolades within the music industry, including a 2015 Mercury Prize nomination and a Grammy nomination for “Best Electronic/Dance Album”, In Colour featured both individually conceptualized strokes of production ingenuity as well as many of the biggest contemporary-crossover hits this year. Smith explored his dubstep, house, garage and trip-hop influences on In Colour to deliver a genre-spanning masterpiece, highlighting his illustrious career as an electronic composer while setting the standard for the current and future state of EDM.

2. Kendrick LamarTo Pimp a Butterfly
3. Tame ImpalaCurrents
4. The Weeknd – Beauty Behind the Madness
5. Lord Huron – Strange Trails

Top 5 Songs of 2015
1. Jamie xx – “Loud Places”
As part of a track list that included some of 2015’s most groundbreaking and genre-defining hits, “Loud Places” holds its own as a standout cut on Jamie xx’s monumental solo debut In Colour. It comes in toward the latter half of the UK producer’s LP and enlists the gorgeously haunting vocals of Romy Madley Croft, one of Jamie Smith’s partners in The xx and a longtime collaborator of his. Amid a packed roster of acclaimed vocalists, emcees and iconic samples, Croft’s contributions, while paired with a full choir, help manifest the lyrical content of the song while evoking a near-religious experience for its listener.

2. Tame Impala – “Let It Happen”
3. Robyn – “Love Is Free”
4. Kendrick Lamar – “King Kunta”
5. FKA twigs – “In Time”


Outside Lands 2015 - Tame Impala


Tame Impala at Outside Lands Music and Arts Festival // Photo by James Nagel

Brett Ruffenach // San Francisco

Top 5 Shows of 2015
1. Four Tet b2b Floating Points at Public Works SF – San Francisco, CA – May 3rd
Sparked by their set at Plastic Peoples in London earlier in the year — a set, coincidentally, that was named “Best of the Year” by THUMP a few days ago — SF’s own DJ Dials was kind enough to bring Kerian Hebden and Sam Shepherd, better known as Four Tet and Floating Points, to Public Works last May. Starting early in the evening, the two well-established English producers put on a scorching, non-stop, six-hour, vinyl-only DJ set. Kicking off the evening with over an hour of early-70’s Brazilian samba and steadily moving from there to all forms of funk, big band, soul, jazz and of course their own eclectic catalog of music, the two DJs seamlessly moved between tracks, bringing up and down the energy at just the right point to keep you guessing what’s going to happen next. After dozens and dozens of shows and DJ sets this year, I always keep thinking back to this one because it wasn’t only a chance to see an artist I like play their music — it was a chance to see two artists I like play the music that they love, and do it on an absolutely killer sound system.

2. Kendrick Lamar at Fox Theater Oakland – Oakland, CA – November 10th
3. Tame Impala at Outside Lands Music and Arts Festival – San Francisco, CA – August 8th
4. Jamie xx “In Colour” album release show at Church of St John-at-Hackney – London, England – July 16th
5. Nicolas Jaar at Symbiosis Gathering – Oakdale, CA – September 19th

Top 5 Albums of 2015
1. Kendrick LamarTo Pimp a Butterfly
Kendrick wins. No contest. At this point, there’s nothing I can say that will be new or not already over-analyzed by the blogosphere over TPAB. All I can say is that TPAB is one of those rap albums that, just like Kanye West’s My Beautiful Dark Twisted Fantasy in 2010, expanded my understanding of what a rap album can be. From the very start you hear Lamar’s voice in the genius, FlyLo-produced “Wesley’s Theory” — a track that I think is among the greatest album openers ever — to the closing conversation with 2Pac in Mortal Man, TPAB is among the most ambitious and thoroughly conceptualized productions I have had the pleasure of hearing (and seeing) in my life.

2. Tame ImpalaCurrents
3. Nicolas Jaar – Nymphs I-IV
4. Jamie xxIn Colour
5. Beach HouseDepression Cherry

Top 5 Songs of 2015
1. Pumarosa – “Priestess”
“Priestess” is a seven-minute, punk-meets-disco dance party that starts as an observation and ends as a declaration. Its declaration? To dance. Its lyrics (for instance: “Cut from clay and stone / Electricity flows through your spine and shoulders/In the night when we’re alone”), its visceral rhythm and undeniably entrancing, three-minute instrumental closing out the track (DAT SAX) are what make it an easy choice for my favorite of the year. In a culture engulfed in consumerism, celebrity and over-consumption, “Priestess” reminds us all that dancing is free. Dancing can be a protest. Dancing can be a celebration. Dancing is whatever you make of it. “Priestess” is a track that reaches into your soul and forces you to do one simple thing: dance. That’s something we all need in our lives every once and a while.

2. Kendrick Lamar – “Wesley’s Theory”
3. Jamie xx – “Gosh”
4. Tame Impala – “Eventually”
5. Nicolas Jaar – “Swim”


High Sierra Music Festival 2015 - The String Cheese Incident


The String Cheese Incident at High Sierra Music Festival 2015 // Photo by Benjamin Wallen

Benjamin Wallen // San Francisco

Top 5 Shows of 2015
1. Greensky Bluegrass at The Independent – San Francisco, CA – November 1st
Many bands get bigger and play bigger shows. Every now and then, you get to see them in a smaller venue with a more “intimate” feel. This was that show. Following a crazy night at the Fox Theater Oakland celebrating Halloween, the band crossed the Bay Bridge to play a birthday show for its dobro player Anders Beck at The Independent. It was a “Greatest Hits” setlist of all the songs I loved the most: past, present and future. The show was definitely intimate and filled with energy, and Greensky ended the night with some acoustic tunes. I think it says a lot about a band that can pack a big venue and then play a smaller venue and still the heat. This is my favorite band these days. They are consistently great and just too much fun.

2. String Cheese Incident at High Sierra Music Festival – Quincy, CA – July 3rd
3. The Sam Chase at High Sierra Sierra Music Festival – Quincy, CA – July 3rd
4. Jeff Austin Band at Great American Music Hall – San Francisco, CA – April 26th
5. The Devil Makes Three at Fox Theater Oakland – Oakland, CA – February 3rd

Top 5 Albums of 2015
1. Della Mae – Della Mae
These girls are damn talented as much as they are cute. I stumbled upon these five girls from Nashville while at The Chapel a few years back, and they were just damn good. Then, I heard that they were nominated for a Grammy and only beaten by the legendary Del McCoury Band. These ladies can pick and tick and get the crowd jumping. For Della Mae, powerful songs and epic throw-down jams are just par for the course. This album was Kickstarter-funded, which I was happy to contribute to, and continues the revival of bluegrass for the younger generation and modernizing the sound with the energy of youth. I find myself playing this album more and more each day from start to end — it’s just that good.

2. The Dustbowl Revival – With a Lamp Shade On
3. Father John MistyI Love You, Honeybear
4. Nicki Bluhm and the Gramblers – Loved Wild Lost
5. Jackie Greene – Back to Birth

Top 5 Songs of 2015
1. Jackie Greene – “A Face Among the Crowd”
I have been a Jackie Greene fan since I moved to SF almost 10 years ago. This song I heard a number of years ago when Greene was uploading hotel room solo tracks on the road. This song was put up on Father’s Day for Greene’s dad and was a touching song. Creepily sitting in a hotel room, you can feel the emotion. Hearing it on a record in my home is just heaven. After some of those really tough days in life, I come home, put this song on while listening on my best pair of headphones and zone out — let all the crap from the day that doesn’t mean shit just fade away. This song does that for me, and as a music lover, finding this type of song is like finding gold on the street.

