Coachella 2014: It’s officially festival season

Coachella-Scene1Photos by Marc Fong // Written by Molly Kish, Pete Mauch & Kevin Quandt //

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 11th-13th, 2014 //

Well, that time of year hath arrived in the form of sun burns, overpriced Heineken and jamming in as much music as you can into a three-day window. Coachella has grown to be so much more than simply just a “music and arts festival” now, for better or worse, but it always retains the feeling that something special is really happening on these grass fields. Some embrace it, and many loathe, but overall, time spent at the polo fields in Indio is always an enjoyable romp full of the freshest artists mixed with many old favorites in a colorful sea of eye candy. 2014’s first weekend featured its biggest demand to date as wristbands hovered near four figures and many were left roaming the suburban streets surrounding the site. Yet, this didn’t keep the masses down, and persistence paid off to those who were lucky enough to snag a last-minute pass.

Goldenvoice has feverishly plugged away at creating an encompassing experience to the nearly 90,000 attendees who flock to the wind-swept stretch that is the Empire Polo Club, where it all started 15 years ago. Things have changed each and every year, and at this point, it’s a well-oiled machine needing little tinkering. This year featured more room in the Terrace area with the Do-Lab stage finding a new home off the main field, as well as an expanded Yuma Tent which kept dance enthusiasts complacent to rage in their own little nightclub. 2014 held many surprises that were laid out over the days before the event, culminating with a smorgasbord of guest appearances over the three-day span. Below, you will find some of our favorite sets as presented by the 2014 ‘Chella Bam Team.

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Goat // Outdoor Theatre // Friday 1:25-2:05PM

This show was quite the eye opener for anyone who wasn’t familiar with the Swedish psychedelic outfit called GOAT, especially since this was the first set of the entire weekend for many in attendance. The whole band was masked and decked out in extravagant tribal attire that would fit perfectly into many a children’s nightmares. The band drew songs from their 2012 release titled World Music with the highlight being their single “Run To Your Mama” that had many in attendance gyrating their hips to the infectious groove. I couldn’t think of a better opening set to start the long and definitely weird weekend that is Coachella. -PM


OutKast // Coachella Stage // Friday 11:30-1:00AM

Friday night marked the reuniting of one of the most influential acts in rap, albeit for a crowd that maybe wasn’t ready or as generally excited enough for such a momentous occasion. Saving radio hits for the closing numbers, they pulled from a set list spanning their entire career, including “Aquemini”, “Skew It on a Barbeque” and an explosive version of “B.O.B. (Bombs Over Baghdad)” to start off the set. Several guests joined them throughout their performance, including Future debuting a new track, Sleepy Brown joining in for “So Fresh and So Clean”, and most impressively Janelle Monae gracing the stage for her collaborative performance of “Tightrope”. Each emcee featured segments revolving around their solo work — Big Boi smashed “Shutterbug” while 3 Stacks brought a little tenderness during “Prototype”. A weary crowd, half dominated by a pre-Stankonia generation of EDM enthusiasts, didn’t quite give the response that most would anticipate for the kick off to a massive summer festival tour, and some onstage could tell. However, die-hard fans were pleasantly surprised by the song choices and were bouncing along in camaraderie the entire set. -MK

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Temples // Mojave // Saturday 2:40-3:25PM

The crowd gathered early inside the Mojave Tent to see one of the more buzzed about bands of the weekend, an English Psychedelic rock band simply called, Temples. Fresh off their debut release, Sun Structures, they delivered 45 minutes of psychedelic bliss, drawing tracks mostly off their new album with the exception of a b-side called “Ankh”, which was one of the many highlights of the set. The song is driven by the powerful bassline from Thomas Warmsley and the guitar slaying of James Bagshaw. The song had some serious legs that found the band soaring over the crowd in a psychedelic haze, a plateau they hopefully reach every show. The one-two punch of their singles “Keep in the Dark” and “Mesmerize” had the hot and sweaty crowd in an absolute frenzy. -PM


Future Islands // Gobi // Saturday 7:05-7:55PM

Hot off the release of their fourth studio album, Singles, not to mention their Late Night with David Letterman performance going viral, the Baltimore outfit took the Gobi tent by storm. Sam Herring and Future Islands are not your typical rock band; they are fronted by easily one of the most enigmatic lead singers in contemporary rock. Hurling himself across the floor, throwing wild fists and debuting some brand new gyrating dance moves throughout the set, Herring was feeding off the love from his festival fans and reciprocated in full throttle for the band’s Coachella debut. “Inch of Dust” appropriately opened the show as the palms swayed along in the background while being assaulted by airborne sand particles. Pulling from their entire discography the band catered their signature hard-edged new-wave rock to the festival environment. Herring spoke tenderly to the crowd, re-assuring the youth that things will be alright before falling into “Balance”. Speeding up each career spanning track, such as “Tin Man”, into dance floor face-melters, Herring’s signature growling vocals sparked cheers of enthusiasm from the afternoon crowd. -MK

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Pixies // Mojave // Saturday 8:50-9:40PM

It had been almost exactly 10 years since the original Pixies reunited on the big stage in Indio, however this year we saw Black Francis and associates take to a smaller tent to pummel a decent sized crown with some good old rock and roll. The Pixies’ new release, Indie Cindy, was played before their set, which was somewhat odd, and they played relatively heavy off the release. Highlights of the set included a cover of Jesus and Mary Chain’s “Head On”, along with old favorite “Wave of Mutilation” and “Crackity Jones”. Frank was fired up as he scorned objects being oddly floated over the crowd, possibly miffed at the bleed of the Sahara, but then again, that’s why we love him. “Where Is My Mind?” received popular praise, as always, and featured new bassist Paz Lenchantin wailing as best she could. “Caribou” also showed that Paz can hang with the band, and that there may be a bright future in the coming years for the alt legends. -KQ

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Pharrell Williams //Outdoor Theatre // Saturday 10:35-11:35PM

What turned out to be a tough night for Pharrell ended up being one of the most fun sets of the weekend as throngs of girls belted out “Hollaback Girl” while dudes lit up in honor of Snoop’s presence for “Drop It Like It’s Hot”. The last 2 years of Weekend 1 have been slightly marred by high winds turning into small dust storms, and this year, Saturday was both the blustery day and the big Pharrell show. Promises of guests were fulfilled by the likes of Nelly, Tyler, the Creator, Puff Daddy and Diplo among those listed above. “Lose Yourself to Dance” opener was a good sign as the sizable crowd loosened up to the adventure that lay ahead, but the prolific producer’s voice just couldn’t weather the storm, and the finale of “Get Lucky” and “Happy” was largely sang by the crowd as Williams shook his head in sheer disappointment. -KQ


Nas // Outdoor Theatre // Sunday Midnight-1AM

Hip-hop is alive and well in 2014 and Coachella wanted to reinforce this. If you are a hip-hop head, then this was the year to be at Coachella. With OutKast, Nas, Kid Cudi, Chance the Rapper, GZA’s impromptu set in the Heineken House, and all the special guest MCs throughout the weekend, rap fans had a grand ‘ol time this past weekend. It was known that Nas was set to perform his 20-year-old classic album, Illmatic, in its entirety from start to finish. However, that’s not all that “nasty Nas” had in store for the late crowd. After the fourth track of his legendary album, Nas invited his longtime nemesis Jay-Z to the stage for an unforgettable performance of Jigga’s “Dead Presidents”. If you remember, this is the song that started all the “beef” between the two New Yorkers when Nas declined to re-rap the chorus. All the hate was squashed as the two legendary MCs showed the crowd that it’s all “One Love”. Toward the end of the set, Nas invited hip-hop guru Puff Daddy up to the stage to perform their song “Hate Me Now”, which truly delighted the rap freaks in attendance. Nas was on Point! -PM

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Trombone Shorty & Orleans Avenue // Coachella Stage // Sunday 12:40-1:30PM

Trombone Shorty is arguably the king of New Orleans right now, especially since he has taken the closing duty reigns from The Neville Brothers at JazzFest. So seeing Troy Andrews in the early heat on Sunday was kind of odd as I felt that he deserved a better slot, but that didn’t stop him from performing a fiery set of trombone-driven NOLA funk. The small but very enthusiastic crowd was hanging on every note as he effortlessly banged through his soon-to-be classic hits. “Fire and Brimstone” was a clear highlight of his raucous set as was his closer “Do to Me”, which had the crowd singing along to every word. Trombone Shorty is truly a national treasure, and you gotta tip your cap to Coachella for even having him on the bill. -PM


