Festival Reviews – Showbams

Sasquatch! continues to reign supreme as the Pacific Northwest’s premier music festival

June 1, 2015 by Nik Crossman 1 Comment

Photos by Pedro Paredes // Written by Nik Crossman //

Sasquatch! Music Festival //
Gorge Amphitheatre – Quincy, WA
May 22nd-25th, 2015 //

2015 marked the 14th successful year of Sasquatch! Music Festival thanks to a hunch followed by a Pacific Northwest concert promoter. Back in 2002, when the U.S. festival scene was an infant, Adam Zacks decided to try his luck with an untapped market and bring the festival experience to the Pacific Northwest. The single-day festival sold out its first year, quickly validating Zacks’ hunch and setting the stage for one of the world’s most unique festival experiences.

Embracing the culture of the Pacific Northwest, Sasquatch! caters to the growing breed of indie-centric fans caring just as much about the festival experience (if not more) than the music itself. Over the last 14 years, Sasquatch! has become a “must-do” for festivalgoers and continues to impress with a stellar lineup playing against the majestic backdrop of The Gorge.

So, when I fell into tickets the week before the festival, I jumped at the opportunity to see some of my favorite bands jam out at Mother Nature’s cathedral. Having no campsite and no ride to/from the festival, I posted a Hail Mary message on the Sasquatch! Facebook page, asking a bunch of strangers to take me in as one of their own … and it worked! That’s when I realized Sasquatch! is more than the music — it’s coming together as a community to lend a hand and help a fellow human.

The two-hour drive from Seattle to The Gorge wet the appetite for the alluring landscapes to come. My two new friends and I arrived Friday afternoon, just in time to set up camp and catch the sun fall behind the mountainous horizon.

Little Dragon

Friday

Kicking off the festival, Friday’s lineup included the sounds of Ought, Mother Mother, Gogol Bordello, Action Bronson, Angel Olsen, AlunaGeorge, Little Dragon, Of Monsters and Men, Sleater-Kinney and of course, Flume, the 23-year-old Australian DJ/producer who has been taking the electronic music scene by storm since dropping his debut album in 2012. Despite a little rain early Friday night, the festival was in full swing and the energy inside the grounds built on itself with each performance. The unique sound of Little Dragon had the crowd flowing together, sprinkling in rumors and heightened anticipation for SBTRK‘s set on Sunday night. “Will Little Dragon come out for ‘Wildfire’?!” By the time Flume dropped his first beat at the Bigfoot Stage, the energy was palpable and everyone could feel why this young DJ was chosen to close out Friday night.

Modest Mouse

Saturday

With the loving melodies of Milo Green rushing over the Bigfoot State by mid-day, Twenty One Pilots picked up the tempo with an animated performance on the Sasquatch Stage, where the dynamic duo commanded their early-day crowd. Sylvan Esso threw down a Bigfoot dance party when their hit “Coffee” ignited the entire crowd to dance along with the ever-so-strange Amelia Meath on stage. Chromeo‘s love for themselves may only be surpassed by the massive turnout the funky duo brought to Sasquatch! main stage early in the evening. Their funk-tastic sound and vibrant stage presence was perfectly timed to set the stage for following acts like Glass Animals, Kiesza, Modest Mouse, ODESZA and Spoon. Kiesza took the El Chupacabra tent by stormy lights and surprisingly produced more vigor into the crowd than the Seattle duo ODESZA, who seemed to play a more mellow version of themselves than most are familiar with. Just down the hill from ODESZA, 22-year-old rock band Spoon spilled heavy guitar riffs over the crowd and presented an alternative ending to Saturday’s electronic scene. For the second night in a row, Sasquatch! closed out the night with a young, up-and-coming electronic act, staying true to their committed mix bag of new and established performers.

St. Vincent

Sunday

Milky Chance wooed the crowd at the Sasquatch Stage in the late afternoon on Sunday with their unique electro-folk-reggae sounds, lead vocalists Clemens Rehbein’s deep, melodic vocals and the magnificent backdrop of The Gorge. Shortly after Milky Chance stirred the crowd, the unlikely future of rap, Kate Tempest, lived up to her reputation as a force to be reckoned with while showering the crowd with positive affirmations. The sun started setting behind The Gorge while the idiosyncratic St. Vincent moved so distinctly across the stage like an elegant robot, convincing the crowd they made the right choice. The sultry vixen Lana Del Rey attracted one of the largest crowds to the Sasquatch Stage on Sunday night. While Del Rey is not as active as some of her siren peers, her presence was not lacking. Captivating the masses while her white dress blew in the wind, Del Rey abandoned the stage to walk among her amorous fans before leaving her set early to pass the spotlight to an epic instrumental jam session by her band. Madeon, the 21-year-old child prodigy, proved himself once again in the El Chupacabra late on Sunday night when he led the crowd on a fantastic journey of impeccable mashups and psychedelic lights.

Slow Magic

Monday

Monday was the last day of the four-day festival, and the crowds started to thin between the intermittent rain clouds playing hide and seek with the sun. Monday was also the day of drums, at least in the El Chupacabra. Armed only with a wolf mask, laptop and two drumsticks, Slow Magic kicked off the night in the Spanish-flavored tent with a one-of-a-kind experience. With his rare combination of synth and live drumming, Slow Magic is re-imagining electronic music as we know it. Not far behind the solo drumming DJ were the three-piece veterans The Glitch Mob. The trio conquered the stage with their new musical element “The Blade,” which combines both lights and instruments into something that looks like it came out of a space-age movie scene. Drumming their way into the bones of the crowd, The Glitch Mob elicited some of the most hands-in-the-air praise I saw all weekend. They closed out Sasquatch! with a bang, literally.

Camping

The Sasquatch! campgrounds were far from organized, which presents pros and cons, pending what you’re after. The grueling trek from general camping to the grounds made going to the festival more of a commitment than many appreciated. After a few journeys to and from, premium camping seemed well worth the investment. The wheel-and-spoke layout of the grounds made it easy to find other campsites and stumble into the food trucks for a late-night zombie dog. The camping community itself was friendly and full of love for each other, inviting neighbors to play beer darts and other awesome lawn games.

Activities

Despite the loving nature of the campers, the Sasquatch! campgrounds lacked the festival-sponsored activities so many of us have come to appreciate and expect like morning yoga classes at Coachella and personal development workshops at Lightning in a Bottle (LIB). The Sasquatch! community inside the grounds attempted to provide this outlet with a vintage arcade, self-defense demonstrations and community dance parties, but they fell short relative to other festivals. One could also argue the lack of art installations throughout the Sasquatch! grounds presents an area of improvement for the festival. That is, until they’re reminded of the natural art blanketing all of The Gorge. Well done, Mother Nature!

Sustainability

While LIB has been dubbed as “The Greenest Festival in America,” you’d think all festivals would have a strong commitment to sustainably responsible business practices by now. This was an oversight for Sasquatch!, as recycling bins were nowhere to be found and trash cans were often overflowing — a pretty easy, yet significant improvement that needs to be made.

Sasquatch! Music Festival - Mother Mother

Sasquatch! Music Festival - Gogol Bordello

Sasquatch! Music Festival - Action Bronson

Sasquatch! Music Festival - Little Dragon

Sasquatch! Music Festival - Of Monsters and Men

Sasquatch! Music Festival - Sleater-Kinney

Sasquatch! Music Festival - Diarrhea Planet

Sasquatch! Music Festival - The War on Drugs

Sasquatch! Music Festival - Glass Animals

Sasquatch! Music Festival - Modest Mouse

Sasquatch! Music Festival - Kate Tempest

Sasquatch! Music Festival - Future Islands

Sasquatch! Music Festival - The Districts

Sasquatch! Music Festival - Sharon Van Etten

Sasquatch! Music Festival - Run the Jewels

Sasquatch! Music Festival - Kendrick Lamar

Filed Under: Editor's Picks, Featured, Festival Reviews, Festivals Tagged With: Action Bronson, Amelia Meath, Angel Olsen, Broncho, Chromeo, Diarrhea Planet, Flume, Future Islands, FUZZ, Glass Animals, Gogol Bordello, Gorge Amphitheatre, James Blake, Jenny Lewis, Kate Tempest, Kendrick Lamar, Kiesza, King Tuff, Lana Del Rey, Little Dragon, Live Nation, Madeon, Milky Chance, Milo Green, MO, Modest Mouse, Mother Mother, Odesza, Of Monsters and Men, Ought, Real Estate, Run The Jewels, Sasquatch!, Sasquatch! 2015, Sasquatch! Music Festival, Sasquatch! Music Festival 2015, SBTRK, Schoolboy Q, Sharon Van Etten, Sleater-Kinney, Slow Magic, Spoon, St. Vincent, Sylvan Esso, Tame Impala, The Districts, The Glitch Mob, The Gorge, The War on Drugs, Twenty One Pilots

Is Lightning in a Bottle shedding its ‘boutique’ label to go mainstream?

May 29, 2015 by Josh Herwitt 7 Comments

By Josh Herwitt //

Lightning in a Bottle //
San Antonio Recreation Area – Bradley, CA
May 21st-25th, 2015 //

It has been more than 15 years since Jesse and Josh Flemming set out to throw a wild birthday bash for themselves in the Santa Ynez Mountains just north of Santa Barbara, Calif. The twin brothers, who had left their Pennsylvania roots behind for Los Angeles in the late 90’s in hopes of pursuing careers in the entertainment industry, enlisted the help of their younger brother Dede, who had his own aspirations of working in Hollywood, making the cross-country move to Southern California a few years after them.

But what started as a private party of 150 people would eventually become better known as Lightning in a Bottle (LIB), the famed boutique festival that the Flemming brothers have curated for more than a decade with the help of their LA-based event production company The Do LaB. Tabbed as the “Greenest Festival in America” each of the last five years, LIB has continued to foster a community that values sustainability first and foremost, but also social cohesion, personal health and creative expression. Consequently, the Flemming brothers have created one of the most unique experiences on the entire U.S. festival circuit, with music, art, yoga and workshops all serving as essential elements in forming LIB’s identity. Whether all of that can be sustained while the festival maintains its “boutique” label though, remains to be seen.

LIB sold out for the first time in its 15-year history with as many as 20,000 festivalgoers attending.

For the first time ever, LIB sold out in its 15-year history this month, with last weekend’s attendance peaking at 20,000 after hovering around 15,000 in previous years. Some of that surge can likely be attributed to the musical talent that LIB now shares with Coachella. SBTRKT, ODESZA, Tycho and Panda Bear, for instance, all performed in Indio this year while Flume, RL Grime and AlunaGeorge made appearances on the polo fields last April. But the festival has arguably welcomed no bigger up-and-coming artist than Flume, the 23-year-old Australian producer and DJ who won numerous awards in his home country back in 2013. Since then, he has been all the rage in today’s electronic dance music scene, with tickets to his three sold-out shows in LA last August reselling on both Craigslist and StubHub for upwards of $100.

So, it was no surprise that the largest crowd over the entire weekend congregated a little after midnight on Sunday to see Harley Streten take the stage as the festival’s top headliner and drop one wonky trap beat after another. With the crowd spilling over outside of the main stage’s premises, it was a quick reminder of what the Gobi Tent looked like during Flume’s set at Coachella just a year earlier. And by the following day, much of the camp grounds had already emptied out — a clear sign that those who made the trek to Bradley, Calif., had seen all that they needed to see, even if that meant simply watching Streten command the crowd with mainly a laptop. It’s at least in part why if The Do LaB continues to book headliners of Streten’s stature, LIB can likely kiss that “boutique” label goodbye — unless financial gain is of no interest or concern.

Australian DJ/producer Flume packed the main stage at LIB for his Saturday night headlining set.

Yet, that’s not the only indication that LIB could soon be headed for the big time. The real icing on the cake didn’t come until Sunday night, when English synthpop/trip-hop duo AlunaGeorge, midway through their main-stage set, busted out a cover of “White Noise”, the Disclosure mega-hit on 2013’s Settle that they collaborated with brothers Howard and Guy Lawrence on. And as I watched those all around me mouth every word that vocalist Aluna Francis belted out, it was hard not to foresee the moment becoming somewhat of a trend at LIB. Because when I attended the festival for the first time in 2011, there was little chance of hearing a Top 40 song on the main stage. LIB, for better or worse, has certainly come a long way since then.

The musical offerings aren’t the only noticeable change at LIB when you take a closer look, however. While the festival has always catered to health-conscious individuals, offering a variety of vegetarian, raw, organic and non-GMO options, it’s only started to offer dishes featuring meat, whether it be chicken, beef or pork (bacon was served … yes, bacon!), in the last two years — even though the chicken supply ran dry by Day 3 this year. That small, yet significant transformation could simply be the product of a growing fan base, one that continues to swell as EDM heavyweights like John Digweed, Thomas Jack and Bakermat become more and more a part of the festival’s musical palette. And with more people comes more trash (something LIB has kept to a minimum more than any other festival in America to date), less space (something that has always been relatively easy to come by at LIB) and a harder time of finding your friends (something that was never an issue at LIB in the past but became much more of one this year).

The purists may already be claiming that LIB has sold out and there’s no turning back. But at this juncture, the “transformational” festival — as some like to call it — is still toeing a fine line between the underground and mainstream. It’s where it goes from here that will ultimately decide its fate.

Lightning in a Bottle - William Close and the Earth Harp Collective

Filed Under: Editor's Picks, Featured, Festival Reviews, Festivals Tagged With: Active Child, AlunaGeorge, Animal Liberation Orchestra, Bakermat, Coachella, Coachella 2015, Coachella Music and Arts Festival, Coachella Music and Arts Festival 2015, Coachella Valley Music & Arts Festival, Coachella Valley Music & Arts Festival 2015, Coachella Valley Music and Arts Festival, Coachella Valley Music and Arts Festival 2015, Flume, Goldroom, GRIZ, Jason Bentley, John Digweed, Les Sins, LIB, Lightning in a Bottle, Little People, Odesza, Panda Bear, Poliça, Random Rab, RL Grime, Sbtrkt, SOHN, The Do LaB, Thomas Jack, Tycho, William Close and the Earth Harp Collective, Zion I

Oysterfest 2015 serves up a steamy bill of old-school hip-hop and electronica

May 14, 2015 by Molly Kish Leave a Comment

Photos by Maggie Corwin // Written by Molly Kish //

San Francisco Oysterfest //
Golden Gate Park – San Francisco
May 9th, 2015 //

O’Reilly’s SF Oysterfest celebrated its 16th year this past Saturday at the beautiful setting of Sharon Meadow inside Golden Gate Park. Billed as a 21-and-over event (although minors could attend only if they were accompanied by an adult), this year’s lineup of hip-hop and dance artists kicked the party up a notch with some profane rap classics and club favorites.

Opening acts The Schmidt, DeelanZ/K Theory and GZRUS warmed up the early crowds, which at peak attendance reached about 10,000 people. The Guinness flowed and kept attendees saturated as they braved the growing lines for their choice of shellfish delicacies. Barbequed, deep fried or chilled and shucked raw, the oysters were abundant as long as you were willing to wait your turn.

Grandmaster Flash

Kicking off the afternoon entertainment was hip-hop legend Grandmaster Flash. A master turntablist, GMF took fans through a career-spanning set, touching upon songs he both took part in producing and crafting into iconic jams. He threw down lives remixes of Ini Kamoze, Sly and the Family Stone and Bob Marley and got the audience on its feet in anticipation for a grand finale of self-spun classics from his days with The Furious Five.

Warren G

Next up on the bill was Mr. “Regulator”, aka Warren G, who commanded the crowd with a throwback set of 90’s-era hip-hop. Covering every hit song he delivered as a solo artist or collaborated on during the height of his career, he held it down for his West Coast homies, who by mid-set were screaming along to every filthy lyric that came out of his mouth. The most memorable moments of the set were seeing the entire festival shout the incredibly X-rated lines to songs like “It Ain’t No Fun” and a cover of Dr. Dre’s “Let’s Get High”.

Thievery Corporation

Closing out the day’s festivities were back-to-back sets from Salt Lake City house duo Late Night Alumni and Washington, D.C. collective Thievery Corporation that bled seamlessly into each other. Late Night Alumni lead vocalist Becky Jean Williams, backed by John Hancock, Finn Bjarnson and Ryan Raddon aka Kaskade, pleasantly shifted the tone of the early evening from raging in the meadow to a more atmospheric, downtempo set. Thievery Corporation’s Rob Garza and Eric Hilton picked up the pace during their full band live set that featured various guest vocalist, and the festival mood quickly shifted from there.

While most of the crowd was vibing hard off Thievery’s worldly, techno ambiance, part of the audience had already dispersed. The dwindling sunlight and cooling weather may have had something to do with that, but the remaining festivalgoers were kept warm by Garza’s and Hilton’s eclectic beats that carried them into the early-evening hours.

Filed Under: Editor's Picks, Featured, Festival Reviews, Festivals Tagged With: DeelanZ, Grandmaster Flash, GZRUS, K Theory, Late Night Alumni, Oysterfest, San Francisco Oysterfest, SF Oysterfest, The Schmidt, Thievery Corporation, Warren G

CRSSD makes a big splash in debut as 2015 festival season heats up

March 19, 2015 by Josh Herwitt 5 Comments

By Josh Herwitt //

CRSSD Festival //
Waterfront Park – San Diego
March 14th-15th, 2015 //

Music festivals rarely ever run smoothly in their inaugural year. Whether they are poorly timed, disorganized or just not well thought-out, first-time festivals often have their fair share of problems.

