Phono del Sol gets rowdy with Thee Oh Sees & YACHT

Thee-Oh-SeesPhotos by Nikki de Martini & Mike Frash // Written by Mike Frash //

Phono del Sol Music Festival //
Potrero del Sol Park – San Francisco
July 13th, 2013 //

Phono del Sol Music and Food Festival got a bit rowdy this year, but it’s not a huge surprise with local juggernauts Thee Oh Sees topping the music bill for the fest’s third incarnation. The first two years of Phono del Sol, which also took place at Potrero del Sol Park in the Mission District of SF, offered decisively mellow indie fare.

But this year, Phono del Sol curators The Bay Bridged and John Vanderslice’s Tiny Telephone took things up another notch, adding a second stage and party-starting acts YACHT, Bleached, K. Flay, Marnie Stern and Painted Palms. For the first time at Phono del Sol, people raged.

Thee-Oh-Sees

The main stage’s built-in band shell was packed tightly by the time Thee Oh Sees were ready to begin. As K. Flay continued on with her set at the Mission Stage, Dwyer grew impatient once Thee Oh Sees were ready to go. The powerless stage manager did his best to hold Dwyer off from initiating the performance, but after one false start, Dwyer said, “Fuck it” and launched the first song. Indie moshing, crowd surfing and stage diving would frame the headliners for the entire show, just as frontman John Dwyer always inspires.

Dwyer is one of the most interesting characters in music today, and his manic stage presence and antics are just as entertaining as Thee Oh Sees’ excellent post-punk sound. Dwyer spits, pounds beers, sticks his tongue out and plays his guitar near his neck, which has quickly become his iconic go-to move. And it’s obvious how he’s a local hero, drawing scores of dedicated fans that mimic Dwyer’s moves at every show The Oh Sees play.

YACHT

Most of the tunes performed Saturday were from Thee Oh Sees’ relentless 2013 LP Floating Coffin, but the most entertaining highlight of the late-afternoon performance happened when Dwyer invited everyone on stage for the final two songs.

The energy transferred to the final act of the festival, YACHT. Props to the festival organizers for placing YACHT last after the headliners — there’s no better way to end a day of music then to dance your ass off. Jona Bechtolt and Claire Evans have honed their electopop jams into a tight show. Songs segued seamlessly, feigning a DJ set, as Evens commands you to pay attention and shake your booty at the same time. The set ended with “Le Goudron” and “Second Summer”, a super-fun way to bring Phono Del Sol to a close.

YACHT

YACHT

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YACHT

Thee-Oh-Sees

Thee-Oh-Sees

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Rogue Wave’s emotional homecoming at The Independent

Rogue-WavePhotos by Marc Fong // Written by Mike Frash //

Rogue Wave //
The Independent – San Francisco
July 12th-13th, 2013 //

A chatty Friday crowd greeted indie rock veterans and Bay Area locals Rogue Wave for a family and friends homecoming show, the first of a double-banger at The Independent in SF. After three-plus-years abstaining from regular touring, Zach Rogue & the rest of Rogue Wave exhibited remarkable crowd control abilities throughout the evening by radiating positive energy, connecting with fans through engaging stage banter and by presenting live music that was better than their studio recordings.

Halfway through the warm, cinematic favorite “Eyes” three-songs in, some of the crowd couldn’t settle down, as a persistent buzzy layer of sound from the fourth wall intermingled with the song’s aural simplicity. Zach Rogue didn’t seem bothered, as he was clearly living in the moment and taking it all in. But during the next song, a blistering “Publish My Love”, the combination of band and house lighting drew everyone’s full attention for the remainder of the night. The Rogue Wave frontman and driving creative force projected a “living in the moment” mantra — his eyes searched the room looking for familiar faces, and he said ‘we only live for tonight’ more than once.

Rogue-Wave

Zach’s “be where you are” mentality led to some very memorable moments, including one during the intro to “Chicago x 12”. Zach put on his serious face, and said “Life is full of surprises. In 2006 we were here for a benefit for Pat”, as Zach pointed at his drummer and song-crafting collaborator.

Seven years ago, Pat Spurgeon was in desperate need of a second kidney transplant, as he was only born with one kidney that failed when he was a teenager. The group put on a benefit show at The Independent to help pay for medical costs and bring awareness to Pat’s life-or-death search for a donor match. By 2007, Pat had received a kidney and underwent successful transplant surgery January 12. The quick mention most likely drew a couple tears from the close friends and family in the room.

It’s hard to believe a band so musically talented, with a plump catalogue now after releasing their very good fifth LP Nightingale Floors in June, isn’t more popular. Have many of the faithful fans from the mid-aughts moved on to a suburbain home life with 2.5 kids and the white picket fence?

Rogue-Wave

Before “California”, the final song of the night, Zach announced he and his partner were expecting a child. Mr. Rogue had shown flashes of emotion in his face while waxing philosophically earlier in the show — “You never know who’s going to walk through that door” and “Change is inevitable” were stated with conviction and grace. As Zach launched into their flagship song, Zach said “Here’s to new beginnings.”

The tone of Rogue Wave’s music and the content of their songwriting adds up to a life affirming live music experience, but Friday felt extra special with Zach’s charming leadership and candor with the close-nit crowd combined with sophisticated musicianship.

Rogue-Wave

SHOW HIGHLIGHTS:

The set started with new songs ended with ecstatic classics — The new material from Nightingale Floors translated wonderfully live. Rogue Wave are at their best when they build up songs to an emotional wall of sound apex.