Arcade Fire // Coachella Stage // Sunday 10:20-Midnight

Closing out festivals isn’t anything too out of the ordinary for these veterans, especially after 2011’s massive display, so Win Butler and cohorts knew to bring all the stops. Touring in support of their critically acclaimed fourth studio album, Reflektor, the band had various options of surprise guests they could potentially have join them on stage as a grand finale to Weekend 1. Rumors of David Bowie or James Murphy had the crowd abuzz due to their direct involvement with the latest release. Halfway through the epic set of hits from both 2010’s The Suburbs and cuts off of the new album, the band broke into the opening notes of Blondie’s “Heart of Glass”, only to be joined by Debbie Harry of Blondie fame for this full rendition. Sticking around to provide back-up vocals and ribbon dance around the stage with Regine, Debbie joined in on Arcade’s quintessential “Sprawl II”. Confetti canons spewed out into the crowd during the climactic notes of “Here Comes the Night Time”, igniting the crowd for their closing number “Wake Up”. And with that, the first major music festival of the 2014 season was in the bag. -MK

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Guest sets were prevalent this year with additional highlights including:

• Beyonce shook her “jelly” on stage with little sister Solange during her sunset performance on Saturday for song, “Losing You”.

• A$AP Ferg brought out the whole A$AP Mob for multiple tracks before A$AP Rocky debuted a new track, featuring a diss on Been Trill clothing. Rocky also came out with Skrillex.

• Chromeo’s set included a collaborative performance with Toro y Moi to perform the duet off of White Women called “Come Alive”.

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• Girl Talk pulled Busta Rhymes, Too $hort, Juicy J and E-40 into his remix set on Friday night (while the Bryan Ferry set played oddly on the screens flanking Greg Gillis).

• Justin Bieber decided to put a funny taste in people’s mouths and backed up his buddy Chance The Rapper.

• Mary J. Blige came on for a rousing rendition of her alternate vocal version of “F for You” with Disclosure Sunday evening. Sam Smith came out for “Latch”, as well. AlunaGeorge also lent a helping hand.

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• Up-and-comer Jene Aiko welcomed some big names in the form of Drake and Childish Gambino while Disclosure and Arcade Fire played against this stealthy guest set.

• The legendary Motörhead brought out Slash for a healthy dose of guitar.

• Classixx bounced back from a tough start to a set with help from Nancy Wang, Yacht, The Preatures and Sarah Chernoff from Superhumanoids.

• Flosstradamus welcomed a bit of help from another big-named emcee in the form of Waka Flocka Flame.

Swing gets a makeover from Caravan Palace

caravan_palace_1By Tom Dellinger //

Caravan Palace with Rosin Coven //
The Regency Ballroom – San Francisco
April 12th, 2014 //

One of the more enjoyable aspects of living in or near major U.S. cities is that we often have the opportunity to see touring musicians from all over the world. And the latest example was this past Saturday as one of Paris’ finest acts made a stop at The Regency Ballroom.

Currently touring the states, Caravan Palace arrived here following the first of two appearances at Coachella this month and will continue with more dates on the West Coast.

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Playing to an enthusiastic sold-out house, the French outfit lit up the room with a non-stop bombardment of its unique take on an older genre: gypsy jazz/swing. While instantly recognizable as the venerable genre made popular in the 30’s by the likes of Django Reinhardt and his musical partner Stéphane Grappelli, the group has brought it up to speed in the new century. The blending of multiple genres is nothing new and has been done with varying degrees of success over the years, but Caravan Palace have hit on something more potent than most endeavors of this sort.

Dubbing this genre “electro swing,” the instrumentation remains close to the traditional: guitar, violin, clarinet, bass and keyboards. Nevertheless, they also employ the heavy use of synthesizers, beats and electronic drums, all of which are used to incorporate elements of electronica and hip-hop. All the players, along with their instruments, were using some sort of computer/machine.

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What is particularly striking about this is how well the marriage works. In Caravan Palace’s hands, it is overwhelmingly infectious and fun. They had the crowd pumped — from beginning to end, the fans were in it 100%. In speaking with some during the evening, it became evident they do have a fan base in the Bay Area and many, like myself, knew right away after seeing some of their live performances on YouTube that this was going to be a great performance. In spite of difficulties with the audio mix she was receiving, vocalist Colotis Zoé still delivered an engaging performance as the fans showered her and the band with appreciation. In the end, it was a love fest that resulted in two encores.

Opening the show was SF=based theatrical music ensemble Rosin Coven, who describe themselves as “the world’s premiere pagan lounge ensemble” and are often associated with the dark cabaret genre. They were a nice fit for the evening, offering up their unique look and repertoire before the main event.

PHOTOS: Pet Shop Boys at Fox Theater Oakland 4/8

Pet-Shop-Boys_postBy Steve Roby //

Pet Shop Boys with DJ Omar //
Fox Theater Oakland – Oakland
Tuesday April 8th, 2014 //

Pet Shop Boys kicked off a run of live dates Tuesday at the Fox Theater in Oakland as they began the 2014 leg of their “Electric Tour.”

DJ Omar opened the show and was followed by a short film that focused on gay pride. After a brief pause, Neil Tennant and Chris Lowe stepped onstage to perform a variety of songs from Electric as well as their classic hits.

This weekend and next they will be in the desert to perform at Coachella in the Mojave Tent before heading overseas to Spain, the UK and Australia.

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ZZ Ward begins Coachella week on a high at The Independent

ZZ-WardPhotos by Tom Dellinger // Written by Mark E. Ortega //

ZZ Ward with Grizfolk, The O’My’s //
The Independent — San Francisco
Sunday April 6th, 2014 //

Sunday night, in front of a sold-out crowd at The Independent, emerging R&B artist ZZ Ward proved that the old adage “pressure busts pipes” doesn’t always ring true. Ward brought her “A” game as she showcased her pipes both vocally and while breaking things down on the harmonica as she is winding down her tour before heading to Coachella this weekend.

Through the first few songs of her set, it was a bit murky as to where the show was headed. The Los Angeles-based Oregon transplant played a version of her hit “Til The Casket Drops” that was a tad understated, perhaps saving her voice for more difficult vocal endeavors later on in the evening.

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Right from jump, Ward brought an infectious energy, both in the course of her set and in her between song banter. Early in the set, Ward asked if SF was ready to party. “I know it’s Sunday, but I don’t give a fuck,” said Ward to the laughter and applause of the crowd.

By the time Ward kicked into “365 Days”, one of her other gems, she had things in full swing. She went from one side of the stage to the other, posing and serenading each section for moments at a time.

Midway through, Ward played a bluesy sounding cover of Drake’s “Hold On, We’re Going Home” before breaking hearts with her ballad “Last Love Song” (of which a music video shot in SF would be coming out soon according to Ward). That song didn’t seem to fit with the rest of the upbeat set, but lyrically it might be her best work and she brought back the energy right away.

Before “Cryin’ Wolf”, Ward asked the crowd about a time in their life where they met someone under tipsy circumstances, to which few in the crowd volunteered the information.

“You were completely sober and it was magical and I’m happy for you,” said Ward, which got the crowd laughing again.

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Ward’s touring guitarist Erick Walls was absolutely incredible, as he wailed on the guitar all night. His contributions helped bring a more bluesy sound than what is heard on Ward’s studio work. In fact, many of Ward’s songs Sunday night sounded better live than on her studio album, a mark of a great live musician. That she’s been able to adapt her sound to the stage with ease speaks well to her future success.

Ward closed her 16-song set by coming out and performing “Blue Eyes Blind”, which had the crowd jumping up and down and waving their hands back and forth. Ward did a great job of building things up to a crescendo over the final 20 minutes, leaving fans wanting more.

Though it is still early, it is going to be hard to top her performance, which is the best I’ve seen so far in 2014. Anyone who has seen her on tour and is attending Coachella will have her marked down as must-see, and for good reason.

