Goldenvoice fills up the rest of April with 2025 Coachella sideshows

Goldenvoice Presents April 2025 - Los Angeles

Ah, it’s that time of the year again … you know, when February showers bring April flowers?

We know that’s not exactly how the idiom goes of course, but with heavy storms this week bringing floods and mudslides to Southern California only a month after wildfires wreaked havoc all over Los Angeles, getting even a sliver of positive news is always nice to help uplift our spirits.

So as Coachella approaches after catching a lot of us off guard by revealing its 2025 lineup quite a bit earlier than usual, Goldenvoice has once again filled up the spring concert calendar with another list of sideshows in support of the famed music festival.

This is usually the week that Paul Tollett and company unveils those plans, and for those of you who aren’t interested in making the trek out to the desert for three days in the hot, scorching sun or quite understandably just don’t have the budget to make that happen right now, fans of live music can still have a taste — or multiple tastes if they are inclined — of Coachella all while not having to ever leave the confines of LA County.

Much like the 2024 sideshows, this year’s will be extending north to the Bay Area. After booking almost a dozen “Goldenvoice Presents April” dates in and around SF a year ago, the renowned promoter has continued the trend with 15 performances scheduled over a two-week stretch from Friday, April 4th to Saturday, April 19th during what we used to call Fauxchella before officially joining this annual series a year ago that began in 2012.

Goldenvoice Presents April 2025 - Bay Area

Also different from last April is the fact that not many sideshows will be taking place down south in San Diego after the Rady Shell at Jacobs Park and Humphrey’s Concerts by the Bay, among others, played host for the first time. Mostly venues owned and operated by Goldenvoice in and around LA will be used this time, with some of the farthest ones like The Glass House and Fox Theater Pomona extending east into Tollett’s old stomping grounds. Unfortunately if you enjoy a good gig out in Pioneertown at Pappy & Harriet’s (read our First Times coverage here), you will have to find another time to visit the famous biker haunt with it no longer being in the equation … at least for now.

Along with Blonde Redhead at the Belly Up in Solana Beach, kicking off the SoCal festivities on April 9th will be The Dare and Kumo 99 at The Glass House while The Go-Go’s rock The Roxy and Thee Sacred Souls headline the Fox Theater Pomona. But what really stands out right away is Basement Jaxx (Live) at The Fonda Theatre as well as Portishead lead singer Beth Gibbons at the Orpheum Theatre on what appears to be a busy April 17th. And sure, seeing Miike Snow play an 800-person room like The Glass House wouldn’t be too bad either. If we just go by past numbers, the amount of sideshows is back up to 45 in total between LA and the Bay after scheduling 35 in 2024 and 32 in 2023 (by our count, the record is still 62 in 2017) and that’s certainly a good sign for all parties involved.

Below is the list of Goldenvoice Presents April sideshows in SoCal:

• Blonde Redhead: April 9th (WED) @ Belly Up (San Diego)
• The Dare with Kumo 99: April 9th (WED) @ The Glass House
• The Go-Go’s: April 9th (WED) @ The Roxy Theatre
• Thee Sacred Souls with Los Yesterdays: April 9th (WED) @ Fox Theater Pomona
• Eyedress: April 10th (THU) @ El Rey Theatre
• Jimmy Eat World with Glixen: April 10th (THU) @ Fox Theater Pomona
• Alok presents Something Else: April 11th (FRI) @ Sound Nightclub
• Sparrow & Barbossa: April 12th (SAT) @ Sound Nightclub
• Seun Kuti & Egypt 80 + Los Mirlos: April 14th (MON) @ The Roxy Theatre
• Still Woozy: April 14th (MON) @ The Glass House
• Together Pangea with Prison Affair: April 14th (MON) @ El Rey Theatre
• Afrojack presents Kapuchon: April 15th (TUE) @ Sound Nightclub
• Djo with Post Animal: April 15th (TUE) @ Fox Theater Pomona
• GloRilla with Real Boston Richy: April 15th (TUE) @ The Novo
• Lola Young with Bob Vylan: April 15th (TUE) @ The Fonda Theatre
• Miike Snow: April 15th (TUE) @ The Glass House
• Speed with HiTech: April 15th (TUE) @ The Roxy Theatre
• Djo: April 16th (WED) @ The Sound (San Diego)
• DIXON + Jimi Jules + Yulia Niko: April 16th (WED) @ Sound Nightclub
• Hope Tala: April 16th (WED) @ Music Box (San Diego)
• julie + Fcukers: April 16th (WED) @ The Glass House
• Maribou State with Shermanology: April 16th (WED) @ The Roxy Theatre
• Parcels with Ginger Root: April 16th (WED) @ Fox Theater Pomona
• SAINt JHN: April 16th (WED) @ The Novo
• Basement Jaxx (Live): April 17th (THU) @ The Fonda Theatre
• beabadoobee with Pretty Sick + Keni Titus: April 17th (THU) @ Fox Theater Pomona
• Beth Gibbons with Bill Ryder Jones: April 17th (THU) @ Orpheum Theater
• Dennis Cruz + Beltran: April 17th (THU) @ Sound Nightclub
• El Malilla + Judeline: April 17th (THU) @ The Roxy Theatre
• Kneecap with Soft Play: April 17th (THU) @ The Glass House
• Medium Build: April 17th (THU) @ El Rey Theatre
• Underscores: April 17th (THU) @ Music Box (San Diego)
• Eli Brown: April 18th (FRI) @ Sound Nightclub

If you’ve got the itch to see some live music now, tickets for the SoCal sideshows will go on sale here next Friday, February 21st or Friday, February 28th at Noon PT. All of the Bay Area shows, meanwhile, have already gone on sale. Fans can also win a pair of Weekend 2 passes to Coachella as well as two Golden tickets that gives access to every “Goldenvoice Presents April” show in SoCal or NorCal (there are separate contests at the aforementioned link). Wishing you all the best of luck!

Goldenvoice Presents April 2025 - San Diego

Goldenvoice shares latest round of Coachella sideshows this April after Weekend 1 tickets for festival’s 2024 edition finally sell out

Goldenvoice Presents April 2024 - LA

Is it spring yet? With all of the stormy weather California has experienced over the past few weeks, some sunnier and warmer days would certainly be welcomed right about now.

