Building off last year’s success, Wonderfront Festival turns to Daniel Caesar, Anderson .Paak, Khruangbin, Gary Clark Jr. & more in 2025

Wonderfront Festival - 2025 lineup

Wonderfront Festival //
Embarcadero Marina Park North – San Diego
May 16th-18th, 2025 //

Now that several major music festivals in California have already unveiled their plans for 2025 and the calendar has started to fill up this spring, it feels like festival season is just around the corner.

So, why not throw another one on your itinerary?

Following a sold-out affair that saw Kaytranada, J.I.D, Weezer, Dominic Fike, Beck, Mt. Joy and more take the stage last year, Wonderfront Festival is primed for a big return to San Diego this May.

The three-day event has put together another eclectic lineup of artists, and its fourth edition in the last seven years won’t be lacking in star power with Peggy Gou, Daniel Caesar, Anderson .Paak & the Free Nationals, Foster the People, Khruangbin, Jason Mraz and Gary Clark Jr. listed in the biggest font.

Below the top line are plenty of other top-notch acts to catch, including Duke Dumont, Janelle Monáe, The Fray, Isaiah Rashad, Portugal. The Man, 4 Non Blondes, Overmono, SiR, Julien Baker & Torres, Freddie Gibbs, Neon Trees, Leon Thomas, STRFKR, La Lom, Cavetown, Magdalena Bay, Allen Stone, Jordan Ward, Peter Cat Recording Co., Vacations, DRAMA, Orion Sun, Donovan Frankenreiter, Erick the Architect, EKKSTACY, Jalen Ngonda and a whole lot more. Peep the poster above to see who else has been booked to perform.

We would be remiss to also mention there’s a TBA spot on Sunday … who will it be? We have no idea but hope to follow up here with an update once we know more.

In the meantime, those who are interested in purchasing three-day or single-day GA tickets for $375 or $165, respectively, can head here with the presale beginning a couple of days before the public sale on Friday, February 14th. GA+ admission will also be available for $599 (three-day) and $275 (single-day), with VIP passes priced at $899 (three-day) and $399 (single-day).

As the weather warms up in SoCal, this is one fest you won’t want to overlook!

Just Like Heaven delivers again for indie fans with Vampire Weekend headlining, Rilo Kiley reuniting & slowdive as special guests in 2025

Just Like Heaven - 2025 lineup

Just Like Heaven //
Brookside at the Rose Bowl – Pasadena, CA
May 10th, 2025 //

The city of Los Angeles has been through a lot in the first month of 2025. Between all of the wildfires that have ravaged Southern California in a matter of days, it has been a tumultuous time for so many who have been left with nothing and are having to completely rebuild their lives now.

It has been special to see how the local community has come together nonetheless, especially for those who have been affected by the Eaton and Palisades fires. And while it can be almost impossible to even think about live music with all that has happened in historic neighborhoods like Altadena among others, Goldenvoice’s indie-focused festival Just Like Heaven has made its home next door in Pasadena since 2022 and will be back in the City of Roses for a fourth straight year this May.

After propelling The Postal Service atop the bill in 2024 with the Ben Gibbard side project continuing to celebrate the 20th anniversary of its lone studio album Give Up, JLH has gone with NYC indie rockers Vampire Weekend to headline the fifth chapter of its annual story.

Fans of the three-piece led by Ezra Koenig will be happy to hear that news as will plenty of others, given that JLH has once again curated a dream lineup for anyone who loves indie music. Bolstered by another strong undercard, this year’s roster is also highlighted by Rilo Kiley reuniting to play their first show since 2008 after breaking up more than a decade ago.

“We are so very excited to come back together for Just Like Heaven in Pasadena, California — Los Angeles,” the group released in a statement. “As a band, we began here, and we feel so fortunate to return among so many artists and friends, to this community we hold so dear, in such a beautiful and meaningful place.”

Other notable acts slated to perform at the Brookside Golf Course include Empire of the Sun, Bloc Party, TV on the Radio, The Drums, Courtney Barnett, Toro y Moi, Unknown Mortal Orchestra, GROUPLOVE, Perfume Genius, The Sounds, Panda Bear, Beach Fossils, Peter Bjorn and John, Hercules & Love Affair (Live), Wild Nothing and Ra Ra Riot. That’s all in less than 12 hours, too!

But sitting at the bottom of the poster and serving as special guests are one of our favorites in slowdive, the English shoegaze outfit that put us in a dream-like state last year at a sold-out Fox Theater Pomona (read our show review here). Even though it might be too soon to expect new music after the release of Everything Is Alive in 2023, we will be curious to find out where they are slotted for their JLH debut when set times are officially released in April.

Are you sold on going to JLH? Make sure to register for the presale here before GA tickets go on sale this Friday, January 31st at 11 a.m. PT for $200 (Tier 1) and eventually increase to $226 (Tier 2), $250 (Tier 3) and $270 (Tier 4). VIP passes start at $440 (Tier 1) and jump to $460 (Tier 2), while those who are looking to splurge on the Clubhouse experience will have to throw down a whopping $700.

It’s important to mention that Goldenvoice and the Rose Bowl Operating Company have already made their mark on the wildfire recovery efforts with a generous donation of $250,000 to the Eaton Fire Relief & Recovery Fund, and those interested in contributing can go here for more details.

Plus, as a BIG thank you to those who have sacrificed so much, the fest will be offering complimentary GA admission for two to verified GOVX First Responders for a limited time while supplies last. Without these heroes throughout our city, it’s difficult to fathom where we would be right now.

For the rest of you though, don’t wait to purchase yours because this one-day celebration of indie music will be here before you know it!

Just Like Heaven - 2025 stage lineups

UPDATE (March 31st): For the first time ever JLH has put out lineups for each of its two stages ahead of unveiling set times. As expected, headliner Vampire Weekend will close out the festival on the Orion Stage while Rilo Kiley serves as the top-billed act on the smaller Stardust Stage. See the poster above to find out where every act is scheduled to perform at the Brookside.

Just Like Heaven 2025 - set times

UPDATE (April 21st): Start making your plans for JLH 2025 because set times are here with less than a month to go, and there are once again a number of tough choices to make. Will it be Of Montreal or Wild Nothing? Grouplove or Perfume Genius? The Drums or Toro y Moi? TV on the Radio or Unknown Mortal Orchestra? The good news, though, is that there are less scheduling conflicts toward the end of the day once Bloc Party takes the Orion Stage at 6:45 p.m. Find out who’s playing on which stage and when in the full list above.

Just Like Heaven 2025

BottleRock stays on schedule with 2025 plans, securing Green Day, Justin Timberlake & Noah Kahan to lead 12th edition in Napa Valley

BottleRock - 2025 lineup

BottleRock Napa Valley //
Napa Valley Expo – Napa, CA
May 23rd-25th, 2025 //

As wildfires continue to rage in Los Angeles almost a week after they exploded all across the city on the same day BeachLife Festival revealed its plans for this year, another California music festival has made its own known.

But unlike Southern California mainstays Coachella and Lightning in a Bottle that both delivered their 2025 lineups earlier than usual, BottleRock up north in Napa Valley has remained mostly on schedule with the announcement of its latest roster not too far into the new year.

And after booking one of its best bills in 2024, the three-day event has secured another strong one with Green Day, Justin Timberlake and Noah Kahan headlining its 12th edition.

Meanwhile, an undercard just below the poster’s top line that boasts Benson Boone, Khruangbin, Cage the Elephant, Ice Cube, Sublime, Kaskade, Rebelution, Carin León, Goose, SOFI TUKKER and Public Enemy awaits over Memorial Day weekend.

Other notable acts who are scheduled to perform include 4 Non Blondes, Remi Wolf, E-40, Flo Rida, KALEO, Mon Laferte, Lawrence, Beach Bunny, The Story So Far, Dope Lemon, Allen Stone, Sharon Van Etten & The Attachment Theory, DRAMA, Lauren Mayberry, Robby Krieger of The Doors and so many more. Check out the full list above to find out the other artists getting “the first taste of summer” this May, which also features the always entertaining Williams-Sonoma Culinary Stage where several celebrity chefs team up with a wide variety of musicians and athletes to cook up something special.

Tickets can be purchased here beginning this Tuesday, January 14th at 10 a.m. PT with three-day GA passes selling for $456 plus fees while VIP, Skydeck and Platinum status have already sold out. Snag them while you can because they won’t be around forever!

BottleRock - 2025 daily lineups

UPDATE (January 15th): BottleRock has followed up this week’s big announcement with its 2025 daily lineups. Green Day and Sublime will lead the pack on Friday, while Timberlake and Boone hit the stage Saturday before Kahan and Khruangbin close out the fest on Sunday.

Single-day tickets go on sale here this Friday, January 16th at 10 a.m. PT with GA listed for $233 and VIP set at $598. Three-day GA passes are still available, but don’t expect that to last for long!

After a chaotic finish in 2024, BeachLife Festival returns for sixth year with Lenny Kravitz, Sublime & Alanis Morissette headlining

BeachLife Festival - 2025 lineup

BeachLife Festival //
Seaside Lagoon – Redondo Beach, CA
May 2nd-4th, 2025 //

It’s a new year, and that means a new festival season is almost upon us.

On a day that saw high winds lead to wildfires in the Pacific Palisades neighborhood of Los Angeles, the organizers of BeachLife Festival just down the coast in Redondo Beach were announcing the lineup for its sixth edition after high winds caused the event’s final day in 2024 to end abruptly and never resume (read our festival review here).

It does feel a bit familiar considering the circumstances we found ourselves in last year when BeachLife had no choice but to cancel scheduled sets by ZZ Top, Fleet Foxes, Trey Anastasio & Classic TAB and headliner My Morning Jacket even with the wind dying down only a few hours to go before curfew. The fest did its best to make things right with fans, offering refunds and turning “lemons into lemonade” out of what was a very unfortunate situation, but there is no doubt it was quite a blow (no pun intended) to the psyche that left a lasting impression despite Day 1 and Day 2 going off without issue and featuring standout performances from headlining acts Sting and Incubus.

But this time around, Seaside Lagoon plans to host Lenny Kravitz, Sublime and Alanis Morissette at the top of another rock-heavy bill that boasts an undercard filled with plenty of top-notch talent. Also joining the aforementioned in LA’s South Bay this May are Train, Pretenders, Mt. Joy, O.A.R., CAKE, Jackson Browne, Aloe Blacc, Susanna Hoffs of The Bangles, The Beach Boys, The Struts, Skip Marley, Marcus King, Digable Planets, Sugar Ray, Big Head Todd and the Monsters, Shovels & Rope, ALO, Lily Meola, Long Beach Dub Allstars, Donavon Frankenreiter, Tomorrows Bad Seeds, Greg Graffin of Bad Religion, Common Sense, Michael Glabicki of Rusted Root and more over the course of three days. Take a peek at the poster above to see who else will be heading down to the beach.

BeachLife Festival - The SpeakEasy Stage - 2025 lineup

While the music always serves as the main attraction at BeachLife, that’s not all there is to see and do with art installations, onsite activations, giveaways, boutique shopping, games and more very much a part of the whole experience.