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Fauxchella Listings 2014: San Francisco Bay Area

FauxChella-2014Photos by James Nagel // Written by Mike Frash //

With the Coachella lineup announcement on January 8th, festival season launched. And for those who love live music in the Bay Area yet won’t be traveling to the polo fields to brave likely triple-digit temperatures and three days of splendid insanity, we have Fauxchella.

Fauxchella is that two weeks of time surrounding Coachella in April where various American western locations like Phoenix, Portland and San Francisco profit off the tour runoff of artists that perform in Indio, California for two consecutive weekends.

So, instead of packing it all into one weekend, choose and select the acts you want to witness over four or five nights in April. I mean, why not? But it does take a tad bit of planning …

Read our Coachella 2014 lineup preview.

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SHOWBAMS FAUXCHELLA WISHLIST

We hope these acts fauxchella in the Bay Area…

• Aeroplane — Wish granted
• Bombino — Wish granted
• Disclosure — Wish granted
• Factory Floor — Wish granted
• Flight Facilities — Wish granted
• GOAT — Wish granted
• Temples — Wish granted
• The Afghan Whigs — Wish granted
• The Internet
• The Replacements
•Toy Dolls — Wish granted

If you know of a Fauxchella show not listed here, leave a comment below and we’ll add it. Click the artist name to link to ticket purchase.


Friday, April 4th
Odesza — The Independent // Sold Out

Sunday, April 6th
ZZ Ward — The Independent

Tuesday, April 8th
Dum Dum Girls — The Independent // Sold Out
Pet Shop Boys — Fox Theater Oakland

Wednesday, April 9th
Neutral Milk Hotel — Fox Theater Oakland // Sold Out
Haim — The Fillmore // Sold Out

Thursday, April 10
Neutral Milk Hotel — Fox Theater Oakland
Future Islands — The Chapel
Haim — The Fillmore // Sold Out
Bastille — The Warfield // Sold Out
Aeroplane — Mezzanine (House of Mezzanine)

Friday, April 11
Neutral Milk Hotel — Fox Theater Oakland
Trombone Shorty & the Orleans Avenue — The Warfield
Classixx — The Independent

Saturday, April 12
Chromeo — The Independent // Sold Out
GOAT — Slim’s

Sunday, April 13
none yet

Monday, April 14
MS MR & Jagwar Ma — The Fillmore
The Jon Spencer Blues Explosion — Slim’s
John Newman — The Independent
Bryan Ferry — Fox Theater Oakland
Temples — Great American Music Hall
Bombino — Sweetwater Music Hall
Chance The Rapper — The Warfield
Toy Dolls – Regency Ballroom

Tuesday, April 15
The Knife — Fox Theater Oakland // Sold Out
Laura Mvula — The Independent
Blood Orange — Great American Music Hall // Sold Out
Bombino — The New Parish

Wednesday, April 16
The Knife — Fox Theater Oakland
Factory Floor — The Independent
White Lies — The New Parish
Foxygen — The Chapel

Thursday, April 17
Empire of the Sun — Fox Theater Oakland
The 1975 — The Fillmore // Sold Out
*Sam Smith — Rickshaw Stop // Sold Out
Foxygen – The Independent
Queens of the Stone Age with Warpaint — Bill Graham Civic Auditorium
Duke Dumont — Mezzanine
The Afghan Whigs — Slim’s

Friday, April 18
The 1975 — The Fillmore // Sold Out
Mogwai — Regency Ballroom
Motörhead — The Warfield
Flight Facilities — Mezzanine
Disclosure — Greek Theatre – U.C. Berkeley // Sold Out
Surfer Blood — The New Parish
Empire of the Sun – Fox Theater Oakland
Lana Del Rey — Bill Graham Civic Auditorium

Saturday, April 19
Ellie Goulding & Rudimental — Bill Graham Civic Auditorium
Maceo Plex — Public Works
Broken Bells — Fox Theater Oakland

Sunday, April 20
Bombay Bicycle Club — The Fillmore

*Odds are Sam Smith will perform with Disclosure live at Coachella.

Coachella 2014 lineup: Emerging artists, throwback acts & potential collaborations

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Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 11th-13th & April 18th-20th, 2016 //

2014 is officially in full swing and the impending festival season is on the horizon, especially now that the Coachella lineup has been released. Goldenvoice has done it again with their unique mix of era, genre and relevance which seems to excite and disappoint the eager masses in equal fashion.

The top of the lineup is decisively more pop-oriented than years past with Ellie Goulding, Pharrell Williams, Lorde, Foster the People, Zedd and Lana Del Rey receiving marquee billing. But beyond the headliners, Coachella 2014 offers essential throwback acts, emerging artists ready to blow up, a wide variety of dance options and a handful of collaboration opportunities.

Let’s dig into this monster and extract some musical gold.

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Headliners

An OutKast reunion would have been more thrilling if the news hadn’t leaked over a month ago (though you can’t always believe the rumor mill), but this is a surprise nonetheless as Andre 3000 had shown little interest or optimism in interviews over the past half-decade. Either way Big Boi and Dre will bring their historically high-energy performance to a ton of new fans. “B.O.B.”, “Roses” and “Ms Jackson” are sure to be highlights of the set.

Muse is one of the biggest bands in the world, this is a cold hard fact. They have plugged away at their 21st Century take on soaring arena-rock and eventually made their way to the top with bombastic live shows, catchy songs and generally doing their own thing. Will the band try to bring their massive UK arena stage to Indio? 

Yes, Arcade Fire was another act that wasn’t a far reach based upon current tour route, but nevertheless they will close out the event with great grandeur. May be hard to top their big 2010 performance, but sparks are sure to shoot from the stage while playing the more upbeat Reflektor tracks. I am not holding my breath on an appearance by the Thin White Duke, but hope I’m wrong.


Throwbacks

The Replacements took the stage for the first time in 22 years over the summer at various incarnations of Riot Fest. Well, now the West Coast gets a taste of Paul Westerberg and Tommy Stinson’s authoritative alternative rock, and this set is sure to be one of the bigger ‘reunion’ sets on the bill.

Roxy Music may not be reuniting this year, but the insanely unique vocal stylings of Bryan Ferry are sure to excite fans that have been visiting the Empire Polo Club since it’s incarnation some 15 years ago. Is Goldenvoice starting to pander to the aging, original Coachella demographic?

Pet Shop Boys aren’t only still relevant, but have been killing it on the road the past few years, so it’s no surprise that we see the duo of Neil Tennant and Chris Lowe billed high on Saturday. Their Kraftwerk-esque stage show will be a treat to multiple generations of fans, especially during booming hits like “West End Girls”. 

Other acts that will appeal more to the Generation Xers will be the Toy Dolls, The Afghan Whigs, and Motörhead.


Emerging Artists

British psych rock group Temples only formed in mid 2012, but almost immediate support from the blogosphere and supporting Primal Scream, Kasabian, Beady Eye & Tame Impala on tour throughout 2013 only helped gain traction. And if you are a fan of Tame Impala, be sure to catch this hyper-buzzy act for their first West Coast show. Their stock should rise quickly as their debut LP Sun Structures releases February 10th.



It has now become a tradition for at least one member of the Odd Future clan to be represented on the bill since their debut, and this year the title goes to producing duo Syd the Kid and Matt Martians as The Internet. Their take on trip-hop and electronic soul is a refreshing breath of air for the LA collective as Syd moves from behind the decks to feature her lovely vocals at the forefront. Sure to turn a few heads.



Enigmatic trio Factory Floor bathe in drone and noise, ultimately outputting sound somewhere between minimalist techno and experimental house. Releasing their self-titled debut LP in 2013 through DFA, Factory Floor is relatively popular overseas, yet the dance outfit is on the bottom line of the poster for Sunday. The London-based act might offer a good reason to get to the polo fields early on day three.



Laura Mvula may not be a name you are familiar with, but she has made waves the past year in her native UK as her debut album peaked nicely on the charts, and she received a solid slot at Glastonbury. Her straight-ahead take on soul jazz shows great promise both in the studio and on the larger stage as she bursts out of the jazz club into the spotlight. 


Coming Out West

The Knife will be bringing their dynamic, even head-scratching stage show to the desert for 2 weekends of artsy weirdness. Though, for all intents and purposes, we have no idea which show the Swedish duo will bring to us. One thing is for sure, it won’t be like anything you have experienced before.

