Petite Noir makes a big impression at Rickshaw Stop

Petite NoirPhotos by Diana Cordero // Written by Rachel Goodman //

Petite Noir with The Seshen //
Rickshaw Stop – San Francisco
March 23rd, 2016 //

Yannick Ilunga, the South African singer-songwriter, was in SF with his band for another Bay Area show. He plays under the moniker Petite Noir and is someone not to be missed. I wasn’t familiar with his music, but it was clear the crowd knew some of his songs. His debut EP King of Anxiety, which was released in 2015, was all the buzz at South by Southwest last March.

And now, he’s back again with his first studio album La Vie Est Belle (Life Is Beautiful). It’s clear that he has influences from all genres and blends it all together to create his own sound. Upon the band’s entrance to “Intro Noirwave”, it reminded me of the genius of New York City experimental-rock band Battles (read our review of one of their shows here). If you stripped out Ilunga’s vocals and just had instrumentation, you might have a band that sounds all too similar to Battles, which is not a bad thing in any way, but when Ilunga joins his bandmates, the dynamic changes.

Petite Noir

Ilunga has a stage presence that is awesome to witness. Born in Brussels, Belgium, he owns the stage and is a charismatic frontman, working the crowd throughout the show. His vocals are reminiscent of a cross between George Lewis Jr. of Twin Shadow and Kele Okereke of Bloc Party. The group has a similar sonic approach to Bloc Party with its indie/post-punk revival sound; songs like “Seventeen (Stay)” could be a new Bloc Party track. Ilunga’s music really intrigues me when he starts to blend African beats into his songs; it differentiates him from the bands like Bloc Party that are already making that kind of music.

After listening to Ilunga’s work online, it’s clear that his band needs to be seen live. “La Vie Est Belle” is just a beautiful song when it’s performed. The images that are displayed on the backdrop of him falling just add to its sound. Add the African beats and the R&B influences, and you get an amazing song that incorporates it all. In songs like these, you can hear all the music that Ilunga has listened to – from Kanye West to Mos Def to Prince – and it’s a beautiful blend. “Just Breathe” shows off Ilunga’s 80’s influences and had the crowd dancing. Mix in positive lyrics like “be the change you want to see” with some synthpop beats, and it makes for a good dance party. Then, dive right into “Freedom” — you can feel Ilunga’s emotion in all the songs, from discontentment to frustration to exhilaration.

Petite Noir

As Ilunga neared the ending of his set, there was a crowd sing-along on “Down”, which went on and on and made sure to include the entire audience at some point. Ilunga seemed like he was having a great time, repeatedly saying how SF was such an awesome crowd and so loud. The crowd danced, sang and clearly showed Ilunga and the band a really great time. I can’t wait to see what happens when he comes back to play a bigger venue.

What made this show even more awesome were the openers from the other side of the bay: The Seshen. The two bands occupying the stage at Rickshaw Stop on this night were paired perfectly, and both executed flawless shows. The Seshen clearly had a big following, as it appeared that many audience members were out just to see them. The group’s two vocalists Akasha Orr and Lalin St. Juste put on a strong performance, and both were also impressive dancers. They just take you away with their lush voices.

Plus, The Seshen have one hell of a percussion section. With a set of congas and bongos along with a whole drum set (and a drummer with a contagious smile), it elevated the band’s music. The afro-caribbean beats mixed in with a fusion of R&B/hip-hop/electronic/indie music made for some scintillating songs.

The Seshen


The Seshen

Shortly after stepping onstage, The Seshen had the crowd dancing in no time. It’s so easy to get swept up into their music. Their song “The Fall” is absolutely infectious, and its swirling melody reminds me of Beach House. It transports you, and you get lost in the music as you dance and move along to it. “Unravel” is pure catchiness over an electronic dance beat that will keep you moving.

The Seshen’s performance was brilliant, and the only bad thing was that it felt like it was over before it even began. Between its catchy, danceable music and talented vocalists, the septet’s set felt like it was way too short. We definitely hope to see The Seshen playing in the Bay Area again soon.