But Southern California-based event promoters Goldenvoice and FNGRS CRSSD are quickly changing the game after putting on a nearly flawless first edition of CRSSD Festival at San Diego’s Waterfront Park last weekend.

Bridging the gap between the EDM and alternative electronic worlds much like HARD Events founder and CEO Gary Richards has done with his own festival series, the two-day, 21-and-over event initially caught fans’ eyes with electro-rock bands like Empire of the Sun and Chromeo topping an impressive, dance-oriented bill that also included ODESZA, Flight Facilities, Hot Natured, Classixx, Maceo Plex, Justin Martin, Lee Burridge and Pete Tong.

Then, a month later, CRSSD organizers drew even more attention to the festival when they announced Phase II of the lineup, adding James Murphy, Damian Lazarus & The Ancient Moons and Trippy Turtle to an already stacked list of performers.

And with temperatures hitting the high 80’s on both Saturday and Sunday, CRSSD Festival couldn’t have served as a better warm-up (no pun intended) for Coachella, which, by the way, is only three weeks away.

Here are our awards from the first-ever CRSSD Festival.

Most Epic Set: Empire of the Sun

The Aussie glam-pop giant has been headlining festivals for a while now and continues to do so in epic fashion. Empire of the Sun’s live performance is as much of a spectacle as it is a psychedelic dance party, and when they intertwine the two so fluidly as they did to close out the first day of festivities at CRSSD, they’re able to leave lasting memories for both new and old fans.

Biggest Dance Party: Chromeo

These two childhood friends from Montreal have been igniting dance parties all over the world since dropping their 2004 debut She’s in Control, and while their synthpop sound hasn’t necessarily evolved leaps and bounds over the last decade, they still know how to get a crowd moving, whatever the occasion may be. With the weekend winding down, you could find plenty of festivalgoers all over the grounds grooving to Chromeo’s signature brand of disco funk. We even saw people dancing on their way to the porta potties!

Most Uplifting Set: Classixx

As we found out at Treasure Island Music Festival last fall, LA electronic duo Classixx have come a long way since their early days remixing artists like Phoenix, Mayer Hawthorne and Holy Ghost! Scheduled to play the always-important post-sunset set on the Ocean View Live stage, they stepped up to the challenge and delivered one of the most awe-inspiring shows of the weekend. With their wide range of influences, the sky — especially when it’s tinged orange, red and blue — appears to be the limit for these two beatmakers.

Biggest Surprise: Lido

Quite frankly, we didn’t know anything about Norwegian producer Lido (aka 22-year-old Peder Losnegård) prior to his 4:30 p.m. set on Sunday. Well, maybe we should have. After watching him drop remixes of Bill Withers, The Weeknd and alt-j all while maneuvering between keyboards, electronic drums and a variety of programming equipment, we were thoroughly impressed with this young stud’s skills. Oh, and his pipes aren’t shabby either.

Best Stage Visuals: ODESZA

The Seattle production duo has been on fire of late, and its Sunday night set was easily one of the most anticipated of the weekend thanks to the release of its second full-length album In Return this past September. While “Say My Name” has taken the airwaves by storm over the last few months, it was their stage visuals that really stood out. Artistic and abstract at the same time, you couldn’t help but stare at the huge LED screen directly behind Harrison Mills and Clayton Knight as they worked their magic on us.

Most Enthusiastic Performance: Robert DeLong

Is there a more entertaining live performer in dance music right now than Robert DeLong? Whether he’s singing or banging away ferociously on the drums (his stage setup includes both acoustic and electronic), the 29-year-old Washington state native is one of the most animated acts in electronic music. Fusing house, moombahton and a handful of other EDM sub-genres into his Sunday afternoon slot, he showed an enthusiasm unparalleled to any other artist on the CRSSD lineup.

Best Guest Performance: Flight Facilities

Since their inception in 2009, Australian production duo Flight Facilities have continued to soar by dropping new singles year after year. Exceeding all expectations at The Regency Ballroom in San Francisco during Noise Pop 2015, they arrived at CRSSD on Sunday night and didn’t disappoint, employing guest vocalists like Brooke Addamo (aka Owl Eyes) to engage the crowd and supplement their disco-house grooves.

Most Under-Appreciated Set: STRFKR

Portland electronic quartet STRFKR have been going strong for more than eight years now. With four studio albums to their name, Joshua Hodges, Shawn Glassford, Keil Corcoran and Patrick Morris have continued to build on their synth-heavy sound. Unfortunately with DJ Harvey and Thomas Jack playing sets on the festival’s two other stages at the same time, STRFKR’s rather fun and upbeat performance on Saturday went relatively unnoticed.

Sexiest Stage Presence: Goldroom

We unexpectedly caught Goldroom at Lightning in a Bottle a couple years ago, so we were already familiar with Josh Legg’s breezy, chilled-out arrangements. But somehow we did forget how sexy Mereki Beach can be when she takes over the mic, as she strutted her stuff in her shiny kicks midway through Goldroom’s Saturday afternoon set. With Legg getting the live band back together, fans of the LA-based act should be seeing a lot more of Beach.

Most Mysterious Performance: Slow Magic

One of the biggest enigmas in electronic music these days is the man behind a Technicolor wolf mask. While his identity still remains unknown to most, his fans know him best by his stage name Slow Magic (read our review of his SF show from the fall). Though a small, yet passionate crowd assembled for his early-afternoon set on the main stage Sunday, you had to feel for a guy wearing a mask and playing drums in almost 90-degree heat.

Filed Under: Editor's Picks, Featured, Festival Reviews, Festivals Tagged With: Chromeo, Classixx, Coachella Music and Arts Festival, CRSSD, CRSSD 2015, CRSSD Festival, CRSSD Festival 2015, Damian Lazarus & The Ancient Moons, Empire of the Sun, Flight Facilities, FNGRS CRSSD, Goldenvoice, Goldroom, James Murphy, Jason Bentley, Justin Martin, Lee Burridge, Lido, Maceo Plex, Pete Tong, Robert DeLong, Slow Magic, STRFKR, Tensnake, Trippy Turtle, Waterfront Park

Noise Pop 2015: Who made the ‘most’ of SF’s 12-day indie fest?

March 6, 2015 by The Bam Team Leave a Comment

Caribou at The Fillmore // Photo by Justin Yee

Photos by Justin Yee, Pedro Paredes, Mike Rosati, Alfonso Solis & Nicole Alfaro // Written by Molly Kish //

Noise Pop //
Bay Area venues – San Francisco & Oakland
February 20th-March 1st, 2015 //

2015 marked the Bay Area’s 23rd annual celebration of independent music, art, film and more, affectionately known as Noise Pop. Running 12 full days and taking place at more than 20 different venues throughout SF and the East Bay, this marathon party is best described as the West Coast version of South by Southwest.

Each year, Noise Pop highlights both the biggest stars within the independent music and art industries as well as emerging artists performing at the peak of their games and has always been ahead of the curve when it comes to booking their acts — and this year was no exception. Curating a demographic of music fans with limitless knowledge, expectations and preferential ranges, this festival never fails to create some of the most memorable experiences in live entertainment throughout the Bay Area.

Noise Pop remains one of our favorite times of the year, not only for its amazing lineups and exceptional performances, but also for its genuine ability to bring music and lifestyle connoisseurs from across the globe to extrapolate, communicate and participate in the independent culture of the Bay Area.

Here are some of our favorite moments from Noise Pop 2015.

Most Likely to Have a Hospital Bill: Ben Gibbard

Gibbard enlisted Sun Kill Moon’s Mark Kozelek to play guitar for him after breaking his wrist before his big opening night performance at the Swedish American Music Hall. We’re still surprised the notorious shit talker (Kozelek) didn’t give Gibbard a harder time about it, considering the last song off Kozelek’s Benji is titled “Ben’s My Friend” and is about how Kozelek went to the Greek Theatre in Berkeley to watch Gibbard play with The Postal Service before proceeding to have a mental breakdown.

Runner-up: PPL MVR

This second-place honor goes to SNWBLL after the band had to cancel its performance at Bottom of the Hill due to some unfortunate bladder issues.

Tonights PPL MVR show has been cancelled. SNWBLL of @pplmvr is ill passing a giant kidney stone and cannot perform. Get well SNWBLL!

— Noise Pop (@noisepop) February 25, 2015

Most Likely to Inspire 2015 Festival Fashion: The Black Ryder

Dark, brooding and beautifully tragic. Beyond the torrid love affair story and musical diatribe to accompany the duo of Aimee Nash and Scott Van Ryper, the band embodies its self-proclaimed “Rhinestone Drone” sound into a wicked wardrobe, guaranteed to materialize on the proverbial polo fields across the nation this summer.

Runner-up: Bestie

The Vancouver outfit brought some creativity to the merch table with fun and functional band gear, such as koozies and friendship bracelets, as you can see here via Instagram.

https://instagram.com/p/zjwd2OJ5-G/

Most Bar-Raising Performance of the Festival: Kindness

“(Adam) Bainbridge grabbed one audience member’s cell phone out of its hands and filmed himself as well as the crowd with it at one point, elevating the crowd-interaction a notch. He sang from on top of the bar at stage left, walked into the crowd with his mic and made a huge lap while singing to individuals in the audience to end the night.”

Read the full review here.

Act Most Likely to Prompt a Mind-Altering Freak Out: Dan Deacon

“Layer upon insane layer of sound interprets into harmonious infectiousness, a feat that hints at an intersection of mathematical and creative genius. The guy takes all sorts of frequencies and cross sections of genre elements and composes it all together into a crescendo of weird, atypical pop. And by weird, I mean the very good kind of weird.”

Read the full review here.

Runner-up: Holly Herndon

“People laughed nervously as a slow burn of glitch sounds began to emerge, and before you knew it, her browsing gave way to an interactive, virtual world featuring two-dimensional cutouts of people floating about while strategically-placed cameras around the room recorded and projected images of the crowd, usually catching them unexpectedly on their phones, on two adjacent screens.”

Read the full review here.

Most Entertaining Attempt at a Cover Song: Surfer Blood

These guys covered “Hey Sandy” by Polaris, aka the theme song for “The Adventures of Pete & Pete.”

Runner-up: Girrafage‘s rendition of Miley Cyrus’ “Party in the USA”

Most Likely to Be Headlining Future Festivals: Caribou

Absolutely destroying two back-to-back, sold-out nights at The Fillmore, Caribou’s live show is currently on a world tour, hitting all of the largest festival stages in its wake. We unanimously believe that this act will be one of the biggest of 2015 and are keeping our fingers crossed that they will be filling the empty spot in their August tour schedule with a stop at this year’s Outside Lands Music Festival.

Runner-up: Flight Facilities

“… to consider booking this lineup on a ‘school night’ at a venue with a max capacity of 1,424 people was a pretty bold call. Subsequently though, it was also one that paid off in easily the largest dance party of the festival.”

Read the full review here.

Most Likely to Break the “Local Music” Barrier: Les Sins

“Intermingling his own material with disco classics, 90’s pop jams and dirty trap beats, Bundick had the crowd on fire and easily could have prolonged the party well into the after hours had there been the option to do so.”

Read the full review here.

Runner-up: Geographer

With a doctored lineup and powerful new songwriting approach, Mike Deni has taken full reign of the band’s beloved history of material and is moving forward into bold, uncharted territory — a leap of faith that just might cover the extra ground needed to penetrate a mainstream audience.

Filed Under: Editor's Picks, Featured, Festival Reviews, Festivals Tagged With: Ben Gibbard, Bestie, Blackout Make Out, Caribou, Cathedrals, Dan Deacon, Flight Facilities, Geographer, Girrafage, Holly Herndon, Jessica Pratt, Kevin Morby, Kindness, Les Sins, Mark Kozelek, Mezzanine, Noise Pop, Noise Pop 2015, Outside Lands Music Festival, Pell, Peoplemover, Rickshaw Stop, Running in the Fog, Sun Kill Moon, Surfer Blood, Swedish American Hall, The Black Ryder, The Chapel, The Church, The Fillmore, The LAB, The New Parish, The New Pornographers

Festival Review: Noise Pop 2014

March 6, 2014 by The Bam Team 1 Comment

Noise Pop 2014 has come and gone, and what a jam-packed week of music and merriment it was. This week-long festival event is spread out amongst the 22 finest venues in the Bay Area, making for one of the best extended independent music showcases around.

The Bam Team was on the scene throughout, capturing the many memorable moments — take a look at our show recaps and photos below!

Photo by Kory Thibeault //

Digital Mystikz with DJ Rashad //
1015 Folsom – San Francisco
February 27th, 2014 //

This night of progressive dance and bass music was a long time in the making, and the results were not disappointing as those faithful to underground music were treated to this Teklife/DMZ doubleheader. DJ Rashad brought his own style to the stage, presenting the hyped crowd with his own unique brand of dance music that goes by ‘footwork,’ a variant offshoot of juke and ghetto house. The highly rhythmic tracks were a delight to those wanting to show off their fancy dance moves before the “bass bath” that is Digital Mystikz. Though Rashad was killing it, he seemed reluctant to hand over the decks to the duo of Mala and Coki.

Dubstep and bass music fans in San Francisco finally got to experience the heaviness that is South London’s Digital Mystikz after years of waiting (and canned dates). They were rewarded with a straight vinyl set that had the two switching off dubplates every so often. The speakers flexed and breathed as an array of frequencies poured out, showcasing a slower tempo than Rashad. Mala played heavy on roots tracks while Coki spun his characteristic style of aggressive bass. Coki seems to be taking his musical career more seriously as he debuted a handful of bangers that are sure to make their way onto wax and various mix sets. “Anti-War Dub”, a legendary track, demonstrated their agenda as bass music with a message. “Gangster for Life” was a highlight for the amped crowd as many put their hands in the air and sand along to Movado’s vocal sample before dropping into some seriously filthy rhythms and sub-bass. Mala’s “Miracles” was featured towards the end of the set as the faithful were disappointed to see DMZ’s late start not be rewarded on the back end with an extra 10 minutes. -Kevin Quandt

Photo by Tom Dellinger //

The Soft White Sixties, NO (LA), The SHE’S, Cannons and Clouds //
The Chapel – San Francisco
February 28th, 2014 //

After their set of about an hour and a half, it was confirmed that this was one of those performances that will be well remembered. Surely, The Soft White Sixties are destined to launch onto larger stages and broader success as a band. Ready and poised, all the ingredients are there. —Tom Dellinger

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The Fresh & Onlys with Cool Ghouls, Sandy’s, Luke Sweeney //
Brick & Mortar Music Hall – San Francisco
February 26th, 2014 //

The Fresh & Only’s lead singer, Tim Cohen, who is strangely reminiscent of Danny McBride in his humor, cracked jokes between songs. The locally beloved band declared, “We are San Francisco, or we were San Francisco, or San Francisco was us.” The crowd seemed to eat up the commentary on the general culture shift happening around them in the City. -Katy Meacham

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Papercuts, Vetiver, The Donkeys, EDJ //
The Chapel – San Francisco
February 26th, 2014 //

San Francisco’s Papercuts finished the night with a slightly more subdued set, especially when compared to Vetiver and the Donkeys, and the crowd had thinned a bit as the ‘school night curse’ fell over the headliner. -Kevin Quandt

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Com Truise with Phantoms, Kauf, DJ Dials //
Mezzanine — San Francisco
February 27th, 2014 //

The 80’s haven’t sounded this good since…well, ever. Com Truise intertwines reworked 80’s synth samples with modern sensibilities and the result induces random outbreaks of dancing in crowds. Buoyed by a new lighting rig that dominated the stage, Truise’s downtempo productions come across as more powerful and engaging than the recordings. Though the west coast leg of his tour is finished, having just released the first part of a planned series albums, hopefully he’ll pop back up sooner than later. -Steve Wandrey

El Ten Eleven with Mattson 2, Pale Blue Dot //
The New Parish – Oakland, CA
February 28th, 2014 //

The self-proclaimed “power duo” from Los Angeles created an immense sound with the aid of a looper and heavily modulated effects. Wielding a doubleneck guitar/bass combo, El Ten Eleven’s experimental sound was polished and fresh, never drifting into monotony, which looper pedals can sometimes do. -Kevin Raos

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Photo by Sterling Munksgard //

Real Estate with The Shilohs & Dream Boys //
The Independent – San Francisco
February 28th, 2014 //

Real Estate played to a solemn, respectfully immersed Independent Friday for their first full show of their North American tour. Sure the indie-rockers played their yet-to-be released record Atlas in its entirety near their home turf in New York Thursday, but they chose Noise Pop Fest to debut their very square stage setup. -Mike Frash

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Cold Cave with Painted Palms, Dirty Ghosts and Happy Fangs //
Slim’s – San Francisco
February 28th, 2014 //

An extensive bill of varied rock flavor, Saturday night’s line up at Slim’s had a little bit of something for everyone. Kicking off the evening, local duo Happy Fangs got the crowd amped with their juxtapositional noise-laden synth pop. Rebecca Gone Bad’s vocals penetrated through the brick walls of the venue, audible to the crowd lined up outside amidst the evenings’ partial showers. Next up to the stage, Dirty Ghosts shredded their way through a set of new material and crowd favorites, calling for their guitar levels to be raised so they can properly “rock the fuck out” of the weekend crowd. Painted Palms, brought a different type of temperament to the line-up, focusing their set around the band’s less dance driven tracks, epically stretching out their material into extended jams driven by cousins Reese Donohue and Chris Prudhomme, backed by a full band. Cold Cave closed out the evening with his brooding set of dark-wave synth pop, debuting new material off of his 2014 album Sunflower and utilizing the show as a warm up for his upcoming summer tour with NIN. -Molly Kish

