WIN TICKETS: The Thermals at The Chapel 2/20

The Thermals The Chapel

Enter to win a pair of free tickets to this show below.

The Thermals with Colleen Green
The Chapel — San Francisco
February 20th, 2014

Get your lucky shoes on and cast your entry! The Thermals are coming to The Chapel in San Francisco and aren’t leaving until they make you thrash around with infectious power pop punk. Hailing from Portland, the trio has toured since 2002, signing with Sub Pop before they even turned one year old. Now they’re touring on the heels of 2013’s Desperate Ground, leaving a trail of tired bubblegum chewing punk rockers wherever they go. Don’t arrive too late, because the show opens with Colleen Green and her own punk project. With just a guitar and a drum machine, her stoner pop-punk will fittingly lead into the more powerful sounding Thermals. If you’re in the mood for uplifting power chords with ripping guitar leads, toss your name in the hat and cross your fingers.

Buy tickets if you know you want to go!


Win-2-Tickets

Enter to win if you can attend this show Thursday, February 20th at The Chapel in SF.

Submit your full name and email address below.
Contest ends Thursday, February 20th at Noon. Winners will be picked at random & notified by email. Your email will be kept private – we will share your email with no one. All Ages.

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12 reasons to grab a Noise Pop festival badge

NP-cover-postWritten by Mike Frash, Molly Kish, Kevin Quandt & Kevin Raos //

Noise Pop //
Bay Area venues – San Francisco & Oakland
February 25th-March 2nd, 2014 //

This time of year can often be a bit slow for live music, but not during Noise Pop Festival in San Francisco. This week-long event spread out amongst the 22 finest venues in the City by the Bay makes for the best extended independent music showcase on the west coast. Noise Pop Fest shows offer in-depth evenings — the best thing to do is to show up early and catch emerging artists before they graduate to headliner status.

One great way to get the most value out of the week is with by springing for a badge. The purchase of a General or Super Fan badge gets you into all general admission shows, films, happy hours, NPHQ and more, along with a screen-printed festival poster. There’s also a Noise Pop Fest app to help keep you connected.

The lineup is as good as ever this year — our list doesn’t include top-notch artists Com Truise, Rogue Wave, Throwing Muses, Beardyman, Ladytron, No Age, Shabazz Palaces, Mikal Cronin, Bleached, Trails and Ways, The Fresh & Onlys, The Limousines, The Soft White Sixties, amongst others. Presented here are 12 compelling reasons to consider a badge upgrade, in day-to-day order.

Click artist names to buy individual tickets below, or simply buy a General or Super Fan badge.

NPHQ

Noise Pop HeadQuarters (NPHQ @ The NWBLK) //
All week //

New this year in Noise Pop’s 22nd incarnation, Noise Pop Headquarters at The NWBLK is now the centerpiece of Noise Pop Festival. Festivalgoers can swing by the stunning gallery-turned-multimedia-space to grab a drink, watch a film, get some food, do some shopping, and experience a pivotal part of this year’s festival with friends and artists before heading out for the night’s events. Purchase tickets or RSVP to all free shows, which will grant you priority entry once capacity has been reached. Yet another reason to go big with a badge.


Lord-Huron

Lord Huron, Superhumanoids //
The Fillmore – San Francisco
Tuesday, February 25 //
SOLD OUT // BUY A BADGE

A coupled bill of indie folk, rich with thick vocal harmonies and dense soulful compositions, Lord Huron and Superhumanoids pair perfectly to cover the modern state of rhythm and blues. Americana based, the Lord Huron dabble in psychedelic and experimental pop elements, which also can be heard in their counterparts Superhumanoids. The Los Angeles-based trio features genre bending soundscapes, delivering a groove-driven journey through layers of pop, soul and electronic musical arrangements. Each band, although unique in their melodious executions, cover a vast array of roots-rock influences while updating the archetypal sounds in their own innovative manners. This sold out show highlights a great pair of bands to kick off the festival and is one worth splurging a bit extra on a badge to guarantee entry. -MK


Audion

Matthew Dear Presents Audion Live: Subverticul //
The Regency Ballroom – San Francisco
Wednesday, February 26th //

The latest project from Ghostly International co-founder and experimental artist Matthew Dear, Audion Live: Subverticul is an all-encompassing multi-media experience. Teaming up with the innovative crew from LA-based design studio Vita Motus, Subverticul features a live set debuting new material from Matthew Dear. Audion Live promises to be a unique show, fashioned to resemble a moving audio visual sculpture. Composed of multi-layered experimental EDM and dazzling abstract art installations, Subverticul is an impressive feat in both live music entertainment and creative enterprises. Making its Bay Area debut in celebration of the Noise Pop 2014 and playing unreleased tracks off of his upcoming album, Matthew Dear’s Audion Live: Subverticul will undoubtedly be a highlight performance of this year’s festival. -MK


MistakenForStrangers

Mistaken for Strangers (Film) //
Roxie Theater – San Francisco
Wednesday, February 26th //

Let’s not forget that live concerts aren’t the only offering from the citywide Noise Pop Festival as the film series has some gems being screened, including Mistaken for Strangers. This documentary follows budding horror filmmaker, Tom Berninger, embarking on a massive national tour with his brother’s little band that some may know as the National. The ensuing months shows the younger Berninger brother tossed into the indie touring machine as a functioning crew member while keeping focus on his ambitions as a creator himself. -KQ


Papercuts

Papercuts, Vetiver, The Donkeys, EDJ, Vinyl DJ Selections by Britt Govea //
The Chapel – San Francisco
Wednesday, February 26th //

Artists under brand new label Easy Sound Recording Co. plan on presenting the future of folk at The Chapel during Noise Pop week. Jason Quever’s SF-based Papercuts have a new album Life Among the Savages in the works. The group’s sixth LP is set to release in May, so plan on seeing the group preview new tracks from their forthcoming album. They just released the albums’s lead single “Still Knocking at the Door”, and it’s promising. Vetiver is on the roster, another local group led by Andy Cabic. Their 2011 record The Errant Charm is oh so mellow and excellent, and we expect good things coming soon. The Donkeys are an emerging psyche-garage rock formation from San Diego, blending surf rock and jam sentiments into a bouncy, enjoyable time. -MF


Our-Vinyl

“Our Vinyl Weighs A Ton” Film Screening and Live Show //
The NWBLK (NPHQ) – San Francisco
Wednesday, February 26th (6:30 pm) //

Gain access to rare concert footage, backstage documentation, home videos and intimate portrayals of some of the most influential hip hop artists of our time in this cutting edge documentary brought to you by the iconic Stone Throw Records posse. Featuring appearances by Snoop Dogg, Mike D, Talib Kweli, Kanye West, Tyler the Creator and more, this feature length delves into the inner circle of the groundbreaking label to bring you a fresh perspective on the evolution and current state of modern day hip hop. Followed by a Q&A with director Jeff Broadway and Stones Throw Records founder Peanut Butter Wolf, tickets are still available with an additional option to upgrade to a “Film and Live Show Ticket”, granting access to a live performance after party with Peanut Butter Wolf, J Rocc, JonWayne and Knxledge. Happening at the Noise Pop 2014 headquarters NWBLK, this event is a great way to get into celebratory spirit and check out the brand new festival facility. — MK


Bob-Mould

Bob Mould: 25 Years of Workbook, Zach Rogue, Jon Ginoli //
Great American Music Hall – San Francisco
Thursday, February 27th //
SOLD OUT // BUY A BADGE

Celebrating the groundbreaking icon’s diversion from his scene-defining hardcore act Husker Du, Bob Mould revisits his first album as a solo artist, Workbook, with help from fellow artists and friends. Mould pushed the boundaries of the independent rock scene with this record whilst mapping out an era of alternative music that influenced generations of artists for years to come. Mould will be joined on stage by longtime bassist Jason Narducy, along with Rogue Wave’s Zach Rogue and Jon Gignoli of San Francisco’s own Pansy Division. Gearing up for the deluxe double-album edition of this seminal record to be released February 25, this show will be the first live revisiting of the material in full since its 1989 debut. One of the first shows of the festival to have sold out, a badge is necessary for entry and in this case is well worth the cost of this once in a lifetime experience. — MK


Digital-Mystizk

Digital Mystikz, DJ Rashad //
1015 Folsom – San Francisco
Thursday, February 27th //

