The Bam Team’s 5 Favorite Shows, Albums & Songs of 2024

Best of 2024

2024 was a BIG year for music. With a continued return to normalcy playing out following the first global pandemic in more than a century, the past 12 months produced plenty of great moments onstage and in the studio — from record-breaking world tours to surprise releases and everything in between.

Every year we get to do this we feel fortunate to have the opportunity to do something that we love — witness live music. Yet, each one feels a little different than the last and this year certainly had its own unique collection of highlights. We saw Explosions in the Sky make a statement as one of post-rock’s most essential acts, Tool frontman Maynard James Keenan ring in his 60th birthday on the “Sessanta” tour, My Morning Jacket back at The Fillmore for a four-night run of no repeats, DIIV assure us there’s still a future for indie rock and Dawes celebrate the holidays with a brand-new album and star-studded cast of special guests. We also covered our first shows at the state-of-the-art Fox Theater Pomona and legendary Pappy & Harriet’s in Pioneertown much to our delight, with those sort of visceral experiences amounting to more than merely the music we heard there.

But with another year wrapping up and 2025 here very soon, it’s time for us to reveal our annual “Best of” lists as we have done since this blog started more than a decade ago (see our 2023 picks here). As we always say, we will be the first to confess we didn’t attend every show or spin every album that was issued in 2024, but looking in the rearview mirror can be nearly as fun and challenging as when we first started doing this yearly exercise.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2024.

Listen to The Bam Team’s favorite songs of 2024:

BeachLife Festival 2024 - Sting


Sting at BeachLife Festival // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2024
1. Pearl Jam at Kia Forum – Los Angeles, CA – May 21st-22nd
What a year it was for one of our all-time favorites acts. The release of Pearl Jam’s 12th studio album Dark Matter in April gave us more than a month to acquaint ourselves with their latest effort before we would see them blow the roof off a sold-out Kia Forum over two consecutive nights. By the end of the second, we were well-satiated thanks to Eddie Vedder and the Hall of Fame band delivering one tour debut after another while also seamlessly mixing in their new material. But the most poignant memory for us came on Night 1 when Vedder broke into Pink Floyd’s “Another Brick in the Wall (Part 2)” at the end of “Daughter” with the crowd seemingly in the palm of his hand. Not only hearing the entire arena sing along to “We don’t need no education / We don’t need no thought control” but also seeing Vedder still command an audience like that at his age gave me chills — the good kind — down my spine that I don’t think I will never forget. All we can say is the power of live music felt very alive (no pun intended) and well in that moment.

2. My Morning Jacket at The Fillmore – San Francisco, CA – May 30th-31st
3. Queens of the Stone Age at Santa Barbara Bowl – Santa Barbara, CA – May 24th
4. LCD Soundsystem at Hollywood Palladium – Los Angeles, CA – November 8th
5. Sting at BeachLife Festival – Redondo Beach, CA – May 3rd

Honorable Mention: slowdive at Fox Theater Pomona – Pomona, CA – April 26th

Top 5 Albums of 2024
1. Pearl Jam – Dark Matter
It has been a long time since PJ uncorked a full length as strong from start to finish as their newest, but when I first heard its lead single that would also serve as the LP’s title track, I could sense something was different this time. Maybe it was Matt Cameron’s drums sitting front and center in the mix or Mike McCready’s electrifying, Hendrix-like guitar solo down the song’s final stretch. Except the more time I spent with Dark Matter, the more I loved not just the singles but all 11 songs. “Waiting For Stevie” has become an instant fan favorite in its relatively short time while others like “Scared of Fear”, Won’t Tell”, “Upper Hand” and “Setting Sun” have been the glue, giving depth to an album that sees Vedder and company not resting on their laurels after more than three decades together. Whether it was working with Grammy-winning producer Andrew Watt or the addition of former Red Hot Chili Peppers guitarist Josh Klinghoffer to the songwriting process, Dark Matter sees one of the best rock ‘n’ roll bands in the business continuing to push itself creatively and that has carried over to the stage where Pearl Jam’s epic live shows remain full of raw energy and emotion (see above for more on that).

