By Josh Herwitt //
CRSSD Festival //
Waterfront Park – San Diego
March 14th-15th, 2015 //
Music festivals rarely ever run smoothly in their inaugural year. Whether they are poorly timed, disorganized or just not well thought-out, first-time festivals often have their fair share of problems.
But Southern California-based event promoters Goldenvoice and FNGRS CRSSD are quickly changing the game after putting on a nearly flawless first edition of CRSSD Festival at San Diego’s Waterfront Park last weekend.
Bridging the gap between the EDM and alternative electronic worlds much like HARD Events founder and CEO Gary Richards has done with his own festival series, the two-day, 21-and-over event initially caught fans’ eyes with electro-rock bands like Empire of the Sun and Chromeo topping an impressive, dance-oriented bill that also included ODESZA, Flight Facilities, Hot Natured, Classixx, Maceo Plex, Justin Martin, Lee Burridge and Pete Tong.
Then, a month later, CRSSD organizers drew even more attention to the festival when they announced Phase II of the lineup, adding James Murphy, Damian Lazarus & The Ancient Moons and Trippy Turtle to an already stacked list of performers.
And with temperatures hitting the high 80’s on both Saturday and Sunday, CRSSD Festival couldn’t have served as a better warm-up (no pun intended) for Coachella, which, by the way, is only three weeks away.
Here are our awards from the first-ever CRSSD Festival.
Most Epic Set: Empire of the Sun
The Aussie glam-pop giant has been headlining festivals for a while now and continues to do so in epic fashion. Empire of the Sun’s live performance is as much of a spectacle as it is a psychedelic dance party, and when they intertwine the two so fluidly as they did to close out the first day of festivities at CRSSD, they’re able to leave lasting memories for both new and old fans.
Biggest Dance Party: Chromeo
These two childhood friends from Montreal have been igniting dance parties all over the world since dropping their 2004 debut She’s in Control, and while their synthpop sound hasn’t necessarily evolved leaps and bounds over the last decade, they still know how to get a crowd moving, whatever the occasion may be. With the weekend winding down, you could find plenty of festivalgoers all over the grounds grooving to Chromeo’s signature brand of disco funk. We even saw people dancing on their way to the porta potties!
Most Uplifting Set: Classixx
As we found out at Treasure Island Music Festival last fall, LA electronic duo Classixx have come a long way since their early days remixing artists like Phoenix, Mayer Hawthorne and Holy Ghost! Scheduled to play the always-important post-sunset set on the Ocean View Live stage, they stepped up to the challenge and delivered one of the most awe-inspiring shows of the weekend. With their wide range of influences, the sky — especially when it’s tinged orange, red and blue — appears to be the limit for these two beatmakers.
Biggest Surprise: Lido
Quite frankly, we didn’t know anything about Norwegian producer Lido (aka 22-year-old Peder Losnegård) prior to his 4:30 p.m. set on Sunday. Well, maybe we should have. After watching him drop remixes of Bill Withers, The Weeknd and alt-j all while maneuvering between keyboards, electronic drums and a variety of programming equipment, we were thoroughly impressed with this young stud’s skills. Oh, and his pipes aren’t shabby either.
Best Stage Visuals: ODESZA
The Seattle production duo has been on fire of late, and its Sunday night set was easily one of the most anticipated of the weekend thanks to the release of its second full-length album In Return this past September. While “Say My Name” has taken the airwaves by storm over the last few months, it was their stage visuals that really stood out. Artistic and abstract at the same time, you couldn’t help but stare at the huge LED screen directly behind Harrison Mills and Clayton Knight as they worked their magic on us.
Most Enthusiastic Performance: Robert DeLong
Is there a more entertaining live performer in dance music right now than Robert DeLong? Whether he’s singing or banging away ferociously on the drums (his stage setup includes both acoustic and electronic), the 29-year-old Washington state native is one of the most animated acts in electronic music. Fusing house, moombahton and a handful of other EDM sub-genres into his Sunday afternoon slot, he showed an enthusiasm unparalleled to any other artist on the CRSSD lineup.
Best Guest Performance: Flight Facilities
Since their inception in 2009, Australian production duo Flight Facilities have continued to soar by dropping new singles year after year. Exceeding all expectations at The Regency Ballroom in San Francisco during Noise Pop 2015, they arrived at CRSSD on Sunday night and didn’t disappoint, employing guest vocalists like Brooke Addamo (aka Owl Eyes) to engage the crowd and supplement their disco-house grooves.
Most Under-Appreciated Set: STRFKR
Portland electronic quartet STRFKR have been going strong for more than eight years now. With four studio albums to their name, Joshua Hodges, Shawn Glassford, Keil Corcoran and Patrick Morris have continued to build on their synth-heavy sound. Unfortunately with DJ Harvey and Thomas Jack playing sets on the festival’s two other stages at the same time, STRFKR’s rather fun and upbeat performance on Saturday went relatively unnoticed.