No Age with Cheatahs, GRMLN, Straight Crimes //
Brick & Mortar Music Hall – San Francisco
March 1st, 2014 //

One of the more hyped, international artists on the Noise Pop bill was the rising stars that are Cheatahs. Though the band was marred by poor sound early in the set, they rallied to crush the second half of their set as the crowd began to open up to their sound. Charging out of LA for nearly a decade, No Age two weave the post-punk sentiment of Fugazi with a wall of sound volume that shakes you to your core. The “adult” crowd got a rare treat as No Age generally play all ages shows that quickly turn into frenetic chaos. -Kevin Quandt

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Dr. Dog with Saint Rich, Moses Sumney //
The Warfield – San Francisco
March 1st, 2014 //

Saturday night was a much anticipated one as the City descended upon the Warfield to get their dose of Dr. Dog. “Live in the Tenderloin” read a sign on stage, a nod to the neighborhood and a proclamation that they knew more about San Francisco than one would expect. And that is certainly how the night felt — Dr. Dog knew its audience and exactly what they wanted to hear. -Kory Thibeault

VIEW DR. DOG PHOTOS

Mark Kozelek (of Sun Kil Moon & Red House Painters) //
Great American Music Hall – San Francisco
March 1st, 2014 //

“I don’t give a fuck about Noise Pop,” said surly 47-year-old control freak Mark Kozelek at Great American Music Hall Satuday, one of the first piercing, dry stage banter remarks he made. Always honest and amusing in an odd way, much like his music, Kozelek turned between-song breaks into hilarious and awkward moments as a matter of routine. -Mike Frash

READ FULL MARK KOZELEK REVIEW

Photo by Marc Fong //

Rogue Wave with Trails and Ways, Wymond Miles //
The Chapel – San Francisco
March 2nd, 2014 //

A perfect end to an epic festival, Rogue Wave delivered as a closing act, demonstrating excellent showmanship & exciting crowd interaction, fluidly transitioning out of the daytime hours into what the band had promised to deliver from the start — a performance that “felt like a night show” all along. -Molly Kish

READ FULL ROGUE WAVE REVIEW & VIEW PHOTOS

Filed Under: Featured, Festival Reviews, Festivals Tagged With: Cheatahs, Cold Cave, Com Truise, Digital Mystikz, Dirty Ghosts, DJ Rashad, Dr. Dog, El Ten Eleven, Happy Fangs, Mark Kozelek, No Age, Noise Pop, Noise Pop Festival, Painted Palms, Papercuts, Real Estate, Rogue Wave, Sun Kil Moon, The Donkeys, The Fresh & Onlys, The Soft White Sixties, Vetiver

Outside Lands 2013: Here are our top sets from this year’s festival

August 16, 2013 by The Bam Team 6 Comments

Photos by Tim Hampson, Pat Tyrrell & Eric Shaden // Written by Mike Frash, Molly Kish, Kevin Quandt, Kevin Raos, Sean Little & Dara Shulman //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 9th-11th, 2013 //

Outside Lands Music and Arts Festival is the ideal adult playground for live music fans — you can chow sardine chips and a Denogginizer from Drake’s while taking in a secret set in Choco Lands. Or maybe you prefer to laugh your face off at The Barbary or dance your ass off in the Heineken Dome. It may be a “walking festival” to some, but Outside Lands is at it’s best when you run. Feet don’t fail me now, use ’em while you got ’em.

SF’s music fest is clearly in a groove now. A free comprehensive webcast was brought back this year, enticing future festival-goers near and far to be super jealous and to start saving money for next year. Beer Lands was moved to a strategically perfect spot opposite the Land’s End Stage on the polo fields, making a quick stop-off convenient on the way to the next show. And it was cold — duh, it’s August in the Bay Area.

For the festival’s sixth incarnation, Outside Lands patrons witnessed the festival’s biggest headliner to date: Paul McCartney.

But Macca wasn’t the only auditory treat at Outside Lands. Here are our top sets from 2013.

DAY 1

Midi Matilda
Friday • Twin Peaks Stage • 12:45 p.m.

For an early afternoon festival spot, Another Planet booked properly when deciding to put Midi Matilda on the Friday bill. Kicking off what undoubtedly was going to be a long weekend with bang, this percussion-heavy duo immediately got the crowd moving. Rife with dance-heavy beats, an animated stage show and no expense spared on the lights and fog machines, Midi Matilda came out swinging. The most memorable moment occurred when both guys jumped on the drum set during their last song to deliver a joint solo to close out the set. –MK

Houndmouth
Friday • Panhandle Stage • 1:30 p.m.

Houndmouth provided a delightful opening to Outside Lands for many on the festival’s smallest stage, which is solar-powered. From the opening line of “Penitentiary”, which references San Francisco, the foursome brought bluesy gospel goodness right into everyone’s faces. With lyrics that seemed rooted in finding one’s self — and sobriety — Katie Toupin’s seductive stage presence and heavenly vocals were downright delightful. -MF

Wild Belle

Wild Belle ~ TOP SET
Friday • Twin Peaks Stage • 2:15 p.m.

Wild Belle has been making a splash since releasing their debut album in early 2013, and they have only been getting bigger. As one of the first acts of the weekend, Wild Belle got the crowd moving in a major way with their psychedelic reggae beats. Comprised of brother-sister duo Elliot and Natalie Bergman, Wild Belle were lucky enough to draw one of the only moments of sunshine the entire weekend. One could say it was the incredible vocals of Natalie Bergman that elicited the sun’s rays. Wild Belle has been progressively adding more pieces to the puzzle throughout their short career, and they unveiled their latest piece during their performance at Outside Lands. The newest addition to their live show is a large “wall of sound” speaker system meant to enhance their live sound, and boy did it sound good. Wild Belle was an unexpected jewel Friday and one of the reasons we go to festivals: to discover new music. -KR

Twenty One Pilots
Friday • Twin Peaks Stage • 3:50 p.m.

Twenty One Pilots might be trying to be cool, and that seemed to be on the mind of Tyler Joseph, as he kept referencing the ‘cool factor’ in a self-depreciating way. But the duo turned the stage antics up to 11, performing backflips off the grand piano, jumping into the crowd, and donning a full ski mask while climbing to the top of the Twin Peaks stage. And ya know, as much as it was Macklemore-esque cheese, the passion and musicianship these two young men exhibited transcended any second thoughts. -MF

The Plump DJs
Friday • The Dome by Heineken • 4 p.m.

There’s nothing quite like an afternoon break-beat set in the Heineken Dome to get the blood moving. British duo, Plump DJs featuring Lee Rous and Andy Gardner, greeted the crowd with smiles on their faces and fists in the air. Although the Dome is slightly different than their usual SF stop, The Mighty in Potrero Hill, they brought their high-energy 2 a.m. beats to their Friday 4 p.m. set. Their beat selection was progressive and original; transitions and mixing were flawless as always. –DS

Rhye
Friday • Sutro Stage • 4:45 p.m.

Rhye’s soothing sounds blanketed Lindley Meadow’s Sutro Stage at the midpoint of Day 1. The sun had fallen behind the eucalyptus trees, sprinkling the stage with beams of light — a perfect setting to relax to the peaceful beauty of Rhye. Rhye sounded excellent, delighting the crowd with many tracks from their 2013 debut album Woman. Minimal, yet captivating, Rhye demonstrated superior musical prowess with their performance, led by the delicate vocals of Mike Milosh. Their set was drawing to a close, and instead of squeezing in extras songs the group opted for a long version of the song “Open”. The extended version of the enchanting song highlighted the bands’ improvisational ability. Although very mellow, Rhye put on a magical performance. A must-see act. -KR

The National
Friday • Land’s End Stage • 5 p.m.

As many learn every August, SF is not known for its stunning summer weather, but sometimes a little haze can add to the emotive release that is Matt Berninger and The National. However, the group lit the stage on fire with their stylish take on moody indie rock, opening with crowd-pleaser “Fake Empire” before fully utilizing Kronos Quartet’s strings on “I Should Live in Salt” and “Demons”, among others. Berninger’s characteristic baritone was strong, though not at it’s best on this day, but his lively mannerisms were in full effect as he paced nervously around on the large Land’s End stage. Once “Mr. November” had begun, it was inevitable that “Terrible Love” would close the set, but a late guest appearance in the form of Bob Weir of the Grateful Dead would truly put an exclamation point on this afternoon set. -KQ

Zedd
Friday • Twin Peaks • 5:25 p.m.

Zedd may not be the best DJ in the world, but his energy is hard to deny. It was the first truly “rager” set of the festival, and you could see people losing their minds all over the place, getting out the pent up energy they had been sitting on all week in anticipation of the Outside Lands. It ended up being a strong set and a lot of fun with hits “In My Mind” and “Clarity” satisfying the masses. –SL

CHIC featuring Nile Rodgers

CHIC featuring Nile Rodgers ~ TOP SET
Friday • Sutro Stage • 6:05 p.m.

The last-minute D’Angelo replacement was a surprise hit Friday evening at the Sutro Stage. Guitarist Nile Rodgers accompanied by a crew of horns and backup singers “le freaked” out the crowd with super funky dance hits. Rodgers expressed to the audience, “Now if this is your first Chic show, I have to make you understand something, you absolutely have to sing and you absolutely have to dance.” No problems there. Highlights included “We Are Family”, “I’m Coming Out” and a groovy singalong to Daft Punk’s “Get Lucky” over the PA system after Rodgers had set down his electric guitar. –DS

Yeasayer
Friday • Twin Peaks Stage • 7 p.m.

Pitted against the incomparable Sir Paul at a festival is a spot that most bands would dread to be placed in. If you’re Yeasayer, however, it’s a challenge to be lived up to and utilized to your advantage. Knowing the crowd that evening would be filled with strictly die-hard fans, the boys pulled out all the stops. Playing a fan favorite set that included the most dance-heavy tracks from their entire catalogue, the intimate crowd was whipped into a collective frenzy. The best part — there was plenty of room for everyone to lose themselves in the energy of the moment. –MK

Paul McCartney ~ TOP SET
Friday • Land’s End Stage • 7:10 p.m.

It doesn’t get a whole lot better than Paul McCartney’s show, honestly, it’s nearly 3 hours of brilliantly competent showmanship, blazingly pleasing song selection and sheer crowd emotion. One highlight was watching Paul become giddy when Kronos Quartet joined him for a masterfully beautiful take on the tender Beatles classic, “Yesterday”. Even in his 70s, Macca keeps his crowds, and likely even himself, on their toes with an ever-changing setlist and bombastic surprises up his sleeve in the form of pyrotechnics during “Live and Let Die.” Selections from Wings were pleasantly received, especially “Band on the Run”. Closing the set, as he normally does, the crowd sang along to the timeless communal song “Hey Jude”. Friends locked arm in arm, and all was right in the world. Young and old were abuzz with the show they had witnessed on the exodus out of the park, whether it was vets finally hearing “Lovely Rita” or first-timers discussing their emotion during “Blackbird”. I mean, hey, it’s not everyday a legend plays your backyard. -KQ

Pretty Lights
Friday • Twin Peaks • 8:40 p.m.

Pretty Lights was the perfect Friday night closer for the Twin Peaks Stage and to oppose Sir Paul. Derek Vincent Smith featured most of his new album A Color Map of the Sun, plus the stand-by favorites remixed just enough on the fly to make them fresh and new. His musical ability is truly amazing, and his vibe was infectious as he’d build huge grooves then dropped them into massive basslines with his trademark soul vocals overlays that catapulted foggy Hellman Hallow to the stratosphere. Smith seemed genuinely happy and it bled into the crowd. By the night’s end, everyone was grooving and giving out high fives. –SL

DAY 2

Atlas Genius

Atlas Genius
Saturday • Twin Peaks Stage • 2:10 p.m.

Another example of perfect placement, Atlas Genius continued Saturday with pop-centric bliss. Catching what little sunshine the weekend had to offer on the hillside of the Twin Peaks stage, one could view the expectedly young crowd so genuinely stoked to catch this band, and couldn’t help but make you smile. No matter how tired you were of hearing that top forty hit, you were undoubtedly up and dancing when it finally played. Spontaneously starting the morning with a sing-along really was a great way to kick off Saturday on the right foot. –MK

Youth Lagoon ~ TOP SET
Saturday • Twin Peaks Stage • 3:40 p.m.

“Robert De Niro” — Trevor Powers uttered the famous actor’s name casually between songs early in his set. Oddly there wasn’t any other memorable stage banter, just hypnotic renditions of the highlights from Powers’ recent Dropla. Youth Lagoon has always thrived on a sharp aural duality; the contrasting of minimalist, quiet soundscapes for half of a song — then BANG — the blooming, triply explorations are more exciting and create a more impacting memory in the listener. You could call it “post-drop” music. And on the Twin Peaks Stage where dance fans usually got their fix, the bass was body-rattling, forcing the maximal parts of the songs to hit harder than one might expect. Consequently, the crowd mostly obliged with the subtle, quiet parts, allowing “Mute” and “Dropla” to play quite nicely. -MF

Gary Clark Jr.
Saturday • Land’s End Stage • 2:20 p.m.

Gary Clark Jr. simply rips, there is no doubt about it. One should be careful to even consider covering a Jimi Hendrix song, but based on Clark’s rendition of “Third Stone From the Sun”, Jimi is smiling down at a man that is following in his footsteps over 50 years later. Clark floats around the stage with ease, flashing easy smiles then melting faces with his reverberating guitar solos. This was a set where it would be best to be close to the stage (or close to speakers) — the sound was entirely too low in some spots, allowing friendly festival conversations to drown out this 29 year-old legend in the making. “Bright Lights” ended the set per usual, coalescing the large audience into the moment. -MF

Young the Giant
Saturday • Land’s End Stage • 3:40 p.m.

Sameer Gadhia is one helluva a front man, and YTG’s rise from the small stage in Orange County to the big show at events across the world is nothing less than earned. They filled both the Lands Stage and polo fields with infectious alterna-indie-pop offerings from their lone self-titled release. Luckily, the group had some new selections they were eager to test on the sizable early afternoon crowd, which seemed to go over well, especially to diehards awaiting new material. Singles “My Body” and “Cough Syrup” obviously received the loudest response, and Sameer’s venture down the center barricade further poured on the feverish energy they thrive on. -KQ

Bombino
Saturday • Panhandle Stage • 4:30 p.m.

The energy Omara “Bombino” Moctar and his band Bombino exhibit while performing is the first thing that is noticeable. They are constantly moving, dancing — vibing to their own music. When a group creates good music, this physical ‘being in the moment’ presence is an effective way to draw the audience into your world, and this tactic worked for Bombino (both the man and the band) in Golden Gate Park. The group stays true to their African roots through their politically anthemic music, and they rock their Tuareg garb with pride, showcasing their culture on the road as the buzz grows with each performance. After seeing them at Outside Lands, it makes sense — they left it all on the Panhandle Stage, pouring their hearts into each song. -MF

Jurassic 5

Jurassic 5 ~ TOP SET
Saturday • Land’s End Stage • 5 p.m.

Los Angeles hip hop ambassadors Jurassic 5 took the Land’s End stage to a BIG midday crowd, especially for a hip hop act at a primarily indie rock & electronic festival, which is a testament to their crossover appeal and lasting legacy. Maybe this demonstrates how hungry the people are for more hip hop and rap. The best part of the set went down when Cut Chemist scratched with a turntable guitar strapped to his chest while DJ Nu-Mark elicited sounds from the ridiculously large turntable set up square in the middle of the stage. This collective, allegedly in the midst of a ‘reunion tour’, has most definitely honed their act since Coachella, and festival-goers ate up every minute, following commands as if in a massive yoga class. –SL

Baauer
Saturday • Twin Peaks • 5:15 p.m.

Is the “Harlem Shake” dead? Yeah, but that still doesn’t mean that we can’t get thoroughly down to the bass-heavy set of this “Rookie/One-Hit-Wonder of the Year” candidate that goes by the name of Baauer. His take on Outkast’s “B.O.B” beckoned back to Big Boi’s triumphant set from last year’s Outside Lands, while simultaneously making asses shake and hands fly skyward in ecstasy. Much like Coachella, a youthful cult of EDM lovers are ever-present at any, and every, set that pulsated bass and catered to that beloved phenomena known as “the drop”. And surprisingly, the crowd kind of shrugged when his virally ubiquitous anthem was played, go figure. -KQ

The Mother Hips
Saturday • Panhandle Stage • 6:05 p.m.

Organizers of the festival always strive to showcase local Northern California acts, young and old, and this year, Chico’s own legendary act, the Mother Hips, brought their defining take on California rock and roll sound to the under-appreciated Panhandle Stage. “Toughie” opened this set before launching into “White Falcon Fuzz”, which showcased the raw, vibrant sounds of Tim Bluhm and the band. Though few were in attendance, at least a couple of patrons had to have been won over by the soul-drenched psychedelia that these vets bring every time they grace a stage. -KQ

Yeah Yeah Yeahs
Saturday • Land’s End Stage • 6:30 p.m.