Setlist:
Intro Noirwave
Best
Seventeen (Stay)
Shadows
La Vie Est Belle
MDR
Just Breathe
Freedom
Down
Chess

Encore:
Till We Ghosts

Shlohmo takes his SF fans at Mezzanine for a spin

ShlohmoBy Lisette Worster //

Shlohmo with Dj Dials, ChaunceyCC, Marco De La Vega //
Mezzanine – San Francisco
March 26th, 2016 //

Shlohmo’s headlining show in SF last Saturday proved to be an intimate event co-presented by Mezzanine and concert subscription-based app Jukely.

To kick off the night, local DJs ChaunceyCC and Marco de la Vega played back-to-back sets, leading into a hip-hop-fueled performance by Dj Dials before it was Shlohmo’s turn to take the stage.

As soon as Shlohmo (born Henry Laufer) jumped on the decks, the mood shifted to a dark red, much like when we watched him perform his first live band tour in his native Los Angeles last year (see more photos from the show here). With the venue packed from the front to the back, Shlohmo played everything from his original tracks to even some Lil B.

Back on the road, The Naked and Famous debut new songs at the Troubadour in the city they now call home

The Naked and FamousBy Josh Herwitt //

The Naked and Famous with The Rubens //
Troubadour – West Hollywood, CA
March 25th, 2016 //

Since forming in New Zealand nearly a decade ago, The Naked and Famous have called Los Angeles home for close to four years. In that time, the indie-electronic band has recorded its sophomore full-length album In Rolling Waves at Sunset Sound, the world-famous studio in Hollywood, and played on the main stage at Coachella. So, in many ways, the quintet led by Alisa Xayalith (vocals, keyboards) and Thom Powers (vocals, guitars) have already become well-acquainted with their Southern California surroundings.

But after touring extensively in 2014, The Naked and Famous took off much of last year to work on their forthcoming third LP. And while there’s been no scheduled release date for it yet, they have recently returned to the stage, performing in their homeland earlier this month.

Just days after their set at Auckland City Limits, the band was back stateside for a string of small club shows, three of which were in California. Starting their two-night, sold-out run in LA at the 600-person Teragram Ballroom last Wednesday, The Naked and Famous arrived at an even smaller venue less than 48 hours later, filling the historic Troubadour for a Friday night gig with Australian alt-rock outfit The Rubens.

The Rubens


The Rubens

Though the crowd proved to be rather small and reserved during The Rubens’ opening set, you could feel the energy inside the room starting to build as The Naked and Famous’ 9:30 p.m. stage time approached. With a buzz in the air, Xayalith, Powers, keyboardist Aaron Short, bassist David Beadle and drummer Jesse Wood walked out one by one and received a warm applause from their “hometown” fans before jumping into singles “A Stillness” and “Punching in a Dream”.

Yet, The Naked and Famous hadn’t set out on a seven-date mini tour across North America just to doll out a bunch of older hits. Instead, they made sure to also debut a couple of new offerings (one titled “Higher” and another named “Runners”), giving a sense of what’s to come on their next LP. While both songs didn’t deviate all that much from their previous material, it was clear that Xayalith’s beautiful voice still remains the band’s focal point.

To close out their hour-long performance, Xayalith and her sidekicks went back to 2010’s Passive Me, Aggressive You — the album that ultimately put them on the map — much like they had in SF and LA a few days prior. And although the one-two punch of “No Way” and “Young Blood” left us on a high as we parted ways for the evening, it was the band’s newest material that has us anxious to hear more in the coming months.

Setlist:
A Stillness
Punching in a Dream
Girls Like You
Rolling Waves
The Sun
All of This
Higher
I Kill Giants
What We Want
Frayed
Hearts Like Ours
Runners
No Way
Young Blood

FYF Fest drops 2016 lineup, led by Kendrick Lamar, LCD Soundsystem, Tame Impala & Grace Jones

FYF Fest 2016

FYF Fest //
Exposition Park – Los Angeles
August 27th-28th, 2016 //

If you thought Kanye West and Morrissey were big gets for FYF last year, the two-day music festival is going even bigger in 2016.

Led by headliners Kendrick Lamar, LCD Soundsystem, Tame Impala and Grace Jones, the lineup for the 13th annual FYF Fest is jam-packed from top to bottom.

