Quit your job and travel: 11 songs for inspiration

Travel

Let’s be honost, traveling is a pretty awesome experience. If you have the opportunity to abandon life’s routines and take on adventures far from home, you probably should do it.

So many countries actually encourage young people to go traveling abroad before settling down into a job and a family life. The United States has never embraced this, which isn’t surprising for a country that doesn’t value vacation or family proximity like other countries (see everywhere else).

Sometimes you just have to take a leap. Quit your job, say goodbye to your friends, spend most of your money and go have the time of your life. Experience new things and meet new people.

Listen to these 11 tracks from the last year for further inspiration.

Travel


John Talabot – “Journeys” feat. Ekhi

If you are doing it right, travelling is a collection of journeys, or one long journey. “Journeys” is one of the standout tracks from John Talabot’s 2012 record fin, and “running away with me” is the repetitious hook that will ingrain in your brain until you book your one-way flight.


Wild Nothing – “Paradise”

The best part about going on an international journey is discovering an ideal place that is hard to leave. It’s often good policy to keep moving if you don’t like a shitty destination, but settle in if you find your version of paradise.


Hot Chip – “Look at Where We Are”

That moment when you look around, make eye contact with your travelling partner, and acknowledge the overwhelming beauty around you – this moment is irreplaceable. And this usually only can happen if you challenge yourself to get somewhere.


Van She – “Idea of Happiness”

To those stricken with wonderlust, the idea of happiness is not knowing where you will go, where you will stay, or who you will meet.


Delicate Steve – “Positive Force”

Travel has it’s ups and downs, especially if you are going for an extended adventure. Shit happens, like missing your bus and sleeping at the station all night or you might get swindled or robbed. It’s OK. Be the positive force of your travel group.


JJ – “Beautiful Life”

You have no responsibilities except where you are going, what you are doing, and what you are consuming. It’s a dog’s life. It’s a beautiful life.


Vacationer – “Good As New”

Sometimes the best reason to go on a jaunt or extended travel is to get rejuvenated, to reboot your mentality or shake things up. This cut from Vacationer will make you feel as good as new, even if you’re stuck in a cubicle.


Liars – “No.1 Against the Rush”

Methodically moving with no set schedule can be key to freeing yourself. Don’t rush it. Take time to look around and absorb your surroundings.


Conner Youngblood – “Australia”

While this track from Australian singer/songwriter Conner Youngblood may be specific to a certain place, it’s sure to help you break out of your bubble.


Kavinsky – “ProtoVision”

Need a more upbeat kickstart to leave it all behind? Get your kinetic energy flowing in the form of crunchy beats. If life is static, break out of your mold and change something.


Bright Moments – “Tourists”

There are travelers and there are tourists, and the difference is that tourists don’t adapt. So many aspects to travelling absolutely suck, but focus on the good things when you get low and want to head home. You’ll wish you kept moving once you give in to being homesick.

Coachella 2013: Top sets during Weekend 1

Coachella

Coachella Weekend 1 came and went like a flash as it usually does. The buildup is the slow part: You make your predictions, do your homework after the lineup drops, fret over the soul-crushing set times, then throw your plans in the trash and have some fucking fun.

T’was a unique weekend as each day was different from the other, and not just by which acts were on what stages at any given time. Friday, the masses showed up early and entry was a hassle due to it, and a few gate-crashing episodes due to slow security lines raised anxiety even before stepping foot in the concert venue itself. However, the majority did not stick around for the midnight action shared between highly buzzed acts. Saturday brought a more unified crowd to sing along to the Femmes classics and nervously await a certain special guest to make an appearance with Phoenix. As a whole, this was the best day for the overall experience we have come to know and love out in Indio. Sunday was a bit mild on banner moments, and the winds seemed to dominate as a theme, both for those withstanding and those retreating the gale. Goose pimples and bandana face-masks were plentiful as the event winded down, just to do it all over again next week. Even with a musically less eventful Coachella compared to year’s past, it was the musical adventure so many long for year round.

Here are the most memorable sets we witnessed, for better or worse.

Day-1--PPIT

The Shouting MatchesGobi Tent, 2:05 p.m.
Coachella Weekend 1 featured a premier performance from Justin Vernon’s über-blues project. The Bon Iver frontman played it cool most of the set behind dark glasses, laying out thick, bluesy guitar riffs. Jack-of-all-trades Phil Cook took over stage banter duties for most of the set, allowing Vernon to try his hat at slow-grinding bluesman. The Shouting Matches explored a couple lengthy jams that worked well. -MF

Dillon Francis2:30 p.m.
Crowds swelled rather early compared to year’s past, and many eager youths were chomping at the bit with the lengthy entry lines trying to catch the buzzy Dillon Francis. An upgraded, arena-sized Sahara tent was packed early on with throngs of fresh attendees bouncing to “Bootleg Fireworks” and other stylistic electronic mash-ups for the primarily under-21 masses. -KQ

Jake BuggMojave Tent, 3:05 p.m. TOP SET
The teenage prodigy Jake Bugg impressed thoroughly at his early tent set, but it wasn’t only due to his excellent acoustic versions of “Two Fingers” and “Simple As This.” Bugg plugged in and let loose with his electric guitar for about half the set, and these songs proved to be the most successul and surprising. The young British singer-songwriter has already honed his live skills and is worth seeing live before his next trip through the states, when he’ll be packing theater-sized venues. -MF

Divine FitsOutdoor Theatre, 4:35 p.m.
Britt Daniel (Spoon) and Dan Boeckner (Wolf Parade) brought their newish outfit to the Outdoor Theatre for an afternoon of power-pop rock. Coupling the unmistakable vocals of Daniel with the heavy chorded guitar romp that is Boeckner added up to an impressive performance. “My Love is Real” was a highlight as drummer Sam Brown of New Bomb Turks added thick rhythm for the sun drenched crowd to sway and stomp to. -KQ

JapandroidsGobi Tent, 5 p.m.
Vancouver-based duo Japandroids had a tough time getting started due to sound issues, something that permeated the Gobi Tent Friday (the sound at TNGHT & Earl Sweatshirt was muted, but FOALS sounded great). Finally the set appeared ready to begin, until Brian King ran off stage, most likely to take a piss. David Prowse followed him offstage, then they returned to the stage to start “Fire’s Highway,” and we all discovered the sound was as shitty as it was when they were sound-checking. I’ve heard Japandroids play with immaculate sound quality, so it was time to move on… -MF

Japandroids

∆(Alt-J)Mohave Tent, 5:20 p.m.
This british quintet was a highlight of the day as it charmed a large crowd with the band’s quintessentially unique take an indie rock, playing heavily off debut album An Awesome Wave. Cartoonish may be the best way to describe the singing style of Joe Newman, but once you’ve acquired the taste, it’s no joke and it shined brightly in the Mojave Tent. “Breezblocks” received a wonderful reception as revelers shook and weaved to the hypnotic rhythm while reciting the grand chorus. -KQ

Local NativesOutdoor Theatre, 7 p.m.
A calm mellow fell over the crowd for the majority of the Local Natives sunset time slot at the Outdoor Theatre. Some enjoyed the slightly closer and better beer garden, while others neatly filled a sizable chunk of real estate in front of the stage. “Sun Hands” was the perfect shock to attendees before sending them back out into the great wild that is the Empire Polo Club. -KQ

Dog BloodSahara Tent, 7:40 p.m.
Combine Skrillex and Boys Noize and you have the two-headed EDM monster fans are getting to know as Dog Blood. This recent collaboration made waves at Ultra this year, and they blew minds in the thickly packed Sahara for a hard driving amalgamation of many of the current electronic styles. The sound resonating from the beefed up DJ booth wasn’t fully Skrillex, nor Boys Noize, which was refreshing to hear from these two superstars. -KQ

Yeah Yeah YeahsCoachella Stage, 8:40 p.m.
Karen O commands crowds with the best of them, and every big performance from Yeah Yeah Yeahs confirms her place as one of the most enigmatic bandleaders of our time. She oozed intensity and sensuality while bopping all over the largest stage during hailed tracks like “Zero” and set closer “Maps.” The new tracks sounded as artsy and danceable as ever and Mosquito is sure to catch some serious attention as they prepare for a lengthy summer season. -KQ

FOALSGobi Tent, 10:50-11:40 p.m. TOP SET
FOALS destroyed their set against tough competition, making everyone present forget they were missing Blur & Jurassic 5. “Inhaler” and “Milk & Black Spiders” from FOALS’ 2013 LP Holy Fire were set highlights, but tracks from all three of their full-length records were present in the setlist. The British group is pure fire in concert, producing surprisingly technical live versions of their songs while at the same time extending or intensifying some sounds or instruments in response to the audience reaction in the moment. -MF

FOALS

How to Destroy AngelsMojave Tent, 12 a.m. TOP SET
Trent Reznor’s new project took the stage for the second time ever, and the multi-dimensional presentation wowed the surprisingly sparse crowd in the Mojave Tent. “The Wake Up” began the set with the group veiled behind a curtain of white strings, creating an eerie outline of Atticus Ross, Rob Sheridan and the mystifying Marqueen Manndig. Presentation appeared to be key in the short time this act will be on the road before the return of NIN, even though the wall of sound aspect was a treat for the diehard fans of Reznor and everything he touches. -KQ