Guests will also have the chance for the first time to become acquainted with the full-service California Surf Club opening next month that mixes gourmet cuisine with handcrafted cocktails in a personalized, fine-dining setting overlooking the main stage for both year-round members and festival attendees.

If that hasn’t sold you on attending BeachLife yet, it’s worth mentioning that the festival has continued to make waves in the local community by partnering with key organizations doing important work, including Heal the Bay as well as the Surfrider Foundation, Redondo Beach Education Fund, Wyland Foundation and Redondo Beach Police Foundation.

Looking to buy tickets? They are actually already on sale here! Three-day GA and GA+ passes are listed at $409 or $524, and VIP is available for $999 as well as single-day tickets set for $169 (GA), $204 (GA+) and $399 (VIP). If you’re for something new though, the Captain’s Plus pass will provide exclusive non-member access to a more intimate setting, including an opportunity to dine at the VIP restaurant onsite. BeachLife might be four months away, but it will be here before you know it so get those swim suits and sandals ready!

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2024

Best of 2024

2024 was a BIG year for music. With a continued return to normalcy playing out following the first global pandemic in more than a century, the past 12 months produced plenty of great moments onstage and in the studio — from record-breaking world tours to surprise releases and everything in between.

Every year we get to do this we feel fortunate to have the opportunity to do something that we love — witness live music. Yet, each one feels a little different than the last and this year certainly had its own unique collection of highlights. We saw Explosions in the Sky make a statement as one of post-rock’s most essential acts, Tool frontman Maynard James Keenan ring in his 60th birthday on the “Sessanta” tour, My Morning Jacket back at The Fillmore for a four-night run of no repeats, DIIV assure us there’s still a future for indie rock and Dawes celebrate the holidays with a brand-new album and star-studded cast of special guests. We also covered our first shows at the state-of-the-art Fox Theater Pomona and legendary Pappy & Harriet’s in Pioneertown much to our delight, with those sort of visceral experiences amounting to more than merely the music we heard there.

But with another year wrapping up and 2025 here very soon, it’s time for us to reveal our annual “Best of” lists as we have done since this blog started more than a decade ago (see our 2023 picks here). As we always say, we will be the first to confess we didn’t attend every show or spin every album that was issued in 2024, but looking in the rearview mirror can be nearly as fun and challenging as when we first started doing this yearly exercise.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2024.

Listen to The Bam Team’s favorite songs of 2024:

BeachLife Festival 2024 - Sting


Sting at BeachLife Festival // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2024
1. Pearl Jam at Kia Forum – Los Angeles, CA – May 21st-22nd
What a year it was for one of our all-time favorites acts. The release of Pearl Jam’s 12th studio album Dark Matter in April gave us more than a month to acquaint ourselves with their latest effort before we would see them blow the roof off a sold-out Kia Forum over two consecutive nights. By the end of the second, we were well-satiated thanks to Eddie Vedder and the Hall of Fame band delivering one tour debut after another while also seamlessly mixing in their new material. But the most poignant memory for us came on Night 1 when Vedder broke into Pink Floyd’s “Another Brick in the Wall (Part 2)” at the end of “Daughter” with the crowd seemingly in the palm of his hand. Not only hearing the entire arena sing along to “We don’t need no education / We don’t need no thought control” but also seeing Vedder still command an audience like that at his age gave me chills — the good kind — down my spine that I don’t think I will never forget. All we can say is the power of live music felt very alive (no pun intended) and well in that moment.

2. My Morning Jacket at The Fillmore – San Francisco, CA – May 30th-31st
3. Queens of the Stone Age at Santa Barbara Bowl – Santa Barbara, CA – May 24th
4. LCD Soundsystem at Hollywood Palladium – Los Angeles, CA – November 8th
5. Sting at BeachLife Festival – Redondo Beach, CA – May 3rd

Honorable Mention: slowdive at Fox Theater Pomona – Pomona, CA – April 26th

Top 5 Albums of 2024
1. Pearl Jam – Dark Matter
It has been a long time since PJ uncorked a full length as strong from start to finish as their newest, but when I first heard its lead single that would also serve as the LP’s title track, I could sense something was different this time. Maybe it was Matt Cameron’s drums sitting front and center in the mix or Mike McCready’s electrifying, Hendrix-like guitar solo down the song’s final stretch. Except the more time I spent with Dark Matter, the more I loved not just the singles but all 11 songs. “Waiting For Stevie” has become an instant fan favorite in its relatively short time while others like “Scared of Fear”, Won’t Tell”, “Upper Hand” and “Setting Sun” have been the glue, giving depth to an album that sees Vedder and company not resting on their laurels after more than three decades together. Whether it was working with Grammy-winning producer Andrew Watt or the addition of former Red Hot Chili Peppers guitarist Josh Klinghoffer to the songwriting process, Dark Matter sees one of the best rock ‘n’ roll bands in the business continuing to push itself creatively and that has carried over to the stage where Pearl Jam’s epic live shows remain full of raw energy and emotion (see above for more on that).

2. Kendrick Lamar – GNX
3. Jack White – No Name
4. The Smile – Wall of Eyes
5. The Smashing Pumpkins – Aghori Mhori Mei

Favorite Live Album of 2024: The War on Drugs – Live Drugs Again

Top 5 Songs of 2024
1. Kendrick Lamar – “Not Like Us”
After a year in which the Dodgers finally won the World Series fair and square, this only seemed like the right choice for any self-respecting Angeleno like myself. “Not Like Us” compliments of Compton’s finest rapper would not just end up becoming a new anthem for my hometown of LA but the entire West Coast. As he goes down the “rabbit hole” with shrewd and clever wordplay, it’s clear why King Kendrick has sat atop hip-hop’s unofficial throne for a while now and has already cemented himself before the young age of 40 on its Mount Rushmore. What was released as a diss track in a series of them aimed at Drake has turned into so much more six months later, and the Mustard-produced gem continues to resonate for us no matter which side won the highly publicized feud. Because in our minds, it never was really close.

2. Pearl Jam – “Setting Sun”
3. LCD Soundsystem – “x-ray eyes”
4. Jack White – “It’s Rough on Rats (If You’re Asking)”
5. The Smashing Pumpkins – “Edin”

Favorite Soundtrack of 2024: Trent Reznor & Atticus Ross – Challengers (Original Score)


The Smashing Pumpkins - Aghori Mhori Mei

Andrew Pohl // San Francisco

Top 5 Shows of 2024
1. Idles with Protomartyr at Fox Theater Oakland – Oakland, CA – May 10th
My anticipation of seeing Idles for the second time was palpable as I made my way into the Fox. The first time I saw them was at The Fillmore a few years earlier, and it was easily one of the best shows I had EVER seen (and I have been to hundreds of concerts). Once again, they delivered a performance that was not only interactive, but also filled with heart, raw energy and the kind of joy you don’t always see from road dogs like them. Every note seemed to be played with total satisfaction, which you could see on every member’s face throughout the 25-song set.

2. Green Day with The Smashing Pumpkins, Rancid, The Linda Lindas at Oracle Park – San Francisco, CA – September 20th
3. Black Pumas at Fox Theater Oakland – Oakland, CA – February 8th
4. Home Front with Neighborhood Brats, Build Us Airplanes at Bottom of the Hill – San Francisco, CA – December 14th
5. Rich Kids on LSD (RKL) at Bottom of the Hill – San Francisco, CA – May 1st

Top 5 Albums of 2024
1. The Smashing Pumpkins – Aghori Mhori Meiwo
This is the Pumpkins album that I have been wanting to hear since Zeitgeist came out in 2007. Some critics have said in recent years that guitar-focused rock music is “dead” … well, the band’s 13th studio effort has a bone to pick with that sentiment. After several releases that have varied from “questionable” to “just OK,” founding members Billy Corgan, James Iha and Jimmy Chamberlin went back to the basics and laid down a proper LP that every SP fan knew they were capable of making. After all, I always love a good comeback story.

2. The Cure – Songs of a Lost World
3. Alkaline Trio – Blood, Hair, and Eyeballs
4. NØ MAN – Glitter and Spit
5. The Jesus Lizard – Rack

Top 5 Songs of 2024
1. Yard Act – “Dream Job”
With how turbulent the world has been over the past few years, I have been finding myself gravitating toward music that’s a bit more upbeat musically — and this song is a certified infectious banger. Yard Act have this cool way of incorporating clever, oft-dark social commentary into what would otherwise be a tasty dance number, which is part of their charm and why they have blown up since forming in 2019. I kept coming back to this album during 2024, and this was definitely the track that kept my foot tapping.

2. Sammy Kay – “Love Song”
3. The Jukebox Romantics – “Packing Up My Knives”
4. Idles feat. LCD Soundsystem – “Dancer”
5. Jack White – “It’s Rough on Rats (If You’re Asking)”


Kendrick Lamar - GNX

Rochelle Shipman // Los Angeles

Top 5 Shows of 2024
1. Anderson .Paak & the Free Nationals at Hollywood Bowl – Los Angeles, CA – September 24th
Anderson .Paak pulled out all the stops for a performance of his seminal and (arguably) best album Malibu, bringing out every featured guest from BJ the Chicago Kid and ScHoolboy Q to Rapsody and Talib Kweli. As if that wasn’t enough, he got some help from the GOAT — Dr. Dre himself performing 2001 hits “The Next Episode” and “Still D.R.E.” — to jump start the second set and kept the surprises coming. Plus, the iconic Hollywood Bowl proved to be a stunning setting for the most ethereal evening.

2. Conor Oberst at Teragram Ballroom – Los Angeles, CA – March 7th, 14th, 21st & 28th
3. Something Corporate at Hollywood Palladium – Los Angeles, CA – October 11th
4. Stars at The Fonda Theatre – Los Angeles, CA – October 18th
5. Kate Nash at Teragram Ballroom – Los Angeles, CA – November 2nd

Top 5 Albums of 2024
1. Kendrick Lamar – GNX
For an album that dropped six weeks prior to the end of the year, GNX has been embedded in the fabric of K-Dot fans since Q2. Artfully teasing snippets like lead single “Squabble Up” months before its official release, Kendrick effortlessly reminded the world why “King” fits so naturally into some of his nicknames. Not that he needs any more, but blessing us with a surprise LP full of fiery tracks that keep breaking and setting new records gives him one more lick of proof that no one else is in his lane.

2. Little Simz – Drop 7
3. Yaya Bey – Ten Fold
4. Doechii – Alligator Bites Never Heal
5. Channel Tres – Head Rush

Top 5 Songs of 2024
1. Kendrick Lamar – “Not Like Us”
It feels disingenuous to pick any other song but “Not Like Us” in 2024. Kendrick’s meticulous takedown of Drake was the perfect evil antidote to an industry choking on espresso. “Not Like Us” was the golden middle finger with Lamar penning an impeccable balance between professor and troll, destroying Drake in a way that only a Pulitzer Prize winner could.

