Noise Pop 2017: Celebrating 25 years of Bay Area indie culture

Noise Pop 2017Written by Molly Kish //

Noise Pop //
Bay Area venues – San Francisco & Oakland
February 17th–27th, 2017 //

Marking its 25th anniversary this month as the West Coast’s premiere independent music and arts festival, Noise Pop returns to take over more than 30 clubs, theaters and art spaces in the Bay Area. With residencies at various locations in SF and Oakland, the festival officially kicks off with its 2017 film series and art exhibits leading into 11 days of live musical performances from nationally recognized and locally curated acts.

This year’s roster includes members of Animal Collective, Vince Staples, BADBADNOTGOOD, Dawes, Kelis, Hudson Mohawke, Ty Segall and more, Noise Pop continues its legacy as one of the nation’s leading purveyors of independent music, culture and arts.

To help you navigate this year’s Noise Pop lineup, we have locked in our top picks for the fest’s happy hours, art shows, film series and concerts. Check out our full list of favorites below and prepare yourself for what’s to come!


Noise Pop 2017 - Mission Bowling Club

Art Shows

The Flavors of Noise Pop: February 1st-March 7th @ Mission Bowling Club


Noise Pop 2017 - film series

Films

Festival (featuring Q&A with director Michael Raspatello and panelists Allen Scott, Jordan Kurland & Kevin Arnold): February 17th (FRI) @ Swedish American Hall (8 p.m., $12, All Ages)

The Art of Listening: February 17th (FRI) @ Roxie Theatre (6:30 p.m., $12, All Ages)

My Buddha Is Punk: February 18th (SAT) @ Artists’ Television Access (2 p.m., $12, All Ages)


Noise Pop 2017 - Tricycle Records

Happy Hours

Tricycle Records Presents Hot Toddies, Great Apes & Brasil: February 23rd (THU) @ Bender’s Bar & Grill (5 p.m., 21+)

Different Fur Presents: OCD, Trash Vampires & Phosphene: February 24th (FRI) @ Bender’s Bar & Grill (5 p.m., 21+)


Noise Pop 2017 - Sunday Smörgåsbord

Other Events

Sunday Smörgåsbord: February 26th (SUN) @ Swedish American Hall (FREE RSVP, 21+)

Schedule:
11:30 a.m.-1 p.m. — “Showga” Yoga Set to Live Music (by Everyone Is Dirty’s Sivan Lioncub)
12-6 p.m. — 1-2-3-4 GO! Pop-Up Vinyl Store
12-6 p.m. — Vinyl Tapestry Part II: The Scarpati Brothers Rock Photo and Art Show
1-3 p.m. — The MailChimp Brunch Time Happy Hour
3-4 p.m. — Noise Pop Live Podcast
4-6 p.m. — Litquake: I Thought It Sucked


Cloud Nothings


Cloud Nothings

Music

Cloud Nothings with Itsaca, Never Young, Kid Trails: February 20th (MON) @ The Independent (7:30 p.m., $20, 21+)

Weyes Blood with Half Waif, 20 Minute Loop, Young Moon: February 21st (TUES) @ Swedish American Hall (7 p.m., $15, All Ages) // WIN TICKETS

Hazel English with Elsa Y Elmar, Tanukichan, Maggie y/o: February 21st (TUES) @ Rickshaw Stop (8 p.m., $12, All Ages) // WIN TICKETS

Diet Cig with Plush, Joyride!, Shutups: February 22nd (WED) @ Brick & Mortar Music Hall (7 p.m., $15, 18+)

Desert Daze Caravan Festival featuring Temples, Night Moves, Deap Valley, Froth, JJUUJJUU: February 22nd (WED) @ The Chapel (7 p.m., $34, All Ages) // WIN TICKETS

The Palms with The Young Wild, Warbly Jets, NYRE: February 22nd (WED) @ Rickshaw Stop (8 p.m., $12, 18+)

Kelis with Rayana Jay, Cellus: February 22nd (WED) @ 1015 Folsom (10 p.m., $10, 21+) // WIN TICKETS

PWR BTTM with Chaos Chaos, Soar, The Total Betty’s: February 23rd (THU) @ Starline Social Club (21+, SOLD OUT)

Tash Sultana with Monster Rally, John Cashman, Affectionately: February 23rd (THU) @ Swedish American Hall (All Ages, SOLD OUT)

BADBADNOTGOOD with Hodgy, London O’Connor: February 23rd (THU) @ The Fillmore (18+, SOLD OUT)

Crocodiles with AJ Dávila, Hot Flash Heat Wave, NRVS LVRS: February 23rd (THU) @ Bottom of the Hill (7:30pm, $15, All Ages) // WIN TICKETS

Kevin Abstract with Bearface, Hugo, Hobo Johnson: February 23rd (THU) @ The New Parish (8 p.m., $18, 21+) // WIN TICKETS

Barclay Crenshaw with AABO, Chiller Whale, Jackson Waites, Roeviscious: February 23rd (THU) @ 1015 Folsom (10 p.m., $15, 21+) // WIN TICKETS

Hanni El Khatib


Hanni El Khatib

Hanni El Khatib with The Buttertones, The Molochs, Innovative Leisure DJs: February 24th (FRI) @ The Chapel (7 p.m., $20, All Ages)

Matt Pond PA with Before the Brave, Hideout, The Bye Bye Blackbirds: February 24th (FRI) @ Bottom of the Hill (7:30 p.m., $16, All Ages)

Deafheaven with This Will Destroy You, Emma Ruth Rundle: February 24th (FRI) @ The Independent (8:30 p.m., $20, 21+)

Hudson Mohawke with Francios K, Teklife, DJ Spinn, And Taye, Jay Daniel, Seven Davis Jr., Benji B. & Judah: February 24th (FRI) @ 1015 Folsom (10 p.m., $20, 21+) // WIN TICKETS

Vince Staples with Kilo Kish: February 25th (SAT) @ Fox Theater Oakland (7 p.m., $30, All Ages)

Tennis with Hoops, Great American Canyon Band & Owl Paws: February 25th (SAT) @ Great American Music Hall (18+, SOLD OUT)

MSTRKRFT with Maniacs, MPHD, NVO: February 25th (SAT) @ Mezzanine (9 p.m., $25, 21+)

The Radio Dept. with Germans, The Bilinda Butchers, Future Shapes: February 25th (SAT) @ The Independent (7:30 p.m., $25, 21+)

Grandaddy with Minihorse, N.Lannon, Goon: February 26th (SUN) @ Bimbo’s 365 Club (7 p.m., SOLD OUT, 18+)

Radical Face: February 26th (SUN) @ The Fillmore (8 p.m., $25, All Ages)

Ty Segall with Shannon and the Clams, White Fence, Axis: February 27th (MON) @ Fox Theater Oakland (6 p.m., $25, All Ages)


Download the Noise Pop mobile app to get special updates, including details on Noise Pop After Hours performances, and create your own customized schedule here. Super Fan Badges are still available for purchase here.

Noise Pop - 2017 lineup


Sunflower Bean treat SF to a solid Halloween show

Sunflower BeanBy Norm de Veyra //

Sunflower Bean with The Lemon Twigs, Ganglians //
Rickshaw Stop – San Francisco
October 31st, 2016 //

New York City trio Sunflower Bean gave a strong performance for a costumed crowd at Rickshaw Stop on Halloween. The upstart indie-rock outfit proved to be engaging and confident as they performed songs from their 2016 debut LP Human Ceremony.

Led by vocalist and bassist Julia Cumming, the group delivered a strongly self-assured show that nicely balanced their quieter, hypnotic tunes like “I Want You to Give Me Enough Time” and “Easier Said” with their full-on rock jams like “Wall Watcher” and “Come On”.

The Lemon Twigs


The Lemon Twigs

Joining Sunflower Bean were The Lemon Twigs, who both surprised and delighted with their eclectic sound and boundless energy. It’s no surprise why the Long Island quartet has been gaining attention for its recently released debut album Do Hollywood, featuring a catalog of songs that sonically mine the sounds of past decades and elicits comforting familiarity, yet never feels tired or worn. Credit, of course, should be given to the D’Addario brothers (Brian and Michael), who split lead vocal duties for the band and whose charm and humor buoyed their set.

Sacramento four-piece Ganglians, who blend noise rock, psychedelic pop and folk all into one sound, opened up the evening.

Oh Pep! charm their SF fans with intimate, assured performance at Rickshaw Stop

Oh Pep!By Norm de Veyra //

Oh Pep! with DonCat, Ghost Town Jenny //
Rickshaw Stop – San Francisco
July 27th, 2016 //

Australian folk/pop group Oh Pep! impressed the intimately gathered crowd at Rickshaw Stop with a delicate, yet assured performance this past Wednesday.

The Melbourne-based duo of Olivia Hally and Pepita Emmerichs split lead vocal duties and quickly charmed the audience with a set of songs off their debut LP Stadium Cake.

Joining the Australians on a low-key weeknight were a couple of local outfits in SF’s DonCat and Oakland’s Ghost Town Jenny.

Petite Noir makes a big impression at Rickshaw Stop

Petite NoirPhotos by Diana Cordero // Written by Rachel Goodman //

Petite Noir with The Seshen //
Rickshaw Stop – San Francisco
March 23rd, 2016 //

Yannick Ilunga, the South African singer-songwriter, was in SF with his band for another Bay Area show. He plays under the moniker Petite Noir and is someone not to be missed. I wasn’t familiar with his music, but it was clear the crowd knew some of his songs. His debut EP King of Anxiety, which was released in 2015, was all the buzz at South by Southwest last March.

And now, he’s back again with his first studio album La Vie Est Belle (Life Is Beautiful). It’s clear that he has influences from all genres and blends it all together to create his own sound. Upon the band’s entrance to “Intro Noirwave”, it reminded me of the genius of New York City experimental-rock band Battles (read our review of one of their shows here). If you stripped out Ilunga’s vocals and just had instrumentation, you might have a band that sounds all too similar to Battles, which is not a bad thing in any way, but when Ilunga joins his bandmates, the dynamic changes.

Petite Noir

Ilunga has a stage presence that is awesome to witness. Born in Brussels, Belgium, he owns the stage and is a charismatic frontman, working the crowd throughout the show. His vocals are reminiscent of a cross between George Lewis Jr. of Twin Shadow and Kele Okereke of Bloc Party. The group has a similar sonic approach to Bloc Party with its indie/post-punk revival sound; songs like “Seventeen (Stay)” could be a new Bloc Party track. Ilunga’s music really intrigues me when he starts to blend African beats into his songs; it differentiates him from the bands like Bloc Party that are already making that kind of music.