2. Kendrick Lamar – GNX
3. Jack White – No Name
4. The Smile – Wall of Eyes
5. The Smashing Pumpkins – Aghori Mhori Mei

Favorite Live Album of 2024: The War on Drugs – Live Drugs Again

Top 5 Songs of 2024
1. Kendrick Lamar – “Not Like Us”
After a year in which the Dodgers finally won the World Series fair and square, this only seemed like the right choice for any self-respecting Angelino like myself. “Not Like Us” compliments of Compton’s finest rapper would not just end up becoming a new anthem for my hometown of LA but the entire West Coast. As he goes down the “rabbit hole” with shrewd and clever wordplay, it’s clear why King Kendrick has sat atop hip-hop’s unofficial throne for a while now and has already cemented himself before the young age of 40 on its Mount Rushmore. What was released as a diss track in a series of them aimed at Drake has turned into so much more six months later, and the Mustard-produced gem continues to resonate for us no matter which side won the highly publicized feud. Because in our minds, it never was really close.

2. Pearl Jam – “Setting Sun”
3. LCD Soundsystem – “x-ray eyes”
4. Jack White – “It’s Rough on Rats (If You’re Asking)”
5. The Smashing Pumpkins – “Edin”

Favorite Soundtrack of 2024: Trent Reznor & Atticus Ross – Challengers (Original Score)


The Smashing Pumpkins - Aghori Mhori Mei

Andrew Pohl // San Francisco

Top 5 Shows of 2024
1. Idles with Protomartyr at Fox Theater Oakland – Oakland, CA – May 10th
My anticipation of seeing Idles for the second time was palpable as I made my way into the Fox. The first time I saw them was at The Fillmore a few years earlier, and it was easily one of the best shows I had EVER seen (and I have been to hundreds of concerts). Once again, they delivered a performance that was not only interactive, but also filled with heart, raw energy and the kind of joy you don’t always see from road dogs like them. Every note seemed to be played with total satisfaction, which you could see on every member’s face throughout the 25-song set.

2. Green Day with The Smashing Pumpkins, Rancid, The Linda Lindas at Oracle Park – San Francisco, CA – September 20th
3. Black Pumas at Fox Theater Oakland – Oakland, CA – February 8th
4. Home Front with Neighborhood Brats, Build Us Airplanes at Bottom of the Hill – San Francisco, CA – December 14th
5. Rich Kids on LSD (RKL) at Bottom of the Hill – San Francisco, CA – May 1st

Top 5 Albums of 2024
1. The Smashing Pumpkins – Aghori Mhori Meiwo
This is the Pumpkins album that I have been wanting to hear since Zeitgeist came out in 2007. Some critics have said in recent years that guitar-focused rock music is “dead” … well, the band’s 13th studio effort has a bone to pick with that sentiment. After several releases that have varied from “questionable” to “just OK,” founding members Billy Corgan, James Iha and Jimmy Chamberlin went back to the basics and laid down a proper LP that every SP fan knew they were capable of making. After all, I always love a good comeback story.

2. The Cure – Songs of a Lost World
3. Alkaline Trio – Blood, Hair, and Eyeballs
4. NØ MAN – Glitter and Spit
5. The Jesus Lizard – Rack

Top 5 Songs of 2024
1. Yard Act – “Dream Job”
With how turbulent the world has been over the past few years, I have been finding myself gravitating toward music that’s a bit more upbeat musically — and this song is a certified infectious banger. Yard Act have this cool way of incorporating clever, oft-dark social commentary into what would otherwise be a tasty dance number, which is part of their charm and why they have blown up since forming in 2019. I kept coming back to this album during 2024, and this was definitely the track that kept my foot tapping.

2. Sammy Kay – “Love Song”
3. The Jukebox Romantics – “Packing Up My Knives”
4. Idles feat. LCD Soundsystem – “Dancer”
5. Jack White – “It’s Rough on Rats (If You’re Asking)”


Kendrick Lamar - GNX

Rochelle Shipman // Los Angeles

Top 5 Shows of 2024
1. Anderson .Paak & the Free Nationals at Hollywood Bowl – Los Angeles, CA – September 24th
Anderson .Paak pulled out all the stops for a performance of his seminal and (arguably) best album Malibu, bringing out every featured guest from BJ the Chicago Kid and ScHoolboy Q to Rapsody and Talib Kweli. As if that wasn’t enough, he got some help from the GOAT — Dr. Dre himself performing 2001 hits “The Next Episode” and “Still D.R.E.” — to jump start the second set and kept the surprises coming. Plus, the iconic Hollywood Bowl proved to be a stunning setting for the most ethereal evening.