2. The Dustbowl Revival – “Standing Next to Me”
3. The California Honeydrops – “When It Was Wrong”
4. Father John Misty – “I Went to the Store One Day”
5. Nicki Bluhm & The Gramblers – “Mr. Saturday Night”


Father John Misty


Father John Misty at Treasure Island Music Festival 2015 // Photo by Marc Fong

Andrew Pohl // San Francisco

Top 5 Shows of 2015
1. Father John Misty at Treasure Island Music Festival – San Francisco, CA – October 18th
Of all of the performers on Day 2 at the festival, Father John Misty held my attention the most. A stellar performance, hitting all of the right points, which gave me good reason to believe that he may in fact be one of the best frontmen of the last 10 years.

2. Hum at Slim’s – San Francisco, CA – September 18th
3. Fat Wreck Chords 25th Anniversary at Thee Parkside – San Francisco, CA – Aug 22nd & 23rd
4. Refused at Great American Music Hall – San Francisco, CA – May 28th
5. alt-J at Greek Theatre – Berkeley, CA – April 16th

Top 5 Albums of 2015
1. Tame ImpalaCurrents
From top to bottom, this is an album that I can listen to over and over without feeling burnt out (and believe me, I have). I appreciate the fact that on this album, they steer clear of too much “jam” and keep it straight forward. I can’t help but move my feet when I hear some of the tracks on Currents.

2. Kendrick LamarTo Pimp a Butterfly
3. Failure – The Heart Is a Monster
4. Father John MistyI Love You, Honeybear
5. God Is an Astronaut – Helios/Erebus

Top 5 Songs of 2015
1. Tame Impala – “The Less I Know the Better”
From the first time I heard this track, I knew it was the best song of the year. Infectious as hell, you cannot stop your body from getting into that groove.

2. Grimes – “Kill V. Maim”
3. Father John Misty – “Bored in the USA”
4. The Velvet Teen – “All Is Illusory”
5. Viet Cong – “Continental Shelf”


Viet Cong


Viet Cong at Rickshaw Stop // Photo by Diana Cordero

Kevin Quandt // San Francisco

Top 5 Shows of 2015
1. Viet Cong at Rickshaw Stop – San Francisco, CA – March 5th
Viet Cong were easily one of the most brilliant bands in 2015 as they shook up South by Southwest (even when their drummer had a broken arm), generally not caring about the whole band-name fiasco and releasing a stellar debut LP. The brooding studio work from this Canadian outfit turned out to be way more accessible on the live stage as bassist/singer Matt Flegel bounced between playful banter and pile-driving post-punk.

2. Caribou at The Fillmore – San Francisco, CA – March 1st
3. Todd Terje (Live) at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 10th
4. Kendrick Lamar at Fox Theater Oakland – Oakland, CA – November 10th
5. BADBADNOTGOOD at FYF Fest – Los Angeles, CA – August 22

Top 5 Albums of 2015
1. Kendrick LamarTo Pimp a Butterfly
No surprises here, as truly this was objectively the best album of the year. With expectations high from his growing fan base, Lamar delivered an LP that had it all: crushing singles, a bold concept and a clear message. The smorgasbord of genres and vibes TPAB lays out for the listener further shows that K-Dot’s bag of tricks has no end in sight.

2. Protomartyr – The Agent Intellect
3. DJ Paypal – Sold Out
4. Tame ImpalaCurrents
5. Archy Marshall – A New Place to Drown

Top 5 Songs of 2015
1. Tame Impala – “Let It Happen”
This track was our first taste of Currents, and it got fans salivating in no time. “Let It Happen” was the perfect amuse-bouche with Kevin Parker’s vision shifting a bit toward synths over his trusty Rickenbacker guitar, which slightly became the resounding chatter behind the LP. Oh yeah, and there was the “record skip” in the middle of the track that we all went mental over.

2. Ought – “Beautiful Blue Sky”
3. The Weeknd – “Can’t Feel My Face”
4. DJ Spinn – “Dubby” (feat. DJ Rashad & Danny Brown)
5. Deerhunter – “Snakeskin”

Showbams

SF Show of the Week // GO4FREE to Oneohtrix Point Never at The Independent 11/27 (FRI)

ONEOHTRIX POINT NEVERWritten by Nik Crossman //

Oneohtrix Point Never with James Ferraro //
The Independent – San Francisco
November 27th, 2015 //

Influenced by his father’s Roland Juno-60 synthesizer and extensive collection of dubbed jazz-fusion tapes, Daniel Lopatin began experimenting with music at an early age while he fought the traumatic oddities of puberty in the early 90’s. Lopatin spent most of his twenties developing his music and in 2009 gained critical acclaim for his two-disc compilation titled Rifts. Under the moniker Oneohtrix Point Never (a verbal play on 106.7, the radio frequency of Boston station WMJX), the Massachusetts native continued experimenting and self-released two full-length albums before signing with Warp Records in 2013.

Lopatin’s sounds are influenced by his emotional state while he’s composing. His first album on Warp, R Plus Seven, has a lot of domesticity as it was written after his girlfriend moved into his apartment, making it “such a more pleasant place.” His latest LP Garden of Delete, which was released earlier this month, leans heavily on the side of aggression — an amalgamation of emotional teenage memories tuned with his environmental influences at the time (i.e. touring with Nine Inch Nails and Soundgarden in 2014).

In an interview with DummyMag, Lopatin explains, “(The album)’s a bit of a memoir, in a way. I used whatever memories I have left of puberty — which isn’t a lot — and what I realized is that most of the memories I do have from that time in my life are pretty traumatic. So it lends itself to that aggressive sound.”

This Friday, Lopatin will bring his Roland Juno-60 synthesizer to The Independent with New York-based experimental musician, composer and electronic music producer James Ferraro serving as the night’s opener. Tickets are available for $22, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Friday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Hungry Skinny: November 24th (TUE) at Slim’s
Nikki Lane: November 27th (FRI) at Great American Music Hall


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

Like Showbams on Facebook, follow Showbams on Twitter and follow Showbams on Instagram. Subscribe to our social channels for a better chance to win!

CONTEST CLOSED.

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SF Show of the Week // GO4FREE to We Were Promised Jetpacks at GAMH 11/19 (THUR)

We Were Promised JetpacksWritten by Nik Crossman //

We Were Promised Jetpacks with SEOUL //
Great American Music Hall – San Francisco
November 19th, 2015 //

Succeeding with their first gig at Edinburgh High School’s “Battle of the Bands” in 2003, We Were Promised Jetpacks didn’t feel like a proper band until they moved to Glasgow to play “proper gigs at proper venues.” As their sound matured, their music also became strongly influenced by Frightened Rabbit and The Twilight Sad, two Scottish groups who shared the same label FatCat Records.

Releasing their debut album These Four Walls in 2009, these four lads from Scotland gained fame as the LP reached No. 27 on U.S. Billboard Heatseekers chart following the popularity of three singles, including “Quiet Little Voices”. In 2014, multi-instrumentalist Stuart McGachan joined the group and helped with WWPJ’s latest record Unravelling. More than a year after the release of their third full-length album, they continue to tour with 24 U.S. dates lined up for November and December.