Of course, it’s around this time on the calendar when Goldenvoice starts turning our attention toward April for its biggest event of the year, but with Coachella’s announcement of its 2024 lineup coming a week behind schedule and tickets selling at a much slower pace than in prior years with Weekend 1 taking more than a day and almost a month longer than usual to sell out last week, it has seemingly been more of a challenge for the California concert and music festival promoter to convince folks to make the trek out to the desert.

Much of it has to do with the current, less-than-ideal economic conditions many people are facing at the moment, and with Lana Del Rey, Tyler, the Creator and Doja Cat set to make their headlining debuts in 2024, it’s far from the best the three-day, two-weekend music festival has had to offer in its 23 years on the scene.

But for those of you in the Golden State who might be living on a tighter budget than usual and can’t afford Coachella or just simply aren’t interested in spending thousands of dollars on a weekend out at the Empire Polo Club, the latest installment of sideshows in both Southern and Northern California can serve as a more economical option that still presents enough opportunities for everyone to catch some great live music soon.

After taking a look at the posters above and below, you might notice right away that there a significant number of more shows scheduled in SoCal versus NorCal, but the action will begin in the bay a week before Coachella’s first weekend gets underway when Belgian DJ/record producer Charlotte de Witte headlines the Cow Palace on Friday, April 5th. Other notable performances taking place in SF include Oneohtrix Point Never at The Regency Ballroom, Young Fathers at Great American Music Hall, Steve Angello at The Midway and Yoasobi at The Warfield.

Meanwhile, things pick up down south the following week as English rockers Blur stop by the Fox Theater in Pomona on Wednesday, April 10th for their first show on American soil since 2015 and another UK product in Jungle get set to play the 1,750-person venue the ensuing day. One change particularly noteworthy this year is the number of sideshows happening in San Diego, including the Rady Shell at Jacobs Park hosting Thai-funk trio Khruangbin with Latin instrumental duo Hermanos Gutiérrez and Alabama Shakes leader Brittany Howard performing at the world-famous Humphrey’s Concerts by the Bay. Back up north in the City of Angels, there’s once again a TBA act on the poster after boygenius earned the honor last year and that’s something we will be sure to keep our eyes on with the expectation that more details will emerge next month about who will visit the El Rey Theatre.

Nonetheless, it’s also worth mentioning after comparing previous iterations that Goldenvoice has dialed back on the number of sideshows over the years, peaking at 62 in 2017 before 52 in 2018, 34 in 2019, 44 in 2022 and 32 in 2023. With only 24 in SoCal this time around, having 11 in NorCal does help pad the number back to 35 and we imagine it will continue to hover around this amount in the future based on the way things have been trending.

Ready to catch some live music? Tickets for the sideshows in Southern California go on sale here this Friday, February 23rd at Noon PT over the next two weeks, while admission to the Northern California dates is already available. Fans can also win a pair of Weekend 2 passes to Coachella as well as two Golden tickets that gives access to every “Goldenvoice Presents April” show in SoCal or NorCal (there are separate contests at the aforementioned link). So, with that we say … good luck, friends!

Goldenvoice Presents April 2024 - SF

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2023

Best of 2023

It’s hard to believe that 2023 marked the first time since Earth was rocked by a global pandemic three years ago that COVID-19 was no longer a public health emergency. After everything we have endured since 2020, we could finally breathe (no pun intended) a sigh of relief. And over the last 12 months, the live music industry continued its recovery, with fans packing stadiums, arenas, amphitheaters, theaters, bars and clubs all around the world to experience one of life’s great pleasures.

Seeing people come together to celebrate music — no matter where it is — is always a beautiful thing to witness, and we feel fortunate to have been there for some stellar moments in live music this year while also sharing many in this space. There was a three-hour marathon by King Gizzard & the Lizard Wizard, the long-awaited return of Mr. Bungle and Les Claypool’s Fearless Flying Frog Brigade to the road (and stage), Goose winning over new fans and Run the Jewels commemorating their 10th anniversary with a star-studded residency tour to name only a few of them.

But with coronavirus in the rearview mirror and 2024 arriving soon, it’s time for us to uncork our annual “Best of” lists as we have done since this blog first started (see our 2022 picks here). As we always say, we will be the first to admit we didn’t attend every show or hear all of the albums released in 2023, but recapping the year that was can be still a fun and yet challenging exercise, too.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2023.

Listen to The Bam Team’s favorite songs of 2023:

My Morning Jacket - Red Rocks Amphitheatre


My Morning Jacket with M. Ward at Red Rocks Amphitheatre // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2023
1. My Morning Jacket at Red Rocks Amphitheatre – Morrison, CO – August 25th-26th
Picking the same band at the same music venue around the same time on the calendar for the second straight year might not seem all that interesting to those who happen to be reading this. But having the opportunity to photograph one of my favorite bands at one of the world’s best places to catch a concert was too special not to highlight here. From Jim James showing up early to play with M. Ward during his opening sets to the latter sitting in with the Louisville-bred outfit both nights, MMJ shows at Red Rocks just hit a little bit different and 2023 was no exception. Friday’s performance marked the first of several dates to honor the 20th anniversary of It Still Moves, while Saturday’s was particularly memorable this year with a cover of Traffic’s “Feelin’ Alright?” featuring a guest appearance by Nathaniel Rateliff and a four-part “Cobra” sandwich during the encore that reminded us how magical taking in a concert can be at “the birth canal of the universe” as James calls it.

2. Queens of the Stone Age at The Forum – Inglewood, CA – December 16th
3. King Gizzard & the Lizard Wizard at Hollywood Bowl – Los Angeles, CA – June 21st
4. Jack White at The Belasco – Los Angeles, CA – January 13th
5. Les Claypool’s Fearless Flying Frog Brigade at The Wiltern – Los Angeles, CA – July 14th

Top 5 Albums of 2023
1. Queens of the Stone Age – In Times New Roman…
The last few years have been filled with a tidal wave of emotional pain for Josh Homme. From his public divorce and custody battle to the deaths of friends and colleagues, it’s not surprising that the lead single on Queens of the Stone Age’s eighth studio album was entitled “Emotion Sickness”. But the fact that the 10-track LP didn’t make the cut for any year-end consideration by most of the major music media outlets is almost unconscionable to me. Regardless of what they think, In Times New Roman… to us is another masterpiece with Homme showcasing more vulnerability than we have ever seen from him before. Plus, after 25 years we can’t imagine finding a better cast of sidekicks in modern rock than what Queens have with Troy Van Leeuwen (guitar, keyboards, backing vocals), Michael Shuman (bass, keyboards, backing vocals), Dean Fertita (keyboards, guitar, backing vocals) and Jon Theodore (drums, percussion). There are only a few great rock bands out there that are still innovating and pushing boundaries, and In Times New Roman… proved QOTSA are once again unquestionably one of them.