How-to-Destroy-Angels

Earl SweatshirtGobi Tent, 12:05 a.m.
Sure, Friday at midnight was undoubtedly one of the most stacked schedule times, but the lack of throngs at Odd Future wunderkid Earl Sweatshirt’s banner set showed that one can’t be in more than one place at a time, which is a massive dilemma at Coachella. New single “Whoa” was delivered confidently, even if the sound was less than stellar. Tyler, the Creator aided his LA bud on old rarity “Orange Juice” and crowd favorite “AssMilk” while climbing scaffolding and generally causing a ruckus. -KQ

Day-2

Danny BrownOutdoor Theater, 3 p.m.
Another moderatly hot day welcomed the wrist-banded festivilians to a more unified day and night compared to the calm finish of day 1. Detroit-born, gap-toothed hip-hop artist Danny Brown brought a feverish set of his unique brand of profane-ridden tunes to the Outdoor Theatre. His nasally delivery could be compared to Andre 3000, while his melodic flow is so neatly packed and wickedly clever it makes folks chuckle in awe. -KQ

Zane LoweYuma Tent, 3 p.m.
The BBC 1 Radio DJ hailing from New Zealand played a spirited set of electro-house in the new official sixth stage. The Yuma Tent was an air conditioned oasis for dance purists needing a respite from the elements while also not wanting to rest their dancing feet. A hard wood floor was a proper addition to this space. Lowe kept things straight ahead, pounding the sizable system with original beats and a mixed set of dance styles before the tent packed up for The 2 Bears.

The inaugural Yuma Tent was so intimate with such quality DJs that most festival-goers did not have the opportunity to see some highly anticipated shows. Many people bought tickets for Coachella this year so they could dance to their favorite progressive DJs, but ultimately you had to sacrifice lots of other shows and wait in long lines to experience the Yuma Tent. This should be remedied for 2014, as Jamie xx would have probably filled out the Mojave Tent. Make the Yuma Tent bigger. -KQ

Yuma-Tent

Ben HowardOutdoor Theatre, 4:10 p.m.
Ben Howard, another Brit, brought his soft semi-folk-rock material to a scorching Outdoor Stage, and the tunes he played were pretty standard. That is until “The Fear,” which built to an explosive peak not captured on Every Kingdom. It might have made sense to put 2 Chainz on the Outdoor and Ben Howard in the Mojave Tent based on the crowds. -MF

Ben-Howard

Violent FemmesCoachella Stage, 6:05 p.m.
Many weren’t aware that this was to be the first show from the folk-punk legends in over six years. Furthermore, many of the younger patrons were likely completely unfamiliar with this act besides the occasional play on KROQ and other national alternative rock radio stations. What a surprise when they launched into their self-titled premier album, playing it in full. Classics like “Blister in the Sun,” “Add It Up,” and “Gone Daddy Gone” were passionately crooned by the majority of the crowd. -KQ

Major LazerMojave Stage, 6:25 p.m.
Why Major Lazer didn’t play the Sahara is a mystery to me, but the EDM masses made the rare pilgrimage to Mojave to lap up Diplo’s worldly party. A frenetic set kept everyone jumping to Major Lazer hits like “Pon de Floor” and the ubiquitous Baauer banger “Harlem Shake” alike. Jillionaire is one helluva hype man keeping the crowd fully engaged at every track, instructing the crowd to remove their shirts, hold them in the air, eventually demanding they be tossed into the desert air in dance ecstasy. Many bros obliged. -KQ

Major-Lazer

Hot ChipCoachella Stage, 7:35 p.m.
What a perfect sunset Saturday dance party. It was a set full of hits like “One Life Stand,” “Over and Over,” & “Ready For The Floor,” along with the amazing “Flutes.” This show conflicted with Yeasayer, Grizzly Bear, & Julio Bashmore, so there was plenty of room to shake it. Guitarist Pat Mahoney, also from LCD Soundsystem, added a busy 70’s guitar riff to many songs, including most of the new tracks from In Our Heads. -MF

The Postal ServiceCoachella Stage, 8:50 p.m. TOP SET
The Postal Service show was surely one of the best pop sets of the weekend thanks to Jennie Lewis. Ben Gibbard, Jimmy Tamborello & Jen Wood were flawless as well, but Lewis’s sultry charisma, timing and all-around perfection made this a top set for me. From the building beat in “The District Sleeps Alone Tonight” to the outro of “Brand New Colony,” where “everything will change” was repeated until the session ended, the crowd was zoned in. As the last line was harmonized, I looked up to see all the Coachella spotlights meeting at a point in the sky directly above us and instantly was struck by goosebumps. -MF

DescendentsOutdoor Stage, 9:05 p.m.
Milo Aukerman and band were treated to an evening slot on the 2nd largest stage, up against the breezy Postal Service reunion. Manhattan Beach local punk legends treated their fans to classics like opener “Everything Sucks,” “Suburban Home,” and “I’m the One.” Though Aukerman’s voice is not the youthful squeal it once was, they still deliver in a pleasing way, especially to a home town-ish crowd that grew up on their classic releases. -KQ

Moby (DJ set)Sahara Tent, 9:55 p.m.
It was another tough conflict-ridden time slot, as The xx, Two Door Cinema Club, Janelle Monáe & Franz Ferdinand all rubbed up against one-another. So how the hell did I end up at Moby? It’s a good question, and one I haven’t quite figured out yet. Sometimes, after all the planning, it’s best to go by your mood and follow your friends. That’s what happened here, and I’m glad I did. I was prime for for a euphoric dance party, and this DJ set from Moby sampled from a large variety of music and pop culture to create a fun, upbeat show. -MF

Moby

PhoenixCoachella Stage, 11:35 p.m.
When Daft Punk is confirmed in the house, and they play a preview video the night before, and you consider Daft Punk showed up with Phoenix at Madison Square Garden in 2010, it’s kind of a no brainer to see the Phoenix set just in case. Well I became a sucker to the Daft Punk hype machine, but in this case I still won because I saw Phoenix perform live. R Kelly appeared as the special guest, spittin’ “Ignition” over a remixed “1901” and “Chloroform.” Thomas Mars has been finishing his recent shows by going to the back of the venue, thanking the audience, then crowd surfing back to the stage. Well, the crowd surfing didn’t quite work so well for the first festival try. Mars got hung up by grabbers multiple times, almost hung himself with his pink microphone cable, and he got knocked around on the dismount. The rest of the band had already extended the “Entertainment” reprise multiple times, and Mars was too winded to deliver the final line of the night. All he could get out was “Thank you Coachella!” I wonder if he’ll attempt this again Weekend 2. -MF

Sigur RósOutdoor Stage, 11:50 p.m. TOP SET
While a sizable chunk of the crowd awaited what potential surprise guest may come out with Phoenix on the Main Stage, a devote crowd enjoyed the sonic brain massage that is Iceland’s own Sigur Rós. Having seen this band since their first US performances, they are best enjoyed outside, whether it be in the fog swept fields of Golden Gate Park or the warm Indio evenings. The set featured a horn section, string section and a full piano, not to mention the Hopelandish, angelic singing and bowed guitar brilliance of frontman, Jónsi. Few live musical experiences can match up to the usual set closer, “Untitled #8,” and this rendition was no different. Truly one of the most transcendental builds in live music, it left most viewers floating out of the venue for the wrap to the second day. -KQ

Day-3

DIIVMojave Tent, 2:30 p.m.
Zachary Cole Smith has had a busy year after departing from Beach Fossils, but his diligence has paid off in dividends as DIIV has quickly garnered critical success as they win over new fans across the country. “Sometime” and “Doused” displayed their art-gaze rock style quite nicely among other tracks off the sublime album Oshin. -KQ

DIIV

Thee Oh SeesGobi Tent, 3:15 p.m. TOP SET
John Dwyer brought his disturbingly rocking flavor of psychedelic garage to the Gobi Tent for an unforgettable afternoon set. There was no let up after the first note (“The Dream”) as the pit grew and more joined in the pogo fever that swept the crowd during tracks like “Contraption/Soul Desert,” “Lupine Dominus,” and “Meat Step Lively.” Dwyer pulled Ty Segall from the VIP section to play tambourine the majority of the set, a nod to the tightness of the San Francisco garage-rock family. Look for a whirlwind summer as they release the scorching new album The Floating Coffin. -KQ

Jessie WareMojave Tent, 3:45 p.m.
Jessie Ware is a star in the making. Her pop music has a dance edge to it, but it’s her natural charisma and mannerisms that communicate so effectively to the audience, making her super likable. She has a killer smile and knows she’s hot shit. “If You’re Never Gonna Move,” “Wildest Moments” and the rest of her tracks were well received, including an impromptu new song that she performed with her slightly embarrassed drummer Dornik Leigh to end the set. -MF