This Thursday, these Scottish indie rockers are heading to Great American Music Hall with mysterious Montreal outfit SEOUL opening the show. Tickets are available for $25, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Thursday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Low: November 18th (WED) at Great American Music Hall
Corosion of Conformity: November 18th (WED) at Slim’s
Fever the Ghost: November 18th (WED) at Brick & Mortar Music Hall
Gardens & Villa: November 20th (FRI) at The Independent


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

Like Showbams on Facebook, follow Showbams on Twitter and follow Showbams on Instagram. Subscribe to our social channels for a better chance to win!

CONTEST CLOSED.

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SF Show of the Week // GO4FREE to Bakermat at Mezzanine 11/12 (THUR)

BakermatWritten by Nik Crossman //

Bakermat with Alex Adair //
Mezzanine – San Francisco
November 12th, 2015 //

While studying psychology at Utrecht University, Lodewijk Fluttert (better known by his stage name Bakermat) began moonlighting as a DJ in his spare time. Releasing his first two EPs in 2012, Fluttert quickly made a name for himself when he integrated Martin Luther King, Jr.’s “I Have a Dream” speech into his title track “One Day (Vandaag)”. The hit single charted in the Netherlands (his homeland), Belgium and France upon release, and the 24-year-old was later awarded a platinum record in Germany.

Meanwhile, Fluttert’s Uitzicht EP appeared in several iTunes charts after its release in 2013 on Soundplate Records. Now with his popularity continuing to quickly grow, Bakermat continues to develop his unique electronic amalgamation of gospel, soul, jazz and blues with his latest single “Teach Me” from 2014.

This Thursday, Bakermat and British DJ, producer and remixer Alex Adair invite you to join them in an exploratory evening at Mezzanine. Tickets are available for $25, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Thursday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Fortunate Youth: October 13th (FRI) at Slim’s
Soulside: October 14th (SAT) at Slim’s
Blitzen Trapper: October 15th (SUN) at The Independent
Born Ruffians: October 15th (SUN) at Slim’s
Hunter Hunted: October 15th (SUN) at Brick & Mortar Music Hall
Alvvays: October 16th (MON) at The Independent
Bells Atlas: October 17th (TUE) at The New Parish
The Good Life: October 17th (TUE) at Great American Music Hall


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

Like Showbams on Facebook, follow Showbams on Twitter and follow Showbams on Instagram. Subscribe to our social channels for a better chance to win!

CONTEST CLOSED.

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Eagles of Death Metal prove that rock ain’t dead

Eagles of Death MetalPhotos by Mike Rosati // Written by Brett Ruffenach //

Eagles of Death Metal //
Great American Music Hall – San Francisco
October 26th, 2015 //

Sometimes it feels like it’s getting harder and harder to find a band that doesn’t have a laptop somehow involved in its live production. But have no fear, Jesse Hughes is here.

With a sold-out show at the Great American Music Hall last Monday, Eagles of Death Metal certainly challenged Gene Simmons’ belief that “rock is dead.” Coming to SF for the first time in five years, EODM brought a slightly older, yet no-less enthusiastic crowd with plenty of beards and flannels mixed in.

While EODM has garnered considerable popularity with Queens of the Stone Age frontman Josh Homme on drums, it was clear right from the beginning that their live appeal comes from Hughes, the band’s vocalist and lead guitarist. As EODM took the stage with Pilot’s “Magic” playing over the PA system, Hughes emerged with his trademark suspenders and mustache, exuding more energy than any bandleader could possibly manage.

Without saying much, EODM jumped into “Bad Dream Mama” to the delight of everyone in attendance. Between Dave Catching’s guitar work, Matt McJunkins’ tenor bass and Homme’s machine-like drumming abilities, EODM brings a sound so loud, so in-your-face that you can’t help but bounce around. Quickly moving into “Don’t Speak (I Came to Make a Bang!)”, the crowd was entranced by the band as Hughes guided the quartet through the show.

Eagles of Death Metal

Sweating enough to go through more than a couple shirts, Hughes brought and maintained an energy unlike anything seen before. In between songs, he talked to the crowd about only the most important topics — the beauty of the women in SF or the drugs he may or may not have ingested prior to the show.

“Tonight is a special night,” the 43-year-old rocker said to his audience. “And ya’ll gon’ hear the litany of it soon. Can you dig it?!?!”

Hughes went on to explain that SF has a special place in his heart, as he once lived in the City and was happy to be back.

Then, like a manic Southern Baptist preacher, he told the crowd, “I love you, and I hope you have a good time tonight. Now let us dispense in the complexities of life and make it simple.”

Eagles of Death Metal

Just like that, EODM jumped into their most recent single “Complexity”. With most of the group’s tracks coming in at under three minutes in length, the show moved rather quickly from song to song. EODM’s translation of “Whorehoppin’ (Shit, Goddamn)” from their 2004 debut album Peace, Love, Death Metal was particularly great, with Homme providing more cowbell than the most feverish Christopher Walken could possibly desire.

Not every song of EODM’s are just power chords, though. Halfway through the set, Hughes and company changed up the pace with “Already Died”, a heavier, slowed-down track that’s most notably filled with Catching’s fantastic guitar licks. But before the energy got too low, the band transitioned into “Stuck in the Metal” as the crowd went wild and didn’t stop. In the end, EODM’s setlist included more than 20 songs.

After a short set break, Hughes emerged for a solo encore during which he asked the crowd for requests. He played a solo version of “San Berdoo Sunburn” before the rest of the band came out to play a round robin of solos, which was easily the most awkward moment of the night.

EODM have the perfect style as a rock band, one that takes itself just seriously enough. As a whole, they are a hard, fast and tightly-wound production, with their silly lyrics and even sillier frontman bringing a perfect balance to what you want to see at a rock show. Closing with “Speaking in Tongues”, EODM walked off the stage at the Great American Music Hall knowing that they had accomplished what they came to do — to prove that rock ain’t dead.

Setlist:
Bad Dream Mama
Don’t Speak (I Came to Make a Bang!)
So Easy
Complexity (Boots Electric cover)
Kiss the Devil
Shasta Beast
Silverlake (K.S.O.F.M.)
Whorehoppin’ (Shit, Goddamn)
The Reverend
Cherry Cola
Got a Woman (Slight Return)
Already Died
Stuck in the Metal
Wannabe in L.A.
Save a Prayer (Duran Duran cover)
Anything ‘Cept the Truth
Miss Alissa
I Got a Feelin (Just Nineteen)
I Like to Move in the Night
I Want You So Hard (Boy’s Bad News)

Encore:
San Berdoo Sunburn
Got the Power
I Only Want You
Speaking in Tongues

SF Show of Week (Halloween edition) // GO4FREE to Passion Pit & RAC at The Masonic 10/30 (FRI)

Passion Pit & RACWritten by Nik Crossman //

Passion Pit with RAC, Coleman Hell, Aaron Axelsen //
The Masonic – San Francisco
October 30th, 2015 //

Releasing Passion Pit’s third studio album Kindred in April, frontman Michael Angelakos finally steps into the light and pulls back the veil of anonymity that he so carefully crafted with the band’s first two albums. Passion Pit’s sophomore album Gossamer quickly gained popularity when it debuted at No. 4 on the Billboard 200 in 2012. While Angelakos’ quixotic nature is not absent in Kindred, it is more refined without the distancing reverb and esoteric lyrics that were prevalent in the group’s previous releases. Passion Pit has been promoting their latest album on tour since its release and brings the tour to a close this week in SF at LIVE 105’s Scream Scene 2015.

