The best of Outside Lands 2014

1.OutsideLands2014_postPhotos by Pedro Paredes, Benjamin Wallen and Marc Fong // Written by Molly Kish //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 8th-10th, 2014 //

With so much to offer this seventh year of Outside Lands Music and Arts Festival, the celebration of music, food, art and everything in between was at an all-time high! Boasting a packed lineup of diverse performers, culinary innovators and artists, Golden Gate Park hosted a wonderland of possibilities. Here are our favorite features from this year’s extravaganza.

Read our daily recaps from Friday, Saturday and Sunday.
View artist photography by Pedro Paredes below.

2.Kanye West

TOP SETS FROM THE WEEKEND

With a lineup of more than 70 diverse performers, naming the best shows of the weekend is at best an exercise in personal point of view. With opinions running rampant on headliners, under cards and buzz-worthy acts, we instead choose to focus on what caught our attention as some of the most memorable performances of the weekend for better or worse.

How do your favorites match up with our top sets and moments from the weekend? Leave your comments, opinions and personal picks below!

Most Controversial Headliner: Kanye West
Most Explosive Dance Performance: Flume
Biggest Crowd of the Weekend: Macklemore & Ryan Lewis
Biggest Local Draw: Atmosphere
Best Rock Performance: Deer Tick
Best Hip Hop Performance: Run the Jewels
Breakout Artist of the Festival: Lucius

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Best Crowd Engagement/Dance Moves: Cut Copy
Best Use of Stage Design/Props: The Flaming Lips
Heineken Haus MVP: Gorgon City
Loudest Sing Along: The Killers
Best Comedy/Improv Performance: Improvised Shakespeare Company (with guest Patrick Stewart)
Best Quote: “You’re gonna tell your kids about this!” -Kanye West

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TOP TACTICS TO KEEP THE GROUP TOGETHER

A festival at maximum capacity can already be hard to navigate, especially with large groups of various paced members, and Outside Lands is no exception. With the innumerable obstacles present in the park’s terrain, even the most seasoned shepherd will at some point find difficulty in herding their festival flock.

This year, especially with the stricter rules regarding what attendees can bring in concerning poles, flags, hoops, etc., the Outside Lands crowd got creative with their tracking skills.

4.Hodor

Innovative Beacons/Totems: No pole, no problem! Although the presence of PVC pipes still managed to make their way into the masses, people got pretty imaginative with their signage and “find us here” monuments. Ginormous balloons (even full bouquets of them by weekend’s end) soared hundreds of feet in the air, flocks of Flabongos bounced together above the crowd all weekend and cardboard cutouts of Hodor, crying Kim Kardashian and poop emojis received praise from the crowd. Even those with a history flag waving kept the tradition alive amidst the pole ban by finding the biggest stick within Maclaren Pass to wave their banner high.

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Festival Wear: Fickle weather kept the costumed crowd members on their toes this past weekend, with temperatures fluctuating as quickly as a set change, Karl the Fog intermittently reared his mischievously muggy head. Outside Lands is an atypical festival in the sense that it fails to adhere to most counterparts’ “clothing optional” fashion guidelines, so attendees have to get creative in the Bay Area when it comes to group uniforms — and this crowd didn’t fail. Most effective use of costumes this year included creepily monochromatic “balloon people” with fully inflatable body suits and face masks, a storm trooper masked duo (made out of cereal boxes) donning a “show us your taun-tauns” sign and flocks of animal onesies.

6.Food

TOP OUTSIDE LANDS FOOD MOMENTS

With almost as much excitement revolving around the fare of Outside Lands as the music and art portions of the festival, this year’s attendees were treated to an exorbitant amount of delicious options to satiate their palette. Marrying the festivals’ live entertainment with culinary prowess, a lot of the action took place on this year’s inaugural debut of the GastroMagic stage and surrounding food “lands”. Some of our favorites included:

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Big Freedia’s and Brenda’s French Soul Food “Bounce Brunch”: This was where fans of Southern cooking and the transgender twerking sensation, the “Queen Diva” herself, were treated to an early Saturday afternoon, interactive mini set. Freedia took the stage with her co-ed twerk team and two members of Brenda’s French Soul Food, coerced the crowd to join her on stage and twerk for made-to-order beignets. Almost immediately, lines formed to strut in front of the audience for the piping-hot pastries, with the restaurant staff joining in on the fun, tapping their powdered sugar dispensers along to chants of “Shake for your beignets…”

8.Bacon-Flight Photo via Pop Sugar.

Bacon Bacon Lands flights: For the truly decadent, this year’s Bacon Lands covered all the delicious meat-candy bases. Most often seen floating throughout the park via the Bacon Bacon flights, the well-known Bay Area food truck offered a skewered sampling of three various types of cured fat, packaged as a between set “meat-sicle” snack comprised of everyone’s favorite part of our piggy friends. The aroma wafting from this “land” was hypnotic, coaxing weary festivalgoers rummaging through Maclaren Pass to the magical pork stand tucked away in the trees. Surpassing all of its other neighboring “lands”, this location easily had some of the most enthusiastic lines with patrons salivating for their chance at some greasy goodness on the go.

9.Don't Get CaughtPedro

Macgyver Mini Bars: While we at Showbams do not condone attempting to smuggle in anything restricted by Outside Lands (or any festival for that matter), we have to acknowledge the attempts both successful and foiled. By the weekend’s end, security was a force to be reckoned with, but what seemed like an ocean of alcohol still made its way inside. Even in a setting that one can traverse the fairgrounds openly with some of the world’s best beer and wine while adorning a legal ID wristband, people got ingenious with their covert booze operations, tipping authorities off to some of the greatest sneaking-in secrets in the festival’s history.

Beyond hiding alcohol in legal food boxes, wrappers and the obvious camel back and thermos containers, many used the park’s topography to literally bury their liquor treasures. There were hollowed out loaves of bread, burrito wrapped liters, creepy nether-region containers and more. Some successful showoffs even boasted about it to local press and spattered social media with their accomplishments.

10.Detox

TOP “ONLY IN SF” OUTSIDE LANDS ATTRACTIONS

Digital Detox, Camp Grounded Analog Zone and Sober Lands: In an attempt to reunite the festivalgoer with the true concept of what a music festival essentially is/used to/should be, Outside Lands brings a truly “unique” experience to the forefront with its campaign to “disconnect to reconnect” with these three features. Attempting to remove attendees from the digital noise of the modern world and get back to a simpler, more organic festival experience, Digital Detox and Camp Grounded Analog Zone provide the opportunity to drink tea in a yurt while making arts and crafts, playing board games, meditating, face painting or writing love letters on a typewriter to leave on a missed connection board sans social media and telephones.

If you’re not a fan of partying with the inebriated masses, Sober Lands had you covered. With meetings scheduled throughout the day, the tent offered a place of solace for those looking to clear their head between smushing up against sweaty booze-soaked bodies all day amidst the craziness of the typical festival crowds.

11.Art Chillin

Outsider Art and The Barbary: This year’s art program, curated by Jeben Berg and the legendary SF art publication Juxtapoz Magazine, brought an incredible roster of talent to the festival forefront. Between the live graffiti art, painting, theater and insane installations, the visual art at this year’s festival was better than ever before. From the individual wall panels lining the polo fields to Dennis Mcnett’s incredible sculpture piece, even Ranger Dave got in on the fun with his larger-than-life welcoming statue next to the North Side entrance/Sutro Stage.

Along with the stunning visuals, Dr. Flotsam’s Hell Brew Revue dominated the Barbary area, causing mischief throughout the McLaren Pass with his frolicking band of Carny Bastards. Very rarely could you make the mission through the woods without encountering a circus sideshow of random clowns playing “bowling for drunks”, whips cracking, roots revival hoe-downs and odd Nordic funeral processions clouding up the overpass. It wasn’t something most would consider having to navigate around at a sold-out music festival, but when in SF, one better come prepared for more than just cold weather and marathon-style walking.

Outside Lands Day 3: Flume draws massive crowd, inspires tree dancing

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Photos by Marc Fong // Written by Mike Frash //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 8th-10th, 2014 //

When we wrote about Flume possibly playing Outside Lands this year in our artist rumors article, we mentioned the Australian DJ could headline this year, a divisive point that got some folks questioning our claim. Based on the crowd that showed up and the high level of sustained excitement on Sunday, that possibility isn’t too far away for Harley Streten. Sure, CHVRCHES’ cancelling their set caused some massive swelling at the east end of the festival for Flume, but many of the disappointed must have found a new favorite.

Australian producer Harley Streten weaved together a crowd-pleasing set that had a saturated Twin Peaks field bouncing along with hands up for the duration, all in the 3 p.m. hour on Sunday. In the past year, Flume’s set has become more sophisticated, led by a restrained approach that intermingles hip-hop, trap, R&B and rap. The drops are inverted in their intensity compared to traditional EDM, offering slight delays and unpredictable syncopation.

Flume has helped to create and capitalize off music’s popular trend toward marrying dance music and hip-hop, and his ability to curate a festival-sized mega party cannot be questioned at this point. Fortune favors the bold …

Add in remixes, including Major Lazer’s “Get Free” & Lorde’s “Tennis Court”, while throwing back to Friday with a rework of Disclosure’s “You & Me” and “Insane” with Killer Mike’s verses, and even the uninitiated were pulled into the excitement. Streten was also able to bring in “Touched” by What So Not, his new duo with Emoh Instead.

And did I mention how packed it was? Twenty minutes before Flume was to start there was nowhere to go. Some folks had to resort to tree dancing … for mostly hilarious results (watch the video above). While the conservationist in me says raging out a tree for an hour isn’t right, it was pretty funny — but not to Ranger Dave. According to a user on a Reddit thread titled FLUME FUCKING KILLED IT, “Apparently he got fined, and just posted his ticket on Facebook.” So think twice before trying this next year.

Some shows, per usual, were very crowed this year. Perhaps too crowded. Atmosphere’s show on Saturday left no room to breath. Capital Cities looked really packed. Macklemore & Ryan Lewis easily outdrew Tom Petty. So, would you pay a little more money if Outside Lands sold less tickets? Or do you prefer the masses like penguins huddling to keep warm in the winter, or maybe just going to where the crowds aren’t.

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Woods are the most quintessential California band that is not from here — they call Brooklyn home. The group curates the Woodsist Festival down the road in Big Sur, their most famous song before this year was “Cali in a Cup”, and they felt right at home in the confines of Golden Gate Park early Sunday. When they played their new song “With Light And With Love” — one of the best songs of 2014 — the spirit of the Grateful Dead performances from the late ‘60s felt present on what used to be Speedway Meadow.

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Jenny Lewis, sporting a snazzy technicolor dream-coat that matches her new album cover for The Voyager, delighted with a slew of new cuts from the record along with some Rilo Kiley joints.

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• A buzzy yet not overwhelming crowd came together for Spoon, who released their addictive new record They Want My Soul the Tuesday before Outside Lands. There are a bunch of future classics to be found in the new material that was played, including “Inside Out”, “Do You” & “Outlier”, and the new jams mixed in seamlessly with songs such as “I Turn My Camera On” and “I Summon You”. Britt Daniel looked inspired after four years on break from Spoon with Divine Fits. Watch for Spoon to have a big year, and give the new album a listen if you haven’t yet.

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• You certainly can’t say The Flaming Lips aren’t trying. They seem to change from year to year, and when the Lips form a set that centers around Wayne Coyne’s voice as they did at Outside Lands, it can feel uninspired at times and triumphant at others, but our heroic muscle man gives 100 percent the entire time amongst psychedelic spectacle. Their Halloween show from 2013 in SF made my top 10 shows list last year because they took the opposite approach with Coyne’s voice, modulating it into an electronic instrument, and gone were the hyper happy Yoshimi songs, the cheerleaders, the confetti cannons and human hamster ball. All of it. Instead, the Halloween show was a glorious drone-filled, psychedelic freak out, reflecting the studio work they’d released the past two years.

Coyne and company realize a festival set is different than a normal show, so they have tried to find middle ground. The Flaming Lips leader wore a muscle body suit as if he was skinned, the cheerleaders are now put in rainbow, sun and earth costumes, while songs like “Do You Realize?” and “Lucy in the Sky With Diamonds” were played with a dystopic, bleak tone. So, by having a setlist of lighter hits that were played through a jarring lens, nobody got what they really wanted. On a positive note, the Flaming Lips are keeping it weirder than ever, and many of the extended whiffs of Pink Floyd’s languid guitar hit the spot.

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• We weren’t that excited about The Killers or Tiësto to finish the festival, but we’re ready to eat our hat. I went to Tiësto since I firmly believe it’s best to say goodbye with a dance party, leaving it all on the field. The Dutch DJ was far less anthemic than anticipated, dropping some surprisingly powerful bass that speaks to his progressive nature behind the dials. Lands End was going bonkers. The overall reaction to The Killers from various press and social media websites has been very positive — Another Planet Entertainment and Superfly Presents have got their fingers on the pulse of what works for entertaining the masses at Outside Lands. We’re already looking forward to the schedule for year No. 8 in 2015.

What was your favorite act on Sunday? Did you see the dude in the tree at Flume? Tell us your story below.

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Outside Lands Day 2: HAIM take another step toward the top

HAIM_postPhotos by Marc Fong // Written by Mike Frash //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 8th-10th, 2014 //

Saturday brought a more celebratory tone to Outside Lands Music and Arts Festiva despite the typical August fog’s return to SF’s Golden Gate Park. Following Kanye West’s exciting Friday set that was marred by multiple man-baby moments, it was time for smiles to become contagious and for the communal spirit of the fest to take flight.