2. Gorillaz – Cracker Island
3. Royal Blood – Back to the Water Below
4. Say She She – Silver
5. Slowdive – everything is alive

Top 5 Songs of 2023
1. Queens of the Stone Age – “Paper Machete”
As much as I liked the first two singles that were released off In Times New Roman…, it was the third hit that became an instant earworm for me this past summer. “Paper Machete” is the album’s shortest track at slightly more than three minutes, but it has that old-school QOTSA sound from Homme’s early days in the stoner-rock group Kyuss and a killer guitar solo by Van Leeuwen we would be remiss not to mention. And though some might consider it to be a diss track if there ever was one in rock ‘n’ roll, we will say that the lyrics beautifully paint a picture of “pain and misery” — as Homme sings toward the song’s finish line — in a metaphorical sense. Who said you need a lot of time to make a statement? Not Homme (or us).

2. Gorillaz – “Cracker Island” feat. Thundercat
3. Royal Blood – “Tell Me When It’s Too Late”
4. The Chemical Brothers – “No Reason”
5. Explosions in the Sky – “Moving On”


Samiam - Stowaway

Andrew Pohl // San Francisco

Top 5 Shows of 2023
1. Botch at The Regency Ballroom – San Francisco, CA – December 12th
Holy hell, this show left me with zero face…. like, my face was not present afterwards. Both opener Kowloon Walled City and Botch dished out massive sets of music that thankfully sounded crisp, even given the Regency’s typical boomy nature. This was Botch’s last show of their reunion tour, and they showed zero signs of wear, delivering an incredible performance. Fun point of the night was Botch bassist Brian Cook calling out members of the crowd who claim to have attended their shows at Gilman Street and The Stork Club back in the day, saying “you’re lying because NO ONE was there.” Can you imagine that?

2. Sunny Day Real Estate at The Regency Ballroom – San Francisco, CA – April 8th
3. Hammered Hulls at The Ivy Room – Albany, CA – May 5th
4. The Postal Service & Death Cab for Cutie at The Greek Theatre – Berkeley, CA – October 10th
5. High Vis at Neck of the Woods – San Francisco, CA – July 30th

Top 5 Albums of 2023
1. Samiam – Stowaway
I knew that Samiam were going to be releasing new music this year, and I was already really hyped to hear it. Stowaway sees the band picking up right where they left off, with catchy, singalong choruses and a masterclass in post-hardcore musicality. It’s a tremendous effort from a band that already has proven beyond a shadow of a doubt that it knows how to create incredible LPs.

2. Paint It Black – Famine
3. Flying Raccoon Suit – Moonflower
4. Snooper – Super Sn​õ​õ​per
5. Black Pumas – Chronicles of a Diamond

Top 5 Songs of 2023
1. Militarie Gun – “Very High”
2023 was a huge year for Militarie Gun. Their new album is a monster and made my Top 10, but this track may have been the one that stuck with me the most over the last 12 months. It’s got a killer hook and has that always welcome “all killer, no filler” quality to it. The chorus captures a bit of a Stone Roses essence without sounding like they are aping that sound at all. Overall, my feel good hit of the summer — and entire year.

2. Samiam – “Crystalized”
3. Fat Heaven – “Quarter Life Crisis”
4. The Blackburns – “Chill City Population You”
5. Cory Hanson – “Wings”


Tierra Whack - The Broad


Tierra Whack at The Broad // Photo by Joseph Gray

Rochelle Shipman // Los Angeles

Top 5 Shows of 2023
1. Ron Gallo at Gold-Diggers – Los Angeles, CA – September 21st
I caught about 60 seconds of Gallo’s set at South by Southwest in a rush to a different stage, and those few seconds played on a loop in my mind for weeks. Six months later, I finally got a chance to see the Philadelphia garage-rock star up close, and he blew what little was left of my mind with some relatable hard truths and a blazing performance. It was somehow both perfectly measured and chaotic; he even shredded using a barstool as his guitar pick at one point.

2. Little Simz at The Novo – Los Angeles, CA – October 3rd
3. Kari Faux at The Echo – Los Angeles, CA – November 7th
4. Tierra Whack at The Broad – Los Angeles, CA – August 26th
5. The Cure at North Island Credit Union Amphitheatre – Chula Vista, CA – May 20th

Top 5 Albums of 2023
1. Little Simz – NO THANK YOU
Technically a mid-December surprise release in 2022, this album got cheated out of inclusion on any year-end list so I’m making it right. It’s an absolute fireball follow-up to 2022’s Sometimes I Might Be Introvert, and if it wasn’t crystal clear before, Little Simz is here to stay. Fingers crossed that she will have mercy on us and keep rolling out some of the other bangers in the vault she has been hoarding.

2. Ron Gallo – FOREGROUND MUSIC
3. Islands – And That’s Why Dolphins Lost Their Legs
4. Avey Tare – 7s
5. Noname – Sundial

Top 5 Songs of 2023
1. Tele Novella – “Hard-Hearted Way”
There’s something about the magic in Natalie Ribbons’ voice that makes you feel like the main character in the newest Wes Anderson movie. It’s whimsical and romantic, bringing a sweetness to a song that’s named after being anything but. Not a single track is worth a skip on the Texas duo’s newest LP Poet’s Tooth, but this one remains a strong and emotional standout.

2. Little Simz – “Gorilla”
3. Ron Gallo – “AT LEAST I’M DANCING”
4. Lando Chill – “Believe Me Lonely”
5. slowthai – “Never Again”

Showbams

Maribou State feel the love at The Regency Ballroom

Maribou StateBy Karina Kristensen //

Maribou State with Sea Moya //
The Regency Ballroom – San Francisco
October 16th, 2019 //

On a Wednesday evening in SF, a packed crowd at The Regency Ballroom showered English electronic act Maribou State with love. The duo that consists of Chris Davids and Liam Ivory received quite the reception for a mid-week performance.