Meanwhile, think of your favorite rock, indie, electronic and dance artists — and Remix Artist Collective (RAC) has likely remixed one of their songs. From The Shins to Death Cab for Cutie to Kings of Leon to Lana Del Rey, RAC expands their sound while maintaining the integrity of a song’s original structure. Developing RAC in 2007, André Allen Anjos set out to redefine how songs were remixed, using analog keyboards and tape machines to create his signature sound and steer away from the typical club/dance remix. While RAC initially gained popularity from Anjos’ remixes, the band released its first original song “Hollywood” in 2012 with the help of Penguin Prison’s Chris Glover and a second original track “Let Go” in 2013 that features Bloc Party frontman Kele Okereke and MNDR (aka Amanda Lucille Warner).

This Friday, Passion Pit and RAC will storm into The Masonic with Coleman Hell and Aaron Axelsen providing support. You can buy tickets for $50, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Friday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Wand: October 29th (THUR) at Brick & Mortar Music Hall
Awolnation: October 29th (THUR) at The Masonic
Ceremony: October 29th (THUR) at Great American Music Hall
Roky Erickson: October 31st (SAT) at The Independent


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SF’s own Megan Slankard is an artist at the door

Megan SlankardBy Tom Dellinger //

Megan Slankard with Peter Case //
Great American Music Hall – San Francisco
October 16th, 2015 //

Last Friday night, KC Turner Presents and KFOG radio partnered to present The Boob Project, a fundraising event for The Breast Cancer Research Foundation, featuring SF indie-rock act Megan Slankard and opener Peter Case. The idea for The Boob Project, which originally took shape at KFOG, has led to the song Boob Spelled Backwards is Boob, a rallying cry that has brought together many artists such as Michael Franti, Elle King, ZZ Ward, Graham Nash, Steve Earle and many more with Slankard as one of the co-writers and producer of this project.

Megan Slankard

Early in the evening, KFOG on-air personalities Renee Richardson, No Name and Irish Greg shared some of the history and purpose of The Boob Project as well as honoring Slankard’s contributions. Slankard is well-known and popular among live music fans throughout the Bay Area and beyond as she’s been out performing and honing her considerable skills for several years now. Along the way, she’s released four LPs with her most recent offering Running on Machinery coming out earlier this month. A rich, complex and rewarding journey filled with spine-tingling moments, it shows an artist on top of her game. Slankard and the band soar and dive free as a bird, resulting in an album that is an absolute joy to hear — an exhilarating ride that’s constantly moving in new and unexpected directions. This collection of songs is broad in scope and allows her to touch us in the gentlest way as she shows on “If I Knew” before taking us to dizzying heights on the hard-rocking “Bones Live Forever”. Masterfully produced by Alex Wong and with a band that is a perfect fit, Running on Machinery will no doubt be a tough act to follow for her.

With a loyal fan base in attendance for both Slankard and Case, the line to get into the Great American Music Hall developed early and was down the block by the time the doors opened. Case, a classic storyteller and songwriter with a long and storied career that includes time busking on the streets of SF and a colorful run with The Plimsouls, is one of those guys who has influenced many successful musicians today. He came out filling the room with his stories along with the big growling sounds of a 12-string guitar. He would later join Slankard and her band as they romped through a Plimsouls tune.

Megan Slankard

Hot on the heels of a recent head-turning performance at Hardly Strictly Bluegrass Festival (see our photos here), Slankard took the stage with her stellar band, which features Danny Blau (keyboards, guitar), Jeff Symonds (bass), Kyle Caprista (drums) and lastly James DePrato (guitar, lap steel guitar), and picked up right where she left off on that brilliant outing in Golden Gate Park. Crystal clear, Slankard’s vocals gently floated and at times effortlessly cut sharply through the air. The band was tight and offered up a vast sonic tapestry for her vocals. As she and the band drew heavily from her most recent work in the first set, they took a break and came back to give us a complete playing of Led Zeppelin II in the second, which they nailed. Perfect in every way, it was a pleasure to hear such a classic LP covered so well.

After witnessing this performance and looking at Slankard’s career so far, it’s obvious she’s on a very fast and steep musical path that seemingly knows no bounds. Surrounded with the talent that is her perfect complement, one gets the sense something big is in store for her. At the very top of an arc, she stands ready at the door, waiting for the broader recognition that she deserves — and may that door soon be flung wide open.

SF Show of the Week (TIMF edition) // GO4FREE to YACHT at The Independent 10/17 (SAT)

YACHTWritten by Nik Crossman //

YACHT with Sage Caswell //
The Independent – San Francisco
October 17th, 2015 //

There exists a band, belief system and business coordinated by Jona Bechtolt and Claire L. Evans under the acronym YACHT. Named after, but not affiliated with, an educational program in Portland, YACHT stands for “Young Americans Challenging High Technology”. The movement, which Bechtolt and Evans have dubbed “The YACHT Trust,” suggests the creation of an idea into form provides a spiritual high attainable by anyone willing to try.

Bechtolt began transmitting YACHT’s belief system into music and PowerPoint presentations in 2002 as a solo project before Evans joined in 2008. After Evans came on board, the dance-punk/electropop duo continued developing its personal philosophy and embodied the result in 2009’s See Mystery Lights and an ebook entitled The Secret Teachings of the Mystery Lights: A Handbook on Overcoming Humanity and Becoming Your Own God. The album, which was released on NYC label DFA Records, received rave reviews from critics, including a “Critic’s Choice” honor from The New York Times.

With support from Los Angeles solo artist Sage Caswell, The YACHT Trust will lead its community through another experience of discovery this Saturday at The Independent in what will serve as a late-night show for this weekend’s Treasure Island Music Festival. You can buy tickets for $22, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Friday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Hinds: October 14th (WED) at Slim’s
The Districts: October 14th (WED) at Great American Music Hall
El Ten Eleven: October 15th (THUR) at Great American Music Hall
Guy Fox: October 15th (THUR) at Brick & Mortar Music Hall
Gang of Four: October 16th (FRI) at The New Parish
Deafheaven with Tribulation: October 17th (SAT) at The Fillmore


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

Like Showbams on Facebook, follow Showbams on Twitter and follow Showbams on Instagram. Subscribe to our social channels for a better chance to win!

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SF Show of the Week (TIMF edition) // GO4FREE to Albert Hammond, Jr. at The Independent 10/16 (FRI)

Albert Hammond, Jr.Written by Nik Crossman //

Albert Hammond, Jr. with Day Wave //
The Independent – San Francisco
October 16th, 2015 //

Citing The Beach Boys, John Lenon, Buddy Holly and The Velvet Underground as some of his major influences, Albert Hammond, Jr. has made a name for himself beyond playing guitar and keyboard in the indie-rock goliath The Strokes. Releasing his debut album Yours to Keep in 2006 launched Hammond’s solo career with much support from his fellow bandmates — lead singer of The Strokes Julian Casablancas, in fact, even played bass and sang backup vocals on the track “Scared”.