After listening to Ilunga’s work online, it’s clear that his band needs to be seen live. “La Vie Est Belle” is just a beautiful song when it’s performed. The images that are displayed on the backdrop of him falling just add to its sound. Add the African beats and the R&B influences, and you get an amazing song that incorporates it all. In songs like these, you can hear all the music that Ilunga has listened to – from Kanye West to Mos Def to Prince – and it’s a beautiful blend. “Just Breathe” shows off Ilunga’s 80’s influences and had the crowd dancing. Mix in positive lyrics like “be the change you want to see” with some synthpop beats, and it makes for a good dance party. Then, dive right into “Freedom” — you can feel Ilunga’s emotion in all the songs, from discontentment to frustration to exhilaration.

Petite Noir

As Ilunga neared the ending of his set, there was a crowd sing-along on “Down”, which went on and on and made sure to include the entire audience at some point. Ilunga seemed like he was having a great time, repeatedly saying how SF was such an awesome crowd and so loud. The crowd danced, sang and clearly showed Ilunga and the band a really great time. I can’t wait to see what happens when he comes back to play a bigger venue.

What made this show even more awesome were the openers from the other side of the bay: The Seshen. The two bands occupying the stage at Rickshaw Stop on this night were paired perfectly, and both executed flawless shows. The Seshen clearly had a big following, as it appeared that many audience members were out just to see them. The group’s two vocalists Akasha Orr and Lalin St. Juste put on a strong performance, and both were also impressive dancers. They just take you away with their lush voices.

Plus, The Seshen have one hell of a percussion section. With a set of congas and bongos along with a whole drum set (and a drummer with a contagious smile), it elevated the band’s music. The afro-caribbean beats mixed in with a fusion of R&B/hip-hop/electronic/indie music made for some scintillating songs.

The Seshen


The Seshen

Shortly after stepping onstage, The Seshen had the crowd dancing in no time. It’s so easy to get swept up into their music. Their song “The Fall” is absolutely infectious, and its swirling melody reminds me of Beach House. It transports you, and you get lost in the music as you dance and move along to it. “Unravel” is pure catchiness over an electronic dance beat that will keep you moving.

The Seshen’s performance was brilliant, and the only bad thing was that it felt like it was over before it even began. Between its catchy, danceable music and talented vocalists, the septet’s set felt like it was way too short. We definitely hope to see The Seshen playing in the Bay Area again soon.

Setlist:
Intro Noirwave
Best
Seventeen (Stay)
Shadows
La Vie Est Belle
MDR
Just Breathe
Freedom
Down
Chess

Encore:
Till We Ghosts

Noise Pop 2016: Daily picks & flavors of the week

Noise Pop 2016Written by Molly Kish //

Noise Pop //
Bay Area venues – San Francisco & Oakland
February 19th-28th, 2016 //

Noise Pop 2016 is here! To get you ready for all the Noise Pop festivities throughout the Bay Area, we present our daily picks and flavors of the week.

Plus, make sure to brush up on this year’s bill with our Noise Pop playlist and don’t miss your opportunity to take part in the festivities.

GO4FREE: Win tickets to Noise Pop 2016 shows all week here!


Monday, February 22nd

Noise Pop 2016 - David Bowie Tribute Party

Ziggy Stardust Tribute Party with Everyone Is Bowie: February 22nd (MON) @ The Independent, 8 p.m., 21+ (SOLD OUT)

Paying respect to the Star Man himself, film and concert enthusiasts alike can trip out to “The Spiders from Mars” at The Independent for David Bowie tribute night. The venue will be participating in the Noise Pop film series by showing a digitally remastered version of “Ziggy Stardust and “The Spiders from Mars”. After the screening, make sure to stick around for a live performance from Oakland’s own conceptual tribute band Everyone Is Bowie, including visuals by local film production company White Light Prism. There’s even a pre-party at San Franpsycho (505 Divisadero St, San Francisco, CA 94117) with live screen printing, face painting, a Bowie costume contest and free beer (yes, you read that right) from Mavericks Brewing Company.


Tuesday, February 23rd

Metric


Metric

Metric with Joywave: February 23rd (TUE) @ The Masonic, 8 p.m., All Ages // WIN TICKETS

No strangers to the the Bay Area music scene and Noise Pop’s illustrious history, 15-year-old indie-rock veterans Metric headline The Masonic on Tuesday with support from New York dance-pop quartet Joywave. Serving as one of the main headliners at this year’s festival, Metric is one band you’ll want to catch early in the week — and we have a pair of tickets just for you.

“Fucked Up But Beautiful” (Noise Pop art reception): February 23rd (TUE) @ Bender’s Bar & Grill, 5 p.m., 21+

Celebrating the flawed and accentuating the negative, “Fucked Up But Beautiful” showcases some of the work of the Bay Area’s most prominent independent artists that was never meant to be seen. Marred by sundry, footprints, bent corners and beer spills, Bender’s Bar & Grill will be hosting a full gallery of glossy disasters, which in turn have taken on a new appreciation of their own. Stop by Bender’s to reflect on mistakes and check out the labors of unrequited love from Amy Jo, Boss Construction, Bureau of Print Research and Design, Crosshair, The Decoder Ring, Drug Factory Press, Alan Forbes, Furturtle Prints, Kollective Fusion, Lil Tuffy, Methane Industries, PinkBikeRalph, Powerslide Design, Tooth and more.


Wednesday, February 24th

Andrew Jackson Jihad


Andrew Jackson Jihad

Wild Ones, Palehound with Two Sheds, False Priest: February 24th (WED) @ Brick & Mortar Music Hall, 7 p.m., 21+ // WIN TICKETS

Spanning the spectrum of everything Noise Pop, this lineup includes Wild One’s heavy synth and ethereal R&B, singer-songwriter Ellie Kemper’s solo project Palehound and local modern rock outfit False Priest. If you’re looking to shake things up on Wednesday and truly get a full taste of the Noise Pop 2016 lineup, stop by the intimately accommodating Brick & Mortar Music Hall and check out this exceptional lineup.

Andrew Jackson Jihad with BATTLEHOOCH, Owl Paws: February 24th (WED) @ The Chapel, 7 p.m., 21+

Maybe you’re looking to let loose mid-work week? If being an adult has got you down, come through The Chapel on Wednesday night and get weird with the prominent wild card’s of Noise Pop 2016. Are you into the collective craze of Andrew Jackson Jihad’s folk-punk antics or daydreaming of being swaddled in the illustrious locks of Grant Goodrich, the bass player of SF’s own BATTLEHOOCH? Regardless of your motivation, we recommend you get there early for Owl Paws’ set and go pile-driving into the second half of your work week.


Thursday, February 24th

Kamasi Washington


Kamasi Washington

“Gin N Jazz” feat. Kamasi Washington in conversation with David Katznelson: February 25th (THUR) @ Swedish American Hall, 4 p.m., 21+ (RSVP required)

As part of Noise Pop 2016’s “HQ Culture Hour” series, Bay Area music veteran and Birdman Recording Group founder David Katznelson will be chatting with saxophonist Kamasi Washington about all things jazz over gin libations sponsored by UK independent spirit purveyor Sipsmith. Signed as an accomplished protégé and part of the label’s early roster while playing as a teenager in The Young Jazz Giants, Washington has a storied history with plenty to discuss about the origins and ever-growing complexities of jazz in mainstream art and culture. Touching upon Washington’s roots, recording process and musical journey, this conversation will be a great opportunity to get an in-depth look at the band leader outside of his sold-out show later that evening.

Antwon with Alexander Spit, Unlikely Heroes: February 25th (THUR) @ The New Parish, 8 p.m., 21+ // WIN TICKETS

This lineup depicts a hometown love letter to Bay Area hip-hop. Throwing down this Thursday is a full lineup of performers looking to turn up The New Parish in Oakland. Bay Area native and world-renowned lyrcist Antwon headlines the night with his cross-over brand of indie hip-hop and will be supported by locally raised rapper and producer Alexander Spit. Kicking off the party will be SF Battle of the Band’s winner Unlikely Heroes, the hip-hop/punk outfit that promises to get the crowd pumped up.


Friday, February 26th

Parquet Courts


Parquet Courts

Parquet Courts with Chris Cohen, The World: February 26th (FRI) @ The New Parish, 8 p.m., 21+ // WIN TICKETS

Want to go to the heaviest lineup Noise Pop has to offer? Are you into sludgy, low-fi garage rock and sweaty, eardrum-rattling rock shows? No? GTFOH! But seriously, if you’re looking to do something Friday night that will leave you invigorated (more than likely wet and quite possibly with a couple of mystery bruises), look no further. The New Parish is hosting the dream lineup of prog rock and punk with Parquet Courts headlining a sold-out show with openers Chris Cohen and Emotional. If you slept on the opportunity to tear it up this Friday, you’ll still have a chance to go for free on us. Stay tuned!

Beacon with Natasha Kmeto, Running in the Fog, Frugal Father: February 26th (FRI) @ Bottom of the Hill, 8 p.m., 21+

Besides getting the chance to see some of the most promising up-and-coming artists right on the cusp of a major breakthrough, one of the perks of going to Noise Pop is that all the show are being hosted in venues that are known and loved throughout SF’s music scene. This Friday, darkwave electronic duo Beacon will take over the shoulder-grazing space of Bottom of the Hill for a truly special, one-off performance. With Beacon debuting material off of their brand-new EP, this guaranteed dance party with support from Natasha Kmeto, Running in the Fog and Frugal Father will be bursting at the seams inside this favorite venue among punk and hard-rock locals.


Saturday, February 27th

Escort


Escort

Escort with MOBLEY, COLLAJ, Push the Feelings DJs: February 26th (FRI) @ Rickshaw Stop, 8:30 p.m., 18+

Pulling influences from the legendary discos in New York, Chicago and Detroit while claiming the headlining spot on Noise Pop’s Saturday night roster at Rickshaw Stop is Brooklyn’s very own Escort. Hailed as a type of “disco orchestra” with a live show comprised of anywhere between a 5-11-piece roster, the East Coast “funktronica” outfit will be debuting new music from there yet-to-be-released sophomore album. Supported by Austin trip-hop artist MOBLEY, SF’s COLLAJ (formerly 8th Grader) and Push the Feelings DJs, this will be one of the fiercest dance parties of the entire weekend.

Song Exploder podcast with Carly Rae Jepsen: February 26th (FRI) @ Swedish American Hall, 2:30 p.m., All Ages (RSVP required)

Continuing its second year as a part of Noise Pop, Hrishikesh Hirway hosts his live storytelling “Song Exploder” podcast from the confines of the Swedish American Hall this Saturday with Carly Rae Jepsen. Dissecting her latest album Emotion and the creative thought process behind composing lead single “I Needed You”, Jepsen will sit down for a candid interview with Hirway that will lead into her performance that evening at The Warfield.