Sure, Digital Mystikz may be one of the higher listed names you have never heard of, but producers, Mala and Coki, nearly single-handedly built the UK bass-culture scene which eventually was termed, dubstep. This South London duo has been working together since teenagers, while also maintaining solo careers, eventually starting the progressive label, and club night, that goes by DMZ. After a few failed attempts to perform on the West Coast as a duo, it appears the day is almost here for Digital Mystizk to make their big San Francisco debut at 1015 Folsom with DJ Rashad and a slew of local warriors to back ‘em all up. —KQ


Cold-Cave

Cold Cave, Painted Palms, Dirty Ghosts, Happy Fangs //
Slim’s – San Francisco
Friday, February 28th //

Truly one of the more stacked bills this year will feature LA darkwave mastermind Wesley Eisold, popularly known as Cold Cave. With a release slated for 2014, expect new material that Eisold describes as a “mix between some of the bigger sounds on Cherish and more minimal stuff I’m interested in now.” Local psych-pop duo, Painted Palms are also featured on this bill after the release of a recent album on Polyvinyl. Expect a breezier affair before the headliner with these San Francisco rising stars. Local trio Dirty Ghosts will also be on hand to lend support via their female-fronted take on psych-pop with a tinge of world influence. —KQ


Real-Estate

Real Estate, The Shilohs, Dream Boys, Dominant Legs //
The Independent – San Francisco
Friday & Saturday, February 28th & 29th //
SOLD OUT // BUY A BADGE

It wasn’t too long ago that fans of breezy surf-rock were enjoying Real Estate at Treasure Island, but this time we get a pair of more intimate shows over the busy Noise Pop weekend. The recently expanded 5-piece band is prepping their third studio album set for release the first week of March and will go by the title, Atlas. Expect new songs peppered with old favorites for these sold out shows, which will be supported by Vancouver songsters The Shilohs, along with Dominant Legs on Friday and Dream Boys on Saturday. —KQ


Mark-Kozelek

An Evening with Mark Kozelek (Sun Kil Moon) //
Great American Music Hall – San Francisco
Saturday, March 1st //

While Mark Kozelek’s music comes in the form of many groups and collaborations, his new record Benji with Sun Kil Moon will likely solidify this group as his legacy. The lyrics are heartbreaking, the control of his cadence immaculate, and the words often relate to Bay Area locales, a place he calls home — there’s the Night Stalkers’ final victim who lived in San Mateo, barbecues in San Rafael, his Tenderloin summer (when he likely made the album), and going seeing the Postal Service perform at the Greek Theater only to rush to a hot tub-refuge in Tahoe. Billed as an evening with Mark Kozelek, an incredible live artist with throngs of records under his belt with Red House Painters, Sun Kil Moon and by his lonesome, expect a varied setlist with a heavy doses of cuts from Benji stealing the show. — MF


Dr-Dog

Dr. Dog, Saint Rich, Moses Sumney //
The Warfield – San Francisco
Saturday, March 1 //

Dr. Dog make their Noise Pop debut as headliners atop a talented lineup of performers. Road warriors and prolific song writers, these indie rockers from Pennsylvania make the west coast swing in support of their latest album, 2013’s B-Room. Dr. Dog has been making a name for themselves for 15 years, building a loyal fan base and graduating to larger venues along the way. Supported by Saint Rich and Moses Sumney, Saturday March 1st at the Warfield will showcase some of the finest indie rock around. Floor seats may be sold out, but you can still make your way to the dance floor with a Noise Pop badge. Don’t sleep on this show. -KR

Noise Pop 2014

WIN TICKETS: The Autumn Defense at The Chapel 1/31

The-Autumn-Defense

Enter to win a pair of free tickets to this show below.

The Autumn Defense with Johnathan Rice, Springtime Carnivore
The Chapel — San Francisco
January 31, 2014

Fans of Wilco and Uncle Tupelo, listen up as John Stirratt and Pat Sansone’s band, the Autumn Defense, are rolling through the City this weekend. This duo has been working on this act whenever not touring as members of Wilco for nearly 15 years and have crafted a retro 60’s sound that screams vintage pop-rock. An album entitled Fifth dropped this week on Yep Roc Records, their fifth release to date. Johnathan Rice and Springtime Carnivore will support this dynamic duo in the heart of the Mission this Friday evening.

Buy tickets if you know you want to go!


Win-2-Tickets

Enter to win if you can attend this show Friday, January 31 at The Chapel in SF.

Submit your full name and email address below.
Contest ends Friday, January 31th at Noon. Winners will be picked at random & notified by email. Your email will be kept private – we will share your email with no one. 21+ only.

Like Showbams on Facebook and follow Showbams on twitter to be eligible to win.

CONTEST CLOSED

Ensure the page says “Message Sent” after submitting.

PHOTOS: !!! (Chk Chk Chk) at the Chapel 1/25

!!!-1

By Kory Thibeault //

!!! with Fine Steps //
The Chapel — San Francisco
January 25, 2014 //

As frontman Nic Offer took the stage at the Chapel this past weekend, spirits were certainly lifted in anticipation of Chk Chk Chk’s electric performance. Never one to disappoint, the show on Saturday was exactly that, electric. If this dance-punk outfit’s tunes did not galvanize you into dancing, then Offer certainly did. The amount of energy this man can produce is arguably more powerful than nuclear fusion, and if nothing else, certainly more entertaining. While the rest of the band’s tight ship sailed on, Offer exploded across the stage like the loose cannon he embodies, invigorating every onlooker at the first of Chk Chk Chk’s two night run. I can only imagine the electricity created on night two!

!!!-2

!!!-5

!!!-7

!!!

!!!-3

!!!-6

Fine Steps
Fine-Steps1

Fine-Steps

Fine-Steps2

The Polyphonic Spree attempt to transcend technology at The Chapel

Polyphonic-SpreePhotos by Marc Fong // Written by Nikki de Martini

The size of the audience swelled after opening acts Harper Simon and Seryn Monday evening (August 19) at The Chapel, as show-goers eagerly waited to absorb The Polyphonic Spree in all of it’s glory.
 
Are they gypsies?
Are they hippies?
What will they be wearing?!
 
“There are 12 of them, yeah?” my friend asked, “No.” I replied. “I think there are more.”
 
Excitement was in the air, most notably from the two guys I found myself sandwiched between — one sported a foot-high mohawk and hugged the stage, guarding a poster tube while the other, a 50 something-year old construction worker lookin’ type firmly stood his ground. This eclectic variety of fans alone drummed up more anticipation and exemplified the headlining collective’s wide range of supporters.

Polyphonic-SpreeUnobtrusively they entered. The band wore matching citrus colored paisley choir robes, the 5 piece female back-up singers were adorned in matching white lace dresses and front man Tim DeLaughter rocked a citrus colored paisley man tunic. 

There were 18 members of the Spree in total, all of them squeezed into the frame of The Chapel’s alter-less stage when a warm, fuzzy feeling transcended throughout the picturesque venue. Tucked behind the wide array of instruments and musicians, the ladies’ angelic voices and happy faces stood out.  All eyes were transfixed on the 5 piece back-up singers for show opener “Section 12 (Hold Me Now)”, but quickly the ensemble projected exuberant optimism as a cohesive unit. The whole thing is a sight to be seen.  

Polyphonic-SpreeWhile teetering on top of a speaker joyously singing “Younger Yesterday”, DeLaughter fleetingly told an audience member to “put that (camera phone) away.” The Polyphonic Spree frontman didn’t harp on the issue as the group started “Popular by Design” amidst multi-colored swirling disco lights that turned the venue into one big happy kaleidoscope — but even more camera phones popped up as a consequence. In a year where Savages & Yeah Yeah Yeahs have scorned camera phones in favor of ‘being in the moment’, this artist trend seems to be on the rise.

The choral-symphonic-pop-rock-gospel band played cuts from their entire collection, including their fourth live performance of “Carefully Try”. DeLaughter thanked everyone for making it out the show, expressing his cheerful excitement that this performance at The Chapel was the group’s first sold out show in San Francisco. The announcement was met with an equally enthusiastic reaction.

Set List
1: Section 12 (Hold Me Now)
2: Younger Yesterday
3: Popular by Design
4: Light to Follow
5: 2000 Places
6: Carefully Try
7: I’m Calling
8: You Don’t Know Me
9: Hold Yourself Up
10: Soldier Girl
11: The Best Part
12: We Sound Amazed
13: Lithium
14: My Umbrella
15: Light and Day
 

Photos: Yellowbirds at The Chapel

YellowbirdsPhotos by Marc Fong

Yellowbirds performed at The Chapel Tuesday (August 6) for their debut performance, sharing their drifty blend of psychedelic folk rock with the Mission-based attendees.