No one led this Day 2 transition better than HAIM. “I want to see babes on babes on babes. Totem pole!” demanded ESTE FUCKING HAIM of the Outside Lands crowd, and oblige they did. An effective festival technique, Alana, Danielle and Este quickly counted as festivalgoers doubled up toward the sky like a meerkat looking for a predator. And by the time the awesome threesome blasted into “Forever”, the crowd had been primed by funny, engaging banter.

More importantly, they are remarkably talented at what they do. HAIM fucking rocks live. They elongate and have adapted some of their songs, like “Forever”, for the better. Before introducing “The Wire”, Danielle prepped the audience for the call and response of “Right!”. Full buy-in permeated the Lands End stage as most everyone joined in the fun.

If HAIM continue to write undeniably catchy songs while retaining their fierce attitudes, the sky’s the limit. The atypical vocal phrasing never gets old, and I hope they continue to create music that develops around their quirky approach to modern pop while re-purposing the familiar. These Los Angeles-based sisters could be headlining big festivals in 3-5 years.

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Jagwar Ma displayed noted improvement since their show last year at The Independent, the group has expanded their sound further on stage, stretching out the vocal mantras into delirious territory. Jano Ma’s production showed shades of Nine Inch Nails, balancing Moog synthesizer and a squelchy analogue sound.

Big Freedia was everywhere Saturday. The Queen Diva brought a taste of NOLA to the new GastroMagic stage, allowing proactive patrons to cook up a beignet while they got there bounce on. Then, Freedia was at the Soundwave tent, and finally for her proper set at the Panhandle Stage. Ass Everywhere!

• SF-based graphic designer-turned-musician-turned-full-band Tycho had a prime spot mid-day at Twin Peaks, but it’s unclear if Scott Hansen’s minimalist approach translates in a big, open field at a festival. While the crowd energy was low as expected, it was a solid set accompanied by a new, intriguingly odd video component.

• The Sutro Stage was alive with an intimate crowd for Deer Tick. Screaming fans belted out lyrics and danced with interlocked arms to the group’s raucous, twangy Southern rock.

Duck Sauce is refreshing for embracing the absurd, boiling down dance music into explosions of bass with melodies as obnoxious as “Gangum Style” or happy hardcore. But A-Trak and Armand Van Helden have pinpointed the perfect equation for a ridiculously good time, making sure not to ever get too jarring or obvious. When looking for a raging, good time in a festival setting, nothing may be more fun than Duck Sauce. Quack.

Tom Petty and the Heartbreakers are just about as “legend” as it gets, and tracks from Petty’s 2014 LP Hypnotic Eye were laced throughout the main stage headliner’s set. “Friend of the Devil” was covered, a nod and a wink to the Grateful Dead’s home turf, while “American Girl” finished of the night on a high note.

Macklemore & Ryan Lewis at Twin Peaks was way more crowded than Tom Petty’s show. Macklemore brought out Mary Lambert for the GBLT anthem “Same Love”, which included a wedding proposal well-suited for SF.

What was your favorite show or moment on Saturday? What are you looking forward to Sunday?

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Outside Lands Day 1: Kanye West rants like a petulant child

OSL-2014-POSTPhotos by Marc Fong // Written by Mike Frash //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 8th-10th, 2014 //

Outside Lands Music and Arts Festival has graduated to the upper tier of festivals in its seventh year, selling out within 24 hours and packing in SF’s Golden Gate Park on Friday afternoon much earlier than past iterations. And for the first time, the Lands End main stage featured rap and electronic-oriented music, drawing a youthful crowd usually reserved for Justice or Pretty Lights at the Twin Peaks stage.

But more than imagined and expected, Friday’s headliner Kanye West showed that he behaves like a petulant child, launching into mini temper tantrums throughout the night, amidst an inspiring show the crowd was digging. His performance confirmed everything his detractors spout —- that he’s a narcissist to the point that he truly believes it’s a form of art.

Yes, I understand that this is what Kanye does. It was expected. It’s still a buzz kill, almost a tactical time killer.

“I want you to tell your kids about this night,” he said. This advice came amongst one of the four rants that cut off songs at their best moments, stopping all the natural momentum so Kanye could drop all sound and preach. It’s reminiscent of Andy Kaufman’s “challenge the audience” mentality, getting people to question why they came in the first place.

There were moments of complete crowd elation, but when the encore was over by 9:50 p.m. (10 minutes before last call), you have to ask, did he give it his all? Kanye is the ideal artist of this generation —- innovating to push the lines of contemporary pop while being completely self-absorbed.

Should Kanye give up the rants for the sake of entertainment or will you be telling your kids about it? Leave a comment with your favorite rant line, your top show of the day, a link to your photos or video.

“Imma need y’all to make a bigger circle!”

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Get your grub on: Outside Lands 2014 food guide

Wine LandsWritten by Molly Kish and Jeannine Boisse //

With Outside Lands Music and Arts Festival hitting Golden Gate Park this weekend, it’s time to break down the best food and attractions this year’s festival has to offer.

In a city that’s equally recognized for its food and beverage industry as it is for its nightlife and entertainment options, Outside Lands has made quite the impression on the festival circuit as the best menu across the board for featured artisan fare. Besides our favorites from previous years, which have quickly become a staple among OSL foodies, 2014 brings an impressive roster of brand-new, local flavors to the festival’s grounds.

Along with several locally curated booths, including Wine Lands, Beer Lands and Chocolands, the festival has stepped up its food game significantly this year with the introduction of the GastroMagic area. For the first time ever in OSL history, the festival presents a fully interactive culinary stage located directly in the middle of the grounds and co-curated by Chefs Feed. Featuring world-renowned chefs paired with top musical talent from the festival’s lineup, GastroMagic offers three full days of delicious collaborations. With everything ranging from Saturday’s Bounce Brunch featuring Big Freedia and Brenda’s French Soul Food to Sunday’s Mezcal Mambo Limbo, this stage will be an epicurean spectacle, heightened that much more by Baconland’s savory flights and roaming resident magician Jon Armstrong. For a full lineup of GastroMagic’s scheduled events, go here.

To further wet your palette, here is our breakdown of the top tastes at Outside Lands 2014.

View the 2014 schedule and create your custom grid to share with friends!
View our 2014 beer/artist pairings!


AQ Restaurant & BarEatery: AQ Restaurant & Bar
Dish: Highbrow Spaghetti and Sloppy Joe’s with all the fix in’s

New to the festival’s food scene and definitely catching attention, the SF foodie crowd is sure to dig this dish. I don’t know a better place than OSL to test out a new highbrow take on classic comfort foods.

Freshroll Vietnamese Rolls & BowlsEatery: Freshroll Vietnamese Rolls & Bowls
Dish: Bánh Mì Sandwich

If or when the sun shines bright over OSL, a savory and spicy bánh mì will make for the perfect lunch. Make sure to pair it with a seasonal session from Beer Lands or a refreshing hard cider.

homeroomEatery: homeroom
Dish: Gilroy Garlic Mac and Cheese

Given the location of the festival and the tendency for Karl the Fog to barge in at any time, this dish is essential to keeping warm. Homeroom knows how it’s done in the mac and cheese world. Just keep some breath mints handy in case of garlic breath.

il Cane RossoEatery: il Cane Rosso
Dish: Griddled French Toast

Don’t forget about brunch on Outside Lands’ account. Let il Cane Rosso provide the eats and Wine Lands provide the bubbly.

Señor SisigEatery: Señor Sisig
Dish: California Sisig Burrito

Hangover Helper #1! Sometimes we forget that us Bay Area locals have easy access to some of the best burritos ever. If you’re playing tour guide to any out-of-towners, show them what a real burrito is about. You owe them that much.

Southpaw BBQ & Southern Cookin'Eatery: Southpaw BBQ & Southern Cookin’
Dish: Smoked Brisket Sandwich

BBQ + Beer Lands = Success. Pair your sandwich of smoky, juicy, pork brisket with a local craft IPA.

Spicy PieEatery: Spicy Pie
Dish: Slice of pepperoni, jalapeños and pineapple

Hangover Helper #2! Because, duh! Spicy Pie will likely save your life at some point during the weekend when you find yourself a little too drunk or just losing energy. On Saturday evening, make sure to grab a giant slice with pepperoni, jalapeños and pineapple.

StrawEatery: Straw
Dish: Sweet Potato Tots with Blackberry BBQ Sauce

Tots are an Outside Lands food staple. Period. These tots are delightfully crispy, and the blackberry BBQ dipping sauce is magical.

Three Babes BakeshopEatery: Three Babes Bakeshop
Dish: Apple and Chocolate Pecan Pies

Another newbie to the OSL food scene, these pies are picture perfect. Flaky and rich with organic fruit = win. This is a wonderful alternative to Chocolands when you find you’re in need of a wholesome dessert.

Wise Sons DeliEatery: Wise Sons Deli
Dish: Pastrami Cheese Fries

Hangover Helper #3! These are the best fries at OSL — and possibly the world. Grab a fork and don’t think about calories because they’re worth it. With just the right amount of salty, cheesy and spicy flavors, this will be your perfect breakfast on Sunday morning when you need the extra kick.


WIN TICKETS: Outside Lands 2014 night shows

Outside Lands fansWritten by Molly Kish //

This weekend in San Francisco’s Golden Gate Park, the Bay Area will celebrate the seventh annual Outside Lands Music and Arts Festival. After each day at the grounds, post-festival activities are being scattered throughout the electrified 7×7 cityscape, and we have your tickets for some of the best after-parties happening all weekend long!

View the 2014 festival schedule and create your custom grid to share with friends!
View our 2014 beer/artist pairings!

Win-2-Tickets

CONTEST CLOSED.

Winners will be picked at random and notified by email. Your email will be kept private — we will share your email with no one.


THURSDAY, AUGUST 7TH

Those Darlins

Those Darlins and Diarrhea Planet @ Brick and Mortar Music Hall // Buy Tickets

It’s going to be a dual-headliner, Nashville rock throw down Thursday night at Brick and Mortar Music Hall. With Those Darlins founding members meeting at the Southern Girl’s Rock & Roll Camp in Tennessee, country roots run deep in the musical history of this band. Formed in 2006, releasing their alt-country debut in 2009, the band fluctuates between traditional southern instrumentation, rockabilly and garage rock. Partners on the bill, fellow Nashville natives and six piece rock band Diarrhea Planet complement the foursome perfectly with their explosive guitar shredding, pop-laden “drunken sing-along” spectacle of a performance. Fresh off of touring their volatile live show to this past year’s South By Southwest, Bonnaroo, Governor’s Ball and various other festival stages (we reviewed their inspiring show at The Indy in 2013), the band brings their energetic ensemble to Brick and Mortar Music Hall for another exclusive night show only performance. Be sure to grab your tickets here. 18+ only.

Enter to win if you can attend this show on Thursday, August 7th at Brick and Mortar Music Hall in SF by submitting your full name and email address in the contact form above. Contest ends Thursday, August 7th at Noon.

Mikal Cronin

Mikal Cronin and Bear Hands @ The Independent // Buy Tickets

Two separate OL acts for the price of one! Mikal Cronin and Bear Hands, both performing day one of the festival, will be headlining The Independent in a one-off warm up session on Thursday night. Cronin, having released his self-titled debut in 2011, has had a busy few years questioning long term relationships, moving to San Francisco, touring and recording with musical counterpart Ty Segall, forming his own band and releasing his sophomore album MCII as a Merge Records artist. A multi-instrumentalist, Cronin’s gritty garage rock sound blends perfectly with co-headliner Bear Hands’ post-punk influenced indie rock. Fresh off the release of their second studio album, Distraction, Bear Hands’ “New York buzz band” reputation precedes them, gaining the group national attention on several music blogs and entertainment websites. Be sure to grab your tickets here. 21+ only.

Enter to win if you can attend this show on Friday, August 8th at The Independent in SF by submitting your full name and email address in the contact form above. Contest ends Friday, August 8th at Noon.

Glen Hansard

Glen Hansard @ Fox Theater Oakland // Buy Tickets

Irish songwriter, actor, vocalist and guitarist Glen Hansard will headline the Fox Theater in Oakland on Thursday night with Sean Hayes opening the show. A founding member of The Frames and half of the critically-acclaimed duo The Swell Season, Hansard has been creating seminal folk rock internationally for more than a decade. Gaining attention in the states initially for his role in the 1991 film The Commitments, Hansard recorded his first solo album in 2006 with the help of Czech singer and multi-instrumentalist Marketa Irglova, whom he would go on to co-star with in the 2006 Sundance winner Once and form The Swell Season together that same year. Hansard has since then recorded and produced various songs on film scores and compilations, lent opening support for Eddie Vedder’s U.S. solo tour, guest starred on American prime-time sitcoms and released his solo debut Rhythm and Repose in 2012. Hansard is not performing at Outside Lands this year, so this performance at the Fox is an exclusive after-party date! Be sure to grab your tickets here.

Enter to win if you can attend this show on Thursday, August 7th at the Fox Theater Oakland by submitting your full name and email address in the contact form above. Contest ends Thursday, August 7th at Noon.


FRIDAY, AUGUST 8TH

The Soul Rebels

The Soul Rebels @ Brick and Mortar Music Hall // Buy Tickets

Bringing the NOLA funk to Friday’s Outside Lands festival lineup, The Soul Rebels plan to keep the party going well into the evening at Brick & Mortar Music Hall that evening. Fate brought together original members Derrick Moss and Lumar LeBlanc when they met as percussionists in Dejean’s Young Olympia Brass Band. Although trained in New Orleans jazz fundamentals, the two opted to take the traditional brass band sound they were raised on to the next level, incorporating their love for contemporary R&B, funk and hip hop. Branching off in a new direction, the duo left to form their own group, quickly winning over local audiences and officially being christened the “Soul Rebels” backstage before their opening slot for the Neville Brothers, by Cyril Neville himself. Since then the band has released several full lengths albums, set up a residency at Uptown NOLA club Le Bon Temps, have become a staple act at festivals throughout the globe and most recently released a mixtape Power=Power, premiered by Noisey, including brass band renditions of Jay-Z, Drake, Kanye West, Daft Punk and more. Easily the most funky of post festival Friday night festivities, this show will be the dance party of the weekend. Be sure to grab your tickets here. 18+ only.