Jessie-Ware

Kurt Vile and the ViolatorsOutdoor Stage, 3:55 p.m.
As the winds started to relieve the weathered festival goers, Vile brought a cool breeze of his own to the Outdoor Theatre while Gaslight Anthem wailed on the big top. Vile couldn’t help but make a quip at the Springsteen-esque vocals pumping a good hundred yards from where he was churning out laid-back tunes. Opening with the title track off his recent Wakin on a Pretty Daze displayed his fondness for his new material, especially track “A Girl Named Alex,” which is quickly becoming a fan favorite. Vile and band may have been better served in one of the tents, but nothing fazed this prolific up-and-coming song writer. -KQ

Social DistortionCoachella Stage, 6 p.m.
Orange County was fully represented by the legendary punk band Social Distortion and their fondly aging frontman, Mike Ness. What an honor for them to play the Main Stage, opening with “I Was Wrong” and including their stellar version of Johnny Cash’s “Ring of Fire.” They nodded back to the old days with a personal fave “Mommy’s Little Monster.” I applaud Goldenvoice in their decision to spotlight music that is quintessential to this geographic region of Southern California. -KQ

Tame ImpalaOutdoor Stage, 6:25 p.m. TOP SET
As the gusty winds upgraded to blustery, Australian fuzz rockers churned up a storm of their own opening with “Solitude is Bliss.” Kevin Parker was visibly thrilled at the environment he found himself in, and this feeling was contagious to the crowd who were coming to the climax of their long weekend. This set was more exploratory than usual with an extended jam revolving around the heavy-as-lead single, “Elephant.” Palm trees swaying behind the Outdoor Theatre were all the visuals the fans needed, in total contrast to the Sahara rave, to reach even greater heights. “Enders Toi” was aborted as some of their equipment was giving the band trouble, luckily that didn’t distract the band from continuing on. “Half Glass Full of Wine” closed an impressive showing from the growing act that continues to thrill fans of rock and roll. -KQ

Tame-Impala

Pretty LightsOutdoor Stage, 7:45 p.m.
The Pretty Lights show took place out in windy, open space, but that didn’t stop one of the best dance sets of the weekend. Derek Vincent Smith curated a varying set, beginning with his patented downtempo trip-hop/dubstep cuts, but then the set transitioned into Pretty Lights remixes, including Pink Floyd’s “Time” and his tripple-threat remix of Radiohead, Nirvana & NIN. Overall, the set was geared toward the masses or for someone’s first Pretty Lights show. Of course, the open air light show was excellent, and it didn’t matter that the screens had been lowered due to the sandstorm. -MF

Pretty-Lights

The FaintMojave Tent, 8:30 p.m.
Post-punk dance act the Faint have returned to the live circuit and regained their title as one of the most exciting bands to see, especially in a festival setting. Todd Fink sauntered out with his signature hat and launched into “The Conductor” before tearing through favorite “Glass Danse” off of the acclaimed album, Dance Macabre. With dance music and live rock becoming better bed fellows, one has to respect one of the originators from the last decade. “ParanoiaAttack” would be their last song, and everyone caught their breath before facing the now moderate sandstorm wreaking havoc on the polo fields. -KQ

Eric PrydzSaharah Tent, 10:40 p.m. TOP SET
Choosing Eric Prydz to end the weekend was a rather easy choice, and it was done before we knew it would be smart to hide in the Sahara Arena to avoid the weather. The LA-Based Swedish DJ is worthy of headliner status at this point, as his progressive electro house is eclectic enough, unpredictable most of the time, and beyond fun. Prydz provided a massive exclamation point to a weekend that was packed with excitement. His hyperactive M83 cover of “Midnight City” was placed perfectly, and “Call On Me” signalled the end to the weekend musically. That was until the roadies decided to prank the buzzing crowd, continuously coming back and putting their arms in the air to falsely signal one more song. -MF

Eric-Prydz

What were your top sets? Leave a comment!

Coachella conflicts: 2013 set times announced

Coachella-2013

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 12th-14th & April 19th-21st, 2013 //

Set times dropped Tuesday evening, and Coachella shared they had been battling agents all day to explain the delay. Sounds like a fascinating behind-the-scenes documentary …

Although set times didn’t unleash any surprise acts (what no Lou Reed replacement?), the brand new Yuma Dome is confirmed as the 6th main performance area, not including The Do Lab or Heineken Dome. The Yuma Dome will host Seth Troxler, DJ Harvey, Four Tet, Julio Bashmore, The 2 Bears, Jamie Jones, Jamie xx and so many more. This additional platform on the outskirts of the tents and Do Lab will be the anti-Sahara Tent with a minimalist-dance edge.


Friday features one of the most brutal headline conflicts in years. The Stone Roses are on a mondo reunion tour, while How to Destroy Angels and Earl Sweatshirt are playing their first major shows. Poliça will be performing in the Gobi Tent after The Shouting Matches, Justin Vernon’s (Bon Iver) new project. Vernon collaborated with the members of Poliça in his side project Gaynes. You connect the dots…

Toughest Conflicts:
• The Stone Roses vs. Earl Sweatshirt vs. How to Destroy Angels
• Blur vs. Grinderman
• Modest Mouse vs. Local Natives (SUNSET)
• Japandroids vs. alt-J
• Poliça vs. Jake Bugg
• The Shouting Matches vs. Youth Lagoon vs. Beardyman vs. C2C

Saturday headliners will depend on your energy and vibe, as Phoenix, Sigur Rós, Booka Shade, New Order and Knife Party will create inner-group conflicts. Upon seeing The xx above The Postal Service and Major Lazer at 6 p.m. while Moby sub-headlines the Sahara Tent, the “been fighting with agents all day” reference starts to make sense.

It’s almost as if Goldenvoice is attempting to set a new tone in the Sahara Tent this year after house-pop like David Guetta and Calvin Harris dominated last year. Are they challenging the Sahara stalwarts to go see Franz Ferdinand, Two Door Cinema Club or The xx … or go check out the Yuma during Moby?

Toughest Conflicts:
• Phoenix vs. Sigur Rós vs. Booka Shade vs. New Order vs. Knife Party
• Hot Chip vs. Yeasayer vs. Grizzly Bear (SUNSET)
• Danny Brown vs. Baauer vs. Savages
• Wild Nothing vs. Birdy Nam Nam vs. Action Bronson

Sunday will be a tale of two scenes. Eric Prydz and Disclosure will be packed while Dead Can Dance & Red Hot Chili Peppers should be relatively spacious. Tame impala secured a Sunset-ish slot, but Roodriguez and James Blake will be playing in the tents at the same time. Pretty Lights seems odd at 7:30, but he’s the only EDM artist to get a featured slot on an outdoor stage this year.

Toughest Conflicts:
• Eric Prydz vs. Disclosure
• Nick Cave and the Bad Seeds vs. OMD vs. The Faint
• Vampire Weekend vs. Pretty Lights vs. Father John Misty vs. La Roux (SUNSET)
• Tame Impala vs. James Blake vs. Rodriguez (SUNSET-ISH)
• Kurt Vile and the Violators vs. Grimes
• Thee Oh Sees vs. Jessie Ware vs. Jamie xx

Outside Lands Music Festival 2013: Lineup rumors vs. reality

Outside Lands

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 9th-11th, 2013 //

The best fest in the West returns this August! Many may disagree with that statement due to the fact that Outside Lands is geographically located between two other premier music festivals in Coachella and Sasquatch! (and don’t forget the gem that is High Sierra Music Festival), but the Northern California fest now in its sixth year that is organized and curated by Another Planet Entertainment has a lot going for it.

The location in Golden Gate Park on the west side of SF, surrounded by public transportation, is prime and convenient. The foggy weather allows for extended high-energy partying. The sun is nice and all, but not when you have to hide from it for half the festival. There are no beer gardens — carry around your world-class beer like the grown-ass adult you are. And the food! The beer! The wine! It’s local and delicious. Outside Lands has unmatched food and beverage selections for a music festival. And the music is pretty choice as well.

So, it got us thinking, who will be performing at Outside Lands in August? By taking a look at bands & artists touring this summer and the shows/festivals they have already booked, we’ve narrowed down the lineup possibilities and classified each outfit as “rumor” or “reality.”

UPDATE: We didn’t do half bad! The lineup was announced on Tuesday, April 16th.

OSL

Paul McCartneyReality

Macca

Already announced as a headliner for Bonnaroo, Paul McCartney has been listed as a confirmed artist over at Last.fm. And based on Outside Lands’ history, this legendary act makes too much sense. Envision the polo fields chanting “naaaah, naah nah nanana naaaaaaah” to close out the weekend. Sounds better than a mailed in Happy Birthday (sorry Stevie).

Daft PunkRumor

Daft-Punk

Just … no. Don’t get your hopes up. Even though APE tweeted this recently:

APE-Tweet

A James Murphy DJ set seems more likely. Rumors swirled around Coachella, then Lollapalooza and Glastonbury after Daft Punk announced their new record Random Access Memories will be out via Columbia on May 21st.