The group is currently touring in support of Songs from the Vanished Frontier, their recently released sophomore effort. As Sam Cohen and the gang swing down the west coast, our main man Marc Fong was on the scene to catch some snaps.


Best live music venues in San Francisco // Bay Area

Photos by Sam Heller, Marc Fong, Maggie Corwin, James Nagel & Mike Frash

Photos by Sam Heller, Marc Fong, Maggie Corwin, James Nagel & Mike Frash

San Francisco is one of the best live music cities in the world — if an act is touring the western United States, they will most likely swing through SF. Packed into 7×7 square miles, the City by the Bay offers some kind of concert nightly. The East Bay, Oakland and Berkeley, respectively, is home to a growing number of live music options as more and more folks flee the City for better living costs.

Here are the best places to catch a show in or near San Francisco.

The-Independent

The Independent

628 Divisadero St. San Francisco, CA 94117
View Current Show Listings

What To Expect: The Independent boasts the best sound, artist curation and lighting in the Bay Area for any room close to it’s 500-person max capacity — and you can count on 3-5 shows per week. It’s a great venue to catch artists on the rise from virtually every music genre, and already-established groups such as Phoenix, Green Day, TV on the Radio and Band of Horses have performed at this intimate musical oasis.

Best Features: The general admission venue is a conveniently-shaped square; no matter where you watch the show, the sound is stellar and you can see what’s happening on the lifted stage. The staff is professional, friendly and drinks are easy to procure. The Independent is simple and perfect, an ideal platform to witness bands and DJs live before they get bigger.

Drawbacks: Bring earplugs and sunglasses if sensitive to sound and light. Arrive early to secure a parking spot if driving — if possible, take public transportation and grab a drink nearby before the show. Get there when doors open if you need a seat.

The-Fox

Fox Theater – Oakland

1807 Telegraph Ave. Oakland, CA 94612
View Current Show Listings

What To Expect: Fox Theater Oakland is a premium, large theater-style venue with a general admission floor and sizable, assigned-seated balcony overhead. The renovation of this historic site was masterfully achieved in 2009, conserving the stellar artwork and design features.

Best Features: No expense was spared in this renovation. Cool air rises from hundreds of vents in the floor, keeping attendees comfortable. The multitude of bars are fully staffed and efficient.

Drawbacks: In order to accommodate BART travelers, the venue has a pretty strict curfew, with shows ending well before midnight.

The-Fillmore

The Fillmore

1805 Geary Blvd. San Francisco, CA 94115
View Current Show Listings

What To Expect: The Fillmore is nondescript from the outside, but a classic gem once you enter and climb the stairs. Expect a warm welcome, a selection of free fresh apples in the tradition of Fillmore founder Bill Graham and a free poster of the evening’s show (if the event sold out three weeks in advance usually).

Best Features: A large general admission floor area (1,200 capacity), surrounded by adult-beverage facilitators, is overshadowed by the venue’s iconic chandeliers that add a touch of sophistication to any affair. There is an additional saloon upstairs with ample seating away from the stage, and live acts will perform here on occasion before and during the opening act. Also, be sure to head upstairs to view previous show posters.

Drawbacks: If having a seat is on the agenda, arrive early and head for the poster room. Snag a seat and cozy up to the balcony rail for the best view in the house, but the best sound can be found on the floor.

*Bonus Venue: The BooM BooM RooM across Geary Boulevard is an excellent place for a pre-show martini and to keep the party going once The Fillmore has wrapped for the evening. This room focuses on jamming into the late night, often until 4 a.m.

Great-American-Music-Hall

Great American Music Hall

859 O’Farrell St. San Francisco, CA 94109
View Current Show Listings

What To Expect: This historic space has been a beloved jewel for live music for well over 100 years, able to house some 600 attendees on any given night. As SF’s oldest nightclub, the Great American Music Hall can transport music fans to a more elegant era with its ornate balconies, soaring marble columns and elaborate ceiling frescoes.

Best Features: The Great American features a great variety of acts over the year and offers something for everybody. The space, sound and staff are top-notch. Opt for dinner and a show (quick tip: the food is great) to secure a seat on the balcony rail upstairs.

Drawbacks: The location is rather central to many areas of the city, though it’s not the safest in the the City. The venue’s lights are rather basic, but they aren’t needed in a room with such grand decor.

The-Greek

The Greek Theatre – UC Berkeley

2001 Gayley Rd. Berkeley, CA 94720
View Current Show Listings

What To Expect: A seasonal venue from the Spring to the Fall at the top of the UC Berkeley campus, The Greek Theatre can pack 8,500 folks into their popular, yet infrequent concerts. Constructed after the ancient Greek theater of Epidaurus in 1903 and listed on the National Register of Historic Places in 1982, this space often inspires magical performances.

Best Features: The sound from within the bowl provides incredible acoustics, but get there early for a spot in the seated steps or within the pit. If all seats are taken, get closer and stand in the general admission area as close as possible for a memorable live music experience.

Drawbacks: Don’t retreat to the grass — the magic is lost outside of the main bowl area. Getting to the venue (and back) requires walking up the campus, or driving to the top. Parking near the theater also means it will take forever to leave, and it will cost you $20 or more. Give yourself plenty of time and plan on walking. Shows won’t go past 11 p.m. due to the campus’ curfew, and be sure to head to the top of the grass for the quickest bathroom lines.

The-Warfield

The Warfield

982 Market St. San Francisco, CA 94102
View Current Show Listings

What To Expect: A 2,300-capacity theater located on Market Street, The Warfield beckons a near century-long history as a premier downtown music venue. Ornate gilding and details are found throughout this lovely space, and a recent renovation upgraded many areas in need of a little help.

Best Features: The tiered floor has become a staple for California mid-size venues like The Fox in Oakland and The Wiltern in Los Angeles, allowing an array of sight-lines for attendees. It’s in an easily accessible location with decent bars and restaurants within proximity.

Drawbacks: Mid-Market is trying to revive itself from a once-peppered history. Similar to many other “overhang” theater venues, the sound can leave a bit to be desired if in the middle or back of the general admission floor.

Bimbos 365 Club

Bimbo’s 365 Club

1025 Columbus Ave. San Francisco, CA 94133
View Current Show Listings

What To Expect: Bimbo’s 365 Club, located on the fringes of North Beach, offers one of the most unique live concert settings in SF. Red velour curtains and exquisite details lend to an entirely classy experience in this 685-capacity, theater-like live performance space.

Best Features: It’s not like any other venue in the City in regards to location and style — side rooms and bars create an ideal pre-show place to socialize and imbibe. The low stage creates an intimate atmosphere with the limited acts that grace the stage over the year.

Drawbacks: The North Beach location is not the easiest venue to reach in comparison to others, and the booking leaves much to be desired as folks love this space.

Rickshaw-Stop

Rickshaw Stop

155 Fell St. San Francisco, CA 94102
View Current Show Listings

What To Expect: This recent hot-spot hosts many up-and-coming indie acts bursting onto the scene before they graduate to larger rooms. Expect a hip crowd sipping on strong drinks in a no-frills room, enjoying heat-seeking artists from across the globe. Shows start late, even on weekdays.

Best Features: Rickshaw Stop has very dynamic booking, bringing in all sorts of parties to utilize this Civic Center area venue. The bar is efficient for a small-ish room that can fill up nicely, but not overly.

Drawbacks: It’s basically a long narrow room with a small “balcony”, therefore sight-lines can be rough for those who are vertically challenged on the main floor.

Mezzanine

Mezzanine

444 Jessie St. San Francisco, CA 94103
View Current Show Listings

What To Expect: Mezzanine specializes in up-and-coming club scene shows, hosting DJs from all over the world and bands that incorporate electronic elements into their music. Expect young people ready to party in a rectangular room that can hold up to 1,000 people.

Best Features: DJs will perform on the ‘side stage’, cultivating a dance-centric environment before and after live acts. A great choice for birthdays, bachelor parties and other special occasions, secure a table and bottle service on the floor or in a private area upstairs.

Drawbacks: Ins and outs are not permitted, and it can get a bit crunchy near the front and in the smoking area. Getting drinks can be a challenge during peak times.