2. Little Simz – “Torch”
3. Desert Mambas – “Hot George Costanza”
4. Yaya Bey – “slow dancing in the kitchen”
5. Megan Thee Stallion – “Hiss”

Showbams

On tour for their new album, Dawes celebrate ‘Christmas in LA’ with Eric Krasno, John C. Reilly, Mike Campbell & more at The Bellwether

Christmas in LA 2024 - Dawes & Friends - Taylor GoldsmithBy Josh Herwitt //

Christmas in LA: Dawes & Friends //
The Bellwether – Los Angeles
December 7th, 2024 //

When it comes to musicians and LA, it’s hard not to think of them like any 7-Eleven or Starbucks that you come across here — you can’t go very far before running into one. From amateur players all the way up to global superstars, so many have called California’s largest city home no matter where they have come from or how many miles it took them to reach Tinseltown.

But for as many as there are now and have been over the years, not nearly the same number are born and raised in LA. One of the world’s major entertainment capitals has always been a transient town for artists and creative types, and the proliferation of music makers who have moved to the City of Angels from other major U.S. markets in the past two decades has been particularly noticeable.

So when a homegrown talent comes along and climbs the ladder to book bigger venues, there’s always something special about watching a native Angeleno thrive in one of the most competitive music scenes you will find anywhere around (and with no signs of that changing soon).

Taylor Goldsmith is certainly one of them. Growing up in Southern California and attending Malibu High School, he was exposed to music during his earliest years. His father Lenny Goldsmith was a longtime singer-songwriter whose fascination with James Brown and soul music inspired him to perform at local clubs throughout the Bay Area and eventually tour with Oakland R&B and funk band Tower of Power in the 80’s as its lead singer. And although Lenny has recently retired from the stage after leading Malibu’s 12-piece New Old Band for more than a decade, his sons Taylor and Griffin Goldsmith have followed in his footsteps admirably.

Christmas in LA 2024 - Dawes & Friends - Taylor Goldsmith & John C. Reilly


John C. Reilly

The elder Taylor began his music career in high school, where he met guitarist/producer Blake Mills and formed the post-punk outfit Simon Dawes that drew from each of their middle names. Over the next five years they would play with a number of bassists and drummers, including Taylor’s brother Griffin, before breaking up in 2007 when Mills left the band and joined Jenny Lewis on tour. While Mills ended up also going on the road with Band of Horses, Cass McCombs, Julian Casablancas and Lucinda Williams prior to settling in as a session musician and producer who worked on projects like My Morning Jacket leader Jim James’ second solo album Eternally Even in 2016 and John Legend’s sixth Darkness and Light that same year, Goldsmith teamed up with former Simon Dawes bassist Wylie Gelber and once again Griffin on drums in his new project he was calling Dawes. This time, though, he would go in a different direction sonically, one that embraced the Americana and folk-rock sensibilities of the Laurel Canyon sound that legendary acts like Buffalo Springfield, The Byrds, Crosby, Stills & Nash, Joni Mitchell, and The Mamas & the Papas popularized in the late 60’s and other icons such as Jackson Browne, Linda Ronstadt and The Eagles helped usher through the 70’s.

For Dawes, the association with LA’s celebrated Laurel Canyon isn’t just some contrived or pretentious PR strategy to turn consumers onto their product. It all started when Grammy-nominated producer and Father John Misty collaborator Jonathan Wilson invited the band to jam with a crew that included Conor Oberst of Bright Eyes, Chris Robinson of The Black Crowes and Benmont Tench of Tom Petty and the Heartbreakers. Those informal sessions are what ultimately influenced and informed Dawes’ debut LP North Hills, which Wilson produced and recorded live directly to analog tape in … yeah, you guessed it: Laurel Canyon.

Yet, that was more than 15 years ago now and a lot has happened in the studio for Dawes since then. Putting out an album at a prolific rate of every two years (or less), their ninth and most recent effort Oh Brother dropped in October ahead of another headlining gig at The Bellwether for the group’s second annual “Christmas in LA” date. And like the inaugural event that saw Sam Nelson of X Ambassadors, Matt Koma of Winnetka Bowling League and Taylor’s own wife Mandy Moore, among others, take the stage in addition to a brief Simon Dawes reunion with Mills, it was a night filled with special guests as advertised when it was announced.

That said, a new year meant a new supporting cast for Dawes and as we found out over the course of two hours, there would be only one repeat appearance from 2023. The evening’s format had changed as well, with Dawes digging into some of their latest material at the onset and adding a new wrinkle to songs such as “Didn’t Fix Me” from 2020’s Good Luck with Whatever with Radiohead’s “High & Dry” as its intro. Montana alt-country artist Jonny Fritz, whom some might remember as Jonny Corndawg, was the first “friend” to arrive onstage, followed by Eric Krasno, who captivated the audience’s attention with his soulful singing and playful guitar work. This wasn’t the first time we had seen “Kras” in the flesh after many Soulive and Lettuce shows, but it had been a while and the three-time Grammy winner treated us to a sweet cover of Jerry Garcia’s “Sugaree” (watch below and h/t to Jen Cox for the footage) that came sandwiched between two Dawes cuts, including the tour debut of “If You Let Me Be Your Anchor”.

Christmas in LA 2024 - Dawes & Friends - Taylor Goldsmith & Mike Campbell


Taylor Goldsmith of Dawes (left) & Mike Campbell (right)

You know that one special guest we mentioned who was back this year? That would be Koma, who joined both Goldsmith brothers for a stripped-down, acoustic version of their new collaborative single “This Is Life” featuring Medium Build and Dawes that has already amassed almost 1.4 million Spotify listens since being released in June.

Of course, those weren’t the only tricks Dawes had up their sleeves and they made sure to save the biggest ones for last. It wasn’t a surprise that actor John C. Reilly would be in the building — we just weren’t sure how exactly he would be involved. The loud applause he immediately received when he walked out dressed in all white made him feel welcome nevertheless, as he dusted off his 2007 single entitled “(For Christmas) The People Want Cox” in a tribute to his leading role as Dewey Cox for “Walk Hard: The Dewey Cox Story” and then duetted with Taylor on a cover of Gilbert Bécaud’s “Let It Be Me” that became a Top 10 hit in the states for The Everly Brothers.

When it came time to dial the energy back up a notch, it was Theo Katzman’s turn to bring the heat and the Vulfpeck guitarist proved to be all smiles in uncorking a searing solo on the Dawes single “Roll with the Punches” from 2016’s We’re All Gonna Die and subsequently showcasing his golden pipes during “Plain Jane Heroin” off his 2017 solo release Heartbreak Hits.

Some folks might be disappointed to learn that Dawes’ unequivocally most popular tune “When My Time Comes” wasn’t played like it was at The Fillmore in San Francisco and Belly Up Tavern in Solana Beach. What we got instead was something no other fans on this tour will get to witness, and I’m not just talking about all of the aforementioned special guests. Because it’s not every day that you get to watch the guy who co-wrote many of Tom Petty and the Heartbreakers’ greatest contributions to music plug in and rock out. When the crowd heard Mike Campbell deliver the opening chords to “You Wreck Me” however, most of us, if not everyone in that room, knew what we were about to get. Or at least we thought we did until Campbell took over midway through and brought Taylor in for a call-and-response section that had their guitars squealing by the time they had reached the summit. It was those gripping moments — whether they were with Krasno, Katzman or Campbell — that made this particular concertgoing experience feel unique, and as Dawes wrapped with the title track from 2015’s All Your Favorite Bands while a smaller collection of special guests from earlier in the night assisted, you remember that you never quite know what’s going to happen when you see live music in LA. That’s the absolute beauty of it.

Setlist:
Front Row Seat
If I Wanted Someone
Didn’t Fix Me (with Radiohead’s “High & Dry” as intro)
Mister Los Angeles
From a Window Seat
House Parties
Trash Day (Jonny Fritz cover) (with Jonny Fritz)
Middle Brother (Middle Brother cover) (with Jonny Fritz)
Raise the Dead
Somewhere Along the Way (with Eric Krasno)
Sugaree (Jerry Garcia cover) (with Eric Krasno)
If You Let Me Be Your Anchor (tour debut) (with Eric Krasno)
Christmas Tree in the Window (live debut)
This Is Life (Winnetka Bowling League cover) (with Matthew Koma)
(For Christmas) The People Want Cox (John C. Reilly cover) (with John C. Reilly)
Let It Be Me (Gilbert Bécaud cover) (with John C. Reilly)
Roll with the Punches (with Theo Katzman)
Plain Jane Heroin (Theo Katzman cover) (with Theo Katzman)
You Wreck Me (Tom Petty cover) (with Mike Campbell)
All Your Favorite Bands

After forming last year, Better Lovers bring the fire to The Regent Theater & prove why they’re one of today’s hottest hardcore acts

Better LoversBy Zach Bourque //

Better Lovers with Full of Hell, SPY, Cloakroom //
The Regent Theater – Los Angeles
December 1st, 2024 //

A post-Thanksgiving concert slot on a Sunday is enough to give most bands the willies. How do you get a group of people moving who have spent the last three days gorging themselves on carbs and Coors?

Just ask Better Lovers.

The supergroup made up by Greg Puciato of The Dillinger Escape Plan, Jordan Buckley, Clayton “Goose” Holyoak and Mitch Micciche of newly defunct Every Time I Die, and producer/guitarist Will Putney of End fame brought the heat — literally — to The Regent Theater in downtown LA with an explosive performance that left the crowd’s collective jaw on the floor.

The sluggish and bloated energy was most evident once Bay Area’s hardcore heroes SPY had taken the stage, powering through a riotous set without skipping a beat. But despite repeated attempts by the band, people just weren’t giving it a whole lot to work with. At the very least, the eardrums of everyone who was in attendance were getting primed for the pummeling to come for the rest of the night.

Full of Hell


Full of Hell

Full of Hell have always been a bit of an outlier but opening for the motley crew that’s Better Lovers proved to be an unexpected treat with a set nothing short of monstrous. These guys are just a wall of noise in the best possible way, with Dylan Walker’s mixed-down vocals letting the rest of the group’s instrumentation cut through. Their variety of instrumentation, which includes electronic elements from Walker, proved to be the special sauce that elevated the set. Even with an equally tepid crowd, Full of Hell certainly got people’s attention before it was time for Better Lovers.

If you’re going to name your debut album Highly Irresponsible, you better have the balls to back it up onstage. Needless to say, when your vocalist is blowing fireballs by the end of the evening, you have officially earned the moniker. From the second the band jumped into the opening riffs of “Lie Between the Lines”, the crowd’s previously dormant energy was nowhere to be found. Buckley’s powerful and creative guitar work always set Every Time I Die apart from the rest of the pack, and ever since Better Lovers formed last year he has turned everything up to 11. When you factor in a god-tier guitarist like Putney however, the result is truly something special. And with a frontman as maniacally talented as Puciato, you’ve got lightning in a bottle.

Better Lovers - Greg Puciato


Better Lovers

Puciato’s energy has always been the stuff of legends, and he was in full force at The Regent. What’s even more impressive is the vocal range he brings, though. From grunge-inspired singing that would make the late Layne Staley of Alice in Chains blush to his trademark screams, he’s a one-of-a-kind talent and Better Lovers couldn’t have found a better person for the job. While the five-piece played most of an admittedly limited discography (for now), it also dipped into a fun cover of Soundgarden’s “Rusty Cage” off 1991’s Badmotorfinger that really highlighted Puciato’s vocal range.