After years of living the rock ‘n’ roll lifestyle, Hammond opened up about his life in an exclusive interview with Rolling Stone in 2013, explaining why he put himself in rehab and subsequently dove into the making of his first solo EP AHJ. With the release of his latest full-length album Momentary Masters this past July, Hammond continues to balance life as a double agent, refusing to blend the sound of his solo career with that of The Strokes.

This Friday hours before Treasure Island Music Festival gets underway, Hammond invites SF to share an intimate evening with him and opening act Day Wave at one of the city’s most charming venues, The Independent. You can buy tickets for $20, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Friday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Hinds: October 14th (WED) at Slim’s
The Districts: October 14th (WED) at Great American Music Hall
El Ten Eleven: October 15th (THUR) at Great American Music Hall
Guy Fox: October 15th (THUR) at Brick & Mortar Music Hall
Gang of Four: October 16th (FRI) at The New Parish
Deafheaven with Tribulation: October 17th (SAT) at The Fillmore


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

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After almost two decades apart, Failure are making up for lost time now

FailurePhotos by Mike Rosati // Written by Andrew Pohl //

Failure with The New Regime //
Great American Music Hall – San Francisco
August 31st, 2015 //

You know those bands that you discover after they have already broken up, only to find out that they are not only fantastic, but also happen to be tremendously influential?

This has happened to me a few times with Far, Refused and Quicksand, to name a few. Failure is another band on that list, and when I found out that they had decided to get the band back together, I was beyond excited.

Failure

After a short tour with the mighty Tool (who happen to be very big fans of theirs), and an extensive North American tour in 2014, the Los Angeles band finalized and released its self-produced album The Heart Is a Monster. This album comes nearly 20 years after their seminal 1996 release Fantastic Planet, which at the time was mostly overlooked but has become known as a highly important alternative-rock album.

I had seen Failure in 2014 at The Great American Music Hall on their first reunion tour, and they were nothing short of incredible, so I was very eager to catch them again, particularly at such a great venue. The New Regime, a project led by notable session drummer Ilan Rubin (Nine Inch Nails, Lost Prophets, Paramore) opened up the show. Their set was tight, mostly centered around a garage, psych-rock sound.

After a brief break, the lights went down, and the eager crowd welcomed Ken Andrews (guitar, bass), Greg Edwards (guitar, bass, keyboards) and Kellii Scott (drums) on stage. Opening their set with one of their famous segues (“Segue 4” to be exact), each member had a special dot matrix lighting screen, which lit up with brilliant visuals, and the group busted into their new album’s first hit “Hot Traveler”. Andrews let out a sly smile when he looked up to see the crowd, and I can understand where it came from as everyone was lit up and rockin’ out.

Failure

Failure’s set was a solid mix of tracks from the new album, along with tracks from their back catalog. Sonically, they are a band that just cannot be touched. The production level on all of their albums is top-notch, which is a testament to the fact that Andrews has spent a good deal of his time outside of his bands as a producer and engineer. Live, the band uses the Fractal guitar system for its sounds, which runs direct into the PA, a very non-typical way of doing things. But for Failure, it makes total sense since they use a wide variety of tones, distortions and effects. Edwards, who also performs with Autolux, switched between guitar, bass and keys, while Andrews played guitar or bass. Scott’s drumming was on point, and his animated style was a welcome counter to Andrew’s and Edward’s more stoic nature.

As the set drew to a close, the opening key line to their biggest hit “Stuck on You” got the crowd amped up for a righteous singalong, which I gladly partook in. I was happy to see that the audience was a nice mix of people around my own age — some older and some younger, both men and women, all of which had their faces glued to the stage. It was refreshing to not see a sea of cellphones out. Given that these guys had taken such a long stretch of time between performing on a consistent basis, I am blown away at just how natural it seemed for them, like it hadn’t changed a bit. I have friends who had seen the band back in the 90’s and have said that there really isn’t much a difference between them then and now. The world needs more space rock like Failure, so here’s hoping that they press on.

SF Show of the Week // GO4FREE to MSTRKRFT at Mezzanine 8/26 (WED)

MSTRKRFTWritten by Brett Ruffenach //

MSTRKRFT //
Mezzanine – San Francisco
August 26th, 2015 //

Born out of the raw, fist-clenching dance-punk coming from Toronto duo Death from Above 1979, MSTRKRFT (pronounced “Master-craft”) are a gritty, electronic side project composed of DFA 1979 bassist/keyboardist Jesse F. Keeler and producer Al-P (Alex Puodziukas). Formed in 2005, MSTRKFT bring the grit of DFA 1979 as well as the uplifting rhythms and synth melodies of artists like Daft Punk and Ratatat to the stage.

After gaining prominence in 2009 from the release of their sophomore album Fist of God, MSTRKRFT are headed back to SF and are bringing their thumping beats to Mezzanine this Wednesday. With their massive sonic range and the venue’s booming Funktion-One sound system, this surely is not a show you want to miss.

You can buy tickets for $25, or you could win a pair of tickets by registering your full name and email below.

Contest ends this Wednesday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Jenny Hval: August 25th (TUE) at The Chapel
The Brothers Comatose: August 28th (FRI) at Slim’s
Booka Shade: August 28th (FRI) at Mezzanine
Failure: August 31st (MON) at Great American Music Hall


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

Like Showbams on Facebook, follow Showbams on Twitter and follow Showbams on Instagram. Subscribe to our social channels for a better chance to win!

CONTEST CLOSED.

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Jordan and the RituaL, The Humidors, Mickelson flex their homegrown muscle at GAMH

Jordan and the RituaL


Jordan and the RituaL

By Tom Dellinger //

Jordan and the RituaL with The Humidors, Mickelson //
Great American Music Hall – San Francisco
August 21st, 2015 //

Last Friday, the Great American Music Hall hosted another showcase featuring all Bay Area bands. As the number of stages in SF has been on the decline in recent years, it’s gratifying to see one of the city’s finest venues presenting local talent.

Last month, the Great American Music Hall hosted the wildly successful Animal Spirit Ball (read our show review here) that featured Royal Jelly Jive, Be Calm Honcho, The Rainbow Girls and Brass Magic. On this night, the stage belonged to three local bands — Jordan and the RituaL, The Humidors and Mickelson — that offered up a high-energy evening of rock, funk, soul and folk. With JATR mixing rock, soul and funk together, The Humidors solidly grounded in funk and Mickelson occupying the alt-folk field, it promised to be a fulfilling evening.

Scott Mickelson


Mickelson

Kicking things off was Mickelson, and for this performance, band leader Scott Mickelson also brought in special guests Brad Brooks (vocals), Kimberly Kenny (vocals), Ralph Carney (horns), Ed Ivey (tuba), Glenn Hartman (accordion) and George Mousa Samaan (trombone) to further expand the group’s sound. Drawing from its most recent studio release Flickering, the band filled the hall with tunes consisting of both rich, lyrical content and dynamic arrangements that gave the band plenty of opportunities to shine and got the night off to a good, solid start.