Sunday, February 28th

DIIV


DIIV

DIIV with Dirty Ghosts, Creative Adult, Fine Points @ The Independent, 7:30 p.m., 21+ (SOLD OUT) // WIN TICKETS

Closing out the festival this year with a final punctuation of raw indie-rock talent, Sunday night’s bill at The Independent highlights some of the biggest names on this year’s lineup. Headlining the showcase will be DIIV, a side project from the former members of Beach Fossils and Smith Westerns, celebrating the release of their critically acclaimed new album Is the Is Are. Paired with local female-fronted rock powerhouse Dirty Ghosts and North Bay punks Creative Adult, this show will be having you question the validity of your Sunday and whether or not a lineup of this magnitude holds much relevance when accessing your upcoming work week.


See the full list of Noise Pop 2016 events here, and you can still purchase festival passes here. Keep it here at Showbams and on our Twitter account here throughout the week for a chance to win tickets to this year’s shows.

2016 Noise Pop - full lineup

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2015

Caribou


Caribou at The Fillmore // Showbams’ Photo of the Year, by Justin Yee

Ah, where did 2015 go? It felt like we were just ringing in a new year a couple months ago. But with another year in the rear-view mirror, it’s time to once again doll out our annual “Best of” lists. Much like we did in 2014, we heard a lot of music this year, whether it was at a show or at a festival, at work, on the bus or in our cars. From established headliners who continue to amaze us to emerging artists who rekindled our excitement for new music, our collective lives were filled with one musical memory after another over the past 12 months.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2015.

The 25 Best Live Music Acts of 2015

Listen to The Bam Team’s favorite songs of 2015:


Tycho


Tycho at Lightning in a Bottle // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2015
1. Jack White at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 11th
There’s a reason why Mr. White was named our No. 1 live music act of 2014 around this time last year, and it’s not because he’s simply a guitar god. The Detroit native and former White Stripe is much more than that now, as he has proven with the kind of clever, genre-swirling songwriting that permeates his two solo albums Blunderbuss and Lazaretto. But witnessing White perform live almost feels like a musical right of passage in and of itself, reminding us that while inventive, mainstream rock ‘n’ roll may be harder to come by these days, it’s still far from dead. On this warm, spring night in the California desert, he imparted on us that “music is sacred” — not just with his words in between songs, but also with every ferverous note that he struck on his fret board. From the moment White appeared on the festival’s main stage, his 20-song, headlining set was bold and powerful, even if it would serve as one of his last shows for a while.

2. My Morning Jacket at Santa Barbara Bowl – Santa Barbara, CA – October 11th
3. Modest Mouse at Hollywood Forever – Los Angeles, CA – August 21st
4. Tycho at Lightning in a Bottle – Bradley, CA – May 24th
5. The War on Drugs at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 10th

Top 5 Albums of 2015
1. My Morning JacketThe Waterfall
When My Morning Jacket announced that they would be releasing a new studio LP in May after nearly a four-year layoff, their longest between albums since forming in the late 90’s, I wasn’t sure if they could top what they had devised on 2011’s Circuital. But these Louisville rockers, rather, did just that, putting together a flawless record that opens with the inspiring “Believe (Nobody Knows)” and concludes with the gloomy, yet poignant “Only Memories Remain”. In between it all, frontman Jim James continues to build off his 2013 solo album, showing what a thoughtful songwriter he has become — knowing when to step on the gas pedal and when to ease off of it. With an already impressive catalog highlighted by 2005’s Z, it’s hard to definitively say that The Waterfall has taken over the throne as MMJ’s best album now, but there’s no doubt it belongs in the conversation.

2. Father John MistyI Love You, Honeybear
3. Silversun Pickups – Better Nature
4. Jamie xxIn Colour
5. Tame ImpalaCurrents

Top 5 Songs of 2015
1. My Morning Jacket – “Tropics (Erase Traces)”
It’s only fitting that my favorite album of the year also boasts my favorite song of the year. The penultimate track on My Morning Jacket’s The Waterfall is an absolute rocker that gradually builds from the opening, Led Zeppelin-esque guitar lick before peaking midway through for a chilling finish. There might not be a better example in MMJ’s catalog that demonstrates how well Jim James and Carl Broemel play off each other, and if the two guitarists haven’t already, then they’ve certainly cemented themselves as one of rock’s best one-two punches by now.

2. The Weeknd – “The Hills”
3. Modest Mouse – “The Ground Walks, With Time in a Box”
4. Battles – “The Yabba”
5. Tame Impala – “The Less I Know the Better”


The Chemical Brothers


The Chemical Brothers at The Armory // Photo by Justin Yee

Molly Kish // San Francisco

Top 5 Shows of 2015
1. Jamie xx at Bimbo’s 365 Club – San Francisco, CA – July 31st
Whereas those familiar with his early XL Records mixtapes were satiated by his intermingling of Gil Scott-Heron and Idris Muhammad samples between hits, Jamie xx’s newfound, post-In Colour fans experienced equally breathtaking moments with the crowd hitting peak energy levels during the chorus of “Loud Places” amidst the glow of a warped-speed, neon-green strobe light. Another notable moment included the near-religious choral drop of “Gosh” that escalated the packed house to spiritual levels of enthusiasm, all while bathed in the glowing sparkle of Jamie Smith’s staggeringly iridescent, ceiling-to-floor disco ball and stage lights.

2. The Chemical Brothers at The Armory – San Francisco, CA – November 30th
3. Kate Tempest at The Independent – San Francisco, CA – May 20th
4. Kishi Bashi at Palace of Fine Arts Theatre – San Francisco, CA – January 30th
5. Caribou at The Fillmore – San Francisco, CA – March 1st

Top 5 Albums of 2015
1. Jamie xxIn Colour
Acclaimed London-based producer and half of electronic powerhouse The xx, Jamie Smith (aka Jamie xx) broke the mold this past year with his stunning solo debut In Colour. Earning top accolades within the music industry, including a 2015 Mercury Prize nomination and a Grammy nomination for “Best Electronic/Dance Album”, In Colour featured both individually conceptualized strokes of production ingenuity as well as many of the biggest contemporary-crossover hits this year. Smith explored his dubstep, house, garage and trip-hop influences on In Colour to deliver a genre-spanning masterpiece, highlighting his illustrious career as an electronic composer while setting the standard for the current and future state of EDM.

2. Kendrick LamarTo Pimp a Butterfly
3. Tame ImpalaCurrents
4. The Weeknd – Beauty Behind the Madness
5. Lord Huron – Strange Trails

Top 5 Songs of 2015
1. Jamie xx – “Loud Places”
As part of a track list that included some of 2015’s most groundbreaking and genre-defining hits, “Loud Places” holds its own as a standout cut on Jamie xx’s monumental solo debut In Colour. It comes in toward the latter half of the UK producer’s LP and enlists the gorgeously haunting vocals of Romy Madley Croft, one of Jamie Smith’s partners in The xx and a longtime collaborator of his. Amid a packed roster of acclaimed vocalists, emcees and iconic samples, Croft’s contributions, while paired with a full choir, help manifest the lyrical content of the song while evoking a near-religious experience for its listener.

2. Tame Impala – “Let It Happen”
3. Robyn – “Love Is Free”
4. Kendrick Lamar – “King Kunta”
5. FKA twigs – “In Time”


Outside Lands 2015 - Tame Impala


Tame Impala at Outside Lands Music and Arts Festival // Photo by James Nagel

Brett Ruffenach // San Francisco

Top 5 Shows of 2015
1. Four Tet b2b Floating Points at Public Works SF – San Francisco, CA – May 3rd
Sparked by their set at Plastic Peoples in London earlier in the year — a set, coincidentally, that was named “Best of the Year” by THUMP a few days ago — SF’s own DJ Dials was kind enough to bring Kerian Hebden and Sam Shepherd, better known as Four Tet and Floating Points, to Public Works last May. Starting early in the evening, the two well-established English producers put on a scorching, non-stop, six-hour, vinyl-only DJ set. Kicking off the evening with over an hour of early-70’s Brazilian samba and steadily moving from there to all forms of funk, big band, soul, jazz and of course their own eclectic catalog of music, the two DJs seamlessly moved between tracks, bringing up and down the energy at just the right point to keep you guessing what’s going to happen next. After dozens and dozens of shows and DJ sets this year, I always keep thinking back to this one because it wasn’t only a chance to see an artist I like play their music — it was a chance to see two artists I like play the music that they love, and do it on an absolutely killer sound system.

2. Kendrick Lamar at Fox Theater Oakland – Oakland, CA – November 10th
3. Tame Impala at Outside Lands Music and Arts Festival – San Francisco, CA – August 8th
4. Jamie xx “In Colour” album release show at Church of St John-at-Hackney – London, England – July 16th
5. Nicolas Jaar at Symbiosis Gathering – Oakdale, CA – September 19th

Top 5 Albums of 2015
1. Kendrick LamarTo Pimp a Butterfly
Kendrick wins. No contest. At this point, there’s nothing I can say that will be new or not already over-analyzed by the blogosphere over TPAB. All I can say is that TPAB is one of those rap albums that, just like Kanye West’s My Beautiful Dark Twisted Fantasy in 2010, expanded my understanding of what a rap album can be. From the very start you hear Lamar’s voice in the genius, FlyLo-produced “Wesley’s Theory” — a track that I think is among the greatest album openers ever — to the closing conversation with 2Pac in Mortal Man, TPAB is among the most ambitious and thoroughly conceptualized productions I have had the pleasure of hearing (and seeing) in my life.

2. Tame ImpalaCurrents
3. Nicolas Jaar – Nymphs I-IV
4. Jamie xxIn Colour
5. Beach HouseDepression Cherry

Top 5 Songs of 2015
1. Pumarosa – “Priestess”
“Priestess” is a seven-minute, punk-meets-disco dance party that starts as an observation and ends as a declaration. Its declaration? To dance. Its lyrics (for instance: “Cut from clay and stone / Electricity flows through your spine and shoulders/In the night when we’re alone”), its visceral rhythm and undeniably entrancing, three-minute instrumental closing out the track (DAT SAX) are what make it an easy choice for my favorite of the year. In a culture engulfed in consumerism, celebrity and over-consumption, “Priestess” reminds us all that dancing is free. Dancing can be a protest. Dancing can be a celebration. Dancing is whatever you make of it. “Priestess” is a track that reaches into your soul and forces you to do one simple thing: dance. That’s something we all need in our lives every once and a while.

2. Kendrick Lamar – “Wesley’s Theory”
3. Jamie xx – “Gosh”
4. Tame Impala – “Eventually”
5. Nicolas Jaar – “Swim”


High Sierra Music Festival 2015 - The String Cheese Incident


The String Cheese Incident at High Sierra Music Festival 2015 // Photo by Benjamin Wallen

Benjamin Wallen // San Francisco

Top 5 Shows of 2015
1. Greensky Bluegrass at The Independent – San Francisco, CA – November 1st
Many bands get bigger and play bigger shows. Every now and then, you get to see them in a smaller venue with a more “intimate” feel. This was that show. Following a crazy night at the Fox Theater Oakland celebrating Halloween, the band crossed the Bay Bridge to play a birthday show for its dobro player Anders Beck at The Independent. It was a “Greatest Hits” setlist of all the songs I loved the most: past, present and future. The show was definitely intimate and filled with energy, and Greensky ended the night with some acoustic tunes. I think it says a lot about a band that can pack a big venue and then play a smaller venue and still the heat. This is my favorite band these days. They are consistently great and just too much fun.