The rest of the bill includes performances from Air, Beach House, Anohni, Grimes, Hot Chip, Father John Misty, Explosions in the Sky, Rae Sremmurd, Blood Orange, Young Thug, Moby (DJ set), Saves the Day, Vince Staples, Wolf Parade, Shellac, Todd Terje & the Olsens, Charles Bradley, Ty Segall & the Muggers, Junior Boys, Uncle Acid & the Deadbeats, Jagwar Ma, The Black Lips, Peter Bjorn and John, DIIV, Chelsea Wolfe, Kelela, Bicep, Wild Nothing, Floating Points, Gold Panda, Corbin, Hop Along, Viet Cong, Oneohtrix Point Never, Julia Holter and more at Exposition Park near downtown LA.

UPDATE: FYF has added slacker-rock king Mac DeMarco, LA electronic duo CLASSIXX and Banks & Steelz, a new collaboration featuring Interpol frontman Paul Banks and Wu Tang original member RZA, to its already stacked 2016 lineup more than two and a half months after dropping the festival’s initial bill.

Founded by Sean Carlson back in 2004 and produced in association with LA concert promoter Goldenvoice, FYF will sell weekend passes for $199, with single-day passes also available for $125 and weekend VIP passes available for $339. Tickets can be purchased starting this Friday, April 1st at 12 p.m. here.

Excited for FYF now? Make sure to check out our coverage from 2015 here.

FYF Fest 2016 lineup

SF Show of the Week // GO4FREE to Lissie at Slim’s 3/30 (WED)

LissieWritten by Nik Crossman //

Lissie with Skrizzly Adams //
Slim’s – San Francisco
March 30th, 2016 //

Before ever releasing her debut EP Why You Runnin’ in 2009 under the eponymous-inspired moniker “Lissie,” Elisabeth Maurus began her musical journey early in her life.

Influenced by her mother and grandfather, Maurus grew up taking voice lessons and secured the lead role in the musical “Annie” at the age of nine. During high school, she learned how to play guitar and began writing songs to cope with her typical teenage growing pains.

After a semester abroad studying in Paris, Maurus moved to Los Angeles to follow her dream of playing music professionally and signed with Sony Music UK’s Columbia Records prior to dropping her first full-length record Catching a Tiger in 2010. Since then, the folk-rock artist has released two more studio albums — 2013’s Back to Forever and My Wild West earlier this year — and used her music to help fund-raise for orphanages in Haiti and ALS research.

With opening support from singer-songwriter Skrizzly Adams, Lissie will headline Slim’s in SF this Wednesday. Tickets are available for $21, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Wednesday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Earthless: March 31st (THUR) at Slim’s
Birds of Chicago: April 2nd (SAT) at Great American Music Hall


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

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Stormzy shows no fear in his LA debut at The Echo

StormzyPhotos by Brian Doyle // Written by Joseph Gray //

Stormzy with Lizzo, Kauf //
The Echo – Los Angeles
March 23rd, 2016 //

As big-eyed with appreciation as he was when his authoritative voice and frenzied intensity were being applied, Stormzy (born Michael Omari), the towering South London emcee, took his headlining tour to The Echo for its Los Angeles debut last Wednesday night. In a city often defined for its laid-back demeanor, such indifference was absent from the packed room as the budding sensation of grime, UK’s darker fusion of garage, hip-hop and dancehall, performed under the venue’s dim lights after alternative hip-hop artist Lizzo and LA electronic duo Kauf kicked things off.

A fiery congregation chanted lyric after lyric from Stormzy’s catalog before he even took the stage as part of Red Bull’s Sound Select series. Once Stormzy did, wrapped in a grey adidas sweat suit and camera flash, he elevated an energized crew that was full of life, flexing his muscle for hundreds of jumping spectators with thunderous tracks like “Standard” before briefly slowing the tempo during “10 Minutes”, a determined and sharp memo about what sets him apart from his rapping counterparts over the soulful score of The Game’s “100”.

However, that break in tempo would be short-lived, as the fourth quarter of his hour-long set introduced his huge, pulsating freestyle anthems. A now-shirtless Stormzy, fully entrenched in sweat and his element, madly ran through catchy fan favorites like “Know Me From” and “Shut Up”. How can you be better than Stormzy? In roaring unison with his supporters, new and old, he simply told his doubters to “shut up!” — fearless advice from the 22-year-old that is becoming harder to ignore with each one of his successful tour stops across the U.S.