While Maribou State released their debut album Portraits in 2015, this tour was specifically in support of their sophomore LP Kingdoms in Colour, which dropped more than a year ago now and features long-standing collaborator Holly Walker on the tracks “Nervous Tics” and “Slow Heat” as well as Texas-based three-piece Khruangbin on “Feel Good” (and yes, it does).

Serving as support was Sea Moya, a kraut-beat combo that energized us with their German-styled aesthetic. Their music was the good kind of weird — the different, yet perfect fun for warming up a crowd.

Maribou State

When Sea Moya concluded, the lights illuminated the crowd that had subtly grown to fill the space and continued to show the sea of bodies getting denser toward the front of the stage as Davids and Ivory began.

Joining Maribou State for much of their set was London-born multi-instrumentalist and singer-songwriter Obi Franky, whose vocals sounded nothing short of incredible and fit perfectly with the feelings you get while listening to Davids’ and Ivory’s music. Past the midway point of the show, she returned to perform “Midas” off Portraits on a stage that radiated pink and we couldn’t have been happier to see Franky do her thing again.

When Maribou State walked off stage for their encore break, it was almost as if the crowd immediately expected an encore. But no one left until they came back out and performed “Turnmills” from Kingdoms in Colour in honor of the London club that closed in 2008. We really couldn’t have asked for a better way to spend a fall night in The City by the Bay.

Setlist:
Feel Good
Nervous Tics
Steal
Glasshouses
Wallflower
Kingdom
Beginner’s Luck
Vale
Midas
November Nights
Rituals
The Clown
Kama

Encore:
Turnmills

Empire of the Sun are walking on more than just a dream after selling out three straight shows in SF

Empire of the SunBy Karina Kristensen //

Empire of the Sun //
The Regency Ballroom – San Francisco
June 25th, 2019 //

As they continue to celebrate the 10th anniversary of their debut album Walking on a Dream, Australian synthpop outfit Empire of the Sun hit the West Coast hard during the latter half of June with three-night stands in three different cities, including a trio of sold-out shows in SF at The Regency Ballroom.

We showed up for the second of three Bay Area performances only to find the crowd anxiously awaiting the group’s arrival onstage. When lead vocalist/guitarist Luke Steele finally emerged through all the smoke donning his usual headdress and face paint however, it quickly came to life. Complemented by a pair of backup dancers and plenty of eye-catching on-screen visuals, Empire of the Sun kicked things off appropriately with “Standing on the Shore” and between multiple costume changes and instrument swaps, completely blew us away before uncorking the LP’s title track to close their headlining set.

With fans screaming for more music during a short break, Steele and his cohorts returned to the stage for a two-song encore. Of course, how could they call it a night without performing “Alive” from 2013’s Ice on the Dune?

Naturally, Empire of the Sun couldn’t so they delivered one last taste of Walking on a Dream with “Tiger by My Side” and then sent us home feeling totally “Alive” after only 90 minutes, further proving that they have been walking on more than just a dream for the past decade.

Setlist:
Intro (video segment)
Standing on the Shore
Old Flavours
Half Mast
Breakdown
We Are the People
Way to Go
The World
Chrysalis
High and Low
Delta Bay
(Unknown) (instrumental)
Between Me and You (Brandon Flowers cover)
This Land Is Your Land
Swordfish Hotkiss Night
Without You
Walking on a Dream

Encore:
Tiger by My Side
Alive

Blonde Redhead deliver a poignant performance at The Regency Ballroom

Blonde RedheadPhotos by Karen Goldman // Written by Omar Amador //

Blonde Redhead with Porcelain Raft //
The Regency Ballroom – San Francisco
July 22nd, 2017 //

The last time Blonde Redhead came to the Bay Area, they introduced us to Canandian indie rockers Wintersleep. On this night, they gifted us with Porcelain Raft, a New York-based solo artist armed only with a Fender Telecaster and a set of samplers.

Mauro Remiddi’s staccato-rich voice floated along to the rhythm of his samplers, setting the mood for the night. The Italian singer-songwriter’s compositions were a mix of pre-recorded, downtempo bass and percussions, a clean guitar sound and his vocals with reverb.

Porcelain Raft’s performance paired perfectly with The Regency Ballroom’s dim lights and turn-of-the-century architecture, though his music can pair well with just about anything. Many live music fans often choose to skip an opener, but with Blonde Redhead billed as a headliner, one can expect to be introduced to something profound — and Porcelain Raft is definitely one you’ll want to keep an eye on down the road.

Despite being around for more than 20 years, Blonde Redhead is anything but stagnant. Their sound encompasses a wide range of styles that draw on various emotions: somberness, anger and euphoria. It is no wonder that the band continues to draw a major and diverse following, ranging from “scenesters” who hem their own clothing to frat-boy types with cargo shorts and tilted baseball caps.

Blonde Redhead

The trio composed of Kazu Makino and brothers Amadeo and Simone Pace began in the early 90’s and has released nine studio albums, each with a unique sound and narrative. All three musicians are fluid in their compositions, with Makino and Amadeo Pace switching between guitars, synthesizers and vocals throughout their live performance. Blonde Redhead are also relentless in their art as just last year, they visited SF and were already back this summer on a Saturday night to introduce their brand-new EP 3 O’Clock.

Blonde Redhead kicked things off with “Equally Damaged”, the subtle, yet powerful vorspiel to their 2000 LP Melody of Certain Damaged Lemons. Although it was less than a minute, the quant organ loop was at first melancholic before it spiraled into the playful “In Particular”.

The group played much of its crowd-pleasing songs from Melody of Certain Damaged Lemons, with a few tracks from 2014’s Barragán, 2007’s 23 and 2004’s Misery Is a Butterfly. Makino and the two Pace brothers barely interacted with the audience but instead focused on playing one song after the next.

The highlight of the night was the memorable performance of “For the Damaged”. Makino sat at the edge of the stage and serenaded the audience with the beautifully somber song. Had it not been for the onslaught of camera phones that were recording the moment, it would have been a powerfully emotional experience. Unfortunately, I was interrupted by two tall, girthy men in front of me that thought it was necessary to hold up their phones, though I did find some humor in overhearing someone contemplating whether to confront the men, only to stop themselves with, “Fuck, it’s so fucking beautiful,” before pulling out a phone, too.