“Figured It Out”, one of the best tracks from Nightingale, was delivered with sincerity, but they didn’t simply put the song to bed as they did in the studio recording. The song developed with sonically swirling layers, finishing with a strong crescendo.

This epic, anthemic outro technique was used throughout the night. But it’s this live expansion of their studio material that is the distinguishing difference-maker that musically made this show so memorable. Also, the psychedelic outros contrasted nicely with the clarity of Zach Rogue’s slightly modulated vocals.

Set-ender “Harmonium” was stretched out with massive, thrashing circular reverberation — something The Independent specializes in providing. Go to any corner of the venue during sustained instrumentation layering and the sound balance is more than stellar.

Afrojack crowd gets higher in Puerto Rico

What’s one major difference between the EDM scene in Puerto Rico versus similar rage-tastic Afrojack shows in Las Vegas or Miami?

The answer: Balance.

Sure, throwing your girlfriend on your shoulders for optimal concert viewing is a common worldwide byproduct of rock and metal, and subsequently this action has shifted to be gender-neutral at U.S. dance music mega-parties in the 21st century. Frat-boy, bro-on-bro stacking is now a common sight at dance shows, and some impressive, circus-like triple stacking was even witnessed during Pretty Lights’ set at Coachella’s first weekend in April. But at Afrojack’s performance last Saturday in San Juan, the young Puerto Rican crowd showed that they can simply take their enthusiasm higher. Literally.

Watch the video above for proof. With the help of friends, many show-goers achieved lofty views and even took center-stage attention away from Afrojack for much of the evening. Are all Puerto Ricans sent to cheerleading camp as children? We would venture to guess (probably not). The most impressive aspect of the ecstatically achieved equilibrium was how next-level super fans launched onto their human pedestals and seamlessly stood on shoulders as if they were on solid ground a level above the rest of the audience, dancing like there was no tomorrow.

The show began by putting the spotlight on four Hollywood-style karate dancers imitating a Jackie Chan fight scene as Afrojack took to his laptop, though the stars of the evening were these YOLO/YOLA-crazy body riders that kept one-upping one another. Every time the faithful erupted into drop-induced group coitus, a new person angelically rose up to become the visual center-point, and this effect collectively over shadowed Afrojack’s stage production and visual aesthetics.

Puerto Rico could easily be America’s 51st state. It’s a country where U.S. corporate influence is dense, English is institutionalized and you can get excellent cell phone reception in the rain forest — it’s the closest thing to neo-colonialism that exists. As sad it is to see our mall-outlet syndrome imprinted on this U.S. territory’s beautiful landscape, the Puerto Rican dance scene gave a glimpse of one interesting difference between the two cultures with impressive human-stilt dancing.

WIN FREE TICKETS to Eleanor Friedberger Saturday 6/15 at The Indy

Eleanor-Friedburger

Singer-Songwriter Eleanor Friedberger and her excellent backing band will be performing Saturday evening at The Independent. Half of the brother/sister duo The Fiery Furnaces, Friedberger is currently touring to support her second solo LP, Personal Record, which was just released June 4. The new album bathes in introspective 1970s-style pop, and as the record’s title indicates, the lyrical content is of the confessional, diary-entry variety. Friedberger’s solo material allows her gorgeous voice to shine more than her work with The Fiery Furnaces, and the songs are a bit more straightforward.

TEEN & icewater will be the featured acts Saturday night, and you can purchase tickets here.


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Enter to win if you can attend this show Saturday June 15th at The Independent in SF.

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THIS WEEK in the Bay Area Music Scene: The Thermals • The Soft White Sixties • Snowden • The NOLA Suspects

THIS-WEEK

Ready to witness live music at it’s best this week in the Bay Area? The Independent in San Francisco will host The Soft White Sixties, Eleanor Friedberger & CSS over the weekend. Brick & Mortar Music Hall in San Francisco has shows from Snowden and the New Orleans Suspects, and New Parish welcomes The Thermals Saturday. Enter to win free tickets and check out live music previews below.

WIN FREE TICKETS to these kick-ass shows:

  • Snowden at Brick and Mortar Thursday 6/13
  • The Soft White Sixties @ The Independent Friday 6/14
  • The New Orleans Suspects @ Brick & Mortar Music Hall Saturday 6/15
  • The Thermals @ New Parish Saturday 6/15

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Enter to win tickets to these shows by submitting your full name, email address & by choosing the show you would like to attend in the drop down. All contests end Wednesday, June 12 at 5pm. Winners will be notified via email by Noon Thursday. Enter as many contests as you would like (Click “Go Back” and try for a different show).


Snowden
Brick and Mortar Music Hall ~ Thursday 6/13

Indie group Snowden (no, not the NSA leaker) stop off at Brick & Mortar Thursday as part of the west coast leg of their tour in support of their second full length No One In Control. The new record was six years in the making, so Jordan Jeffares and crew don’t tour very often…

For fans of: Interpol, Broken Social Scene, Bon Iver


The Soft White Sixties
The Independent ~ Saturday 6/14

San Francisco’s very own The Soft White Sixties perform Friday night at The Independent for their album release show. After turning heads earlier this year at SXSW, these grit-rockin’ locals will celebrate the release of their first LP Friday before heading out on the road in July. They will return to the City to play Outside Lands in August. Another excellent local artist, Sioux City Kid, will be offering featured support Friday.