SF Show of the Week // GO4FREE to Wave Racer at Mezzanine 3/25 (FRI)

Wave RacerWritten by Nik Crossman //

Wave Racer with Basenji //
Mezzanine – San Francisco
March 25th, 2016 //

Taking his name from the Nintendo 64 game, Wave Racer (born Tom Purcell) made waves in early 2014 with his effervescent electronic sound, quickly becoming one of the most rotated artists on Australia’s Triple J and a staple for international radio stations like BBC1 and KCRW.

Despite having only been on the scene for two years, Wave Racer has already gained attention from such electronic heavyweights as Diplo, Flume, Madeon and Skrillex for his disco-house flair and aquatic remixes.

Touring with both Disclosure and Chromeo and performing at large-scale festivals like HARD Summer, Dour, Peacock Society, Falls and Mad Decent Boat Party, Wave Racer has made his way around the globe and become well-known for mixing vocal samples with synthesized trumpets and bass-guitar slaps to elevate his soothing, sunrise melodies.

With opening support from Australian electronic producer/DJ and Future Classic labelmate Basenji, Wave Racer will stop through SF this Friday to play Mezzanine as part of his fifth U.S. tour. Tickets are available for $20 at the door, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Friday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Hot Flash Heat Wave: March 23rd (WED) at Brick & Mortar Music Hall
Kawehi: March 23rd (WED) at The Chapel
Phil Cook: March 24th (THUR) at The Chapel
Vela Eyes: March 26th (SAT) at Brick & Mortar Music Hall
Yuck: March 26th (SAT) at Great American Music Hall
Cool Ghouls: March 28th (MON) at Brick & Mortar Music Hall
Lissie: March 30th (WED) at Slim’s
Earthless: March 31st (THUR) at Slim’s
Birds of Chicago: April 2nd (SAT) at Great American Music Hall


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

Like Showbams on Facebook, follow Showbams on Twitter and follow Showbams on Instagram. Subscribe to our social channels for a better chance to win!

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A revival at The Independent with The Revivalists

The RevivalistsBy Tom Dellinger //

The Revivalists with KOLARS //
The Independent – San Francisco
March 19th, 2016 //

The term “revival” conjures up images of being renewed, restored or revived — physically, mentally or spiritually — and is something we often seek in our lives from time to time.

Growing up in the South, I can recall the days when religious revivals used to roll into town, setting up their tents and attracting the locals to be spiritually renewed by seeking that deep experience. Today’s music scene shares a great deal in common with those fond memories of mine, and on Saturday night, The Revivalists honored that expectation in a very big way as they played their second show of a two-night, sold-out run at The Independent.

The Revivalists

The line started forming early for Saturday’s show as Bay Area fans and ones from as far away as the East Coast arrived. Many I met were active in the fan community, known as Rev Heads and had attended Friday night’s show. As was mentioned to me more than once, many agreed that the group’s cover of Grateful Dead’s “Morning Dew” the night before had been a pleasant surprise. And as is the case with many bands today, The Revivalists have also earned the love of an expanding and dedicated fan base that will go to great lengths to see them perform all over the world.

After witnessing Saturday’s performance, it’s easy now to see why. With three full-length albums under its belt — including 2010’s Vital Signs, 2014’s two-disc set City of Sound and most recently Men Amongst Mountains in 2015 — and a busy touring schedule, the band has clearly established itself with fans as well as venues and festivals.

The Revivalists

A beaming David Shaw led the New Orleans-based septet onstage as they launched into “Keep Going”, a tune that instantly had the house dancing and rocking. With Shaw (guitar, vocals), Zack Feinberg (guitar), Ed Williams (pedal steel guitar), Rob Ingraham (saxophone), George Gekas (bass), Andrew Campanelli (drums) and Michael Girardot (keyboards, trumpet), The Revivalists took us through their catalog to what felt like impossible heights at times. It was a dynamic show with excellent song choices that kept the house energized and the fans happy.