2. String Cheese Incident at High Sierra Music Festival – Quincy, CA – July 3rd
3. The Sam Chase at High Sierra Sierra Music Festival – Quincy, CA – July 3rd
4. Jeff Austin Band at Great American Music Hall – San Francisco, CA – April 26th
5. The Devil Makes Three at Fox Theater Oakland – Oakland, CA – February 3rd

Top 5 Albums of 2015
1. Della Mae – Della Mae
These girls are damn talented as much as they are cute. I stumbled upon these five girls from Nashville while at The Chapel a few years back, and they were just damn good. Then, I heard that they were nominated for a Grammy and only beaten by the legendary Del McCoury Band. These ladies can pick and tick and get the crowd jumping. For Della Mae, powerful songs and epic throw-down jams are just par for the course. This album was Kickstarter-funded, which I was happy to contribute to, and continues the revival of bluegrass for the younger generation and modernizing the sound with the energy of youth. I find myself playing this album more and more each day from start to end — it’s just that good.

2. The Dustbowl Revival – With a Lamp Shade On
3. Father John MistyI Love You, Honeybear
4. Nicki Bluhm and the Gramblers – Loved Wild Lost
5. Jackie Greene – Back to Birth

Top 5 Songs of 2015
1. Jackie Greene – “A Face Among the Crowd”
I have been a Jackie Greene fan since I moved to SF almost 10 years ago. This song I heard a number of years ago when Greene was uploading hotel room solo tracks on the road. This song was put up on Father’s Day for Greene’s dad and was a touching song. Creepily sitting in a hotel room, you can feel the emotion. Hearing it on a record in my home is just heaven. After some of those really tough days in life, I come home, put this song on while listening on my best pair of headphones and zone out — let all the crap from the day that doesn’t mean shit just fade away. This song does that for me, and as a music lover, finding this type of song is like finding gold on the street.

2. The Dustbowl Revival – “Standing Next to Me”
3. The California Honeydrops – “When It Was Wrong”
4. Father John Misty – “I Went to the Store One Day”
5. Nicki Bluhm & The Gramblers – “Mr. Saturday Night”


Father John Misty


Father John Misty at Treasure Island Music Festival 2015 // Photo by Marc Fong

Andrew Pohl // San Francisco

Top 5 Shows of 2015
1. Father John Misty at Treasure Island Music Festival – San Francisco, CA – October 18th
Of all of the performers on Day 2 at the festival, Father John Misty held my attention the most. A stellar performance, hitting all of the right points, which gave me good reason to believe that he may in fact be one of the best frontmen of the last 10 years.

2. Hum at Slim’s – San Francisco, CA – September 18th
3. Fat Wreck Chords 25th Anniversary at Thee Parkside – San Francisco, CA – Aug 22nd & 23rd
4. Refused at Great American Music Hall – San Francisco, CA – May 28th
5. alt-J at Greek Theatre – Berkeley, CA – April 16th

Top 5 Albums of 2015
1. Tame ImpalaCurrents
From top to bottom, this is an album that I can listen to over and over without feeling burnt out (and believe me, I have). I appreciate the fact that on this album, they steer clear of too much “jam” and keep it straight forward. I can’t help but move my feet when I hear some of the tracks on Currents.

2. Kendrick LamarTo Pimp a Butterfly
3. Failure – The Heart Is a Monster
4. Father John MistyI Love You, Honeybear
5. God Is an Astronaut – Helios/Erebus

Top 5 Songs of 2015
1. Tame Impala – “The Less I Know the Better”
From the first time I heard this track, I knew it was the best song of the year. Infectious as hell, you cannot stop your body from getting into that groove.

2. Grimes – “Kill V. Maim”
3. Father John Misty – “Bored in the USA”
4. The Velvet Teen – “All Is Illusory”
5. Viet Cong – “Continental Shelf”


Viet Cong


Viet Cong at Rickshaw Stop // Photo by Diana Cordero

Kevin Quandt // San Francisco

Top 5 Shows of 2015
1. Viet Cong at Rickshaw Stop – San Francisco, CA – March 5th
Viet Cong were easily one of the most brilliant bands in 2015 as they shook up South by Southwest (even when their drummer had a broken arm), generally not caring about the whole band-name fiasco and releasing a stellar debut LP. The brooding studio work from this Canadian outfit turned out to be way more accessible on the live stage as bassist/singer Matt Flegel bounced between playful banter and pile-driving post-punk.

2. Caribou at The Fillmore – San Francisco, CA – March 1st
3. Todd Terje (Live) at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 10th
4. Kendrick Lamar at Fox Theater Oakland – Oakland, CA – November 10th
5. BADBADNOTGOOD at FYF Fest – Los Angeles, CA – August 22

Top 5 Albums of 2015
1. Kendrick LamarTo Pimp a Butterfly
No surprises here, as truly this was objectively the best album of the year. With expectations high from his growing fan base, Lamar delivered an LP that had it all: crushing singles, a bold concept and a clear message. The smorgasbord of genres and vibes TPAB lays out for the listener further shows that K-Dot’s bag of tricks has no end in sight.

2. Protomartyr – The Agent Intellect
3. DJ Paypal – Sold Out
4. Tame ImpalaCurrents
5. Archy Marshall – A New Place to Drown

Top 5 Songs of 2015
1. Tame Impala – “Let It Happen”
This track was our first taste of Currents, and it got fans salivating in no time. “Let It Happen” was the perfect amuse-bouche with Kevin Parker’s vision shifting a bit toward synths over his trusty Rickenbacker guitar, which slightly became the resounding chatter behind the LP. Oh yeah, and there was the “record skip” in the middle of the track that we all went mental over.

2. Ought – “Beautiful Blue Sky”
3. The Weeknd – “Can’t Feel My Face”
4. DJ Spinn – “Dubby” (feat. DJ Rashad & Danny Brown)
5. Deerhunter – “Snakeskin”

Showbams

Caspian, Circle Takes the Square throw down a pair of heavy sets at Rickshaw Stop on a weeknight

Caspian


Caspian

Photos by Victoria Smith // Written by Emmanuel Castro //

Caspian with Circle Takes the Square //
Rickshaw Stop – San Francisco
October 7th, 2015 //

Music tends to be a reflection of where a musician lives or where they have been.

After Circle Takes the Square’s opening set at Rickshaw Stop last Wednesday night, I get the immediate impression that Savannah, Ga., must be the most brutal, passionate and beautiful place on the planet.

The three-piece, consisting of Drew Speziale (guitar, vocals), Kathleen Coppola Stubelek (bass, vocals) and Caleb Collins (drums, vocals), brought an energy from another dimension. They are craft masters with each song composed, dense in flawless musicianship with every member of the audience attached to each shriek, growl and scream the band spills from its collective heart.

Circle Takes the Square


Circle Takes the Square

With no words decipherable, their howls become another form of instrumentation. Wikipedia tabs them as the reinvention of screamo. Unsigned by choice, Circle Takes the Square describe themselves as “a punk band with reverence for the mystery,” which is accurate, but there’s so much more to them considering they’ve never gone mainstream. Circle Takes the Square has a new album out entitled Decompositions​:​Volume Number One that has been eight years in the making. Physical copies of the nine-track LP have already sold out, but the band is also offering a name-your-own-price digital download option here. So, by the time Circle Takes the Square played their final note of the night, I was convinced Caspian didn’t have a chance.

I was wrong.

The Beverly, Mass., post-rock pioneers, who dwarf the audience with their presence as well as their sound, put on a display of sonic superiority. Their mammoth, all-instrumental songs ushered the audience through oceans, mountains, deserts, colors, tastes and feelings. Each song portrayed a vast dynamic range of emotions that can literally only be compared to the human experience. The five-piece, who hadn’t played SF in over three years after weathering the sudden death of bassist Chris Friedrich in 2013, went through an extended set featuring tracks from all of their releases, including their newest Dust and Disquiet, released last month on Triple Crown Recordings. The set ended at the stroke of midnight with both bands on stage performing an epic, improvised drum solo during “Sycamore” from Caspian’s 2009 studio album Tertia that you can watch here. Needless to say, the show was sold out and packed to the brim.

Outside Lands announces 2015 night shows

2015 Outside Lands late-night shows

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 7th-9th, 2015 //

The eighth annual Outside Lands Music and Arts Festival is less than one month away, and with the Bay Area’s crown jewel of music festivals approaching, the anticipation couldn’t be higher for this year’s stellar lineup of music, food, wine, beer, art and comedy.

In addition to all the action taking place August 7th-9th at San Francisco’s Golden Gate Park, festivalgoers once again have the ability to keep the party going late into the night with a host of different shows throughout the City.

Gracing the stage at some of SF’s favorite small to mid-size venues will be plenty of top talent, including The Notorious Wilco Brothers (a Wilco offshoot of sorts), Texas-based gospel/soul singer Leon Bridges, who has recently shot up the charts with his hit single “Coming Home”, Brooklyn indie-pop outfit The Drums, Toronto noise rockers METZ and Arcade Fire frontman Win Butler’s electronic side project DJ Windows 98.

We’re speculating a few more night shows may drop a bit closer to August with some evening slots still unannounced for several local venues, so stay tuned here for more updates.

Tickets for all the night shows go on sale at Noon this Friday, July 10th over at DoTheBay.

Outside Lands 2015 late-night shows


Here is the schedule for the upcoming night shows with links to purchase tickets:

August 6th: Alvvays with GRMLN at California Academy of Sciences, 6 p.m., $12, 21+ // BUY TICKETS

August 6th: Strand of Oaks at Brick & Mortar Music Hall, 8 p.m., $15/17, 18+ // BUY TICKETS

*August 6th: The Notorious Wilco Brothers at The Independent, 8 p.m., $75, 21+ // BUY TICKETS

August 6th: Popscene and Flood Magazine present DJ Windows 98 (aka Win Butler of Arcade Fire) at Rickshaw Stop, 9 p.m., All Ages // BUY TICKETS

*August 7th: Leon Bridges with Langhorne Slim & the Law at The Independent, 10 p.m., $25, 21+ // BUY TICKETS

August 7th: The Drums at Brick & Mortar Music Hall, 10 p.m., $20, 18+ // BUY TICKETS

August 7th: METZ with Speedy Ortiz at Rickshaw Stop, 10 p.m., $20, All Ages // BUY TICKETS

August 8th: RL Grime at The Independent, 10 p.m., $35, 21+ // BUY TICKETS

August 8th: Twin Peaks with DMA’s, Day Wave at Brick & Mortar Music Hall, 10 p.m., $15/$18, 18+ // BUY TICKETS

*Outside Lands night shows scheduled for August 6th and 7th at The Independent require a password strictly for festival ticket holders. Passwords will be sent via email to those who purchased passes online.