Apparently Jeff Mangum enjoyed his trip to Indio last year, because this year he is bringing the old band out. West Coast music fans have been waiting patiently for their taste of the reunited Neutral Milk Hotel, and it wasn’t a huge surprise that they’d be on the bill based upon tour schedule. Alas, hipsters young and old can rejoice in a stay at the hippest ‘hotel’ in the valley.

Sweden’s mysterious band named GOAT will be finally reaching the shores of the Pacific with their characteristic take on ‘world music.’ These guys are truly thinking outside the box with a breathtaking approach to experimental rock, and their live performance follows suit. The band has been in some sort of formation for over the past 30 to 40 years with rotating members, but have only recently been viewed on the world stage. 


Possible Collaborations

Robin Thicke (Not Daft Punk) with Pharrell Williams on Saturday
Pharrell Williams has pretty high billing this year, but in many ways he deserves it. He was featured on the two biggest pop hits of 2013, and if anyone is known for collaborating with a wide variety of artists, it’s the N.E.R.D. frontman. Fool us once (Phoenix last year), shame on you, fool us twice…just don’t count on Daft Punk and Niles Rodgers showing up to perform “Get Lucky” and “Lose Yourself to Dance”. Daft Punk’s confirmed appearance at the Grammy Awards in late January could change this outlook, but a Robin Thicke supported “Blurred Lines” seems more likely. It also wouldn’t be surprising to see special appearances from Snoop Dogg, Pusha T or maybe even Madonna.

Blood Orange (Dev Hynes) with Solange on Saturday
NYC’s own Blood Orange made a big push to finish out 2013 and he was nicely rewarded with a set that is sure to be well packed for this buzzy tropi-pop musician. Hynes worked with Solange on her 2012 EP Losing You, but the extent of his production work on the record became a source of contention in November as both artists took to twitter beef about Hynes’ role. Both Solange and Hynes are performing Saturday, so might this be a good time for them to kiss and makeup on stage?

AlunaGeorge with Disclosure on Sunday
Disclosure, returning for their second straight year, might be the only dance act to perform outside the tents. Last year, Jessie Ware joined Guy and Howard Lawrence to sing “Confess To Me”, and this year Aluna Francis from AlunaGeorge will appear to perform the smash hit “White Noise”. Lock it in.


EDM

As has been the trend for Coachella, more emphasis has been put onto EDM, and with the addition of the Yuma Tent last year, Goldenvoice has been able to book all the big guys for the kiddies and all the OG underground acts for the “adults.”

Calvin Harris, Skrillex and Fatboy Slim represent some of the biggest names in the genre and are sure to grab some of the biggest crowds in the Sahara Tent. On the other hand, Yuma will have some treats in the form of the Crosstown Rebels (Damian Lazarus, Art Department, Maceo Plex) as well as Scuba and (hopefully) French legend, Laurent Garnier.

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Showbams’ top shows of 2013

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It’s been a rich year for music, but since most artists no longer rake in as much cash as they did in the past from record sales, performing live has become more essential. Easy access to streaming and torrents has created a world where music fans cultivate an increasingly wide-ranging palette. In turn, festivals have become exponentially more popular, out of necessity and due to the communal, diverse experiences festivals offer.

Most of the Showbams Team lives and frequents concerts in the Bay Area music scene (that’s what the “BAMS” in “Showbams” stands for), so many of our staff picks for best shows of 2013 took place in or around San Francisco.

The best live music performers blow minds on a nightly basis as they zig zag across the world, so if an act made our list, they probably left a lasting impact near you as well.

Click the links below to view the original show review.

El-P & Killer Mike as Run The Jewels - Photo by James Nagel

El-P & Killer Mike as Run The Jewels // Photo by James Nagel

Mike Frash // Founder, Editor, Columnist // @MikeFrash

01. El-P & Killer Mike (Run The Jewels) – The Independent – July 31st
El-P & Killer Mike provided the most engrossing live performance I witnessed this past year, both in their opening solo sets and their combined tour de force as Run The Jewels. Killer Mike, perhaps the most fascinating rapper on the planet, had the audience in the palm of his hands by enforcing crowd participation while performing “R.A.P. Music” and an a cappella version of “Reagan”. El-P’s set contrasted perfectly with Mike’s more message-driven set, but the the most magical moments occurred when the duo donned their “36” Chains”. The super-clever spits came at machine gun pace, faster than brains can process, and El-P’s weird, abrasive-yet-fun production work kept the show flowing at a delightfully hyperactive pace. The future is blindingly bright for Run The Jewels as they aim to take the throne.

02. Nine Inch Nails – Outside Lands – August 10th
Nine Inch Nails triumphantly returned this summer after a couple last minute personnel changes, but in the end it felt as though Trent Reznor knows exactly what he is doing. Far from feeling like a greatest hits nostalgia show (while they did play nearly all their big singles), Nine Inch Nails guided the uninitiated (including myself) by unfolding the performance in segments. Starting with “Copy of A” from this year’s Hesitation Marks, the first portion was distinctively electronic as shadows silhouetted the players onto the background of the stage. Then the stage opened up to reveal a live drum set, and a handful of pure rock tracks took over. From there, the mix of crunchy, industrialized rock and alternative metal that NIN is known for, including “March of the Pigs” and “Head Like a Hole”, became the focal point. In all honesty, show closer “Hurt” elicited some tears. The experience was intense, surprisingly dance-oriented and breathtakingly emotional.

03. Savages – The Independent – September 29th
Savages made a big splash this year with their album Silence Yourself, and much of the publicity for the all female foursome out of London came from their phone “ban” at concerts. The idea behind this was to instill the idea of immersion into concert goers. Savages successfully put on a show that exhibited a “live in the moment” mentality through their songs and stage presence, and in turn the audience followed Jenny Beth and company to be hypnotically entranced. Savages curated a wholly attentive experience through the use of contrast, most notably in their look, their use of black and white, and the way Savages ultimately contrast with every other group that performs live.

04. FOALS – Coachella (Weekend 1) – April 12th
05. Atoms For Peace – Treasure Island Music Festival – October 29th
06. Deerhunter – FYF – August 24th
07. Bassnectar – Fox Theater Oakland – September 19th
08. Alt-J – Not So Silent Night at Oracle Arena – December 7th
09. The Flaming Lips and Tame Impala with White Denim – Bill Graham Civic – October 31th
10. Eric Prydz – Coachella (Weekend 1) – April 14th


Phoenix // Photo by Chaya Frash

Phoenix // Photo by Chaya Frash

Molly Kish // Artist Relations Manager, Columnist // @MollyKish

01. Phoenix – The Independent – April 1st
Preceding the release of their arena-filling 2013 smash album Bankrupt!, Phoenix stopped by San Francisco’s very own 500 person capacity venue to debut the new material. A last minute performance hosted a packed crowd of industry professionals and die-hard fans alike, and the setting felt more like a jam packed album release party than legitimate rock show. The French foursome dynamically performed their brand new tracks, fully engaging the attention of the audience through an intense stage show which fully used the venue’s limited space. Lead singer Thomas Mars even went as far as to stage dive, crowd surf, scale the back wall and return back full circle mid-encore without missing a beat. Catching a band of this magnitude, in a venue this size, performing yet to be released material was a once in a lifetime opportunity and one that anyone lucky enough to experience will undoubtedly remember forever.

02. Fiona Apple and Blake Mills – Zellerbach Hall at UC Berkely – October 8th
The only Bay Area stop on their “Anything We Want Tour”, guitar prodigy Blake Mills and the combustible Fiona Apple headlined an intimate performance this past October at UC Berkeley’s Zellerbach Hall. Billed as joint headliners, Mills and Apple playfully supported and challenged each other for command of the completely improvised set list and cohesively chaotic stage show that unveiled. The lecture hall audience was treated to a concert that highlighed both artists individuality, and as a collaborative duo, exercising complete creative control over an occasionally uncomfortably raw, extremely uncensored and truly unique live music experience.