Enter to win if you can attend this show on Friday, August 8th at Brick and Mortar Music Hall in SF by submitting your full name and email address in the contact form above. Contest ends Friday, August 8th at Noon.


SATURDAY, AUGUST 9TH

Gold Panda

Gold Panda @ Mezzanine // Buy Tickets

Multi-faceted producer Gold Panda returns to Mezzanine on Friday night with his genre-bending take on electronic music. With the rise of producers such as Flying Lotus and Flume, many other similar artists are breaking out to larger crowds and stages as forward-leaning electronica garners a new level of popularity and appreciation. Gold Panda represents a vast amalgam of electronic music, borrowing influences from all over the world to weave an upbeat, futuristic tapestry. His latest release Half of Where You Live has been critically hailed as his third stab at a comprehensive full-length album. Tracks like “Brazil” demonstrate his use of South American rhythms in a contemporary manner while consistently maintaining a dance beat. There are no ‘drops’ or huge frills to his dance ethic, but rather a rapturing, constant beat that listeners can lose themselves in rather easily. Ghostly International only signs the finest in contemporary dance music, so it’s no surprise that Gold Panda reps the prolific label. Teamed with local opener Doseone, this after party will keep the positive energy flowing from Saturday night straight into Gold Panda’s festival set that closes out the weekend on Sunday. Purchase tickets for the only electronic night show announced for Saturday here. 21+ only.

Enter to win if you can attend this show on Saturday, August 9th at Mezzanine in SF by submitting your full name and email address in the contact form above. Contest ends Saturday, August 9th at Noon.

Woods

Woods @ Brick and Mortar Music Hall // Buy Tickets

Brooklyn-based Americana, neo-psychadelia outfit Woods will be headlining Saturday night at Brick and Mortar Music Hall ahead of their festival set on the final day of OL. The trio have released eight albums since their formation in 2005, which have garnered them both critical acclaim across the board. Dubbed “pop shamanism”, the band is currently on tour celebrating the release of their new album, With Light and with Love, exploring “expanded sonic palettes” heavy with percussion, altered vocals and experimental guitar riffs. Their latest release on their self-run record label, Woodsist, is described as distinctly different from their previous work, “showcasing a more sophisticated brand of contemporary drug music,” relatable to the Beatles iconic Magical Mystery Tour, catering to a “new age of searchers, of Don Juan and Animal Chin alike.” Easily the biggest head trip of the OSL night show options, if you’re looking to get weird Saturday night, you’re going to want to buy your tickets here. 21+ only.

Discover our Outside Lands beer pairing for Woods.

Enter to win if you can attend this show on Saturday, August 9th at Brick and Mortar Music Hall in SF by submitting your full name and email address in the contact form above. Contest ends Saturday, August 9th at Noon.


Outside Lands 2014 night shows: Keep it going ’til the AM

Girls-on-Fire-Main-Stage-TimWritten by Molly Kish //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 8th-10th, 2014 //

We’re only a few weeks away from one of the most anticipated summer festivals of the 2014 season. Outside Lands Music and Arts Festival has announced their official schedule for this year’s five consecutive evenings of night shows. In case you missed this past weekend’s announcement or weren’t privy to the ticket holder password, fret not — we’ve got you covered with our rundown of after-parties and links for you to win or purchase your tickets. The party does not have to stop on the polo fields!

View the 2014 schedule and create your custom grid to share with friends!
View our 2014 beer/artist pairings!


Phosphorescent

WEDNESDAY, AUGUST 6TH

Phosphorescent @ The Independent // SOLD OUT: Win tickets via Do 415

Brooklyn-based singer-songwriter Matthew Houck, aka Phosphorescent, kicks off this year’s lineup of OL night shows with a sold out performance Wednesday night at The Independent. A follow up to last year’s show at the Indy with his five piece band, the Alabama native returns to the venue, bringing his mix of “western ballads and swelling jams” to the intimate venue. On tour promoting his most recent record Muchacho, one can expect to hear standout tracks from this critically acclaimed 2013 release. A perfect Wednesday night warm up for Houck’s Friday set, hardcore fans will be starting their weekend early, and we recommend you do the same!


THURSDAY, AUGUST 7TH

Typhoon @ CA Academy of Sciences // Buy Tickets

Comprised of twelve singers, songwriters and multi-talented instrumentalists, this small army of a band will be bringing their impressive live show to the CA Academy of Sciences on Thursday night. A band whose sound is characterized by their complicated arrangements and articulate orchestration, Typhoon’s catalogue of work ranges from “sea shanties, to country western and Eastern European inspired songs.” Across the board they cover various styles, meld multiple genres and produce thematically dense work, focusing heavily on lead singer-songwriter Kyle Morton’s struggles with mortality and finding strength through personal relationships. A beautiful setting to catch an equally stunning set, grab your tickets here to take part in this OL edition of Nightlife.

Discover our Outside Lands beer pairing for Typhoon.

Glen Hansard @ The Fox Theater // Buy Tickets

Irish songwriter, actor, vocalist and guitarist Glen Hansard will headline the Fox Theater Oakland with opener Sean Hayes on Thursday night as well. Founding member of The Frames and half of the critically acclaimed duo, The Swell Season, Hansard has been creating seminal folk rock internationally for well over a decade. Gaining attention in the states initially for his role in the 1991 film The Commitments, Hansard recorded his first solo album in 2006 with help from Czech singer and mutli-instrumentalist Marketa Irglova, whom he would go on to co-star with in the 2006 Sundance Festival World Cinema Audience Award winning film Once and form the band The Swell Season within the same year. Hansard has since recorded and produced various songs on film scores and compilations, leant opening support for Eddie Vedder’s solo American tour, guest starred on American primetime sitcoms and released his solo debut Rhythm and Repose in 2012. NOT PERFORMING AT THE FESTIVAL, this performance is an exclusive night show only date! Grab tickets to this limited OL affair right here.

Diarrhea-Planet

Those Darlins and Diarrhea Planet @ Brick and Mortar Music Hall // Buy Tickets

It’s going to be a dual-headliner, Nashville rock throw down Thursday night at Brick and Mortar Music Hall. With Those Darlins founding members meeting at the Southern Girl’s Rock & Roll Camp in Tennessee, country roots run deep in the musical history of this band. Formed in 2006, releasing their alt-country debut in 2009, the band fluctuates between traditional southern instrumentation, rockabilly and garage rock. Partners on the bill, fellow Nashville natives and six piece rock band Diarrhea Planet complement the foursome perfectly with their explosive guitar shredding, pop-laden “drunken sing-along” spectacle of a performance. Fresh off of touring their volatile live show to this past year’s South By Southwest, Bonnaroo, Governor’s Ball and various other festival stages (we reviewed their inspiring show at The Indy in 2013), the band brings their energetic ensemble to Brick and Mortar Music Hall for another exclusive night show only performance. Be sure to grab your tix here.

Mikal Cronin and Bear Hands @ The Independent // Buy Tickets

Two separate OL acts for the price of one! Mikal Cronin and Bear Hands, both performing day one of the festival, will be headlining The Independent in a one-off warm up session on Thursday night. Cronin, having released his self-titled debut in 2011, has had a busy few years questioning long term relationships, moving to San Francisco, touring and recording with musical counterpart Ty Segall, forming his own band and releasing his sophomore album MCII as a Merge Records artist. A multi-instrumentalist, Cronin’s gritty garage rock sound blends perfectly with co-headliner Bear Hands’ post-punk influenced indie rock. Fresh off the release of their second studio album, Distraction, Bear Hands’ “New York buzz band” reputation precedes them, gaining the group national attention on several music blogs and entertainment websites. Be sure to grab your tix here.


Soul-Rebels

FRIDAY, AUGUST 8TH

The Soul Rebels @ Brick and Mortar Music Hall // Buy Tickets

Bringing the NOLA funk to Friday’s Outside Lands festival lineup, The Soul Rebels plan to keep the party going well into the evening at Brick & Mortar Music Hall that evening. Fate brought together original members Derrick Moss and Lumar LeBlanc when they met as percussionists in Dejean’s Young Olympia Brass Band. Although trained in New Orleans jazz fundamentals, the two opted to take the traditional brass band sound they were raised on to the next level, incorporating their love for contemporary R&B, funk and hip hop. Branching off in a new direction, the duo left to form their own group, quickly winning over local audiences and officially being christened the “Soul Rebels” backstage before their opening slot for the Neville Brothers, by Cyril Neville himself. Since then the band has released several full lengths albums, set up a residency at Uptown NOLA club Le Bon Temps, have become a staple act at festivals throughout the globe and most recently released a mixtape Power=Power, premiered by Noisey, including brass band renditions of Jay-Z, Drake, Kanye West, Daft Punk and more. Easily the most funky of post festival Friday night festivities, this show will be the dance party of the weekend. Be sure to grab your tickets here.

Death Cab for Cutie @ The Independent // SOLD OUT: Win tickets via Do415

Heavy hitters on Saturday’s OL bill, Death Cab for Cutie bring their iconic indie rock to The Independent for an extraordinarily intimate one night only performance. For 17+ years, DCFC have been impacting the modern shape of indie rock, becoming one of the most prominent mainstream alternative bands during this time. Recording a discography comprised of seven studio albums, five EPs, a demo and numerous side projects/solo efforts, DCFC has carved out a significant place in music history and remain a staple within the contemporary scene both through their continual contributions to music, film and live entertainment. Announcing via social media that they’re in the process of working on their eighth studio album, the group just celebrated the 10 year anniversary of their seminal 2003 album Transatlanticism and released a live album of material from their 2012 tour dates with Magik Magik Orchestra. This show will be one for the books and quite possibly the only time you’ll be able to catch this caliber of a band in a club-sized venue ever again. Register to win a pair of tix here.


The Killers

SATURDAY, AUGUST 9TH

The Killers @ The Independent // SOLD OUT: Win tickets via Do 415

Headlining what is undoubtedly the biggest night annually in the SF music scene, The Killers will be playing to a sold-out crowd at The Independent on Saturday night, preceding their Sunday night closing set at Outside Lands. The Las Vegas foursome formed in 2001 and has become one of the largest names in alternative rock over the past decade with four hit studio albums. Selling over 25 million albums worldwide, the band has garnered mainstream success worldwide after performing in over 50 countries and headlining arenas on six continents. On the 10-year anniversary of their first show ever, The Killers released their greatest hits compilation Direct Hits last September and have been touring the festival circuit and selling out dates around the globe since then. This year’s OSL appearance will be their first at the festival and first show back in the Bay Area since playing the Bill Graham Civic Auditorium last April. Tickets to their pre-festival, late-night show sold out minutes after their release, but there’s still a chance to win a pair of tickets to what easily will be one of the most coveted shows of this year’s summer concert calendar. Register to win a pair of tix here.

Gold Panda @ Mezzanine // Buy Tickets

Multi-faceted producer Gold Panda returns to Mezzanine on Friday night with his genre-bending take on electronic music. With the rise of producers such as Flying Lotus and Flume, many other similar artists are breaking out to larger crowds and stages as forward-leaning electronica garners a new level of popularity and appreciation. Gold Panda represents a vast amalgam of electronic music, borrowing influences from all over the world to weave an upbeat, futuristic tapestry. His latest release Half of Where You Live has been critically hailed as his third stab at a comprehensive full-length album. Tracks like “Brazil” demonstrate his use of South American rhythms in a contemporary manner while consistently maintaining a dance beat. There are no ‘drops’ or huge frills to his dance ethic, but rather a rapturing, constant beat that listeners can lose themselves in rather easily. Ghostly International only signs the finest in contemporary dance music, so it’s no surprise that Gold Panda reps the prolific label. Teamed with local opener Doseone, this after party will keep the positive energy flowing from Saturday night straight into Gold Panda’s festival set that closes out the weekend on Sunday. Purchase tickets for the only electronic night show announced for Saturday.

Woods @ Brick and Mortar Music Hall // Buy Tickets

BK-based Americana neo-psychadelia outfit Woods will be headlining Saturday night at Brick and Mortar Music Hall ahead of their festival set on the final day of OL. The trio have released eight albums since their formation in 2005, which have garnered them both critical acclaim across the board. Dubbed “pop shamanism”, the band is currently on tour celebrating the release of their new album, With Light and with Love, exploring “expanded sonic palettes” heavy with percussion, altered vocals and experimental guitar riffs. Their latest release on their self-run record label, Woodsist, is described as distinctly different from their previous work, “showcasing a more sophisticated brand of contemporary drug music,” relatable to the Beatles iconic Magical Mystery Tour, catering to a “new age of searchers, of Don Juan and Animal Chin alike.” Easily the biggest head trip of the OL night show options — if you’re looking to get weird Saturday night you’re going to want to buy tix here.

Discover our Outside Lands beer pairing for Woods.


SUNDAY, AUGUST 10TH

Deer Tick @ The Rickshaw Stop // Buy Tickets

The ever-rambunctious, consistently capricious, gut punching Americana enigma that is Deer Tick will be closing out the weekend after parties at Rickshaw Stop with help from fellow Saturday OL performers, The Districts. After years of touring with a rotation of band members and various name changes, Deer Tick officially formed and released their debut album War Elephant in 2007. Signing to Partisan Records in 2008, re-releasing their debut along with second and third albums to critical acclaim, the band took off running. On their fifth album Negativity in 2013, the band has aimed to “capture the raw and spontaneous kerosene blaze” of their live shows in their studio recordings. Exploring personal tragedies suffered throughout the recording process such as his father’s tax evasion prison sentence, the death of his uncle, a broken engagement, drug and alcohol abuse, etc., lead singer John McCauley brings brutal honesty to the stage that is an all-encompassing, sometimes tragic, explosive performance. Truly an incomparable performance, this show will be the one that punctuates the weekend with one, final, lasting impression.