For fans of: The Morning Benders, The White Stripes, Woods


•The Dandy Warhols
FREE SHOW AT AMOEBA SF ~ Saturday 6/15 at 3pm


New Orleans Suspects
Brick & Mortar Music Hall ~ Friday 6/14 & Saturday 6/15

Who doesn’t enjoy a night of NOLA love? The New Orleans Suspects spread good vibes from the Crescent City as well as anyone. Players in the NOLA Suspects have been members of The Neville Brothers Band, The Radiators, Dirty Dozen Brass Band, and more. Cajon Food will be sold on site.

For fans of: Dirty Dozen Brass Band, Bonerama, Robert Randolph, Derek Trucks


The Thermals
New Parish ~ Saturday 6/15

Indie/rock/punk trio The Thermals are a group on the rise. Noted for their raw power and energy when performing live, their 6th LP Desperate Ground was unleashed in April.

For fans of: Wolf Parade, Titus Andronicus, Ted Leo and the Parmacists


•Michael McDonald & Boz Scaggs
FREE SHOW AT STERN GROVE ~ Sunday 6/15 at 2pm
Oh hell ya.


CSS
The Independent ~ Sunday 6/16

CSS is back with new material, and they’ll be playing The Independent Sunday. The Brazilian outfit has been cut down to the four core female members, and their new album Planta will be released Tuesday (June 11). This show has a couple great openers in MS MR and IO Echo.

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The Field gets lost in the Trees at The Indy

The-FieldPhotos by James Nagel

The Field‘s ‘A/V’ performance at The Independent Thursday night was a bit of a joke – audience expectations were not even close to being met and producer Axel Willner was the only person in on the laugh. Known for his driving, dreamy micro-house production, Axel Willner performed one grand, meandering soundscape for about 45 minutes before calling it a night. The set inspired little to no dancing from the crowd – and attendees seemed ready to let loose. Not a single cut was performed or recreated from his three records – a fact that had the Thursday night crowd scratching their collective heads. When an artist is able to fill a room based on his production catalogue, then does something completely different than expected, it will be perceived either as a risky success or a huge middle finger. The show fell short of expectations and creating something special, a double whammy of disappointment any way you look at it.

About half an hour into the performance, it began to feel like an Andy Kaufman-esque expiriment. People were already trickling out of the venue, and not a semblance of percussion nor a minimalist beat had been incorporated into the droning, atmospheric mental masturbation The Field was generating. Willner looked like he was in a patient daze, more interested in drinking his red wine than giving the crowd what they wanted – something to move to. The first half of the performance proved to be all wandering build-up toward a more thundering and throbbing final 20 minutes. The dreamscape gave way to a loud, repetitious trance that felt like early Animal Collective with muted vocal sampling. Then the set was put to bed slowly while ears were still ringing.

The-Field

Billed as a “completely immersive audio/visual sensory experience”, the show only utilized flat, projected imagery of trees in a forrest. Produced by artist Sonia Alvarez, the video mirrored the music of the night by projecting one long take of a person walking through a forrest with a camera at a high angle. Combined with Willner’s sound, the visuals did give you a feeling of being lost, but not exact immersed. House lights were not used, and the headliner continuously appeared and retreated behind the contrasting visual of trees and sky. To be fully immersive, the set needed more visual support and additional tempo changes.

The-Field

The Field, on the other hand, probably could care less. Willner set out to produce a new concert performance, and based on expectations he basically fell flat on his ass. He has huge balls to hold the audience captive from get go, and it’s remarkable that he never broke into the churning micro-house rhythms he’s know for. The Field should be given some credit for challenging the conventional concept of sound in a live performance, but The Field is just lost in the trees.

WIN FREE TICKETS to The Field at The Independent 6/6

The-FieldEnter your name and email below to enter the contest.

Who’s ready to lose themselves in music Thursday night? Berlin-based DJ & electronic music producer The Field will be filling The Independent in San Francisco with his sultry, driving micro-house beats to help get the weekend started early. For those unfamiliar with the concept of ‘micro-house’ or ‘minimalist techno’, think ‘anti-drop’ dance music. The Field, aka Axel Willner, patiently builds dreamy soundscapes by micro-sampling shoe-gaze influenced pop music, and the end-result adds up to atmospheric, euphoric electronic music at its best. Willner is also an established remixer, producing official re-cut tracks for Battles, Thom Yorke, Delorean, DeVotchKa & Tame Impala to name a few.

And to top it all off, Willner promises a completely immersive sensory experience by including visuals created by photographer and artist Sonia Alvarez. Nikola Baytala is the featured act Thursday, and you can purchase tickets here. Doors open at 8:30pm, Show starts at 9pm.


Win 2 Free Tickets! Enter to win if you can attend this show Thursday June 6th at The Independent in San Francisco.

Submit your full name and email address below.
Contest ends Thursday June 6th at Noon. The winners will be picked at random & notified by email. Your email will be kept private – we will share your email with no one.