Setlist:
Equally Damaged
In Particular
Melody of Certain Three
Hated Because of Great Qualities
Loved Despite of Great Faults
Ballad of Lemons
This Is Not
For the Damaged
Mother
Where Your Mind Wants to Go
Doll Is Mine
Elephant Woman
Dripping

Encore:
3 O’Clock
Give Give
23

Låpsley shows at The Regency Ballroom why she continues to be one to watch

LåpsleyBy Norm de Veyra //

Låpsley with Aquilo //
The Regency Ballroom – San Francisco
November 15th, 2016 //

The Brits turned up in SF last Tuesday and left The Regency Ballroom crowd swooning. Holly Lapsley Fletcher displayed exactly why she’s one to watch as a young, up-and-coming singer, showcasing her confident and powerful voice. The smooth coolness of Låpsley’s electropop ballads from her debut LP Long Way Home belie her mischievous and humorous personality, but the audience caught glimpses of it during her headlining set.

Låpsley’s fellow countrymen, Aquilo, were on hand to open the show, and the indietronica duo nicely established the vibes early on with their forlorn ballads. The group gave us a nice peek into what we should expect from its debut album Silhouettes, which is set to be released early next year.

Setlist:
Cliff
Falling Short
Heartless
Tell Me the Truth
Painter
Burn
Seven Months
Dancing
Brownlow
This Woman’s Work (Kate Bush cover)
Love Is Blind
Station
Operator (He Doesn’t Call Me)
Hurt Me (new outro chords)

The Faint highlight their history for one night in SF

The FaintBy Norm de Veyra //

The Faint with Gang of Four, Pictureplane //
The Regency Ballroom – San Francisco
October 23rd, 2016 //

Those seeking an all-out dance party last Sunday were in luck when The Faint dropped by The Regency Ballroom.

With a career spanning nearly two decades, the Nebraska-born dance rockers showcased tracks from their recently released retrospective album CAPSULE:1999-2016.

Post-punk predecessors Gang of Four and electronic artist Pictureplane opened the show.

At The Regency Ballroom, Danny Brown sets himself apart from all the other rappers in the game

Danny BrownPhotos by James Pawlish // Written by Brett Ruffenach //

Danny Brown //
The Regency Ballroom – San Francisco
October 11th, 2016 //

Daniel Swell, better known as Danny Brown, came to The Regency Ballroom last Tuesday in support of his critically acclaimed album Atrocity Exhibition.

As an emcee with a cartoonish, high-pitched voice as well as a humorous lyrical style, it can sometimes be hard to take Brown seriously. This is the deceptive genius of the Detroit-based rapper — in between the lewd sexual acts and illicit drug use described in his music, there’s a deeper look into addiction, poverty and mental illness. As he opened the show with “Die Like a Rockstar” from his second LP XXX, The Regency’s bouncing floor started moving and didn’t stop for the next hour.

Danny Brown

Diving into earlier tracks and moving forward chronologically from there, Brown managed to cover a large breadth of his catalog, even for a set as short as his was on this night. Dropping bangers like “Blunt After Blunt”, “Dip” and “25 Bucks”, perhaps the most impressive aspect about Brown’s performance is the cadence he’s able to keep up, song after song after song. And no matter what the track is, the speed and flow he is able to maintain is something few rappers can keep up with (I’m looking at you, ScHoolboy Q).

Although he only performed a couple of tracks from his new album, tragically skipping over “Ain’t It Funny”, Brown still managed to prove that he is a rapper in his own lane. No one can be compared to Danny Brown because well, there’s no one like Danny Brown.

Danny Brown

Danny Brown

Danny Brown

A$AP Ferg, Tory Lanez rise above with MadeinTYO at The Regency Ballroom

A$AP FergPhotos by Lisette Worster // Written by Molly Kish //

A$AP Ferg, Tory Lanez with MadeinTYO //
The Regency Ballroom – San Francisco
June 7th, 2016 //

An epic trio of hip-hop heavyweights took over The Regency Ballroom earlier this month, and Showbams was there in the thick of it, literally watching both the crowd and performers hang from the venue’s balcony rafters.

MadeinTYO kicked off the night with a short set in front of a jam-packed, sold-out audience that was ready to rage for all three acts. Rising hip-hop star Tory Lanez performed his own slot as the second billed artist on “The Level Up Tour,” leaving Bay Area fans pleasantly surprised to see the Canadian booked as a co-headliner alongside A$AP Ferg. But as they traded off on the mic in SF, both dug into their career-spanning setlists together.

Tory Lanez


Tory Lanez

More than just a simple hip-hop set, the show featured several guest appearances from fellow A$AP Mob members and their actual relatives, who came onstage and helped provide back-up lyrics and hype-inducing antics. A lot of the performance also involved A$AP Ferg or Lanez, if not both of them, stage diving and crowd surfing throughout the venue, mic in hand and not missing a single bar. Though at points the tactic seemed a bit overused, those at The Regency Ballroom came hard, supporting the talent both through their unfazed enthusiasm and by holding the traveling emcee’s weight with their hands, heads and whatever other body part was available to keep their footing.

At the evening’s apex, Lanez rode above the sea of fans, who feverishly directed the rapper to the side of the venue. Using a door frame to boost himself up into the arms of spectators in the balcony, he was able to climb upstairs before the track was over. And in what appeared to be almost a reverse stage dive, Lanez playfully mentioned how he is the clown of the Level Up crew, bringing new meaning to the tour’s name by taking the notion of “getting lifted” to a new level, literally.

Hippie Sabotage know how to work a crowd, but are they bringing anything new to the table?

Hippie SabotagePhotos by Lisette Worster // Written by Brett Ruffenach //

Hippie Sabotage with Alex Wiley, Kembe X //
The Regency Ballroom – San Francisco
April 7th, 2016 //

“Who’s ready to get turnt on a Thursday?” was the question of the night at The Regency Ballroom last week.

Even with a crowd that couldn’t bring the venue to 50 percent capacity, the clear answer was, well, everyone. With support from Kembe X and Alex Wiley, Northern California hip-hop duo Hippie Sabotage brought all the energy they could to engage a young, enthusiastic collection of ravers, hipsters and stoners alike.

Leading up to Hippie Sabotage’s performance, Wiley, in particular, put on a surprisingly fantastic set. I would attempt to describe what it looked like, but the entire thing took place in the dark. No lights, whatsoever. Occasionally you could catch a glimpse of the illusive rapper in the light of a camera flash, but it was clear that he would rather stay in the shadows.