Kool and the Gang SuperJam @ The Independent // Buy Tickets

Last but not least, the Kool and the Gang SuperJam will be taking over The Independent Sunday night for a one-time only collaborative concert event, closing out the festival in proper fashion. Featuring members of the legendary funk outfit along with Eric Krasno, Adam Dietch, Nigel Hall, The Shady Horns and top secret special guests, this diverse group of musical luminaries will be on stage reimagining a variety of classic songs from Kool and the Gang. The Grammy Award-winning group have influenced three generations of musicians worldwide, selling over 70 million albums which earned collectively 2 Grammy’s, 7 AMA’s, 25 Top Ten R&B hits, 9 Top Ten Pop hits, 31 gold and platinum albums and the title of the longest running R&B group in the history of the genre. If there is one show where artists from Outside Lands would randomly decide to sit in on a performance, this would be the one. Can’t see yourself wanting to call it an evening on Sunday night? This show might be the best option for you. Be sure to buy your tix here.

OutsideLands2

Outside Lands 2014 beer/artist pairings

Polo-Field-3-TimBy Steven Wandrey and Corey Jay //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 8th-10th, 2014 //

When strolling through the polo fields at Outside Lands Music and Arts Festival, sometimes you need a refreshing beverage. Most of the beers listed here are so good that you’ll have a sip and be forced to stop walking to take in the overwhelming flavors, but don’t lose your friends. Located conveniently at the back of the main stage, Beer Lands has been getting better and stronger with (mostly) local craft beer selections. Here is a carefully curated list of beer/artist pairings that will even further accentuate each other at the festival.

The wind rips through the park at night with a chill from the ocean, which is why there is a focus on darker more robust beers here. While all of these beers may not be the exact selections offered on the days of the festival, there are sure to be plenty of tasty options from these tip-top breweries.

View the 2014 schedule and create your custom grid to share with friends!
View our Outside Lands night show breakdown!


Kanye-West

Bitter American by 21st Amendment Brewery for Kanye West

Here’s Kanye on a review for College Dropout: “A horrible album with just Jesus Walks on it is a four! C’mon dog, the demo version was a five! You need to rate it again, but you’ll have to create a new rating system.” Bitter, Kanye? While he may not actually be the most bitter person around, I think we can all agree that he is always full of … confidence. In spite of Kanye’s overflowing self-love and general obnoxious behavior, we’re all plenty stoked to go see the production Yeezus puts on. Bitter American is a hoppy American pale ale with relatively low ABV that’ll be perfect for the polo fields during the rap king’s headlining set. Just remember not to be too bitter while he’s ranting about how incredible he is (in the third person), and have fun. -SW


The-Flaming-Lips

Wookey Jack American Black Ale by Firestone Walker Brewing for The Flaming Lips

When subjecting yourself to the intense sensory onslaught of the Flaming Lips’ live show, you may need a hefty beer to anchor yourself down. That’s where the Wookey Jack comes in. This 8.3-percent beer will give your taste buds a grip with a balance of syrupy but crisp, roast-y, hoppy goodness. The Flaming Lips may decide to play a set deeply mired in psychedelia or a poppy one heavy with Yoshimi, and you’ll be dually covered with the Wookey Jack. -SW


Typhoon

Inception by Triple Voodoo Brewing for Typhoon

Only four years since their debut release, Typhoon is experiencing a breakthrough in exposure and popularity. Their anthemic indie rock is cathartic and widely appealing. Triple Voodoo is also close to its debut release, and the SF-based brewery has been making big strides as well. Inception is a Belgian-style Triple with a dry finish that neatly disguises its burly alcohol percentage of 8 percent. Hopefully both Typhoon and Triple Voodoo continue to grow in popularity, because both are well deserved of their acclaim thus far. -SW


Woods

Campfire Stout by High Water Brewing for Woods

High Water Brewing out of San Leandro, Calif., has been making some fine brews for a while now, and one of the best is their Campfire Stout. Made for the outdoors, roasty malts, vanilla, caramel and marshmallows will swirl around your palate as Woods’ psychedelic-folk swirls in the air around you. This beer is as close to eating a s’more in liquid form as you can get. Touring in support of their new album With Light and With Love, Woods has a hefty slate of shows on the docket, including a night show at Brick & Mortar the night before their Outside Lands performance. -SW


Nicki-Bluhm

Kalifornia Kolch by Magnolia Pub & Brewery for Nikki Bluhm and the Gramblers

Nikki Bluhm is a local favorite in SF because of her powerfully soulful singing and classic feel-good rock. What better way to enjoy the show than with a beer most likely brewed within five miles from her? Magnolia is making fantastic beer with storefronts in the Dogpatch and the Upper Haight. Assuming this is a day time show, their Kalifornia Kolch will blend perfectly with some sun and dancing. Clearly a group of heady guys, whatever Magnolia decided to bring will be solid. Other favorites are their Proving Grounds Double IPA and the Weakapaug Gruit. -SW


Duck-Sauce

Bigfoot Barleywine Ale by Sierra Nevada Brewing for Duck Sauce

Right as the true depths of the intensely flavored Bigfoot by Sierra Nevada surface, the non stop rhythm and beastly sounds of the “Big Bad Wolf” by Duck Sauce should be allowing your true inhibitions to surface. The pairing will create a plethora of robust favors, explicit undertones, and sensual excitement if given the chance to groove side by side. When you see “Barbara Streisand” on the dance floor, just make sure to thank the local Bigfoot by Sierra Nevada. -CJ

OutsideLands

10 tips for safely navigating an entrance search at a festival

bonnaroo-(festival-snob)_postPhoto by FestivalSnob.com // Written by The Festival Lawyer //

It is just about impossible to enter a music festival, concert, rave or any kind of a major sporting event these days without being searched as a condition of entry.

This isn’t likely to change. If anything, the trend is towards more security at big events. For example, Electric Zoo recently announced new security measures including drug-sniffing dogs stationed at all entrances and the use of undercover narcotics officers to patrol the festival grounds.

Obviously, festivals need to be able to search folks for weapons and keep people safe. But what about the festivalgoers? Do you have any rights if a search goes too far or you run into an abusive security guard? Or did you give them all up at the entrance?

Here is some legal knowledge (and practical tips) that can help you navigate that entrance search like this guy:

Strutting-Leo

TIP #1: KNOW YOUR RIGHTS

In general, The 4th Amendment prohibits the police from randomly stopping you and searching you.

If you are stopped at a festival, I’ve advised people to ask the question “Am I Free to Leave?” to determine if they are being detained. If you are detained, you should never consent to a search of your person or property by the police. Instead, keep calm, show your ID and continue to ask if you are free to leave. You should always insist on your right to remain silent and ask for a lawyer. Whenever possible, have your festival buddy witness or document the encounter.

The following infographic lays out these rights in a simple “flowchart” form.

Festival_Lawyer_Infogrpahic-A_Cop_Stops_You_At_A_Festival

From a legal standpoint, you clearly have these rights once you have passed through the entrance search. But what rights apply when you first are searched entering a fest?


TIP #2: SEARCHES BASED ON TICKET LANGUAGE ALONE ARE GENERALLY ILLEGAL

Almost every festival has ticket language and signs at the entrances stating that you are agreeing to be searched as a condition of coming into the venue. For example, here is Electric Zoo’s ticket language:

“Your use of the ticket is contingent upon your unconditional and voluntary acceptance to be searched…prior to your admission to the venue and/or at any time thereafter.” (Electric Zoo)

This is what is called an “Implied Consent Waiver”. “Implied” meaning that you knew you were going to be searched and decided to come in anyway.

Here’s the thing. Courts really don’t like any kind of an “implied” waiver of Constitutional rights. In fact, courts often throw out these kind of implied waiver searches when they are challenged by festivalgoers.

Courts look at several factors to determine if an implied consent search is legal:

1. Did the sign and ticket language make it clear you were going to be searched?
2. Were you deprived of a benefit if you refused to be searched?
3. Did you know you had a right to refuse to be searched?
4. Did you demonstrate “affirmative conduct” agreeing to be searched?
5. Was the search necessary to a “vital interest” of the festival?

The point is, it is NOT legal for festivals to just put up a “You agree to be searched” sign up at the entrance and then conduct a blanket search without any limitation. The courts instead look at what is being searched for, what you agreed to in your ticket and how the search is being conducted on a case by case basis.

Crowds

TIP #3: “LIMITED” ENTRY SEARCHES FOR A “VITAL SAFETY INTEREST” OF THE FESTIVAL (LIKE PAT SEARCHES FOR WEAPONS) ARE GENERALLY OKAY

Normally, private security has a right to conduct a reasonable search on you as a condition of entry BEFORE entering private property if they are looking for weapons. This probably isn’t a constitutional violation as long as it’s made clear to you that you’re free to walk away.

Courts have long recognized that festivals have a “vital interest” in keeping their patrons safe from weapons and other dangerous items knuckleheads might bring in. Because of this, courts have allowed “limited” searches if they are for the purpose of looking for weapons and projectiles and dangerous items. (“Limited’ meaning a pat down search for large/hard objects or screening through a metal detector.)

That’s reasonable right? I mean, I love music festivals. But I REALLY love the festival and EDM community and want people to be safe. Any responsible festivalgoer should want a safe place for all of us to play. Even if this wasn’t the law, I’d agree to a “limited” search like this because nobody has any business bringing a weapon into our space.

(Fun fact: The song “Smoke on the Water” by Deep Purple refers to a fire started during the Montreaux Jazz festival by “Some stupid with a flare gun.”)


TIP #4: OVERLY “INVASIVE” PERSONAL SEARCHES ARE NOT OKAY

In State v. Iaccarino, 767 So. 2d 470 (Fla. Dist. Ct. app. 2000) the Court struck down “invasive” entry searches at the “ZenFest” festival. (“Invasive” is legalese for “Wait, you touched people where?”)

I mentioned above that festivals have to show that their entrance searches are being done for a “vital interest” of the festival to be found legal.

In this case the court rejected the idea that keeping drugs out was enough of a “vital interest” to allow this level of intimate and personal searching:

“If this court permitted the illegality of the substances themselves to rise to the level of “vital interests,” then a similar sign posting would justify any search of any person at any time and to any degree. For example, such a “vital interest” could seemingly justify a search at a high school football game, where each student, teacher, and parent could be directed to take off shoes and socks, pull out their bras, empty their pockets and the contents of wallets, and have their crotch and genitals frisked.”

In other words, courts draw a distinction between limited searches for weapons and “invasive” personal searches for drugs.

Part of the problem in the Iaccarino case was how far they were going in these searches. They were basically treating the patrons as if they were being booked into a jail. Searches included things like “genital taps” and “crotch frisking”(!?) (Which probably is not nearly as much fun as the name suggests.)

As a practical matter, often it’s not clear whether the searcher thinks they have the right to search you in a more personal way or if they are asking for permission to do so.

Asking in a calm, polite way, “Are you asking for my permission to search further?” or “ Do I have a choice to be searched in this way?” can clarify if you are being “ASKED” for a further search or being “ORDERED” to submit to a more invasive search. You can then make an informed choice as to how to handle that situation.

Security-Guard-at-Ultra

TIP #5: SO FAR, FESTIVAL ENTRANCES HAVEN’T BEEN DECLARED A “4TH AMENDMENT FREE” ZONE LIKE AN AIRPORT

There are certain places where courts have said the danger of terrorism is so high you are essentially entering a “4th Amendment free” zone and can be searched at will. The most typical example is an airport.

In a 2006 Valparaiso Law Review article the author recaps all the cases I mention above and notes that currently there is no legal way to randomly and invasively search people entering a sporting event.

Rather than thinking, “Oh that must be because WE FREAKING LIVE IN AMERICA” he argues that these cases are old and that after 9/11 we should start treating festivals and sporting events like airports.

In fact, the TSA has already assumed that festivals are like airports and sent its VIPR units out to randomly search festivalgoers.

A conservative court in 2014 might agree with this logic and treat festivals and sporting events like airports. Or after all of the overdoses we see at events a court might change its mind and now consider searching for drugs a “vital interest” for festivals. But it’s important for festivalgoers and promoters to understand that is NOT the law currently.


TIP #6: ACT LIKE A FESTIVAL PRO

You can improve your experience navigating these searches by adjusting your attitude and demeanor. I call it “acting like a festival pro”.

Keep the line moving. Be attentive. Have your ID out and ready, purse open, pockets empty, etc. Maybe skip the “Hey buddy, this is the most someone has touched me all week” joke they’ve heard a million times.

First impressions are important – The security guard will subconsciously make a split second decision about you. Paint the picture you want them to see. Present yourself in a non-threatening manner. Make eye contact. Be friendly. SMILE. Heck you are about to go into an awesome life experience, why wouldn’t you be smiling?

I always show deference to the security staff and say things like, “How are you doing today, sir?” Remember, they are people too and they are just doing their jobs. Many times the staff will be attending the festival too, and they aren’t trying to make your life difficult. You can be calm when you know in the back of your head that if something goes wrong you know your rights and how to enforce them.

And of course, don’t bring in dangerous items to the festival (do I really need to list that?)

Search-Party

TIP #7: IN PRIVATE SECURITY SEARCHES ASK TO BE “EJECTED” RATHER THAN ARRESTED

The 4th Amendment prohibiting unreasonable searches and seizures normally only applies to private security guards when they are acting as “agents of the government.”