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Mumford & Sons control crowd immaculately at the Greek

Mumford and SonsBy Mike Frash //

Mumford & Sons //
Greek Theatre – Berkeley, CA
May 29th-31st, 2013 //

Mumford & Sons, the folk-rock force that has influenced contemporary pop music more than any other group in a decade, made an interesting choice by performing a three-night run at the Greek Theatre in Berkeley. Tickets sold out instantly for all three dates when they went on sale, proving the group could have filled Oracle Arena twice over most likely (the band hooked up fans by offering pre-sale ticketing that you could purchase at your own pace by signing up at their website). As always, the outdoor theatre on the UC Berkeley campus proved to be a beautiful setting, a much more intimate and sonically special space for live music than a vast arena. Heart-on-sleeve leader Marcus Mumford even thanked the faithful for snapping up tickets so quickly Friday night, and he did seem humble — something he has down to a veritable science.

With their second tour and massive mainstream success, the foursome now tours with an extensive group of support — at times there were 11 performers on stage, almost exclusively string-based. The other obvious change in Mumford & Sons’ live performance is the gaudy amount of stage aesthetics they are now surrounded by – massive LED panels, epic spotlights, never-ending fog machines – something that could contradict their throwback sound. What a challenge it is for a folk/Americana/country group to integrate contemporary visual effects into a live show, and it was successful overall because they didn’t overdo it. They took a minimalist approach to a setup that would have worked for a Bassnectar show. During “Lover of the Light” at the peak point when Marcus screams the name of the song, it seemed logical for a blinding white light to overtake the audience, but that must have been too didactic since they kept the visuals mellow at that moment. Those present were slightly subdued at times for a Friday night crowd, but that’s because they were at the whim the headliners, following the musical cues with trained obedience.

Mumford and Sons

The Mumford & Sons crowd are the type of folks that don’t go to very many shows, something that became clear as a chatty buzz overtook Michael Kiwanuka’s opening performance. A couple inebriated strangers gave me a beer to apologize for taking the space directly in front of me. I appreciated it since the beer lines were epic, but was it their first concert? While collective disrespect was handed out to Kiwanuka, which included a bare spattering of claps after his final song, Mumford fans were immersed in the main act. The quiet pauses in the songs brought solumn respect from the crowd, yet the age-diverse but very white crowd erupted in celebration during radio anthems like “Little Lion Man”, and the expected sing-alongs brought a surprisingly blended audience harmony.

The hits were spread out, but the show didn’t really take off until the last third of the evening. The four song run of “Holland Road”, “Awake My Soul”, “I Will Wait”, and “Dust Bowl Dance” to end the set was the first time I joined the rest of the Greek theater entranced by the emotional up-and-downs that is the center point of the Mumford ethos. The most memorable part of the evening came at the encore, when Marcus told the audience that the next song will only work if everyone is absolutely silent. Of course, someone within the bowl of the theatre screamed as loud as possible. Marcus said, “now don’t do that. That’s our friend Tom. We put him there to show you what not to do.” Then they jumped into a stripped down version of Bruce Springsteen’s “I’m on Fire” gathered around one antiquated microphone for an acoustic take on the classic, and a deafening silence that lasted the entire song elevated it, creating a memorable moment. After the song, Marcus said, “that’s the quietest it’s ever been for that song…so we’re gonna do another one.” That was perfect timing for the obligatory yelling of “Freebird!”, which actually happened. Regardless of the noob-tastic Cliché spouted, the band played “Not With Haste” unplugged as well, and at the song’s conclusion Marcus smacked the microphone with triumphant gusto. He then said, “We play lots of shows, and we’ll never ever forget that.”

WIN FREE TICKETS: Akron/Family at The Independent May 29

Akron

Experimental rock trio Akron/Family will be performing at The Independent May 29. The psych-rock group’s live performances are laced with three part harmony and folk/world music influences, while improvisation has become a hallmark element on the Akron/Family tours. Akron/Family released their sixth LP Sub Verses in April, so expect to hear some of this excellent new material. Avi Buffalo and M. Geddes Gengras will be the featured acts Wednesday evening.


Win 2 Free Tickets! Enter to win if you can attend this show Wednesday May 29 at The Independent in San Francisco.

Submit your full name and email address below.
Contest ends Wednesday May 29 at Noon. The winners will be picked at random & notified by email. Your email will be kept private – we will share your email with no one.

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Big Boi and Killer Mike bring much-needed R.A.P. Music to SF

Big-Boi

Two of the most ferocious names in hip hop descended upon Mezzanine in San Francisco May 17, as Southern fire-breather Big Boi and force of nature Killer Mike brought some much needed rhymes to the bay. Killer Mike made his debut on Outkast’s landmark LP Stankonia, and he also is featured on “The Whole World”, which the two giants of R.A.P. Music performed together during Big Boi’s set.

Killer Mike knows how to command a room’s collective attention, which is something of a challenge for an opening act, as many a show-goer will defer to chatting and drinking while waiting for the main act. During the third song Thursday night, two intrusive security guards trounced through the middle of the crowd with flashlights at a top down, forty-five degree angle, presumably looking for pot-smokers. Killer Mike stopped mid-spit, the music was halted, and the larger-than-life nonconformist launched into his first anti-establishment argument. In this case it was lighthearted; “Everyone smoke your weed – they can’t get everybody.” Most likely the security guards were roadies and it was all part of the act, but either way it effectively established pin-drop silence and crowd attentiveness.