Brick and Mortar

Brick and Mortar Music Hall

1710 Mission St. San Francisco, CA 94103
View Current Show Listings

What To Expect: An intimate, square space for live music, Brick and Mortar Music Hall in the Mission hosts concerts almost nightly, and they are always affordable. Rock, bluegrass, funk, soul and many more types of shows go down here.

Best Features: Brick and Mortar has that “neighborhood rock/club” feel — if you are in the ‘front row’, then you are basically on the stage — and it just became the new home of outcast swine-house Bacon Bacon during lunchtime.

Drawbacks: Cash only at the box office. It can get a little tight during capacity shows unless you squiggle to your left against the wall.

The-Chapel

The Chapel

777 Valencia St. San Francisco, CA 94110
View Current Show Listings

What To Expect: The newest venue in the heart of San Francisco’s Mission District, The Chapel opened in 2012 and includes an attached restaurant and bar. The building was originally built as a mortuary, so the funeral home’s Chapel was converted to the music room upon renovation. There is a mezzanine above the floor level of the Chapel for bird’s-eye view observing.

Best Features: The restaurant and bar is brand-new and swanky, and the high ceilings and beams in the formerly sacred space give it a unique, striking feel for live music. More acts are booked with each passing month, and bigger names becoming more frequent too. Artists usually have a rootsy and indie sound aesthetic, but The Chapel recently had their first DJ night.

Drawbacks: It’s a great location for nightlife, but not for parking. The stage is small, and it can be tough to secure a drink at peak moments.

The-New-Parish-why

The New Parish

579 18th St. Oakland, CA 94612
View Current Show Listings

What To Expect: This unique venue has recently sprouted up in the East Bay, and many are taking notice of their recent success. With a courtyard and large, wrap-around balcony, The New Parish offers many options for patrons to get down, watch the act or be social with friends.

Best Features: A plethora of national touring acts are opting to stay east of the bay and hold court in this ever-rising space. Securing a view of the stage isn’t terribly tough with a less traditional venue setup. Proximity to the Fox Theater makes it a popular place to keep the night going.

Drawbacks: The design of the space is unlike any other, and this has a few negatives regarding access to the bar or sound being optimal. It’s in Oakland and goes late, so not great for SF-bound BART riders.

Civic-Center

Bill Graham Civic Auditorium

99 Grove St. San Francisco, CA 94102
View Current Show Listings

What To Expect: As big an open, indoor floor space that exists in the Bay Area (not including arenas), the Bill Graham Civic Auditorium can fit 7,000 people into its vast confines.

Best Features: There’s plenty of floor space — and plenty of seats upstairs if you arrive early enough. The location adjacent to City Hall makes it easy to get to via public transportation. When the Civic Auditorium is packed and full of energy, it comes alive.

Drawbacks:
When the venue isn’t sold out, there’s an empty, hollow feel to live music here. The sound can seriously lack at times, especially from the sides. The best bet is to get in front of the large speaker banks (duh). Some acts, like Phish, bring additional sound equipment to fill out the copious space in the building.

Bottom-of-the-Hill

Bottom of the Hill

1233 17th St. San Francisco, CA 94107
View Current Show Listings

What To Expect: This legendary little rock club at the foot of Potrero Hill has room for 350 partygoers of varying ages. It’s a well-oiled and well-regarded space that breeds lively shows by bands of all sizes and eras.

Best Features: Not exclusively a 21-and-over club, Bottom of the Hill allows patrons of all ages the chance to enjoy a high-energy show in this wacky space. Ample parking, a large smoking section and reasonably priced drinks as well as tickets make it an ideal spot to rock out.

Drawbacks: The booking doesn’t veer terribly far off the path of rock ‘n’ roll. The lights are simple, as one might expect from a venue like this.

Cafe-Du-Nord

Cafe Du Nord

2170 Market St. San Francisco, CA 94114
View Current Show Listings

What To Expect: Walking down the stairs into the main room lends the vibe of a classic speakeasy with red velour and classical seating in the back. It’s yet another historic space to enjoy some fresh artists of the 21st century in an intimate setting.

Best Features: Located rather conveniently on Market Street makes Cafe Du Nord both accessible and flush with pre-show drink options. Cafe du Nord is amazing for the fan hoping to engage with his or her favorite artists.

Drawbacks: The room has an odd shape with a bar, seating and even a pool table in the back, while the front is slightly sectioned off for live music.

Slim's

Slim’s

333 11th St. San Francisco, CA 94103
View Current Show Listings

What To Expect: Slim’s is located in a lively section of SOMA, and the venue hosts a vast array of lively acts for an all-ages crowd with a maximum capacity of 400. A high-ceiling room with few frills makes it a good option for dedicated fans.

Best Features: A large bar makes grabbing a beer or cocktail a snap, and they offer dinner with premium, upstairs seating if that’s your thing. The sound is just fine to accommodate either hardcore punk-rock or some of the Bay’s finest hip-hop.

Drawbacks: Oddly-placed pillars can obstruct attendees’ views and make a sold-out room that much more less appealing.

Public-Works

Public Works

161 Erie St. San Francisco, CA 94103
View Current Show Listings

What To Expect:
Expect two venues in one. Public Works offers a live music space and a separate room dedicated to dance music curated by some of the best DJs around. A separate ticket is needed for each option.

Best Features: The location is pretty central to most of the City. The live venue offers a balcony overhang — get there early for the best spot in the house. The staff is friendly.

Drawbacks: There are a few columns that make the live space a bit cumbersome at times, and the mobility at sold-out shows can be tough.

The-Recency

The Regency Ballroom

1290 Sutter St. San Francisco, CA 94109
View Current Show Listings

What To Expect: The large, well-worn ballroom with a horseshoe-shaped, wrap-around balcony and teardrop chandeliers can hold plenty of people at The Regency Ballroom. Most shows are general admission.

Best Features: There are plenty of seats to grab upstairs if sitting is a must.

Drawbacks: Shows here are infrequent, and the sound can get drowned out at times by the massive space of the ballroom, especially from the seats. Drinks are priced astronomically.

Little Green Cars perform at The Chapel in San Francisco

Little-Green-CarsWritten by Mike Frash

Dublin-based Little Green Cars performed Thursday night at The Chapel in San Francisco as they work their way to Coachella. The harmonizing folksters will play a 12:30 set in the Gobi Tent Sunday.

Between Coachella weekends, Little Green Cars will bounce around the Southwest US, putting on intimate shows in San Diego, Phoenix & Los Angeles before heading home for a European tour. They are currently touring in support of their new LP Absolute Zero.

Noise Pop preview: Indie music, film and art take over SF

Noise-Pop-2013

“I think our tag line “Championing Independent Culture” is an accurate description of what we are.” ~Julie Zielinski, Assistant Producer of Noise Pop

Written by Mike Frash & Molly Kish //

Noise Pop, an indie music festival that features emerging artists and living legends, is poised to take over 25 San Francisco venues from February 26th-March 3rd. It began as a one-night affair at The Independent 21 years ago, and has expanded to incorporate independent film and a wider range of art into the sphere of the week-long event.

The artist curation has also evolved over the years. “We’ve definitely extended Noise Pop as a concept. It started out so much as indie rock like Built to Spill and White Stripes,” said Julie Zielinski from Noise Pop headquarters. “But since we began Treasure Island Music Festival, we have expanded to electronic music and even hip hop a little bit.”

Subscribe to our Noise Pop 2013 Spotify playlist.

As you’ll see below, some of the best looking Noise Pop shows have already sold out. But fear not! You can purchase a Festival Badge, which is a super value for show hoppers & concert addicts. The badge grants access to all general admission (non-seated) shows, films, happy hours, Culture Club and other events during the festival.

Noise-Pop-2013

“We try to curate really unique shows and while we often have big headliners, it’s super important to us to have local bands and West Coast representation in all of the supporting acts.” ~Kelleyann Schilke, Noise Pop Production Coordinator

Noise Pop Headliners
toro-y-moi
Toro Y MoiFriday & Saturday March 1 & 2 @ The IndependentSOLD OUT Buy a badge

Coming off the recent release of his third studio album Anything in Return, Toro y Moi (aka Chaz Bundwick) brings the sexy to this year’s Noise Pop lineup. Bundwick is a “chill wave” innovator rooted deeply within the genres of R&B, Soul and Funk and now dance with the new LP. Toro Y Moi, Bundwick’s full band, will be heating up The Independent for two sold out nights. With support from Sinkane and Dogbite, prepare to leave a sweaty mess with no tread left on the soles on your shoes.