Outside Lands 2015

Controversy aside, Viet Cong are here to stay

Viet CongPhotos by Diana Cordero // Written by Kevin Quandt //

Viet Cong with Freak Heat Waves //
Rickshaw Stop – San Francisco
March 5th, 2015 //

Viet Cong were in the news for the wrong reason last week, but that didn’t phase one of the most buzzed-about bands of 2015 from delivering one of the most pummeling and enjoyable shows of the New Year.

Joined by fellow Canadians Freak Heat Waves, this arty bill grabbed the attention of locals as this long-sold-out show had folks clamoring to gain entry.

Freak Heat Waves delivered their own unique take on post-new wave that was both entirely detached but thoroughly entertaining as the discordant performance kept you tapping your foot steadily while being engulfed in monotone vocals.

Viet Cong

Once the appetizer had been digested, Viet Cong were taking the stage and beginning a theme of quirky banter that eased the crowd into the blistering set as opposed to bombardment. Within the first few chords, it was evident that continued time on the road found the band at the peak of perfection.

A recent self-titled debut on Jagjaguwar has gained the attention of indie hounds looking for the “next big thing” as the sound on this LP can be described as a dysfunctional marriage of Interpol, Foals and Parquet Courts. Early crowd-pleasers “Continental Shelf” and “Silhouettes” kept the capacity crowd’s attention as the art-rock darlings worked their way through an exceptionally well-crafted set.

It’s safe to say that we will be hearing much more from this quartet for the duration of the year, even if they are known by a different name by the end of that time.

Noise Pop 2015: Who made the ‘most’ of SF’s 12-day indie fest?

Caribou


Caribou at The Fillmore // Photo by Justin Yee

Photos by Justin Yee, Pedro Paredes, Mike Rosati, Alfonso Solis & Nicole Alfaro // Written by Molly Kish //

Noise Pop //
Bay Area venues – San Francisco & Oakland
February 20th-March 1st, 2015 //

2015 marked the Bay Area’s 23rd annual celebration of independent music, art, film and more, affectionately known as Noise Pop. Running 12 full days and taking place at more than 20 different venues throughout SF and the East Bay, this marathon party is best described as the West Coast version of South by Southwest.

Each year, Noise Pop highlights both the biggest stars within the independent music and art industries as well as emerging artists performing at the peak of their games and has always been ahead of the curve when it comes to booking their acts — and this year was no exception. Curating a demographic of music fans with limitless knowledge, expectations and preferential ranges, this festival never fails to create some of the most memorable experiences in live entertainment throughout the Bay Area.

Noise Pop remains one of our favorite times of the year, not only for its amazing lineups and exceptional performances, but also for its genuine ability to bring music and lifestyle connoisseurs from across the globe to extrapolate, communicate and participate in the independent culture of the Bay Area.

Here are some of our favorite moments from Noise Pop 2015.


Most Likely to Have a Hospital Bill: Ben Gibbard

Gibbard enlisted Sun Kill Moon’s Mark Kozelek to play guitar for him after breaking his wrist before his big opening night performance at the Swedish American Music Hall. We’re still surprised the notorious shit talker (Kozelek) didn’t give Gibbard a harder time about it, considering the last song off Kozelek’s Benji is titled “Ben’s My Friend” and is about how Kozelek went to the Greek Theatre in Berkeley to watch Gibbard play with The Postal Service before proceeding to have a mental breakdown.

Runner-up: PPL MVR

This second-place honor goes to SNWBLL after the band had to cancel its performance at Bottom of the Hill due to some unfortunate bladder issues.


The Black Ryder

Most Likely to Inspire 2015 Festival Fashion: The Black Ryder

Dark, brooding and beautifully tragic. Beyond the torrid love affair story and musical diatribe to accompany the duo of Aimee Nash and Scott Van Ryper, the band embodies its self-proclaimed “Rhinestone Drone” sound into a wicked wardrobe, guaranteed to materialize on the proverbial polo fields across the nation this summer.

Runner-up: Bestie

The Vancouver outfit brought some creativity to the merch table with fun and functional band gear, such as koozies and friendship bracelets, as you can see here via Instagram.

https://instagram.com/p/zjwd2OJ5-G/


Kindness

Most Bar-Raising Performance of the Festival: Kindness

“(Adam) Bainbridge grabbed one audience member’s cell phone out of its hands and filmed himself as well as the crowd with it at one point, elevating the crowd-interaction a notch. He sang from on top of the bar at stage left, walked into the crowd with his mic and made a huge lap while singing to individuals in the audience to end the night.”

Read the full review here.


Dan Deacon

Act Most Likely to Prompt a Mind-Altering Freak Out: Dan Deacon

“Layer upon insane layer of sound interprets into harmonious infectiousness, a feat that hints at an intersection of mathematical and creative genius. The guy takes all sorts of frequencies and cross sections of genre elements and composes it all together into a crescendo of weird, atypical pop. And by weird, I mean the very good kind of weird.”

Read the full review here.


Holly Herndon

Runner-up: Holly Herndon

“People laughed nervously as a slow burn of glitch sounds began to emerge, and before you knew it, her browsing gave way to an interactive, virtual world featuring two-dimensional cutouts of people floating about while strategically-placed cameras around the room recorded and projected images of the crowd, usually catching them unexpectedly on their phones, on two adjacent screens.”

Read the full review here.


Surfer Blood

Most Entertaining Attempt at a Cover Song: Surfer Blood

These guys covered “Hey Sandy” by Polaris, aka the theme song for “The Adventures of Pete & Pete.”

Runner-up: Girrafage‘s rendition of Miley Cyrus’ “Party in the USA”


Caribou

Most Likely to Be Headlining Future Festivals: Caribou

Absolutely destroying two back-to-back, sold-out nights at The Fillmore, Caribou’s live show is currently on a world tour, hitting all of the largest festival stages in its wake. We unanimously believe that this act will be one of the biggest of 2015 and are keeping our fingers crossed that they will be filling the empty spot in their August tour schedule with a stop at this year’s Outside Lands Music Festival.


Flight Facilities

Runner-up: Flight Facilities

“… to consider booking this lineup on a ‘school night’ at a venue with a max capacity of 1,424 people was a pretty bold call. Subsequently though, it was also one that paid off in easily the largest dance party of the festival.”

Read the full review here.


Les Sins

Most Likely to Break the “Local Music” Barrier: Les Sins

“Intermingling his own material with disco classics, 90’s pop jams and dirty trap beats, Bundick had the crowd on fire and easily could have prolonged the party well into the after hours had there been the option to do so.”

Read the full review here.

Geographer

Runner-up: Geographer

With a doctored lineup and powerful new songwriting approach, Mike Deni has taken full reign of the band’s beloved history of material and is moving forward into bold, uncharted territory — a leap of faith that just might cover the extra ground needed to penetrate a mainstream audience.


SF Shows of the Week // GO4FREE to TV Girl, Les Sins, Mystery Skulls or Kindness at Noise Pop 2015

TV Girl, Le Sins, Mystery Skulls & KindessWritten by Molly Kish //

We got your tickets to six of the top featured shows at Noise Pop 2015.

But first, make sure to read our festival guide so you get the most out of San Francisco’s essential 12-day indie fest.

Win a pair of free tickets to one of our Shows of the Week by entering your name and email below.

Contests for all weekday shows end at 3 p.m. on the day of show. Contests for all weekend shows end at 3 p.m. this Friday.




The Black Ryder: February 24th (TUE) @ Rickshaw Stop // BUY TICKETS
Celebrating the release of their brand-new album The Door Behind the Door, Australian “rhinestone drone” outfit The Black Ryder make their only Bay Area tour stop during Noise Pop 2015. Detailing their recent break-up and writing process throughout the record, Aimee Nash and Scott Von Ryper bring their psychedelic ocean of hypnotic noise to Rickshaw Stop on Tuesday night.

Contest ends this Tuesday at 3 p.m.




TV Girl: February 25th (WED) @ Brick & Mortar Music Hall // BUY TICKETS
Trung Ngo and Brad Petering first called attention to themselves as TV Girl in 2010 after the release of their critically-acclaimed single “If You Want It” featuring a Todd Rundgren sample, which got them into a small copywrite debacle with Warner Music Group. Taking the high road, the twosome went on to release their material independently and absent of much Internet presence, managed to book several tour dates, including one at South by Southwest, and produce various EPs, a mixtape and a full studio album entitled French Exit.

Contest ends this Tuesday at 3 p.m.




Eleanor Friedberger: February 26th (THUR) @ Brick & Mortar Music Hall // BUY TICKETS
Frontwoman of the Fiery Furnaces and acclaimed singer-songwriter, Eleanor Friedburger brings her Personal Record to Brick & Mortar Music Hall on Thursday night. Channeling the golden age of California rock ‘n’ roll, Freidburger draws influence from her 70’s idols, dictating a narrative that is both personal and universally relate-able. Paying tribute to the sun-tinged pop aesthetics of timeless classics penned by her predecessors, she brings a modern flare to the classic rock formula, creating a sound that is romantically vibrant, unequivocally defined and truly her own.

Contest ends this Wednesday at 3 p.m.




Les Sins: February 26th (THUR) @ The New Parish // BUY TICKETS
Side project of chillwave ambassador and Toro Y Moi frontman Chaz Bundick, Les Sins was born from a series of 12” records Bundwick released on independent record labels Carpark and Jiaolong as “just another way to make weirder music without alienating TYM fans”. Offering a creative outlet for Bundick to experiment electronically, Les Sins spawned further obscure productions in addition to several alternate monikers, a tour CD-R, singles, collaborative interactive albums and a full length entitled Michael released on Bundick’s very own Company Records in November. Here is your chance to check out this talented renaissance man “work” it out at The New Parish.

Contest ends this Wednesday at 3 p.m.




Mystery Skulls: February 26th (THUR) @ Mezzanine // BUY TICKETS
Dallas native Luis Dubuc formed Mystery Skulls in 2011 after departing former project The Secret Handshake, packing up his belongings and officially setting up shop in Los Angeles. There, he refined his synthpop sound, released his four-song, self-titled EP and has been operating full steam ahead under his new moniker ever since. Opening for Flume and working alongside Chromeo, Avicii and Yeasayer at sold-out venues and festivals throughout Southern California, Mystery Skulls caught the attention of Warner Bros., signing a record deal with them, and in the meantime, is now working with Nile Rogers and Chic on their upcoming album while also producing his own full-length debut. Don’t miss him Thursday at Mezzanine with Blackbird Blackbird opening.

Contest ends this Thursday at 3 p.m.