The Humidors


The Humidors

With a recent gig at The Independent opening for Dumpstaphunk, The Humidors took the stage and demonstrated a superb ability to throw down irresistibly solid grooves that had the house rocking and dancing throughout their set. Lead vocalist Joseph Carter proved to be an engaging frontman as he worked the stage and band, keeping it all at a high level. The band was tight and its energy was focused. Of particular note was the remarkable horn section with Patrick Cress (baritone sax), Mark H. Miller (sax) and Joshua Cambridge (trombone). All three had deep chops that had the crowd screaming in approval a number of times throughout their set. It was a fun, fast-paced performance that held the crowd from start to finish — one where everyone is happy and smiling at the end.

Jordan and the RituaL


Jordan and the RituaL

No stranger to the SF music scene, keyboardist Jordan Feinstein took the stage with his band Jordan and the RituaL to wrap up the night. Though Feinstein pointed out this was the “lite” version of JATR (he often has several more performers on stage with the band), the sound they put out was not “lite” in any way. Feinstein, best known for keyboards, also nicely handled the lion’s share of the vocals as they presented a program heavy on soul and funk with a little bit of hip-hop courtesy of an appearance from Rafael Sarria of La Gente, another SF band that Feinstein performs with in his spare time. Those familiar with Sarria’s work in La Gente know what a ball of fire he is, and he generated that same energy at the Great American Music Hall. Subsequently, JATR were in a groove and rolled comfortably through their headlining set with many memorable moments along the way. Guitarist A.J. Rivlin had several particularly fine solos, Sarria killed it with his appearance and back-up vocalist/percussionist Daria Johnson also delivered some stunning vocals. Both popular and gifted, Johnson is always a formidable force, and last Friday night, she was absolutely stunning.

With venues declining in SF and the overall landscape of the music business shifting, it’s good to know prime spots like the Great American Music Hall still have room to present the local as well as the better-known touring artist. By once again shining a light on talent in our own backyard, the venerable hall continues to remind us why it remains at the top of our list of favorite venues, and hopefully fans will soon come to recognize that SF artists both deserve and need our support by attending shows such as this.

Spirit animals rule the night at Great American Music Hall as Royal Jelly Jive come roaring to life

Royal Jelly Jive


Royal Jelly Jive

By Tom Dellinger //

The Great American Spirit Ball featuring Royal Jelly Jive, Be Calm Honcho, Rainbow Girls, Brass Magic & The Jelly Roll Dancers //
Great American Music Hall – San Francisco
July 25th, 2015 //

A seed was planted last Saturday at The Great American Music Hall as the site for the first Great American Spirit Ball, where fans were encouraged to join the performers and come dressed as their favorite spirit animal. The brainchild of Lauren Bjelde and Jesse Lemme Adams from Bay Area band Royal Jelly Jive, it was an event that embodied the very best of SF’s music history.

More than a show featuring four bands, it was a package — a unique experience that took the participant on a magic ride that was both a visual and aural feast. Upon entry into the venerable hall, you found it had been decorated with strands of light bulbs and long strands of line with triangular flags that had been strung from the stage to the balcony facades and created something akin to a circus atmosphere from an earlier time.

Brass Magic


Brass Magic

Unlike most shows with a multi-band format, the energy and vibe of the evening never waned between sets as the time was filled with performances on the floor in front of the stage that featured Oakland eight-piece horn dance band Brass Magic, which jammed on funky grooves that kept the crowd engaged, and a group of Aztec dancers led by San Jose-based Cipacteo Herrera. Also joining Brass Magic during their set were some wonderfully costumed dancers on stilts from the group Jelly Roll Dancers, adding immensely to the “spectacle” aspect of the evening.

Rainbow Girls


Rainbow Girls

While the action on the floor was wildly entertaining and kept things on a high note, the action onstage gradually ramped up throughout the evening with an over-the-top closing set from Royal Jelly Jive. The opening set began with Santa Barbara/Sebastopol-based band Rainbow Girls, a group that’s been building a steady following in the Bay Area. The girls played a tasty set drawing from their recent release Perceptronium with many fine grooves that moved through rock, funk and a few points between.

Be Calm Honcho


Be Calm Honcho

After more fun on the floor with Brass Magic and the Jelly Roll Dancers, local favorite Be Calm Honcho took the stage. Having caught them at a recent date where they opened for Jessica Hernandez & The Deltas and now seeing them for the second time, it’s becoming obvious they’re a band with a repertoire that could take them places. Drawing heavily from their release Honcho Dreams, their songs are catchy, fun and artistically satisfying. Keyboardist and lead vocalist Shannon Harney has an irresistibly magnetic personality with a fine voice that sits beautifully in the mix. It was an excellent performance from them and well worth seeing whenever possible.

Great American Spirit Ball - Royal Jelly Jive


Royal Jelly Jive

As the spectacle and joy of it all had increased to a steady boil, SF’s Royal Jelly Jive hit the stage and blew the lid off the place with a romping, stomping and fast-driving set of their remarkable catalog. The band came onstage much like an entourage that was clearly excited and ready to seize the moment. It was time to unleash their inner animal, which they quickly proceeded to do as they tore through their catalog with a passion rarely seen.

Royal Jelly Jive


Royal Jelly Jive

For those familiar with Royal Jelly Jive’s work, a listen to their most recent CD reveals performances that are more studied, well-crafted and restrained. But on this night, they came roaring to life as they played it all at an uptempo pace compared to their recordings. One could hear previously unheard textures from the drums that were nothing short of mind-blowing. The horns section was tight and ripping with Adams ever so cool on the accordion and keyboards. Bjelde, whose vocals often range between the alluringly sweet and the gritty, laid into the mic with style, grace and power. Rarely the quiet voice, she was in top form and she knew she had something magical to share with us, which is exactly what she did. And, it was truly stunning to behold.

Now that the dust has settled, it’s easy to see this venture was a great success. At the end of the night, as Royal Jelly Jive played right up to midnight and didn’t have enough time to play an encore, the crowd cried for more. It was one of those nights where no one in the house wanted it to end. As mentioned earlier, a show such as this, because of its groundbreaking uniqueness and the quality of performers, honors the musical legacy of SF. Perhaps if we’re lucky, the spirit animal in us all will come out to play once again someday.

SF Show of the Week // GO4FREE to Boys Noize at Mezzanine 7/24 (FRI)

Boys Noize Record 10 Year Written by Nik Crossman //

Boys Noize with SALVA, Spank Rock, SCNTST, Cities Aviv, PILO, Escor Krist //
Mezzanine – San Francisco
July 24th, 2015 //

German producer Alex Rhida, aka Boys Noize, has made a name for himself as one of the most illustrious DJs today. Merging various styles of electronic music, Rhida’s innovative sound has earned him acclaimed awards, such as “Top 10 DJs Who Rule the Earth” by Rolling Stone and “Best Electronic Artist” by Beatport.

In 2005, Rhida launched his independent record label Boysnoize Records (BNR) to bring his own music to the world without forfeiting creative control.

“I don’t compromise when it comes to music,” the 32-year-old Rhida says. “I do what I think is cool and what I like and not what the market wants or people may expect. Maintaining artistic freedom has always been the most important thing to me — for my own music and for anyone on my label!”

A decade later, BNR remains independent and celebrates 10 years of supporting more than a dozen artists across 100 releases.