Slowing down a little once in a while, the band played flawlessly, and as the evening went on, one had the sense something rare was beginning to take place. If you experience a lot of live music, we all see this once in a while. The energy from the band to the audience is established and returned, but once in a while, that energy seems to grow well beyond expectations and everybody feels it. If you’re lucky, the performance becomes transcendent, which is exactly what happened on Saturday night. Everybody in the band played with a passion that was a straight shot to the heart. If you weren’t already a fan of The Revivalists, this performance most certainly sealed the deal.

The Revivalists

The fans were intense, the band was intense and the joy between the two was off the charts. It was obvious they were having a great night. They seemed relaxed from the beginning and by the end of the night were ripping into every note with abandon. After the scorching set closer “Criminal”, the band returned for a three-song encore to close things out, only to return one more time for a stupendous rendition of “Gimme Shelter”. For those in the house who came from both far and near, it turned out to be a pretty good bargain; we made the journey to The Revivalists, and in return, our souls were once again rejuvenated. The spirit of their music touched us all in that unique way good music does. There was no substitute.

Opening the show were KOLARS, an alternative-indie duo consisting of husband Rob Kolar (guitar, vocals) and wife Lauren Brown Kolar (drums, vocals). Though they are sometimes seen in the context of the Los Angeles band He’s My Brother She’s My Sister, they’ve been taking this minimalist approach, which served them well in SF. Offering a set of songs that defy categorization (they coin their music as “desert disco, glam-a-billy, space blues and R&Beyond”), their opening set continued to build as they earned a positive response from those around me.

Setlist:
Keep Going
Monster
Souls Too Loud
Appreciate Me I
Appreciate Me II
Catching Fireflies
Fade Away
Move On
Bullet Proof Vest
Strawman
BTBD
Gold to Glass
Wish I Knew You
Criminal

Encore #1:
King of What
I Believe It Was a Sin
Soulfight

Encore #2:
Gimme Shelter (The Rolling Stones cover)

Under dim lights, This Will Destroy You bring their ethereal soundscapes to Slim’s

This Will Destroy YouBy Diana Cordero //

This Will Destroy You //
Slim’s – San Francisco
March 16th, 2016 //

Texas post-rock outfit This Will Destroy You brought their ethereal soundscapes to Slim’s last Wednesday as part of their 10-date North American tour. The band has been around since its formation in 2005, and for those unfamiliar with TWDY, their music remains predominantly atmospheric and very much instrumental. Think of Explosions in the Sky (another post-rock band from Texas) or God Is an Astronaut with evocative guitar sounds and dreamy, yet cold electronic layers.

Sporting a minimalist stage setup in SF, the four-piece made up by Jeremy Galindo (guitar), Christopher King (guitar), Donovan “Dono” Jones (bass, keyboards) and Alex Bhore (drums) performed primarily in the dark, only becoming visible after a few sporadic light explosions and projections revealed each band member. But with three studio albums under their belt, TWDY delivered a solid set in front of a surprisingly packed crowd.

SF Show of the Week // GO4FREE to Electric Six at The Independent 3/20 (SUN)

Electric SixWritten by Nik Crossman //

Electric Six with Yip Deceiver //
The Independent – San Francisco
March 20th, 2015 //

Coming from Michigan in 1996, Electric Six (aka E6) played shows early on at The Old Miami and Gold Dollar in Detroit, two local venues that also helped promulgate The White Stripes. Infused with garage, disco, punk, new wave and metal, the amalgamation of Electric Six’s sound is best summarized by their first hit single “Danger! High Voltage”.

It’s been 20 years since Dick Valentine (born Tyler Spencer) brought this group of musical hooligans together under its original moniker The Wildbunch. With 11 full-length albums under their belt and some new band members, Electric Six are no stranger to the spotlight and as their name suggests, commands a live performance worth experiencing.

Back in 2014, the six-piece launched a Kickstarter campaign, successfully raising $65,000 to produce a two-disc compilation entitled Mimicry and Memories, which was comprised of 12 covers, a collection of outtakes and live performances from the past two decades.