To decide this, courts look at whether there is such a coordinated effort between real cops and private security that they are the same. (Things like a unified command structure, same communication system, coordinated arrests etc.)

The bad news is that if private security officers aren’t found to be “government agents,” you can’t get a judge to throw out the evidence against you in a criminal case.

Technically, a private security guard only has the right to arrest you the same way a private citizen does. (A so called “citizen’s arrest”). What I’ve seen as a practical matter is that private security will typically do the initial search and then call the real police in if they find something interesting.

But there are cases that say that private security is only allowed to search you for the purpose of deciding if you should be ejected or allowed in. And if you have something you aren’t supposed to, you can withdraw your consent and ask to be ejected instead.

The Nebraska Supreme court talks about this in a case called, State v. Smith, 782 N.W.2d 913 (Neb.2010)

“The State argues that Smith impliedly consented to the search because he was aware that Club patrons were subject to a pat down and search. That may have been the case when Smith got in line, but Smith withdrew his consent before his pocket was searched. The Club may have been free to turn him away but it was not free to turn out his pockets.”

If private security feels something in your pocket and asks to see it…you don’t have to show them. Respectfully and politely say,

“I am withdrawing my consent to any search. I am asking that I be ejected and my ticket price refunded.”

Drug-Dogs

TIP #8: DRUG DOGS SUCK – AVOID THEM

Here’s the thing, you don’t have a lot of rights when it comes to drug dogs. In Illinois v. Caballes, the Supreme Court ruled that police do not need reasonable suspicion to use drug dogs to sniff a vehicle during a legitimate traffic stop.

The Supreme Court followed that up with the outrageous Florida v. Harris case. Here, the Court rejected the idea that police should have to show that drug dogs are reliable evidence finders but just need to show they had the proper training.

Which is unfortunate because these dogs are not reliable. In their dissenting opinion of Caballes, Justices Souter and Ginsburg pointed to studies showing that drug dogs frequently return false positives (12.5-60% of the time, according to one study). In fact, a Chicago Tribune field study revealed that drug dogs are more often wrong than they are right when alerting for drugs in vehicles.

This poor track record can be due to poor handlers, poorly trained dogs or even there can be officers who train their dogs to falsely “alert” on suspects.

There aren’t many tips to handling drug dogs but my friends at “Flex Your Rights” list a few here.


TIP #9: HANDLE INAPPROPRIATE SEARCHES POLITELY BUT FIRMLY, GET A SUPERVISOR INVOLVED

If you run into a private security guard who is conducting an overly invasive or inappropriate search, alert a supervisor. Have a friend with you document the encounter and let the supervisor (as well as the festival promoters) know that you have been handled in an inappropriate fashion. Most festivals take these allegations seriously and will act to fire unprofessional security guards.

Politely but firmly object to any violation of your body. Simple statements of fact are probably best

Example, “What you are doing is making me uncomfortable and I you want you to stop. I want to see a supervisor.”

If you are not getting any satisfaction from the festival or the promoters, consider warning others about the bad behavior of this particular fest. (I had a follower suggest tweeting the hashtag #myboobsmybody to call out festivals if they become “Gropefest 2014”)


TIP #10: COMBINATION ANNOYING LEGAL DISCLAIMER AND HELPFUL LEGAL BRIEF

I am a lawyer, I am just not YOUR lawyer. My Facebook page lists me as a “Fictional Character.” That’s because it’s best to see me as sort of a combination legal resource/legal spirit guide/festival consigliere rather than someone giving you specific legal advice.

So, I can’t give you specific legal advice. But what I can do is provide a resource for you.

The awesome members of the #festlaw crew researched a lengthy brief that might be a good resource for your attorney if you are ever have the misfortune of being arrested for any sort of low level, non-weapon situation. I’ve included it here as a resource. You may reproduce fully and in any manner you or your attorney sees fit.

So, as your Legal Spirit Guide, I advise you, as always, to make good decisions, party smart, and help each other out. YOU are what makes this community so great, and I expect to see you all smiling and hi-fiving me at your next festival.

Festival-Lawyer

Treasure Island 2014 trends toward indie dance-pop

Treasure Island Music Festival

Treasure Island Music Festival //
Treasure Island, CA
October 18-19, 2014 //

Dance-oriented pop is taking over music festival curation, while rock is beginning to die a slow death when it comes to Bay Area festival lineups. Overall, this appears to be the trend for Treasure Island Music Festival in the San Francisco Bay.

While the daily lineups haven’t been announced yet, the upbeat dance acts for Saturday and the rock-oriented Sunday performers were easy to divvy up at this point in past years. It appears this line has been blurred significantly. Sure alt-J, TV On The Radio, The New Pornographers, White Denim and The Growlers seem like solid bets for the traditional day of rest, if past years hold true, but who will headline Sunday between OutKast and Massive Attack? Rap acts have always seen the stage on Saturday, so we’re thinking OutKast is a lock for Saturday.

And speaking of the first rap headliner in Treasure Island Music Festival history, San Francisco proper will get a visit from the ATLiens after their highly successful headline set in Napa a few weeks back. Since catching their stride, 3 Stacks and Big Boi have been murdering large crowds across the globe with a mix of hits, old favorites and a smattering of solo material. So, go re-learn the “Roses” dance for what is sure to be the peak of energy on the island. Also with Janelle Monáe on the bill, expect at least one special guest appearance for the Big-Boi produced “Tightrope”.

READ OUR REPORT FROM TIMF 2013

BqWqdSuCAAAKH8a.jpg-large

2014 breakout acts Jungle, Banks and Chet Faker, all of whom recently played sold out shows at the Independent in SF, are remarkably high on the bill, but odds are they will be in the perfect slot come October. If you haven’t heard of Jungle yet, they performed on Jimmy Kimmel Live last night and crushed it. Emerging acts that can catalyze ticket sales are an increasingly important premium when curating a festival lineup, hence Jungle & Banks’ mid-to-upper lineup position.

Female acts are never appropriately represented based on the statistical division of sexes at a festival, but TIMF has done a great job of lessoning the gap this year. Janelle Monáe, The New Pornographers, St. Lucia, Banks, Jungle, MØ, Poliça and more will be at the Festival on the Bay come October.

alt-J played at Bottom of the Hill in December 2012, and here they are as a prime sub-headliner. The response to the recent announcement of their second album and tour behind it shows that this makes sense.

The New Pornographers also announced a brand new album recently, and they’ll be returning to the bay via TIMF with original members Neko Case and Dan Bejar from Destroyer.

There may be less rock in the vein of Interpol, The Strokes and Parquet Courts than past years, but there is no doubt this lineup is loaded with fun, upbeat acts. What are you most excited to see at TIMF 2014?

2-Day GA, VIP tickets and Parking Passes On Sale Thursday, June 19th at 10AM PT!

OutKast
Massive Attack
Zedd
alt-J
TV On the Radio
Janelle Monáe
The New Pornographers
Washed Out
St. Lucia
Banks
Jungle
White Denim

Poliça
The Growlers
Classixx
Chet Faker
Ryan Hemsworth
Ana Tijoux
Asgeir
Xxyyxx
Ratking
Tobacco
Bleached
Painted Palms
Waters

Treasure Island Music Festival Scene

BottleRock 2014: Don’t call it a comeback

BottleRock-Crowd2Photos by Tom Dellinger // Written by Mike Frash, Molly Kish & Kevin Quandt //

BottleRock Napa Valley //
Napa County Fairgrounds – Napa, CA
May 30th-June 1st, 2014 //

Never has a festival jumped onto the ‘90s nostalgia train as BottleRock Napa Valley 2014 did. Curated largely around bands that peaked more than a decade ago — including The Cure, Weezer, Blues Traveler, Third Eye Blind, Barenaked Ladies, Smashmouth & LL Cool J — it was easy to wonder if aiming for an older demographic made sense when it’s largely youngsters that are feeding the current festival boom.

So was this a smart move for a festival in the heart of wine country? Damn straight it was.

The Napa Valley location screams “destination-event” for folks 15-years into building their 401K, helping to feed the local economy in a serious rebound year. But it’s dangerous to throw all the musical eggs into such a narrow basket. Enter OutKast, the festival booking of the summer, and other strategically-placed artist options that appeal beyond mainstream radio. Year two has proved that BottleRock Napa Valley is eclectic in a way that is truly their own.

In the words of LL Cool J, don’t call it a comeback, as the third iteration of BRNV has already been announced. Now that opinions have settled and the wine stains have been removed, here are our top five sets of the weekend, along with a breakdown of BottleRock changes this year, for better or worse.

BottleRock

Top 5 Sets of the Weekend

The Cure
Robert Smith still has “it”. Simply put, the 50-something frontman is still the musical force he was well over 30 years ago, and he effortlessly proved that to a modest, yet passionate crowd. Being rewarded with the longest set of the weekend was no surprise and it was easily tackled by Smith and cohorts as they jumped seamlessly between slightly more obscure tracks such as “alt.end” or “Never Enough” and sing-along hits like “Lovesong” and “Friday I’m In Love”. “Before Three” was a hardcore-fan favorite as it has been considered a shining light on 2004’s self-titled and hadn’t been played on stage since the same year. All in all, this set was one massive treat for fans of The Cure as the superb sound, manageable crowd and intricate setlist added up to the undoubtable highlight set of the weekend. Hell, not even having the sound cut due to a strict curfew in the second encore during “Why Can’t I Be You?” could phase the band or crowd. -KQ

TV On The Radio
One of the more avant-garde sets of the weekend came from TVOTR as they rocked a mid-sized Friday afternoon crowd. Many attendees were camping out for The Cure and were treated to a twelve song barrage of hits and reconfigured favorites. Working the heat-stricken crowd, the band debuted three new songs off an album in the works, igniting a strong response from die-hard fans — two of which were played mid-set before launching full throttle into a stirring second half of their performance, including an spectacular punk rendition of “Staring at the Sun”, played at double the pace. Other highlight tracks included “Golden Age”, “Halfway Home” and an impressive delivery of “Wolf Like Me”, riveting the crowd to unleash their inner beasts. -MK

OutKast
Saturday clearly took the crown for busiest day in celebration of André 3000 & Big Boi’s reunion tour appearance, and disappoint they did not. Tightly produced and incident free, OutKast’s headlining set kept the fairgrounds bouncin’ and engaged, often relating between-song banter to the Bay Area. For anyone that attended the first weekend of Coachella, this was a redemption show. It was nearly the same set list and performance, but this time without the technical glitches and awkward stage presence of André 3000. While Big Boi is the consistent, poised professional, his partner is a bit of a wildcard, yet he shined bright this night. André 3000’s rhymes were clean and on point as he sported a jumpsuit with “I’ve never had F@cebook, Twitt@r or Inst@gram” written on it. The fairgrounds were alive all the way to the back, with virtually everyone vibing to the music. Overall, it was a winning return to Northern California, even though the Atlanta duo ended fifteen minutes early without an encore, disappointing many still hanging on every word from the last song of the night, “The Whole World”. -MF

Weezer
Weezer was the best example of a band well equipped to override the generational gaps of the weekend. Beyond the likes of Third Eye Blind, Weezer is arguably the most successful band on the bill in the context of career spanning, mainstream radio airplay. Even after playing through the set’s first song “My Name Is Jonas”, completely unaware they were absent of sound, Weezer still went on to perform one of the most memorable sets of the weekend. It was a near-perfect technical glitch, causing the main-stage audience to erupt into uproarious cheers once amplified sound returned. Pulling from their long list of hit singles, Weezer covered their entire body of work and even managed to mix in some band improvisation and cover songs. Highlights included Rivers Cuomo and Patrick Wilson switching instruments for “Photograph” and a cover of Blur’s “Song 2”, as well as Scott Shriner working the Primus hit “Jerry Was A Race Car Driver” into their self-titled album single, “Pork and Beans”. -MK

Deerhunter
“The Deerhunter musical group,” as they were introduced on the smallest stage late Sunday, must have felt a bit out of place due to the sparse crowd and intimate setting. But Bradford Cox’s group paid no mind for this one-off performance. While Eric Church and The Fray played to much bigger audiences, Deerhunter’s unique combination of shoegaze, noise-pop, and psych-rock offered a clear alternative to mainstream fare. An opening section of ‘Nothing Ever Happened” into “Hazel St” from the group’s early material was blissfully extended into jam territory, led by guitarist Locket Pundt — the elongated bridge between the songs sounded like a Lotus Plaza cut, another group that Pundt fronts. Highlights from Deerhunter’s most recent records, Halcyon Digest and Monomania, filled out the set, and another extended segment from “Desire Lines” directly into “Helicopter” hypnotized. As expected, Deerhunter delivered a transcendent set that felt like something out of a dream. -MF

BottleRock-Crowd

For Better or Worse…

Although similar in many aspects to BottleRock’s first year, many issues were vastly improved while certain complications remained.

Improvements:

•The amount of general admission bathrooms seemed as though they nearly doubled this time around, making it a very easy process to get in and out for the least favorite part of any festivalgoer’s experience.

• Larger and more staff-operated water filling stations kept concert attendees well-hydrated.

• There was an increase in knowledgeable and friendly volunteer staff who were generally excited to help with questions.

• Food options were improved, further enhanced by vendors on foot providing quick access to snacks and beverages without having to leave your spot amidst even the largest crowds of the weekend.

Questionable Changes:

• The absence of last year’s indoor comedy showcases, which provided hilarious, air-conditioned entertainment away from the penetrable afternoon sun was disappointing.

• There were price increases and a lack of varietal options in the sponsored tasting rooms. Not being able to sample enough participating vineyards due to the $15 per glass price removed most concert goers from the “wine” identity of the festival.