2. Conor Oberst at Teragram Ballroom – Los Angeles, CA – March 7th, 14th, 21st & 28th
3. Something Corporate at Hollywood Palladium – Los Angeles, CA – October 11th
4. Stars at The Fonda Theatre – Los Angeles, CA – October 18th
5. Kate Nash at Teragram Ballroom – Los Angeles, CA – November 2nd

Top 5 Albums of 2024
1. Kendrick Lamar – GNX
For an album that dropped six weeks prior to the end of the year, GNX has been embedded in the fabric of K-Dot fans since Q2. Artfully teasing snippets like lead single “Squabble Up” months before its official release, Kendrick effortlessly reminded the world why “King” fits so naturally into some of his nicknames. Not that he needs any more, but blessing us with a surprise LP full of fiery tracks that keep breaking and setting new records gives him one more lick of proof that no one else is in his lane.

2. Little Simz – Drop 7
3. Yaya Bey – Ten Fold
4. Doechii – Alligator Bites Never Heal
5. Channel Tres – Head Rush

Top 5 Songs of 2024
1. Kendrick Lamar – “Not Like Us”
It feels disingenuous to pick any other song but “Not Like Us” in 2024. Kendrick’s meticulous takedown of Drake was the perfect evil antidote to an industry choking on espresso. “Not Like Us” was the golden middle finger with Lamar penning an impeccable balance between professor and troll, destroying Drake in a way that only a Pulitzer Prize winner could.

2. Little Simz – “Torch”
3. Desert Mambas – “Hot George Costanza”
4. Yaya Bey – “slow dancing in the kitchen”
5. Megan Thee Stallion – “Hiss”

Showbams

Primavera Sound LA 2022: The best & worst of the Barcelona music festival’s inaugural edition on U.S. soil

Primavera Sound LA 2022Photos by Josh Herwitt & courtesy of Primavera Sound LA // Written by Josh Herwitt //

Primavera Sound LA //
LA State Historic Park – Los Angeles
September 16th-18th, 2022 //

It’s no secret that Primavera Sound has had its sights set on Los Angeles for quite some time now. The Barcelona music festival that has been going strong for two decades expanded to Porto in 2012 and will finally stamp its brand on four more cities in 2022 after a two-year delay due to the COVID-19 pandemic.

LA is the first of those four cities, but with the festival’s other three new locations — São Paulo, Buenos Aires and Santiago — all launching in South America later this year, LA State Historic Park also served as Primavera Sound’s inaugural event in the states.

Spreading four stages across the 32-acre park that remains one of the best spots in the city to host a music festival before and after three years of renovations, PSLA welcomed a wealth of talent from the top line to the bottom. Lorde, Nine Inch Nails and Arctic Monkeys each delivered headline-worthy sets while an indie-leaning undercard highlighted by BICEP (Live), Cigarettes After Sex, Clairo, DARKSIDE, Drain Gang, Fontaines D.C., Girl in Red, GIVĒON, James Blake, King Krule, Khruangbin and Mitski all drew big crowds over the course of three days. In a lot of ways, PSLA fills a much-needed void after the sudden and disheartening end to FYF Fest, which would tout itself as the “best weekend of summer” for many live music fans and was one of our favorite multi-day festivals to cover (read more here).

Any time a new music festival launches though, there are always highs and lows. So without further ado, here are our best and worst moments from Primavera Sound’s first installment on U.S. soil:


Primavera Sound LA 2022

Best: The weather

After LA experienced its worst heat wave of the year earlier this month with temperatures reaching triple digits, the weather luckily cooled down just in time for PSLA. For many of us, a second layer of clothing wasn’t ever necessary from Friday afternoon to Sunday evening. After all, how often does that happen? With great music lined up throughout the day and a forecast hovering in the mid to high 70’s, it truly felt like a quintessential summer weekend in LA.

Primavera Sound LA 2022

Worst: Will Call line

When we arrived at the festival on Friday afternoon, the line at the box office quickly stood out. In fact, it was so long that we knew the wait would be at least an hour for those trying to pick up their passes, only to discover later via Twitter it was even longer for many even at 6 p.m. These are the kind of issues any first-year music festival hopes to avoid and can ultimately prepare for, but when you change your ticket delivery method to in-person on short notice after previously telling fans it would be done electronically, it’s no surprise that you end up pissing off some of your customers.