Killer-Mike

His command is impressive, and Michael Render is also accessible, engaging while acting politically assertive, asking you to join his thought process. His energy, charming smile & effective use of language draws you into him, which allows his points to absorb in the listener, making even overt political statements sink in easier. With “Reagan”, Mike puts a large dent into the idealized memory the Republican Party celebrates daily for their most adored president. He began the song with a long soliloquy that set the stage for Mike to entice a large portion of the crowd to chant “I’m glad Reagan’s dead” by the end of the best political protest song in recent memory, essentially spitting on his grave. Single handedly, Killer Mike is a force that is battling the right wing celebration of everything Ronald Reagan, and when the the American right moves to put him on the twenty dollar bill, watch for this song to be the opposition anthem.

Mike took pride in his political, but not partisan focus before finishing the set, showing that standing up against Establishment wrongs can be entertaining and fun, and his take-charge tone projects pure leadership and is slightly contageous. It’s easy to imagine Killer Mike as a leading figure in hip-hop within one more album cycle. He’s already completed a new album with El-P, and they’ll be heading out on tour together this summer, stopping in SF July 30.

While Killer Mike might say things some people don’t want to hear (I think he’s dead on), San Francisco concert goers were treated Thursday night to a satisfying greatest hits show by Big Boi. The half of Outkast that was more likely to deliver dexterous, lightning-fast lyrics than hooky refrains understands what people want to hear when they see him live. The set blasted off with an Outkast medley, featuring “ATliens”, “Skew it on the Bar-B”, & “Rosa Parks” in mash-up fashion. Sir Lucious tapped into his catchiest, most upbeat solo songs from his 2012 LP Vicious Lies and Dangerous Rumors like “Apple of My Eye” and “CPU”. One of the only surprising drawbacks was the lack of solo tracks from his two excellent solo records and a glutton of Outkast jams.

Big-Boi

Big Boi may be performing “solo” these days, but he’s anything but alone. Throughout the evening he was joined by his live band, DJ, female backup singer Keisha Jackson, a geeky white guy, his entourage, a gaggle of dancing women, Killer Mike for four songs and BlackOwned C-Bone, who played hype-man and oddly filled the André 3000 role at times. Big Boi even took a break, allowing C-Bone to have the stage for a song to up his importance. He’s certainly as entertaining a stage presence as Big Boi, and he psyched out the audience by saying they were slowing things down before launching into “Shutterbugg”.

Big Boi still projects bravado, and he’s a showman that’s has curated a live concert experience that caters to his most well known work. His joy and love for SF seemed true this night, so much that he reappeared for four encore songs and a 1am shutdown.

WIN FREE TICKETS: Dale Earnhardt Jr. Jr. at The Indy May 17

Dale-Earnheart-Jr.-Jr

Dake Earnhardt Jr. Jr. are in the midst of a mini-May tour, and the cheeky party-starters are gearing up for a couple shows on the west coast this week. The Independent in San Francisco is hosting the Detroit-based duo Friday May 17, and tickets are surprisingly still available. Their music is similar to the Yoshimi-era pop songs from The Flaming Lips, but with good live vocals, and their earnest dance-party jams are reminiscent of STRFKR.

Joshua Epstein & Daniel Zott blend harmonies, quirky electronic elements, and indie-folk influences to create a distinctive sound. Their live performances are as boldly irreverent and playful as their name, so seeing Dale Earnhardt Jr. Jr. Friday evening at The Independent looks like the right way to start the weekend.


Win 2 Free Tickets! Enter to win if you can attend this show Friday May 17 at The Independent in San Francisco.

Submit your full name and email address below.
Contest ends Friday May 17 at Noon. The winners will be picked at random & notified by email.
Your email will be kept private – we will share your email with no one.

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Watch two new music videos from their 2013 EP Patterns:


Digitalism clean things up yet provide filthy beats in SF

DigitalismPhotos by James Nagel ~ Written by Mike Frash

San Francisco bass-heads got down to some filthy house-dance-rock with Digitalism at the Independent May 7. Their indie and punk ocular influences are pretty much just a memory now, with Jens Moelle & İsmail Tüfekçi honing in on a cleaned up, dapper visual aesthetic. Since 2012 the German duo has transitioned to a minimalist look, from the clothes they wear to to the amount of instruments, equipment & lighting they surround themselves with on stage.

Instead of looking like grubby college kids, they wore matching suit jackets, black undershirts & jeans, and their stage setup was seemingly instrument-free. All the gear they needed was atop wide podiums with a thin support bar that automatically lifted when the house lights dimmed, revealing a vertical neon light strip that shifted between red and blue coloring. Gone are the drums, keyboards and any other bulky equipment – but Digitalism’s sound remains the same; they curate a high-BPM dance party that is overtly electronic yet poppy, especially when live vocals are utilized. Ultimately the show was an optimized DJ set, not that there’s anything wrong with that.

Digitalism

Digitalism is Jens “Jence” Moelle (left) and İsmail “Isi” Tüfekçi.

Jence & Isi played it cool throughout the set while inciting hands in the air, the swaying of limbs to slow beats and frenzied build ups that gave way to crunchy must-dance bass drops. Isi’s confidence & empowered “loving-each-moment” attitude throughout the evening was a constant call to action to do the same. He even encouraged the formation of hearts using thumbs and pointer fingers, mirroring the stage background and the project’s central graphic motif.

They stuck to their own material most of the evening, with Jence stepping up to the vintage mic for “Idealistic”, “Circles” and the show ending “Pogo”, which instantly became a group sing-along. “Falling” and “Blitz” had mid-week auditory pleasure seekers thrashing away and jumping in place. The surprise of the evening was the truly unpredictable nature of some transitions and crowd expectations mid-set.