Then came the fire. We had seen Puciato pull this stunt before at Furnace Fest a couple months ago, but to see flamethrower-rivaling plumes of fire as the backdrop to Better Lovers’ stunning debut single “30 Under 13” was a memory I don’t think anyone will soon forget.

That said, there isn’t a band out there that does it like Better Lovers and by that alone we can’t wait to see what comes next for them.

Setlist:
Lie Between the Lines
Sacrificial Participant
Your Misplaced Self
Become So Small
Superman Died Paralyzed
A White Horse Covered in Blood
Drowning in a Burning World
The Flowering
Two Alive Amongst the Dead
Future Myopia
At All Times
God Made Me an Animal
Love as an Act of Rebellion
Rusty Cage (Soundgarden cover)
30 Under 13

Lightning in a Bottle drops another excellent roster as John Summit, Khruangbin, Jamie xx, Four Tet & more join the party in 2025

Lightning in a Bottle - 2025 lineup

Lightning in a Bottle //
Buena Vista Aquatic Recreation Area – Bakersfield, CA
May 21st-25th, 2025 //

Is it still 2024?

The ball hasn’t dropped quite on a New Year quite yet, but two weeks have already passed since Paul Tollett and his team surprised many of us by revealing next year’s Coachella lineup earlier than usual.

And while the timing of Goldenvoice’s announcement last month makes us think such a change was primarily intended to drive up ticket sales before the holidays arrive rather than after folks have spent their money on gifts for family and friends, another Southern California music festival is following suit.

Lightning in a Bottle, the “transformational” event organized by the Do LaB for more than two decades, has also made its 2025 plans known ahead of schedule and there’s a newcomer at the top of its latest roster whom Rolling Stone named this year’s “hottest name in dance music.”

Coming off a couple of career-defining sets in the Sahara Tent at Coachella this past April, 30-year-old DJ, producer and remixer John Summit will make his LIB debut over Memorial Day weekend alongside some returning acts in Khruangbin, Jamie xx and Four Tet that make up the three remaining headliners booked for the 22nd edition of North America’s original boutique festival.

Beyond that, the undercard delivers its own share of highlights with Subtronics, Underworld, Sammy Virji, Monolink, TroyBoi, The Blessed Madonna, Shygirl (presents Club Shy), Channel Tres, Amaarae, Magdalena Bay, Tinlicker, Hamdi, Tape B, PEEKABOO, Francis Mercier, Sultan + Shepard, Eli & Fur, Salute, Bou, Hybrid Minds, Interplanetary Criminal, Flowdan, Joy Orbison and a lot more talent further down the bill — including the return of Claude VonStroke and a special guest appearance from Jade Cicada that will likely scintillate the senses (you can see what we mean here).

For those seeking more festival fun after Coachella’s two weekends, LIB has always been a great way to get back out there shortly after leaving the desert and it’s worth mentioning that plenty of artists have crossed over to play both. Of course, the Do LaB has made an imprint in Indio for quite some time with its own stage on the polo fields, but its signature event that has called Buena Vista Aquatic Recreation Area home since 2019 is more than just a laid-back version of what you might experience out in Indio. That’s in part due to the design and production company, which has specialized in creating interactive environments for fans, always giving as much attention to the ideals of sustainability, social cohesion, personal health and creative expression through art, yoga, workshops and speakers as the music that draws the majority of the headlines each year like Skrillex, Labrinth and others did a year ago.

GA passes to LIB 2025 can be purchased here for $435 (three-day) and $475 (five-day), with VIP tickets going for $789 (three-day) and $879 (five-day), beginning this Friday, December 6th at 12 p.m. PT. Car camping and RV passes, group campsites, bed tents, family camp passes and hotel packages are also available, but make sure to register here first to ensure Tier 3 pricing all day (while supplies last) and a chance to win a VIP upgrade. Good luck!

Lightning in a Bottle 2025 - daily lineups

UPDATE (May 1st): As the calendar flips from April to May, daily lineups have been released for LIB 2025 with The Blessed Madonna on the decks Thursday to kick the party off before Four Tet, Sammy Virji and TroyBoi lead Friday’s bill. Saturday will boast a superb trifecta with Khruangbin, Jamie xx and Underworld on the top line, while John Summit, Subtronics and Monolink get ready to close things out on Sunday. See the poster above for more details, and tickets are still available here for the time being.

Lightning in a Bottle 2025 - Wednesday

Lightning in a Bottle 2025 - Thursday

Lightning in a Bottle 2025 - Friday

Lightning in a Bottle 2025 - Saturday

Lightning in a Bottle 2025 - Sunday

UPDATE (May 9th): Set times have arrived for LIB 2025 with less than two weeks to go before the fest begins. The music bumps until 4 a.m. on Thursday-Sunday — and even until 2 a.m. on Wednesday — so make sure to pace yourself and conserve some energy for a long weekend of fun! See more details above, and tickets are still available here!

Christmas comes early for Coachella fans as Goldenvoice reveals 2025 lineup headlined by Lady Gaga, Green Day & Post Malone

Coachella - 2025 lineup

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 11th-13th & April 18th-20th, 2025 //

Surprise! Just when you thought Coachella didn’t have any more tricks up its sleeve, the famed three-day music festival has caught us off guard once again — in this instance, by unleashing a lineup more than six weeks ahead of what we have normally witnessed.

It has become a New Year’s tradition over last two decades for Goldenvoice to pull back the curtains in early January and put out the renowned poster for its signature event every year, but after seeing Paul Tollett and company announce the roster for its country-themed festival Stagecoach in September and reports beginning to swirl this week once Post Malone let the cat out of the bag on his plans, maybe it shouldn’t come as a total shock that Coachella has given fans an early Christmas gift.

Leading the 24th edition will be Lady Gaga, Green Day and the aforementioned Posty, who dropped his 2025 tour schedule only a day ago with the first two dates booked for Indio this April and falling over the same two weekends Coachella had already locked down in the spring.

Below each day’s headliner, this year’s fest features an array of old-school, established and upstart acts spanning everything from pop and R&B to punk and electronic plus more of course. There’s no shortage of talent to point out here, and some of those worth highlighting include Missy Elliott, Charli XCX, Megan Thee Stallion, Benson Boone, Misfits, Zedd, The Marías, Keinemusik, Junior H, LISA, Above & Beyond, JENNIE, The Prodigy, Anitta, Kraftwerk, Parcels, Ivan Cornejo, beabadoobee, FKA twigs, Clairo, Polo & Pan, Mustard, ENHYPHEN, XG, GloRilla, Shoreline Mafia, Basement Jaxx, The Go-Go’s, T-Pain, Keshi, MARINA, Hanumankind, Chase & Status, Sam Fender, Still Woozy, Japanese Breakfast, Beth Gibbons, Jessie Murph, Thee Sacred Souls, Darkside, Arca, Eli Brown, Gustavo Dudamel & LA Phil, Shaboozey, Miike Snow, Jimmy Eat World, Ty Dolla $ign, Circle Jerks, Three 6 Mafia, Viagra Boys, Chris Lorenzo, Disco Lines, Amyl and the Sniffers, Blonde Redhead and Boris Brejcha. See who else is performing at the Empire Polo Club above.

Of course we would be remiss to not also mention the fourth headliner listed at the bottom of the poster that Coachella instituted in 2022 when Swedish House Mafia returned to the desert. And although 2023 saw Calvin Harris hold down the spot before No Doubt reunited to fill it for 2024, Coachella has gone in the direction of hip-hop this time around with Travis Scott set to “design the desert.” For those who are wondering what exactly that means, a representative for the Grammy-nominated rapper has explained he will “debut an entirely new era of music” as well as curate a Cactus Jack takeover to create what he says will be “a fully immersive and experiential world within the desert.” No word on when Scott will hit the stage over Weekend 1 and Weekend 2, but we expect that to become clear in a few months once set times are released.

If you are sold on heading to the desert next year, Goldenvoice recommends that fans try purchasing tickets for Weekend 2. However, you can hop on the wait list for Weekend 1 here after both three-day GA and VIP passes go on sale here this Friday, November 22nd at 11 a.m. PT. It only takes $49 to get this party started! While official hotel packages will be available here through Valley Music Travel, we should also note that new camping options such as upgraded Ready-Set and La Campana tents will make their debut. Whichever weekend you choose and whatever your accommodations are, we wish every Coachellan the best of luck securing their tickets!

UPDATE (March 20th): We have our first artist cancellation this year, with Anitta citing “unexpected personal reasons” for the decision in a statement posted on social media. No word yet on who might replace the Brazilian singer-songwriter, but stayed tuned here for more details in the coming weeks.

Coachella 2025

Manchester Orchestra & Thrice duke it out at Hollywood Palladium on their co-headlining tour

Manchester Orchestra


Manchester Orchestra

By Zach Bourque //

Manchester Orchestra & Thrice //
Hollywood Palladium – Los Angeles
November 13th, 2024 //

When your tour poster teases a boxing match between two seasoned bands worthy of headlining their own show in LA, the pressure is on. In one corner of the “ring” stood Southern California post-hardcore heavyweights Thrice. In the other, Atlanta’s uniquely eccentric indie rockers Manchester Orchestra. An evening of “noise and fury” was what the aforementioned promotion promised us, except the end result was anything but — for better or worse.

Thrice have taken an interesting trajectory since their formation in the late 90’s. Starting off with a fairly aggressive, post-hardcore approach early in their career, they’ve grown into a much more mature and complex sound over the years (fans have mixed opinions about this). However, performing their 2009 LP Beggars in its entirety was a unique proposition that ultimately left a lot of the crowd feeling rather underwhelmed. While we can say that the critically acclaimed album is objectively great, it’s certainly light on energy and you could tell those who showed up at the Hollywood Palladium last Wednesday were waiting for Dustin Kensrue (lead vocals, rhythm guitar, percussion), Teppei Teranishi (lead guitar, keyboards, backing vocals), Eddie Breckenridge (bass, synthesizer, backing vocals, guitars) and Riley Breckenridge (drums, percussion) to dig a bit deeper into its arsenal. Unfortunately this never occurred, as the ensuing songs were mostly deep cuts besides “Black Honey”, which surprisingly seems to have garnered quite a liking with more than 75 million listens on Spotify.

Thrice


Thrice

With each co-headliner duking it out, there had to be a winner before it was all over and that winner came in the form of Manchester Orchestra undoubtedly knocking Thrice out. Celebrating the 10-year anniversary of its seminal album COPE, the five-piece — consisting of Andy Hull (lead vocals, rhythm guitar, piano), Robert McDowell (lead guitar, keyboards, backing vocals), Tim Very (drums, percussion, backing vocals), Andy Prince (bass) and touring member Brooks Tipton (piano, keyboards) — sounded triumphant as ever with Hull’s inimitable voice bellowing throughout the venue. There is simply no other act that sounds like Manchester Orchestra and you could sense the energy in the room as they took the stage. Described by one person in attendance as “emo Mumford & Sons” and in largely living up to that billing, Hull and company sailed through a lengthy, career-spanning set that made Thrice fans wish they had gotten the same.