Save it. The iconic French duo already said they will not be touring in 2013, but a 2014 tour seems likely once they update their live show to incorporate the new jams, which sound like true 1970s disco. Hope I’m wrong on this, but Daft Punk does not seem likely.

Green DayRealityGreen-Day

Festival organizers mentioned last August that they had already booked a headliner for 2013. This immediately made me think Green Day, as they had three records pending release at the time. Green Day would certainly be playing festivals in support of the new material throughout 2013 (and they are), and the Bay Area natives have never played Outside Lands. There is a big gap in their touring schedule in early August as well.

Atoms for PeaceRumor

Atoms-for-Peace

Thom York’s electronic/rock supergroup, which also features Radiohead producer Nigel Godrich & Red Hot Chili Pepper’s Flea, would be a suitable headliner at any summer festival. But the group will be touring Europe in July and have no dates set in August. Atoms for Peace announced an LA & Santa Barbara show October 16 & 17, so plan on seeing them at Treasure Island Music Festival.

Nine Inch NailsReality

NIN

Nine Inch Nails would be a great grab and a must-see headliner, and their current schedule makes it possible. They’ll be headlining Lollapalooza, and they have dates scheduled in Europe starting August 15, but NIN still has Outside Lands weekend open. The new NIN lineup is Reznor, Eric Avery from Jane’s Addiction, Adrian Belew from King Crimson, Josh Eustis from Telefon Tel Aviv and previous NIN members Alessandro Cortini and Ilan Rubin.

Mumford & SonsRumor

Mumford-and-Sons

Mumford & Sons have a gap in their schedule from August 9-11, and they will be in North America for Lollapalooza & Osheaga Music Festivals the weekend before Outside Lands. They will also be touring in North America after Outside Lands, so it’s possible they could headline OSL. But Mumford & Sons will be playing the Greek Theater Berkeley for three dates in late May, so Outside Lands seems far fetched. Tickets go on sale Friday at 10am are sold out.

PhoenixReality

phoenix

It already seemed fishy that Phoenix would skip the Bay Area during Fauxchella, opting for Davis over SF or Oakland. Then on Thursday The Independent added a last-minute Phoenix date for Monday April 1, and obviously many people did not score tickets. Phoenix is a confirmed headliner at Lollapalooza, then they have a gap in their schedule from August 9-11 before heading to Europe.

Queens of the Stone AgeReality

QOTSA

Queens of the Stone Age will be at Outside Lands, as they are performing at Lollapalooza, then Squamish Music Festival in BC Canada right before and during Outside Lands. SF is the next logical festival stop.

Vampire WeekendReality

Vampire-Weekend

Just like QOTSA, Vampire Weekend are signed onto Lollapalooza and Squamish Music Festivals. Plan on Vampire Weekend being near the top of the Outside Lands lineup when it comes out.

The Postal ServiceRumor

Postal-Service

The Postal Service has a gap in their schedule from August 9th-11th, but they most likely will not be at Outside Lands. They have two dates lined up at the Greek Theater Berkeley, and there are tickets still available for the July 27th show.

Willie NelsonReality

Willie-Nelson

Willie Nelson falls right into the wheelhouse of Outside Lands legends that have played in the past. And the red-headed stranger will be playing at The Hollywood Bowl on Friday, August 9.

The NationalReality

The-National

The National will be playing the Greek Theater in Los Angeles on August 10th, so it only makes sense that they will be at Outside Lands on Friday or Sunday. Last.fm has already indicated The National is a confirmed group. The National into Paul McCartney to end the weekend would be a winning combination.

Other Likely Performers at Outside Lands:
The Lumineers
Pretty Lights
Macklemore & Ryan Lewis
Hot Chip
Grizzly Bear
Jurassic 5
Kaskade
FOALS
Crystal Castles
Gogol Bordello
Divine Fits
Fitz & the Tantrums
Band of Horses
Young the Giant
Edward Sharpe and the Magnetic Zeros
Toro Y Moi
Major Lazer
Ben Howard
Steve Martin & Steep Canyon Rangers
Tegan & Sara
Freighted Rabbit
Hall & Oates
Holy Ghost
DIIV
Wavves
Matt & Kim
Childish Gambino
Jessie Ware
Wild Nothing
Atlas Genius
Reignwolf
Baauer
Capitol Cities
IO Echo
Icona Pop
Wild Belle
Midi Matilda
Bear Mountain
Deap Valley
Diamond Rings
Little Green Cars
Family of the Year
Keys N Krates
The Neighbourhood

OSL

Coachella 2013: What you should know before you go

Coachella 2013

So now that we have had time to let the 2013 Coachella line-up settle in, it’s pretty good, right? People were freakin’ out there for a minute. There has been a universal panning of the Red Hot Chilli Peppers performing as the closing headliner, even though they were a last hour addition. And rightfully so – there have been some popular sets that have shut down Coachella the past few years (Dre/Snoop, Kanye West, Gorillaz).

Goldenvoice clearly lost an expectation game with the reactions to the headliners this year, most notably due to the rumors swirling around Daft Punk and Rolling Stone. That didn’t stop them from selling out both weekends within a day, including weekend one within 15 minutes, so saying Goldenvoice lost anything is pure silliness.

Coachella 2013

Rock, particularly British Rock, leads the charge this year (Blur, The Stone Roses, the xx, New Order, Hot Chip, Grizzly Bear, James Blake, alt-J, Jessie Ware).

Conversely, Electronic Dance Music bro-house is gone compared to 2012. There is no major DJ act closing out a night on the main stage for the first time in years. There are no EDM acts on the top two lines of any day. It seems like a concerted effort was made by Goldenvoice to enact a change in direction, and it has been welcomed by many Coachella vets.

Subscribe to the Spotify Playlist Coachella 2013.
Coachella-2013Friday 2013

Friday should be a day to remember, as there are plenty of reunions and first time performances scheduled (see below). Lou Reed fits the “living legend” bill, Nick Cave’s supposedly on-hiatus Grinderman will appear for a one-off, and half of The Smiths songwriting partnership will be present with Johnny Marr performing. Bassnectar or Dog Blood (Skrillex & Boys Noize project) will close the Sahara Tent, and Justin Vernon’s new blues project The Shouting Matches will play one of their first shows. Hopefully Vernon sticks around for the weekends and makes some surprise appearances with the many acts he is associated with.

Friday Reunions

Damon Albarn’s Blur returning to the US for the first time since their reunion is a pretty big deal, though the American masses may not agree. Sure “Song 2” is a bit played out, but there are albums full of some of the best Brit-pop in decades. Songs like “Coffee and TV” and “She’s So High” beckon back to the 90s for many, but not all. Luckily this reunion is including Graham Coxon, a seminal part to the vocal arrangements of Blur. 


The co-headliner for Friday is also an English exported reunion, courtesy of the Manchester sound-makers The Stone Roses, fresh off a 15 year hiatus. Sure, New Order captured American fans a little more than the Roses, but they created a serious body of work for well over a decade starting in the mid-80s. John Squire’s guitar-work is something to marvel in as aspects of the Roses’ sound would be borrowed by some serious US acts like the Pixies. Having released an album last year, the Coachella masses should plan to hear these tracks coupled with hits like, “I Wanna Be Adored.”


Jurassic 5 is a name more fans will recognize over the one-two combo of Blur and the Roses. After a 6 year break, the LA hip-hop collective are back on the circuit with a banner set. The question will be if all the original members show up, as many of the artists have branched off to become successful solo artists; mainly Cut Chemist, Chali 2na and Nu-Mark. While the landscape of hip-hop has shifted a bit since their departure, tracks like “Quality Control” and “Concrete Schoolyard” will whip the crowd into a frenzy as equally as Danny Brown.

UPDATE – Jurassic 5 doesn’t know “How far” reunion can go.

Possible Friday Collaborations
Johnny Marr with Modest Mouse
Justin Vernon with Poliça

Friday Firsts (First shows ever/First in the US)

How To Destroy Angels – Trent, Marqueen, and Atticus will debut their newest project on Friday, and boy is it gonna be something. As many miss Nine Inch Nails, this band is pretty damned close in sound and personnel, and their two released EPs show great strength and should be an awesome early evening set in the warm desert winds. Look for their upcoming LP, and likely national tour. 


TNGHT – The duo that is Hudson Mohawke and Lunice has almost single handedly birthed the trap music sub-genre that is permeating bass music and hip-hop alike. Their debut EP is so fresh and hot, I needed an oven mitt to flip the vinyl. Having only played a show or two in NYC, this will be the marquee US debut of this Canadian meets Scottish production duo. The kids are gonna be losing their shit for this set, as trap is all the rage on the dance floor. Second in command to this movement is Baauer, who is featured this year as well. Will Kanye make an odd appearance on stage as he did in New York?


Earl Sweatshirt – Years in the making, and the anticipation is still sky high for Thebe’s live, full set premier. Expect massive crowds for this Odd Future cast-away, as his talent is undeniable, his story unbelievable and his allure is unquenchable. This set has lots of guest potential, as his OFWGKTA crew will likely be in tow for support both morally and lyrically. The Earl mixtape from a few years ago is such an impressive collection of explicit, yet Rhodes smart tunes that many fans are dying to hear them first hand from the man himself. Will Flying Lotus don his Captain Murphy cape and back Earl on the massive track “Between Friends?” Will Syd tha Kid be on the decks and buttons? 