Primavera Sound LA 2022 - Lorde

Best: Lorde

The 25-year-old singer-songwriter has been making the rounds this year on an extensive world tour in support of 2021’s Solar Power, and there’s no question that her entire stage design and production was impressive to witness. Ahead of festival stops at Life Is Beautiful and Rifflandia over the same weekend, Lorde arrived onstage via a rotating staircase with some of her backing band and ran through 15 songs — from her 2013 debut single “Royals” to Melodrama hits like “Perfect Places” and “Green Light” — as PSLA’s first headliner. We wouldn’t necessarily call ourselves big fans, but we definitely understand why she was deserving of top billing.

Primavera Sound LA 2022

Worst: Food & drink

We will eventually get to the limited viewing space that under-21 guests were offered, but even if you wanted to drink at PSLA, the options were simply not good. This was certainly not the place for craft beer enthusiasts, as your choices were Heineken or the low-calorie Tecate Alta that tasted mostly like beer-flavored water for $12 each. Not only would it be nice to have seen local breweries — there are two excellent ones located across the street from the festival’s entrance — featured, but in a city such as LA with a food-and-drink scene that’s one of the best in the country, partnering with major beer and liquor brands along with a handful of Smorgasburg LA restaurants doesn’t exactly cut it anymore. The only food stall in one of the VIP areas selling “California style” Philly cheeseteaks made us think about how much Goldenvoice has elevated its game in this respect, with top-notch local options at Just Like Heaven (read our festival review here) from Goldburger to Homage Brewing standing out as examples most recently in May.

Primavera Sound LA 2022 - Khruangbin

Best: Khruangbin

The Houston three-piece that has made 70’s Thai funk sound cool again has been one of the hottest acts to tour over the past five years, as evidenced by their three sold-out shows at LA’s Greek Theatre last November. While most might have come Saturday to see Nine Inch Nails, it was K-bin who would steal the show before Trent Reznor and company ever played a note. Those who made it to the main stage for sunset were treated to an hour of grooves, as Mark Speer (guitar, vocals), Laura Lee (bass, vocals) and Donald Johnson (drums, vocals) hypnotized us with fan favorites “María También” and “So We Won’t Forget” before diving into a melody of covers that embraced a wide array of artists, from MF DOOM, The Isley Brothers, Tina Turner and Chris Isaak to 90’s hip-hop legends A Tribe Called Quest, Ol’ Dirty Bastard, Warren G and Dr. Dre.

Primavera Sound LA 2022

Worst: Art installations

Sometimes it can be easy to forget how spoiled we are in California when it comes to all of the music festivals we have. Not only do many of our best and brightest such as Coachella, Outside Lands and Lightning in a Bottle showcase a wide range of musical genres, but they also feature their own unique art installations that continue to push the envelope. In the case of Primavera Sound, let’s just say that’s not its M.O. While we can’t fault the festival for keeping the focus strictly on the music, LA State Historic Park did seem to lack some color aesthetically. That said, there were a couple of highlights off the stage, including the vinyl market that was curated by KCRW and Beat Swap Meets as well as the FLATSTOCK poster show series making its only West Coast stop of the year and featuring locals like Kii Arens of La-La Land Prints.

Primavera Sound LA 2022

Best: Signs, sightlines & sound

With the Primavera Sound brand being all about the music, our eyes were mostly focused on the artists performing. Nevertheless, the signs, sightlines and sound at PSLA were all on point. The downtown LA skyline served as a fitting backdrop like it usually does at LASHP, and despite poor audio issues playing a role at outdoor music festivals, we didn’t experience any while we were on the ground so kudos to the organizers for locking that down. If anything, the decibels across the fest’s four stages were so high that we found ourselves needing ear protection most of the weekend.