03. Matthew Dear – Mezzanine – May 22nd
Catching the Ghostly International co-founder and experimental dance artist Matthew Dear in the spatial dimensions of the Mezzanine is amazing enough, however if the dance floor is nowhere near half capacity, you’re in for an unforgettable, private performance. Accompanied by a four person live band, Matthew Dear took the stage this past May with the bravado of a veteran rock star. Playing as though he were performing to a sold out arena, he dramatically danced and belted his way through crowd rousing favorites from his entire catalogue. Stage show theatrics involving the dismemberment of dozens of white roses and passionate crowd interactions stunned the unassuming audience members. The band dynamics, amazing set list and impeccably charismatic Matthew Dear ultimately enticed the intrigue of the entirely undersold venue, prompting everyone to actively participate in the spectacle that evening.

04. Major Lazer – The Independent – March 28th
05. Moving Units – DNA Lounge – September 11th
06. Washed Out – Rickshaw Stop – August 29th
07. Toro Y Moi – The Independent – March 2nd
08. The Postal Service – The Greek Theater Berkeley – July 27th
09. Yeasayer – Mezzanine – April 12th
10. Muse – Oracle Arena – January 28th


Arcade Fire as The Reflektors // Photo by Kevin Quandt

Arcade Fire as The Reflektors // Photo by Kevin Quandt

Kevin Quandt // Assistant Editor, Columnist // @KJQuandt

01. Arcade Fire as The Reflektors – Hollywood Palladium – October 31st
When I was lucky enough to score a ticket to this Halloween extravaganza, I knew I would be in for something special as I was in the process of falling in love with Reflektor. After donning a sharp suit and heading to Hollywood Boulevard, my show companion and I began to realize this was gonna be something special. The Palladium was alive as soon as you walked though the doors as revelers danced, socialized and admired each others outfits worn on this night. Obviously the band played heavy on the new tracks and the crowd was eating out of their hand for the duration with highlights such as “Here Comes the Night Time” and “We Exist”, to name a few. The evening didn’t end once the performance was done as the band joined the crowd for a post-show dance party to rival most. By the time we cruised out into the chilly night we were pretty thoroughly damp from the sweat that had amassed inside, and all was right on a Halloween in Hollywood.

02. Tame Impala – Coachella (Weekend 1) – April 14th
The continuously impressive Australian act delivered a loaded 40 minute set displaying their ability to crush, and expand, tracks on stage like rock and roll champs. Blustery winds blew through the Empire Polo Club, shaking the rows of palm trees behind the stage as if nature was swaying to the psychedelic goodness being enjoyed by the sizable crowd. The conditions may have led to some minor issues with a MIDI keyboard, but that didn’t phase them in the least and powered into a different direction without missing a beat. “Elephant” had an extended interlude before closing with old classic, “Half Full Glass of Wine”. Optimism at it’s finest.

03. Paul McCartney – Outside Lands – August 9th
A Friday night set just shy of 40 songs punctuated the first day of Outside Lands as living legend Paul McCartney captivated a packed crowd. Though not my first time seeing Sir Paul show, it was a special one in many ways on a foggy summer evening. The tenderness of “Blackbird” is always a thing of beauty, and the recently road-approved Beatles tune “Lovely Rita” were just a few of the highlights from this banner set. Macca has got it, straight up. I have preached to the power of his show since I was 15 years old, and on this night many got to experience that power first hand.

04. Phish – Lake Tahoe Outdoor Arena at Harveys – July 31st
05. Holy Ghost! – Treasure Island Music Festival – October 19th
06. Mac DeMarco – FYF – August 25th
07. David Byrne & St. Vincent – Fox Theater Oakland – July 21st
08. Thee Oh Sees – The Independent – January 11th
09. Pickwick – The Getty Center – Los Angeles, CA – July 13th
10. The Walkmen & Father John Misty – The Fillmore – January 24th


Sigur Rós // Photo by Marc Fong

Sigur Rós // Photo by Marc Fong

Pete Mauch // Festival Manager & Columnist // @PeteMauch

01. Sigur Rós – Coachella (Weekend 2) – April 20th
Icelandic rockers Sigur Rós closed out night two of Coachella and put on an amazing performance that was highlighted by one of the most impressive visually striking stage set ups that I’ve seen. In addition to the mesmerizing video screen portrayal of various beautiful landscapes, the stage also had lamps with exposed bulbs that would light up in time to the music. The band was joined by a string and horn section for this unique experience, adding great texture to their already layered sound. The set was heavy on newer songs from their most recent album Kveikur with older tracks sprinkled in, which pleased new and old fans alike.  Sigur Rós provide a truly amazing experience.

02. M83 with Hollywood Bowl Orchestra – Hollywood Bowl – September 22nd
French indie-pop rockers stepped it up at the Hollywood Bowl this year with a little help from the in house orchestra.  It’s always tricky when mixing string instruments with electronic synthesizers, not to mention the full band, but M83 found the perfect medium. The band worked through most of their big hits like “Midnight City” and “Wait” with serious ambition and the subtle compliments from the orchestra really made the overall sound fuller.

03. Tame Impala – Fox Theater Pomona – May 30th  
This Australian Psychedelic band had a banner year as they played all over the world, but on this particular night in Pomona they showcased why they are going to be one of the biggest bands around. Their sound is pure psychedelic bliss that oozes ever so sweetly over your ears. The band weaved effortlessly between older tracks like “Desire Be Desire Go” and newer songs like the ever so popular “Elephant” and “Feels Like We Only Go Backwards”. After a solid two plus hour set, Tame Impala walked off the stage and I found myself standing there speechless. 

04. Phish – Dicks Sporting Goods Arena – Commerce City, CO – August 31st
05. Medeski Martin & Wood – UCLA Royce Hall – April 26th
06. Eric McFadden with Nels Cline and Mike Watt  –  The Mint – Los Angeles, CA – January 16th
07. Femi Kuti and The Positive Force – The El Rey Theater – Los Angeles, CA – January 18th
08. The Rolling Stones – Staples Center – Los Angeles, CA – May 3rd
09. Jim James – The Fonda Theater – Los Angeles, CA – May 11th
10. Anders Osborne with Neal Casal and Karl Denson’s Tiny Universe- The El Rey Theater – Los Angeles, CA – October 24th


Alt-J // Photo by Sam Heller

Alt-J // Photo by Sam Heller

Kevin Raos // Columnist // @Semirec

01. Phish – Lake Tahoe Outdoor Arena at Harveys – July 31st
In late July Phish performed two concerts at Harvey’s Lake Tahoe Outdoor Arena. Night 2 of the run contained one of the most infamous moments in recent Phish history: The Tahoe Tweezer. This 36 minute jam odyssey has already found it’s place in Phish lore as one of the defining moments of the current era of Phish. It’s not just the length that makes this jam so impressive, but also the song’s content, as Phish and the audience interact back and forth driving the jam deeper and deeper. Magical moments of improvisation like this do not come around very often. WOO!

02. Bjork – Craneway Pavilion – Richmond, CA – May 28th
This was my first time having the pleasure of seeing Bjork live, and she fully lived up to the hype. The entire crowd was on pins and needles as she performed her 2011 album, Biophilia, in it’s entirety. It was an audio/visual experience unlike any other concert, complete with a Tesla Coil instrument controlled by iPads and a series of sound-generating pendulums to accompany Bjork’s majestic voice. Bjork is a talent unlike anything I have ever seen live.

03. Tom Waits – Bridge School Benefit (Shoreline Ampitheatre) – October 27th
Checked a big one off the bucket list with this performance at Neil young’s annual Bridge School Benefit. It’s a wonder why Mr. Waits doesn’t tour more often as he is as talented, and as much of a showman, as he ever was. His voice sounded great, including the usual gritty and rawness that you can expect. One of the longer sets of the evening, Waits plucked tunes from his entire catalogue, yet he pulled mostly from his latest record Bad As Me. Don’t miss a chance to see Tom Waits as his shows are few and far between these days. A truly special individual and unique talent to behold.

04. Tame Impala – Fox Theater Oakland – May 29th
05. Sigur Ros – Fox Theater Oakland – April 16th
06. Alt-J – Fox Theater Oakland – August 29th
07. Nine Inch Nails – Outside Lands – August 10th
08. Rhye – Outside Lands – August 9th
09. Alabama Shakes – Fox Theater Oakland – March 5th
10. Bassnectar – Hangout Music Festival – Gulf Shores, AL – May 18th


Shpongle // Photo by Mike Frash

Shpongle // Photo by Mike Frash

The Festival Lawyer // Columnist // @FestivalLawyer

01. Shpongle – Sea of Dreams at Concourse Exhibition Center in SF – December 31st (2012)
Just a really interesting, weird and exotic New Year’s Eve show. He had a performance art group that accompanied him that night as well as a live violinist. This combo led to a really trippy, trance inducing sight and sound experience. So cool.  