This was not necessarily the show to repetitively fist pump or get robotic with dance moves, as the party starters were rather tricky at times. Isi commanded all hands to the sky by doing it himself, and most people in the room obliged. A stressful build approached what felt like an obvious drop, and the two producers were leading the crowd to the release point with their arms even further up. But as the measure ended they pulled a bait and switch, dropping the sound almost entirely, hanging arm-flailers out to dry. They continued to bring the unexpected, keeping the crowd on it’s toes by inverting expectations a couple more times.

Digitalism created an environment mid-show where you couldn’t trust their unpredictable leadership, which actually enhanced the experience and made it more memorable. That helped, along with the arena-sized sound that was packed into a small room that has incredible auditory engineering and lighting.

WIN FREE TICKETS: Digitalism at The Indy May 7

DIGITALISM

Have you been playing “Get Lucky” on loop the last couple weeks and just can’t wait for more tracks to be released by the Robots? Are you a fan of Justice, Cut Copy, The Presets, Kavinsky and Daft Punk? Then plan on being at The Independent this Tuesday. Buy tickets now if you can’t wait until Tuesday to find out if you won free tickets (enter below).

Digitalism, the German electronic music duo that consists of Jens “Jence” Moelle and İsmail “Isi” Tüfekçi, will bring their crunchy beats and top-notch remixes to SF’s best small room – it will be an intimate show for a group that fills out huge tents at Coachella, Lollapalooza, Ultra and other massive festivals.

Digitalism have created official remixes for The Presets, Daft Punk, White Stripes, Depeche Mode, Cut Copy, The Cure and more. Their tracks and remixes are played by DJs such as Erol Alkan, Soulwax, Boys Noize and Justice. Also they include live elements to their electronic show, layering synthesizers, drums & live vocals.

Win 2 Free Tickets! Enter to win if you can attend this show Tuesday May 7 at The Independent in SF.

Fill out your full name and email address below.
Contest ends Tuesday May 7 at Noon. The winner will be picked at random & notified by email.
Your email will be kept private – we will share your email with no one.

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WIN FREE TICKETS: The Cave Singers at Great American 4/28

The Cave Singers

Seattle’s The Cave Singers will perform at Great American Music Hall this Sunday, April 28, smack dab in the middle of their lengthy North American tour. The indi-folk quartet is current touring in support of their fourth full-length Naomi, which was released in early May. Watch the video and enter the contest below – looks like a nice way to cap the weekend in SF. If you don’t want to risk missing out, buy tickets here.

Win 2 Free Tickets! Enter to win if you can attend this show Sunday, April 28 at Great American Music Hall in SF.

Fill out your full name and email address below. We won’t share your email with anyone.
Contest ends Friday April 26 at Noon. The winner will be picked at random & notified by email.

CONTEST IS CLOSED
Congratulations to winner Eliet Henderson

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Win Free Tickets: The California Honeydrops at Great American Music Hall April 19

California-Honeydrops

Local good-vibe givers The California Honeydrops are performing Friday, April 19 at Great American Music Hall, the same day their second album Like You Mean It is unleashed. Freddie Hughes Band will be the featured act of the night before The California Honeydrops put a wide-smile on the faces of those present. Buy your tickets for this homecoming celebration before it’s too late, or you can take your chance with our contest!

Win 2 Free Tickets! Enter to win if you can attend this show Friday, April 19 at Great American Music Hall in SF.

Fill out your full name and email address below.
Contest ends Thursday April 18 at Noon. The winner will be picked at random & notified by email.

CONTEST CLOSED

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Win Free Tickets: Savages at The Independent April 18

Savages

Savages, one of the most talked about groups that emerged out of SXSW, will perform at The Independent April 18 between two appearances at Coachella. The post-punk rockers from England are poised to have a banner year, so buy tickets while they are still available.

Savages’ forthcoming LP Silence Yourself won’t be released until early May, but Bay Area music fans have the opportunity to see this buzzy group before they blow up.

Win 2 Free Tickets! Enter to win if:
•You are 21 or older
•You can attend the show Thursday, April 18 at The Independent in SF

Fill out your full name and email address below.
Contest ends Friday April 12 at Noon. The winner will be picked at random & notified by email.

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Thank you for your response. ✨

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Phoenix deliver beaucoup Entertainment at The Independent in SF

PhoenixPhotos by Chaya Frash

Those lucky enough to score tickets to the ultra-intimate Phoenix show at The Independent Monday night witnessed something special. Only announced last Thursday, the festival-headlining group did not hold back for this last-minute surprise, and the devoted that showed up with the desperate hope of finding a face value miracle profited off a late ticket rerelease.

Phoenix

This was only the fourth live performance in support of Phoenix’s upcoming album Bankrupt!, which drops April 23, and the evening’s setlist featured nine of ten tracks from the record. Hearing the Bankrupt! cuts live made the songs come alive, particularly in the middle section of the set from “Trying To Be Cool” to “The Real Thing.” This incredible performance also included most of the songs from Wolfgang Amadeus, but was light on earlier material.

Thomas Mars and the rest of the group didn’t act as if they were playing a semi-private show in an intimate space, even though the crowd energy early on was shockingly muted at times. But the one-two punch of “Armistice” & “1901” had everyone jumping by the end of the set, and Mars had trekked across the room and stood up one the rail near the merchandise booth, then crowd surfed back to the stage, capping off one of the best sets in recent memory.