Of course, had Thrice mixed it up a touch more and strayed further from their tepid indie rock, things might have been different in the end. But after going toe to toe for one night in the City of Angels, the winner by TKO was Manchester Orchestra.

MANCHESTER ORCHESTRA

Setlist:
Top Notch
Choose You
Girl Harbor
The Mansion
The Ocean
Every Stone
All That I Really Wanted (Acoustic)
Trees
Indentions
See It Again (with “I Can Feel Your Pain” intro)
Cope
After the Scripture
The Maze
The Gold
Bed Head

THRICE

Setlist:
All the World Is Mad
The Weight
Circles
Doublespeak
In Exile
At the Last
Wood and Wire
Talking Through Glass / We Move Like Swing Sets
The Great Exchange
Beggars

Red Telephone
Black Honey
Robot Soft Exorcism
Beyond the Pines

First Times: Covering a show at Pappy and Harriet’s as Death from Above 1979 celebrate 20 years of ‘You’re a Woman, I’m a Machine’

Pappy & Harriet'sBy Josh Herwitt //

Death from Above 1979 //
Pappy and Harriet’s – Pioneertown, CA
October 11th, 2024 //

It’s easy to be spoiled by all of the opportunities to experience live music when you grow up in a city like Los Angeles. So much so, in fact, that it can often be difficult to find a good reason to venture outside of LA County for a show or festival.

Even though one of the world’s major entertainment capitals can provide endless options for fans from January to December, there’s something special about escaping the hustle and bustle of my hometown once in a while to catch a concert out in the wild.

Over the years Southern California’s Hi-Desert region has become one of those places for me that has served as a rather quick and easy getaway. Of course, sharing the same first name as the one-of-a-kind Yucca brevifolia — more commonly known as the Joshua tree — that dominates much of the landscape throughout the region might seem like the obvious reason for yours truly, but it’s no secret that interest in the area has skyrocketed globally since the invention of social media. Just look at how much an average Airbnb rental in Yucca Valley costs these days if you don’t believe me.

But ever since that first backpacking trip during my freshman year of high school, I have always held a deep connection to Joshua Tree National Park. The otherworldly feel of its rock formations and unique vegetation set against the backdrop of a stunning desert sunset is unmatched and something you can’t find anywhere else on the planet. The park, however, is only one of the Hi-Desert’s multiple attractions these days. Whether it’s a visit to The Integratron for a sound bath, Noah Purifoy’s outdoor museum or the seven-story Giant Rock that’s the largest freestanding boulder in North America and purportedly on Earth, there’s plenty to see and even more to do than one might think.

Pioneertown

Pioneertown

What we would be remiss to not have on that to-do list is a trip to Pioneertown where actor Dick Curtis built things from the ground up in 1946. Constructing a movie set for Westerns like “The Cisco Kid” and early TV shows, it would also become a regular filming location for the late Gene Autry until 1955. Both commercial production and photography are still allowed although only by permit, but many locals and visitors who turn onto Pioneertown Road from California State Route 62 and make the four-mile drive have one destination in mind: Pappy and Harriet’s.

The honky-tonk, California-style barbecue restaurant (think trip-tip sandwiches, ribs, burgers and more) where a cantina set was originally conceived during the town’s inception was ranked several years ago as one of the 100 greatest American music venues, ahead of other legendary rooms such as Radio City Music Hall and the Troubadour. Initially it was purchased in 1972 by Francis Aleba and became a biker bar serving Mexican fare that was named The Cantina before closing after a decade. In fact, it was not until Aleba’s daughter Harriet secured ownership of the building with her husband Claude “Pappy” Allen about 10 years later that Pappy & Harriet’s Pioneertown Palace as we know it today was officially born. While it continued to be a favorite watering hole for two-wheel riders with a menu featuring family-size Tex-Mex cuisine, it did not take long for fans of live music to also fall in love with different acts gracing their stage every week. It’s why top-notch artists and bands across the spectrum — Paul McCartney, Queens of the Stone Age, Lorde, Robert Plant, Arctic Monkeys, Vampire Weekend, Eagles of Death Metal, Band of Horses, Grizzly Bear, Rufus Wainwright and Alvvays to name a few — have shown up there to perform no matter how many times Pappy’s, as it’s commonly referred to now, has changed hands and who is currently running operations. That trend hasn’t slowed down either, with Phoenix, Slipknot, Modest Mouse, Patti Smith, Coheed and Cambria, Belle & Sebastian, Built to Spill, Orville Peck, Lukas Nelson & Promise of the Real, Pete Yorn, Wynona Judd, Violent Femmes, Sylvan Esso and more all dropping by over the past few years and earning the roadhouse stop a spot on the Los Angeles Times list for the 101 best California experiences in 2022.

After making visits on my own for food and drinks but having never previously taken in a concert, I can understand the appeal and how Pappy’s has turned into a well-oiled machine after more than 40 years. There’s something to be said about feeling like you have teleported back in time, and you get that sense as soon as you drive past the Pioneertown sign, pull into Pappy’s dusty parking lot and take in the smell of smoked meat. But it’s more than just aesthetics that creates the old-timey vibes at Pappy’s. On some days — usually weekends — you can find more than one show booked, and when that happens, it can certainly create for an interesting scene as fan bases collide outside at the bar and merch stand. And if one performance runs behind schedule, you can be assured that any ensuing events won’t be starting on time either. If you ever went to see a friend’s band play a local bar in high school or college, Pappy’s is not removed much from that sort of situation besides its saloon-like setting.

In addition to its diminutive indoor stage with a 350-person maximum, Pappy’s has expanded to include an outdoor stage that can host bigger names and accommodate as many as 850 folks when it’s not too cold at night. Nevertheless, I wanted to make sure that my first show was inside those wooden doors to get the true Pappy’s experience.

Death from Above 1979

Death from Above 1979

So when a band I have followed for more than a dozen years announced that it would be playing a gig inside Pappy’s to make up for the 2024 edition of Desert Daze being canceled, I finally felt moved to hit the open road and travel 140 miles east regardless of the small investment in time and resources that I knew came with my decision.

After all, this was not any performance. The first time I ever saw Death from Above 1979 in the flesh was not that far from Pappy’s. At the time, the dance-punk duo from Toronto was reuniting on the main stage at Coachella more than five years after breaking up despite the positive reception its debut LP You’re a Woman, I’m a Machine received in 2004. Jesse F. Keeler (bass, synthesizer, keyboards, backing vocals) and Sebastien Grainger (drums, vocals) have gone on to release three more full lengths since then, but this year has been dedicated to celebrating the album that gave them the chance to tour with Nine Inch Nails and QOTSA back then.

Based on the way things were unfolding at Pappy’s that evening with the preceding show not starting on time, the special midnight performance DFA 1979 booked had turned into more like a 1 a.m. set when it was all said and done, leaving me and others to wait in line and among a sold-out crowd for close to two hours. Of course, with the state’s 2 a.m. curfew in effect, the last performer of the night is always the one that pays the price — or at least its fans do — and in this case, there proved to be only enough time left on the game clock for Keeler and Grainger to run through You’re a Woman, I’m a Machine from start to finish before wrapping with a two-song encore consisting of lead single “Freeze Me” on 2017’s Outrage! Is Now and “Dead Womb” off the 2002 EP Heads Up that marked the group’s very first studio release. We might have been packed in there like sardines, but I did my best to take it all in while holding onto the rail in front of the stage for dear life — as well as my camera equipment — and trying not to stare into the red eyes of that patriotically bizarre, three-headed horse mural on the back wall.

Was it disappointing that we only got about an hour of raw, impassioned punk rock? Sure, we can’t say we would have minded hearing material from 2014’s The Physical World and the Canadian outfit’s most recent effort Is 4 Lovers that dropped more than three years ago at this point. But there’s no doubt going to a show at Pappy’s is not like any other concert experience you have had before. You don’t have to put on a pair of cowboy boots and/or Stetson hat to feel like you belong either, though it wouldn’t be frowned upon if that’s your thing. Anyone and everyone are welcome, and the same ethos has seemingly applied in showcasing all styles of music there. At one moment you might be listening to indie folk, and the next, you’re headbanging to some heavy metal — that’s what really makes Pappy’s so fun and cool. Because while it might not be a hidden gem in the desert anymore after previously hosting Coachella sideshows from Future Islands to Glass Animals, you won’t find anything quite like it to this day.

Setlist:
Turn It Out
Romantic Rights
Going Steady
Go Home, Get Down
Blood on Our Hands
Black History Month
Little Girl
Cold War
You’re a Woman, I’m a Machine
Pull Out
Sexy Results

Encore:
Freeze Me
Dead Womb

Portola Music Festival 2024: Our awards & highlights coming off a Bay Area three-peat for Goldenvoice

Portola Music Festival 2024 - Soulwax

Soulwax

Photos by Chris Kocher // Written by Molly Kish //

Portola Music Festival //
Pier 80 – San Francisco
September 28th-29th, 2024 //

Closing out the last weekend of September and kicking off another Indian summer in the Bay Area, Portola returned to Pier 80 for a third installment and drew its largest crowd to date. With tickets quickly selling out in record time, it seemed like someone finally let the raccoons out of the bag. Goldenvoice’s marketing team, per usual, leaned into a hilariously unhinged campaign, and this year’s lineup of night shows dwarfed previous years in talent and quantity. It almost felt like Portola elevated its identity into a brand with a third installment of their “Racoon Social” afters occurring a month later at The Midway.

This year’s roster stayed true to form and highlighted talent from all over the world and electronic music spectrum. Heavy hitting legacy acts headlined outdoor stages both nights, allowing the crowd to enjoy the perfect weather and lose themselves in nostalgia-filled dance parties under the giant, crane-lifted disco ball. As one of the premiere dates of their new stage design, Justice dominated as the best and most heavily anticipated headline set of the weekend. The French duo satiated longtime fans with a set of throwback hits that breathed new life into their past material and mixed seamlessly with tracks from their fourth LP Hyperdrama that dropped in April thanks, in part, to their incredible new A/V production. Other closers worth mentioning were the “Dark Prince” aka Gesaffelstein at the Crane Stage on Day 1 and FISHER’s absolute takeover of the pier’s eastern half on Day 2, plus let’s not forget both Four Tet and Sara Landry blowing out the Warehouse each night.