Putting on a set filled with smooth flows and heartfelt singing, Wiley demonstrated he wasn’t some no-name rapper here to warm up a crowd. Toward the end of the set, the Illinois-based emcee spent some time spinning a few beats he told us he had been working on while on the road. Rapping over his loose, glitchy, Flying Lotus-inspired beats, Wiley sure did set the bar high for the artists he was opening for.

Depending on your music interests, you could say Wiley was the top talent of the night. Shortly following his 35-minute set, Hippie Sabotage took the stage, armed with several square LED screens and a whole lot of attitude. Composed of two brothers hailing from Sacramento, the roles that make up Hippie Sabotage were quickly established for the audience: Jeff runs the music and Kevin runs the crowd.

Hippie Sabotage

Riding a wave of success born out of Ellie Goulding’s decision to share their remix of Tove Lo’s “Habits” — with enough “STAY HIGH” apparel being sold at the merch booth to make this truth uncomfortably apparent — Hippie Sabotage spent an hour and a half shuffling every 90 seconds between generic, two-step “trap” beats. As Jeff ran through drop after drop on his laptop, Kevin engaged the crowd, telling them when to jump, sharing blunts and even jumping down to the guard rail to take selfies with fans.

Admittedly, this was a remarkably effective technique by the duo, and with each song, from “Your Soul” to “Ridin Solo (Njomza Remix)”, the crowd would jump, dance and cheer, eagerly awaiting the next drop. As the set began to wind down, Kevin invited the crowd to join them onstage as they played their hit remix “Habits” — and the crowd excitedly obliged.

Does Hippie Sabotage bring something new, innovative or unique to their music? After releasing six albums in the last two (TWO!) years, I’d say probably not. Did this show bring anything new to that music? Definitely not. But regardless, as the group’s generic hip-hop beats boomed and its generic visuals looped through the set, I couldn’t help but stand there and be amazed by the level of energy coming from the crowd.

Standing toward the rear of the venue with a sense of pretentiousness hanging over my unimpressed attitude, I asked myself, “If most of the crowd is clearly having fun, is the concert actually bad? What is a concert but an opportunity to hear music you enjoy with people you care about, and dance to that music with those people?” At the very least, the smiles on their faces made it clear that most felt like their money was well-spent.

Noise Pop 2016: Relive the festival frame by frame

Noise Pop 2016 - Heartwatch


Heartwatch

Photos by Mike Rosati & Benjamin Wallen // Written by Molly Kish //

Noise Pop //
Bay Area venues – San Francisco & Oakland
February 19th-28th, 2016 //

With the impending storm of summer festival traffic washing away the last remnants of Noise Pop, it’s time to look back at the best highlights from this year’s lineup. Serving up a bill that celebrates the diversity of contemporary independent culture, 2016’s roster was as eclectic as ever, ranging from pop stars to cowpunks (aka country punks), free-form jazz prodigies and indie-rock veterans. Bay Area venues were at capacity on a nightly basis, with crowds braving brisk weather conditions in order to experience the one-of-a-kind performances Noise Pop has spent nearly 25 years curating.

Navigating through more than 100 acts during this year’s festival, we dove right into the thick of it, capturing shots from some of our favorite Noise Pop shows. Check out our photo gallery below as well as more coverage from our friends over at DoTheBay.

Emancipator returns to SF with a new album and a full band at his side

Emancipator EnsembleBy Kory Thibeault //

Emancipator Ensemble //
The Regency Ballroom – San Francisco
November 19th, 2015 //

Last Thursday night saw the return of Emancipator Ensemble to SF, this time in support of the recently released Seven Seas. Portland-based electronic music producer Douglas Appling, aka Emancipator, is known for his ambient, downtempo style and has garnered serious attention over the years for tracks such as “First Snow” and “Minor Cause”. One of his newest creations “Land and Sea” follows suit in this tradition. The show at The Regency Ballroom saw Appling being backed by a tight four-piece ensemble, which at times grew to six. For a fan like myself, it was a beautiful experience seeing his musical visions fleshed out.

Neon Indian debut new material at SF’s newest venue Social Hall

Neon IndianBy Justin Yee //

Neon Indian //
Social Hall SF – San Francisco
September 23rd, 2015 //

In what was the second show of a two-night run at SF’s newest concert venue Social Hall, electronic four-piece Neon Indian stuck with new material from their forthcoming album VEGA INTL. Night School with a few fan favorites thrown in for good measure. The new record, which is out October 16th via Mom + Pop Music, is Mexico-born frontman Alan Palomo’s first release since Era Extraña came out in 2011.

I was excited to finally see the band live, not to mention check out what the Social Hall had to offer. This “new” venue, which resides on the lower level of The Regency Ballroom — Mac Miller was actually performing upstairs — isn’t actually new to hosting concerts. I caught a STRFKR and Will Call show at this same spot when it was called The Lodge in 2012, so this feels like more of a re-branding than a grand opening.

Neon Indian

Though I can’t speak to how the first sold-out show was the prior night, my expectations for both the band and venue were not met. I was a little salty when I found out that I purchased a $30 ticket off Ticketmaster, only to find out people got in for free through a sponsorship by upstart music app Jukely. I had never heard of this app before, but I would have loved to put that money toward the overpriced drinks I was consuming. The drinks did little to help the muffled sound that was bleeding through the speakers, as I struggled to recognize which songs the band transitioned into without them saying “this song’s called …” before beginning to play. I couldn’t tell if it was the band or the venue’s sound system and its acoustics that were to blame, but I’d give Neon Indian the benefit of the doubt.

The stage setup itself gave off a high school gym vibe that was highlighted by the primarily young, all-ages crowd — the type of crowd that was yelling for the band to play their hit single “Polish Girl” a quarter of the way into their set and was not all that happy I was taking photos with my camera. As expected, the crowd got the rowdiest for “Deadbeat Summer” and “Polish Girl”, which the band played back to back to close out their set and begin their two-song encore. I grabbed a spot near the back left to see the failed crowd-surfing attempts, and a girl dancing on top of a guy’s shoulders. It was easy to maneuver around the venue, which seemed half full, but it was difficult to catch a glimpse of the band due to the low stage.