Phoenix

This was the kind of show Phoenix put on before their breakout success in 2009; it looked like the French foursome deferred to the house lights at The Independent, and this must be one of the smallest spaces Phoenix has played since the mid-2000s.

Mars and guitarist Christian Mazzalai began the encore with an acoustic version of “Countdown,” then played a beautiful cover of Air’s “Playground Love.” Both songs inspired pin-drop silence til the last note.

Phoenix

The two most transcendent moments of the night involved new songs. “Drakkar Noir” and “Chloroform” are two new tracks that work remarkably well together. Once “Drakkar Noir” bridges into the downtempo beats of “Chloroform,” which melds synth layers and humming bass bombs, you can’t help but get sucked in to Phoenix’s world of sound.

Another blissful combination is “Bankrupt!” and “Love Like a Sunset I and II,” now called “Sunskrupt!” This heady live combo begins with “Love Like a Sunset I,” segues seamlessly into “Bankrupt!” and finishes with “Love Like a Sunset II.” Both songs are experimental and instrumental in nature, and it’s a genius touch to combine them live.

Phoenix is just getting started on this tour, and they are a must see live act now more than ever.

Phoenix

Setlist:
Entertainment
Lisztomania
Lasso
Long Distance Call
SOS in Bel Air
Girlfriend
Trying To Be Cool
Drakkar Noir
Chloroform
The Real Thing
Sunskrupt! (Love Like A Sunset + Bankrupt!)
Fences
Oblique City
Don’t
Armistice
1901

Encore:
*Countdown
*Playground Love
Rome
Entertainment (Reprise)

*Acoustic with Thomas Mars & Christian Mazzalai

Phoenix

Phoenix

Phoenix

Phoenix

Outside Lands Music Festival 2013: Lineup rumors vs. reality

Outside Lands

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 9th-11th, 2013 //

The best fest in the West returns this August! Many may disagree with that statement due to the fact that Outside Lands is geographically located between two other premier music festivals in Coachella and Sasquatch! (and don’t forget the gem that is High Sierra Music Festival), but the Northern California fest now in its sixth year that is organized and curated by Another Planet Entertainment has a lot going for it.

The location in Golden Gate Park on the west side of SF, surrounded by public transportation, is prime and convenient. The foggy weather allows for extended high-energy partying. The sun is nice and all, but not when you have to hide from it for half the festival. There are no beer gardens — carry around your world-class beer like the grown-ass adult you are. And the food! The beer! The wine! It’s local and delicious. Outside Lands has unmatched food and beverage selections for a music festival. And the music is pretty choice as well.

So, it got us thinking, who will be performing at Outside Lands in August? By taking a look at bands & artists touring this summer and the shows/festivals they have already booked, we’ve narrowed down the lineup possibilities and classified each outfit as “rumor” or “reality.”

UPDATE: We didn’t do half bad! The lineup was announced on Tuesday, April 16th.

OSL

Paul McCartney – Reality

Macca

Already announced as a headliner for Bonnaroo, Paul McCartney has been listed as a confirmed artist over at Last.fm. And based on Outside Lands’ history, this legendary act makes too much sense. Envision the polo fields chanting “naaaah, naah nah nanana naaaaaaah” to close out the weekend. Sounds better than a mailed in Happy Birthday (sorry Stevie).

Daft Punk – Rumor

Daft-Punk

Just … no. Don’t get your hopes up. Even though APE tweeted this recently:

APE-Tweet

A James Murphy DJ set seems more likely. Rumors swirled around Coachella, then Lollapalooza and Glastonbury after Daft Punk announced their new record Random Access Memories will be out via Columbia on May 21st.

Save it. The iconic French duo already said they will not be touring in 2013, but a 2014 tour seems likely once they update their live show to incorporate the new jams, which sound like true 1970s disco. Hope I’m wrong on this, but Daft Punk does not seem likely.

Green Day – RealityGreen-Day

Festival organizers mentioned last August that they had already booked a headliner for 2013. This immediately made me think Green Day, as they had three records pending release at the time. Green Day would certainly be playing festivals in support of the new material throughout 2013 (and they are), and the Bay Area natives have never played Outside Lands. There is a big gap in their touring schedule in early August as well.

Atoms for Peace – Rumor

Atoms-for-Peace

Thom York’s electronic/rock supergroup, which also features Radiohead producer Nigel Godrich & Red Hot Chili Pepper’s Flea, would be a suitable headliner at any summer festival. But the group will be touring Europe in July and have no dates set in August. Atoms for Peace announced an LA & Santa Barbara show October 16 & 17, so plan on seeing them at Treasure Island Music Festival.

Nine Inch Nails – Reality

NIN

Nine Inch Nails would be a great grab and a must-see headliner, and their current schedule makes it possible. They’ll be headlining Lollapalooza, and they have dates scheduled in Europe starting August 15, but NIN still has Outside Lands weekend open. The new NIN lineup is Reznor, Eric Avery from Jane’s Addiction, Adrian Belew from King Crimson, Josh Eustis from Telefon Tel Aviv and previous NIN members Alessandro Cortini and Ilan Rubin.

Mumford & Sons – Rumor

Mumford-and-Sons

Mumford & Sons have a gap in their schedule from August 9-11, and they will be in North America for Lollapalooza & Osheaga Music Festivals the weekend before Outside Lands. They will also be touring in North America after Outside Lands, so it’s possible they could headline OSL. But Mumford & Sons will be playing the Greek Theater Berkeley for three dates in late May, so Outside Lands seems far fetched. Tickets go on sale Friday at 10am are sold out.