Primavera Sound LA 2022 - Nine Inch Nails

Worst: Short headliner sets

After Primavera Sound LA unveiled the lineup for its debut this year, we presumed all three headliners would receive at least 90 minutes each day. So when the set times dropped more than a couple weeks in advance, it was a bit of a shock seeing only 75 minutes designated for each of them. A Hall of Fame band like Nine Inch Nails has more than 10 studio albums and several EPs in its catalog but were only granted enough time to crank out 16 songs, many of which have been setlist staples for years up to this point. Though NIN classics like “Wish”, “March of the Pigs”, “Closer”, “Gave Up” and “Head Like a Hole” are never tracks to lack energy live, we’re happy we caught their sold-out gig at the Santa Barbara Bowl (read our show review here) four days earlier for the chance to hear a cover of David Bowie’s “I’m Afraid of Americans” and multiple other deep cuts.

Primavera Sound LA 2022 - Arctic Monkeys

Best: Arctic Monkeys

It was clear when we showed up for PSLA’s final day that the attendance felt bigger than the day prior. Although that seemed a little odd considering it was Sunday and not Saturday, it was a testament to the fan base Arctic Monkeys have built at the 20-year mark. The English rockers haven’t toured since 2018’s Tranquility Base Hotel & Casino, and with their forthcoming seventh LP The Car slated to come out next month, frontman Alex Turner and his bandmates gave us a taste with the disco funk that they’ve cooked up on “I Ain’t Quite Where I Think I Am” midway through their headlining performance. And even though we didn’t hear lead single “There’d Better Be a Mirrorball” despite it being the only track that they have officially released so far, there were plenty of other thrilling moments for us to remember in between the opening notes of “Do I Wanna Know?” and the closing “R U Mine?” to end the night. Here’s hoping we don’t have to wait too long before there’s a return date to California after the new album drops.

Primavera Sound LA 2022

Worst: Under-21 viewing areas

Most of PSLA’s guests are of legal drinking age, and with the festival boasting a number of alcohol-related sponsors that included Cuervo and Smirnoff, it certainly caters to the over-21 crowd. But for those who weren’t, the viewing areas at the Primavera and Tecate Alta stages were less than ideal. Besides the allotted space being too small and positioned off to the side, underage guests were only informed 10 days in advance. If you’re not 21 yet, make sure to temper your expectations — or we’d recommend waiting until you are before attending.


Primavera Sound LA photographers featured: Nicolita Bradley, Lindsey Byrnes, Pooneh Ghana, Miranda McDonald, Ismael Quintanilla III & Quinn Tucker.

With ‘Drillmatic’ delayed, The Game turns his album release show at The Novo into a hometown party alongside Kanye West & Lil Wayne

The GameBy Joseph Gray //

The Game //
The Novo – Los Angeles
July 8th, 2022 //

The Game always has a lot to say. Since the Compton native was introduced to the masses as Dr. Dre’s protégé ahead of The Documentary, his breakout debut album in 2005 that guided the West Coast back to mainstream hip-hop relevancy, the boisterous confidence which helped turn him into a star has never seemed to waver. And along those lines, he emphatically made his appearance in downtown LA under one condition: he would not be the only one in the building going home with a strained voice at the end of the night.

An eager crowd, which was sprinkled with fans hoisting their favorite pictures and vinyl copies, to fulfill the request piled into The Novo last Friday for what was billed as The Game’s album release show on the day his 10th studio effort Drillmatic was scheduled to be released. The 42-year-old emcee recently promised that the Hit-Boy-produced LP, which has yet to be unveiled due to sample clearance issues, will be the best of 2022 and his finest work ever while staking claim as the “best rapper alive” in a now-deleted Instagram post. Though certainly a lofty pledge, the brazen veteran would have it no other way.

The Game also previously wrote that controversy — the latest being his acknowledged hurt over not getting to perform during the Super Bowl LVI halftime show orchestrated by Dre, his relentless remarks about being far superior to Eminem and his surprising testimony earlier this year that Kanye West did more for him in two weeks than Dre did for him during his entire career — “has always stepped on my greatness.” Despite that, he says things will all change after we hear his first album in three years.

The Game - Lil Wayne


Lil Wayne

It’s typically wise not to count The Game out because no matter the controversies, he has been more than consistent when it’s time to demonstrate his talent. That history mixed with his self-assuredness helped set the stage in his hometown as he arrived in a plush silk shirt and polished shoes to the live instrumentation of “Violence”. The presumed track off of Drillmatic sees The Game at his best, mixing name-drops ranging from Beyoncé to the late John Madden and defiant wordplay over a climatic score with a chorus that tips it hat to Young Jeezy.