02. The Cure – Austin City Limits – October 12th
When I first saw the Cure I was an eyeliner-wearing 80’s Goth kid. ACL has a 10 o’clock curfew, so when their set got close to 10 o’clock, Robert Smith announced, “Listen, we are going to play all the hits that we can until they shut us down.”  What followed next was just a very cool trip down memory lane.  Funny how music can just instantly take us back to a time or memory in our life.

03. Muse – Oracle Arena – January 28th
It’s always weird to see how much shit people talk about Muse. They seriously have a stage act only rivaled by groups like Swedish House Mafia (I still call SHM’s set at Coachella “The Night of a Million Lasers.”)  Muse combines moving TV sets, lasers, even robots all combined with the stage bravado of legendary UK acts like Queen. If you can’t sing along with me at the top of your lungs to “Uprising” then you just are really missing out on a terrific experience. 

04. Yeah Yeahs Yeahs – Coachella (Weekend 2) – April 19th
05. Bassnectar – Coachella (Weekend 2) – April 19th
06. Father John Misty – Fillmore – June 21st
07. Iggy Pop and the Stooges – C2SV Festival – St. James Park – San Jose, CA – September 28th
08. Disclosure – Treasure Island Music Fest – October 19th
09. Paul McCartney – Outside Lands – August 9th
10. Arctic Monkeys – Coachella (Weekend 2) – April 19th


Thundercat // Photo by James Nagel

Thundercat // Photo by James Nagel

James Nagel // Photographer // @JdropsKnowledge

01. Thundercat – The Independent – November 13th
Stephen Bruner delivered a performance that felt truly unique, deviating from the standards set on his album by slapping some soulful, jazzy rhythms on his epic bass. He wrapped the entire audience with the warm embrace of his music in the most personal, improvesed way. 

02. Savages- The Independent – September 27th
Jenny Beth is a goddamn rockstar. Period. 

03. The Flaming Lips with Tame Impala and White Denim – Bill Graham Civic – October 31st
This show was truly a surreal experience and did not disappoint when it came to the scope of the production. Confetti and balloons rained down endlessly it seemed, while the visual and lighting components completely enhanced this drone-filled yet enlightening event. 

04. Toro Y Moi – Fox Theater Oakland – November 15th
05. Cut Copy – Fox Theater Oakland – November 2nd
06. Digitalism – The Independent – May 7th
07. !!! – Great American Music Hall – March 1st
08. El-P and Killer Mike (Run The Jewels) – The Independent – July 31st
09. Grouplove – The Independent – September 14th
10. Palma Violets – The Independent – April 25th


The Black Keyes // Photo by Sterling Munksgard

The Black Keyes // Photo by Sterling Munksgard

Sterling Munksgard // Photographer // @sterlingmphoto

01. The Black Keys – Bottle Rock – Napa, CA – May 10th 
Bottle Rock was a first-year festival situated in the Napa wine country, and it featured a lineup which rivaled many well-established festivals. The Black Keys brought their in-your-face attitude and rocked the crowd good and hard. Bottle Rock was my fourth Keys show and they still had me singing along and dancing. 

02. Empire of the Sun – Life Is Beautiful in Las Vegas, NV – October 27th
When I got home from this festival and showed my photos to friends and family, many people asked, “what kind of music was Empire of the Sun?” The only thing I could come up with was the showmanship of Kiss and the sound and style of Phoenix. But classification aside, this band was not only one of my favorites to watch on stage in 2013 but one of my favorite to photograph. Next time they are in town I will for sure be at their show.  

03. Dave Matthews Band and Gogol Bordello – Jiffy Lube Live – Bristow, VA – July 27th
DMB keeps me coming back for more. At 60+ shows they still keep turning out new tunes and bringing back songs that haven’t been played in years. This show had many highlights including a show opening “Ants Marching”, something that band hadn’t done since 2004.  The band also busted out fan favorites such as “Granny”, “Spoon”, “Long Black Veil”, “Crazy Easy”, and “#41”.  

04. Tedeschi Trucks Band and The Black Crowes – Bill Graham Civic – December 14th
05. Imagine Dragons – Life is Beautiful – Las Vegas – October 27th
06. JJ Grey & Mofro – The Fillmore – November 15th
07. Grateful Grass feat. Keller Williams, Keith Moseley, Michael Kang and Jeff Austin – Rex Benefit – The Fillmore – December 7th
08. Sleigh Bells – Treasure Island Festival – October 20th
09. The Lumineers and Dr. Dog – The Greek Theater Berkeley – April 19th
10. Edward Sharpe and the Magnetic Zeros – Portland Rose Festival – Portland, OR – May 25th


!!! // Photo by James Nagel

!!! // Photo by James Nagel

Dara Shulman // Columnist

01. David Byrne and St. Vincent – Fox Theater Oakland – July 21st
Byrne’s eclectic and eccentric sound, coupled with St. Vincent’s own quirkiness and talent, proved to be a fantastic performance. Creating rich, warm sound, the eight-piece brass band was as impressive as the two talented singers themselves. Playing mostly off their solid album, Love This Giant, the combination of choreography and Talking Heads songs turned out to be the icing on the cake.

02. Paul McCartney – Outside Lands – August 9th
It’s not every day you get to see a Beatle play a three-hour set complete with fireworks. McCartney wowed the packed main stage playing his hits from the Beatles, Wings and his solo efforts. It’s hard to determine which was more impressive, the acoustic set which included a beautiful “Blackbird” or the set-closing sing-along that was “Hey Jude”. Eight more songs over two encores only helped to make this an all-time show.

03. !!! – Great American Music Hall – March 1st
Vocalist and dance machine Nic Offer never fails to entertain the crowd. Offer and the band were on fire when they debuted songs such as “Slyd” off their fifth-album release Thr!!!er. Their upbeat, dance rock kept the crowd moving throughout the show.

04. FOALS – Outside Lands – August 11th
05. Atoms for Peace – Treasure Island Music Festival – October 19th
06. Vampire Weekend – Outside Lands – August 11th
07. Primus – High Sierra Music Festival – July 5th
08. Holy Ghost! – Treasure Island Music Festival – October 19th
09. Cut Copy – Fox Theater – November 2nd
10. Robert Plant and the Sensational Space Shifters – High Sierra Music Festival – July 4th


View the Showbams 40 Best Albums of 2013
View the Showbams Contributor Picks for Best Songs of 2013
View the Showbams picks for Best Live Music Venues in 2013

10 Reasons to say ‘Fuck Yeah’ at FYF Fest 2013

FYF-Fest-2013_postPhotos by Mike Frash // Written by Mike Frash & Kevin Quandt //

FYF Fest //
LA State Historic Park – Los Angeles
August 24th-25th, 2013 //

FYF Fest has earned a rare new title in the Southern California region as the “new Coachella.” Even though many attendees may balk at this tag, it is an endearing way of stating this is fresh, new territory for independent music.

In its 10th year of existence, the event has grown out of the former Echo Park venues to a multi-day romp across thrilling genres of alternative music held at Los Angeles Historic Park. This convenient, downtown-esque locale offers great skyline views and a manageable, if not slightly dusty, venue that allows attendees the opportunity to experience more acts than your average 10,000-plus event.

With a vast array of attractive, buzzed-about artists gracing the FYF’s four stages, here are 10 acts to focus your valuable concert time on for the fest’s 2013 edition.