Neon Indian

It will be interesting to see what Goldenvoice is able to do with Social Hall as it tries to attract shows that are on a slightly lower scale in size than The Regency Ballroom. Due to the venue’s underground feel that you get from its low ceilings, I think a DJ or EDM act would be a good fit, turning the place into a “Rave Cave” of sorts. Social Hall will have to compete with the likes of Mezzanine, which is tough to beat, but it’s always nice to have another option in SF.

Setlist:
Dear Skorpio Magazine
Annie
The Glitzy Hive
Terminally Chill
Street Level
61 Cygny Ave
C’est La Vie (Say the Casualties!)
Mind, Drips
Slumlord
Slumlord’s Re-lease
Baby’s Eyes
Deadbeat Summer

Encore:
Polish Girl
News From the Sun

Neon Indian

Neon Indian

Neon Indian

Neon Indian

Ratatat turn The Regency Ballroom into a multi-instrumental dance party

RatatatPhotos by James Nagel // Written by Brett Ruffenach //

Ratatat with Despot //
The Regency Ballroom – San Francisco
August 3rd, 2015 //

Waiting in line to enter The Regency Ballroom, I heard one Ratatat fan say, “Kind of weird it’s not Friday … sure feels like it.”

In a way, this summed up what the evening had in store for us. Due to an unfortunate logistics issue, Ratatat were not able to make their scheduled Friday night show last weekend but managed to quickly recover and put on a performance that certainly felt like a Friday night for a sold-out crowd.

As the duo took the stage, guitarist Mike Stroud began with a glimmering guitar riff to open “Pricks of Brightness”. Evan Mast joined in on bass to along with their familiar thumping, drum-machine rhythms, and the most exciting element of their live show was revealed — at both ends of the stage were two thick, plexiglass displays behind which objects were projected, creating a stunning 3D effect. The projection technique combined with the duo’s anything-but-lacking light and laser production created a thrilling show that perfectly accompanied Ratatat’s crunchy, high-energy electronic tracks.

Ratatat

Thoroughly covering their entire catalog and diving into older tracks like “Loud Pipes” and “Kennedy”, one particularly exciting part of Ratatat’s production is their ability to change up what’s being produced live. Earlier in their set when playing “Grape Juice City”, Stroud manned both a small melodica and his guitar while Mast filled the room with textured percussion and a groovy bass line. With its shimmering chords and foot-stomping beat, “Falcon Jab” was among the most high-energy moments of the night. In the eyes of the crowd, these two could do no wrong — between each track, there was nothing but roaring applause for them.

Ratatat are particularly great at keeping your attention. With nothing more than the occasional “thank-you” in between songs, the band moves quickly from track to track. One notable highlight was near the end of their set when a slide guitar was used as the lights were dimmed, which turned out to be an excellent choice — the slide guitar is a beautiful extension of Ratatat’s sound. Transitioning into the final tracks of the set with “Supreme”, Ratatat showed that they are not limited to one style.

Closing the set with “Seventeen Years” — a track, which to no one’s surprise, everyone went crazy for — served as a nice way to show that Ratatat have always been true to their sound, even now as they approach the 15-year mark. Near the end of the song, Stroud even threw in a small “Aerodynamic”-esque homage that served as a nice touch considering the ever-present influence of Daft Punk in the group’s music.

Ratatat

The pair left the stage briefly only to come out for a two-song encore, closing with nothing but Ratatat’s adrenaline-fueled, slot-machine dance party known as “Shempi”. As a huge fan of this track, I was immensely satisfied with their choice to close the show with this song.

As we all left the insanely hot and sweaty venue, a sense of amazement pulsed through the crowd only to realize that, though Ratatat made it feel like it was, it certainly was not a Friday, and we all got work tomorrow.

Ministry are still preaching to the choir after more than 25 years

MinistryBy Marc Fong //

Ministry //
The Regency Ballroom – San Francisco
May 10th, 2015 //

Ministry frontman Al Jourgensen took The Regency Ballroom stage for a Sunday night show with the ferventness of a late-night bible thumper. His zeal showed that after 25-plus years, the early 80’s industrial metal outfit still knows how to rock. The 56-year-old Jourgensen moved and danced around while guitarists Sin Quirin and Cesar Soto shredded and heavy synths blew the crowd away. Ministry live is part thrash, part punk and still all fun.

Bad Religion excavate their 20th-century roots at The Regency Ballroom

Bad ReligionPhotos by Greg RaMar // Written by Molly Kish //

Bad Religion with Adolescents, 5 Days Dirty //
The Regency Ballroom – San Francisco
April 19th, 2015 //

Bad Religion’s “Battle of the Centuries” tour hit The Regency Ballroom this past Sunday for the first of two nights in SF. Pitting the punk band’s early-era (1980-2000) material against its modern-day equivalent, Bad Religion’s current tour will extend through the end of June and revolves around a series of dates scheduled as a two-night bill as a way to highlight tracks from their extensive 35-year catalog.

5 Days Dirty


5 Days Dirty

Warming up the sold-out crowd, local act 5 Days Dirty opened the evening off with a somewhat confusing set filled with angsty pop punk. Donning Taylor Swift and mock tuxedo shirts, the band, although vocally charged and technically proficient, seemed a bit out of place in preceding two of hardcore punk’s most iconic bands. Whether the decision to book the group was an intentional tongue-and-cheek nod to the genre’s current state of affairs or simply a local spotlight, it provided the perfect amount of distaste in the crowd salivating for raw, old-school punk.

Adolescents


Adolescents

Up next on the bill was SoCal supergroup Adolescents. Mirroring a legacy similar to that of Bad Religion — though much more fractured — the band has also remained a part of the hardcore punk-rock scene for more than 30 years, serving as an influence for many of the genre’s contemporary artists and fans. It was during this set full of ear-splitting distortion that not only the speakers blew out, but also the crowd finally started to kick it into high gear. Filling out the main ballroom was an audience of middle-aged punks who started to stir, anxiously awaiting the perfect time to unleash amongst their punk-rock peers.

About halfway through their set of two-minute thrash anthems, Adolescents seized the moment. Recognizing the crowd was at a boiling point, lead singer Tony Cadena launched into an extended “Aaaaaaah …”, coursing the audience into a full-blown scream during the band’s quintessential call-to-arms track “Amoeba”. A huge circular mosh pit exploded on the main floor and remained rampant throughout the show.