• The wine pouches similar to Capri Sun were gone this year, and perhaps we should file this under “Improvements” since this meant there were way less “wombies” wondering the grounds this year.

• Encouragement of lawn chairs and blankets caused some spatial constraints throughout headliners sets and afternoon/evening crowds, particularly on Saturday. Although, those who set up vast camps by staking their claim early benefitted from the suggestion.

Remaining Issues:

• For those that partook in the festival shuttle service to the parking lots four miles away, transportation issues remained or worsened. Between going to the wrong lots and sparse directions available upon leaving the venue, the BRNV’s travel turmoil remained at the forefront of festivalgoer discrepancy.

• Corporate sponsorships somehow increased this year, as video advertisements with audio between sets didn’t feel right, especially when daily tickets already cost $150.

• Set scheduling was a bit of a problem considering this year’s larger crowds. Whereas most festivals will organize acts to start/finish at separate intervals throughout the day, crowds we’re releasing from all three stages at parallel times throughout the weekend, unleashing hoards of folks upon vendors and bathrooms at the same time.


Live 105’s BFD festival lives up to its name

BFD_POSTPhotos by Marc Fong // Written by Krystal Beez //

Live 105’s BFD //
Shoreline Amphitheatre – Mountain View, CA
June 1st, 2014 //

Live 105’s annual BFD festival has been around since 1994, and the festival has hosted A-list artists such as The White Stripes, The Killers, Garbage, Diplo, Snoop Dogg and Knife Party, to name a few. Over the years the festival has grown, selling out the last couple of years, and the Bay Area radio station hosts a Cheap-Ass Ticket Party for $10.53 when tickets went on sale (you know you have a good thing going when many people arrive at 6 a.m. for discounted tickets). This year, as 20,000 people descended on the Shoreline Amphitheatre, these five artists really stood out.

MS-MR

1. MS MR
MS MR’s performance was impressive, as Lizzy Plapinger’s vocals hit the mark while the group’s instrumentals were near flawless. Their alternative, dark wave sound translates well onto the stage, creating an immersive performance that felt special to witness. This duo, that also includes Max Hershenow (aka “MR”) is polished and popular enough to play the main stage at BFD — perhaps next time. If MS MR is playing in your area, do what you need to do to get yourself to the show.

2. AmpLive
Wow. Known best as half of the duo Zion I, this hip hop producer, performer & DJ got the Subsonic Tent going crazy! He dropped Snoop Dogg’s “Drop It Like It’s Hot” into The Fugees’ “Ready Or Not” into “I Got 5 On It” into “Feelin Myself”, and everyone present within the range of AmpLive’s speakers was most definitely feeling themselves. Check him out whenever he’s town for a proper dance party.

Phantogram

3. Phantogram
Sarah Barthel and Josh Carter are no strangers to performing in festival environments, and that was apparent on Sunday at the main stage. Phantogram gave an exceptional performance, and it was delightful to hear them play a few tracks from their debut LP, Eyelid Movies. Catch them at First City Festival in Monterey this August to see for yourself.

4. RAC
Another artist that kept us dancing at the Subsonic Tent was electronic/rock remix outfit RAC. No surprise here, RAC live is always going to be a dance party that pops off. They played a lot of their remixes as well as originals from Strangers, released earlier this year.

M.I.A

5. M.I.A.
M.I.A. clearly still has it going on. Her newer material from the underrated Matangi impressed on main stage — the only question: Shouldn’t she be headlining BFD at this point over Foster the People?

Overall, BFD continually delivers a diverse lineup. The main stage and festival stage contain eclectic acts, ranging from established artists to the up-and-coming next big things. The Subsonic Tent is a perpetual dance party, and the Local Stage is a real treat for Bay Area music fans, as it’s often a jumping off point for many local artists. It wouldn’t be surprising to see Waters, French Cassettes & The Hundred Days break out soon. Until next year!

BFD

PHOTOS: Santa Cruz Blues Festival 2014

Santa-Cruz-Blues-Fest_Post

Photos by Susan J Weiand //

The 22nd Annual Santa Cruz Blues Festival //
Aptos Village Park — Aptos, CA
May 24th-25th, 2014 //

Set in beautiful Aptos Village Park in nearby Aptos, Calif., the Santa Cruz Blues Festival has hosted many blues legends over years, including BB King, Albert Collins, Bonnie Raitt, John Lee Hooker and Ray Charles. This year, some talented new-comers and a couple of heavy hitters graced the stage during the two-day festival.

Great weather and enthusiastic audiences provided a backdrop to the music. Saturday saw performances by bluesy diva Nikki Hill, a rare appearance by Dave Alvin and his brother Phil Alvin, powerhouse funksters Trombone Shorty & Orleans Avenue and rootsy bluesman Tab Benoit from New Orleans, and the legendary Gregg Allman and his band. Sunday brought guitar-playing rising star Ana Popovic, Black Crowe’s Rich Robinson with his own band, crowd-pleasing Jackie Greene, Vintage Trouble (who blew the crowd away with its powerful R&B and stage presence) and popular crooner Chris Isaak.

High Sierra Music Festival: Why we keep going back

HSMF_POSTBy Mike Frash // Photos by Sam Heller & Sterling Munksgard //

High Sierra Music Festival //
Quincy, CA
July 3rd-6th, 2014 //

Festival loyalty not only helps a festival survive, but also thrive. Case in point — High Sierra Music Festival in Quincy, CA. For the 24th consecutive year, the High Sierra faithful have their Fourth of July weekend plans booked for this fest that curates around jam bands, funk, new grass & electronica. But as HSMF veterans know, it’s about so much more than just the music. Here are seven reasons we keep going back.

Take a look at our fest review from 2013 and purchase tickets here.

Listen & follow our High Sierra Music Festival Playlist.


The HSMF Community & Scene

1. The Community & Scene
There’s a sense of community the permeates High Sierra Music Fest and its attendees, where simply being nice has a contagious effect. Some groups come armed with themed camps, helping to create group unity. High Sierra is a place where upgrades happen on a regular basis. And since it is such a thoroughly “professional partying crowd”, it’s permitted to carry around adult beverages in all spaces (but no glass bottles are allowed into the main stage). Hydrated people party harder!


Music Mainstays

2. Music Mainstays, Pop Up Shows & HSMF Culture
The recurring artists at large, the Artist Playshops, Guitarmagedden, Sunday Gospel, unannounced sets on busses and in camping areas — these year-to-year and random one-off events are cherished. And don’t forget other mondo culture pieces like fire shows, Sunrise Kickball, yoga (including the laughing variety) & pilates, parades, late night shows, night time neon-psychedelic shuttle rides & rage-tastic moments like the 5AM bacon and mimosa party.


A Laid Back Vibe Like No Other

3. A Laid Back Vibe Like No Other
With a mentality somewhat akin to Burning Man, most folks are helpful, smiley, fun and prone to sharing. High Sierra is not a place to be seen, or just an “event” (unlike bigger festivals) — rushing and cell phones are left at the door. A consistently respectable atmosphere, many families bring their youngsters (the Rockin’ Nannies are always an option). A wonderfully intimate festival, there aren’t many shows that require you to pre-plan and be there early for a prime spot.


Proximity to the Music

4. Camping Close to the Music
The home camp location can be everything at a festival. How often can you camp right next to the stage, enjoying the music from your campsite? And if you can’t spring for a FestivALL Pass to secure prime real estate, camp should only be a short walk away. There’s something happening at any hour of the day at HSMF, so it’s good to be close.


Practicle-Matters

5. It’s the Little Things…
Brick & mortar showers and toilets are available for those with a visceral fear of port-a-potties. And there’s always plenty of cerebral signage containing wise words of wisdom to send you off on your way with inspiration. And always remember, Frickles are for friends, a McLarry Breakfast Sandwich can cure a brutal hangover and there’s a refreshing pool within a stone’s throw away.


Stealth Booking

6. Stealth Booking
The headline sets deliver, but it’s the emerging acts that often offer the biggest auditory thrills during the extended holiday weekend. Many bands play two shows, doubling the opportunity to catch breakout performances. Over the past few years, The Lumineers, Edward Sharpe and the Magnetic Zeros, Lord Huron and Gary Clark Jr. have occupied the secondary stages for multiple days. This year, Typhoon fits this trend.


The Location

7. The Location & Weather
The High Sierras surrounding the festival grounds offer impressive forest scenery, the weather is hot-but-bearable in early July (just as it should be), and some take a break for a day trip to the river (when the water isn’t too high). The smell of wood is ever-present, propelled by a logging facility across the road. Quincy is an ideal location for a NorCal escape.

HSMF Culture

Decanting BottleRock 2014 before its return to Napa

BottleRock_post1Photos by Susan J Weiand // Written by Molly Kish //

BottleRock Napa Valley //
Napa County Fairgrounds – Napa, CA
May 30th-June 1st, 2014 //

After a rocky start to their inaugural year, BottleRock Napa Valley is back with an even bigger lineup of artists, vendors and something to prove. Distancing themselves from the legal woes of 2013’s dramatic aftermath, the festival is moving forward under a team of new, local management calling themselves Latitude 38 Entertainment. With roots in the community and genuine concern for the Napa Valley resident’s concerns regarding Bottle Rock, the team took on millions of dollars in outstanding debts and made promises that the 2014 festivities will provide a mutually beneficial boost for the local economy.

The festival will be running three days — Friday, May 30 through Sunday, June 1 — and tickets are available to purchase as a single day, three day pass, VIP, Platinum and group rate packages.

Each day’s line up is uniquely billed and arguably draws some of the largest and most genre-diversifying names currently touring. Although garnering some critical slack for the pronounced representation of late nineties buzz bands, there’s one undeniable truth that Bottle Rock has over every other Northern California-based festival for the remainder of the season…they won the bidding war for OutKast! The duo of André 3000 and Big Boi will be lighting up the Napa Valley Fairgrounds with one of the West Coast’s most anticipated tour stops of 2014.

Showbams recommends the following performances:

Friday:
-The Cure
-TV On The Radio
-Mayer Hawthorne
-Robert De Long
-Karl Denson’s Tiny Universe
-Railroad Earth
-Delta Rae
-Empires

Saturday:
-OutKast
-De La Soul
-Third Eye Blind
-No Age
-Weezer
-Blues Traveler
-Tea Leaf Green
-The Soft White Sixties

Sunday:
-Deerhunter
-Thee Oh Sees
-Black Angels
-LL Cool J with DJ Z-Trip
-Camper Van Beethoven
-The Stone Foxes

Check out a full rundown of the Bottle Rock daily schedule.

BottleRock_post2

While general admission will gain you access to all of the festival stages, wine tasting tents and gourmet food court, if you’re feeling like dropping a few extra dollars, the VIP perks this year have significantly upgraded.

Beyond the parking, ins-outs, shaded bars and private bathroom areas, VIP ticket holders have an entirely separate area to catch live music with the addition of the 2014 VIP Lounge. The lounge offers comfortable seating paired with access to private food and wine experiences, available strictly to VIP ticket holders.

Platinum Passes take it one step further with on stage viewing spots, meet and greet opportunities, on-site concierge service, catering by Napa Valley celebrity chefs, premium cocktails/boutique wine selections and parking on the event site.

The opportunity to indulge in gourmet food, artisan spirits, craft beers and clink glasses with local vintners plays a unique role in the distinctive BottleRock experience. Unlike other festivals nationwide, the location of the fairgrounds truly allows for the community to showcase what they are known for worldwide on an incomparable scale. Highlighting elite members of Napa’s award winning food and beverage industry, concert goers are awarded the unique opportunity to meet and greet local celebrities, excited to introduce the fruits of their labor with the festival community.

Ultimately, BottleRock Napa prides its sophomore year on creating an entirely new and hopefully opinion-altering experience. Under new management, the festival is aiming to please! With a little bit of something for everyone, BottleRock’s eclectically impressive line-up, craft libations and finger licking festival fare, tickets are dwindling and rightfully so. Get on it!

bottle-rock

SF Oysterfest gains steam as Edward Sharpe & company fizzle

Oysterfest-2014

Photos by Sterling Munksgard and Marc Fong // Written by Mike Frash //

SF Oysterfest featuring Edward Sharpe & the Magnetic Zeros, Poolside, Ra Ra Riot, Crash
Sharon Meadow, Golden Gate Park — San Francisco
Saturday May 10th, 2014 //

San Francisco Oysterfest scored with warm, breezy weather Saturday, attracting throngs of the City’s young and beautiful ready to spread positive vibes and cultivate a happy scene. There seemed to be an increase in attendance compared to a year ago, the first time Oysterfest was held in San Francisco’s Golden Gate Park. Many people, it seemed, attended to enjoy the pleasant environment, including the social scene & vender options, as much as the music itself — hell, it is called Oysterfest. But when it came to the music, one ascending group took another step up the ladder while a more established ensemble was missing a very important component, setting the stage for a mediocre performance at best, and a train wreck in slow motion at worst.

Ra-Ra-Riot

But first, New Orleans-based Crash got things going, exemplifying how influential Edward Sharpe & the Magnetic Zeros have been over the past five years. Their jangly, updated Americana sounded familiar upon first listen. Next up, fans of chamber pop and indie rock geeked out for Ra Ra Riot. The six-piece did their best to impress, throwing passion into every song. Between sets, DJs pumped the bass & nu-disco, juxtaposing the relaxed party atmosphere appropriately.

Poolside

Poolside have continuously grown in popularity since their first album Pacific Standard Time launched in the Summer of 2012. The partnership between Filip Nikolic & Jeff Paradise has fleshed out to a five-piece outfit on tour, lending additional layers to a unique niche of dance music they have coined “daytime disco”. A perfectly descriptive phrase for the group, Poolside’s briskly-paced instrumentals with a casual, chill tone balanced nicely with decadent-yet laid back nature of the fest.