My Bloody Valentine
Sunday • 10:45 • Carrie Stage

If there is one show where earplugs may be a good idea, it’s Kevin Shields and MBV. Spinal Tap “volume at 11” jokes aside, this will be a triumphant return to the stage and a region for the Irish alt-noise kings and queens. Even more thrilling than their live return to the US is the fact that they will be playing a ton of new music to longtime and new fans alike off this year’s magnificent release m b v. Expect some gems off of Loveless and Isn’t Anything mixed in for good measure. What a perfectly blistering manner to bring the festival to a close on Sunday, even if you hear ringing in your ears on Monday. -KQ



Death Grips
Saturday • 11:05 • Miranda Stage

After a head-scratching ‘performance’ surrounding Lollapalooza in past weeks, the only thing to expect is the unexpected from the Sacramento doom-hop act Death Grips. This line-blurring act featuring Zach Hill and Stefan “MC Ride” have been making waves for a couple of years, and have cemented themselves as a ground-breaking live act committed to off kilter beats and aggressive hip-hop vocals growled over the top. With some new music trickling out this week, it’s sure to create a ton of buzz among festival goers. Well, that is if they show. -KQ



TV on the Radio
Saturday • 9:15 • Carrie Stage

TV on the Radio have released one new song, “Mercy”, in late July, but there are no confirmed plans for a fifth studio album at the moment. In fact, it’s the first music TVOTR has created and shared since bassist Gerard Smith passed away in 2011, and it’s confirmed this excellent new cut and a second unreleased track titled “Million Miles” will be issued by David Sitek’s label Federal Prism. Sitek has grown to be one of the best producers in music over the past 10 years, helping to churn out gems from Yeah Yeah Yeahs, Liars, FOALS, Santigold, Beady Eye and of course, TV on the Radio. Might the group produce their next record under Federal Prism? Let’s hope these new songs and this FYF set inspire the creative juices. FYF and its patrons are getting a one-off treat since this is the only performance on the group’s calendar, and it’s only their second performance since touring in support of Nine Types of Light. -MF



Flume  
Sunday • 7:25 • Samantha’s Tent

Harley Streten is an Australian electronic musician that is just about the fastest rising DJ on the planet. Performing under the moniker Flume, Streten’s meteoric rise began when his self titled LP dropped in late 2012, jumping to the top of the Australian charts. At 21 years old, Flume exudes cross-genre originality in his music, mashing together elements of dance, R&B and hip-hop. And on his forthcoming swing through the U.S. starting this weekend, Flume will introduce Americans to the “Prism Tour”. Streten calls it a “bigger, grander show”, and by the looks of it, the stage production is now fitting of his music. He DJs from atop a large prism that looks like it will blow minds live, while live visuals and stage lighting layer visuals appropriately. Flume fully controls the ‘power’ of the complete audio-visual performance, as the visuals are tied into each change he makes behind the deck. Looks (and sounds) pretty awesome. -MF



Holy Ghost!
Sunday • 11 • Charlotte Stage

Holy Ghost! seem to be on the cusp of getting much bigger — and for good reason. The Brooklyn duo has James Murphy’s DFA label on their back, their second LP Dynamics will be unleashed September 10th, and singles “Dumb Disco Ideas” and “Okay” indicate said album will provide fire. Sophomore slump be damned. FYF will provide the premiere performance of the “Dynamics Tour 2013” — but unfortunately this raging electro-pop disco dance party is pitted directly against My Bloody Valentine to end the weekend. Those that can’t stop moving their feet come Sunday’s finale should head to the Charlotte Stage. -MF



No Age  
Sunday • 6:05 • Charlotte Stage

Randy and Dean return to FYF after a glaring absence last year, this from an act that has been a constant over the past decade in the Los Angeles underground music scene. After a quiet 2012, the experimental art-punk duo are amped and ready to hit the road hard to close out this year, touring behind An Object, their latest Sub Pop release. Though some may be bummed that Foxygen had to cancel in order to gain No Age, this duo is sure to kick up a dust storm by the throngs of young kids who have gravitated to these guys over the years, likely through their involvement with LA all-ages, and alcohol/drug free venue called The Smell. Don’t expect your average rock show by two guys who thrive on doing things a bit differently. — KEVIN QUANDT



Dan Deacon
Saturday • 8:45 • Charlotte Stage

A Dan Deacon show isn’t simply a live electronic music performance — it’s an interactive experience that forces all those present to be a part of it. He remixes all sorts of pop-culture like a sword-wielding ninja, almost exclusively curating upbeat energy. Deacon’s live production consistently thrives off tension and release, but so very differently than other EDM artists. There aren’t big drops, but a hodgepodge of hyperactive sounds that draw from the musical stratosphere, then shift after four or eight measures. It’s a mad, glorious, engaging dance party that deserves, at minimum, a 20 minute stop by. -MF



Mac DeMarco
Sunday • 3:35 • Miranda Stage

Need a little break from the craziness of hardcore and garage rock? Might we suggest you spend a little time with Canadian jangle-slacker Mac DeMarco and band. His infectious surf-rock influenced pop songs are sublime slices of the stony life-lessons and nuggets of young wisdom, all crooned over guitars oozing a stylized chorus effect. Mac’s stage presence alone is worth a trip to the Miranda Stage at 3:55 on Sunday. Fun fact: Mac will be following Johnathan Richman, a stated influence on the young Canadian and his quirky music. -KQ



Washed Out  
Sunday • 8:30 • Charlotte Stage

The evolution of Ernest Greene will be on full, blooming display as Washed Out begin touring in support of Paracosm this weekend. Washed Out began as Greene’s computer-based bedroom project, but to make touring a reality in support of his first LP Within and Without, he turned the touring group into a foursome with the aim of performing the material live through a mix of MIDI pads and live instrumentation.

As Greene continues down the chill-wave path he helped start, he’s clearly gravitating toward creating sounds live as opposed to playing a software plugin — a recording method that will only make his live shows better with time. -MF



Baroness
Sunday • 7:05 • Miranda Stage 

It’s been a long and dangerous road for Baroness the past few years after their tour bus careened off the road in England, injuring many of the members. Though there was some personnel changes before the band got things up and running again, they have sludged on, bringing their white-hot brand of progressive metal to the throngs. The heavy metal sound that Baroness brews up is a quintessential part of the variety that FYF curates, so take a chance and see something that will shake you to the core. -KQ

FYF

Afrojack crowd gets higher in Puerto Rico

What’s one major difference between the EDM scene in Puerto Rico versus similar rage-tastic Afrojack shows in Las Vegas or Miami?

The answer: Balance.

Sure, throwing your girlfriend on your shoulders for optimal concert viewing is a common worldwide byproduct of rock and metal, and subsequently this action has shifted to be gender-neutral at U.S. dance music mega-parties in the 21st century. Frat-boy, bro-on-bro stacking is now a common sight at dance shows, and some impressive, circus-like triple stacking was even witnessed during Pretty Lights’ set at Coachella’s first weekend in April. But at Afrojack’s performance last Saturday in San Juan, the young Puerto Rican crowd showed that they can simply take their enthusiasm higher. Literally.

Watch the video above for proof. With the help of friends, many show-goers achieved lofty views and even took center-stage attention away from Afrojack for much of the evening. Are all Puerto Ricans sent to cheerleading camp as children? We would venture to guess (probably not). The most impressive aspect of the ecstatically achieved equilibrium was how next-level super fans launched onto their human pedestals and seamlessly stood on shoulders as if they were on solid ground a level above the rest of the audience, dancing like there was no tomorrow.

The show began by putting the spotlight on four Hollywood-style karate dancers imitating a Jackie Chan fight scene as Afrojack took to his laptop, though the stars of the evening were these YOLO/YOLA-crazy body riders that kept one-upping one another. Every time the faithful erupted into drop-induced group coitus, a new person angelically rose up to become the visual center-point, and this effect collectively over shadowed Afrojack’s stage production and visual aesthetics.

Puerto Rico could easily be America’s 51st state. It’s a country where U.S. corporate influence is dense, English is institutionalized and you can get excellent cell phone reception in the rain forest — it’s the closest thing to neo-colonialism that exists. As sad it is to see our mall-outlet syndrome imprinted on this U.S. territory’s beautiful landscape, the Puerto Rican dance scene gave a glimpse of one interesting difference between the two cultures with impressive human-stilt dancing.

Treasure Island Music Festival: Seven reasons to go big

TIMF-FAN

The seventh annual Treasure Island Music Festival returns October 19-20, and the top-notch lineup is as strong as ever. The acts slated to perform are so good, we suggest that you go big. ‘Going Big’ can mean a lot of things here: Getting a two-day VIP pass, taking in every single set and even riding the Ferris Wheel after a couple of Spicy Pies all count. For the first year, only two-day GA, VIP & parking passes are available for purchase, and there is no guarantee single day passes will be sold.