Best show to boogie your way into some baby making.


!!! (Chk Chk Chk)
!!! (chk chk chk)Thursday February 28 @ Great American Music HallBUY TICKETS

Kicking off the weekend early with some movement, bi-coastal dance-punk party starters Chk Chk Chk will be bringing down the house at Great American Music Hall. With their fifth studio album Thr!!!er dropping April 30, which the band describes as “auricular magic,” one can anticipate !!!’s first show of their tour to include a healthy dose of new material along with crowd favorites. Festival veterans, Chk Chk Chk know how to motivate crowds to get asses shaking. Nic Offer’s ecstatic outfit has the ability to continuously satisfy long term fans and blow the minds of first time witnesses. Combine that with the added support of three up and coming acts led by White Arrows, and this show is one not to miss.

Best show to gain a new appreciation for booty shorts and leave with some stellar dance moves.


Amon-Tobin
Amon Tobin (DJ set)Friday March 1 @ Public WorksBUY TICKETS

After a widely successful and rigorous schedule promoting his 2011 album ISAM, Amon Tobin brings his special blend of performance art & gritty beats to Public Works. His latest work, coming in the form of a Two Fingers album Vengeance Rythym and remixes of “Chaos Theroy,” is bound to be front and center at his Noise Pop performance, bringing to life his unique vision of “dub step built on an interplanetary level.” Accompanied by hard hitting openers Maus Haus, Naytronix and Group Rhonda, this show displays the diversity of Noise Pop 2013 by slapping you across the face with dirty electronic talent.

Best show to attend ready to rage and leave with enough optical stimulation to inspire the completion of your visual arts thesis.


Starfucker (STRFKR) Friday March 1 @ The RegencySOLD OUT Buy a badge

Polyvinyl darlings and favorites amongst the electro-indie scene, Starfucker (aka STRFKR) make their way back to the Regency Ballroom for one of the most anticipated shows of the Noise Pop 2013 Festival weekend! Celebrating the release of their forth LP Miracle Mile February 19, the boys took some risks with their songwriting and produced what is being hailed as their most ambitious effort to date. In addition to their infallible dance-floor-ready discography, expect to hear some of their recent successful experiments with funk, psychedelic pop and disco. Taking the stage after one of the strongest opening acts of the festival, Blackbird Blackbird, this show will leave you ready to take the city by storm (on your way to 1015 Folsom).

Best show to find yourself singing, jumping, dancing and/or making out with someone, whether you know ’em or not.


Rogue-Wave
Rogue WaveFriday March 1 @ Bottom Of The HillSOLD OUT Buy a badge

East Bay indie rockers Rogue Wave are headlining an intimate show with Wymond Mills, Mwahaha, and Brainstorm at Bottom of the Hill. On the heels of a cryptically announced LP that is in the works, this one of two shows Rogue Wave has on their touring calendar. Eager to debut new material and backed by a killer local line up, Rogue Wave play chaperone to a bar mitzvah of local Bay Area talent. Welcome back to Zach!

Rogue

Best show to avoid your ex that you see across the room. The one that stole your copy of Out of the Shadow and is still sporting your Rogue Wave T-shirt. Awkward …


YACHT
YACHTSaturday March 2 @ SlimsBUY TICKETS

YACHT began as Jona Bechtolt’s solo project, but at a live show you are more likely to have your eyes on singer Claire Evans. Evans officially made YACHT a twosome in 2008, and they haven’t looked back since. YACHT is much more than a creative duo that tours with a full band and recreates their digital sound with live instruments. YACHT is a movement, even a borderline religion. I’m not kidding.

Best show to Overcome Humanity and Become Your Own God


thermals
The ThermalsFriday March 1 @ Rickshaw StopSOLD OUT Buy a badge

The Thermals bring their infectious post-punk energy to Rickshaw Stop for Noise Pop 2013. Aiming to tear shit up with Bay Area bad asses Dirty Ghost’s, The She’s and EV Kain, this lineup is bursting with with raw talent and youth. The central core of Noise Pop is to feature bands on the rise in venues known for breaking new artists – to call attention to burgeoning talent, ya dig? Get on it!

Best show to watch a female spill her drink on you while pogo dancing, make fun of you for how ridiculous you look and buy you a shot in place of an apology.


Kim-Gordan
Body/HeadTuesday February 26 @ Rickshaw Stop • BUY TICKETS

One of the most anticipated and exciting acts of the Noise Pop 2013 line up, Body/Head has even the most seasoned of music professionals’ tongues wagging with predicative prose. Noise Pop Assistant Producer Julie Zielinski says, “We have some fun shows like Body/Head, Kim Gordon’s side project. The thing about this one is that really none of us have heard it, so it’s going to be this huge surprise.” An experimental project formed by indie rock legend and founding member of Sonic Youth Kim Gordon and free noise guitar superstar Bill Nace, this outfit is one that falls nicely into the Noise Pop realm.

Best show to arrive with absolutely no expectations, except that you are seeing a new act before everyone else.


Damien-Jurado
Damien JuradoSaturday March 2 @ The ChapelBUY TICKETS

Those with a proclivity toward singer-songwriters might want to check out Damien Jurado at San Francisco’s newest venue The Chapel in the Mission. Lately Jurado has been been releasing new records at a yearly clip, and he’s currently touring on his 2012 effort Maraqopa. Jurado is certainly an under-the-radar talent; his songs and discography greatly outweigh his overall success.

Best show to discover a hidden musical gem.


Catch Em Before They Blow Up
thao

“I’ve been with Noise Pop for about five to six years now, and I remember the first year I said ‘Wow, I don’t even really know a lot of these bands,’ and I consider myself pretty well versed. Then from the progression of Noise Pop, to SXSW to the next set of festivals you would see bands like the Fleet Foxes play second of four at the Bottom of the Hill, then all of the sudden they are on the front cover of all of these magazines. It’s interesting to see how people are able to trampoline onto the next thing.” ~Julie Zielinski, Assistant Producer of Noise Pop

Thao & The Get Down Stay DownSaturday March 2 @ Great American Music Hall
SOLD OUT Buy a badge

Thao Nguyen, the spark-plug front-woman for The Get Down Stay Down, is ready for the spotlight and even mainstream radio-play with the release of We the Common on February 5. Title track “We the Common (For Valerie Bolden)” will be a hit – and for a good reason. The track plays on multiple genres successfully, contrasting a bluegrass/jazz based-sound with synth hits, alt-rock beat transitions and poppy, Regina Spektor-like accessible lyrics. By the time the refrain kicks in (“Whooo-a-hooo, haha), it becomes easy to speculate that Thao and The Get Down Stay Down could have a big year.

Ty-Segall-Fuzz
FUZZFriday March 1 @ The KnockoutSOLD OUT Buy a badge

When Trouble in Mind Records received an anonymous submission by a heavy psych rock band last year, the mystery of FUZZ was born in a wall of sound. When the veil was raised, it turned out to be Ty Segall and his long-time collaborator Charlie Moothart were the creators of this new ruckus. The plot thickened when it was learned that Ty was manning the drumkit while Moothart banged out riffs heavy enough to make Sabbath blush. Bongs across America rattled as this is no average stoner rock band. The vocals are unmistakably Segall, which couldn’t fit the limited tracks any better.

Having the pleasure of seeing this band at tiny Hemlock Tavern got me excited that this was not a waste of Segall’s increasingly valuable time and effort. Having known that Ty is competent on all instruments lends perfect sense to him truly wanting to try it all, and sooner than later.
-Kevin Quandt

DIIVFriday & Saturday March 1 & 2 @ Brick & Mortar Music HallSOLD OUT Buy a badge

Beach Fossil’s Zachary Cole Smith released a whopper of a solo effort in 2012 under the aquatic-name, DIIV (Dive). Heavy on the reverb and not lacking any quality of pop shoe-gaze mentality, DIIV’s sound has a way of grabbing you and holding on as the infectious guitar hooks play over and over in your skull. Apparently the secret is out, as two Noise Pop shows sold out rather quickly. The attention is deserved.

Nosaj-Thing
Nosaj ThingThursday February 21 @ California Academy of Sciences

Nosaj Thing produces subtle yet contemporary beauty at it’s finest. It was well worth the wait for Jason Chung’s new album Home under his Nosaj Thing monicker, as this fresh batch of progressive down-beat tracks is full of his unique sound. Nosaj Thing is headlining the weekly California Academy of Sciences Nightlife February 21, the Thursday before Noise Pop week.