Best Friday “Bottom-Liners”

Purity Ring’s sound is as future-pop as it gets, and the light-show matches the duo’s vibe and timing. Each light change is controlled by percussionist & beat-maker Corin Roddick’s drum strikes. Hopefully they are given a night tent set so they can show what they’ve got.

Jamie xx (Jamie Smith) is the chief producer, percussionist and DJ for The xx (performing Saturday), and he’s already well known for his progressive sound and excellent remixes.

•The lo-fi dream-pop from Trevor Powers’ Youth Lagoon will be a chill way to get started Friday.

Beardyman uses live sounds to make instant dance grooves, and it’s impressive how good he is at his niche skill.

Lord Huron is an indie-folk rock group on the rise. Their 2012 record Lonesome Dreams was highly underrated.

Palma Violets are a buzzy British psych-rock group that wil likely have a big year. Catch them early when most people haven’t arrived yet.

Coachella-2013Saturday 2013
Saturday is stacked: Phoenix, the xx, The Postal Service, Sigur Rós, New Order, Hot Chip, Grizzly Bear. If you are as excited as we are about the top two lines for Saturday, be ready to make tough decisions. There will be conflict. This doesn’t even include Yeasayer, Franz Ferdinand or Spiritualized into the conflict factor. Saturday is fucking stacked. It appears Knife Party will close the Sahara, and Simian Mobile Disco, Major Lazer & Richie Hawtin should deliver top notch electronic sets. Saturday also features FOALS, Ben Howard, Danny Brown, Janelle Monáe, Wild Nothing, El-P, & Booka Shade.

Saturday Reunions

The banner reunion on Saturday is squarely held by The Postal Service, the exciting collaboration of Ben Gibbard and Jimmy Tamborello. Their first announced show since 2005 came as a surprise to most music junkies as mumblings of The Smiths, as always, took first prize in the reunion hype category. Their upbeat electro-pop sound is pretty perfect for a sunset Saturday show, maybe warming up the majority to the dance-rock stylings of Phoenix later that night. Will Jenny Lewis make an appearance to sing as she did many times in their touring days a decade ago?


Many readers and attendees may not be familiar with The Make-Up, and that’s cool, but this soul-garage-politico-punk act is a force to see. The organ driven sound is highly infectious, and their live show has been compared to a punk rock gospel. Having only recently regrouped to play ATP, persuaded by Les Savvy Fav, this will be their marquee return, similar to Refused last year. Maybe Dischord co-owner Ian McKaye will accompany his labelmates for a track.


Violent Femmes slowly faded off the radar about 5 years ago as Gordon Gano and Brian Ritchie were tangled in royalty lawsuits stemming from the sale of “Blister in the Sun” to Wendy’s. It now appears the hatchet has been buried and they are returning to what they have been at for a couple of decades, making kitschy alternative rock. Their folk-driven sound is unmistakably likable, and devastatingly difficult to not sing along to. “Gone Daddy Gone” and “Add it Up” will be heard throughout the polo fields in the afternoon on Saturday. Will we get some surprise members to their infamous Horns of Dilemma? 


Toss The Descendents in the “sort-of reunion” column, but don’t diminish their key addition to the quintessential Southern California festival lineup. Birthed in Manhattan Beach in the late 70s, this seminal punk band that pioneered the skate, even pop-punk sound is still playing shows when singer Milo Aukerman can fit it between his demanding job as a biologist. Surely, the majority of attendees will recognize the Buddy Holly-glasses wearing frontman and his cartoonish caricature. They’ve been back at it a few years now, but mainly at small punk festivals, not the 80,000-size crowd that will be in attendance. Milo Goes to College is a must in your pre-fest rotation.

Possible collaborations:
Danny Brown & El-P
Danny Brown & Purity Ring
Ian McKaye with The Descendents

Saturday “Firsts:” (First shows ever/First in the US)

Savages – London’s all-female post-punk band have been building lots of buzz and lots of comparisons as they bring a fresh act to the music landscape this year. It’s hard to not hear Siouxsie and Banshees and the infectious howl of Karen O at first listen, but there’s a lot more going on here. Coachella will be their first trip across the ‘Pond’ and they will be hitting the road hard before, after and in the middle of the festival. 

Best Saturday “Bottom-Liners”

Birdy Nam Nam is a four man turntabilist crew from France, and their sound champions a mix of jazz, funk & downtempo. Asses will be shaking.

Action Bronson is fire breathin’ fat fuck who spits mostly about food, and he does it damn well over sick beats. All true.

•Bummed about no Warpaint? Get your girl power on early with Savages (check out the preview above).

•Singer-songwriter Kurt Vile made a delicious record with Smoke Ring For My Halo in 2011, and he’s got a new LP lined up for later this year. Preview his new songs in April.

•If you like Hot Chip, check out The 2 Bears, which is a DJ collaboration between Hot Chip’s Joe Goddard and producer Raf Rundell. Think Hot Chip’s tone with more dancing and less instruments.

Coachella-2013Sunday 2013

Sunday has the “dreaded” Red Hot Chili Peppers headlining, but Wu-Tang will get more love. Nick Cave and the Bad Seeds and RHCP may create the most empty scene on the main stage ever. Cool dads will profit. On the other side of the field Pretty Lights and Eric Prydz will be spilling ragers outside of the Sahara Tent parameter. If there is a god Tame Impala will get a sunset slot. Where will the house crew consisting of Julio Bashmore, Jamie Jones, Loco Dice, Maya Jane Coles, etc. end up? Sunday has a deep undercard with Grimes, the Faint, Father John Misty, Tanlines, Jessie Ware, Disclosure, Cloud Nothings & Thee Oh Sees.

Sunday Reunions

Wu Tang Clan’s inclusion this year isn’t so much a reunion, but a re-introduction. After talk of a new album around 2011 went quiet, fueled by reserved speculation by some members, it appears this new recording will see the light of day this year, and Coachella will likely mark the beginning of a busy year for RZA, GZA, Method Man, Raekwon, Ghostface Killah, Inspectah Deck, U-God, and Master Killah.

Possible Collaborations:
Jessie Ware live with Disclosure
Justin Vernon with James Blake

Sunday “Firsts:” (First shows ever/First in the US)

Excision – Many EDM artists are creating bigger, brighter and blinkier stages on the road and festival circuit, and Canadian brostep artist Excision is the next to toss his hat into the ring. Excision presents the Executioner will be making it’s big stage debut at Coachella after a few US dates. It promises to be loud, flashing and full of pre-pubescent kids losing their collective minds. 

La Roux – Even though the synth-pop princess and her producer aren’t a new act to the US or even Coachella, their cancellation from last year is being rectified with a slot in 2013. Look for some new material from this act in the upcoming year after a hiccup in the previous.

Best Sunday “Bottom-Liners:”

•Zachary Cole Smith from Beach Fossils started DIIV (originally “Dive” until they were sued) as a solo project, and their dreamy, building indie songs will put a smile on your face.

Little Green Cars offers five-part harmony anthems in the vein of Local Natives and First Aid Kit.

•The electro-pop group White Arrows put on a great show, and their set can get pleasantly psychedelic and heady at times.

Wild Belle is a prime candidate to be a 2013 breakout group, and their set at Treasure Island Music Festival went over well last October. Elliot and Natalie Bergman’s debut LP will arrive in March.

Subscribe to the Spotify Playlist Coachella 2013.

Coachella 2013

Coachella 2013: Predictions, wishes & rumors vs. reality

Coachella 2013By Mike Frash //

With a casual tweet, festival season is about to begin. Anticipation over the imminent 2013 Coachella lineup is building, and recent history shows the festival lineup could come this week.

Do you have your accommodations set? Hopefully your ticket is taken care of, because Coachella 2013 could already be close to sold out.

Presale ticketing for this year’s Coachella sold out within hours of going on sale both weekends last May, and it was the first time pre-sale sold out in such a quick fashion. The Coachella 2012 general on-sale sold out within an hour for both weekends a year ago, and if you weren’t ninja-quick at getting into the waiting room, you were shit out of luck. Take all this into account, and there might be a very limited amount of tickets available after the 2013 lineup drops. Is it possible Coachella 2013 is completely sold out from presale ticketing?

Coachella

Headliners: Reality vs. Rumors
The headliner rumors arrived early this year, with speculation over The Rolling Stones and Daft Punk dominating the conversation. At this point The Rolling Stones seems like the more likely of the two to be headlining, even though they haven’t played a whole lot of festivals since Altamont in 1969. Besides, Coachella rumors about Daft Punk and David Bowie playing Coachella are a yearly running gag at this point — we’ll believe it when we see it. Bowie even has a confirmed album coming out in the spring, but his bandmates are saying Ziggy has ruled out performing live … forever.