On Friday, Boysnoize Records continues the #BNR10YR celebration in SF at Mezzanine with SALVA, Spank Rock, SCNTST, Cities Aviv, PILO and Escor Krist all hitting the decks before Rhida takes the stage.

You can buy tickets for $25, or you could win a pair of tickets by registering your full name and email below.

Contest ends Friday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Bomba Estéreo: Monday, July 20 at The New Parish
Federico Aubele: Thursday, July 23 at Leo’s Music Club
Summer Soul Roller Disco feat. Sake1: Thursday, July 23 at Mezzanine
Heems: Friday, July 24 at The New Parish
J Stalin: Friday, July 24 at Slim’s
Social Studies: Friday, July 24 at Great American Music Hall
The Motels: Friday, July 24 at The Chapel


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

Like Showbams on Facebook, follow Showbams on Twitter and follow Showbams on Instagram. Subscribe to our social channels for a better chance to win!

CONTEST CLOSED.

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SF Show of the Week // GO4FREE to Cut Copy (DJ set) at Mezzanine 7/18 (SAT)

Cut CopyWritten by Nik Crossman //

Cut Copy (DJ set) with Knightlife, Cooper SaverJeffery Paradise //
Mezzanine – San Francisco
July 18th, 2015 //

Inspired by “indie low-fi stuff as much as dance,” Dan Whitford embarked on his musical journey in 2001 when Modular Records signed the new DJ’s solo project under the name “Cut/Copy.” While Whitford occasionally enlisted help from friends, the first few years of Cut Copy live performances were mostly Whitford performing a DJ set where he sampled and remixed his own music.

In 2003, Tim Hoey (guitar) and Mitchell Scott (drums) joined Whitford to develop the well-known sound of Cut Copy, with Ben Browning adding bass guitar in 2010. The band continues to record remixes of popular bands like Jagwar Ma, The Rapture, Death Cab for Cutie, Juan MacClean, Maroon 5 and more.

Cut Copy also run underground dance label Cutters Records and continue to release albums for Knightlife (also performing on Saturday night), Kauf and the Miracles Club, Nile Delta and more, as well as releasing experimental mixtapes like last month’s A Forest Through the Trees.

Whiteford and Hoey use DJing to connect with fans and have fun while experimenting with the amalgamation of rock, disco, indie and pop that has become the band’s sound over the years. Saturday’s DJ set will demonstrate their passion for the experiential innocence music has always brought them.

Contest ends Friday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

The Helio Sequence: Tuesday, July 14th at The Independent
• Tommy Guerrero: Tuesday, July 14th at Leo’s Music Club
• Young Rising Suns: Wednesday, July 15th at Slim’s
• Memory Tapes: Wednesday, July 15th at The Independent
• Scars on 45: Thursday, July 16th at Brick & Mortar Music Hall
• Fritz Montana: Friday, July 17th at Great American Music Hall
• The Coup: Friday, July 17th at The New Parish


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

Like Showbams on Facebook, follow Showbams on Twitter and follow Showbams on Instagram. Subscribe to our social channels for a better chance to win!

CONTEST CLOSED.

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SF Show of the Week // GO4FREE to Le Youth at Mezzanine 7/10 (FRI)

Le YouthWritten by Nik Crossman //

Le Youth with Satin Jackets, Karl Kling (RAC) and Split //
Mezzanine – San Francisco
July 10th, 2015 //

Ohio-native-turned-Los Angeles DJ Wes James (aka Le Youth), combines R&B with 90’s electronic to deliver uniquely nostalgic, dance-y sounds. His first hit single “Cool” put him on the map when it racked up over 200,000 listens on Soundcloud in 2013. Following the crowd, Ultra Records quickly picked up Le Youth, releasing his first EP, which BBC Radio 1 dubbed “Record of the Week”, in July of 2013.

Le Youth continues to produce get-up-and-move sounds with the release of “Dance With Me” and “Feel Your Love” in 2014 as well as “Real” and “Touch” already this year.

The energy at Mezzanine this Friday will surely be worth dishing out $25 for a ticket, but one lucky person can save their money and win two free tickets below.

Contest ends Friday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Jessica Hernandez & The Deltas: Wednesday, July 8th at Slim’s
Trans Am: Thursday, July 9th at The Chapel
Veruca Salt: Friday, July 10th at Slim’s
French Cassettes: Friday, July 10th at Brick & Mortar Music Hall
Waterstrider: Friday, July 10th at Great American Music Hall
Dopapod: Saturday, July 11th at The Independent
TV Girl: Saturday, July 11th at Leo’s Music Club


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

Like Showbams on Facebook, follow Showbams on Twitter and follow Showbams on Instagram. Subscribe to our social channels for a better chance to win!

CONTEST CLOSED.

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Shows of the Week // GO4FREE to Mac DeMarco, Panda Bear, Lord Huron or PHOX

Mac DeMarco, Panda Bear, Lord Huron & PHOXWritten by Molly Kish //

Celebrating a decade as a premiere “boutique music and events curator”, (((folkYeah!))) is presenting a concert series that highlights several of the largest names on the 2015 festival circuit at some of Northern California’s most idyllic venues.

Over the past 10 years, the (((folkYeah!))) brand has become synonymous with several once-in-a-lifetime performances, stunning locations and unique concert experiences reciprocally exchanged between the artists and their intimate crowds. With their decade milestone upon them, these Bay Area tastemakers made sure to properly ring in their double digits with back-to-back performances from Lord Huron, PHOX, Mac DeMarco and Panda Bear.

All proceeds from the series benefit The Big Sur Educational Council “to create a vibrant community that stewards the land and mentors its youth to be leaders.”

Win a pair of free tickets to one of our Shows of the Week by entering your name and email below.




Lord Huron: April 14th (TUE) @ Cocoanut Grove Ballroom (Santa Cruz, CA) // BUY TICKETS

Contest ends Tuesday, April 14th at 3 p.m.




PHOX: April 14th (TUE) @ Great American Music Hall (San Francisco) // BUY TICKETS

Contest ends Tuesday, April 14th at 3 p.m.




Mac DeMarco: April 15th (WED) @ Loma Vista Gardens (Big Sur, CA) // BUY TICKETS

Contest ends Wednesday, April 15th at 3 p.m.




Panda Bear: April 15th (WED) @ Cocoanut Grove Ballroom (Santa Cruz, CA) // BUY TICKETS

Contest ends Wednesday, April 15th at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

JOY: April 14th (TUE) at Brick & Mortar Music Hall
Tuatara: April 16th (THUR) at Slim’s
Moving Units: April 16th (THUR) at The Chapel
Fantastic Negrito: April 17th (FRI) at The New Parish
MOM DJs: April 17th (FRI) at The Independent
Dangermaker: April 18th (SAT) at Brick & Mortar Music Hall
Agent Orange: April 18th (SAT) at Leo’s Music Club
Tourist: April 19th (SUN) at The Independent


Win-2-Tickets

Pick the show you would like to attend from the dropdown, then enter your name (First and Last) along with your email. If you win a contest, you’ll be notified on the day the contest ends (details above).

Like Showbams on Facebook, follow Showbams on Twitter and follow Showbams on Instagram. Subscribe to our social channels for a better chance to win!

CONTEST CLOSED.