Scene-Unseen
Washed Out, Toro Y Moi, Young Magic Scene Unseen II • Friday March 1 @ 1015 FolsomFree with RSVP

Did you see all the sick shows happening Friday March 1st? The place to be afterwards will be at 1015 Folsom, where Washed Out (Ernest Greene) and Toro Y Moi (Chazwick Bundick) spin at this free after-party.

Culture-Club-Logo

“The Culture Club, it is what all of these musicians and artists do outside of just making music…” ~Kelleyann Schilke

Culture Club Presented by Bay Bridged • Saturday @ Swedish American Music HallBUY TICKETS

Culture Club, now in its third year of celebrating this process and DIY spirit, gives you the rare opportunity to see and hear your favorite artists in the music, film, art, design, food and technology communities show in an interactive way how, why and what inspires them in creating their work(s). In addition to talks and unique performances, there are hands-on opportunities for participants to delve into their own creativity as well. Culture Club creates an all-around immersive experience to get in touch with your favorite creatives on a deeper and more insightful level.

“One thing we’re highlighting this year is Olek, who is a famous crochet artist that does “crochet bombing.” She’s going to come in a teach crochet workshops and talk about that aspect of public movement which is pretty cool.”

“Also highlighting music, we’ll be featuring Dust & Grooves: For the Love of Vinyl, whom are going to come in and take photographs of local musicians and their record collections, then talk about how people are influenced by music and how vinyl has continued to effect really popular music. The concept itself is really just to highlight how much music really effects artistic movement and movement in the world.” ~Kelleyann Schilke

Culture-Club

Noise-Pop-Film
Noise Pop Film SeriesBuy a film series badge

See a Little Light: A Celebration of the Music and Legacy of Bob Mould
Q&A with director Justin Mitchell & Bob’s manager Jordan Kurland
February 27 / Roxie Theater / 9 p.m. / $10

Last November at the Walt Disney Concert Hall in Los Angeles, some of today’s most influential artists gathered to celebrate the music of Bob Mould. Dave Grohl (Foo Fighters), Britt Daniel (Spoon), Ryan Adams, No Age, Craig Finn and Tad Kubler (The Hold Steady), Margaret Cho with Grant Lee Phillips, and Jessica Dobson (The Shins, Deep Sea Diver) all performed songs from Bob’s historic catalog. Fortunately, the entire evening was captured in stunning audio and high-quality video quality by filmmaker Justin Mitchell. Justin and his camera crew followed Bob and the other artists meticulously throughout their day catching the rehearsals, preparation, interactions—and of course the night’s unforgettable performances.

“We also have a lot of great films I’m excited about like See a Little Light, A Celebration of the Music and Legacy of Bob Mould. Shepard Fairey is going to be there as well as Jordan Kirland, our boss in honor. Also the Bad Brains film, I’m excited about that as well.” ~Julie Zielinski

Noise-Pop-Art

Strom Thorgerson & Hipgnosis Taken by Storm: Iconic Album Art
Pre-screening Reception: Thursday, February 28, 2013 / 5–8 p.m.
San Francisco Art Exchange; February 28th-March 16th

For over 40 years using album covers as his canvas, Storm Thorgerson has created some of the most iconic images in the history of music from Pink Floyd’s Dark Side of the Moon, Led Zeppelin’s Houses of the Holy, Peter Gabriel, Black Sabbath, Paul McCartney to Biffy Clyro, Muse, The Mars Volta—in fact possibly 80% of your classic vinyl collection! Eschewing digital manipulation in favor of building massive sets and tableaus, staging performances and actions and ‘doing it for real’, Storm has deliriously confounded expectations of the relation of images and music, hyperrealism and the everyday, and the role of the record sleeve at the intersection of art and commerce.

Taken by Storm, with Storm Thorgerson is really being hyped and will be accompanied by a champagne toast down at the SF Art Exchange downtown, which has the world’s largest collection of Rock and Roll Art, which is really neat as well and such an honor to have that as part of the festival.” ~Kelleyann Schilke

San Francisco Rocks! Noise Pop & Treasure Island Photography (2007–2012)
Opening: Thursday, February 7, 2013 / 7 p.m.
Festival Reception: February 26th, 2013 / 5 p.m. / Hotel Biron

In the past five years Noise Pop has brought the Bay Area some incredible live music from local bands. And, while most of us were just getting off on the music itself, a select group of some of the world’s best music photographers were taking some spectacular shots of these shows. This exhibition is a rare treat as we get a unique look at what’s been happening onstage here in our own backyard over the past half a decade.

TIMF

Showbams’ best shows of 2012

Showbams contributors name their favorite shows of 2012.

It has been a top-notch year for live music, and we witnessed some great acts that have come through California over the past 12 months. Check out our favorite shows from 2012.

What was your favorite concert in 2012? Let us know in the comments below.

The xx at Treasure Island Music Festival

The xx at Treasure Island Music Festival

Mike FrashSan Francisco

1. Sigur Rós at Outside Lands Music Festival – San Francisco, CA – August 11th
Leaving Metallica for Sigur Rós to end the second day at Outside Lands was a torturous decision. Metallica was a warzone spectacle, but i stuck to my guns and headed to the Twin Peaks stage. I’m glad I did. Jonsi now conducts a mini orchestra, and the eerie SF fog lowered on command to the slow builds & crescendos. It was a spiritual show that effected me more than any other concert in 2012.

2. Japandroids at The Independent – San Francisco, CA – June 14th
Brian King and David Prowse brought ecstatic energy to the sold out Independent in June the week after Celebration Rock was released. Brian King understands how to control the pace of his set, offering fun pre-song statements that prepare you for what’s next. Their songs are vibrant live – it doesn’t sound like only two people are playing instruments. They truly seem to live the life they glorify on their 2012 album – still drinking, still smokin, and full of hyperactive desperation.

3. Phish (Night #3) at Bill Grahm Civic Auditorium – San Francisco, CA – August 19th
The highly anticipated phish three-show SF run in August started off a bit slowly. Saturday’s show left me a little bummed about Phish due to some sloppy play (“Split open and melt”) and what felt like a lack of enthusiasm. I was questioning why I still see Phish live heading into the last show of the weekend. My lowered expectations combined with a killer show quashed those thoughts. “Crosseyed and Painless” > “Light” > “Sneakin’ Sally” > “Crosseyed” was some of the best Phish I’ve ever heard, “Boogie on” redeemed Stevie Wonder’s omission of the song at Outside Lands the week before, “Meatstick” made me really happy, and the San Francisco-mentioning “Ride Captain Ride” made a surprise encore appearance. The show was pure bliss.

4. The Rapture at Coachella – Indio, CA – April 13th
5. The xx at Treasure Island Music Festival – San Francisco, CA – October 14th
6. The Presets at The Independent – San Francisco, CA – October 12th
7. STS9 at High Sierra Music Festival – Quincy, CA – July 5th-6th
8. Head and the Heart at Hardly Strictly Bluegrass – San Francisco, CA – October 6th
9. Tame Impala at The Fillmore – San Francisco, CA – November 15th
10. My Morning Jacket at Greek Theatre Berkeley – Berkeley, CA – September 15th

Honorable Mentions:
Father John Misty at Jansport Bonfire – San Francisco, CA – September 30th
Of Monsters and Men at The Independent – San Francisco, CA – March 22nd

My Morning Jacket

My Morning Jacket at The Wiltern

Pete MauchLos Angeles

1. My Morning Jacket at The Wiltern – Los Angeles, CA – September 13th
MMJ capped off the best three-night run I saw this year with this stellar closing show complete with a horns section. This is a big statement for a band I knew I loved but wasn’t fully convinced about until this night. Highlights: “All Night Long” and “Movin On Up” with horns.