Reunions are a big part of Coachella’s top-notch lineups, and last year saw the regrouping of At The Drive-In, Pulp and Refused. This year it looks like The Postal Service and My Bloody Valentine could happen. Blur would also make sense since they reunited at the Olympics last year. Black Sabbath was reportedly on board to headline last year until they had to pull out at the last moment, and they have a new album coming out in June. Outkast would be the perfect hip-hop headliner, but that seems unlikely with Big Boi pushing his new LP. Wu-Tang Clan seems like the most likely rap act to play the main stage, but are they big enough to headline one of the three days each weekend?

Last year saw The Black Keys headline Friday along with Swedish House Mafia, and most people thought The Black Keys weren’t worthy of headliner status. But Coachella is good at king-making groups and artists, elevating them to the top level simply by making them headliners. Goldenvoice could repeat last year’s Friday concept by crowning Phoenix, The xx or Mumford and Sons headliners while putting deadmau5 on the top line to satiate the EDM masses.

Reality (likely headliners):
The Rolling Stones, The Postal Service, deadmau5, My Bloody Valentine, Black Sabbath, Pearl Jam, Phoenix, Red Hot Chili Peppers, Wu Tang Clan, No Doubt, Mumford & Sons, The xx

Rumors (probable wishlist-fiction):
Daft Punk, Outkast, David Bowie, Nine Inch Nails (How to Destroy Angels is likely)

Artists to see before they get big:
Last year, Frank Ocean, Kendrick Lamar, Death Grips, Azealia Banks, First Aid Kit, and lots of other artists performed at Coachella before getting exponentially bigger by the end of 2012. Possible contenders for 2013 include Angel Haze, AlunaGeorge, FIDLAR, Foxygen, Wilde Belle, & Earl Sweatshirt, although the hype for Earl is already tremendously loud.

Coachella

Best EDM acts most likely to not perform in the Sahara Tent:
• deadmau5
• Bassnectar
• Tiesto
• Simian Mobile Disco
• Andy Stott
• Nicolas Jaar
• Dan Deacon
• John Talabot
• Disclosure
• Totally Enormous Extinct Dinosaurs

Artists most likely to return for second consecutive year:
Kendrick Lamar and Dawes, because Dawes somehow plays every festival.

Headlines we’d like to see:
“Frank Ocean, Tyler The Creator join Earl Sweatshirt’s first solo set”
“Progressive-house trend baffles Sahara tent candy-kids”
“Thom Yorke, Bradford Cox & Trent Rezner play a combined 9 sets each weekend”
“Katie Perry attends Coachella again, never considered for performing duties.”

Plausible Acts We’d Like to See:
Alabama Shakes
alt-J
AlunaGeorge
Andy Stott
Angel Haze
Animal Collective
Atlas Sound
Atoms for Peace
Bassnectar
Bat for Lashes
Beach House
Ben Howard
Big Boi
Bjork
Black Sabbath
Blur
Cloud Nothings
Chromatics
Crystal Castles
CHVRCHES
Dan Deacon
Divine Fits
Disclosure
Die Antwoord
Django Django
Ducktails
Earl Sweatshirt
Father John Misty
Fiona Apple
Frightened Rabbit
Grimes
Grizzly Bear (Added 1.17.13)
Haim
Hot Chip
How to Dress Well
James Blake
Jamie Lidell
Japandroids
Jessie Ware
John Talabot
Jim James
Kendrick Lamar
Kishi Bashi
Killer Mike
Local Natives
New Order
Nicolas Jaar
Nick Cave and the Bad Seeds
Major Lazer
Matthew Dear
Mumford & Sons
Passion Pit
Penguin Prison
Phoenix
Pretty Lights
Sigur Ros
Skrillex
Spiritualized
Stars
STRFCKR
Tame Impala
The Faint
The Joy Formidable
The Knife
The Postal Service
The Rolling Stones
The Walkmen
The xx
Toro Y Moi
TNGHT
Ty Segall
Unknown Mortal Orchestra
Vampire Weekend
Warpaint
Wavves
Wild Belle
Wild Nothing
Yeah Yeah Yeahs
Yeasayer
Yo la Tengo
!!!

Coachella

Best albums of 2012

10-Best-Albums-of-2012Subscribe to our Spotify Playlist “Best Albums of 2012.”

2012 has been a rich year for music, and our consensus top 10 albums show diverse musical selections. Each Showbams contributor selected their top 10 albums from 2012, and we averaged them together to create Showbams’ Best Albums of 2012:

1. Tame ImpalaLonerism
2. Passion PitGossamer
3. Kendrick LamarGood kid, m.A.A.d city
4. Jack WhiteBlunderBuss
5. The xxCoexist
6. Father John MistyFear Fun
7. Frank Ocean channel ORANGE
8. The PresetsPacifica
9. JapandroidsCelebration Rock
10.TanlinesMixed Emotions

Honorable Mention:
Dr. John – Locked Down
Hot Chip – In Our Heads
Neil Young and Crazy Horse – Psychedelic Pill

Take a look at our contributor’s favorite albums of 2012 below:

Tame ImpalaMike Frash San Francisco
1. Tame ImpalaLonerism
It’s rare to find an album that grabs you from the very beginning and compels you to listen beginning to end, the first time you spin it. Lonerism is timeless; you could convince someone that it’s from the late 1960s if they didn’t know better. “Apocalypse Dream” sets a masterful psychedelic-sad tone, “Feels Like We Only Go Backwards” is the type of song people dreamed Oasis would create 10 years ago, and “Elephant” just flat out rocks.

2. The xxCoexist
Coexist grew on me more than any album in recent memory. It’s about love, regret, angst, pain, and forgiveness. “Angels” begins the album with one of the best love songs ever (no hyperbole), and after 30 minutes of intense back and forth emotion, “Our Song” brings our two characters back together. Romy Madley Croft and Oliver Sim are the two main characters in the this story, and they play off each other even better than their first record. Jamie xx brings it all together with his subtle beats and sounds. This album is a love story for the ages.

3. Sun Kil MoonAmong The Leaves
Mark Kozelek’s fifth studio album under the name Sun Kil Moon combines masterful lyricism and captivating cadence to the point where it becomes addictive. The songwriting is creative and pretty out there at times, and is mostly self-reflexive and literal. The instruments are kept to a minimum – most of the album is Kozelek singing over acoustic guitar, but this minimalist approach just works for me.

4. Frank Ocean channel ORANGE
5. JapandroidsCelebration Rock
6. Passion PitGossamer
7. John TalabotFin
8. ChromaticsKill For Love
9. Wild NothingNocturne
10. Delicate StevePositive Force

Honorable Mention:
The Presets – Pacifica
Purity Ring – Shrines
Father John Misty – Fear Fun

Neil-YoungPete Mauch Los Angeles
1. Neil Young and Crazy HorsePsychedelic Pill
When someone as legendary as Neil Young puts out an album with timeless songs like “Ramada Inn,” “Walk Like A Giant,” and “Twisted Road” there is absolutely no other album I can put in front of this list. Psychedelic Pill may be Neil Young’s best effort since the 70’s.”

2.Tame ImpalaLonerism
This sophomore album oozes with psychedelic-laced pop tunes that are very reminiciant of The Beatles, especially after they experimented with mind altering drugs. From the opening track of “Gotta Be Above It,” you know you’re in for quite the mystical journey.

3.Father John MistyFear Fun This Fleet Foxes outcast may have one-upped his former band with this debut album. “Hollywood Forever Cemetary Sings” is quite possibly my favorite song of the year as well.

4. Kendrick LamarGood kid, m.A.A.d city
5. Dr. JohnLocked Down
6. Jack WhiteBlunderBuss
7. Gary Clark Jr.Blak and Blu
8. Alabama ShakesBoys and Girls
9. Grizzly BearShields
10. LumineersLumineers

Honorable Mention:
Animal Collective – Centipede Hz
Django Django – Django Django

The xxMolly Kish San Francisco
1. The xxCoexist
Coexist was an extremely strong and highly anticipated sophomore effort. I was so excited
about this that I listened to it immediately when it became available. Coexist continues the journey
initially set out on the band’s debut album and brings the music to an even more provocative
soundscape, highlighting Jamie xx’s production skill and minimalistic dance beats.

2. StarsThe North
“The North” is Stars’ 7th studio album and it delivers an infectious and comprehensive survey of
the band’s 12 year discography. The lyrical collaboration of Torquil and Seligman remains
at the forefront of the songs and it exhibits a maturity in both range and content. Stars have set the indie rock standard on everything from synth heavy pop songs to piano rock ballads, and they continue to lead and influence.

3. Fiona AppleThe Idler Wheel…
Fiona Apple’s “The Idler Wheel…” was an album I have wanted to hear since 1999”s
“When the pawn.” Along with exhibiting her talents as a pianist and blues rock vocal ingénue,
Apple’s inclusion of samples and entrancing drum beats brings her work to a whole new level.
The album is one you could play on repeat for days without realizing it, and you might continue
playing it anyways.