Equal parts punk rock and dance party, the Yeah Yeah Yeahs held nothing back Saturday, perfectly segueing into whichever headliner you chose to witness. Pulling hits from their entire body of work, the set was equally as entertaining for hardcore fans and new converts alike. The band’s energy was at an all-time high, transferring a sense of mania in the crowd, which created dance circles and mosh pits throughout the entire set. The polo fields were electric and gained much more raw energy during the last five minutes, when Karen O. decided to let her body do the talking. After her signature deep-throating, she not only placed the bedazzled microphone down her shirt, but also into the front of her pants, while further emphasizing her need to be heard. Saturday night had officially started, and from that moment on it was going to be epic, whichever stage you ended up at. –MK

Grizzly Bear
Saturday • Twin Peaks • 6:50 p.m.

One of the toughest decisions of the weekend was choosing the electricity of Karen O and Yeah Yeah Yeahs or the tightness of the well-toured Grizzly Bear. Well, everyone won in their respective choices, but Grizzly Bear’s growing crowd demonstrated that these Warp label, psych-folk rockers are more than capable of stepping up to the festival plate and knocking one out of the park, so to say. Shields was well represented on this final tour stop, after 105 shows on the road behind the release. The vocal interplay is one of their strongest suits as the responsibilities are well shared over their contagious take on the rising avant-rock sound. -KQ

Nine Inch Nails ~ TOP SET
Saturday • Land’s End Stage • 8:25 p.m.

Like The National, the fog which veiled the Land’s End stage created an aura of dark beauty for serious talent to shine through. Saturday’s headlining set by Trent Reznor and cohorts was one of nostalgia equally coupled with the future possibilities of Nine Inch Nails. Opening with a trio of new tracks that beckons closer to Radiohead and How to Destroy Angels than Pretty Hate Machine era industrial rock Nails, it was evident Reznor didn’t, nor shall he ever, miss a beat with his primary project. “1,000,000” into “March of the Pigs” picked up the energy, and built upon the ever-shifting new stage setup that has been winning accolades the past three banner festival performances (think Stop Making Sense meets Aliens). Though the masses were at Phoenix, the crowd energy was high, especially during “Terrible Lie” and “Closer”. As per usual, “Hurt” left the crowd in an introspective gloom, though their hearts were surely still pounding from the assault that is Nine Inch Nails live. -KQ

Phoenix
Saturday • Twin Peaks • 8:40 p.m.

French indie-rock sensation, Phoenix, rallied the youth with a strong set featuring many songs from their 2009 album Wolfgang Amedeus Phoenix. “Listomania,” “Rome,” and “1901” were just some of the highlights. Front man Thomas Mars was spot on with his vocals. “This next song is a dancing one, so feel free …” was followed by longtime fan favorite “If I Ever Feel Better”. They played a solid handful of tracks from their 2013 release Bankrupt! such as “SOS in Bel Air” and “Entertainment”, but the clear goal of Phoenix’s headlining festival set is get the crowd rallied and ready to dance. The rock riffs were on point and the visuals were equally entertaining and Mars crowd surfed the entire audience near the end of the set as has been the habit this tour. Yes, he safely made it back to the stage with a little help from his friends. -DS

DAY 3

Dumpstaphunk
Sunday • Land’s End Stage • 12:10 p.m.

The Sunday morning main stage “Gospel Slot” was appropriately given to Ivan Neville’s (and NOLA’s) Dumpstaphunk — where two bassists and double-bass drum work got booties shaken’ early. Original Neville Brother Ivan asked the crowd if we had been to New Orleans, and when we’d be going back — you’ve gotta love how musicians are the best sellers of tourism for the Crescent City. “Meanwhile…”, a song about still having a good time in post-Katrina NOLA, showcased the spirit of New Orleans perfectly. “You might as well have yourself a good time…there might not be a next time” — a refrain that glows longer then the verses that detail political corruption and violence. It may all read as a didactic song for the TV show Treme, but no one deals with hardship better than New Orleans, led by the “can’t stop, won’t stop” musicians that call the city home. -MF

Fishbone
Sunday • Land’s End Stage • 1:30 p.m.

Fishbone rocked out Sunday afternoon with their ska/punk-rock hybrid sound. Angelo Moore, aka Dr. Madd Vibes, pumped crowd the crowd up with his high energy vocals and stage banter. Not only did Moore and audience members crowd surf during their fifty-minute set, but Moore introduced “Flying Jay”, clad in a red cape, the ultimate crowd-surfing trombone player. Moore also encouraged a mosh pit during their Sublime cover, “Date Rape”. Highlights included “Party at Ground Zero” and “Everyday Sunshine”, when Moore tried to solicit the sun to come out…the fog won. –DS

Rudimental
Sunday • Twin Peaks Stage • 2:05 p.m.

An unexpected highlight on this year’s bill, this mash up of blues, rock, funk and soul with DNB percussion was legit. A lively and large band fronted by two modelesque vocalists (knock off Fergie included), the group is accompanied by an assortment of horns, drums, piano, guitar and a live DJ. Rudimental pumped up the crowd for a positively charged last day, and they proved to be an act worth seeing at any venue – whether you’re looking to start a party or keep the fire burning at the end of a festival weekend. –MK

Kurt Vile and the Violators ~ TOP SET
Sunday • Sutro Stage • 2:30 p.m.

Sunday’s weather left a little to be desired, but that didn’t deter the throngs from arriving a bit early for the likes of Kurt Vile. This seasonal festival veteran’s breezy sound lent perfectly to the tepid atmosphere thick with “San Francisco cigarette” plumes. Nodding heads were rewarded with classics like “Freak Train” and newer offerings, “Wakin’ on a Pretty Daze” and “Girl Named Alex”. Some monitor issues didn’t slow the already laid back pace of the band, even when FOALS’ sound started to bleed into Lindley Meadow. -KQ

FOALS

FOALS ~ TOP SET
Sunday • Land’s End Stage • 2:50 p.m.

Front man Yannis Philippakis walks around with purpose, like he has a chip on his shoulder – something to prove. Maybe it’s hard to go from headliner back home in the UK, then play broad daylight performances in the US like they did at Outside Lands. Philippakis and lead guitarist Jimmy Smith are doing everything they can do to catch the US up to them as FOALS gain more traction and success each week. The polo fields were pretty packed as “Prelude” began, and once Smith appeared ripping on lead guitar, pure fire ensued. FOALS’ purvey cutting-edge rock – their so-called “math rock” deals heavily in progressive time chord changes, while emphasizing the offbeat ones and threes in melodies that mimic rhythm. Absolute rager “Milk & Black Spiders” finished out the all-too short hour in manic fashion — come back to the Bay soon FOALS for a proper show please. -MF

The Head and The Heart (secret show)
Sunday • Choco Lands’ Hell Brew Review • 3:50 p.m.

The tweet came across at 3:30, which inspired thoughts of Jack White performing a special Choco Lands set last year on Sunday. Reeling off of FOALS’ amazing set, a quick solo sprint to the Hell Brew Review across from Lamb Lands paid off magnificently. The three mainstays from Head and The Heart emerged on the tiny vaudeville stage for a hushed acoustic set, which included their new song “Shake”. Then crowd-pleaser “Lost In My Mind” took center stage when Josiah Johnson asked the close proximity crowd mid song, “Does anyone want to come help sing with us up here?” The stage was quickly at maximum capacity, a couple drunk goofballs stood in front of the performers, and someone managed to pull the plug, ceasing all speaker sound. This only made the sing-along more essential, especially for a song that already relies heavily on community spirit. -MF

Hall and Oates
Sunday • Lands End Stage • 4:20 p.m.

Everyone’s favorite 70’s and 80’s nostalgia act took to Land’s End Stage Sunday afternoon sandwiched between two of today’s most influential acts, FOALS and Vampire Weekend. Hall and Oates have been the benefactors of a complete career resurgence despite the fact their only recent album was a Christmas record in 2006. A slow start to their set sent many people to Dawes and A-Trak, but those who stuck around were delighted with classic hits such as “Maneater”, “I Can’t Go for That (No Can Do)” and “Rich Girl”. The corny nostalgia was high, but so were the good times. You can’t ask more from a Sunday afternoon set. -KR

A-Trak
Sunday • Twin Peaks Stage • 5:10 p.m.

Producer, DJ/live mixer extraordinaire A-Trak brought the heat quickly Sunday, feverishly building to sneaky drops that revealed deliciously crunchy beats. The most pleasurable part about taking in Alain Macklovitch live is during transition time, when his scratching abilities deserve close up attention on the video screen. He does it all in a robotic trance; what A-Trak does is on par with what a jazz guitarist does in a blues club or what Ivan Neville did earlier in the day on the main stage — it’s freestyle jamming with pin-point control. After an almost EDM-free Saturday, A-Trak got things going the final day with Duck Sauce’s “Big Bad Wolf” and a raging remix of Kanye West’s “New Slaves”. Fool’s Gold! -MF

Vampire Weekend

Vampire Weekend ~ TOP SET
Sunday • Lands End Stage • 5:50 p.m.

Perhaps one of the most anticipated sets of the weekend came from one of the biggest bands of the year, Vampire Weekend. The polo fields were packed as everyone and their mother (Hall and Oates performed before them) wanted a piece of the boys from the North East. Vampire Weekend came out firing contemporary classics “Cousins”, “White Sky” and “Cape Cod Kwassa Kwassa”. Next came the first offerings from their latest record Modern Vampires of the City, “Diane Young” and “Step”. Vampire Weekend dedicated “Step” to Bay Area hip hop legends Souls of Mischief, who were the song’s source of inspiration. Take one listen to Souls of Mischief’s “Step To My Girl” and you will hear the resemblance. During “Oxford Comma”, the camera zoomed in on a sign a fan created that read “I give a f*ck about an Oxford Comma.” Vampire Weekend wound down their set with “Giving Up the Gun” and my personal favorite from the new album “Hannah Hunt”. Two more tracks from their self-titled album concluded the impressive set with “One (Blake’s Got a New Face)” and “Walcott.”

Throughout the performance, the crowd was equally enamored with the older classics as they were with the new material. Vampire Weekend is currently at the top of their game, and their dominance was on full display as they delivered one of the strongest performances of the festival. They may not appear to be enjoying themselves while performing, but open your ears and listen for a moment — you will hear a band in their prime. -KR

Dillon Francis
Sunday • Panhandle Stage • 7:35 p.m.

Oddly placed at the Panhandle Stage, reminiscent of Wolfgang Gartner last year, there was no way Dilllon Francis wasn’t going to be a rager. Crowds rolled deep to watch this bass heavy set, and in no way did this DJ disappoint. Small stage be damned, Francis killed it, rattling off a consistent set of club bangers and EDM hits. The crowd ate up every second of the eardrum pounding womps, causing many members of the passing crowds to second guess the direction they were headed. The haystacks were packed deep with frottage and pool noodles dancing wildly. –MK

Red Hot Chili Peppers
Sunday • Lands End Stage • 7:45 p.m.

Red Hot Chili Peppers closed out the festival Sunday evening, a slot many thought would be reserved for Sir Paul McCartney when the initial lineup dropped. Whether it was a scheduling conflict or Ranger Dave optimizing his own schedule, the Chili Peppers proved that they were up to the task. In a roughly two hour set, the Chili Peppers were playing with something to prove as they ripped through single after single with fervent intensity. Their energy did not cease for the duration of the show as the band took the audience on a musical journey of one of the most celebrated funk-rock bands in history. Hits like “Under the Bridge”, “Californication”, “Give it Away” & “Around the World” sent off the rock fans happy. After a sand-swept Coachella performance, expectations were not very high, so it’s not shocking that they exceeded them at Outside Lands. They might not be the most relevant bands in today’s musical landscape, but they proved they can still bring the freaky styley when the time is right. -KR

Kaskade ~ TOP SET
Sunday • Twin Peaks Stage • 8:25 p.m.

For those in dire need of one more dance party before the weekend came to a close, alas Ryan Raddon was primed to set the field ablaze with his hard-hitting take on deep-house music. The moist air felt nice as revelers fist-pumped and bounced to a particularly bass-heavy set from the longtime San Francisco resident and torch-bearer for the new American electronic sound which gained immense popularity some years back. A tasteful remix of Lana Del Rey’s “Young and Beautiful” was a highlight, and as 9:35PM ticked closer, many hoped the speakers wouldn’t compromise with dead silence. -KQ

Beer Lands!

In only it’s second year onsite, Beer Lands has become a popular meeting spot, and, obviously, the place for the best local suds this region has to offer. An upgraded location in the polo fields, as opposed to tucked in the back of Lindley Meadow, made this spot even more popular and viable for social get-togethers. Doing away with the $1 ‘tickets’ as opposed to cash and card was a relief to those who would rather opt to not drink Heineken all day and night. Sierra Nevada offered a fragrant, herbal Saison exclusive to Outside Lands. Anchor Brewing brought their popular new California Lager and debuted an Autumn Maple Red Ale that was a tasty treat to those paying attention to the constantly rotating cast of taps. Drakes 1500 Pale Ale was this writers beverage of choice, but honestly, there were no losers in the bunch, and many look forward to this addition every year. Bottoms up. -KQ

We didn’t catch them all this year! We missed Chromatics, The Tallest Man on Earth and Daughter — amongst others. What were your favorite shows at Outside Lands 2013?

Torch us in the “Comments” section below.

More Girls On Shoulders - by Ryan Shulman

Girls on Fire at Land's End - by Tim Hampson

Head and the Heart Secret Show - by Mike Frash

Twin Peaks during Wild Belle - Where Waldo - by Tim Hampson

Filed Under: Editor's Picks, Featured, Festival Reviews, Festivals Tagged With: A-Trak, Atlas Genius, Baauer, Bombino, Chic, Dillon Francis, Dumpstaphunk, Fishbone, FOALS, Gary Clark Jr, Grizzly Bear, Hall & Oates, Houndmouth, Jurassic 5, Kaskade, Kurt Vile, Kurt Vile & The Violators, Kurt Vile and the Violators, Midi Matilda, Nile Rodgers, Nine Inch Nails, Outside Lands Music Festival, Outside Lands Music Festival 2013, Paul McCartney, Phoenix, Plump DJs, Pretty Lights, Red Hot Chili Peppers, Rhye, Rudimental, The Head and The Heart, The Mother Hips, The National, Twenty One Pilots, Vampire Weekend, Wile Belle, Yeah Yeah Yeah's, Yeasayer, Young The Giant, Youth Lagoon, Zedd

Phono del Sol gets rowdy with Thee Oh Sees & YACHT

July 18, 2013 by Mike Frash 1 Comment

Photos by Nikki de Martini & Mike Frash // Written by Mike Frash //

Phono del Sol Music Festival //
Potrero del Sol Park – San Francisco
July 13th, 2013 //

Phono del Sol Music and Food Festival got a bit rowdy this year, but it’s not a huge surprise with local juggernauts Thee Oh Sees topping the music bill for the fest’s third incarnation. The first two years of Phono del Sol, which also took place at Potrero del Sol Park in the Mission District of SF, offered decisively mellow indie fare.

But this year, Phono del Sol curators The Bay Bridged and John Vanderslice’s Tiny Telephone took things up another notch, adding a second stage and party-starting acts YACHT, Bleached, K. Flay, Marnie Stern and Painted Palms. For the first time at Phono del Sol, people raged.

The main stage’s built-in band shell was packed tightly by the time Thee Oh Sees were ready to begin. As K. Flay continued on with her set at the Mission Stage, Dwyer grew impatient once Thee Oh Sees were ready to go. The powerless stage manager did his best to hold Dwyer off from initiating the performance, but after one false start, Dwyer said, “Fuck it” and launched the first song. Indie moshing, crowd surfing and stage diving would frame the headliners for the entire show, just as frontman John Dwyer always inspires.

Dwyer is one of the most interesting characters in music today, and his manic stage presence and antics are just as entertaining as Thee Oh Sees’ excellent post-punk sound. Dwyer spits, pounds beers, sticks his tongue out and plays his guitar near his neck, which has quickly become his iconic go-to move. And it’s obvious how he’s a local hero, drawing scores of dedicated fans that mimic Dwyer’s moves at every show The Oh Sees play.

Most of the tunes performed Saturday were from Thee Oh Sees’ relentless 2013 LP Floating Coffin, but the most entertaining highlight of the late-afternoon performance happened when Dwyer invited everyone on stage for the final two songs.

The energy transferred to the final act of the festival, YACHT. Props to the festival organizers for placing YACHT last after the headliners — there’s no better way to end a day of music then to dance your ass off. Jona Bechtolt and Claire Evans have honed their electopop jams into a tight show. Songs segued seamlessly, feigning a DJ set, as Evens commands you to pay attention and shake your booty at the same time. The set ended with “Le Goudron” and “Second Summer”, a super-fun way to bring Phono Del Sol to a close.

Filed Under: Festival Reviews, Festivals Tagged With: Phono Del Sol, Phono del Sol 2013, Phono del Sol Music Festival, Phono del Sol Music Festival 2013, The Bay Bridged, Thee Oh Sees, YACHT

High Sierra Music Festival 2013: Top Sets

July 15, 2013 by The Bam Team 15 Comments

Photos by Sam Heller // Written by Kevin Quandt, Mike Frash & Pete Mauch //

High Sierra Music Festival //
Quincy, CA
July 4th-7th, 2013 //

Lennon-McCartney said it best when they stated, “Got to admit it’s getting better, getting better all the time.” High Sierra Music Festival, held every Fourth of July weekend for the past 23 years in lovely Quincy, Calif., somehow keeps getting better each year. The success of this event isn’t anything too surprising, as the producers truly know how to run a seamless event while drawing in such a rich diversity of musical talent from across the globe, year after year. The Plumas County Fairgrounds are amazingly transformed into a wonderland for both adults and kids, alike, becoming a community environment that allows people to lose themselves in the festivities.