Phoenix – Reality

phoenix

It already seemed fishy that Phoenix would skip the Bay Area during Fauxchella, opting for Davis over SF or Oakland. Then on Thursday The Independent added a last-minute Phoenix date for Monday April 1, and obviously many people did not score tickets. Phoenix is a confirmed headliner at Lollapalooza, then they have a gap in their schedule from August 9-11 before heading to Europe.

Queens of the Stone Age – Reality

QOTSA

Queens of the Stone Age will be at Outside Lands, as they are performing at Lollapalooza, then Squamish Music Festival in BC Canada right before and during Outside Lands. SF is the next logical festival stop.

Vampire Weekend – Reality

Vampire-Weekend

Just like QOTSA, Vampire Weekend are signed onto Lollapalooza and Squamish Music Festivals. Plan on Vampire Weekend being near the top of the Outside Lands lineup when it comes out.

The Postal Service – Rumor

Postal-Service

The Postal Service has a gap in their schedule from August 9th-11th, but they most likely will not be at Outside Lands. They have two dates lined up at the Greek Theater Berkeley, and there are tickets still available for the July 27th show.

Willie Nelson – Reality

Willie-Nelson

Willie Nelson falls right into the wheelhouse of Outside Lands legends that have played in the past. And the red-headed stranger will be playing at The Hollywood Bowl on Friday, August 9.

The National – Reality

The-National

The National will be playing the Greek Theater in Los Angeles on August 10th, so it only makes sense that they will be at Outside Lands on Friday or Sunday. Last.fm has already indicated The National is a confirmed group. The National into Paul McCartney to end the weekend would be a winning combination.

Other Likely Performers at Outside Lands:
The Lumineers
Pretty Lights
Macklemore & Ryan Lewis
Hot Chip
Grizzly Bear
Jurassic 5
Kaskade
FOALS
Crystal Castles
Gogol Bordello
Divine Fits
Fitz & the Tantrums
Band of Horses
Young the Giant
Edward Sharpe and the Magnetic Zeros
Toro Y Moi
Major Lazer
Ben Howard
Steve Martin & Steep Canyon Rangers
Tegan & Sara
Freighted Rabbit
Hall & Oates
Holy Ghost
DIIV
Wavves
Matt & Kim
Childish Gambino
Jessie Ware
Wild Nothing
Atlas Genius
Reignwolf
Baauer
Capitol Cities
IO Echo
Icona Pop
Wild Belle
Midi Matilda
Bear Mountain
Deap Valley
Diamond Rings
Little Green Cars
Family of the Year
Keys N Krates
The Neighbourhood

OSL

Django Django, Night Moves pack in Public Works

Django-DjangoBy Mike Frash //

Django Django with Night Moves //
Public Works – San Francisco
March 22nd, 2013 //

London-based Django Django returned to SF to play Public Work last Friday. The show sold out months in advance, an indicator that the hypnotic headliners have become increasingly popular since their first SF appearance in September.

Vincent Neff is the frontman for Django Django, and he did a top-notch job getting the crowd pumped up, but this foursome that met at University in 2009 is clearly a tight unit. Drummer David Maclean produced their self-titled debut record, which was nominated for the 2012 Mercury Prize. As they normally do, all members of the group wore matching outfits and are connected through someone synchronized movements on stage.

One of the most impressive aspects of Django Django is how they create sounds and make them work in a live environment. As the show was set to start Friday, about 30 noise-making devices were placed next to a swath of pedals and loopers at the foot of the stage. Django Django creates their unique sound through a plethora of methods, using claves, coconuts, cowbells and much more. Then, they loop the sounds and modulate the noises to recreate their cuts in a live environment.

The featured group out of Minneapolis Night Moves kicked off the evening with John Pelant’s beautiful, even angelic voice taking center stage. Night Moves presented songs that came off as more palatable Portugal. The Man — they are worth checking out. Night Moves will be performing with Poliça at Mezzanine in April.

Autre Ne Veut shows off his future-pop at The Independent

Autre-Ne-Veut

Autre Ne Veut’s new record Anxiety is one the freshest records I’ve heard in a while, but the big question on my mind was “how will it translate live?”

Well the hype is right, and Arthur Ashin’s project is on the verge of catapulting to wide-ranging success. Consisting of live drums, female backup singer/selector/effect tweaker & of course the main attraction and creative force Ashin, Autre Ne Veut created a sonic blast of energy and sound at The Independent Monday evening.

It cannot be overstated how passionate and entertaining Ashin is as a frontman. He put his all into every song, and while it was a brief set, the live versions of the cuts from Anxiety translated brilliantly. Ashin created an album worth of material that requires him to push his voice to the limit, and he proved he can replicate and even surpass the record’s sound aesthetics live. The set opened with Autre Ne Veut’s most striking track “Play by Play,” and the evening’s encore ended with the super sexy song “Counting.” “World War” was a fine way to end the main set as well.

Major props to the lighting director at The Independent, as the stage visuals consistently matched Ashin’s rapturous future-pop. Autre Ne Veut is future-pop for two reasons; Ashin’s tracks are produced by combining his impressive R&B-influenced voice with unconventional beats, strings, brass and various other noises to produce accessible music, and it’s safe to say this music will be very popular in the near future.