Soon after working his way through his first single “Westside Story”, he confirmed the reasoning behind the delay on Drillmatic. The crowd’s disappointment, however, was short-lived as he soon after jumped into “Eazy” — his most recent collaboration with West, who surprisingly joined The Game onstage in a ski mask without performing or saying much at all. Yet, the rare dead air from West was more than fine for the raucous audience on hand.

“He ain’t come to perform no songs,” a humbled Game said of West before a series of unexpected visits turned the whole performance into one big party. “He was clear about that. He came for his brother. He told me how he was coming, he told me was going to be three minutes late. He said he might show up in the middle of the verse ’cause he got shit to do. I said, ‘… you can come at the end of the show just to give me a hug … I love you.'”

The Game - Blueface


The Game & Blueface

Before The Game delivered Documentary classics “Higher”, “How We Do” and “Hate or Love It”, the contrasting modest side of an artist who has always considered himself a hip-hop historian took over. Almost like a kid watching his favorite superheroes, he took a step back from the mic and enjoyed the show at one point. As he offered some deliberate introspection via “My Life” on 2008’s LAX, Lil Wayne emerged to perform the song’s chorus and his own hit “A Milli” for another crowd-rocking moment. But surprise appearances by West and Wayne were just two of many over the course of the evening as we got subsequent jolts of Southern California energy from Kurupt, DJ Quik, Suga Free, Blueface, RJMrLA and O.T. Genasis.

“I couldn’t tell you what the game would be without The Game in this,” rapped Symba, the rising Bay Area lyricist whom The Game co-signed as his next rising star, to put a bow on a special night with a lighthearted, back-and-forth freestyle session between the duo. “I don’t think you get enough credit.”

No album yet? Well, no problem. But if it’s anything like The Game’s album release show at The Novo, my money is on the critics being pleasantly surprised when it’s finally here.

FKJ is a one-man, groove-making machine who’s full of surprises as he demonstrates at Shrine Expo Hall

French Kiwi JuiceBy Josh Herwitt //

FKJ with (((O))) //
Shrine Expo Hall – Los Angeles
August 5th, 2019 //

I’ll be completely honest: I had no idea who FKJ was before this year. In fact, I had no clue who he was six months ago.

I found out about Vincent Fenton, better known by most fans as French Kiwi Juice, while watching Coachella’s Weekend 1 webcast on my couch back in April. It was there on that Saturday afternoon where I came to see how talented the French musician actually is.

Originally from the city of Tours, the multi-instrumentalist and singer is considered to be a pioneer of the New French House movement, having garnered a strong following in a short amount of time thanks to his live show that sees him incorporate live loopings through the software sequencing program Ableton while holding his own on a number of instruments, including synthesizer, piano, guitar, bass, saxophone and digital percussion.

But with 2017’s self-titled LP serving as FKJ’s only studio album to date, we weren’t sure how long Fenton would be able to entertain the sizable crowd in LA that showed up on a Monday night and braved the sauna-like conditions inside the Shrine Expo Hall. The set times, from what we were given, indicated that he was scheduled to play for 90 minutes, yet the 28-year-old must have had other ideas either before or once he took the stage.

FKJ

It’s rare to see an artist these days blow past their scheduled out time, especially on a Monday evening. In the City of Angels though, you never know what you’re going to get at a concert on any given night of the week. That’s what makes it one of the best cities in the U.S. to catch live music (we see you Austin, Nashville and New Orleans, too).

And just like we didn’t know that FKJ would go more than 20 minutes long, his snippet of “Xxplosive” from Dr. Dre’s legendary album 2001 around the performance’s midway point also came as a pleasant surprise. Sure, it would have been extra sweet to see the one-man, groove-making machine drop a few bars of “California Love” on us as well, but those who were there showed plenty of enthusiasm when Venton’s wife June Marieezy, who performs under the moniker (((O))) and served as the show’s opening act, came out to sing on their “Vibin’ Out” collaboration.

Covers and guest appearances aside, what’s almost as impressive about FKJ as his mastery of so many instruments are his improvisation skills onstage. Fenton, who went to film school as a way to study sound engineering for free, doesn’t stick strictly to a script like most electronic musicians, even those who play instruments instead of just pushing buttons. That’s probably why the show extended past 11 p.m. with FKJ performing almost two hours of material, much of which bordered at times on nu jazz, alt-R&B and naturally, French house.