Young and old are ever-present at HSMF — while the little ones enjoy family yoga and children’s sets by the one Vince Herman from Leftover Salmon, the older attendee may likely enjoy wine tasting by sponsors or fresh sushi in the morning or fresh oysters in the afternoon. From the wide variety of cuisine available from Gerard’s Paella to crab-smothered artichoke to the array of music play shops to explore the deeper, inner workings of music. It’s qualities such as these that lend to one overall thrilling experience, which keeps so many returning every year and most newcomers pledging the same.

High Sierra caters to everyone, and if you are unable to have an amazing time, you may want to check your pulse. But let’s be honest, the masses primarily flock to the Sierra Mountains to enjoy the varied selection of musical acts. Without further ado, here are our top sets from the long weekend.

Artist: Allen Stone
Set date/time: Thursday, 7:15 p.m.
Location: Big Meadow

Young soul powerhouse Allen Stone and his electrifying band held down a two-hour (!) set at the Big Meadow on Thursday — not bad for a performer who self-released his two full-length albums and toured hard and strong enough to catch fire over the past year. He stretched his set out for the last 20 minutes by announcing a dance-off and asking the crowd to create an aisle down the middle toward the soundboard. Either it was too early in the fest on a hot day, the two-hour set was too long or people were too high because no one obliged. Stone had to collect himself before trying again, and after some chastising by the neo-soulster, a dance-off was ignited. -MF

Artist: White Denim
Set date/time: Thursday & Friday, 7:15 p.m.
Location: Grandstand & Big Meadow

Fast-rising indie-psych rockers White Denim delivered a couple excellent sunset shows on Thursday and Friday. The foursome is tightly synced, precisely nailing oft-changing time signatures in a set that rarely paused. The songs segued seamlessly, blending with the help of swirling electric guitar layering and looping. The Thursday show on the Grandstand came as a relief as the ridiculously hot sun dipped behind the trees while many sat down waiting for Thursday’s legendary headliner. White Denim’s show on Friday at the Big Meadow ended spectacularly — a tighter crowd gave way to more heady psychedelic fare, including a sneaky and effective light show once full darkness arrived for the set-ending song “Drugs”. -MF

Artist: Robert Plant presents The Sensational Space Shifters
Set date/time: Thursday, 9:30 p.m.
Location: Grandstand

Robert Plant is a legend — we all know this — so to have this mammoth performer be featured as the first major headliner of the event led to seriously large crowds, especially on Thursday. His banner set did not disappoint with his mix of rockin’ Zeppelin classics, blues-laden solo material and a rich representation of various world music styles. Plant’s band was a very impressive conglomeration of modern musicians featuring players from Massive Attack and other highly regarded acts, which lent well to the characteristic howl of the Zeppelin legend on a clear, cool first evening. Highlights were a show-opening “Baby I’m Gonna Leave You”, Zep classic “Black Dog” and a version of Willie Dixon’s “Spoonful”. The response was unanimous that Plant and his latest touring act were a rousing success as one would expect from this caliber performer. -KQ

Artist: Tumbleweed Wanderers
Set date/time: Friday, 1:15 p.m.
Location: Vaudeville

Tumbleweed Wanderers out of Oakland benefited from being placed in the shady Vaudeville tent Friday afternoon, and the folky, soulful group took full advantage of the dense crowd seeking solar protection. Frontman Zak Mandel-Romann fearlessly ripped into tracks from their 2012 debut LP So Long as he would jump off the stage to engage with the audience. The crowd reciprocated, and upon the end of the set the rousing applause was so widespread and forceful that the band members tried to hide their unbridled joy, an indication they were experiencing the best response of their careers. It was a goose bump-inducing moment, and after the continuous applause interrupted the stage emcee, the Tumbleweed Wanderers were called back for a rare encore. -MF

Artist: Nataly Dawn
Set date/time: Friday, 3:45 p.m.
Location: Big Meadow

Nataly Dawn was yet another newcomer to the festival, and she represented the singer-songwriter sect in splendid form. Her songbook may not be extensive but is incredibly strong with playful elements of both comedy and heartfelt songs of real life and love. Dawn’s delivery was flawless as she was simply accompanied by an electric guitar player, augmenting her vocals ever so slightly. Some may know this Sacramento rising star as one half of the act Pomplamoose, but with a recent release entitled How I Knew Her making waves, she is sure to be a name to look out for. High Sierra is generous with the amount of time a performer gets onstage, and in Dawn’s case, too much time for her limited song selection. However, with the crowd gaining size, she went through a few selections twice, including “Caroline”. Hey, exposure is exposure. -KQ

Artist: Houndmouth
Set date/time: Friday, 5:45 p.m.
Location: Big Meadow

Indiana-based Houndmouth showcased their Americana folklore to the High Sierra masses on Friday, and they did so with amazing harmonies, precise musicianship and all-around great whiskey-drenched songwriting. Their songs speak of troubled travelers, coked-up drug dealers and any vigilante vagabond looking to make amends with oneself. The set focused on their debut album From the Hills Below the City, with “Come On, Illinois”, “Houston Train” and “Penitentiary” rounding out the show highlights. One aspect that makes High Sierra so wonderful is its intimacy. After Houndmouth’s set, I let them know everything sounded excellent. They were extremely grateful and thanked me as I walked away to my next adventure. -PM

Artist: Primus
Set date/time: Friday, 5:45 p.m.
Location: Grandstand

Primus are weird in all the right ways. Legendary bassist Les Claypool’s primary vehicle headlined Friday, proving to be an über-suitable headliner that fits High Sierra’s full embrace of individuality. An intense, trippy “Southbound Pachyderm” gave way to more energetic favorites like “Jerry Was a Race Car Driver” and “Jilly’s on Smack”. Plus, Skerik appeared to add yet another twisted layer of sax to “Groundhog’s Day”. Two consistent factors relate to Claypool — his bass is the driving force, and his uniquely weird songwriting and vocal delivery make it work every time. Claypool hid in the shadows all night, letting his jazz-paced diction, offbeat baseline and leadership boggle the minds of the packed main stage. -MF

Artist: The John Scofield Uberjam Band
Set date/time: Friday, 11:30 p.m.
Location: Vaudeville

The return of John Scofield’s electric band was a bit of a surprise to longtime fans of this freaked-out, electric jazz-fusion act. Jazz legend Scofield brought old friends and new to blaze through some selections from his past catalogue (Up All Night, Uberjam) and most recent (Uberjam Deux) to a healthily packed free, late night show. His mix of funky-fusion, hip-hop and electronic drum beats generally adds up to sonic grooves that are easy to dance to, but complex in their melody and solos arranged onstage. Some highlights were “Polo Towers”, “I Brake for Monster Booty”, and “Everynight is Ladies Night.” Try to catch this act on tour, as it could be the last time Scofield brings this band on the road for awhile before he likely returns to more straight-ahead jazz projects. -KQ

Artist: Skerik’s Lab
Set date/time: Saturday, 3:30 p.m.
Location: Music Hall

High Sierra vagabond-and-artist-at-large Skerik once again showcased his teaching abilities, along with his oddly-interesting poetic musings. The best woodwind and brass musicians, some in official acts and others just at High Sierra to camp and have fun, line up on stage at the Music Hall. With Mike Dillon supporting on drums, each player on stage gets a turn to take the lead, and everyone else joins in until a ferocious jam builds to a peak. Skerik then introduces the next performer, and often will ask the audience for the next musical key. Once again Carley Meyers from Mike Dillon Band stole the show. -MF

Artist: The Barr Brothers
Set date/time: Saturday, 7:55 p.m.
Location: Big Meadow

Brad and Andrew Barr are two longtime performers who have graced the many stages at High Sierra for well over a decade. Generally, they represent their early project the Slip, sometimes with their Marco Benevento and Nathan Moore collaborative project, Surprise Me Mr. Davis. This year, they towed along a giant harp for the Barr Brothers, a rising indie-leaning project garnering impressive underground success. Songs like “Give The Devil Back His Heart” demonstrate Andrew’s complex rhythmic arrangements and Brad’s ability to write dynamic songs under any moniker. This set saw the band joined by Mike Dillon on vibraphone and the Rubblebucket horns for a bombastic set closer. -KQ

Artist: Thievery Corporation
Set date/time: Saturday, 9:30 p.m.
Location: Grandstand

Thievery Corporation brought a much-needed dance party to the main stage on Saturday, also delivering on the promise of being an ideal headliner for HSMF. With rotating live singers seriously augmenting the beats laid down by Rob Garza and Eric Hilton, the upbeat set never got too stuck in downtempo territory. After getting “Lebanese Blonde” out of the way early, hip-hop and dance influences took center stage. So much more than a DJ show, the DC-based duo have curated a revolving door spectacle supported by Rob Myers, Frank ‘Booty Lock’ Mitchell, Jeff Franca and Ashish Vyas and live instrumentation. Put it all together, and it was an awe-inspiring production that hit the High Sierra sweet-spot. -MF

Artist: Lee Fields and the Expressions
Set date/time: Sunday, 12:15 a.m.
Location: Vaudeville

The final Vaudeville late night featured soulful R&B brought by the charismatic Lee Fields and his young, competent band, The Expressions. A possible new name to many in attendance, few could deny the soul-drenched revue delivered in true professional form by a 40-plus year veteran. Hands in the air in rejoice were plentiful while the dapper-dressed frontman channeled the obvious comparison, James Brown. Come Sunday, the High Sierra faithful were murmuring about their new favorite act for the time being and how friends had to catch Fields’ set on the big stage for their final Sunday performance in Quincy. -KQ

Artist: moe.
Set date/time: Sunday, 1:30 a.m.
Location: Music Hall Late Night Show

Sunday night jam headliners moe. played a sold-out, late-night show early Sunday morning, and as usual it raged. Rob, Al, Chuck and and the rest of the gang were pretty subdued as a physical presence onstage, but they sounded as good as always. Classic opening one-two punch “Not Coming Down” and “Wormwood” kicked things off nicely, and “McBain”, “Moth” and “Timmy Tucker” were set highlights. “Seat of My Pants” ended the epic third day on a high note. -MF

Artist: Lukas Nelson & Promise of the Real
Set date/time: Sunday, 12:45 p.m.
Location: Grandstand

Lukas Nelson & POTR made their High Sierra debut this year and put on quite an impressive set that caught the eye of many a festivalgoer, including that night’s headliner moe.(Nelson guested on “Opium” during moe.’s set). Nelson started things off with his single “Forever is a Four Letter Word”, which was well received by the growing crowd. Nelson is the son of the legendary Willie Nelson, and he truly shines on his own, clearly not leaning on his namesake to achieve success (I’m looking at you Jakob Dylan). Nelson delivers high energy sets full of excellent originals, many of which are about “Weed”, so the apple doesn’t fall too far from the tree. The band also ran through great cover songs including an amazing take on The Grateful Dead’s “Althea”, Pink Floyd’s “Money” and set closer “Sympathy for the Devil” by The Stones. Lukas Nelson should just be getting started –plan on seeing him grow exponentially from here. -PM

Artist: Guitarmaggeddon
Set date/time: Sunday, 4 p.m.
Location: Music Hall

The 10th annual Guitarmaggeddon face-melt was a special treat. Each year, Tea Leaf Green’s Josh Clark leads a group of electric guitar thrashers on a set of covers that revolve around a theme, and the songs always give way to epic guitar wailing and thrashing. It seemed like last year’s Talking Heads set would be tough to beat, but the “Stadium Rock!” theme was plenty epic. From the steady opening of “Slow Ride” to “Satisfaction” (with a younger Mic Jagger in tow) to “Layla”, the show just killed it as expected. Lukas Nelson and Al Schnier from moe. guested for multiple songs, and fest-goers who still had a couple ounces of energy left benefited from a jamtastic, raging two hours of fun. -MF

Artist: Steel Pulse
Set date/time: Sunday, 7:15 p.m.
Location: Grandstand

Roots-reggae legends Steel Pulse would also make their debut appearance at the event this year, and they filled the Sunday “worldly afternoon” slot in proper form. The legendary English act out of Birmingham has some of the most proficient performers in the business, likely due to nearly 40 years of pumping out revolutionary songs and touring the globe. “Roller Skates” and “Chant a Psalm” were just a few of the hits played to a nicely sized late-festival crowd as the sun dropped behind the main stage one final time this year. A new, tribute song to Trayvon Martin called “Put Your Hoodies On [4 Trayvon]” may have been too borderline serious for the crowd, but the masses embraced the message of equality for all. -KQ

Artist: Rubblebucket
Set date/time: Sunday, 10 p.m.
Location: Big Meadow

Representing Brooklyn, Rubblebucket have really come into their own as an entrancing mix of pop, rock and world music that thrives on crowd energy and is helmed by one helluva frontwoman, Kalmia Traver. This would be their first evening set after gracing the fairgrounds for a few years now, and they brought their already stellar show to the next level on the final evening. Highlights from the set included “Overstaurated”, “Rescue Ranger” and “L’Homme”. Kalmia invited attendees up onstage to join in the revelry, and the throngs rewarded this act by crowd surfing her across the stage during “Came Out a Lady”. -KQ

Filed Under: Editor's Picks, Festival Reviews, Festivals Tagged With: Allen Stone, Guitarmaggeddon, Houndmouth, Lee Fields and the Expressions, Lukas Nelson & Promise of the Real, moe., Nataly Dawn, Primus, Robert Plant, Rubblebucket, Skerik's Lab, Steel Pulse, The Barr Brothers, The John Scofield Uberjam Band, Thievery Corporation, Tumbleweed Wanderers, White Denim

Festival Review: Showbam-A-Rama at The Airliner in LA

June 7, 2013 by Pete Mauch Leave a Comment

Photos by Dan Stensby // Written by Pete Mauch //

Showbam-A-Rama //
Airliner – Los Angeles
June 2nd, 2013 //

Showbams presented the first annual Showbam-A-Rama last Sunday featuring nine up-and-coming bands in the Southern California area at the Airliner.

Starting things off with a bang on the Hoe Down stage was Chop Surf, who brought in bassist Ryan Jeffs, which really complimented Paul Caruso on drums. Their set was filled with high-energy surf rock complete with swaying guitar riffs by Ryan Lynch. Jeffs and Lynch even traded instruments for the last song of their set, which showcased their wide range of abilities.

Meanwhile upstairs at the Giddy Up stage, Spoh was absolutely killing their set of improv-infused jazz that had the crowd gyrating early in the night. Second song in, they busted out Phish’s “Julius”, which showed Stew Phillips’ lead guitar work à la Trey Anastasio. They closed their set with a jazzed-out version of The Meters’ “Cissy Strut” that had this New Orleans music fan feeling it!

Grizwald came into the Airliner and turned many heads with his one=man band that was full of looping drumbeats and well-executed synth jams. We will be keeping a watchful eye on Grizwald.

By the time I got upstairs to check out Chief, brothers Danny and Michael Fujikawa had already taken their shirts off so I knew they were down to business. They tore through their set with mighty angst and the crowd ate it up! Chief knows how to harmonize with the best of them, and they showcased that on Sunday. They ended with the one-two punch of “Nice People” and “You Tell Me”, which was well-received from the crowd.

Strandside played their set of psychedelic surf rock with great passion, and I really liked how they brought their new singer Nima Kazerouni up at various parts of their set. That truly kept things fresh throughout their performance and had many people talking about their show all night long. A highlight of the evening was the song “Knights Move North” that was played flawlessly. I’m looking forward to catching this South Bay act again soon.

Tall Tales and the Silver Lining had a stripped-down band for their set, but that didn’t stop Trever Beld-Jimenez from doing what he does best — captivating the crowd with his amazing voice and great stage presence. On this evening, Jimenez showcased his bass skills and really held his own while Tim Ramsey playing lap steel guitar helped with the overall tone. A surefire highlight of their show was the beautiful cover of Fleetwood Mac’s “Gypsy”.

Busy Living started things off with the title track from their first EP, It’s a War Out There and didn’t let up from there. Mike Moonves led the band through many new songs, including one standout called “LYD” featuring electronic drums that blended perfectly with their sound.

Divola had the evening’s most high-energy performance even though that energy was dark, twisted and had Dion Tomasini in a black ski mask on drums throughout. Thomas Lynch has again proven himself behind the synth, and Justin Jacoby is the most animated on stage as he slays his bass ferociously. This is some seriously good psych-rock.

Shaky Feelin’ is a force to be reckoned with on the Ventura jam scene, and they brought their goods to LA with standouts like “Train Station” and “Insider Mind”. Mark Masson on guitar has some ridiculous chops and Franklin Murphy on keys was truly a standout of the evening. They treated the crowd to two great Phish covers in “Possum” and “Back on the Train”.