Kindness: February 28th (SAT) @ Mezzanine // BUY TICKETS
Solo project of singer Adam Bainbridge, Kindness has become synonymous with a type of musical exploration focused on found work, sound sources and collaborations, all meant to branch out from atypical pop music into various mediums and creative fields. Winner of the Eric James Johnson Memorial Fellowship award while attending the Philadephia Institute for Advanced Study, Bainbridge credits his work to the “natural and verifiable magic”, of real interactions with fellow artists and contributors to his work. Playing a unique live show this Friday at Mezzanine, he’ll be performing with a full band usually saved for his festival dates and special one-off tour stops. You’ll want to catch this rare and extremely exceptional festival highlight.

Contest ends this Friday at 3 p.m.


Win-2-Tickets

Pick the show you would like to attend from the dropdown, then enter your name (First and Last) along with your email. If you win a contest, you’ll be notified on the day the contest ends (details above).

Like Showbams on Facebook, follow Showbams on Twitter and follow Showbams on Instagram. Subscribe to our social channels for a better chance to win!

CONTEST CLOSED.

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Milky Chance packs Rickshaw Stop for SF debut

Milky ChanceBy Justin Yee //

Milky Chance //
Rickshaw Stop – San Francisco
October 23rd, 2014

Milky Chance made their SF debut this past Thursday to a sold-out crowd at the Rickshaw Stop. Though the German duo was booked as an opener to Chris Malinchak for POPSCENE’s weekly club night, it seemed apparent that the majority of people in attendance were not there for the headliner. In fact, as soon as Milky Chance hit the stage, they were welcomed with such a loud roar and applause that one would be convinced they were the main event.

Vocalist/guitarist Clemens Rehbein and DJ/drummer Philipp Dausch make up the band. Playing their mix of folk-, reggae- and electronica-influenced pop music, or “folktronica” as I’ve heard some people call it, they had the crowd bouncing to their beats and singing along to tracks from their recently released debut album Sadnecessary. In between songs, the two did not say much, as it seems like they are still learning English. However, based on their expressions and body language, the two looked surprised by how many fans were there and knew their songs.

Milky Chance

They closed with hit single “Stolen Dance”, which had the crowd going nuts — so much so, that they came out for an encore, something I’ve never seen an opening band do before. They finished off a top-notch set with “Down By the River” and walked around the stage giving high fives as they soaked in the cheers from the crowd.

The duo will be returning to SF on April 14th-15th to play The Regency Ballroom on their own headlining tour. So, if you missed them this time around, get your tickets now because those are sure to sell out.

Milky Chance

Milky Chance

Milky Chance

Milky Chance

Milky Chance

Milky Chance

Milky Chance

WIN TICKETS: Hudson Mohawke at Rickshaw Stop 5/30 (FRI)

hudson-mohawke_post

Enter to win a pair of free tickets to this sold-out show below.

Hudson Mohawke with DJ Dials
Rickshaw Stop — San Francisco
Friday May 30th, 2014 //

You’ve likely heard the blistering production work of Hudson Mohawke, even if you aren’t aware of it. This Scottish-bred prodigy has been making waves since the tender age of 15 in his native homeland before catching the attention of some heavy hitters in the industry. HudMo cut his teeth in the underground scene, smashing barriers and pushing the envelope before being picked up by Warp Records, and later Kanye’s G.O.O.D. Music. Before this all, he was involved with the formation of a massively respected label, LuckyMe, alongside visionaries like Martyn. Basically, the guy is light years ahead of the curve.

He has collaborated with a cornucopia of the 21st century’s most forward-thinking beat producers including Rustie, Lunice (as TNGHT) and Mike Slott (as Heralds of Change), pushing him into the upper echelon of coveted producers that many MCs hope to work with. You may be familiar with his furious work alongside Daft Punk in the production of Kanye mega-hit, “I Am God”. With a rap sheet that makes most producers envious, Mohawke has decided to grace San Francisco with a rare, solo show in a rather intimate space, the Rickshaw Stop. Local badman, DJ Dials will offer support to this sold out evening of progressive futurism.

This show is sold out! Enter below for a chance to win.


Win-2-Tickets

Enter to win if you can attend this show Friday, May 30th at Rickshaw Stop in SF.

Submit your full name and email address below.
Contest ends Friday, May 30th at Noon. Winners will be picked at random & notified by email. Your email will be kept private – we will share your email with no one.

Like Showbams on Facebook and follow Showbams on twitter to win.

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SF Beer Week Events + Close Shows = Best Week of the Year!

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For beer lovers, San Francisco Beer Week is one of the finest weeks of the year. Okay, let’s be honest: It IS the best week of the year! So how can we make the best week of the year even better? By combining primo beer week events with great music.

These tastefully selected pairings have been curated specifically with the intention for you to enjoy a unique beer week offering and follow it up with a show within walking distance. That way, you can (responsibly) enjoy all the libations of your choosing and make it to the show safely. Beer will be flowing like the salmon of Capistrano all over San Francisco from February 8th through the 16th, and here are my picks for perfect beer and music matches:

Delorean

Date: Sunday, 2/9
Show: Delorean @ The Independent
Beer: Barleywine Night @ Noc Noc
Distance: 13 minute walk

Our first night will find you at the Noc Noc for their Barleywine night. If you’ve never had a barleywine, they’re big, bold, fruity, intense, and very high in alcohol. Sounds great, right? Noc Noc will be serving five in particular from Northern California Breweries, including Marin Brewing’s Old Dipsea and Sierra Nevada’s Barrel Aged Big Foot (don’t miss this one). When you’re done you can walk 13 minutes up Haight and down Divisadero to the Independent where you can hit Delorean. They’re a four piece combining dance music and indie pop who had to cancel their last show at the Independent due to being kidnapped in South America. Let’s hope they make it safely to the show this time. Hopefully everyone else that goes to Noc Noc makes it to the show safely, too, because I have my doubts after all that barleywine.


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Date: Tuesday, 2/11
Show: Hospitality @ Rickshaw Stop
Beer: Oskar Blues Night @ The Beer Hall
Distance: 4 minute walk

If you’re in the mood for infectious indie pop and heady northern Colorado brews, buy your tickets for Hospitality right now (only $10!). The Beer Hall is hosting this stellar lineup of forward-thinking Oskar Blues and it’s only a four minute walk to Rickshaw Stop. Oskar Blues have been a pioneer in the craft canning movement, and for good reason. Cans are lighter (cheaper to transport), impermeable by light (stays headier longer), more easily recyclable, and they get cold faster. There won’t be any cans here though, as the offerings will be on tap, starring Oskar the Grouch (smoked IPA), Merlow BA Chaka (Belgian Strong Ale), and Old Chub ON NITRO. At the Rickshaw you’ll be ready to ingest Hospitality, this peppy stripped down trio has been on the rise for over a year now.


Coronado

Date: Wednesday, 2/12
Show: Boombox @ The Independent
Beer: Coronado Brewing Takeover @ Noir Lounge
Distance: 7 minute bus ride

Get your groove on and dance for a couple hours with Boombox at the Independent. Slinky, sultry, sexy strutting beats await you after your trip to the Noir Lounge for Coronado Brewing’s Tap Takeover. This California mainstay has been impressing craft beer lovers for a few years now but only recently has the brewery seen more of a national exposure. One sip of their Idiot IPA and you’ll realize why. Give it a try along with all of the other selections and then step on the 21 for a 7 minute bus ride up Hayes to the Independent.


Sierra-Nevada

Date: Friday, 2/14
Show: Blackalicious @ Slim’s
Beer: Sierra Nevada 62 Tap Takeover @ Zeitgeist
Distance: 13 minute walk

If you’re in the mood for some hip hop, Blackalicious is a must see on this Friday Valentine’s Day. It may not be the best for getting your romantic vibe on, but it’ll be great if you want to dance and shake your ass. And what else is better than shaking your ass with that special someone? Shaking your ass AND drinking beer! I’m straight up befuddled by the beer week listing this night at Zeitgeist: Sierra Nevada SIXTY-TWO TAP TAKEOVER. That’s not a typo. I was never even aware that they had 62 unique beers. We’ll see if this is some tomfoolery on 2/14. If it truly is 62 beers, you’d better believe the place will be loaded with hard to find rarities from the cellar. Supposedly they’re tapping the “extra special” kegs in the later afternoon/early night time, so if you hit this event before before you head to Slim’s you’ll be in good standing to sip on the best the brewery has to offer.


Bonus Pick!!!Because I have extra love for Valentine’s Day.

Date: Friday, 2/14
Show: Quilt @ Bottom of the Hill
Beer: Beer Tasting + Sweets @ Blueprint Tap Room
Distance: 15 minute walk

Maybe some gentle psych rock is more your style on the country’s most romantically manufactured holiday of the year. Quilt has made a big impression lately with their pseudo-sixties revival indie rock. While sometimes soothing in its swaying pop melodies, on occasion it necessitates a full-body psych rock freak-out. Blueprint Tap Room is doing a dessert and beer pairing that is making my mouth water as I type this. Coffee and chocolate bread pudding with salted caramel sauce will be paired with Anderson Valley’s fantastic Bourbon Barrel Stout, and olive oil citrus cake will be paired with Buzzerkeley’s Belgian Strong Pale Ale. And there are more pairings. There are also a wide variety of West Coast breweries being featured, such as Deschutes, Ninkasi, Lost Abbey, Ballast Point, Green Flash, and Calicraft. When it’s beer week, these guys and gals don’t come unprepared. There will be some really great beer getting tapped here.


Midnight-Sun

Date: Saturday, 2/15
Show: Jerry Garcia Band featuring Melvin Seals @ Great American Music Hall
Beer: Midnight Sun Brewery @ Amsterdam Cafe
Distance: 3 minute walk

Any night with the Jerry Garcia Band feat. Melvin Seals ends in a sweaty tired mess, and it’s great. It’s so soulful and cathartic that you’ll feel like you’re at church, but with only half the guilt. Midnight Sun is a brewery from Alaska that you may not have heard of, but they have been on point for years now. I’ve only been largely impressed with everything I’ve tried from them, and this beer lineup looks to be stacked with special releases. They’ve got a dark strong ale with spices and chilies, oak-aged T.R.E.A.T. (imperial chocolate pumpkin porter on nitro), and XXX-Black Double IPA. This pair is sure to impress – you’ll be having fun all the way through the midnight moonlight!


Cloud Control blow through Rickshaw Stop

Cloud ControlPhotos by Kory Thibeault // Written by Kevin Raos //

Cloud Control with Body Parts, Wild Ones //
Rickshaw Stop – San Francisco
January 21st, 2014 //

Cloud Control blew through the Rickshaw Stop last Tuesday, performing a fully immersive show to a small, but dedicated crowd. Supported by Body Parts and Wild Ones, fans who stuck around late on a weeknight were rewarded with a whimsical, yet vociferous, set from a promising young group of rising stars in the indie scene.