As the set continued, more and more people gave in to the flow of the set, which included steady churners “Do You Believe?” and “Next to You”, along with the usual cover of Neil Young’s “Harvest Moon” and a less usual but excellent take on David Byrne & Brian Eno’s “Strange Overtones”. Poolside showed, once again, they can easily control the vibe of a crowd, especially in open outdoor spaces. On a random note, Filip Nikolic is nicknamed “Turbotito” in his former/other band Ima Robot, which is fronted by the one and only Alex “Edward Sharpe” Ebert.

Edward-Sharpe-&-the-Magnetic-Zeros3

The headlining set featuring Edward Sharpe and the Magnetic Zeros started delightfully enough, as it always has, with “40 Hour Dream”. After a strong opening, it became clear something was unfortunately very different than usual. The Magnetic Zeros were missing their crucial female members, accordion player and vocalist Nora Kirkpatrick & more critically, Ebert’s partner in crime Jade Castrinos. Some songs that heavily involve Castrinos were not included in the set, others had trumpeter & keyboardist Stewart Cole covering her parts.

The back & forth love, laughter & chaos between Jade and Alexander, inspiring as it truly was at High Sierra Music Festival in 2010 or as volatile and crazy as it certainly was at BottleRock 2013 (where Jade went into the audience for 2-3 songs and wouldn’t come back to the stage), almost always provides a dynamic spark. They draw inspiration from each other. They bounce improvisational banter and goofy body language off one another. Jade has her own breathtaking songs like “Fiya Wata”, and her first notes of the show usually elicit palatable excitement from the crowd. All this was missing Saturday. This 100% male version of the Magnetic Zeros showed how important Jade Castrinos is to Edward Sharpe, and that they probably shouldn’t be playing live shows without her.

UPDATE 6/3/14: Jade Castrinos confirmed she was voted off of tour via email.

Edward-Sharpe-&-the-Magnetic-Zeros2

After a long mid-section collection of cuts from the group’s self-titled record from 2013, many in the crowd lost focus or started heading for the gates. Edward Sharpe was starting to lose ‘em. As the show neared the end, Ebert thanked the “awkward crowd in front” and told one attendee to sell their dog before announcing they would finish with their super-maga hit, “Home”.

For the first time in the 80-minute set, Ebert acknowledged Jane’s absence, only saying, “Things happen, let’s work this out.” No explanation was given for the absence of Castrinos or Kirkpatrick. Edward Sharpe then chose one random man and woman from the crowd and brought them on stage to sing the verses he and Jade normally sing. Let’s just say it didn’t work out well — Ebert had to pick up the vocals for both guests as voices cracked and lyrics were forgotten. The band kept it together well enough, but as the final outro was delivered, the sound uniformly fizzled out as if the power had been pulled.

On a positive note, most everyone jumped up and down and had a big smile on their face during “Home”, despite the karaoke factor. But music criticism aside, Oysterfest was consistently a fun, friendly event at a prime SF location on a lovely day. What else do you really need?

Edward-Sharpe-&-the-Magnetic-Zeros

The “Know Your Rights” infographic at a festival

FestivalLawyer_EMBED

Download the infographic image or PDF //

SHARE THIS KNOWLEDGE WITH OTHERS
People often suggest to me that either 1) It’s somehow “Un-American” to talk about your rights when dealing with the police or that 2) Somehow only someone who is intending to break the law would need to understand their legal rights.

As to 1) This is really some dangerous nonsense. In fact this honestly might be one of the craziest ideas that has ever taken root in our Country and as to 2) As I always say “It’s better to know your rights and not need them, than to need your rights and not know them.”

The accompanying article goes into an overview of some 4th Amendment law in more detail. But really the infographic is meant to be shared even without the article. Feel free to share this infographic on Twitter and Facebook. Tag family members or friends who might be going to a music festival. Share your experiences and insights. Do more reading of your own and share that too.

As the very last part of the infographic says
You have rights. Know them.


Tweet & Retweet at Twitter (use the hashtag #KnowYourRights)
Share at Facebook
Upvote & Comment at Reddit
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Ed. Note: The Following breaks down the Festival Lawyer’s infographic in more detail:

The “Know Your Rights” infographic – A Police encounter “Flow Chart”

A lot of people write me asking how they should have handled a negative encounter they had with the police at a music festival or rave.

I keep hearing phrases like, “I wish I had known that I didn’t have to make a statement” or “I didn’t know I could say no” or “I wasn’t sure if I had a right to leave or if the cop was detaining me.”

The fact is that you DO have rights in dealing with the police. The “Know Your Rights” infographic is meant to be used as a practical flowchart of what your rights are at every stage of a police encounter.

A COP “STOPS YOU” AT A MUSIC FESTIVAL

The 4th Amendment of the Constitution prohibits “unreasonable” searches and seizures. That means you are supposed to have a right as a citizen to freely go about your business without being randomly detained or investigated. In order to “stop” you, an officer first has to have a belief that you were engaged in criminal activity.

There are 3 levels of police “stops”. At each higher level of police encounter, the police officer has to show more justification as to why he stopped you.

Consensual Encounter – A police encounter where you are not the subject of a police investigation and are free to leave. Officers don’t have to legally justify a consensual encounter because you can leave at any time.

Detention – A police encounter where you are temporarily stopped while the police investigate you for a crime. Officers must have a “reasonable suspicion” that you were involved in criminal activity to detain you.

Arrest – Permanently stopped and on your way to jail. An officer must have “Probable Cause” to believe you committed a crime to arrest you.

You know how H20 can be in three different physical states? (Steam, water and ice if you don’t have your 4th grade science notes handy) Well, the 3 levels of police stops are similar. Each of these levels is sort of a different legal “state” of being. And your rights are different in each of these “states”.

There are some big differences of course. In the H20 example you end up with an ice cube. In the police stop final state you end with a cell mate named “Bubba”.

One of the main goals of the infographic is to give you the right questions to ask so that you will know at any time which level of police “state” you are in. (Get it? police state? See what I did there?).

AM I FREE TO LEAVE?

If you are stopped by a police officer, the first question out of your mouth should be, “Am I free to leave?”

Asking this question gets you an immediate answer as to whether you are legally “detained” or free to leave. It also puts you in the best legal position possible should you later want to challenge the legality of the police stopping you. If you challenge your detention, the officer will have to show a “reasonable suspicion” of criminal activity based only on the facts existing at the moment you said the phrase and he detained you. Nothing AFTER that moment can be used to justify the stop.

Here is a practical example of the use of the “Am I Free to leave” phrase.

“YES” = LEAVE

As you can see from the decision tool, if you get a “YES” after you ask “Am I free to leave? The only “action item” is to LEAVE.

Again, there is a legal reason for this. If you don’t leave immediately when given the chance, a judge may later rule that you were free to leave but that you chose to stay. (In other words, it was a “Consensual Encounter”). As I mentioned above, an officer never has to legally justify a “Consensual Encounter”.

In other words, once you get a “YES”, the best and only advice is “You got to get out of there”

“NO” = DETENTION

A “NO” answer means that you are detained and no longer free to leave. You are enough of a suspect that Marge Gunderson would consider you to be, “fleeing the interview” if you left at this point.

It’s important to remember that officers DON’T have to read you your Miranda rights in a detention. Don’t respond to questions like “What is this?” or “Whose backpack is this? or even something innocent like “How long have you been here?” as they can be legally used against you later.

MUST SHOW ID

Some civil libertarians would argue that you legally never have to show a police officer your ID unless you’re driving a vehicle or you are a passenger on a commercial airline. The problem with that is that a number of states have what are called “stop- and-identify” laws. These laws give cops the authority to make you identify yourself if officers have a “reasonable suspicion” to believe criminal activity may be taking place.

As of 2013, 24 states had stop-and-identify laws. Since you already asked to leave and were told “NO”, the officer clearly thinks he has a “reasonable suspicion” to detain you. To me, it’s too risky not to show your ID (and give your correct name) once detained. But as with everything in this article, do your own research for your state laws and make your own best decision.

WHY AM I BEING DETAINED?

If you are detained, calmly ask, “Why am I being detained?” This can be valuable if you later want to fight your case in court.The answer the cop gives may limit what he can later claim was the reason for stopping you.

It’s important not to use this question as an excuse to start arguing with the cops. I can’t stress enough the prior advice about not talking to the police. People who talk to the cops end up in a legal situation we call “raptus regaliter” (royally screwed).

“AM I NOW FREE TO GO?”

In an encounter with the police, the courts require you to keep asking to leave or you may be deemed to be in a “Consensual Encounter”. If the answer is “YES” then leave. If the answer is “NO” you will need to determine if you are under arrest by asking the following:

“AM I UNDER ARREST?”
“YES” = ARRESTED
“NO” = “FUNCTIONAL EQUIVALENT” (COVER BAND ARREST)

Legally, if a detention goes on long enough, it becomes an arrest even if the officer doesn’t say the magic words “You are under arrest”. Basically, if you keep asking to leave and the cop doesn’t let you go the courts say you are in the “functional equivalent” of an arrest. I call this a “Cover Band” arrest. The officer may not be calling it an arrest, but it sure looks, feels and sounds like an actual arrest.

Whether the officer is calling it a “detention” or an “arrest” as a practical matter you should make the two statements listed at the bottom of the infographic to fully protect your legal rights.

“I’M NOT GIVING YOU CONSENT TO SEARCH MY PERSON OR PROPERTY”

Cops always make it seem like you’re some kind of a criminal if you express the slightest hesitation about having your property searched without a warrant. You can expect to hear an “If you have nothing to hide, why can’t we search your stuff?” type of response from the cops.

Know this…If the police are asking you permission to search you or your property, it usually means they know they are making an illegal search.

The police may have a legal right to search you without your consent. (For example, if you are arrested and the officer had probable cause for that arrest) But what you’ve done by making this statement is preserve all your legal rights and force the police to show they are legally entitled to search you.

“I DON’T WANT TO GIVE A STATEMENT. I WANT A LAWYER”

Cops will say that a person invoking their rights in this way has “lawyered up”. In addition to sounding cool, there is a really good legal reason for “lawyering up”.

As I mentioned above, the police only have to read you your Miranda rights if you are under arrest (or a “cover band” equivalent of arrest). The police can legally question you without Miranda rights in a detention.

In Salinas v. Texas (Jun 17, 2013) 133 S. Ct. 2174 the Supreme Court took that rule a step further. The Supreme Court ruled since it’s legal to question you during a detention it’s also fair for a prosecutor to comment on your silence. In other words the prosecutor can say how suspicious it is that you didn’t respond when a cop made a damning accusation to you like, “I know it was you, Fredo!

The Court ruled that your silence in the fact of an accusation can be used against you unless you make it clear that you were affirmatively exercising your right to remain silent and have a lawyer present for questioning.

In other words, you have to SAY OUT LOUD THAT YOU WISH TO REMAIN SILENT…which would make an awesome Newspeak poster in Oceania by the way.

VIDEO TAPE THE ENCOUNTER

Recording a police encounter can be one of the most helpful things a festival buddy can do to help a friend being arrested. However, it’s also one of those areas where you can easily end up in legal trouble yourself from taping.

I strongly suggest you review your state’s laws and have an understanding of what you need to do legally before attempting to video the police. Here is a good starting place.

If you feel you can safely and legally video tape the encounter I suggest that you say the following if cops instruct you to turn off the camera.

“Officer, I’m not interfering with you in any way. I am just documenting this arrest. This is a public place and I’m entitled to record this.”

While making this statement, I would make a show of backing up and getting out of the way to prove that you are not interfering but just observing.

Festival-Lawyer

PHOTOS: Bicycle Day Weekend with Lotus, Gramatik, MiMOSA & more

Bicycle-Fest_postBy Sterling Munksgard //

Bicycle Day Weekend featuring Lotus, Gramatik, MiMOSA, Star Slinger, OPIUO //
The Regency Ballroom – San Francisco
April 19th-20th, 2014 //

Tigers and EDM and 4/20, oh my!

Bicycle Day SF took place over two nights featuring speakers on drugs, live painting, costumes, light shows and multiple floors of dance music. Electronic jam band Lotus along with electronic producers Gramatik, MiMOSA, Star Slinger and OPIUO each performed at The Regency Ballroom, and we were on the scene to capture plenty of great moments from this year’s annual event.

Coachella 2014: It’s officially festival season

Coachella-Scene1Photos by Marc Fong // Written by Molly Kish, Pete Mauch & Kevin Quandt //

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 11th-13th, 2014 //

Well, that time of year hath arrived in the form of sun burns, overpriced Heineken and jamming in as much music as you can into a three-day window. Coachella has grown to be so much more than simply just a “music and arts festival” now, for better or worse, but it always retains the feeling that something special is really happening on these grass fields. Some embrace it, and many loathe, but overall, time spent at the polo fields in Indio is always an enjoyable romp full of the freshest artists mixed with many old favorites in a colorful sea of eye candy. 2014’s first weekend featured its biggest demand to date as wristbands hovered near four figures and many were left roaming the suburban streets surrounding the site. Yet, this didn’t keep the masses down, and persistence paid off to those who were lucky enough to snag a last-minute pass.

Goldenvoice has feverishly plugged away at creating an encompassing experience to the nearly 90,000 attendees who flock to the wind-swept stretch that is the Empire Polo Club, where it all started 15 years ago. Things have changed each and every year, and at this point, it’s a well-oiled machine needing little tinkering. This year featured more room in the Terrace area with the Do-Lab stage finding a new home off the main field, as well as an expanded Yuma Tent which kept dance enthusiasts complacent to rage in their own little nightclub. 2014 held many surprises that were laid out over the days before the event, culminating with a smorgasbord of guest appearances over the three-day span. Below, you will find some of our favorite sets as presented by the 2014 ‘Chella Bam Team.