4. YeasayerFragrant World
5. Dr. JohnLocked Down
6. Passion PitGossamer
7. The LumineersThe Lumineers
8. TanlinesMixed Emotions
9. The PresetsPacifica
10. Edward Sharpe and the Magnetic ZerosHere

Honorable Mentions
Animal Collective, Centipede Hz
Hot Chip, In Our Heads
Bloc Party, Four

Tame-ImpalaKevin Raos San Francisco
1. Tame ImpalaLonerism
Tame Impala has created the definitive psychedelic rock album of 2012. Taking what they did with their debut album, Innerspeaker, and infusing it with more fuzzy guitar and Beatles-esque vocal style, Lonerism takes the listener on a mind-altering, hallucinatory, psychotropic exploration that is unlike anything in 2012. Flashbacks to this album will be frequent and intense.

2. Passion PitGossamer
Another sophomore success, Passion Pit’s Gossamer is an electro-pop marvel. I think this album will remain one of the more memorable albums beyond 2012 for its pure pop and danceability. Catchy hooks and upbeat melodies make this one of the best indie pop albums of the year.

3. Jack WhiteBlunderbuss
Everything Jack White touches turns to gold, and this time is no different. It’s hard to think that with as much as we’ve heard from Jack White, that this is his solo album debut. I have the feeling that Jack White is going to be around for a long time, and this is only the beginning of a successful solo career.

4. Grimes Visions
5. Sigur RosValtari
6. John TalabotFin
7. Step DadWildlife Pop
8. Electric GuestMondo
9. The Big PinkFuture This
10. Kishi Bashi151a

Honorable Mention:
Memory Tapes – Grace/Confusion

Passion-PitEric Shaden San Francisco
1. Passion PitGossamer
For me, a great followup to Manners. This avoids the sophomore slump with a good mix of tracks. My favorite of the year.

2. Kendrick Lamargood kid, m.A.A.d city
With so many hip hop albums released annually it takes something special to rise above the fray. Kendrick Lamar does this on good kid, m.A.A.d city. My best hip hop album by far.

3. Jack WhiteBlunderbuss
Great to hear such a solid rock album, especially in 2012. This reminds me of the White Stripes while still sounding fresh and new. I knew after one listen that this would be one of the top albums of the year.

4. JapandroidsCelebration Rock
5. Miike SnowHappy to You
6. Hot ChipIn Our Heads
7. SantigoldMaster of My Make Believe
8. Frank OceanChannel ORANGE
9. ChairliftSomething
10. Purity RingShrines

Father-John-MistyKevin Quandt San Francisco
1. Father John MistyFear Fun
Josh Tillman left his post as drummer for Fleet Foxes only to create his best solo material to date under the moniker, Father John Misty. This rousing tale of drinking, womanizing and tripping his way down the West Coast is full of catchy hooks and twisted lyrics that are perfect for an easy escape from the norm. Don’t sleep on seeing Tillman and his merry pranksters live as he commands a stage with the best of them.

2. Tame ImpalaLonerism
This sophomore effort from the lads down under takes their already stellar formula, utilized on InnerSpeaker, and polishes it even further. A wider breadth of sound is the result on Lonerism, as Kevin Parker gains more confidence as witnessed in more robust melodies brought up in the mix, larger crescendos and bolder subject matter in his lyrics. A deeper range of sound has also come through as these guys continue to only get better with age.

3. DIIVOshin
Beach Fossil’s Zachary Cole Smith released a whopper of a solo effort this year under the aquatic-name, Diiv(Dive). Heavy on the reverb and not lacking any quality of pop shoe-gaze mentality, this album has a way of grabbing you and holding on for a few months as the infectious guitar hooks play over and over in your skull. Though they may not break the mold for a certain brand of Brooklyn meets hip ocean beachside sound, they certainly put out one of the better records in that style.

4. Frank OceanChannel Orange
5. The WalkmenHeaven
6. Kendrick LamarGood Kid, m.A.A.d City
7. PondBeard, Wives, Denim
8. Jack WhiteBlunderbuss
9. White FenceFamily Perfume Vol. 1
10. Dr. JohnLocked Down

EPS
How to Destroy Angels – An Omen
TNGHT – TNGHT
Captain Murphy – Duality

PresetsSean Little San Francisco
1. The PresetsPacifica
I have to admit the first time I heard it I was a bit let down. I was expecting something more akin to Apocalypso and wasn’t sure if I was into the fact it wasn’t a very indie dance forward album. The more I listened though the more it grew on me, and the more I started to appreciate the way they took chances and pushed boundaries. Songs like Ghosts and A.O. are a far departure from their last album, but still have an infectious quality to them that is at home in headphones or on a dance floor. The more I hear this the more I like it making it my number `1 album.

2. Kendrick LamarGood Kid, M.A.A.D. City
An all-around amazing album. Most rap now is so over produced and homogenized it’s great to see someone make an album that reminds you of the old days, where beats were thoughtful and albums had an overall story arc, not just one single after another. Kendrick is going to be doing big things and holds the torch as the only real west coast rapper pumping out thoughtful tracks that make you pay attention to the lyrics as much as move. Probably the only rap album I listen to regularly these days.

3. Godspeed You! Black Emperer – Allelujah! Don’t Bend! Ascend!:
Trippy, heady stoner metal that you can listen to pretty much anywhere and vibe to. It isn’t for everyone, but the way the craft songs that stretch and grow creating a real atmosphere is unique and not seen as often in a world where few have the attention span for a 25 minute song. Few others know how to build on just one note and continue to grow a vibe until it crashes like a wave, taking the listener with it. A great album to listen to no matter what your mood, just hit play and let it take you wherever you want it to.

4. TanlinesMixed Emotions
5. LindstromSmall Hans
6. Cat PowerSun
7. Frank OceanChannel Orange
8. Hot ChipIn Our Heads
9. ScubaPersonality
10. Scissor SistersMagic Hour

Best tracks of 2012

Some of our favorite tracks in 2012 are from The Lumineers, Tame Impala, Japandroids, Father John Misty, & Electric Guest.

The Lumineers, Tame Impala, Japandroids, Father John Misty, & Electric Guest created classic songs in 2012.

Showbams contributors have listed their favorite tracks of the year.
What were your favorite songs in 2012? Leave a comment below.

View our Best Shows of 2012
View our Best Albums of 2012


Mike Frash San Francisco @MikeFrash
Subscribe to Mike’s “Best Tracks of 2012” Playlist on Spotify.

1. Sun Kil Moon “Among the Leaves”

When a song get’s it’s 50th play and just gets better, you know you’ve found something special. This song showcases Mark Kozelek’s voice and songwriting perfectly, and is so good he named the album after it. With every spin the descriptive lyrics evolve in the mind of listener. Kozelek tells the tale of a girl he sees around town and wants to help. And when the wind instruments kick in, the song takes off and flies.

2. Tame Impala“Feels Like We Only Go Backwards”

This track might me the most simple song from Lonerism, but it is also the most memorable. It’s plenty trippy like the rest of the album, and it’s also the most catchy song – the one that’s still bouncing around your head a day later. “It feels like we only go backwards, but every part of me says go ahead.” This refrain so basic yet effective, and Kevin Parker’s familiar vocals blend seamlessly into Tame Impala’s psychedelic fuzz rock.

3. Passion Pit“It’s Not My Fault, I’m Happy”

Once Michael Angelakos’s bi-polar disorder disorder and attempted suicides were made public, this album and track worked on a higher level. It may be the most biographical song on Gossamer (that says a lot), and the penultimate track steps into anthem territory with confessional optimism. It’s like Michael is telling himself, repeating over and over, that he’s going to make it. Knowing the context of the song makes it more effective, but the biographical background is not needed to know this song is great.

4. Japandroids“Fire’s Highway”
5. Frank Ocean“Pyramids”
6. The xx“Angels”
7. John Talabot“Destiny” feat. Pional
8. Fiona Apple“Every Single Night”
9. Tanlines“Brothers”
10.House“Kindness”

Honorable Mention:
Killer Mike – “Reagan”
The Presets – “Fall”
Wild Nothing – “Paradise”


Pete Mauch Los Angeles @PeteMauch

1. Father John Misty“Hollywood Forever Cemetery Sings”

2. Neil Young“Walk Like a Giant”

3. Trey Anastasio“Scabbard”

4. Tame Impala “Apocalypse Dreams”
5. Neil Young“Ramada Inn”
6. Kendrick Lamar“Swimming Pools”
7. Alabama Shakes“Hold on”
8. Lumineers“Ho Hey”
9. Gary Clark Jr.“Numb”
10.Jack White“Freedom at 21”


Molly Kish San Francisco @MollyKish

1. Lumineers “Ho Hey”

Due to the incredible commercial success of the Lumineers self-titled debut, you couldn’t escape this song in 2012. Infectiously simple both in lyrics and structure, this song’s basic pop composition grabs it’s audience’s attention immediately and has you singing along from the first listen. An instant crowd pleaser and multi-format radio hit, I still have yet to change the dial.