The synth pop rockers from Australia demonstrated a polished sound that was spearheaded by the vocal intertwining of Alister Wright (guitar, vocals) and Heidi Lenffer (keyboards, vocals). It’s hard not to draw comparisons to Tame Impala, in that their psychedelic blend of synth rock will put you in a trance one moment and then jolt you awake with their unabashed force of rock and roll the next.

With only two albums under their belt, Crowd Control played a heavy dose of tunes off of their latest record, Dream Cave (2013). The show began the same way as the album with the 1-2 combo of “Scream Rave” and “Dojo Rising.” The band went on to play nearly everything from their new album while sprinkling several songs from their 2011 debut album Bliss Release.

The musical highlight of the evening was “Gold Canary,” when in the middle of the song they segued into the classic Butthole Surfers song “Pepper” and then back into “Gold Canary.”

To say it was loud on Tuesday would be an understatement. The Rickshaw Stop likes it loud, but this was one of the loudest shows I have been to. It was impossible not to be fully inundated by the sheer mass of sound barreling into the crowd.

Cloud Control has made a name for themselves in Australia and slowly the American audience is catching on. The potential is there for Cloud Control to get big in a similar vein as Tame Impala or M83. Jinx. They demonstrated an impressive ability across the spectrum of music, quiet at times and vehemently deafening at others. Cloud Control is definitely a band to keep an ear on as I would not be surprised to see them appearing on some festival lineups after their European Tour.

Word isn’t out about Cloud Control yet, but that could soon change.

Setlist:
Scream Rave
Dojo Rising
Island Living
This Is What I Said
Happy Birthday
Meditation Song #2 (Why, Oh Why)
Moon Rabbit
The Smoke
The Feeling
Promises
Gold Canary > Pepper > Gold Canary
Ghost Story
Scar
There’s Nothing in the Water We Can’t Fight

Encore:
Dream Cave
Death Cloud

PHOTOS: Mutual Benefit at Rickshaw Stop 1/25

Mutual-Benefit4

By Pedro Paredes //

Mutual Benefit with Dan Casey and Dim Peaks //
Rickshaw Stop — San Francisco
January 25, 2014 //

Last Saturday night, Hayes Valley’s Rickshaw Stop saw an unusual transformation, and thanks to the warmth of Mutual Benefit’s debut LP, Love’s Crushing Diamond, it metamorphosed from a brick and mortar venue into a mother’s undisturbed womb, as Jordan Lee’s gentle voice transported us back in time to a place where ‘we aren’t meant to be afraid‘.

The transformation didn’t last long — Mutual Benefit is a young band with only one LP equipped with seven awe-inspiring songs — but it was enough to make you listen, as it’s message is delivered in the form of a crushing diamond, sticking deep, hard to shake off: there’s always love, even when there’s no love to give.

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Rickshaw-Stop

John Newman’s gospel essence impresses at Rickshaw Stop

John-Newman1Photos by Marc Fong // Written by Nikki de Martini

John Newman
Rickshaw Stop – San Francisco
January 16, 2014

A mature crowd got to the 18 and up weekly club event Popscene early to secure their spot to see 23 year old, multi-talented singer/songwriter/producer John Newman January 16th.

And with good reason.

Every stop of the US tour in support of his debut album Tribute sold-out, including San Francisco. So, needless to say, after waiting over an hour, SF fans were ready for the show to begin.

John-Newman

Focus swiftly shifted to John Newman as he appeared on stage moments after the band and two back up singers preluded the gracious title track, “Tribute”.

A powerful, gospel like essence swelled prominently as respectful cheers from the crowd gave way to an admirable vibe throughout the venue.

Belting out each soulful ballad track with an effervescent, angelic swagger, John Newman undeniably dominated throughout the performance while simultaneously letting his well-orchestrated band shine.
 
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While the set did include the smash single “Love Me Again”, which was introduced on an earlier EP, Newman noted himself it was all about Tribute. The young, talented artist thanked fans for making it happen.

As this leg of the Tribute tour continues on with sold-out shows across the States, John Newman’s popularity rightfully, continuously grows.

Another 13 shows were announced last week: starting March 27th at the 9:30 Club in DC all the way to The Doug Fur Lounge in Portland Oregon on April 18th!

Sound good? Get your tickets for John Newman at the Independent April 14 before they sell out, too.

St. Lucia treat POPSCENE patrons at Rickshaw Stop as full-length debut nears

St.-Lucia

St. Lucia (aka Jean-Philip Grobler) and his live backing band commanded the weekly Thursday night Popscene stage at Rickshaw Stop in San Francisco September 12. Playing to a sold-out crowd of rambunctious party people, the Brooklyn-based group kept the energy high with layered percussion and dance heavy anthems.

Jean-Philip Grobler’s vocals bellowed throughout venue, echoed by a crowd stacked high upon each other’s shoulders, coming close to swinging from the proverbial rafters. In order to even get a chance at some personal space to enjoy the show, one had to retreat to the upstairs loft, which was packed in itself. St. Lucia had the room buzzing, culminating in an off the charts dance party which easily could have filled a space double the size of the intimate venue.

St.-Lucia

St. Lucia’s band dynamic and infectious charisma spilled over into the crowd from the opening notes of their set. The group predominantly playing songs off the 2012 self-titled EP, and many in the audience sang and danced along with every track. Limited on material to cover at this point, the band stretched nearly every 4 to 6 minute song into extended dance floor frenzies. Grobler and company kept the crowd involved and entertained every minute of their performance with creative improvisation and an eccentric stage show.

Hinting at the soon to be released album, When the Night, due out next month, St. Lucia treated the crowd to an awe-inspiring performance of “Elevate” towards the end of the set. This is first single released off of the full length slated to drop October 8th, and crowd members reacted enthusiastically to the new material — a few even screaming out within earshot, “I fucking love this song!”


Download “Elevate” here.

Rickshaw Stop has been a venue to catch talent on the rise within the independent music scene for a while now. Clever booking and the success of their many curated evenings, including their regular Thursday installment of Popscene, play a major role in exposing many new artists to passionate young auditory pleasure seekers in the Bay Area. St. Lucia has gained enough traction at this early stage of his career to sell out much larger capacities, and it’s nights like this that truly resonate amongst music fans. A shear testament to what undoubtedly will be a successful full length debut while providing fodder for subsequent live shows going forward, St. Lucia’s performance at Rickshaw Stop was a special moment for both the band and fans alike.

Smallpools bring summer anthems to Popscene, their first California show

Smallpools-Popscene-August-8Nikki de Martini // Sweet Sound Bites

SF music fans were in for a treat at the Smallpools Popscene show August 8, as the Jersey foursome made their debut California performance. That could explain why Smallpools’ singer, Sean Scanlan, seemed a little nervous at the start of the show — and maybe it was the fact that the show was sold out and the group just started touring in July.
 
After a short-lived technical hiccup as they situated on stage in front of an eager, young and (always) trendy packed house at Rickshaw Stop, the band dove right into the set with “Mason Jar”, the second track off of their self titled EP.  Any nerves Smallpools may have had went away as the band’s laid-back coolness took over. The buoyant audience was already in the groove, dancing and having fun as Sean, Mike (guitar) and Joe (bass) continually connecting with SF fans.

Laughing about being stuck in Costa Rica when they created the “islandy” track “Over & Over”, the guys have a way of making you feel like you’ve been friends since way back when. Their bountiful, insightful banter about needing to get to work on their much needed (not to mention highly anticipated) LP resonated well with the excited crowd.  
 
Since the four tracks off their debut EP are their only released material, it made sense for Smallpools to cover a song or two to beef up their set list. The cheerful riff to the New Radicals’ hit “Get What You Give” was a great fit for the LA 4-piece indie-band’s mellow vibes. The song also served as the best build up for the song everyone was waiting to see live — this summer’s anthem, “Dreaming”.

Popscene burst with enthusiastic applause, breaking out into a full fledge dance party as Smallpools played their smash hit single — they definitely ended the night on a high note!


 

Best live music venues in San Francisco // Bay Area

Photos by Sam Heller, Marc Fong, Maggie Corwin, James Nagel & Mike Frash

Photos by Sam Heller, Marc Fong, Maggie Corwin, James Nagel & Mike Frash

San Francisco is one of the best live music cities in the world — if an act is touring the western United States, they will most likely swing through SF. Packed into 7×7 square miles, the City by the Bay offers some kind of concert nightly. The East Bay, Oakland and Berkeley, respectively, is home to a growing number of live music options as more and more folks flee the City for better living costs.

Here are the best places to catch a show in or near San Francisco.

The-Independent

The Independent

628 Divisadero St. San Francisco, CA 94117
View Current Show Listings

What To Expect: The Independent boasts the best sound, artist curation and lighting in the Bay Area for any room close to it’s 500-person max capacity — and you can count on 3-5 shows per week. It’s a great venue to catch artists on the rise from virtually every music genre, and already-established groups such as Phoenix, Green Day, TV on the Radio and Band of Horses have performed at this intimate musical oasis.

Best Features: The general admission venue is a conveniently-shaped square; no matter where you watch the show, the sound is stellar and you can see what’s happening on the lifted stage. The staff is professional, friendly and drinks are easy to procure. The Independent is simple and perfect, an ideal platform to witness bands and DJs live before they get bigger.

Drawbacks: Bring earplugs and sunglasses if sensitive to sound and light. Arrive early to secure a parking spot if driving — if possible, take public transportation and grab a drink nearby before the show. Get there when doors open if you need a seat.

The-Fox

Fox Theater – Oakland

1807 Telegraph Ave. Oakland, CA 94612
View Current Show Listings

What To Expect: Fox Theater Oakland is a premium, large theater-style venue with a general admission floor and sizable, assigned-seated balcony overhead. The renovation of this historic site was masterfully achieved in 2009, conserving the stellar artwork and design features.

Best Features: No expense was spared in this renovation. Cool air rises from hundreds of vents in the floor, keeping attendees comfortable. The multitude of bars are fully staffed and efficient.

Drawbacks: In order to accommodate BART travelers, the venue has a pretty strict curfew, with shows ending well before midnight.

The-Fillmore

The Fillmore

1805 Geary Blvd. San Francisco, CA 94115
View Current Show Listings

What To Expect: The Fillmore is nondescript from the outside, but a classic gem once you enter and climb the stairs. Expect a warm welcome, a selection of free fresh apples in the tradition of Fillmore founder Bill Graham and a free poster of the evening’s show (if the event sold out three weeks in advance usually).

Best Features: A large general admission floor area (1,200 capacity), surrounded by adult-beverage facilitators, is overshadowed by the venue’s iconic chandeliers that add a touch of sophistication to any affair. There is an additional saloon upstairs with ample seating away from the stage, and live acts will perform here on occasion before and during the opening act. Also, be sure to head upstairs to view previous show posters.

Drawbacks: If having a seat is on the agenda, arrive early and head for the poster room. Snag a seat and cozy up to the balcony rail for the best view in the house, but the best sound can be found on the floor.