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Goat // Outdoor Theatre // Friday 1:25-2:05PM

This show was quite the eye opener for anyone who wasn’t familiar with the Swedish psychedelic outfit called GOAT, especially since this was the first set of the entire weekend for many in attendance. The whole band was masked and decked out in extravagant tribal attire that would fit perfectly into many a children’s nightmares. The band drew songs from their 2012 release titled World Music with the highlight being their single “Run To Your Mama” that had many in attendance gyrating their hips to the infectious groove. I couldn’t think of a better opening set to start the long and definitely weird weekend that is Coachella. -PM


OutKast // Coachella Stage // Friday 11:30-1:00AM

Friday night marked the reuniting of one of the most influential acts in rap, albeit for a crowd that maybe wasn’t ready or as generally excited enough for such a momentous occasion. Saving radio hits for the closing numbers, they pulled from a set list spanning their entire career, including “Aquemini”, “Skew It on a Barbeque” and an explosive version of “B.O.B. (Bombs Over Baghdad)” to start off the set. Several guests joined them throughout their performance, including Future debuting a new track, Sleepy Brown joining in for “So Fresh and So Clean”, and most impressively Janelle Monae gracing the stage for her collaborative performance of “Tightrope”. Each emcee featured segments revolving around their solo work — Big Boi smashed “Shutterbug” while 3 Stacks brought a little tenderness during “Prototype”. A weary crowd, half dominated by a pre-Stankonia generation of EDM enthusiasts, didn’t quite give the response that most would anticipate for the kick off to a massive summer festival tour, and some onstage could tell. However, die-hard fans were pleasantly surprised by the song choices and were bouncing along in camaraderie the entire set. -MK

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Temples // Mojave // Saturday 2:40-3:25PM

The crowd gathered early inside the Mojave Tent to see one of the more buzzed about bands of the weekend, an English Psychedelic rock band simply called, Temples. Fresh off their debut release, Sun Structures, they delivered 45 minutes of psychedelic bliss, drawing tracks mostly off their new album with the exception of a b-side called “Ankh”, which was one of the many highlights of the set. The song is driven by the powerful bassline from Thomas Warmsley and the guitar slaying of James Bagshaw. The song had some serious legs that found the band soaring over the crowd in a psychedelic haze, a plateau they hopefully reach every show. The one-two punch of their singles “Keep in the Dark” and “Mesmerize” had the hot and sweaty crowd in an absolute frenzy. -PM


Future Islands // Gobi // Saturday 7:05-7:55PM

Hot off the release of their fourth studio album, Singles, not to mention their Late Night with David Letterman performance going viral, the Baltimore outfit took the Gobi tent by storm. Sam Herring and Future Islands are not your typical rock band; they are fronted by easily one of the most enigmatic lead singers in contemporary rock. Hurling himself across the floor, throwing wild fists and debuting some brand new gyrating dance moves throughout the set, Herring was feeding off the love from his festival fans and reciprocated in full throttle for the band’s Coachella debut. “Inch of Dust” appropriately opened the show as the palms swayed along in the background while being assaulted by airborne sand particles. Pulling from their entire discography the band catered their signature hard-edged new-wave rock to the festival environment. Herring spoke tenderly to the crowd, re-assuring the youth that things will be alright before falling into “Balance”. Speeding up each career spanning track, such as “Tin Man”, into dance floor face-melters, Herring’s signature growling vocals sparked cheers of enthusiasm from the afternoon crowd. -MK

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Pixies // Mojave // Saturday 8:50-9:40PM

It had been almost exactly 10 years since the original Pixies reunited on the big stage in Indio, however this year we saw Black Francis and associates take to a smaller tent to pummel a decent sized crown with some good old rock and roll. The Pixies’ new release, Indie Cindy, was played before their set, which was somewhat odd, and they played relatively heavy off the release. Highlights of the set included a cover of Jesus and Mary Chain’s “Head On”, along with old favorite “Wave of Mutilation” and “Crackity Jones”. Frank was fired up as he scorned objects being oddly floated over the crowd, possibly miffed at the bleed of the Sahara, but then again, that’s why we love him. “Where Is My Mind?” received popular praise, as always, and featured new bassist Paz Lenchantin wailing as best she could. “Caribou” also showed that Paz can hang with the band, and that there may be a bright future in the coming years for the alt legends. -KQ

Pharrell-Williams

Pharrell Williams //Outdoor Theatre // Saturday 10:35-11:35PM

What turned out to be a tough night for Pharrell ended up being one of the most fun sets of the weekend as throngs of girls belted out “Hollaback Girl” while dudes lit up in honor of Snoop’s presence for “Drop It Like It’s Hot”. The last 2 years of Weekend 1 have been slightly marred by high winds turning into small dust storms, and this year, Saturday was both the blustery day and the big Pharrell show. Promises of guests were fulfilled by the likes of Nelly, Tyler, the Creator, Puff Daddy and Diplo among those listed above. “Lose Yourself to Dance” opener was a good sign as the sizable crowd loosened up to the adventure that lay ahead, but the prolific producer’s voice just couldn’t weather the storm, and the finale of “Get Lucky” and “Happy” was largely sang by the crowd as Williams shook his head in sheer disappointment. -KQ


Nas // Outdoor Theatre // Sunday Midnight-1AM

Hip-hop is alive and well in 2014 and Coachella wanted to reinforce this. If you are a hip-hop head, then this was the year to be at Coachella. With OutKast, Nas, Kid Cudi, Chance the Rapper, GZA’s impromptu set in the Heineken House, and all the special guest MCs throughout the weekend, rap fans had a grand ‘ol time this past weekend. It was known that Nas was set to perform his 20-year-old classic album, Illmatic, in its entirety from start to finish. However, that’s not all that “nasty Nas” had in store for the late crowd. After the fourth track of his legendary album, Nas invited his longtime nemesis Jay-Z to the stage for an unforgettable performance of Jigga’s “Dead Presidents”. If you remember, this is the song that started all the “beef” between the two New Yorkers when Nas declined to re-rap the chorus. All the hate was squashed as the two legendary MCs showed the crowd that it’s all “One Love”. Toward the end of the set, Nas invited hip-hop guru Puff Daddy up to the stage to perform their song “Hate Me Now”, which truly delighted the rap freaks in attendance. Nas was on Point! -PM

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Trombone Shorty & Orleans Avenue // Coachella Stage // Sunday 12:40-1:30PM

Trombone Shorty is arguably the king of New Orleans right now, especially since he has taken the closing duty reigns from The Neville Brothers at JazzFest. So seeing Troy Andrews in the early heat on Sunday was kind of odd as I felt that he deserved a better slot, but that didn’t stop him from performing a fiery set of trombone-driven NOLA funk. The small but very enthusiastic crowd was hanging on every note as he effortlessly banged through his soon-to-be classic hits. “Fire and Brimstone” was a clear highlight of his raucous set as was his closer “Do to Me”, which had the crowd singing along to every word. Trombone Shorty is truly a national treasure, and you gotta tip your cap to Coachella for even having him on the bill. -PM


Arcade Fire // Coachella Stage // Sunday 10:20-Midnight

Closing out festivals isn’t anything too out of the ordinary for these veterans, especially after 2011’s massive display, so Win Butler and cohorts knew to bring all the stops. Touring in support of their critically acclaimed fourth studio album, Reflektor, the band had various options of surprise guests they could potentially have join them on stage as a grand finale to Weekend 1. Rumors of David Bowie or James Murphy had the crowd abuzz due to their direct involvement with the latest release. Halfway through the epic set of hits from both 2010’s The Suburbs and cuts off of the new album, the band broke into the opening notes of Blondie’s “Heart of Glass”, only to be joined by Debbie Harry of Blondie fame for this full rendition. Sticking around to provide back-up vocals and ribbon dance around the stage with Regine, Debbie joined in on Arcade’s quintessential “Sprawl II”. Confetti canons spewed out into the crowd during the climactic notes of “Here Comes the Night Time”, igniting the crowd for their closing number “Wake Up”. And with that, the first major music festival of the 2014 season was in the bag. -MK

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Guest sets were prevalent this year with additional highlights including:

• Beyonce shook her “jelly” on stage with little sister Solange during her sunset performance on Saturday for song, “Losing You”.

• A$AP Ferg brought out the whole A$AP Mob for multiple tracks before A$AP Rocky debuted a new track, featuring a diss on Been Trill clothing. Rocky also came out with Skrillex.

• Chromeo’s set included a collaborative performance with Toro y Moi to perform the duet off of White Women called “Come Alive”.

Chromeo

• Girl Talk pulled Busta Rhymes, Too $hort, Juicy J and E-40 into his remix set on Friday night (while the Bryan Ferry set played oddly on the screens flanking Greg Gillis).

• Justin Bieber decided to put a funny taste in people’s mouths and backed up his buddy Chance The Rapper.

• Mary J. Blige came on for a rousing rendition of her alternate vocal version of “F for You” with Disclosure Sunday evening. Sam Smith came out for “Latch”, as well. AlunaGeorge also lent a helping hand.

Disclosure

• Up-and-comer Jene Aiko welcomed some big names in the form of Drake and Childish Gambino while Disclosure and Arcade Fire played against this stealthy guest set.

• The legendary Motörhead brought out Slash for a healthy dose of guitar.

• Classixx bounced back from a tough start to a set with help from Nancy Wang, Yacht, The Preatures and Sarah Chernoff from Superhumanoids.

• Flosstradamus welcomed a bit of help from another big-named emcee in the form of Waka Flocka Flame.

Outside Lands 2014 daily lineup highlights

Outside-Lands-2013

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 8th-10th, 2014 //

So, three-day tickets for Outside Lands Music and Arts Festival sold out in record time. Now’s your chance to snag single-day passes for SF’s premier music festival. Get ready: tickets go on sale Thursday, April 17th at 10 a.m.

Still choosing which day might be best for you? Here’s our take on the headliner options, along with choice picks and reasons to get there early this August in Golden Gate Park.

OSL-2014

Friday, August 8th

HEADLINER OPTIONS: Kanye West Vs. Arctic Monkeys (or Disclosure)

Yeezus himself will handle headlining duties on day one, but the real question is whether or not Arctic Monkeys or Disclosure will helm Twin Peaks come nightfall. Both acts are worthy of a headlining slot — time will tell.

CHOICE PICKS:

Run the Jewels: El-P + Killer Mike , “Rap’s most dangerous Duo”, are returning to SF after their game changing shows last year at the Independent. Expect top notch beats over future-forward production. In a perfect world they would open for West.



Phosphorescent: Matthew Houck’s understated, twisted take on indie rock is refreshingly breathtaking, exemplified most strikingly by the majestic “Song for Zula”:

Holy Ghost!: Ready for a disco-dance party fed by instrumentals? Yes you are. One of our favorite acts from the last year will set Golden Gate park ablaze.



DIGGING DEEP: (reasons to get there early)

• Mikal Cronin
• Greensky Bluegrass
• Typhoon
• Bear Hands

THE VERDICT: Eclectic with as many rap options as dance choices.

OutsideLands

Saturday, August 9th

HEADLINER OPTIONS: Tom Petty & The Heartbreakers vs. Macklemore & Ryan Lewis

This one’s going to be a pretty simple choice for most folks — the classic rock singalongs versus the contemporary pop-rap anthems. These headliners starkly contrast from one another.

CHOICE PICKS:

SBTRKT: Known to perform with iconic tribal masks, Aaron Jerome fuses innovative electronic production with drums, synth, keys & live singing, usually with help from touring partner Sampha. SBTRKT’s new EP Transitions delves into icy-instrumental territory.



Atmosphere: Slug and Ant are back this year, and they’ve got a new song entitled “Kanye West”, which doesn’t go after the Day 1 headliner, but it does address hip-hop crowd interactions in a playful, positive way.



Tycho: Scott Hansen is as much a visual artist as he is a musician — his projected imagery melds simple geometry and super slow-mo romanticism and works in hand with his newly cemented band’s ambient, yet driving beats. This one deserves a night time slot, say closing down the Panhandle Stage?



DIGGING DEEP: (reasons to get there early)

• Woods
• Jagwar Ma
• Valerie June
• Trails and Ways

THE VERDICT: Save for a handful of rowdy spots (Macklemore, Duck Sauce, Capital Cities), the offerings are relatively mellow.

OutsideLands2

Sunday, August 10th

HEADLINER OPTIONS: The Killers vs. Tiësto (or The Flaming Lips)

These two options to end the weekend are, once again, clear cut. But here’s hoping Ranger Dave harkens back to the early years and offers a third headliner option in The Flaming Lips. Their drone-psyche spectacle of a freak out deserves darkness and would offer an incredible third option.

CHOICE PICKS:

Cut Copy: Every time these electronic-oriented Australians swing through the Bay Area, we’ll be there. Dan Whitford & Co. will make you dance and reach for the sky.



Lykke Li: The Swedish Songstress is returning to the touring circuit this year, and her first offerings from her forthcoming LP I Never Learn are more sedated than swirling. Li’s ownership of the stage and visceral passion request your attendance.



Flume: Skyrocketing electronic-music amalgamator Harley Streten creates big, bold beats centered by a chill tone. Since releasing his self-titled LP to worldwide acclaim in 2012, he’s brought in a host of top level rhymers to give the music new meaning and fresh life (listen below). We’re excited to see how this influences his live show.



DIGGING DEEP: (reasons to get there early)

• Gold Panda
• Courtney Barnett
• Jonathan Wilson
• Tumbleweed Wanderers

OVERALL VIBE: Sunday has a lot of high-decibel acts. A good day for dance enthusiasts.

Check out our Outside Lands 2014 playlist:

OL 2014 Daily Lineups