By Josh Herwitt //

My Morning Jacket with Melt //
Red Rocks Park and Amphitheatre – Morrison, CO
August 15th-16th, 2025 //

When it comes to experiencing My Morning Jacket in the flesh, there is no place I would rather see the Kentucky-bred band take the stage than at Red Rocks.

Colorado’s world-famous, open-air amphitheater has become one of the quintessential music venues — along with The Fillmore in San Francisco and Palace Theatre in Louisville — to catch a MMJ show and a rite of passage for many fans thanks, in part, to frontman Jim James dubbing it “the birth canal of the universe” in 2019.

That’s why I have made the trip out from Los Angeles each of the last three times that James (lead vocals, guitar), Tom Blankenship (bass), Patrick Hallahan (drums, percussion), Bo Koster (keyboards, percussion, backing vocals) and Carl Broemel (guitar, pedal steel guitar, saxophone, backing vocals) have come through Denver to headline two nights “on the rocks.”

What still amazes me after attending quite a few concerts at Red Rocks for almost two decades is that the experience doesn’t seem to grow old or tired, and that rings even more true every time I have seen Jacket perform there (read our First Times coverage from 2023 here). A lot of bands have become too popular to book the 9,525-person venue, opting for larger, more lucrative arenas and stadiums instead, but the psychedelic, jam-adjacent five-piece — for whatever reason we have yet to understand — has not garnered audiences nearly as large despite working with an outside producer for the first time ever on its 10th LP is that came out in March.

That honor, no less, would go to three-time Grammy winner Brendan O’Brien, whose decorated career includes studio time with AC/DC, Pearl Jam, The Offspring, Stone Temple Pilots, Soundgarden, Red Hot Chili Peppers, Bob Dylan, Rage Against the Machine, the Killers and Bruce Springsteen. The result is a tight, 10-track effort that doesn’t rank among MMJ’s best but fits in quite seamlessly with the rest of their catalog. While some of the album finds them exploring new sonic avenues on lead single “Time Waited” and “I Can Hear Your Love” that sounds as if it could have been written by Buddy Holly or Roy Orbison, the back half is — or we should say is — what stands out with “Beginning from the Ending”, “Squid Ink”, “Die for It” and “River Road” all having the potential to be long-standing earworms.

But this year also marks the 20th anniversary of the group’s seminal full length Z, which saw it move away from the heavy reverb that dominated their earlier material to incorporate other genres such as reggae and dub, with Friday’s performance at Red Rocks marking the first of five dates that Jacket is allocating to celebrate the 2005 release on Rolling Stone’s “The 500 Greatest Albums of All Time” list.

MMJ has a penchant for extending and stretching certain songs live, and though James and company didn’t veer off the beaten path for most of Z, they did unleash the longest “Dondante” since their 2019 version between “Creation Rock” and “Ship Rock,” with this one clocking in at a whopping 23 minutes. The unconventional second set that followed delivered its fair share of highlights — from Melt vocalist Veronica Stewart-Frommer assisting on “Here in Spirit” from James’ solo work to a shortened rendition of “Cobra” that was subsequently reprised during “Squid Ink” and flowed right into “Touch Me I’m Going to Scream Pt. 2” — but maybe none bigger than their live debut of Steely Dan’s hit single “Do It Again” considering no one could have seen it coming or had such on their Red Rocks bingo card.

The recent passing of Ozzy Osbourne, conversely, had been on my mind for the last several weeks with tributes pouring in all over the world, and I knew from social media that some of the members in Jacket were Black Sabbath fans. I had sent a direct message to Blankenship on Instagram after Night 1 with a request for some Sabbath to remember the late Prince of Darkness, and as I put on my Vol. 4 T-shirt on Saturday when I arrived for Night 2, something was telling me that my wish might actually come true. A woman in the parking lot made a comment in a sort of “rock on” tone as she passed by my car not long after I arrived, making me feel for a second like I had chosen the wrong gig to broadcast my affinity for heavy metal’s pioneers.

I wasn’t going to be fazed that easily, though. My Vol. 4 T-shirt had become an omen of good luck after watching Primus the week before cover “N.I.B.” with Ty Segall on the mic during their star-studded stop at LA’s Greek Theatre (read our show review here), and my love for Ozzy ran too deep for me to change shirts (yes, I had an extra). His death, albeit less surprising given his age, moved me much in the same way that Chris Cornell’s did when it happened in 2017. The farewell concert in Birmingham just weeks prior had serendipitously proved to not only be a fitting send-off for Sabbath, but also a larger-than-life figure. And what better place to show some appreciation for an absolute rock god than at Red Rocks?

Sure enough, MMJ would have plenty of more surprises up their collective sleeves for Saturday as they touched on all 10 of their albums to create a career-spanning setlist in a matter of two and a half hours. Crowd favorites “Phone Went West” and “Steam Engine” came early, with the former getting a quick tag of Bruce Hornsby’s “Mandolin Rain” down the homestretch. Yet, the biggest moment came in the encore after dedicating “State of the Art (A.E.I.O.U.)” to Diana Ross. That’s when Jacket officially put a bow on the weekend with the haunting, eponymous opener to 1970’s Black Sabbath for the first time in close to 15 years, leaving room for Broemel to briefly offer his own Tony Iommi impression. By that point, I was completely satiated and satisfied. The ensuing “One Big Holiday” was an extra cherry on top, and as I took one last look at the natural beauty that has built one of music’s most sacred spaces, I thought to myself how sweet this life can be with both MMJ and Red Rocks in it.

MY MORNING JACKET – AUGUST 15TH

Setlist:
Set 1 (Z)
Wordless Chorus
It Beats 4 U
Gideon
What a Wonderful Man
Off the Record
Into the Woods
Anytime
Lay Low
Knot Comes Loose
Dondante (longest version since 8-2-2019)

Set 2
How Could I Know
Here in Spirit (Jim James song) (with Veronica Stewart-Frommer)
Half a Lifetime
Everyday Magic
Cobra
Squid Ink (> “Cobra” reprise >)
Touch Me I’m Going to Scream Pt. 2
Where to Begin
Do It Again (Steely Dan cover) (live debut by MMJ)
Dancefloors

Editors’ Note: “Z” 20th anniversary show.

MELT – AUGUST 15TH

Setlist:
Veronica’s Apology / The Idiot
Shy
The Door
Waves
Stay for the High
Sour Candy
Plant the Garden

MY MORNING JACKET – AUGUST 16TH

Setlist:
The Dark
It’s About Twilight Now
The Way That He Sings
X-Mas Curtain
Phone Went West (with “Mandolin Rain” tag) (>)
Steam Engine
I’m Amazed
Aluminum Park
Smokin’ From Shootin’ (>)
Victory Dance (>)
Circuital
Holdin on to Black Metal (with Veronica Stewart-Frommer)
Spring (Among the Living) (with “Dear Prudence” tag)
Still Thinkin
Feel You
Least Expected
Love Love Love
Out in the Open
Lemme Know
Die for It

Encore:
State of the Art (A.E.I.O.U.) (Jim James song) (dedicated to Diana Ross) (>)
Black Sabbath (Black Sabbath cover) (first time since 2010)
One Big Holiday

MELT – AUGUST 16TH

Setlist:
Fake Romantic
More than Ever
Inside
Waves
Walk to Midnight
Stay for the High
Plant the Garden
Surrender
Harvest Moon (Neil Young cover)