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Feeling 50/50 with The Dodos at Great American Music Hall

The Dodos
Photos by Justin Yee & Diana Cordero // Written by Molly Kish //

As The Dodos‘ Meric Long (vocals, guitar) and Logan Kroeber (drums, percussion) prepare for their first hometown show as a duo since 2007, they seem collected yet express that their sentiment is anything but.

Performing and recording for nearly a decade together, the two have produced six albums as well as various special releases and have had several friends and musicians join them in the studio and on their worldwide tour. Starting off the West Coast leg of dates debuting songs from Individ, they seem just as excited as they are nervous to be embarking on a full-scale junket promoting the new album.

Taking some time to speak about their band history, momentary reservations and songwriting process, The Dodos caught up with Showbams before their show at the Great American Music Hall, giving us a look inside their 50/50 mindset.


Showbams: This is the second stop of your North American tour this winter, and it’s the first time you’re debuting the new material off Individ. How are you feeling about doing that in front of your hometown audience?

Kroeber: I’m nervous. I was excited when we first got here. Now I’m nervous.

Long: You just made me nervous by telling me that. I was fine before you said that, but now when you know that 50 percent of you is nervous then …

Kroeber: You know what I’m nervous about really? It’s less performing the songs, and it’s more getting the merch set up in time. But my concerns are trivial. When we get to playing the songs, it’s fine. Last night we got to play a bunch of new stuff for the first time, and it was a blast.

Showbams: Well, you got one down. Now you’re amongst friends and family, so you’ve got a lot of support and it’s less stress with each date.

Long: Well, you would think that, but actually hometown shows are much more stressful for that exact reason.

The Dodos

Showbams: This also marks the first North American tour that you guys have been on since 2007 while performing as a duo. Was it hard to adjust your show for this tour, especially considering the difficult circumstances that brought about the move to play again as just a two-piece? (Editor’s Note: Previous touring member Chris Reimer passed away in 2012.)

Long: It’s usually harder to have someone come along with us because you have to teach them everything. It’s easier getting ready for the tour, but during the actual tour, we have to do a lot more because now there is only two of us. So yeah, it’s easier, but it’s also harder. Not a very profound answer there. I’m really on the 50/50 thing right now.

Kroeber: The big advantage we have, like Meric said, is that there is a lot more work that we have to put in. But once we start doing the shows, we are able to play pretty much anything we want to. We could have done it in the past, but having somebody else with us, we want to play all the stuff we put in the hard work to get them to learn. Now that it’s just the two of us, we can play anything we want. Also, we have a lot of songs as I have come to realize by looking at all the ones that we want to play. There is no way that we can even play those selected songs in one concert — it would be like five hours long. The setlist is actually kind of sad because you have to cut away all this stuff that you would have fun doing, but cream of the crop I guess.

Showbams: You guys chose to record Individ at John Vanderslice’s Tiny Telephone, which was also the same recording studio you laid down Carrier. Was there any other motivation besides the sound quality and production to record there again?

Long: Yeah, actually the guy who’s doing sound tonight recorded the record with his brother. We just became good buddies by the end of making Carrier. It was really about that good relationship that we just wanted to capitalize on. So, outside of it being a great studio, they obviously have a good thing going on over there. It was like, “Well, we just made some new friends, and we want to spend more time with them.”

The Dodos

Showbams: Speaking of friends, also present on the album are vocal contributions from Brigid Dawson of Thee Oh Sees and Mina Choi of Magik*Magik Orchestra. What prompted you to ask them to be involved in the album?

Kroeber: Well, their talents speak for themselves, but I think it’s super cool that we got Mina singing on the album because she is known as a composer and arranger. She was doing arrangement for our album Color, made demos vocally in GarageBand and she has just got an amazing voice. Meric arranged it I think. I don’t really remember the lead up to it. We were just like, “She’s coming in, and now she’s singing all this crazy stuff!” We knew she had a great voice back then, but she’s just not as well-known for it and I think she will start to be soon.

Showbams: How was it having their influence in the studio and bringing their talents to the table?

Long: It was a much-needed break in the sausage fest that is making a Dodos record. They were both really different. Mina is a real technical performer, like she writes all of her crazy parts in her head beforehand. She’s more of an instrument in the way that she sings. Then Brigid came in, and she is really funny because she has got like this crazy voice but is super modest. She is almost unaware of what she truly has. She would go in the recording room and be like, “Oh, hi. How does it sound?” in her British accent (laughs). That’s a terrible British accent, but yeah, she would sing this crazy part and come back in like, “Did I do OK?”

The Dodos

Showbams: Your sound is one that is incredibly unique and is solidified by your unique musical backgrounds as well as the alternative ways you guys play your instruments. Logan, you play a kit that is usually absent of a base drum and have a tambourine strapped to your foot. Meric, you play an array of modified guitars as well as have a background in West African drumming?

Long: Yeah, we don’t really like to talk about that.

Kroeber: Also, I hate to burst your bubble, whereas everything you did say about my drumming is true, but now they’ve been subsumed into this greater kit that looks very regular now. I still play weird, but the kit does include a kick drum and the tambourine foot has turned into a hi-hat with a tambourine. So, from a distance, it looks like any other boring drum set, which is kind of sad, but I can do more stuff with it now.

Showbams: How did you guys start playing your instruments that way, and is there any more odd instrumentation that you guys introduced into the songwriting process on the new record?

Kroeber: It started that way because Meric had his EP that he made back in 2005, when he had started messing around with clattery percussion on there. So, when I met him, he had those songs and I learned how to play them, but it was really minimal. I only had a snare drum and a floor tom, and I played shows with him like that, just like nothing. I got to where it is now by starting with almost nothing, and then I would add like another drum and tambourine just as needed. Until now, I need everything, just not on every song. So, mainly it started as serving the percussion needs of Meric’s songwriting. We don’t want to turn down any opportunity for a cool addition to that palette of sounds, but I’m also such a minimalist when it comes to touring, I don’t want to add a bunch of stuff to just have to take around with me. It’s hard. I don’t want to not add something just for the sake of keeping it minimal on stage, but on the other hand, I do want to do that completely. You just have to skirt that line like, “Do I really need this? Is it worth it? Can I just hit this instead?” In the studio, we bang on whatever we can get our hands on. That’s why it’s fun to do stuff with Magik*Magik. They just bring the kitchen sink with them, and we can do our thing.


The Dodos

Taking the stage that night, The Dodos were greeted by a packed house full of friends, family and fans alike. Following a strong opening set from Springtime Carnivor, aka singer-songwriter Greta Morgan, Meric and Logan rocked the headlining slot absent of any nerves we had touched upon before the show. Watching them run through their setlist of material spanning the band’s entire body of work, the two played off their noticeable excitement and natural chemistry together.

Peering over the crowd from the upstairs balcony, you could physically see how the audience was affected by each individual track. Reacting to the material both old and new, the audience’s reception was triggered by various songs, including a surprise “Competition” duet with Dawson to close out the evening. While the band communicated their insecurities before the show, acknowledging that touring North America as just a duo would be a daunting task at times, seeing them command the stage as a pair again was as refreshing as it was nostalgic and truly brought an intimacy to the performance that could have easily gotten overshadowed with a larger ensemble on stage.

The Dodos’ magnetism as songwriters and performers is truly exemplified as a duo, refocusing their audience’s attention on the skill and level of technical difficulty they master both as individuals and in their 50/50 mindset.