Filed Under: Editor's Picks, Festival Reviews, Festivals Tagged With: Busy Living, Chief, Chop Surf, Divola, Grizwald, Shaky Feelin, Showbam-A-Rama, Spoh, StrandSide, Tall Tales and The Silver Lining, The Airliner

Guinness Oyster & Music Festival successfully makes EDM leap

June 5, 2013 by The Bam Team 3 Comments

Photos by Marc Fong // Written by Molly Kish, Marc Fong & Sean Little //

Oysterfest Music Festival //
Golden Gate Park – San Francisco
June 1st, 2023 //

O’Reilly’s Oysterfest returned to Sharon Meadow for the 14th straight year of live music and shellfish indulgence. Catering to a sizeable SF crowd, event sponsor Guinness kept the lively audience saturated as they enjoyed a variety of oysters and impeccable weather amidst the beautiful setting that is Golden Gate Park. Running from 11 a.m. to 6 p.m. PT, the festival offered ample time to sample, sip and survey the wide array of vendors and musical entertainment.

This year’s lineup, straying from the usual indie rock and alternative-dominated bill, incorporated a heavy electronic undercard. Showcasing a block of hard hitting-talent on a second stage (aka the Red Bull dance tent), the Showbams crew rolled deep this past Saturday to cover the festival’s enthusiastic leap into the EDM foray. Amongst main stage headliners DEVO and MuteMath, the festival welcomed a whole different demographic this year by inviting dance acts like RAC, Bag Raiders, Classixx and more.

We were on the scene to witness the aphrodisiac-fueled masses co-mingle while they also experienced this year’s talent transition. Here are some reflections on what might be Oysterfest’s most successful year to date in its 14-year legacy.

Upon entering the Oysterfest grounds I was pleasantly surprised to see how well laid out the festival itself was and how many people were there nice and early. The first act I caught (after grabbing a Harp – Guinness was the sole sponsor) was Chris Clouse. I had never heard of him before and figured he was just another DJ laying down some songs. His song selection was pleasing – Clouse chose beats that were catchy but not overly saturated or popular. It got really interesting though when he broke out a guitar and electric fiddle at different points, playing them over the tracks he was spinning. The guitar felt a bit odd, mainly because it’s not an instrument you are used to hearing in dance music. This is especially true when it’s being forced into a song that doesn’t contain guitar sounds, but he used it sparingly enough as to not make it annoying. The electric fiddle was great though, and it really added a unique spark. -SL

Shiny Toy Guns played the festival stage, which had been relocated from its original setting in the Red Bull tent. They commanded the stage in all of their electro glam rock glory, and they sounded great. Chara was as gorgeous as ever, belting out hits as the crowd danced along. The band was pitch perfect and set the tone for the rest of the day’s festivities. Shiny Toy Guns got the audience pumped for an afternoon endurance test that exclusively included the consumption of shellfish, whiskey and Guinness. -MK

Up next were the always-pleasing Classixx. Classix had the crowd in a feel-good frenzy from the start, dropping hits like Bondax’s “Baby I Got That” and the new track from Tyler Blake’s (half of Classixx) solo project Fingerpaint called “Lunar”. Their vibe and energy fit perfectly into the small second tent in the early afternoon. It was sunny, the crowd wasn’t packed into the tent yet and everyone was grooving. -SL

SF was lucky enough to be treated to the electric riffs and progressive beats of the charismatic MuteMath. Their innovative sound rocked the crowd with personality and high-energy. Drummer, Darren King, (with his headphones taped to his head) beat his heart out on the festival stage with the intensity of a charging rhino. MuteMath frontman Paul Meany interacted with a fired-up crowd that was ready to party after consuming plenty of oysters and Guinness. -MF

Both members of RAC traded off seamlessly on the decks, bringing in one remix after another from their seemingly endless catalogue. I honestly can’t think of many other producing groups that have been so prodigious and consistent at crafting quality remixes for nearly everyone out there. -SL

Devo fans were ever-present at the festival, and they added their colorful flare to the mélange of attendees Saturday. Filling the meadow with brightly colored “energy domes,” it eagerly participated in the band’s signature antics and dramatic stage show. With more than three costume changes, various props utilized then dispersed into the audience and a comic book-themed lightshow, Devo managed to keep the weary crowd’s full attention through the final set of the festival. Mark Mothersbaugh even invited the band’s honorary masked member Bouji Boy up onstage for a disturbingly awkward duet highlighted by the release of hundreds of bouncy balls into the audience, punctuating the performance in a drunken frenzy. The headlining post-punk, sci-fi enthusiasts provided the perfect level of nonsensical debauchery to capitalize on the obscure nature of the festival and audience that still remained. Sun soaked and heavily marinated, those in attendance loved every second of a set that wavered between classic De-Evolutionized hits and brand-new tracks off of their first album in 20 years. Oysterfest nailed it when booking this group to close. -MK

With the sun still shining and a whole night ahead, the crowd dispersed amongst the city in a euphoric state of post Oysterfest bliss. The incorporation of the Red Bull Tent this year, with an EDM bill that easily rivaled its headliners, was a leap of faith on the organizer’s part. It was the perfect addition to bring Oysterfest to a whole new audience and playing field. Here’s hoping this success proves to be a catalyst year for the festival, crystalizing the Guinness Oyster and Music Festival standard from here on out.

Filed Under: Festival Reviews, Festivals Tagged With: Classixx, Devo, Guinness Oyster & Music Festival, Mute Math, Oysterfest, RAC, Shiny Toy Guns

Coachella 2013: Top sets during Weekend 1

April 18, 2013 by Kevin Quandt & Mike Frash 11 Comments

Coachella Weekend 1 came and went like a flash as it usually does. The buildup is the slow part: You make your predictions, do your homework after the lineup drops, fret over the soul-crushing set times, then throw your plans in the trash and have some fucking fun.

T’was a unique weekend as each day was different from the other, and not just by which acts were on what stages at any given time. Friday, the masses showed up early and entry was a hassle due to it, and a few gate-crashing episodes due to slow security lines raised anxiety even before stepping foot in the concert venue itself. However, the majority did not stick around for the midnight action shared between highly buzzed acts. Saturday brought a more unified crowd to sing along to the Femmes classics and nervously await a certain special guest to make an appearance with Phoenix. As a whole, this was the best day for the overall experience we have come to know and love out in Indio. Sunday was a bit mild on banner moments, and the winds seemed to dominate as a theme, both for those withstanding and those retreating the gale. Goose pimples and bandana face-masks were plentiful as the event winded down, just to do it all over again next week. Even with a musically less eventful Coachella compared to year’s past, it was the musical adventure so many long for year round.

Here are the most memorable sets we witnessed, for better or worse.

The Shouting Matches • Gobi Tent, 2:05 p.m.
Coachella Weekend 1 featured a premier performance from Justin Vernon’s über-blues project. The Bon Iver frontman played it cool most of the set behind dark glasses, laying out thick, bluesy guitar riffs. Jack-of-all-trades Phil Cook took over stage banter duties for most of the set, allowing Vernon to try his hat at slow-grinding bluesman. The Shouting Matches explored a couple lengthy jams that worked well. -MF

Dillon Francis • 2:30 p.m.
Crowds swelled rather early compared to year’s past, and many eager youths were chomping at the bit with the lengthy entry lines trying to catch the buzzy Dillon Francis. An upgraded, arena-sized Sahara tent was packed early on with throngs of fresh attendees bouncing to “Bootleg Fireworks” and other stylistic electronic mash-ups for the primarily under-21 masses. -KQ

Jake Bugg • Mojave Tent, 3:05 p.m. TOP SET
The teenage prodigy Jake Bugg impressed thoroughly at his early tent set, but it wasn’t only due to his excellent acoustic versions of “Two Fingers” and “Simple As This.” Bugg plugged in and let loose with his electric guitar for about half the set, and these songs proved to be the most successul and surprising. The young British singer-songwriter has already honed his live skills and is worth seeing live before his next trip through the states, when he’ll be packing theater-sized venues. -MF

Divine Fits • Outdoor Theatre, 4:35 p.m.
Britt Daniel (Spoon) and Dan Boeckner (Wolf Parade) brought their newish outfit to the Outdoor Theatre for an afternoon of power-pop rock. Coupling the unmistakable vocals of Daniel with the heavy chorded guitar romp that is Boeckner added up to an impressive performance. “My Love is Real” was a highlight as drummer Sam Brown of New Bomb Turks added thick rhythm for the sun drenched crowd to sway and stomp to. -KQ

Japandroids • Gobi Tent, 5 p.m.
Vancouver-based duo Japandroids had a tough time getting started due to sound issues, something that permeated the Gobi Tent Friday (the sound at TNGHT & Earl Sweatshirt was muted, but FOALS sounded great). Finally the set appeared ready to begin, until Brian King ran off stage, most likely to take a piss. David Prowse followed him offstage, then they returned to the stage to start “Fire’s Highway,” and we all discovered the sound was as shitty as it was when they were sound-checking. I’ve heard Japandroids play with immaculate sound quality, so it was time to move on… -MF

∆(Alt-J) • Mohave Tent, 5:20 p.m.
This british quintet was a highlight of the day as it charmed a large crowd with the band’s quintessentially unique take an indie rock, playing heavily off debut album An Awesome Wave. Cartoonish may be the best way to describe the singing style of Joe Newman, but once you’ve acquired the taste, it’s no joke and it shined brightly in the Mojave Tent. “Breezblocks” received a wonderful reception as revelers shook and weaved to the hypnotic rhythm while reciting the grand chorus. -KQ

Local Natives • Outdoor Theatre, 7 p.m.
A calm mellow fell over the crowd for the majority of the Local Natives sunset time slot at the Outdoor Theatre. Some enjoyed the slightly closer and better beer garden, while others neatly filled a sizable chunk of real estate in front of the stage. “Sun Hands” was the perfect shock to attendees before sending them back out into the great wild that is the Empire Polo Club. -KQ

Dog Blood • Sahara Tent, 7:40 p.m.
Combine Skrillex and Boys Noize and you have the two-headed EDM monster fans are getting to know as Dog Blood. This recent collaboration made waves at Ultra this year, and they blew minds in the thickly packed Sahara for a hard driving amalgamation of many of the current electronic styles. The sound resonating from the beefed up DJ booth wasn’t fully Skrillex, nor Boys Noize, which was refreshing to hear from these two superstars. -KQ

Yeah Yeah Yeahs • Coachella Stage, 8:40 p.m.
Karen O commands crowds with the best of them, and every big performance from Yeah Yeah Yeahs confirms her place as one of the most enigmatic bandleaders of our time. She oozed intensity and sensuality while bopping all over the largest stage during hailed tracks like “Zero” and set closer “Maps.” The new tracks sounded as artsy and danceable as ever and Mosquito is sure to catch some serious attention as they prepare for a lengthy summer season. -KQ

FOALS • Gobi Tent, 10:50-11:40 p.m. TOP SET
FOALS destroyed their set against tough competition, making everyone present forget they were missing Blur & Jurassic 5. “Inhaler” and “Milk & Black Spiders” from FOALS’ 2013 LP Holy Fire were set highlights, but tracks from all three of their full-length records were present in the setlist. The British group is pure fire in concert, producing surprisingly technical live versions of their songs while at the same time extending or intensifying some sounds or instruments in response to the audience reaction in the moment. -MF

How to Destroy Angels • Mojave Tent, 12 a.m. TOP SET
Trent Reznor’s new project took the stage for the second time ever, and the multi-dimensional presentation wowed the surprisingly sparse crowd in the Mojave Tent. “The Wake Up” began the set with the group veiled behind a curtain of white strings, creating an eerie outline of Atticus Ross, Rob Sheridan and the mystifying Marqueen Manndig. Presentation appeared to be key in the short time this act will be on the road before the return of NIN, even though the wall of sound aspect was a treat for the diehard fans of Reznor and everything he touches. -KQ

Earl Sweatshirt • Gobi Tent, 12:05 a.m.
Sure, Friday at midnight was undoubtedly one of the most stacked schedule times, but the lack of throngs at Odd Future wunderkid Earl Sweatshirt’s banner set showed that one can’t be in more than one place at a time, which is a massive dilemma at Coachella. New single “Whoa” was delivered confidently, even if the sound was less than stellar. Tyler, the Creator aided his LA bud on old rarity “Orange Juice” and crowd favorite “AssMilk” while climbing scaffolding and generally causing a ruckus. -KQ

Danny Brown • Outdoor Theater, 3 p.m.
Another moderatly hot day welcomed the wrist-banded festivilians to a more unified day and night compared to the calm finish of day 1. Detroit-born, gap-toothed hip-hop artist Danny Brown brought a feverish set of his unique brand of profane-ridden tunes to the Outdoor Theatre. His nasally delivery could be compared to Andre 3000, while his melodic flow is so neatly packed and wickedly clever it makes folks chuckle in awe. -KQ

Zane Lowe • Yuma Tent, 3 p.m.
The BBC 1 Radio DJ hailing from New Zealand played a spirited set of electro-house in the new official sixth stage. The Yuma Tent was an air conditioned oasis for dance purists needing a respite from the elements while also not wanting to rest their dancing feet. A hard wood floor was a proper addition to this space. Lowe kept things straight ahead, pounding the sizable system with original beats and a mixed set of dance styles before the tent packed up for The 2 Bears.

The inaugural Yuma Tent was so intimate with such quality DJs that most festival-goers did not have the opportunity to see some highly anticipated shows. Many people bought tickets for Coachella this year so they could dance to their favorite progressive DJs, but ultimately you had to sacrifice lots of other shows and wait in long lines to experience the Yuma Tent. This should be remedied for 2014, as Jamie xx would have probably filled out the Mojave Tent. Make the Yuma Tent bigger. -KQ

Ben Howard • Outdoor Theatre, 4:10 p.m.
Ben Howard, another Brit, brought his soft semi-folk-rock material to a scorching Outdoor Stage, and the tunes he played were pretty standard. That is until “The Fear,” which built to an explosive peak not captured on Every Kingdom. It might have made sense to put 2 Chainz on the Outdoor and Ben Howard in the Mojave Tent based on the crowds. -MF

Violent Femmes • Coachella Stage, 6:05 p.m.
Many weren’t aware that this was to be the first show from the folk-punk legends in over six years. Furthermore, many of the younger patrons were likely completely unfamiliar with this act besides the occasional play on KROQ and other national alternative rock radio stations. What a surprise when they launched into their self-titled premier album, playing it in full. Classics like “Blister in the Sun,” “Add It Up,” and “Gone Daddy Gone” were passionately crooned by the majority of the crowd. -KQ

Major Lazer • Mojave Stage, 6:25 p.m.
Why Major Lazer didn’t play the Sahara is a mystery to me, but the EDM masses made the rare pilgrimage to Mojave to lap up Diplo’s worldly party. A frenetic set kept everyone jumping to Major Lazer hits like “Pon de Floor” and the ubiquitous Baauer banger “Harlem Shake” alike. Jillionaire is one helluva hype man keeping the crowd fully engaged at every track, instructing the crowd to remove their shirts, hold them in the air, eventually demanding they be tossed into the desert air in dance ecstasy. Many bros obliged. -KQ

Hot Chip • Coachella Stage, 7:35 p.m.
What a perfect sunset Saturday dance party. It was a set full of hits like “One Life Stand,” “Over and Over,” & “Ready For The Floor,” along with the amazing “Flutes.” This show conflicted with Yeasayer, Grizzly Bear, & Julio Bashmore, so there was plenty of room to shake it. Guitarist Pat Mahoney, also from LCD Soundsystem, added a busy 70’s guitar riff to many songs, including most of the new tracks from In Our Heads. -MF

The Postal Service • Coachella Stage, 8:50 p.m. TOP SET
The Postal Service show was surely one of the best pop sets of the weekend thanks to Jennie Lewis. Ben Gibbard, Jimmy Tamborello & Jen Wood were flawless as well, but Lewis’s sultry charisma, timing and all-around perfection made this a top set for me. From the building beat in “The District Sleeps Alone Tonight” to the outro of “Brand New Colony,” where “everything will change” was repeated until the session ended, the crowd was zoned in. As the last line was harmonized, I looked up to see all the Coachella spotlights meeting at a point in the sky directly above us and instantly was struck by goosebumps. -MF

Descendents • Outdoor Stage, 9:05 p.m.
Milo Aukerman and band were treated to an evening slot on the 2nd largest stage, up against the breezy Postal Service reunion. Manhattan Beach local punk legends treated their fans to classics like opener “Everything Sucks,” “Suburban Home,” and “I’m the One.” Though Aukerman’s voice is not the youthful squeal it once was, they still deliver in a pleasing way, especially to a home town-ish crowd that grew up on their classic releases. -KQ

Moby (DJ set) • Sahara Tent, 9:55 p.m.
It was another tough conflict-ridden time slot, as The xx, Two Door Cinema Club, Janelle Monáe & Franz Ferdinand all rubbed up against one-another. So how the hell did I end up at Moby? It’s a good question, and one I haven’t quite figured out yet. Sometimes, after all the planning, it’s best to go by your mood and follow your friends. That’s what happened here, and I’m glad I did. I was prime for for a euphoric dance party, and this DJ set from Moby sampled from a large variety of music and pop culture to create a fun, upbeat show. -MF