With opening support from their friends and collaborators Yip Deceiver, Electric Six will stop in SF this Sunday to take The Independent through a journey of garage rock/new-wave metal. Tickets are available for $18 at the door, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Friday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Pimps of Joytime: March 19th (SAT) at The New Parish
Poor Man’s Whiskey: March 19th (SAT) at Great American Music Hall
Hot Flash Heat Wave: March 23rd (WED) at Brick & Mortar Music Hall
Kawehi: March 23rd (WED) at The Chapel
Phil Cook: March 24th (THUR) at The Chapel
Vela Eyes: March 26th (SAT) at Brick & Mortar Music Hall
Yuck: March 26th (SAT) at Great American Music Hall
Cool Ghouls: March 28th (MON) at Brick & Mortar Music Hall
Lissie: March 30th (WED) at Slim’s
Earthless: March 31st (THUR) at Slim’s
Birds of Chicago: April 2nd (SAT) at Great American Music Hall


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

Like Showbams on Facebook, follow Showbams on Twitter and follow Showbams on Instagram. Subscribe to our social channels for a better chance to win!

CONTEST CLOSED.

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Wavves, Best Coast create polarizing summer vibes in SF on their co-headlining tour

Wavves


Wavves

Photos by Mike Rosati // Written by Molly Kish //

Wavves, Best Coast with Cherry Glazerr //
The Independent – San Francisco
March 2nd, 2016 //

Making a stop off in Northern California for two sold-out shows this month, Wavves and Best Coast brought their “Summer Is Forever II” tour to The Independent, delivering a performance that showcased each group’s unique energy. With both Southern California bands banking off the chemistry of a previous run together, the co-headline show almost seemed like a glorified encore to Noise Pop 2016 after the annual music, art and culture festival celebrated its closing night at The Indy just days before (see more Noise Pop photos from this year here).

But while the joint bill created a melange of surf-punk and beach-goth culture, the contrast proved to be rather polarizing when it came to the crowd. In what played out as two separate sets for two very different audiences, both bands’ fan bases were well-represented inside the venue. When booking a co-headlining tour, an artist’s management will often seek to bring two acts together that complement each others’ style and sound. For the most part, as proven by the wild success of these bands’ first “Summer Is Forever” tour, the show was supposed to serve as an example of how to successfully execute such a pairing. The audience during the second night, however, wasn’t as interested in that aspect as much as they were there to see one of the two co-headlining acts.

Cherry Glazerr


Cherry Glazerr

Cherry Glazerr kicked things off, leading with an opening set of hardcore, female-fronted rock that mirrored both headliners’ sound and presence. Leaning more toward Wavves’ raw punk energy, the LA four-piece made sure that Best Coast’s Bethany Cosentino had her work cut out for her when it was time to follow up Clementine Creevy’s stirring performance.

Best Coast wasted no time breaking into their set shortly thereafter, with each band member taking his or her position on the dimly lit stage. Super fans shuffled toward the front of the room, and the crowd quickly became filled with brooding Cosentino look-a-likes who fed off of her articulately perfected dismay. Supported by a hirsute group of shredders, one of which was the band’s other permanent member Bobb Bruno, Cosentino crooned her heart out to a bittersweet array of surf-rock ballads. Best Coast played songs from all three of their studio albums, executing their set like clockwork as Cosentino hit her vocal pitches at a near-perfect level that exceeded her studio recordings. While the LA band didn’t say much to its Bay Area fans between each track, the crowd grew anxious in anticipation of the evening’s final set. Feeding off the obvious shift in audience energy and attention, Cosentino and her sidekicks peevishly finished off their set with the group’s ironically titled song “Bratty B”.

Best Coast


Best Coast

After a quick set break, half the crowd departed. Many audience members could be found smoking outside the venue, murmuring about the disjointed audience and their incongruous concert etiquette. For Wavves fans though, nothing seemed to phase their spirits when the surf-punk foursome eventually took the stage. Utilizing nearly all the free space that the Best Coast exodus created, they were summoned to the stage by the ethereal opening bars of “Sail to the Sun” and by mid-chorus, broke out into a sloppy pogo dance of sorts, which remained consistent throughout the performance. Wavves played a high-energy show that sparked a multitude of stage divers, some crowd-surfing shoes and an armada of blowup alien dolls that the band tossed into the crowd midway through the set. Consequently, the San Diego quartet offered a performance in stark contrast to Cherry Glazerr’s and Best Coast’s, ramping up their raw appeal as the unfeigned headliners of the evening.