There was a refreshing amount of performances with live instrumentation this year, expanding upon the ideas and notions of what the electronic genre encompasses. Between Peaches — aka the “Teaches of Peaches” — commandeering the stage, Soulwax’s insane multi-drummer live spectacle, Tycho’s return to form with a full band and Mount Kimbie covering Stereolab, the sounds we heard for two days leaned more noticeably in the direction of alternative dance. Barry Can’t Swim, more specifically, performed his live show for only the third time ever in the states with an ecstatic crowd on hand, leading directly into an electrifying sunset set by Disclosure with a full horn section. RÜFÜS DU SOL closed out the Pier Stage on the fest’s first day to a huge audience that got a sneak peak at the Australian three-piece’s new stage design before its upcoming world tour was announced.

ortola Music Festival 2024 - Tycho (Zac Brown)

Tycho’s Zac Brown

The Camp was also ramped up a little more, although the bill wasn’t as queer-focused as the previous two. horsegiirL performed to an equestrian-themed Ship Tent and crossed over as the first interspecies DJ to play Portola. Meanwhile, meme-turned “super serious, underground, exclusive tastemaker, gay, EDM, culture, Bushwick raver,” Rebecca Black debuted as an experimental vocalist/DJ on Sunday and Natasha Bedingfield pulled a surprising amount of hyped attendees away from Jamie xx’s performance Saturday for a brief 15-minute, hits-only set that even Four Tet himself couldn’t resist taking in. Reigning supreme as a highlight of the weekend, however, was disco queen Jessie Ware’s performance over at the Pier Stage that channeled Studio 54 and even included a cover of Cher’s “Believe” from her 1998 album of the same name.

The festival footprint expanded in 2024 with VIP areas taking over more space in front of the stages, which was received with mixed emotions. Cellphone service almost seemed worse than ever before, remaining an ever-present pitfall that unfortunately prevented us from being able to enjoy Portola to its fullest potential. Increased seating areas and bathrooms contributed greatly to the GA experience, but they still seemed limited amid the larger crowd size. A healthy amount of food offerings and expanded beverage selection was widely appreciated, and plenty were still surprised yet delighted by activations like the hidden speakeasy, which this time transformed into a robot-themed bar in honor of Daft Punk.

Though the third edition of Portola proved successful in continuing to expand Goldenvoice’s influence across the Bay Area festival landscape, it’s unknown at the moment as to whether or not it will return next year. Still being dubbed as “the city’s loudest event” after as many as 224 noise complaints — 24 on Saturday followed by 200 on Sunday — were filed despite organizers’ efforts to lower the decibels, rotate stages and utilize acoustic blankets. Judging by the turnout this time and increased demand for an event of this caliber in the Bay Area, we would be surprised if Portola wasn’t back after another 12 months. But once the permits are approved by both the SF Entertainment Commission and Port of SF, one can only hope that Goldenvoice will throw down on some distributed antenna systems or reliable WiFi coverage for 2025.

Portola Music Festival 2024 - Justice

Justice

PORTOLA MUSIC FESTIVAL 2024 AWARDS:

Headliner of the Weekend: Justice

Favorite Stage: Pier

Breakthrough Performance: Franc Moody

Best Dance Party: Disclosure

Largest Crowd: FISHER

Most Controversial: M.I.A.’s endorsement of Donald Trump

Festival Daddy: Tycho guitarist/bassist Zac Brown

Portola Queen: Jessie Ware

Best Legacy Act: Soulwax

Hardest Set: Sara Landry

Best Performance: RÜFÜS DU SOL

Most Cunty: Horsegiirl

Best Stage Production: BICEP present CHROMA (AV DJ set)

Favorite Festival Addition: Giant crane-lifted disco ball

Best Activation: Daft Punk speakeasy

Favorite Merch: Pier 80 blanket

Best Afterparty: Boiler Room with Club Heat

Best Mascot: Warehouse raccoons

Rodrigo y Gabriela give LA the emotional reset it needs while taking fans at the Hollywood Bowl on a riveting, philosophical journey

Rodrigo y GabrielaPhotos by Carla Lopez // Written by Iván Fernández //

Rodrigo y Gabriela with Afro-Cuban All Stars //
Hollywood Bowl – Los Angeles
September 18th, 2024 //

It hadn’t been two weeks since LA found itself in near-literal hell when Rodrigo y Gabriela returned to the Hollywood Bowl. The city found itself surrounded by wildfires to the north, east and south and crunched with inescapable record-breaking, triple-digit temperatures.

With the heatwave gone and the fires mostly contained, the people needed a fresh start. The Mexican duo were more than happy to oblige with an assist from the Afro-Cuban All-Stars.

The beauty of the Hollywood Bowl is how it can feel immense without losing its intimacy, especially in the hands of seasoned performers. Thankfully, this was the case with the night’s acts: two experienced veterans with many performances at the Bowl in their pocket. It also takes something special to be the type of performer who is invited to the Bowl multiple times in their career — “maybe eight times” said Rodrigo during the concert — and both bands showed everyone what that special something is.

The show began with the Afro-Cuban All-Stars led by founder Juan De Marcos González, who also happens to be the guy who helped Ry Cooder put Buena Vista Social Club together during the same year he also founded the All-Stars. To say he has an eye and an ear for talent is like saying Dodgers star Shohei Ohtani knows how to hit a baseball or steal a base. As a longtime of Buena Vista, seeing one of its founders perform live sent chills through my body.

González and the 12 members who comprised this version of the All-Stars had the crowd cheering, hollering and dancing throughout their too-brief, five-song set. They opened with “Addimu A Oshun” as they have for years. Their version of the invocation to the saint of Cuba is also an invocation to get off your seat and dance, after all.

Afro-Cuban All-Stars

Afro-Cuban All-Stars

The vibes continued through their set filled with jaw-dropping instrumental solos, including the conga solo on the closing song, which had people dancing in conga lines in every section of the venue. Did I mention that this was just the opener?!

So how does a two-person, guitar-only group take the stage after that type of performance?

Easily, if you are Rodrigo y Gabriela! The duo comprised of Rodrigo Sánchez and Gabriela Quintero walked out confidently and immediately got to work with two songs from their latest album In Between Thoughts…A New World. The album’s cover art served as a backdrop that set the scene for the emotional and philosophical musical journey ahead.

As a longtime fan, I was happily surprised with the shift in their music as Rodrigo spent most of the night playing an electric guitar. As other longtime fans know, Rod & Gab performed on acoustic guitars for the majority of their career. In fact, they were still an acoustic act when last I saw them at the Bowl in 2016.

That changed in 2019 with the release of Mettavolution when they sparingly added electric guitars into the mix before fully incorporating them into the recorded and live performances of 2023’s In Between Thoughts…A New World. The change didn’t alter Rodrigo y Gabriela’s music into an unrecognizable form nor did it feel like an experiment tacked on out of curiosity. Just as they have expanded their own philosophical beliefs into their lives and their recent albums, so too has the electric guitar expanded the range and style of their recorded music and live performances.

Rodrigo y Gabriela

Rodrigo y Gabriela

The duo surprised everyone at the Bowl by performing four new songs. “Some bands don’t like to play songs from their new album, but we frankly don’t give a fuck,” said Rodrigo to cheers from the audience.

Of the four new songs, “The Simurgh” stood out the most to me. The song, as Gabriela explained, is based on a poem called “The Conference of the Birds” by Sufi poet Attar and is written as a narrative soundtrack, or companion, to the journey taken by the birds in the poem. The song included a guitar solo by Rodrigo that was so impacting one could feel and see the poem come to life.

Rod & Gab went back to their fully acoustic roots halfway through their set for a trio of older hits: “Hanuman”, “Diablo Rojo” and “Tamacun”. They even performed them in the manner like they used to when they first began performing together, sitting next to each other on stools as close to the audience as possible.

Rodrigo left the stage at one point, leaving Gabriela to regale the crowd with a solo on acoustic guitar for a few minutes. It was a master class in guitar artistry. Rodrigo eventually joined her as she continued playing until the two met, musically, segueing into “Finding Myself Leads Me to You”.

Rodrigo y Gabriela closed out the show with an amazing rendition of their most recent album’s title track that had everyone on their feet. The concert was a joyous ceremony from beginning to end and a much-needed emotional reset from the oppressive, heat-related dangers of the past weeks.

RODRIGO Y GABRIELA

Setlist:
True Nature
The Ride of the Mind
Astrum in Corpore
Egoland
Seeking Unreality
Monster
Hanuman
Diablo Rojo
Tamacun
The Simurgh
Gabriela Solo
Finding Myself Leads Me to You
Dublin
Descending to Nowhere

Encore:
In Between Thoughts…A New World

AFRO-CUBAN ALL-STARS

Setlist:
Addimu A Oshún
A Distancia
Sueño Y Realidad
On the Road Again
Conga

Beats Antique keep the Do LaB spirit alive at Teragram Ballroom

Beats Antique - Zoe JakesBy Josh Herwitt //

Beats Antique with Haywyre //
Teragram Ballroom – Los Angeles
September 12th, 2024 //

There might not be an act that represents the Do LaB better than Beats Antique from the moment when the experimental world fusion and electronic music group out of Oakland formed in 2007.

At the time, belly dancer Zoe Jakes had just approached her manager Miles Copeland — producer and brother of drummer Stewart Copeland from The Police — about hitting the studio to make an album and received the answer she was ultimately hoping for. Within months of that meeting a partnership between Jakes, multi-instrumentalist David Satori and drummer Tommy “Sidecar” Cappel quickly came to fruition as their debut LP Tribal Derivations was born on Copeland’s record label CIA. From there, the trio would go on to issue 10 more releases over the ensuing nine years.

But the LA event design and production company based in Venice Beach that has showcased its art at Coachella every spring for the past two decades and has put on the “transformational” boutique festival Lightning in a Bottle in that same span has also helped foster a unique community of like-minded artists and creatives — one of which has undoubtedly been Beats dating back to their first live performance at LIB in 2009.

Much has changed for the Bay Area three-piece since those early days growing up with the Do LaB, albeit maybe none more than its announcement a couple of years ago that Satori would be taking an indefinite break from touring. And even though he remains involved in the creative process for Beats Antique, you could tell from their statement that the news must not have been easy to take for either Jakes or Cappel as they navigated the shift “with love and compassion.”

Beats Antique

Nevertheless, the two of them have pressed on to embrace their artistic vision and loyal following with the multi-talented Miles Jay filling Satori’s shoes for the unforeseeable future. That was apparent last Thursday for their latest visit to the City of Angels, which saw Grammy-nominated electronic producer and classically trained pianist Haywyre (born Martin Sebastian Vogt) kick-start the evening and get the dance floor at the Teragram Ballroom moving thanks to several new singles he has dropped this year.

The last time we caught Beats Antique they were co-headlining The Novo (fka Club Nokia) in downtown LA nearly a decade ago for what proved to be an eclectic bill as funk collective Lettuce played first and brought out Nigel Hall to sing Earth, Wind & Fire’s “Gratitude” plus a few more tunes during their groovy set (read our show review here).

Considering the disparity in size between the two aforementioned music venues, this outing was bound to feel more intimate — and indeed it did. Not that the Teragram’s 625-person capacity came that close to being reached on this night, but a spirited crowd was there to welcome Jakes, Cappel and Jay when they finally arrived onstage prior to 10 p.m.

There’s something mysterious about a Beats Antique concert that’s hard to fully comprehend until you have the chance to experience one for yourself. Whether it’s the Middle Eastern sounds and afro-beat influences that regularly permeate their tracks or the various costumes Jakes dons in the matter of 90 minutes, there’s never a dull moment once the music begins. It’s those twists and turns, both sonically and performatively, that have always made Beats Antique an exciting force in the live space and what ultimately had us coming back for another taste in 2024.