Phoenix • Coachella Stage, 11:35 p.m.
When Daft Punk is confirmed in the house, and they play a preview video the night before, and you consider Daft Punk showed up with Phoenix at Madison Square Garden in 2010, it’s kind of a no brainer to see the Phoenix set just in case. Well I became a sucker to the Daft Punk hype machine, but in this case I still won because I saw Phoenix perform live. R Kelly appeared as the special guest, spittin’ “Ignition” over a remixed “1901” and “Chloroform.” Thomas Mars has been finishing his recent shows by going to the back of the venue, thanking the audience, then crowd surfing back to the stage. Well, the crowd surfing didn’t quite work so well for the first festival try. Mars got hung up by grabbers multiple times, almost hung himself with his pink microphone cable, and he got knocked around on the dismount. The rest of the band had already extended the “Entertainment” reprise multiple times, and Mars was too winded to deliver the final line of the night. All he could get out was “Thank you Coachella!” I wonder if he’ll attempt this again Weekend 2. -MF

Sigur Rós • Outdoor Stage, 11:50 p.m. TOP SET
While a sizable chunk of the crowd awaited what potential surprise guest may come out with Phoenix on the Main Stage, a devote crowd enjoyed the sonic brain massage that is Iceland’s own Sigur Rós. Having seen this band since their first US performances, they are best enjoyed outside, whether it be in the fog swept fields of Golden Gate Park or the warm Indio evenings. The set featured a horn section, string section and a full piano, not to mention the Hopelandish, angelic singing and bowed guitar brilliance of frontman, Jónsi. Few live musical experiences can match up to the usual set closer, “Untitled #8,” and this rendition was no different. Truly one of the most transcendental builds in live music, it left most viewers floating out of the venue for the wrap to the second day. -KQ

DIIV • Mojave Tent, 2:30 p.m.
Zachary Cole Smith has had a busy year after departing from Beach Fossils, but his diligence has paid off in dividends as DIIV has quickly garnered critical success as they win over new fans across the country. “Sometime” and “Doused” displayed their art-gaze rock style quite nicely among other tracks off the sublime album Oshin. -KQ

Thee Oh Sees • Gobi Tent, 3:15 p.m. TOP SET
John Dwyer brought his disturbingly rocking flavor of psychedelic garage to the Gobi Tent for an unforgettable afternoon set. There was no let up after the first note (“The Dream”) as the pit grew and more joined in the pogo fever that swept the crowd during tracks like “Contraption/Soul Desert,” “Lupine Dominus,” and “Meat Step Lively.” Dwyer pulled Ty Segall from the VIP section to play tambourine the majority of the set, a nod to the tightness of the San Francisco garage-rock family. Look for a whirlwind summer as they release the scorching new album The Floating Coffin. -KQ

Jessie Ware • Mojave Tent, 3:45 p.m.
Jessie Ware is a star in the making. Her pop music has a dance edge to it, but it’s her natural charisma and mannerisms that communicate so effectively to the audience, making her super likable. She has a killer smile and knows she’s hot shit. “If You’re Never Gonna Move,” “Wildest Moments” and the rest of her tracks were well received, including an impromptu new song that she performed with her slightly embarrassed drummer Dornik Leigh to end the set. -MF

Kurt Vile and the Violators • Outdoor Stage, 3:55 p.m.
As the winds started to relieve the weathered festival goers, Vile brought a cool breeze of his own to the Outdoor Theatre while Gaslight Anthem wailed on the big top. Vile couldn’t help but make a quip at the Springsteen-esque vocals pumping a good hundred yards from where he was churning out laid-back tunes. Opening with the title track off his recent Wakin on a Pretty Daze displayed his fondness for his new material, especially track “A Girl Named Alex,” which is quickly becoming a fan favorite. Vile and band may have been better served in one of the tents, but nothing fazed this prolific up-and-coming song writer. -KQ

Social Distortion • Coachella Stage, 6 p.m.
Orange County was fully represented by the legendary punk band Social Distortion and their fondly aging frontman, Mike Ness. What an honor for them to play the Main Stage, opening with “I Was Wrong” and including their stellar version of Johnny Cash’s “Ring of Fire.” They nodded back to the old days with a personal fave “Mommy’s Little Monster.” I applaud Goldenvoice in their decision to spotlight music that is quintessential to this geographic region of Southern California. -KQ

Tame Impala • Outdoor Stage, 6:25 p.m. TOP SET
As the gusty winds upgraded to blustery, Australian fuzz rockers churned up a storm of their own opening with “Solitude is Bliss.” Kevin Parker was visibly thrilled at the environment he found himself in, and this feeling was contagious to the crowd who were coming to the climax of their long weekend. This set was more exploratory than usual with an extended jam revolving around the heavy-as-lead single, “Elephant.” Palm trees swaying behind the Outdoor Theatre were all the visuals the fans needed, in total contrast to the Sahara rave, to reach even greater heights. “Enders Toi” was aborted as some of their equipment was giving the band trouble, luckily that didn’t distract the band from continuing on. “Half Glass Full of Wine” closed an impressive showing from the growing act that continues to thrill fans of rock and roll. -KQ

Pretty Lights • Outdoor Stage, 7:45 p.m.
The Pretty Lights show took place out in windy, open space, but that didn’t stop one of the best dance sets of the weekend. Derek Vincent Smith curated a varying set, beginning with his patented downtempo trip-hop/dubstep cuts, but then the set transitioned into Pretty Lights remixes, including Pink Floyd’s “Time” and his tripple-threat remix of Radiohead, Nirvana & NIN. Overall, the set was geared toward the masses or for someone’s first Pretty Lights show. Of course, the open air light show was excellent, and it didn’t matter that the screens had been lowered due to the sandstorm. -MF

The Faint • Mojave Tent, 8:30 p.m.
Post-punk dance act the Faint have returned to the live circuit and regained their title as one of the most exciting bands to see, especially in a festival setting. Todd Fink sauntered out with his signature hat and launched into “The Conductor” before tearing through favorite “Glass Danse” off of the acclaimed album, Dance Macabre. With dance music and live rock becoming better bed fellows, one has to respect one of the originators from the last decade. “ParanoiaAttack” would be their last song, and everyone caught their breath before facing the now moderate sandstorm wreaking havoc on the polo fields. -KQ

Eric Prydz • Saharah Tent, 10:40 p.m. TOP SET
Choosing Eric Prydz to end the weekend was a rather easy choice, and it was done before we knew it would be smart to hide in the Sahara Arena to avoid the weather. The LA-Based Swedish DJ is worthy of headliner status at this point, as his progressive electro house is eclectic enough, unpredictable most of the time, and beyond fun. Prydz provided a massive exclamation point to a weekend that was packed with excitement. His hyperactive M83 cover of “Midnight City” was placed perfectly, and “Call On Me” signalled the end to the weekend musically. That was until the roadies decided to prank the buzzing crowd, continuously coming back and putting their arms in the air to falsely signal one more song. -MF

What were your top sets? Leave a comment!

Filed Under: Festival Reviews, Festivals Tagged With: Alt-J, Ben Howard, Coachella, Coachella 2013, Coachella Music and Arts Festival, Coachella Music and Arts Festival 2013, Coachella Valley Music & Arts Festival, Coachella Valley Music & Arts Festival 2013, Coachella Valley Music and Arts Festival, Coachella Valley Music and Arts Festival 2013, Danny Brown, DIIV, Dillon Francis, Divine Fits, Dog Blood, Earl Sweatshirt, Eric Prydz, FOALS, Hot Chip, How to Destroy Angels, Jake Bugg, Japandroids, Jessie Ware, Kurt Vile, Kurt Vile & The Violators, Kurt Vile and the Violators, Local Natives, Major Lazer, Moby, Phoenix, Pretty Lights, Sigur Ros, Social Distortion, Tame Impala, The Descendents, The Faint, The Postal Service, The Shouting Matches, Thee Oh Sees, Violent Femmes, Yeah Yeah Yeah's, Zane Lowe

Sea of Dreams offers exotic, crazy-sexy NYE in SF

January 3, 2013 by Mike Frash 3 Comments

By Mike Frash //

Sea of Dreams //
Bill Graham Civic Auditorium – San Francisco
December 31st, 2012 //

Sea of Dreams NYE 2013, coined “Lunasea,” offered four stages of live and electronic music, interesting chill-out areas in a tea room and burlesque room, and the best group of revelers you can find in San Francisco on New Years.

The scene that’s created at the SF Concourse Exhibition Center at the end of every year jolts you out of the routines and rigors of life, and enables you to take a journey if you choose, if just for one night. The people that made their way to “Lunasea” seemed to be a mix of Burners and High Sierra Music Festival goers – meaning that most everyone was kind and in a sharing mood.

Gogol Bordello – Lunasea Stage: East Hall

The crazy-sexy music choices at Sea of Dreams are another reason why many people choose this event for New Years. This year, gypsy-punk troupe Gogol Bordello stormed the main stage for the NYE countdown show.

Gogol Bordello’s stage presence, energy and WTF awesomeness is probably only matched by Die Antwoord, but Gogol Bordello brings the crazy with five people taking the spotlight at points. Eugene Hütz is the lead presence, and he doesn’t disappoint.

Shpongle’s Quixotic Masquerade – Lunasea Stage: East Hall

Shpongle premiered his “Quixotic Masquerade” at Lunasea 2013. The electronic music pioneer joined forces with performance art troupe Quixotic to create a show that was sexy and exotic. The first half hour featured only the art troupe Quixotic, then at 1:10am Shpongle appeared from behind his multi-colored DJ platform

Shpongle’s sound is decidedly rooted in traditional & world music sounds, and a live violinist accompanied the digital music for the show. The experience was sexy, weird, and exotic – perfect for Sea of Dreams.

Trentemoller – Galaxsea Stage: West Hall

Glitch Mob – Galaxsea Stage: West Hall

Pumpkin – Galaxsea Stage: West Hall

Realistic Orchestra – Galaxsea Stage: West Hall

The Scene at the Basscraft Stage

The Scene at the Lobby Stage

Filed Under: Featured, Festival Reviews, Festivals, Live Music Reviews Tagged With: Glitch Mob, Gogol Bordello, NYE, NYE 2012, Pumpkin, Realistic Orchestra, Sea of Dreams, Sea of Dreams 2013, Shpongel's Quixotic Masquerade, Trentemoller

Bridge School Benefit 2012: Sunday Highlights

October 25, 2012 by 3ricshaden Leave a Comment

Organized by legend Neil Young and his wife, Pegi, the Bridge School Benefit Concert is an annual, all acoustic, non-profit charity event held every October at Shoreline Amphitheatre in Mountain View, California. All proceeds directly benefit the operations of The Bridge School.

•The day opened with a short blessing and intro set from Neil Young.

•Austin-based Gary Clark Jr. impressed with an early set that set the tone for the rest of the day.

•K.D. Lang played a short, emotional set with a strong voice and stage presence.

•Steve Martin and the Steep Canyon Rangers mixed comedy and bluegrass into a pleasing set. Comedy aside, Steve Martin is a more than competent banjo player.

•Foster the People delivered one the strongest sets of the day. They performed hits including “Houdini” and “Pumped up Kicks,” incorporating xylophone and tubular bells to round out their sound in this acoustic setting. On Saturday, Mark Foster revealed it was a challenge adapting their electronic-oriented music to the required acoustic sound, but it was ultimately a rewarding challenge.

•As good as Sarah McLachlan is, I cannot hear her anymore without thinking about this:

•The Flaming Lips enlisted Reggie Watts for their set and ended the night with a cover of The Beatles’ “A Day in the Life.” Reggie accompanied Wayne on vocals with a little help on the lyrics from his iphone. Or he was tweeting.

•Jack White brought out his all-male band on Sunday to play tracks from his latest album Blunderbuss, his collaboration with Danger Mouse Rome, and the White Stripes classics “We’re Going to to Be Friends” & “Hotel Yorba.” Saturday night saw the all female band perform with White, and they played their slower-paced songs like “Love Interruption” & “Blunderbuss.”

•After hearing about Saturday’s Guns n’ Roses performance, I expected the worst on Sunday. Axl got his act together and delivered a 40-minute set that actually sounded pretty good. They finished out their set with Neil Young playing Neil’s “Don’t Let it Bring You Down.”

•Neil Young previewed a few songs from his upcoming album Psychedelic Pill. As per custom, the night ended with Neil Young’s “Rockin’ in the Free World” that brought out almost all the artists from the day, minus Jack White.

Filed Under: Festival Reviews Tagged With: Bridge School Benefit, Foster the People, Gary Clark Jr, Guns N' Roses, Jack White, K.D. Lang, Neil Young, Reggie Watts, Sarah McLachlan, Steve Martin & the Steep Canyon Rangers, The Flaming Lips

Treasure Island Music Festival: 10 best sets

October 17, 2012 by Mike Frash 6 Comments

Treasure Island Music festival has a lot going for it. It’s smack dab during the nicest time of year in San Francisco, and the weather obliged this year. No sets overlap – you can see every single there if you can manage to get there in time – and the two stages are right next to each other. The view of the city by the bay never gets old, and many artist rightfully pointed out how great the view is. And the music curation delivered, as this year was a bit of a sleeper.

Scroll down to view the 10 best sets of the weekend, along with 10 more great sets.
What was your favorite set of the weekend? Leave a comment below.

1. The xx

Sunday was more crowded than Saturday, which is a testament to the rising worldwide power of The xx. Their newfound headline status was re-confirmed, as they were anything but mellow or boring. From the first notes of “Angel,” the festival crowd was rapturously involved. They were loud during the blasts & dance parts, and quiete during the subtleties. And the fan girls – The xx now has a screeching contingency of fangirls as if we were watching The Beatles or Justin Bieber.

The surprisingly respectful crowd added to a mind-blowing live show. Jamie xx has had a clear impact on The xx’s live show. Mid-set there was a string of songs that included “Reunion,” “Sunset” & “Swept Away” and was bridged by Jamie xx’s micro-house beats. A 20-30 minute dance sequence was not expected but certainly invited. And Romy Croft & Oliver Sim have such great voices live, and they play the parts well that they have invented in their songwriting. They were worth the price of admission Sunday.

2. The Presets

Aussie-Pop dance duo The Presets returned the US friday to play an epic show at The Independent. They were just as entertaining the second night in a row at TIMF. Their new live show melds dance beats and drops, live instrumentation, apocalyptic Aussie-charm vocals, and a killer light and video show that will satisfy most contemporary music fans. Their live show, which featured many new songs from Pacifica, turned into a dance party in no time.

They proved they are ready for the festival circuit just as it wraps up in the northern hemisphere. They’ll return come 2013 to headline Coachella, Bonnaroo, and everywhere in between if they’d like. After putting out one of the best albums of the year and showing the Bay area this past weekend that they put on a stellar show that plays both to small and large audiences.

3. M83

M83 has been touring on “Hurry Up, We’re Dreaming” forever. And why not, it’s one of the best albums of the last decade. The best part about the epic touring schedule is that they’ve gotten much better live. Last November at the Mezzanine they performed “Midnight City” without a saxophone solo and killed the momentum of the set with a poor performance of the wonderful slow song “Wait.”

About a year later, they have crafted a spectacular festival set that features songs that turn into dancey remixes of themselves and no slow songs. The group’s energy was infectious sunday, with Anthony Gonzalez, Yann Gonzalez & Morgan Kibby blasting off with kinetic energy nonstop. The 50 minutes passed by and the show ended with Anthony spraying the crowd with champagne as if they’ve reached the finish line. M83 indeed has come a long way in a year.

4. Matthew Dear

Matthew Dear put on a rock & roll set that showed off his dance moves, voice & stage presence. He stays away from adding many effects or relying heavily on digital music with his live group, and the super bassy vocal effect he uses on his voice on the newest LP was almost missed on tracks like “Headcage” & “Her Fantasy.” But their reconstruction of digital-sounding dance tunes worked well live, even though the crowd was sparse and Matthew Dear’s set would play better at night or inside (with lights).

5. araabMUZIK

AraabMUZIK is a beat machine. The thought “this guy is so completely unique and talented” crept into thought at least 5 times during this set that flew by Saturday. Abraham Orellana is a button pusher but damnit he’s probably the best there is (sorry Girl Talk). He controls and performs every live sound live on the fly with his MIDI pads and collection of mixers and effects. AraabMUZIK is pioneering a subgenre of spinning that micromanages the sound and adds a higher level technical proficiency needed to execute in the live setting. And by putting more on the line, it actually feels like a live performance because it is.

6. Los Campesinos!

7. Divine Fits

8. SBTRKT

9. Tycho

10. Youth Lagoon

10 more great sets

Public Enemy

Toro Y Moi

K Flay

The Coup

Grimes

Girl Talk

Wild Belle

Gossip

Joanna Newsom

Best Coast

Filed Under: Festival Reviews, Festivals Tagged With: araabMUZIK, Coachella, Coachella 2012, Coachella Music and Arts Festival, Coachella Music and Arts Festival 2012, Coachella Valley Music and Arts Festival, Coachella Valley Music and Arts Festival 2012, Devine Fits, Los Campesinos!, M83, Matthew Dear, Sbtrkt, The Presets, The xx, TIMF, TIMF 2012, Treasure Island Music Festival, Treasure Island Music Festival 2012, Tycho, Youth Lagoon

Hardly Strictly Bluegrass 2012: San Francisco at its best

October 11, 2012 by Mike Frash 1 Comment

By Mike Frash //

Hardly Strictly Bluegrass //
Golden Gate Park – San Francisco
October 5th-7th, 2012 //

SF had a lot going on last weekend. The Blue Angels were blasting their way from the Marin Headlands to San Francisco in a split second. Boat racers in America’s cup challenged each other to qualify for the big race in 2013. Street fairs & heritage parades dominated The Castro & North Beach. The bottom line was if you didn’t want to get stuck in traffic purgatory, get to your event early.