Witnessing one of the last few dates on the “Summer Is Forever II” tour may have played into the overall impression both Best Coast and Wavves made on this night, but in a way, it also offered a much more individualized experience as a fan. Whether you were there to see Best Coast, Wavves or both, the show was ultimately what you made of it. The tour, which ended in Anaheim earlier this month, exemplified that summer can’t go on forever, and its last few dates solidified that fact. Either way, having the opportunity to catch these bands on one tour stop in an intimate setting was truly unique regardless of season or sentiment.

Noise Pop 2016: Relive the festival frame by frame

Noise Pop 2016 - Heartwatch


Heartwatch

Photos by Mike Rosati & Benjamin Wallen // Written by Molly Kish //

Noise Pop //
Bay Area venues – San Francisco & Oakland
February 19th-28th, 2016 //

With the impending storm of summer festival traffic washing away the last remnants of Noise Pop, it’s time to look back at the best highlights from this year’s lineup. Serving up a bill that celebrates the diversity of contemporary independent culture, 2016’s roster was as eclectic as ever, ranging from pop stars to cowpunks (aka country punks), free-form jazz prodigies and indie-rock veterans. Bay Area venues were at capacity on a nightly basis, with crowds braving brisk weather conditions in order to experience the one-of-a-kind performances Noise Pop has spent nearly 25 years curating.

Navigating through more than 100 acts during this year’s festival, we dove right into the thick of it, capturing shots from some of our favorite Noise Pop shows. Check out our photo gallery below as well as more coverage from our friends over at DoTheBay.

CRSSD kicks off festival season on the West Coast

CRSSD Festival 2016Photos by Felicia Garcia, Skyler Greene, Glenn Silva & Gabe Tiano // Written by Josh Herwitt //

CRSSD Festival //
Waterfront Park – San Diego
March 5th-6th, 2016 //

This past weekend officially signaled the beginning of festival season as several major music festivals across the country hit the ground running, including both Okeechobee Music & Arts Festival and AURA Music Festival in Florida.

Out here on the West Coast, CRSSD Festival returned to San Diego’s picturesque Waterfront Park, serving as the perfect warm-up for Coachella with the renowned desert festival only six weeks away. CRSSD, which was started by Southern California promoters FNGRS CRSSD and Goldenvoice last March, originally presented itself as an indie-electronic music festival with Empire of the Sun and Chromeo leading the way as headliners (read our review here). But last October for its second edition, CRSSD turned its attention toward more rock-centric acts like The Flaming Lips and TV on the Radio for top billing while targeting a number of electropop bands, including St. Lucia, AlunaGeorge and Big Data, to also play over two days.

Boasting a more electronic-focused lineup this spring, CRSSD welcomed back Seattle duo ODESZA, who climbed to headliner status in leading a Saturday bill that featured sets from Cirez D (aka Eric Prydz), Gesaffelstein, John Hopkins, Ryan Hemsworth, Ben UFO, Poolside and Damian Lazarus. While 2016 marked the second straight year that Harrison Mills and Clayton Knight performed on the festival’s main stage, Sunday’s card saw two sets (DJ and live) from North London garage duo Gorgon City as well as the CRSSD debuts of Claude Von Stroke, Hi-Lo, Tycho and headliner Chet Faker. After returning to its indie-electronic roots for this latest installment, it will be interesting to see if CRSSD continues down the same path it’s on after two sold-out days or once again tries to bring more rock-based bands into the fold.

Metric, Joywave drop a double dose of electro rock on their fans at Hollywood Palladium

Metric


Metric

By Josh Herwitt //

Metric with Joywave //
Hollywood Palladium – Los Angeles
February 25th, 2016 //

Coincidence or not, Toronto’s music scene was surprisingly well-represented in LA last week. The Great White North’s largest city has been its largest cultivator of electronic music since the early 2000’s, boasting some of EDM’s biggest and brightest names, whether it’s DJs and producers like DeadMau5 or live improvisational bands like Holy Fuck, who we saw debut brand-new material from what will be their first studio album in six years last Thursday night (read more about the show here). But if Holy Fuck’s hour-long set at Los Globos was simply there to serve as the undercard for Toronto’s aural invasion in LA over a brief 24-hour period, then the main event belonged to a different Queen City quartet the following night: Metric.