Bad Religion


Bad Religion

With the energy at an all-time high and the venue packed to the brim, Bad Religion finally took the stage. With its token Crossbuster logo banner back lit and hanging high, the band entered stage right in dramatic fashion to the “Jesus Christ Superstar” soundtrack blaring through the Regency’s re-calibrated speakers.

A true showman, lead singer Greg Graffin immediately commanded the crowd, raising the collective energy to a fever pitch before the six-piece broke into an explosive 34-song set. Hearing the LA band rip through some of the most impassioned punk-rock ballads still contextually pertinent to this day felt near spiritual at times, especially when I stopped to look around and witnessed the audience’s reaction to such hyper-evocative material.

Bad Religion lead singer Greg Graffin


Bad Religion lead singer Greg Graffin

Only ever breaking pace to joke about the absurd amount of songs they were covering on their current tour, Bad Religion recognized how each night has been a dually cathartic process, playing hard and sounding just as flawless as ever. Each song they performed inspired crowd banter and shared choruses amongst complete strangers who were euphorically lost in the moment.

After Sunday’s show, it’s safe to say that in SF, the spirit of the 20th-century punk-rock scene never left and was justifiably resurrected at The Regency Ballroom.

Setlist:
Spirit Shine
Recipe for Hate
We’re Only Gonna Die
Stranger Than Fiction
Against the Grain
Sowing the Seeds of Utopia
You Are (The Government)
1000 More Fools
How Much Is Enough?
Suffer
Delirium of Disorder
Do What You Want
The Gray Race
Part III
The Hopeless Housewife
Modern Man
Skyscraper
No Direction
Change of Ideas
Big Bang
I Want to Conquer the World
Sanity
Henchman
Billy
You
Struck a Nerve
Slaves
The Handshake
Infected
Generator
American Jesus

Encore:
Along the Way
New America
Fuck Armageddon… This Is Hell

Milky Chance prove at The Regency Ballroom they’ve come a long way in a short amount of time

Milky ChanceBy Justin Yee //

Milky Chance with Mighty Oaks //
The Regency Ballroom – San Francisco
April 15th, 2015 //

It’s amazing what a half year of touring on the road can do for a new band just breaking onto the scene. Since we first caught Milky Chance at their SF debut opening up for Chris Malinchak in October, they’ve added a third member to their live act and have become accustomed to selling out venues five times that size. For their first North America headlining tour, the Bay Area was treated to two sold-out shows at The Regency Ballroom in between their two scheduled Coachella performances.

Apparently battling a sore throat that caused the band’s Coachella set to be cut short, vocalist/guitarist Clemens Rehbein could be seen sipping honey in between songs, though the illness didn’t actually seem to affect his performance. Still, Rehbein was getting all the vocal help he needed from the crowd, which was vibing to the beat and singing along to tracks from the band’s debut album Sadnecessary. The crowd-pleasers included “Flashed Junk Mind” and hit single “Stolen Dance”, which has now racked up over 130 million views on YouTube and plenty of radio play in the U.S.

Milky Chance’s newest touring member Antonio Greger quietly stole the show with his blistering harmonica solos and guitar work. He definitely is a great addition who hopefully continues to tour with the band. Luckily we’ll be seeing the German trio again very soon at Outside Lands, so if you missed it at any of these SF shows, be sure to add them to your list of must-see acts.

Setlist:
Intro
Stunner
Fairytale
Sadnecessary
Flash Junk Mind
Given
Loveland
Sweet Sun
Indigo
Feathery
Nevermind
Running
Stolen Dance

Encore:
Becoming
Down by the River

BROODS dazzle a sold-out Regency Ballroom

BroodsBy Scott Martin //

BROODS with Mikky Ekko //
The Regency Ballroom – San Francisco
March 7th, 2015 //

Fresh off their performance on “Conan” last week, New Zealand indie-pop/electronica duo BROODS dazzled The Regency Ballroom on Saturday night while in SF for their 2015 North American tour. Made up by lead vocalist Georgia Nott and multi-instrumentalist Caleb Nott, the brother-and-sister combo dropped its first full-length studio record Evergreen last year after working with producer Joel Little (Lorde, Sam Smith, Ellie Goulding).

Opening the sold-out show was Louisiana artist/record producer Mikky Ekko (aka John Stephen Sudduth), who is best known for being featured on Rihanna’s 2013 single “Stay” and released his own debut album Time on RCA Records in January.

Flight Facilities soar above expectations at The Regency Ballroom

Flight FacilitiesPhotos by Justin Yee // Written by Molly Kish //

Flight Facilities with Touch Sensitive, Owl Eyes //
The Regency Ballroom – San Francisco
February 24th, 2015 //

Australian electronic production duo Flight Facilities landed at The Regency Ballroom on the only Bay Area stop of their North American “Down to Earth” tour last week for Noise Pop 2015. Transforming the venue into an aeronautic disco, these two flyboys brought the house down with help from tourmate Touch Sensitive and Owl Eyes (aka Brooke Addamo).

Pumping through a showcase of their club-banging singles and a majority of the duo’s 2014 studio album, Flight Facilities kept the audience moving and surprisingly enthusiastic for a packed house on a Tuesday night. Beyond electrifying the dance floor with live remixes of crowd favorites “Crave You” and “Clair De Lune,” highlights of the night included Owl Eyes performing “Heart Attack” amongst several other vocal tracks in person and Touch Sensitive joining the whole crew on stage for a rousing rendition of Stardust’s “Music Sounds Better With You” to close the night.

Flight Facilities

Both Touch Sensitive and Flight Facilities have rocked several of the Bay Area’s venues with DJ sets and live performances over the past year, promoting their debut albums as labelmates on Future Classic Records. Without question, both acts on this bill would have been equally capable of throwing a raging party at any mid-size venue, warehouse or club in SF on a weekend night.

So, for Noisepop 2015 to consider booking this lineup on a “school night” at a venue with a max capacity of 1,424 people was a pretty bold call. Subsequently though, it was also one that paid off in easily the largest dance party of the festival. Selling out and tossing aside attendee’s inhibitions for the chance to take flight with their fellow weekday warriors, the combo and impressive live collaboration of Touch Sensitive and Flight Facilities with special guest Owl Eyes undoubtedly made for a special night at Noise Pop 2015.