The wisest of the Bay Area and beyond got to Golden Gate Park’s newly named Hellman Hallow early last Friday, Saturday and Sunday for one of San Francisco’s newest and best traditions, Hardly Strictly Bluegrass Festival. The best strategy for Hardly Strictly is to pick a spot, home-base it there, and go for a couple excursions to one of the 5 other stages. Traveling around the festival this year, there were reminders that this was a bittersweet year. Sole benefactor Warren Hellman passed away last December, and Warren was on the minds of many artists and music aficionados based on the amount of shout-outs and fanfare throughout the three-day musical delight.

SF was treated to three days of pretty excellent weather as well, especially since it’s been densely foggy during this supposed Indian Summer. The pristine weather framed hundreds of thousands of people in one of the cities’ most scenic areas, listening to A-list music for free. What could be better?

One thing that was quite obvious about the crowd is how freaky and/or tolerant everyone is, from children to grandparents. The festival can be oppressively crowded at times; there is no ticketing, perimeter fences or control on the influx of people really. But the crowd takes care of each other and at the same time celebrates the idea of being different. This microcosm that takes place in San Francisco the first weekend of October yearly signifies something that is wonderfully refreshing about SF compared to other major metropolises, where following trends and conforming are keys to fitting in at times. Enough babble about how fun and exciting this festival is – SF music fans enjoyed some inspiring musical performances as well.

Jenny Lewis

Jenny Lewis tours with “The Twins,” who appear to be twice as big as the diminutive Lewis.

Conor Oberst brings friends for Friday

For the second year, Conor Oberst was granted the honor of curating the Rooster stage. Conor Oberst played a majority of his set with his solo band, then invited Jenny Lewis & the twins for a couple songs, and finally invited all the friends from friday on stage for the finale. Many Bright Eyes songs were played, including the breathtaking duet “Lua” with Jenny Lewis.

Red Baraat

Saturday kicked off with a bang with the instand dance-party from “Red Baraat.” On Facebook they called their 11:40am set a “Reverse Headlining set,” which was actually appropriate. They had the crowd letting loose before noon. All the members of Red Baraat are super animated and have an infections presence.

The Lumineers

The Lumineers’ show in narrow Marx Meadow was perhaps the most packed set of the weekend. You wouldn’t know it from this picture. The excursion to the Rooster Stage revealed an unholy amount of people present. The only spot available was a little spot smushed up against a fence. But it was close to the stage and The Lumineers sounded great. This group is getting more popular by the day; As of today they have the 3rd most listened to album on Spotify in the US. My only regret was not being able to stand up and dance.

The Head & the Heart

The Head & the Heart’s set was highly anticipated, and it will be a lasting memory from the weekend for most. Their sound is incredibly inspiring live, even more so than their only album. This is a Must See Live band, even though they performed the exact same festival set they usually play. It didn’t matter. The Golden Gate Park setting was made for this group. This set was heavenly.

Chris Robinson Brotherhood

Chris Robinson apparently had come out earlier with Claypool Du Twang, Les Claypool’s new outfit. Later on during the final set of the day on the Star Stage, Chris Robinson Brotherhood played all their best songs, and melted faces like it was 1968 in Speedway Meadow. Speedway meadow is where the Grateful Dead played their free shows in San Francisco, and this helped SF become a hub of the counter-culture movement. Speedway meadow is now officially & appropriately named Hellman Hallow after Warren Hellman. Chris Robinson has been channeling the Grateful dead with CRB since he ended the Black Crows and started this jamband. Good choice Chris.

Soul Rebels

One of NOLA’s finest brass groups Soul Rebels got things going again on Sunday at the Towers of Gold stage. They incorporated many catchy cover songs into the repertoire like “Sweet Dreams,” which made the early show fun and upbeat.

The Knitters
The original punk-folk group turned in a mostly alternative country set.

The Del McCoury Band

A concerted effort was made to watch some legends in action this year after witnessing Buckethead, yes that Buckethead, show up 45 minutes late and then hand out merchandise in 2011. Maybe this was the wrong legend – a Nick Lowe excursion might have done the trick.

Patti Smith and her band

Patti Smith was a pleasant surprise. As the sun fully emerged Patti Smith emerged and owned her stage. She had positive, progressive advise to hand out throughout the show, but she did’t come off pushy. This living legend delivered completely.

Keller Williams, Steve Kimock & Kyle Hollingsworth featuring Bernie Worrell, Wally Ingram & Andy Hess

This set seemed like it would be a String Cheese Incident type one-off, and it was. They played five or six songs over the hour. Translation: Songs were 10-14 minutes song. The super-group covered the Talking Head’s song “This Must Be the Place (Naive Melody),” which seemed especially appropriate, and is a consistant SCI cover over the years. They also played the Keller Williams song “Freaker by the Speaker,” which also seemed absolutely relevant in Golden Gate park this afternoon.

Conor Oberst – Late Night at The Fillmore

If you’re bummed the shows end at 7 p.m., there’s always the night shows in SF nearby. There’s nothing wrong with bookending a truly awesome weekend at a Conor Oberst show.

Until next year …

Filed Under: Festival Reviews, Festivals Tagged With: Chris Robinson Brotherhood, Conor Oberst, Hardly Strictly Bluegrass, Jenny Lewis, Keller Williams, Kyle Hollingsworth, Patti Smith, Red Baraat, Soul Rebels, Steve Kimock, The Del McCoury Band, The Head & The Heart, The Knitters, The Lumineers, Warren Hellman

Best sets from FYF Fest 2012

September 3, 2012 by Mike Frash 3 Comments

By Mike Frash //

FYF Fest //
LA State Historic Park – Los Angeles
September 1st-2nd, 2012 //

The location for FYF Fest reinforces some of LA’s ugliest stereotypes. LA State Historic Park has a feeling somewhere between industrial and suburban LA, with billboards, freeways and metro trains ever present. You know you are in Los Angeles.

But the stages are close to each other so it’s easy to get back and forth, and there was plenty of variety to keep full blown 80’s nostalgia from taking over. Here are the five shows that left the strongest impression with me.

MUST-SEE SHOWS

Atlas Sound ~ Sunday 6:10 Hill St. Stage

Bradford Cox is a remarkable solo artist. The frontman from Deerhunter builds songs by looping & layering live sounds from his guitar and mouth with a variety of foot petals. The complexity and layered depth of his songs cannot be overstated – and it’s easy to drift off with Bradford as he extends every song to sonic peaks and back again. This show mirrored the format of the Atlas Sound & Deerhunter albums, variating between songs that feature a psychedelic wall-of-sound with a morose sense of sadness & death with seemingly upbeat low-fi pop that contrasts with clean acoustic guitar. ‘Mona Lisa’ was a stand-out song live, delivering an emotional buildup that peaked with ambient loops that eventually led back into the peaceful refrain. In stark contrast to the overall sad-yet-freeing tone of the music is Bradford himself – he took five minutes before the encore to apologize to his friend for spitting on him for saying something misogynist, declaring that he will always spit on misogynists, added ‘Fuck ya I’m gay’ and led the enthusiastic crowd in a “Thank You Mark” chant, for his friend Mark that picked up his gear from across town. Bradford could talk about the weather and it would be captivating.

Chromatics ~ Saturday 6:35 Spring Street Stage

The Saturday sunset show on the Spring St. stage showcased the first upbeat & authentic dance music (sorry John Maus). The sound of the group lead by Ruth Radelet translates well in a live setting, heavily leaning to the crisp and infectiously danceable side of the coin. Radelet has a stage presence that is as hypnotic as her voice, which blends nicely with grooves that invoke LCD Soundsystem or Hot Chip no matter how hard you try to resist making the comparison. One of the set’s many highlights was ‘Kill for Love,’ which had most in attendance moving in some way, which is quite an accomplishment at FYF Fest. Radelet nonchalantly followed the song by saying “that song was about love’ in a tone that would make April from ‘Parks & Recreation’ proud. Chromatics finished the set with Neil Young’s “Into The Black”, which suits them nicely. It felt like it was just taking off when it ended, and maybe they were up against the (tick of the) clock. They are an act that deserves a full set if possible.

Nicolas Jaar ~ Sunday 8:15 The Tent

Nicolas Jaar has a unique thing going on. Part of it is that he sets his own rules, keeping most of his beats under 100 beats per minute. It’s a weird show in a very good way. The first 8 minutes built ambient sounds coming from the guitarist and saxophonist in his band that ever so slowly built into a beat. Another part is he adds a healthy dose of real emotion that comes from his live vocals. This stands in stark contrast to the button pushing emotion coming from most hooks in today’s mainstream EDM sound. Jaar is mixing, adding vocal effects, matching beats and tweaking pitches all in real time. The improvisational aspects to the building of sounds helps make the moment feel special, like anything can happen. Jaar consistently innovates and surprises with the sounds he coordinates, dropping bass back in off tempo at non standard times. It all adds up to a mind-expanding experience that feels new and exciting.

Tanlines ~ Saturday 7:35 The Tent

Tanlines has quickly shown the professional ability to adapt to their audience and live music situations. Percussionist Jesse Johen & guitarist/vocalist Eric Emm abandoned a typical song-based format and proceeded to put on an upbeat dance show. They would begin a song with a new beat, break it down and back into one of their catchy songs from their debut LP ‘Brothers,’ essentially remixing their own songs. They’ve been touring since the beginning of the year, and as a touring act they clearly aren’t lazy. They’ve evolved their show while playing to their time slot and setting perfectly in this case. “We heard there was a comedy slash DJ tent, so we told them to put us there.” That classification actually fit them perfectly for this festival performance, as Jesse’s banter can be a constant source of chuckles.

The Faint ~ Sunday 10:55 Spring Street Stage

This was the dance show of the weekend and a great time. The light show, the bass turned to 11, & a synth-heavy setlist combined to keep asses shaking and hands up. This was my first time seeing them live, and I hope it won’t be the last because I did not get enough. The Faint proved to be an ideal way to finish FYF 2012.

SETS OF NOTE: SATURDAY

John Maus – The Tent: 2:40

This guy has a stage presence that reminds me of Charles Manson. I like his music to a certain degree, but his live show is weird in a bizarre sense. He started his show by hitting himself over the head in a fit of rage. He looked angry and possessed, a persona that surely works better in a dark setting with plenty of supportive lighting.

Cloud Nothings – Spring St. Stage: 4:15

Founder & lead singer songwriter Dylan Baldi and the rest of the group that comprises Cloud Nothings deliver a live sound that is true to their albums and they do it well. It seems like you shouldn’t expect many surprises at their shows, but the sound was cleaner than I expected.

Chairlift – Main Stage: 4:35

Chairlift put on a great show until the last song of their set, when their best song “I Belong in Your Arms” turned into a bit of a train wreck. Caroline Polachek stopped the band after a minute, saying they wanted to do it right for us. After a long pause, the song started again, but someone clearly missed their mark again as a long, seemingly unintended instrumental interluded happened between verses. You could almost tell Caroline wanted to stop it again but she couldn’t as this is a festival. She left the stage quickly before the last notes without saying a thing, then her creative partner Patrick Wimberly awkwardly said goodbye.

James Blake – Spring St. Stage 7:50

James Blake’s post-dubstep subtleties were overshadowed by Tanlines’ driving bass next door in the tent, but Mr. Blake is a legitimate artist that deserves serious attention. Right at a quiet moment during the minimalist auto-tune dominated “Lindisfarne I,” one concert goer loudly inquired “T-Pane???” to many people’s amusement.

Purity Ring – Hill St. Stage: 8:25

The take-away from a live Purity Ring show is that the music is pretty unique in it’s form and glitchy live vocals, and that they have a fitting, custom made light show that is controlled by beat & A/V genius Corin Roddick’s live percussion elements. Megan James’ presence blends into cocoon-light show aesthetic, and her confident, angelic voice is liberally sampled by Roddick’s MIDI pad. See this show before Purity Ring is playing bigger venues.

M83 – Main Stage: 9:25

Anthony Gonzalez played composer for most the night, allowing Morgan Kibby and his younger brother Yann Gonzalez to get most of the spotlight. The M83 show has clearly evolved since it started touring to support “Hurry Up, We’re Dreaming” in 2011. Gonzalez did not rely heavily on the new album, extending ‘We Own the Sky,’ ‘Coleurs’ & many other early tracks. While the volume level was lacking toward the back of the audience, the setlist was great and it’s obvious they are experimenting with transitions and song extensions to a positive effect.

SETS OF NOTE: SUNDAY

Wild Nothing – Hill St. Stage: 2:45
They sounded real nice from the other side of the fence, where I was waiting patiently in the security line. The VIP option suddenly seemed worth while. Probably was a very nice show.

Givers – Main Stage: 3:05

These kids are so full of positive energy you feel like they’re Aussies or something. This was a fun way to get Sunday kicked off.

Father John Misty – Hill St. Stage: 2:45

This man was destined to be a frontman. It’s hard to believe he was the drummer for Fleet Foxes’s first two album. Joshua Tillman knows how to let his freak flag fly, showing off moves that would impress the lizard king himself.

Tiger & Woods – The Tent: 4:20

The duo’s disco grooves got the Tent popin’ early. The dj duo, who won’t reveal their identities to the general public, wear matching outfits onstage and smoke cigarettes at the same time. How cute. The bottom line is they craft super catchy beats that could host an array of samples and overlays, but they keep it simple with house and techno elements.

Glass Candy – The Tent: 7PM

This no wave threesome fronted by Ida No put on a fun, upbeat set. I’d like to see them again.

Yeasayer – Main Stage: 9:10

The new stage set-up was visually pleasing, and many of the songs from the new album worked well live. The problem with the new prisms, lasers and light show is it now seems too digitized when they play song from their first album that is more rooted in folk inspired world music. That said, I appreciated the risk they took when they completely rebooted their hit ‘O.N.E.’ and made it sound like a slowed down karaoke version of itself. I get the feeling they are changing so drastically from album to album that they don’t exactly know where they stand now for live shows. When in doubt, make a great light show. Works for me.

Twin Shadow – Spring St. Stage: 9:35

George Lewis Jr.’s band exhibit a looser sound live than in their albums, where the songs seem directly taken from 1987. Live they sound more like a rock show than an 80s nostalgia new wave outfit. I got to this show after Yeasayer and basically wished I’d spent more time at Twin Shadow.

Filed Under: Festival Reviews, Festivals, Live Music Reviews Tagged With: Atlas Sound, Chairlift, Chromatics, Cloud Nothings, Father John Misty, FYF, FYF Fest, FYF Fest 2012, FYF Festival, Givers, Glass Candy, James Blake, John Maus, LA State Historic Park, M83, Nicolas Jaar, Purity Ring, Tanlines, The Faint, Tiger & Woods, Twin Shadow, Wild Nothing, Yeasayer

Sasquatch! continues to reign supreme as the Pacific Northwest’s premier music festival

Is Lightning in a Bottle shedding its ‘boutique’ label to go mainstream?

Oysterfest 2015 serves up a steamy bill of old-school hip-hop and electronica

CRSSD makes a big splash in debut as 2015 festival season heats up

Noise Pop 2015: Who made the ‘most’ of SF’s 12-day indie fest?

Festival Review: Noise Pop 2014

Outside Lands 2013: Here are our top sets from this year’s festival

Phono del Sol gets rowdy with Thee Oh Sees & YACHT

High Sierra Music Festival 2013: Top Sets

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Guinness Oyster & Music Festival successfully makes EDM leap

Sea of Dreams offers exotic, crazy-sexy NYE in SF

Bridge School Benefit 2012: Sunday Highlights

Treasure Island Music Festival: 10 best sets

Hardly Strictly Bluegrass 2012: San Francisco at its best

FESTIVALS

Portola Music Festival runs it back in 2026 with Robyn, Dog Blood, Swedish House Mafia, Tiësto, Zara Larsson & Four Tet for fifth year

Ohana Festival will celebrate 10th anniversary with Eddie Vedder & Friends, Tyler Childers & Pearl Jam booked to headline 2026 lineup

Coachella keeps the twists & turns coming with 2026 set times revealing Jack White, Kacey Musgraves as latest surprise guests

After debuting three years ago, Darker Waves Fest returns to unleash 2026 lineup with Morrissey & The Smashing Pumpkins standing atop

Just Like Heaven slides back to summer for sixth year as The Strokes, LCD Soundsystem, TV Girl & Chromeo carry festival’s 2026 lineup

SHOW REVIEWS

Two years after their BeachLife Festival headlining slot was canceled, My Morning Jacket return in 2026 to deliver some sweet redemption

What the world needs now is more Fcukers & their sold-out show at The Observatory only served as further proof

Silversun Pickups come out swinging with power & precision to kick off their ‘Tenterhooks Tour’ for a sold-out crowd at The Observatory

On their first major headlining tour, Say She She make no secret at The Belasco why the ‘discodelic soul’ group’s music is for everyone

The Mars Volta reaffirm at Pasadena Civic Auditorium that they aren’t resting on their laurels these days & we love them just as much for it

PHOTOS

Tyler Ramsey & Carl Broemel showcase their beautiful collaboration ‘Celestun’ at Lodge Room just a few weeks after the album’s release

STS9 take over The Bellwether in LA for two nights to celebrate 20 years of ‘Artifact’ & the release of their new album ‘Human Dream’

Grammy winners Portugal. The Man deliver their love letter to Alaska at The Wiltern with Electric Guest, Hanni El Khatib as special guests

THE LATEST

BAMMING

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