Phantogram show us at the Santa Barbara Bowl while on tour with Kings of Leon that they are primed to release their fifth album

PhantogramBy Josh Herwitt //

Phantogram //
Santa Barbara Bowl – Santa Barbara, CA
August 26th, 2024 //

It’s always strange when you receive a media credential to cover the opening act of a performance but not the headliner. This was one of those rare instances where our business at a music venue we have covered many headliners at before was to simply focus on the evening’s support.

And even though they are certainly worthy of their own headlining tour after last week’s announcement of a fifth LP, street-beat/psych-pop duo Phantogram are currently making the rounds with Kings of Leon on a 26-date jaunt all across North America that made a stop Monday at the Santa Barbara Bowl.

Sarah Barthel (vocals, keyboards, piano, programming, synthesizers, guitars, production) and Josh Carter (vocals, guitars, programming, synthesizers, drums, percussion, production) are set to drop Memory of a Day on October 18th via Neon Gold Records, but until then, show up early if you are hoping to catch them live.

Their 6:45 p.m. start in Santa Barbara before the sun had even set over the Pacific Ocean, for that matter, still drew a solid turnout despite the 4,562-person amphitheater marking the smallest venue booked for KoL’s current tour.

Phantogram - Sarah Barthel

Barthel’s vocals proved to be just as breathy as we remember them after she stepped onstage in Zebra-patterned shorts, black leather boots and a white top. To her left or stage right, you could see that Carter was dialed into whichever guitar lick he was riffing on during their 45-minute concert.

Of course whenever I have the opportunity to see Phantogram in the flesh, it usually reminds of the time I interviewed Carter more than a decade ago for a feature story right as the New York band was starting to break out and attract larger audiences.

Now a well-oiled machine, Phantogram have also established a loyal following even if their new material such as singles “All a Mystery” and “Happy Again” stray even farther from what KoL offers. Though they might not have been tapped as a co-headliner considering KoL’s stature and overall reach these days, there’s no doubt that putting both acts together has produced one of the best double bills this summer with capacity crowds filling arenas in city after city.

Any excuse to visit the Santa Barbara Bowl is often a good one, but with Phantogram playing we didn’t need much more of a reason to spend the night at one of our favorites places in Southern California to witness live music.

Setlist:
Don’t Move
Fall in Love
All a Mystery
Pedestal
Run Run Blood
Mister Impossible
Happy Again
Answer
Black Out Days
When I’m Small

Galactic bring the funk back to LA with Jelly Joseph & special guests making for a groovy night at The Bellwether

Galactic featuring Jelly JosephBy Josh Herwitt //

Galactic featuring Jelly Joseph with Joy Guerilla //
The Bellwether – Los Angeles
August 15th, 2024 //

If I told you that it has been 30 years since Galactic formed after childhood friends Jeff Raines and Robert Mercurio moved to New Orleans for college, you might not believe it … or want to believe it.

But the truth is, the fivesome has been going strong ever since it all came together in 1994 with Raines (guitar) and Mercurio (bass) leaving their hometown of Chevy Chase, Md., to attend Tulane University before eventually teaming up with Richard Vogel (Hammond organ), Stanton Moore (drums) and Ben Ellman (saxophone, harmonica).

The group’s affinity for local legends like The Meters, Dirty Dozen Brass Band and Professor Longhair as well as the influence that they have played in Galactic’s music remains self-evident to this day, and despite rotating through a handful of singers over the years — whether it has been Cyril Neville, Living Colour’s Corey Glover, Maggie Koerner or Erica Falls — since the late Theryl “House Man” DeClouet’s departure in 2004, it has continued to tour relentlessly and put out new material consistently.

Their most recent studio effort, a six-track EP entitled Tchompitoulas that arrived at the beginning of 2023, features multiple vocalists, including Florida rapper Eric Biddines, Grammy-nominated Cuban singer-songwriter Cimafunk and NOLA’s own Anjelika “Jelly” Joseph.

Galactic featuring Jelly Joseph


Anjelika “Jelly” Joseph

Of course, Galactic have been incorporating a variety of voices ever since they ventured into hip-hop via their 2007 album From the Corner to the Block, which saw collaborations with Lyrics Born, Mr. Lif, Gift of Gab, Chali 2na, Boots Riley, Juvenile, Trombone Shorty and Lateef the Truthspeaker to name more than just a few.

The last few years, though, have given Joseph a chance to shine with the quintet since they released the single “Float Up” in 2020, and we quickly learned how powerful her delivery was within minutes of taking the stage last Thursday as Galactic brought the funk back to LA for the band’s first show at The Bellwether, which only opened a little more than a year ago now (read our venue review here) but has already established itself as one of the better music venues in a city with no shortage of them. Though we must say, it was cool to catch Galactic somewhere else besides at the El Rey Theatre — where we have covered them before (read our show review here) — or Fonda Theatre after both spaces owned and operated by Goldenvoice had become the band’s unofficial home for its annual visit to the City of Angels year after year.

While the night belonged to Joseph considering the charisma she exuded onstage for more than a hour and a half, Galactic made sure to also sprinkle in covers from heroes such as Dr. John, Allen Toussaint and Aretha Franklin in addition to guest appearances from Alex Wasily of Dumpstaphunk on trombone, Will Blades on organ and Shira Elias on vocals that kept the programming feeling fresh throughout and was certainly a nice surprise after San Diego native Karl Denson showed up the evening prior for their gig at the Belly Up in Solana Beach.

I have always loved the spirit and culture of New Orleans, and even though it had been several years since the last time I saw Galactic in the flesh, it always feels like I’m hanging out on Frenchmen Street again when I do. After all, the joy their music has brought to the lives of so many can’t be understated and is something we are still grateful for three decades later.

Setlist:
You Don’t Know
Making It Better
Domino
Cineramascope
Right On
Heart of Steel
Qualified (Dr. John cover)
Lickety Split (The Dirty Dozen Brass Band cover) (with Alex Wasily)
Clap Your Hands
Compared to What (Gene McDaniels cover)
Twitchie Feet (with Will Blades)
Lady Liberty
People
Yes We Can Can (Allen Toussaint cover) (with Shira Elias)
Dolla Diva

Encore:
Baker’s Dozen (with Alex Wasily)
Rock Steady (Aretha Franklin cover) (with Shira Elias)

After taking a year off, Desert Daze makes a BIG return in 2024 with Jack White, Cigarettes After Sex, Alex G, The Mars Volta & more

Desert Daze - 2024 lineup

Desert Daze //
Moreno Beach – Lake Perris, CA‎
October 10th-13th, 2024 //

In an ever-changing world that feels like it’s always moving at 120 mph, spending time away to reflect and recharge can serve as some much-needed respite.

That’s the course Desert Daze chose when the boutique music festival revealed it would be taking 2023 off after a 10th anniversary that saw King Gizzard & the Lizard Wizard, Tame Impala and Beach House, the latter of which replaced Iggy Pop only a week prior due to unprecedented visa delays with his band, hold down headlining duties as the calendar turned from September to October.

But organizers also didn’t keep fans wondering when an official return to the 1,800-acre Lake Perris State Recreation Area, which has been home to the three-day event presented by Moon Block and Knitting Factory Entertainment since 2018, would happen. There was never a doubt, based on what Desert Daze told us, that it would be back in 2024 — and it’s back this fall in a very BIG way.

The lineup for the fest’s 11th edition might not skew as heavily in the direction of psych-rock as previous iterations, but that doesn’t mean it doesn’t boast some considerable star power with Jack White leading the way. Detroit’s modern-day Renaissance man and rock hero dropped a surprise new album last week on vinyl that quickly found its way onto the interwebs, and his first appearance at Daze while occupying the top spot no less marks an important moment — and potential pivot point to bring more mainstream acts to Moreno Beach — in its history.

Also highlighting this year’s stacked bill are Cigarettes After Sex, Alex G, The Mars Volta, Thundercat, Fleet Foxes, 100 gecs, Sleep, Liz Phair, De La Soul, Marc Rebillet, Molchat Doma, The Kills, Floating Points, Power Trip, Beach Fossils, DIIV, Unwound, Shintaro Sakamoto, Danny Brown, Mount Kimbie, and Say She She, but Desert Daze has also leaned into the notion of having some bands perform their seminal albums in full for a live audience. That will once again be the case with Death from Above 1979 and Temples celebrating major milestones for each of their debut albums — 2004’s critically acclaimed You’re a Woman, I’m a Machine‘s and 2014’s Sun Structures, respectively — when they rock the stage in a few months.

Desert Daze tickets will be available to purchase here during the fest’s presale with three-day GA at a starting price of $299 and VIP going for $699 before the general public on-sale begins this Friday, July 26th at 10 a.m. PT. With an artist roster this strong, we won’t be surprised if passes sell out quickly so don’t snooze on what’s sure to be another memorable weekend in the desert!

Desert Daze 2024 - daily lineups

UPDATE (August 20th): Well, look it at what we have here … daily lineups! That’s right — you can start planning ahead with less than three months to go. This year’s Desert Daze sees Alex G and Thundercat billed as co-headliners Friday before Jack White rocks out on Saturday and Cigarettes After Sex closes things out Sunday. Single-day tickets have also become available now, so grab them for $99-119 (GA), $199-249 (VIP) and $549-699 (VIP Plus) here while you can!

Desert Daze 2024 - canceled statement

UPDATE (August 30th): Oh no!!! It comes with a heavy heart for us to also share that Desert Daze 2024 has unfortunately been canceled due to rising production costs and “the current volatile festival market.” All ticket holders will be refunded and contacted via their point of purchase. It’s a sad day for the festival’s organizers and the entire Daze community, but we hope that one day we will see another iteration of the event. Until then, keep your eyes peeled for future updates from co-founder Phil Pirrone.

“Desert Daze is more than a festival or business venture to us,” he said in a statement. “The community that we’ve cultivated together means so much to us and is the reason we will work to find a way to keep this beautiful thing going for many years to come.

DIIV give us hope at The Wiltern that there’s a future for indie rock

DIIVBy Josh Herwitt //

DIIV with Lightning Bolt, untitled (halo) //
The Wiltern – Los Angeles
June 29th, 2024 //

For nearly 15 years it’s no secret the music industry has moved farther away from the guitar-driven rock that prevailed through much of the 90’s and early 2000’s. Some have even gone as far to now say “rock is dead,” and while we can point out some of our own experiences from recent memory — including one here — to counter that claim, there have only been a handful of new bands since 2010 that accurately fit the description and have hooked me enough to catch them live.

Australian sextet King Gizzard & the Lizard Wizard are one of those acts, and their three-hour marathon at the iconic Hollywood Bowl last summer (read our show review here) was one of our favorite shows in 2023 (see our picks here).

English bass-and-drums duo Royal Blood are another, and their bone-rattling concert at The Wiltern in November (read our show review here) was also a highlight for us last year.

Of course we can’t forget about Houston psych-funk-rock trio Khruangbin, which have continued their ascent with sold-out gigs at some of America’s biggest music venues and events. In fact, we still think about their 2022 appearance on Day 2 of Primavera Sound LA (read our festival review here).