The indie/new wave four-piece fronted by Broken Social Scene’s Emily Haines has been at it for almost two decades now, with six studio albums to boot, including 2015’s Pagans in Vegas that dropped this past September. But with their last visit to LA seeing them perform only nine songs as opening support for Imagine Dragons at The Forum, Metric had yet to play a proper show in LA since unveiling Pagans. And as evidenced by the near-capacity crowd at the Hollywood Palladium last Friday for the band’s first headlining performance in quite a while, dating all the way back to 2012, many fans were ready to get their weekend started as they arrived early to catch Joywave’s opening set.

Joywave


Joywave

For as mainstream as Metric have become — and it’s only fitting considering that Haines and guitarist James Shaw originally named the group “Mainstream” when it first formed in 1998 as a duo — Joywave have garnered their own commercial success in their rather short career, though much of it can been attributed to “Dangerous”, the Big Data hit that peaked at No. 1 on the Billboard Alternative Songs chart. But the electronic-inspired, indie-rock act that calls Rochester, N.Y., home harnessed that momentum to write and release its debut LP How Do You Feel Now? on Hollywood Records, so it only seemed appropriate that Joywave were here in Tinseltown to perform material from the album.

Evidently, frontman Daniel Armbruster came ready for the moment, bringing what felt like a Red Bull’s worth of energy to the stage while working the crowd in between songs with some unorthodox, yet comedic stage banter. He mentioned the group’s upcoming performance at Coachella this April and joked about LA being the ninth-most-privileged city to hear its new track from the Alice in Wonderland movie that’s due out May 27th. In the end, it was one of those exceptionally strong sets from an opener — even with only 45 minutes to work with — and we can only wonder what Armbruster and his sidekicks could do with another album or two under their belt and their own headlining gig at a large LA venue like The Palladium.

Metric


Metric

When it came time for Metric to take the stage, the audience had been properly warmed up and was hungry for more. To kick off their 23-song set that lasted almost two hours, Haines, Shaw, bassist/keyboardist Joshua Winstead and drummer Joules Scott-Key transported us all the way back to 2003 with “IOU” from their debut album Old World Underground, Where Are You Now? But while it was fairly safe to assume that at least part of the reason why they were embarking on a 24-date tour across the U.S. was to support their latest album, Metric only unveiled a handful of songs — five to be exact — from Pagans.

Instead, the Canadian rockers put together a career-spanning performance, whether it was “Empty” from 2005’s Live It Out, “Raw Sugar” from 2007’s Grow Up and Blow Away, “Sick Muse” from 2009’s Fantasies or “Youth Without Youth” from 2012’s Synthetica. Yes, singles like “Dead Disco”, “Poster of a Girl”, “Monster Hospital”, “Help, I’m Alive”, “Front Row”, “Stadium Love” and their most recent hit “The Governess” were left off the setlist, yet that didn’t stop them from throwing in a few wrinkles, including an a cappella intro for “Hustle Rose” and some audience assistance for “Dreams So Real”, the latter of which didn’t quite deliver as planned.

Nevertheless, it was these slight deviations that kept fans on their toes throughout the show, proving that Metric are more than just the sum of their studio cuts. Their four-song encore continued along that path, as Haines and Shaw performed an acoustic rendition of “Gimme Sympathy” before Winstead and Scott-Key made their return and closed things out with the group’s 2012 single “Breathing Underwater”. And with all four members singing their hearts out until the night’s very last note, it was easy to see why Metric have become the critically acclaimed band that they are today.

Setlist:
IOU
Help I’m Alive
Youth Without Youth
Twilight Galaxy
Cascades
Raw Sugar (a cappella intro)
Hustle Rose (a cappella intro)
Too Bad, So Sad
Artificial Nocturne
Dreams So Real (audience participation)
Blind Valentine (instrumental intro)
Sick Muse
Collect Call
Other Side
Black Sheep
Synthetica
Combat Baby (a cappella portion)
Gold Guns Girls
The Shade

Encore:
Empty
Celebrate
Gimme Sympathy (Emily & James acoustic)
Breathing Underwater