*Bonus Venue: The BooM BooM RooM across Geary Blvd. is an excellent place for a pre-show martini and to keep the party going once The Fillmore has wrapped for the evening. This room focuses on jamming into the late night, often until 4 a.m.

Great-American-Music-Hall

Great American Music Hall

859 O’Farrell St. San Francisco, CA 94109
View Current Show Listings

What To Expect: This historic space has been a beloved jewel for live music for well over 100 years, able to house some 600 attendees on any given night. As SF’s oldest nightclub, the Great American Music Hall can transport music fans to a more elegant era with its ornate balconies, soaring marble columns and elaborate ceiling frescoes.

Best Features: The Great American features a great variety of acts over the year and offers something for everybody. The space, sound and staff are top-notch. Opt for dinner and a show (quick tip: the food is great) to secure a seat on the balcony rail upstairs.

Drawbacks: The location is rather central to many areas of the city, though it’s not the safest in the the City. The venue’s lights are rather basic, but they aren’t needed in a room with such grand decor.

The-Greek

The Greek Theatre – UC Berkeley

2001 Gayley Rd. Berkeley, CA 94720
View Current Show Listings

What To Expect: A seasonal venue from the Spring to the Fall at the top of the UC Berkeley campus, The Greek Theatre can pack 8,500 folks into their popular, yet infrequent concerts. Constructed after the ancient Greek theater of Epidaurus in 1903 and listed on the National Register of Historic Places in 1982, this space often inspires magical performances.

Best Features: The sound from within the bowl provides incredible acoustics, but get there early for a spot in the seated steps or within the pit. If all seats are taken, get closer and stand in the general admission area as close as possible for a memorable live music experience.

Drawbacks: Don’t retreat to the grass — the magic is lost outside of the main bowl area. Getting to the venue (and back) requires walking up the campus, or driving to the top. Parking near the theater also means it will take forever to leave, and it will cost you $20 or more. Give yourself plenty of time and plan on walking. Shows won’t go past 11 p.m. due to the campus’ curfew, and be sure to head to the top of the grass for the quickest bathroom lines.

The-Warfield

The Warfield

982 Market St. San Francisco, CA 94102
View Current Show Listings

What To Expect: A 2,300-capacity theater located on Market Street, The Warfield beckons a near century-long history as a premier downtown music venue. Ornate gilding and details are found throughout this lovely space, and a recent renovation upgraded many areas in need of a little help.

Best Features: The tiered floor has become a staple for California mid-size venues like The Fox in Oakland and The Wiltern in Los Angeles, allowing an array of sight-lines for attendees. It’s in an easily accessible location with decent bars and restaurants within proximity.

Drawbacks: Mid-Market is trying to revive itself from a once-peppered history. Similar to many other “overhang” theater venues, the sound can leave a bit to be desired if in the middle or back of the general admission floor.

Bimbos 365 Club

Bimbo’s 365 Club

1025 Columbus Ave. San Francisco, CA 94133
View Current Show Listings

What To Expect: Bimbo’s 365 Club, located on the fringes of North Beach, offers one of the most unique live concert settings in SF. Red velour curtains and exquisite details lend to an entirely classy experience in this 685-capacity, theater-like live performance space.

Best Features: It’s not like any other venue in the City in regards to location and style — side rooms and bars create an ideal pre-show place to socialize and imbibe. The low stage creates an intimate atmosphere with the limited acts that grace the stage over the year.

Drawbacks: The North Beach location is not the easiest venue to reach in comparison to others, and the booking leaves much to be desired as folks love this space.

Rickshaw-Stop

Rickshaw Stop

155 Fell St. San Francisco, CA 94102
View Current Show Listings

What To Expect: This recent hot-spot hosts many up-and-coming indie acts bursting onto the scene before they graduate to larger rooms. Expect a hip crowd sipping on strong drinks in a no-frills room, enjoying heat-seeking artists from across the globe. Shows start late, even on weekdays.

Best Features: Rickshaw Stop has very dynamic booking, bringing in all sorts of parties to utilize this Civic Center area venue. The bar is efficient for a small-ish room that can fill up nicely, but not overly.

Drawbacks: It’s basically a long narrow room with a small “balcony”, therefore sight-lines can be rough for those who are vertically challenged on the main floor.

Mezzanine

Mezzanine

444 Jessie St. San Francisco, CA 94103
View Current Show Listings

What To Expect: Mezzanine specializes in up-and-coming club scene shows, hosting DJs from all over the world and bands that incorporate electronic elements into their music. Expect young people ready to party in a rectangular room that can hold up to 1,000 people.

Best Features: DJs will perform on the ‘side stage’, cultivating a dance-centric environment before and after live acts. A great choice for birthdays, bachelor parties and other special occasions, secure a table and bottle service on the floor or in a private area upstairs.

Drawbacks: Ins and outs are not permitted, and it can get a bit crunchy near the front and in the smoking area. Getting drinks can be a challenge during peak times.

Brick and Mortar

Brick and Mortar Music Hall

1710 Mission St. San Francisco, CA 94103
View Current Show Listings

What To Expect: An intimate, square space for live music, Brick and Mortar Music Hall in the Mission hosts concerts almost nightly, and they are always affordable. Rock, bluegrass, funk, soul and many more types of shows go down here.

Best Features: Brick and Mortar has that “neighborhood rock/club” feel — if you are in the ‘front row’, then you are basically on the stage — and it just became the new home of outcast swine-house Bacon Bacon during lunchtime.

Drawbacks: Cash only at the box office. It can get a little tight during capacity shows unless you squiggle to your left against the wall.

The-Chapel

The Chapel

777 Valencia St. San Francisco, CA 94110
View Current Show Listings

What To Expect: The newest venue in the heart of San Francisco’s Mission District, The Chapel opened in 2012 and includes an attached restaurant and bar. The building was originally built as a mortuary, so the funeral home’s Chapel was converted to the music room upon renovation. There is a mezzanine above the floor level of the Chapel for bird’s-eye view observing.

Best Features: The restaurant and bar is brand-new and swanky, and the high ceilings and beams in the formerly sacred space give it a unique, striking feel for live music. More acts are booked with each passing month, and bigger names becoming more frequent too. Artists usually have a rootsy and indie sound aesthetic, but The Chapel recently had their first DJ night.

Drawbacks: It’s a great location for nightlife, but not for parking. The stage is small, and it can be tough to secure a drink at peak moments.

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The New Parish

579 18th St. Oakland, CA 94612
View Current Show Listings

What To Expect: This unique venue has recently sprouted up in the East Bay, and many are taking notice of their recent success. With a courtyard and large, wrap-around balcony, The New Parish offers many options for patrons to get down, watch the act or be social with friends.

Best Features: A plethora of national touring acts are opting to stay east of the bay and hold court in this ever-rising space. Securing a view of the stage isn’t terribly tough with a less traditional venue setup. Proximity to the Fox Theater makes it a popular place to keep the night going.

Drawbacks: The design of the space is unlike any other, and this has a few negatives regarding access to the bar or sound being optimal. It’s in Oakland and goes late, so not great for SF-bound BART riders.

Civic-Center

Bill Graham Civic Auditorium

99 Grove St. San Francisco, CA 94102
View Current Show Listings

What To Expect: As big an open, indoor floor space that exists in the Bay Area (not including arenas), the Bill Graham Civic Auditorium can fit 7,000 people into its vast confines.

Best Features: There’s plenty of floor space — and plenty of seats upstairs if you arrive early enough. The location adjacent to City Hall makes it easy to get to via public transportation. When the Civic Auditorium is packed and full of energy, it comes alive.

Drawbacks:
When the venue isn’t sold out, there’s an empty, hollow feel to live music here. The sound can seriously lack at times, especially from the sides. The best bet is to get in front of the large speaker banks (duh). Some acts, like Phish, bring additional sound equipment to fill out the copious space in the building.

Bottom-of-the-Hill

Bottom of the Hill

1233 17th St. San Francisco, CA 94107
View Current Show Listings

What To Expect: This legendary little rock club at the foot of Potrero Hill has room for 350 partygoers of varying ages. It’s a well-oiled and well-regarded space that breeds lively shows by bands of all sizes and eras.

Best Features: Not exclusively a 21-and-over club, Bottom of the Hill allows patrons of all ages the chance to enjoy a high-energy show in this wacky space. Ample parking, a large smoking section and reasonably priced drinks as well as tickets make it an ideal spot to rock out.

Drawbacks: The booking doesn’t veer terribly far off the path of rock ‘n’ roll. The lights are simple, as one might expect from a venue like this.

Cafe-Du-Nord

Cafe Du Nord

2170 Market St. San Francisco, CA 94114
View Current Show Listings

What To Expect: Walking down the stairs into the main room lends the vibe of a classic speakeasy with red velour and classical seating in the back. It’s yet another historic space to enjoy some fresh artists of the 21st century in an intimate setting.

Best Features: Located rather conveniently on Market Street makes Cafe Du Nord both accessible and flush with pre-show drink options. Cafe du Nord is amazing for the fan hoping to engage with his or her favorite artists.

Drawbacks: The room has an odd shape with a bar, seating and even a pool table in the back, while the front is slightly sectioned off for live music.

Slim's

Slim’s

333 11th St. San Francisco, CA 94103
View Current Show Listings

What To Expect: Slim’s is located in a lively section of SOMA, and the venue hosts a vast array of lively acts for an all-ages crowd with a maximum capacity of 400. A high-ceiling room with few frills makes it a good option for dedicated fans.

Best Features: A large bar makes grabbing a beer or cocktail a snap, and they offer dinner with premium, upstairs seating if that’s your thing. The sound is just fine to accommodate either hardcore punk-rock or some of the Bay’s finest hip-hop.

Drawbacks: Oddly-placed pillars can obstruct attendees’ views and make a sold-out room that much more less appealing.

Public-Works

Public Works

161 Erie St. San Francisco, CA 94103
View Current Show Listings

What To Expect:
Expect two venues in one. Public Works offers a live music space and a separate room dedicated to dance music curated by some of the best DJs around. A separate ticket is needed for each option.

Best Features: The location is pretty central to most of the City. The live venue offers a balcony overhang — get there early for the best spot in the house. The staff is friendly.

Drawbacks: There are a few columns that make the live space a bit cumbersome at times, and the mobility at sold-out shows can be tough.

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The Regency Ballroom

1290 Sutter St. San Francisco, CA 94109
View Current Show Listings

What To Expect: The large, well-worn ballroom with a horseshoe-shaped, wrap-around balcony and teardrop chandeliers can hold plenty of people at The Regency Ballroom. Most shows are general admission.

Best Features: There are plenty of seats to grab upstairs if sitting is a must.

Drawbacks: Shows here are infrequent, and the sound can get drowned out at times by the massive space of the ballroom, especially from the seats. Drinks are priced astronomically.