And then there’s “American indie-groove band” Goose, who gave us a chance to finally watch them in the flesh several months ago when they made their Santa Barbara Bowl debut and a compelling case why they have been one of the hottest (jam) bands lately (read our show review here).

Obviously there are supergroups and/or side projects like The Smile, boygenius and The New Basement Tapes as well, while others might argue that bands such as Greta Van Fleet, Hockey Dad, Turnstile, Wet Leg and Viagra Boys have carried the torch forward for the genre (note: IDLES were not mentioned here because they formed back in 2009 along with Alabama Shakes, Atoms for Peace, Broken Bells, Dawes, The Dead Weather, How to Destroy Angels, Rival Sons, Them Crooked Vultures and Wild Nothing).

DIIV

But standing among some of the best to arrive on the scene in roughly the last decade and a half are DIIV, which began as a solo endeavor for Zachary Cole Smith (lead vocals, guitar) after previous stints as a guitarist in the psych-rock outfit Soft Black and drummer/guitarist for indie rockers Beach Fossils while he was living in Brooklyn.

Smith has relocated to LA since DIIV’s formation, but the group’s sound has remained fairly consistent — dreamy, hazy vocals float on top of gritty, fuzzed-out guitars as they collide with punchy rhythms that immediately evoke comparisons to Modest Mouse, Silversun Pickups, Slowdive and even Explosions in the Sky when we listen. That’s not to say DIIV’s shoegaze-laden soundscapes don’t have their own feel and vibe, though. They very much have their own identity, as Smith’s catchy riffs often pull you in at the start and build up to moments of pure sonic bliss like on “Taker” or “Acheron” that stands as the longest track in the DIIV catalog at more than seven minutes.

Four albums in following the May release of Frog in Boiling Water on Fantasy Records, and the quartet that was a five-piece in the early 2010’s and currently includes Smith’s childhood friend Andrew Bailey (guitar), Colin Caulfield (bass, keyboards, guitar, vocals) and Ben Newman (drums) are no doubt a well-established unit at this point. The 10-track LP anchored by lead single “Brown Paper Bag” has already garnered critical acclaim from quite a few media outlets and fits in nicely with the rest of DIIV’s material, showcasing Smith’s continued growth and evolution as a singer-songwriter. And although we can’t say his overall range behind the microphone has transformed dramatically dating back to 2012’s full-length debut Oshin, Smith does come across more forceful in his delivery on DIIV’s latest studio effort.

Wrapping up the first leg of a 33-date North American tour last Saturday at The Wiltern with Rhode Island noise-rock duo Lightning Bolt and LA’s untitled (halo) providing support, Smith and company delivered plenty of highs from “Doused” to “Blankenship” and yet left us yearning to hear others like “Dopamine” off 2016’s Is the Is Are and “Skin Game” from 2019’s Deceiver. The fact that neither of those are being played was somewhat surprising — even if they aren’t among their Top 5 songs on Spotify — and yet encouraging considering how well we thought their 90-minute performance in LA flowed from one song to the next. DIIV haven’t been mixing up their setlists each night they take the stage, instead sticking to a very similar script so far for their 2024 dates across Europe and the U.S. While that’s something we eventually hope to see from them after another album cycle, the next six months will mark an important stretch for DIIV with their tour schedule extending all the way through December and taking them back to the UK where a couple of sold-out gigs with Irish post-punk band Fontaines D.C. — another one of the rare major post-2010 rock acts to emerge — in London await.

The impending doom and gloom that Smith’s lyrics have been known to address since DIIV’s inception in 2011 don’t exactly anoint them as champions of hope and optimism at a time of great uncertainty and political tension here at home. Frog confronts the “overwhelmingly banal collapse of society under end-stage capitalism,” and with another U.S. presidential election looming that stars a former president and convicted felon, there’s a real cause for concern with the stakes higher than ever. The video interludes — one to advertise DIIV merch, another to introduce their sophomore single on Frog entitled “”Soul-net” and finally a satirical promo for ExxonMobil at the beginning of the encore — sprinkled in throughout the show reminded us of that dark reality, but as Bailey told Zane Lowe during a recent interview for Apple Music: “The message isn’t ‘the world is screwed and there’s nothing we can do.’ It’s more pointing out the fact that the world is screwed and heading toward demise … how do we accept that reality and still turn it into something positive?”

Smith, for one, has faced his own demons and past struggles with substance abuse that we don’t need to get into but has courageously come out on the other side all while continuing to push the boundaries sonically with every DIIV release. Frog, after all, was the first time the band worked democratically with writing credits going to all four members, challenging them individually and testing the strength of their collective bond in ultimately representing “a mesmeric testament to enduring.” For us fans, it’s just one sign of another great band in the making.

Setlist:
In Amber
Like Before You Were Born
Brown Paper Bag
Under the Sun
(Druun Pt. II)
Doused
Reflected
Somber the Drums
Take Your Time
Taker
Raining on Your Pillow
Soul-net
Frog in Boiling Water
Between Tides
Blankenship
Acheron

Encore:
Everyone Out
Horsehead

Chicano Batman make history in their hometown while taking a victory lap at Kia Forum with The Red Pears, Lido Pimienta

Chicano BatmanBy Amanda Tapia //

Chicano Batman with The Red Pears, Lido Pimienta //
Kia Forum – Inglewood, CA
June 29th, 2024 //

Having performed at Coachella in recent years, Chicano Batman are no strangers to the limelight. But after their recent hometown performance last Saturday at one of LA’s premier venues, a true milestone was achieved.

History was most certainly made by two Los Angeles-based bands as Chicano Batman and The Red Pears took the stage at the Kia Forum for the first time in an all-Latine lineup. Following the release of their fifth studio album Notebook Fantasy in March, Chicano Batman were billed as the headliner with support by El Monte locals The Red Pears and Colombian-Canadian singer-songwriter Lido Pimienta. Nonetheless, each act on the bill has garnered many loyal fans while delivering plenty of unforgettable performances that have showcased their evolution and success over the years.

The Red Pears


The Red Pears

Performing at such a renowned venue as the Kia Forum is not just an accolade, but also a symbol of their relentless ambition — serving as a true testament to the barriers they all have broken through to make their mark on the music industry.

It was a celebratory evening a week into the summer and one that was shared among the crowd indeed, as many audience members sang along to anthems that have helped shaped LA identities, latinidad and a love for rock ‘n’ roll.

CHICANO BATMAN

Setlist:
Beautiful Daughter
Itotiani
Freedom Is Free
Live Today
Era Primavera
Magma
La jura
La manzanita
Requiem
Fly
Losing My Mind
Passed You By
Lei Lá
Color My Life
The Way You Say It
Run
Cycles of Existential Rhyme

Encore:
Fairytale Love
Black Lipstick

THE RED PEARS

Setlist:
Didn’t Realize
The Way You Talk
See What I Mean
Hello-Sin-Nation
Arthur
Run N’ Hide
Forever
It Takes Time
Dreams
Not in the Cards
Flowers
Once Together
Tired
Beach Song
Daylight/Moonlight

Party on! Outside Lands lassoes Sturgill Simpson, FLETCHER, STRFKR, Roosevelt, Amen Dunes, Romy (DJ set) & more for 2024 night shows

Outside Lands 2024 - night shows

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 9th-11th, 2024 //

With the summer solstice marking the official start to the season a few days ago, it’s worth mentioning that Outside Lands is only six weeks away.

One of the biggest music festivals in the U.S. is gearing up for its 16th installment this August, and last week the three-day event made news when it caught us off guard by announcing that Tyler, the Creator had canceled his headlining set on Saturday and 25-year-old singer Sabrina Carpenter will replace him.

Now the lineup for OSL’s night shows has dropped, with separate concerts boasting some of the fest’s best talent spread across the City from Wednesday, August 7th through Sunday, August 11th — even after the lights at Golden Gate Park go out for the final time. This year’s late-night schedule has also expanded from 12 to 16 performances and into nine SF venues (up from eight in 2023).

Some of the highlights beginning as early as Wednesday, August 7th and Thursday, August 8th before the fest kicks off include Sturgill Simpson, FLETCHER, STRFKR, Roosevelt, Amen Dunes, Romy (DJ set), Corinne Bailey Rae, Snakehips and Uncle Waffles.

Ready to purchase tickets for OSL’s 2024 night shows?

If you want to see Amen Dunes, wait no more! Otherwise, there will be a presale this Thursday, June 27th before tickets go on sale to the public on Friday, June 28th at 10 a.m. PT with priority access for those who have purchased festival passes. Make sure to check your inbox for an email and set those alarms — especially if you are hoping to catch what will be a very intimate gig at The Independent for Sunday’s headliner Sturgill Simpson, who we would imagine will fittingly follow Post Malone’s country set (stay tuned here for the full schedule in the coming weeks).


Here is the schedule for the upcoming night shows with links to purchase tickets:

August 7th (WED): Confidence Man at The Independent, 8 p.m., $37.05, 21+ // BUY TICKETS

August 8th (THU): Amen Dunes with Hyperdawn at The Independent, 8 p.m., $29.50, 21+ // BUY TICKETS

August 9th (FRI): FLETCHER at The Independent, 10 p.m., $69.50, 21+ // BUY TICKETS

August 9th (FRI): SIDEPIECE with n808 B2B Mike Kerrigan, JLittle, DN, DJ Kilo, DJ Penny, LBXX, CHUNGY, RODEL (Shaquille O’Neal) at Public Works, 10 p.m., $30, 21+ // BUY TICKETS

August 9th (FRI): Romy (DJ set) at 1015 Folsom, 10 p.m., $10, 21+ // BUY TICKETS

August 9th (FRI): Mindchatter (DJ set) at Monarch, 10 p.m., $35, 21+ // BUY TICKETS

August 9th (FRI): Shiba San x CID present: ALL U NEED at The Great Northern, 10 p.m., $10, 21+ // BUY TICKETS

August 9th (FRI): Marsh with Phonic Youth at Audio SF, 10 p.m., $20, 21+ // BUY TICKETS

August 9th (FRI): BALTHVS with DJ Aaron Axelson at Rickshaw Stop, 10 p.m., $29.50, 18+ // BUY TICKETS

August 10th (SAT): Sturgill Simpson with Katie Pruitt at The Independent, 10 p.m., $89.58, 21+ // BUY TICKETS

August 10th (SAT): Snakehips with Truthlive, DJmaDRE, Discotoshi B2B Marlowe B2B Frey at Public Works, 10 p.m., $25, 21+ // BUY TICKETS

August 10th (SAT): Roosevelt at Bimbo’s 365 Club, 10 p.m., $44.25, 21+ // BUY TICKETS

August 10th (SAT): Sofia Kourtesis at Space 550, 10 p.m., $20, 21+ // BUY TICKETS

August 11th (SUN): STRFKR with Ruth Radelet at The Independent, 10 p.m., $49.93, 21+ // BUY TICKETS

August 11th (SUN): Uncle Waffles with Afrobeats Oakland at 1015 Folsom, 9 p.m., $20, 21+ // BUY TICKETS

August 11th (SUN): Corinne Bailey Rae at Bimbo’s 365 Club, 10 p.m., $59.70, 21+ // BUY TICKETS

Outside Lands 2024 - tickets