2019 has already been a banner year for Venton in several ways. Besides making his debut at Coachella less than four months ago, he partnered with livestream media company Cercle to release this jaw-dropping live video that sees him performing on the world’s largest salt flat. Plus, he married Marieezy in March after previously working with the Filipino songstress. So with Marieezy by his side and fan bases in both Europe and North America now solidified, it appears that FKJ is ready to share his one-of-a-kind live show with the rest of the world.

Because for those who still haven’t heard of him yet, they certainly will soon.

Pass that shit: Top 10 weed songs

Subscribe to our Spotify Playlist “Pass that shit ➜ Top 10 weed songs” and listen to the 50 best weed songs ever!

Our list is based on the criteria that the best weed songs are blatantly about marijuana and very catchy. So as the movement to legalize and tax marijuana like alcohol gains steam, light up a spliff and check out our 10 favorite weed songs of all time.

What did we miss? Leave a comment below.

10. Let’s Go Go Get Stoned – Ray Charles
Originally recorded by The Coasters in a 1965, Ray Charles made “Let’s Go Get Stoned” a #1 hit a year later. This classic blues track was released after Charles was released from rehab, as he was attempting to kick heroin. It’s assumed that Charles smoked copious amounts of marijuana as well…Thanks Billy Preston!

9. Ganja Smuggling – Eek-A-Mouse
Jamaican reggae singer Eed-A-Mouse is about two things: repetition and weed. His concerts often consist of “a-Wa-Do-Dem” being repeated for 65% of the time, but he placates the stoner rastas and trustafarians with his biggest tracks “Ganja Smuggling” and “Sensee Party.” “Ganja Smuggling” still has the mouse’s patented repetition and sends positive irie vibes.

8. Smoke Two Joints – The Toyes
Sublime made this track famous, but it belongs to The Toyes. According to The Toyes website, “Bradley (Nowell) himself had happened upon the song and recorded it before he knew The Toyes or their music.”

7. The Next Episode – Dr. Dre & Snoop Dogg
Snoop Dogg, or Snoop Lion as he wants to be called now, must legally be included in this list, as he is the current cultural ambassador of ganja. Just check his twitter feed. Most list makers would probably use Gin & Juice, or something from The Chronic. We’re going with the track that had every pot smoking teenager saying “Smoke weed every day” with the spot in our top 10.

6. I got 5 On It – The Luniz
“I got five on it” refers to throwing down with your buds on a sack and puffin’ away. Just check the lyrics: “Kinda broke so ya know all I gots five, I got five. Unless you pull out the fat, crispy five dollar bill on the real before its history. I got 5 on it, let’s go half on a sack.”

5. Champagne & Reefer – Muddy Waters
“Yeah bring me champagne when I’m thirsty. Bring me reefer when I want to get high…Well you know there should be no law on people that want to smoke a little dope.” The Rolling Stones still cover it.

4. Mary Jane – Rick James
Rick James may be more well known for his addiction to cocaine thanks to The Chapelle Show, but “Mary Jane” proved that Rick James was multi-faceted in his drug use. History proves that Mary Jane was an actual girl Rick James loved, but she left him. In this case, music fans have spoken, and Chapelle’s movie Half-Baked help solidify this song and the woman Mary Jane into pot popular culture.

3. Rainy Day Women #12 & #35 –Bob Dylan
Bob Dylan was an early cannabis supporter – hell he introduced herb to the Beatles. And no song signified this more than the refrain “Everybody must get stoned!” Dylan reportedly got everyone super high before this recording that appeared on the legendary album Blonde on Blonde.

2. Hits from the Bong – Cypress Hill
No one has owned Weed Music more than Cypress Hill. Just look at the way they’ve described the details of their love for herb in tracks such as “I wanna Get High” & “Dr. Greenthumbs.” But it’s “Hits from the Bong” that has left the biggest impact. Remember, ‘just like chong, I hit the bowl and I reload it.’

1. Legalize It – Peter Tosh
At a time when support for marijuana legalization and taxation is at a all time high in the US, Peter Tosh’s track “Legalize It” is as relevant as ever. Legalize it. Don’t Criticize it.

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