2. Azealia Banks“212”

A Hard hitting hip hop club hit, this song’s dirty beat and even filthier flow is an immediate dance party call to arms. Bursting onto the scene with this track produced by Lazy J, Azaelia Banks jumped into the female rap game spitting fire. Incorporating the repetitive use of the word cunt into a chorus and making it contagiously catchy and not crude: genius.

3. The Presets“Youth in Trouble”

The Presets came back to the EDM scene after a four year hiatus and did so with authority. Starting off one of this year’s best dance albums, this standout track is a club banger. With its extreme builds, relentless bass line and scream along party lyrics, the Presets win my “drop of the year” award in this bar setting track.

4. Electric Guest“This Head I Hold”
5. Fiona Apple“Hot Knife”
6. The xx“Reunion”
7. Kishi Bashi“Bright Whites”
8. Dr. John“Locked Down”
9. Yeasayer“Reagan’s Skeleton”
10.Bloc Party“Octopus”

Honorable Mentions
Passion Pit“I’ll be Alright”


Kevin Raos San Francisco @kevinraos

1. Tame Impala“Apocalypse Dreams”

Best track on the best album of the year. The more I listen to this album the more my opinion of it morphs and shifts. That’s one of the best things about an album like this – you hear something new every time you listen.

2. Electric Guest“This Head I Hold”

This song sounds like it could have been written 50 years ago. Classic sound, classic song. One of my favorites of the year.

3. Lana Del Rey“Born to Die”

I put this in my top 3 simply because I want to comment about my love/hate fascination with Lana Del Rey. Lana Del Rey’s fragile demeanor and futile resistance towards fame make her one of the most interesting artist of 2012. I’m not a giant fan of her music as a whole, but I LOVE this song.

4. alt-J “Fitzpleasure”
5. Stepdad“My Leather, My Fur, My Nails”
6. Django Django“Default”
7. Passion Pit“Carried Away”
8. Memory Tapes“Thru the Field”
9. Trey Anastasio“Scabbard”
10.Matthew Dear“Her Fantasy”


Eric Shaden San Francisco @3ricShaden

1. Major Lazer feat. Amber of Dirty Projectors“Get Free”

2. Kendrick Lamar“Swimming Pools (Drank)”

3. Passion Pit “Constant Conversations”

4. MIA“Bad Girls”
5. Santigold“Disparate Youth”
6. Hot Chip“Motion Sickness”
7. Purity Ring“Lofticries”
8. Frank Ocean“Thinkin Bout You”
9. Chairlift“Sidewalk Safari”
10.RAC feat. Penguin Prison“Hollywood”


Kevin Quandt San Francisco @KJQuandt

1. TNGHT“Higher Ground”

The duo of Hudson Mohawke and Lunice brought their unique brands of production into one insanely big release this year. This highlight track, among others, features chopped vocals, a plethora of hand-clapping and a massive bass tuba beat that has been destroying dance floors the better part of 2012. Higher Ground begs to be properly rhymed over, but in the meantime the production is the shining light of the year.

2. Pond“Eye Pattern Blindness”

What an epic rock track these Aussies churned out this year. Taking notes from Floyd and Zeppelin equally have helped these lads write and perform a rock masterpiece full of twist and turns, not to mention it clocks in at a rare 6 minutes. Syd Barrett is smiling down from above.

3. Japandroids“House That Heaven Built”

From the distorted wall of guitar to the infectious chorus, epitomizing the sound of Brian King and David Prowse, this track has angst and energy slathered all over it. These guys don’t write typical rock and roll songs, and it is refreshing to see their hard work paying off in dividends. A true rock gem for the ages.

4. Father John Misty“Hollywood Cemetery Forever Sings”
5. The Allah-Las“Tell Me What’s on Your Mind”
6. How to Destroy Angels “Keep it Together”
7. Cloud Nothings“Wasted Days”
8. Jack White“Love Interruption”
9. Clark“Secret”
10.Woods“Size Meets Sound”

Honorable Mentions:
Liars – “No. 1 Against the Rush”
Thee Oh Sees – “Lupine Dominus”
Chromatics – “Kill For Love”


Sean Little San Francisco @splittle

1. Nikki & The Dove“Mother Protect” (Goldroom Remix)

Nikki & The Dove are great as is, but what Goldroom does with this track is reinvent it in a way that’s thoughtful and massive all at once. It’s one of those rare remixes that you hear after the original, and never listen to the original again. It’s that good. Goldroom has really blown up over the last year, touring the globe and this is the track that arguably started it all as it was supported by Aeroplane and The Magician among others giving it, and him, serious credibility. Keep him on your radar and expect more of this for a long time to come.

2. Bicep“Vision of Love”

This is stripped down, essential house. This track could be thrown into any 90’s house set and not skip a beat, which is a testament to Bicep and how they hone their craft. Two dudes from Ireland that just seem to constantly pump out hits and push the party and boundaries. This is the song that shows less can be more, and stripped down production can have a big impact especially when compared with many of today’s overproduced tracks. When the pianos come back in at 3:39 it’s all over.

3. Moonlight Matters“Come For Me” (Might Mouse Remix)

This is huge. It’s just euphoria in a song. I’ve ended more than a few sets with this and hands are in the air, drinks are being tossed around and people are just losing their shit. Don’t sleep on this stellar remix as many people have and it’s a shame. Words don’t do it just so just listen and wait for it to kick in.

4. Waze & Odyssey“Love that (Burns Hot Enough)”
5. ColeCo“Rickey Smiley”
6. Moon Boots“Off My Mind”
7. Presets“Ghosts”
8. Van She“Jamaica”
9. Lykke Li – “I Follow Rivers” (The Magician Remix)
10.Chris Malinchak“The Fourth”

Hot Chip prove to us at the Fox Theater Oakland that they are not LCD Soundsystem

By Mike Frash //

Hot Chip //
Fox Theater Oakland – Oakland
September 11th, 2012 //

English synthpop outfit Hot Chip has been crowned the reigning king of the electronic/indie/dance scene since LCD Soundsystem hung it up.

There are many reasons this comparison is ever-present. They share a love of synth, dance beats, 70’s grooves and building a wall of sound with more musicians than the typical live act utilizes. These two groups refreshingly have delivered electronic dance music through live instruments — something lost to many electronic music performers in the year 2012. Al Doyle plays guitar, synthesizer, percussion, bass and performs backup vocals in Hot Chip. He literally did all that as a member of LCD Soundsystem, except he did not back up James Murphy on vocals. Both groups are loved by indie-rock and dance fans, and their music in a live setting uses percussion as a leading force to improvise and give concertgoers that feeling of the unexpected.

The comparison ultimately falls short when it comes to vocals, though. James Murphy is the king of personality and one of the most charismatic frontmen in music history. Alexis Taylor simply is not. At times on Tuesday night at the Fox Theater, it was hard to find Taylor onstage. So in the end, the comparison is not really valid. That said, Taylor’s voice blends with the instruments more than Murphy’s voice, which often would contrast abrasively (and awesomely) to LCD’s instrumental sound. Taylor’s vocal style is rooted in R&B, while Murphy’s voice is somewhere between punk rock and David Byrne. But LCD is dead (for now) and Hot Chip is alive, so let’s enjoy what we have.

The first eight songs of the set had everyone moving. “Shake a Fist” was an ideal opener, setting the tone with laser zap sounds and visuals that must have caused at least one minor seizure. The following four songs probably sounded like one epically long jam to anyone in attendance that isn’t familiar with the Hot Chip catalog. “Boy From School”, “Don’t Deny your Heart”, “One Life Stand” and “Night & Day” are tracks that employ a steady 128 beats per minute. The songs segued one into the other, allowing no time for resting.

“Night & Day” gave way to “Flutes,” the best track from Hot Chip’s new album, In Our Heads, which the band is currently touring to support. The one-two punch of ‘Flutes’ into fan favorite “Over & Over” was a clear highlight of the night for many in attendance. These two songs slowed down the tempo from the previous bunch of songs, but at the same time, the energy in the room picked up.

The following two songs, “These Chains” and “The Warning”, slowed things down to a halt. This mid show lull actually worked nicely to split the show in half between the first part, full of dancy hits, and the second part of the show, which provided songs that peaked harder and provided a bit more improvisation than the first set.

“How Do You Do” and “Ready for the Floor” set up the second half of the show for success. The group then covered Fleetwood Mac’s “Everywhere”. This was a lovely song to cover, as Taylor’s voice mirrors the vocal range and pitch of Christine McVie’s voice nicely. “Hold On” ended the first set with an epic climax, book-ending the set with extended songs that peaked with rapid strobe lights and lazer beams.

The encore began with a rarity, as “Crap Kraft Dinner” was played for the first time in four years. This bust out was a set-up song for the final tune of the night, “I Feel Better”. When Taylor crooned “This is the longest night,” it seemed like the encore might continue on for a bit. But that was it, and once it was over, the show felt short.

Bottom Line: Hot Chip is a guaranteed dance party if that’s what you’re looking for. The drum and bass elements drive the group’s sound in a live setting, making Alexis Taylor’s vocals seem secondary.

Watch part of “How Do You Do” filmed by Kevin Raos below and listen to our Hot Chip playlist here.