2. Phish at Bill Graham Civic Auditorium – San Francisco, CA – August 19th
Phish played a terrific 3-night run, and topped off by an amazing Sunday night show that proves that Phish is still top of the Jam Scene. Highlight: Light > Sneakin Sally Through the Alley

3. Ryan Adams at Walt Disney Concert Hall – Los Angeles, CA – February 17th
Ryan Adams, an acoustic Guitar, and a Piano is all this show contained, and it was truly special. Adams’ classic songs stripped down with his raspy croons is all I needed to make this a top show of the year. Highlight: “Rescue Blues” on Piano “Holy Diver” on Guitar

4. Trey Anastasio and LA Philharmonic at Walt Disney Concert Hall – Los Angeles, CA – March 10th
5. Neil Young & Crazy Horse at Hollywood Bowl – Los Angeles, CA – October 17th
6. Charles Bradley with Menahan Street Band at Royce Hall – Los Angeles, CA – November 29th
7. Radiohead at Coachella Music Festival – Indio, CA – April 21st
8. Trombone Shorty at Key Club – West Hollywood, CA – February 11th
9. Wilco at Hollywood Palladium – Los Angeles, CA – January 24th
10. New Multitudes (tribute to Woody Guthrie) at Mayan Theater – Los Angeles, CA – March 7th

Honorable Mentions:
Phish at Long Beach Arena – Long Beach, CA – August 15th
String Cheese Incident at Greek Theatre Berkeley – Berkeley, CA – July 14th
Roger Waters presents “The Wall” at LA Memorial Coliseum – Los Angeles, CA – May 21st
Umphrey’s Mcgee (True Hollywood Stories acoustic show) at House of Blues – West Hollywood, CA – March 16th

The Faint

The Faint at The Regency Ballroom

Molly KishSan Francisco

1. Radiohead at HP Pavilion – San Jose, CA – April 12th
After merely catching glimpses of them while shoved against thousands of festivalgoers at Outside Lands 2008, I was determined to catch Radiohead the next time they came through the Bay Area. The sound, visuals, performance and energy of the evening were electrifying. Although I was extremely lucky to have been viewing the concert from the sixth row, the entire crowd looked as though they were just as lost in the moment as I was. The band’s enigmatic stage presence, fully developed set composition and career-spanning choice of material made for one of the most collectively impressive concert experiences that I have ever witnessed.

2. Of Montreal with Deerhoof, Kishi Bashi at Slim’s – San Francisco, CA – March 22nd
As a long time Of Montreal fan, I was ecstatic to get the opportunity to interview their opening act and latest addition to the lineup (Kishi Bashi) the night of their Slim’s performance. It wasn’t only for the sake of getting a personal perspective on the band, but also due to the fact that this would actually be my first time catching them performing live. The entire show and evening that followed was everything I could’ve wanted for my first experience seeing Of Montreal. Accompanied by three screens of psychedelic visuals, various costumed extras, balloon drops, props and whole score of vaudevillian rivalry, the band took the crowd and venue by storm. During the encore to top it off, I was able to reconnect with Kishi Bashi and ended up initiating an after-party with the entire band, crew and record label affiliates at an industrial themed “dark carnival,” taking place across the street at local dive bar Butter. Several jello shots, deep-fried twinkies and contortionist carnie-prompted dance battles later, I looked around and felt assured that I had enough material to develop my own personal “Of Montreal” concert story contender.

3. The Presets at Treasure Island Music Festival – San Francisco, CA – October 13th
Completely blown away by their performance the night before, I was overwhelmed with excitement and intrigue to see how the Presets could accomplish translating such energy to a festival setting. Anyone who had caught their Treasure Island Music Festival opener at the Independent instantly was taken over by sensory recall as they broke into song almost right where they left us hanging less than 24 hours earlier. Almost in homage to those who witnessed them destroy their previous set, they picked the dance party up right where they left off, only this time kicking it up about ten notches with the accompanied stage show, visual intensity and professional grade sound of seasoned professionals. Completely upstaging their more commercially recognized headliner and showing the younger generation how it should be done, they stole the show and were easily the stand out act of the 2012 TIMF. To this day I still find myself saying that I wish I could continually be going to a Presets show, based off of the concert experience I had at these two performances.

4. Dan Deacon at Great American Music Hall – San Francisco, CA – October 23rd
5. Against Me! at The Catalyst – Santa Cruz, CA – September 10th
6. The Faint at The Regency Ballroom – San Francisco, CA – November 18th
7. Justice at Fox Theater Oakland – Oakland, CA – November 4th
8. Metallica at Outside Lands Music Festival – San Francisco, CA – August 10th
9. Animal Collective at Fox Theater Oakland – Oakland, CA – September 21st
10. The Shins at Santa Cruz Civic Auditorium – Santa Cruz, CA – April 22nd

Honorable Mentions:
Yeah Yeah Yeahs at Creators Project – San Francisco, CA – March 17th
Cold War Kids at Bottom of the Hill – San Francisco, CA – March 5th
Dr. John at The Independent – San Francisco, CA – August 17th
Girl Talk at Sasquatch! Music Festival – George, WA – May 25th

David Byrnes & St. Vincent

David Byrnes & St. Vincent

Kevin RaosSan Francisco

1. David Byrne & St. Vincent at Orpheum Theater – San Francisco, CA – October 15th
This is my number one show of 2012 for a couple of reasons. First off, Love this Giant, the recently released collaborative album between Byrne and St. Vincent, was a major disappointment. One of my most anticipated albums of the year ended up being one of the most disappointing. All was redeemed, however, when I saw these songs performed live. The accompanying brass band and the chemistry on stage breathed new life into was I felt was a stale album. Playfully executed and precisely choreographed, these songs shined live.

Secondly, I am a huge David Byrne fan and was able to check a big one off my bucket list of musical artists. Byrne’s career needs no introduction, and this evening we were treated to a few Talking Heads classics such as “Burning Down the House”, “This Must Be the Place (Naive Melody)” and “Like Humans Do”.

This show was simply a once in a lifetime experience.

2. Phish at Bill Graham Civic Auditorium – San Francisco, CA – August 19th
A three night run at the Bill Graham Civic Auditorium was capped off with a masterful performance by jamband kings, Phish. The final night of the run was easily the best night as the band flexed their improvisational muscles in a blistering two-set performance, highlighted by covers of the Talking Heads’ “Crosseyed and Painless” and Robert Palmer’s “Sneakin’ Sally Through the Alley.”

3. Sigur Rós at Outside Lands Music Festival – San Francisco, CA – August 11th
Sigur Rós on my birthday to cap off an unbelievable festival day? How could it possibly get any better? It can’t really.

4. Duo de Twang at Terrapin Crossroads – San Rafael, CA – October 4th
5. Keller Williams, Steve Kimock & Kyle Hollingsworth feat. Bernie Worrell, Wally Ingram & Andy Hess at Hardly Strictly Bluegrass Music Festival – San Francisco, CA – October 7th
6. Miike Snow with Penguin Prison at Fox Theater Oakland – Oakland, CA – April 12th
7. Washed Out at Mezzanine – San Francisco, CA – May 4th
8. Electric Guest at The Independent – San Francisco, CA – November 2nd
9. The Album Leaf with Blackbird Blackbird at Bottom of the Hill – San Francisco, CA – September 30th
10. CITIZENS! with Tomorrow’s World, Lescop and Housse de Racket at Rickshaw Stop – San Francisco, CA – October 12th

Honorable Mentions:
Zee Avi at The New Parish – Oakland, CA – September 28th
M83 at The Fillmore – San Francisco, CA – April 22nd

Japandroids

Japandroids

Eric ShadenSan Francisco

1. D’Angelo at House of Blues – West Hollywood, CA – July 4th

2. Passion Pit at Rock en Seine – Paris, France – August 26th

3. STRFKR at The Independent – San Francisco, CA – January 7th

4. Stevie Wonder at Outside Lands Music Festival – San Francisco, CA – August 12th
5. Miike Snow with Penguin Prison at Fox Theater Oakland – Oakland, CA – April 12th
6. A.Skillz + Krafty Kuts Presents Tricka Technology at MIGHTY – San Francisco, CA – June 1st
7. Aaron Freeman (Gene Ween) at The Independent – San Francisco, CA – October 19th
8. Japandroids at The Independent – San Francisco, CA – June 14th
9. Guns N’ Roses (Bridge School Benefit) at Shoreline Amphitheatre – Mountain View, CA – October 21st
10. Kid Koala (Vinyl Vaudeville Tour) at The Independent – San Francisco, CA – November 4th

The Lumineers

The Lumineers at The Chapel

Marc FongSan Francisco

1. Edward Sharpe and the Magnetic Zeros at Slim’s – San Francisco, CA – March 25th
It’s not often I gush like a school girl (only about once or twice a week), but seeing ESatMZ at Slim’s was panty dropping. Can I say that? Well, I just did. It was a secret/private show so Slim’s was overcrowded. I stood center stage close enough to see the dirt on Alex Ebert’s suit. The sound was great, and the band always puts on a damn fine show.