Sexiest Stage Presence: Goldroom
We unexpectedly caught Goldroom at Lightning in a Bottle a couple years ago, so we were already familiar with Josh Legg’s breezy, chilled-out arrangements. But somehow we did forget how sexy Mereki Beach can be when she takes over the mic, as she strutted her stuff in her shiny kicks midway through Goldroom’s Saturday afternoon set. With Legg getting the live band back together, fans of the LA-based act should be seeing a lot more of Beach.
Most Mysterious Performance: Slow Magic
One of the biggest enigmas in electronic music these days is the man behind a Technicolor wolf mask. While his identity still remains unknown to most, his fans know him best by his stage name Slow Magic (read our review of his SF show from the fall). Though a small, yet passionate crowd assembled for his early-afternoon set on the main stage Sunday, you had to feel for a guy wearing a mask and playing drums in almost 90-degree heat.
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With perhaps the most appropriate name for musical act on the planet, Massive Attack capped Treasure Island Music Festival 2014 in stunning fashion. With a balancing act of bass-infused downtempo brilliance highlighted by Martina Topley-Bird’s singing and industrialized synth-stabbing electronic pieces, a range of emotion is achieved for the listener. With contrasting tempos and a duality of tranquility then intensity, a cause-and-effect narrative starts to take shape — especially when paying attention to the video elements of the intense songs. “United Snakes” left nothing to the imagination with its barrage of corporate logos and national flags. It appeared the expanded duo slipped in one frame of a Ferris wheel, reminding us that yes, us consumers at TIMF, the only U.S. festival Massive Attack played on this tour, are part of the system. “Future Proof” visuals stripped out rows of zeroes and ones, using the simplicity of computer code to inspire multiple paths of thought, especially while absorbing this show in the Bay Area. And Tunde Adebimpe from TV On The Radio joined in for “Pray For Rain” for the grand finale.
It’s almost the end of the biggest reunion tour in decades, and TIMF patrons were lucky enough to witness one of OutKast’s last shows. The Bridge Stage was more packed in than any show in memory, and festivalgoers outwardly had more fun compared to performances from past years. The set was perfectly paced, with André 3000 seemingly having a fun time — an important part of the equation compared to Big Boi’s rock-steady appearances throughout 2014. The guys gave shout-outs to Casual and The Misfits in the “local love” part of the show, and “Roses” (including a half-hearted apology for the “crazy bitch” outro) once again was one of the highlights. The set ended at least 20 minutes before the scheduled end of the day, emptying a large percentage of patrons into the shuttle line at the same time — there were some reports of people not making it back to SF until 2 a.m.
TVOTR gave one of the best sets of the weekend with their wonderful mix of slow burners, dance-punk blasts of energy along with three new songs: “Happy Idiot”, “Careful You” and “Could You”. The latter two were particularly impressive and fit perfectly into the band’s catalog. A couple other notes on the show: producer and multi-instrumentalist David Sitek now looks like Bono, Kyp Malone is still professionally chill and Tunde Adebimpe continues to be offended when listeners don’t give him full attention. After completing “Wolf Like Me”, wherein the TI faithful went nuts, the lead singer said that he couldn’t believe he saw someone leave during the song. Agreed Tunde, and we’re looking forward to the forthcoming record.
Chet Faker had the crew bring out a huge bass speaker to put directly behind him after his first song to give his music more oomph. And when he dipped into his career-making collaborations with Flume, “Left Alone” and “Drop the Game”, the Tunnel stage instantly began moving like the rhythm of the ocean. But otherwise, the set was downtempo to the point of boredom. And it’s not a good idea to take one of your best songs, “Talk is Cheap”, and strip it down even more. Some ladies still felt compelled to rock their friend’s shoulders as if it was a dance show, something that I’m still trying to figure out.
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Hardcore fans came dressed to the nines in their own homemade headdresses and were eventually invited on stage to be part of the production. First-time viewers were dumbfounded by the intensity of the group’s fully immersive, theatrical performance with backing band and dance crew.
An all-incorporated amalgamation of dance, punk, performance art, graphic design and party philosophy, YACHT’s conceptual stage show brought a much-needed turbo boost of energy to the festival-weary Sunday evening crowd.
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Vice President Joe Biden introduced the RAVE Act into Congress when he was a Senator and was mainly responsible for it being passed into law in 2003. In one of those crazy coincidences that sometimes happens in life, Shelley Goldsmith had actually met Biden at an event the year before she died.
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By Bridget Stagnitto //