2. The Lumineers at The Chapel – San Francisco, CA – October 11th
LIVE 105 brought the Lumineers to newly opened Chapel in SF and the band didn’t disappoint. The venue was the perfect size for the band and like most of the other bands on this list, the Lumineers had fun playing and it made for a great show.

3. Kronos Quartet at Greek Theatre Berkeley – Berkeley, CA – October 5th
OK, this was really Amon Tobin’s show, but Kronos opened and performed beautifully. Being a longtime fan, it’s not a surprise these openers made my list. Great music from great performers. And the Greek Theatre in Berkeley was the best venue to see them at … and most other concerts.

4. Willie Nelson and Family at Fox Theater Oakland – Oakland, CA – March 15th
5. Of Monsters and Men at The Independent – San Francisco, CA – May 22nd
6. Fun. at The Independent – San Francisco, CA – May 28th
7. Sage Francis at The Independent – San Francisco, CA – March 17th
8. Steve Aoki at Bill Graham Civic Auditorium – San Francisco, CA – January 21st
9. Edward Sharpe and the Magnetic Zeros at Fox Theater Oakland – Oakland, CA – May 12th
10. Avicii at Bill Graham Civic Auditorium – San Francisco, CA – June 28th

Tame Impala at The Fillmore in November

Tame Impala at The Fillmore

Kevin QuandtSan Francisco

1. The Walkmen at The Independent – San Francisco, CA – January 20th-21st
These 10th anniversary shows were a Walkmen fan’s wet dream as they played their first album in full among multiple sets and configurations including a horn section. Over 30 songs of Hamilton Leithauser and company churning out their own brand of rock and roll to devote fans from across the States.

2. Refused with The Hives, The Bronx at The Warfield – San Francisco, CA – April 18th
Having seen their Coachella show a week prior, the anticipation was less palpable, yet the reigning post-punk champs delighted a more rowdy and dedicated crowd with a spirited set for the masses who patiently waited a decade to witness.

3. Trey Anastasio with Los Angeles Philharmonic at Walt Disney Concert Hall – Los Angeles, CA – March 10th
Dressing up for a show is fun, especially when Trey is at the helm of philharmonic symphony in one of the best rooms to hear, and see, music in. From the playful rendition of “Guyute” to the half hour “Time Turns Elasctic,” this night had the packed concert hall re-charmed by Ernest and his recharged song book.

4. Tame Impala at The Fillmore – San Francisco, CA – November 15th
5. Phish at Bill Graham Civic Auditorium – San Francisco, CA – August 19th
6. Woods & White Fence at The Chapel (Preservation Hall West) – San Francisco, CA – October 17th
7. Howlin Rain at The Independent – San Francisco, CA – February 18th
8. Radiohead at Santa Barbara Bowl – Santa Barbara, CA – April 12th
9. Father John Misty with Har Mar Superstar at Bottom of the Hill – San Francisco, CA – May 5th
10. Mala at Yoshi’s – Oakland, CA – June 23rd

Festival sets:
Sigur Rós at Outside Lands Music Festival – San Francisco, CA – August 11th
Future Islands at FYF Fest – Los Angeles, CA – September 1st
Flying Lotus at Coachella – Indio, CA – April 14th

Justice

Justice at The Warfield

Sean LittleSan Francisco

1. Justice at The Warfield – San Francisco, CA – November 4th
What else is there to say about Justice that hasn’t already been said. They came, they saw, and they melted faces with an amazing set the blew fans away and converted first timers alike. At least half my friends decided to go last minute (tickets were still available because it was a Sunday) and all of them became huge fans. Some of these friends are not into electronic music of any kind either, so that really says something. It was one of those rare shows where you leave euphoric and can’t stop saying “wow” to the people you went with.

2. Florence & the Machine at Coachella – Indio, CA – April 15th
The only other performer I’ve ever seen that commanded an audience like Florence did was Snoop Dogg back in 02 at the Smoke Out (stop-you’re not better than me so put that eyebrow back down). It was one of the rare festival sets where everyone felt really in tune with the performer and each other, singing along and knowing when to interact with each other and the songs. She was absolutely amazing, and the set was a dark horse highlight to my festival as I didn’t expect her to command the audience like she did. She’s truly a presence.

Showbams

The Lumineers play to 120 lucky folks at The Chapel

Photos by Marc Fong // Written by Molly Kish //

The Lumineers //
The Chapel – San Francisco
October 11th, 2012 //

Hardly Strictly Bluegrass Festival just closed out its 12th year with more than 250,000 attendants, three days of music from a wide variety of globally recognized artists and some impeccable weather to boot at Warren Hellman’s annual event.

Focusing on the latest and greatest in contemporary and traditional country, rockabilly, soul, brass and any slight derivative of the genre, crowds spanned throughout the entire Hellman Hollows portion of Golden Gate Park for a full weekend of bluegrass bliss. One of the standout acts that brought a fully packed Rooster Stage to its collective feet was Denver folk quintet The Lumineers.

Production-wise, the band is known for their stripped-down, vocally saturated and exceptional acoustic performances. While this can be hard to do on bigger stages, they accomplished it with ease and they won the enthusiastic attention of a fully packed Saturday afternoon crowd.

The Lumineers

Hailed by many as one of the weekend’s favorites, The Lumineers proved their sound and talent could transcend the difficulties present within the setting of a large-scale festival. Beyond allowing them to reach a whole different level of notoriety, it left many fans in anticipation for their next return to the Bay Area. Fortunately, I was able to catch it front an center during the soft opening of what is properly being referred to as “The Preservation Hall West” that’s officially called The Chapel.

The brand-new venue that’s still under construction and located in the heart of the Mission District in San Francisco is one with a particularly interesting backstory. Beyond being named after the official West Coast home of New Orleans’ own Preservation Hall Jazz Band, the building itself is a converted mortuary built in 1914. The stage, which played host to a slew of Hardly Strictly talent for the remainder of the weekend that included Elvis Costello, Steve Earle, Buddy Miller and Allison Moore, is sans an alter and directly in the middle of what used to be the resident chapel.

Now underneath 40-feet wooden beamed ceilings and surrounded by the barren walls, an incomplete venue sits with a stage elevated about eight feet above floor level. Because of all this, the room has a beautifully organic stereo quality. This scope of sound perfectly complemented the intimate nature of the private Lumineers show to close out the venue’s first full week of operation.

The Lumineers

Right when I found out about this show, I jumped upon the opportunity to see them in such a gorgeous space. With a crowd maxing out at about a 120-person guest list, audience members were treated to a show most would only be lucky enough to catch in the context of a wedding or band’s debut performance.

Although a newer face in commercial radio, The Lumineers didn’t play an amateur show, highlighting material off their 2012 self-titled debut along with some acapella songs and a teaser of an unannounced track during the encore. Wesley Shultz’s humble presence as the group’s frontman charmingly absorbed the crowd while Jeremiah Fraite’s drums and Neyla Pekarek’s cello bled beautifully into perfect cohesion with their visceral backup vocals. Stelth Ulvang and Ben Wahamaki remained in the offstage areas, ducked behind the velvet curtains until their aid was needed on tracks featuring the piano, mandolin, accordion and bass.

The Lumineers’ sound, although self described as folk rock in the vein of traditional roots revival, is one that transcends a typecast amongst listeners. The crowd this evening, completely diverse in background and reason for attendance, hung on every lingering note, extended bridge and crowd participatory moment that was brought to the stage.

The Lumineers

Whether languidly entranced, swaying back and forth to Shultz’s acapella crooning of “Dead Sea” or bursting with energy that saw him jump at the invitation to scream along the chorus of “Hey Ho”, the band decidedly made the evening an especially participatory experience for everyone in attendance. Shultz even went as far as to candidly suggest that everyone limit the recording to keep the evening as it was intended to be: a private moment to be shared between them and the audience.

The band ended by thanking everyone for their support through radio play and downloads. They cheekily added the casual reminder that said hits were part of a larger collection of music they were proud to share by purchasing their entire album. Constant discourse, hugs and sentimental moments shared through the band members’ playful nature and glances at each other resonated a relatable quality that The Lumineers have but amidst another setting could get lost in the moment.

The sound, personas and overall ambiance that The Lumineers brought to the deconstructed venue was perfect for the Preservation Hall West’s first week of performances. This intimate gathering worked as a seamless transition, but the scene was completely different than their incredibly impressive appearance at HSB 2012.

The Lumineers