In honor of the seventh iteration of this quintessential Bay Area Festival, here are seven reasons to go big.


1. Now that is a headliner!

Atoms for Peace

Short of Radiohead, there are few acts as highly sought after as Atoms for Peace. Besides the group’s resounding star power with Thom Yorke and Flea, not to mention Nigel Godrich, Joey Waronker and percussionist Mauro Refosco, Atoms are not constant touring machines like some acts on the bill such as Major Lazer or Sleigh Bells. AMOK’s release was months ago, but is still on constant rotation for many (including this writer), but it’s anyone’s guess how some of these dynamic songs will transcribe to a large, live format.

Band members have been leaking footage of their rehearsals on YouTube, and dropping some seriously exciting nuggets of possibility that make their second touring cycle even more thrilling. Case in point: the video of Thom performing 1998’s heralded UNKLE collaboration, “Rabbit in Your Headlights”. Not only is this an amazing track that Radiohead never attempted, but it pretty much confirms the inclusion of non-Atoms material on stage this run. Will the rehearsed Hail to the Thief B-Side “Paperbag Writer” be present on this tour? Well, guess you’ll have to be on the island to see if the Bay Area is graced with one, or more, of these contemporary gems.


2. “All the best Saturdays are spent dancing!”

The Dance Sets – Disclosure, Holy Ghost, DJ Falcon, Major Lazer, Robert DeLong, Phantogram, Poolside

Per the usual, TI will be split stylistically into two days with Saturday being dominated by all things dance and electronic music, so no moping about or standing with your hands in your pockets. Atoms for Peace will close the first day, but the pulsating lead up to the headliners will generate lots of buzz before the final act even struts out. Disclosure finally return to the Bay after their premier show last fall, and with a highly regarded debut record in June, they are sure to gain new fans and get festivalgoers of all ages into a frenzy with their patented house-oriented 2-step/garage hybrid. Holy Ghost! is the newest DFA Records darlings who have been selling out shows and turning heads this spring, even before releasing their much anticipated sophomore effort, Dynamics. Their deep synth-laden take on disco-pop is infectious, so don’t miss this duo. French producer DJ Falcon is yet another act who has been garnering a great deal of attention with his work on Daft Punk’s Random Access Memories – he produced the intense, final track “Contact”. Expect a set heavy on house tunes, and one wouldn’t be remiss in hoping to dance to some Daft cuts during his time slot. 

Major Lazer and Robert Delong will also get the spotlight on Saturday. Major Lazer is backed by the big name that is Diplo, not to mention a sizable stage production, and Robert DeLong is a rising star in his own right. Diplo melds the sounds of the Caribbean into a bass-heavy conglomeration, while DeLong takes his EDM sensibility and mixes in alternative rock influences, creating something partially poppy, but fully pleasing on the dance floor. Each act will showcase the cross-pollination that dance music is currently embracing. 


3. “Logistics matter, folks.”
Treasure-Island-Music-Festival

The venue/setup/schedule

Sure, at first glance the idea of reasonably large festival on the less-than-oft-visited island halfway across the Bay Bridge may seem like a logistical nightmare, but after six years the folks at Another Planet Entertainment and Noise Pop have this event running like a well-oiled machine. For driving patrons, on site parking passes are available, but the sheer majority will be making the pilgrimage to Treasure Island via luxurious busses that are plentiful and organized. The Civic Center will the be launching-off point this year for the second time, as I suppose APE is hopeful the Giants make the playoffs, leaving AT&T park as an unviable option. Once on TI, life is easy – everything is contained and well laid out – making the best use of an otherwise small green-strip of grass facing downtown San Francisco. Lastly, TI’s site says that there will be a carpooling option coming soon, so there may be even more ways to pack onto this tiny rock.

Scheduling music for a large-scale music festival is never an easy venture, and this dubious responsibility is bound to create gripes while pleasing others equally. Alas, this is not an issue at Treasure Island as there is no overlap between artists on the two stages, making any competition a moot point. Another way of saying this is that you can literally see every act, every song and every moment that happens, making it vastly appealing after making grueling decisions at Coachella, Outside Lands and other massive music festivals throughout the summer.


4. “The coolest Scientologist in the World is a headliner.”

Beck

It seems fitting that Beck Hansen stands atop the lineup this year, as he has been rather fond of the Bay Area recently with both a tour warm-up show in Santa Cruz and a feature at Davies Symphony Hall, with both appearances shedding more light on his paper-bound “album”, Song Reader. Beck and band will be heading out in the summer to shake off those touring cobwebs, while likely testing out loads of new tunes of the acoustic variety as part of the Americana-rama tour alongside Bob Dylan and Wilco. “Defriended” is a brand spanking new track on the electronic side of things (view it above), and is chock full of bizarre beats, assaulting drum flourishes and Beck’s characteristic croon soaring high overhead. The increase in Beck news has many music fans eagerly awaiting a new record, and it appears Beck is working on a second album for late 2013 that will be the proper follow-up to 2008’s Modern Guilt. It’s safe to say that the festival will be closed out on Sunday in a show-stopping manner that only Beck can provide.


5. “Sunday was made for rocking!”

The Rock Sets – Japandroids, Sleigh Bells & Palma Violets

Just as Saturday leans towards the cutting edge of electronic music, the rock-leaning acts will likely take to the stages on Sunday. Japandroids, Sleigh Bells, and Palma Violets are three superb groups that will surely bring some seriously needed guitar-driven energy to the masses. Japandroids have been touring furiously behind last year’s heralded release, Celebration Rock, and will thrive in an afternoon slot to those looking for blistering anthemic rock and roll. Similar to Japandroid’s minimal band member formula, singer Alexis Krauss and guitarist Derek Miller combine forces as Sleigh Bells, and after a few months missing from the live circuit they are ramping up again. Their play on dance-noise-punk is slightly electrified and heavy on gripping guitar riffs – Sleigh Bells is sure to get a strong reaction from the crowd. Palma Violets are a newer name that many may have glanced over with the lineup release. These exciting British young’uns are making waves with their patented play on harder-edged Brit-rock, accompanied by a raucous stage presence to match their catchy debut album.


6. “The ideal sunset show.”

James Blake

James Blake’s songs can be enhanced by listening to them at special moments. Fire up “The Wilhelm Scream” at 2am after partying all night or listen to his cover of Joni Mitchell’s “A Case of You” in the early morning for example. But no James Blake live music scenario could possibly be better than an early evening set on Treasure Island with the sun starting to fade behind Alcatraz and the Golden Gate Bridge. With golden hour rays of light bathing upon a mellow Sunday crowd, could Blake’s post-dubstep crooning go down in any better environment? The 21st century troubadour released a more cohesive album with his sophomore effort Overgrown in April, and he’ll have this new material ingrained in his psyche by October after playing it live throughout 2013. It doesn’t matter how many red bulls, beers or unknowing friends tempt you to go to the Silent Disco during this set – get close for this one and absorb the mellowed bass blasts.


7. “It all comes back to the Indie sets.”

Animal Collective, Lord Huron, HAIM

Indie rock is always a genre that’s represented at Treasure Island Music Festival, but it’s less present than prior years. Animal Collective and their delirious, neo-psychedelia can be classified in many ways: Certainly they have indie influences present in their sound, but they also purvey elements of experimental freak folk and electronic noise pop that sways between the concepts of repetition and ambience. In a word, Animal Collective is unique, and they curate a live experience that makes it easy to float away from the daily grind. LA-based Lord Huron are pure indie with an Americana bent, and their rolling tunes inspire feelings of big open spaces – perfect for TIMF. Haim, one of the biggest up-and-coming acts around, will make their Bay Area debut at TIMF. The all-female group from Southern California have played in Los Angeles over 20 times, but never for their neighbors to the north. Haim has drawn comparisons to Fleetwood Mac, but their quirky back beat and fast paced lyrics translate to a fascinating contemporary mix of pop, R&B and indie rock.


Outside Lands 2013: 10 sets not to miss

Outside-Lands-2013

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 9th-11th, 2013 //

UPDATE: The Outside Lands schedule has been announced. Check out these conflicts.

The Outside Lands lineup for 2013 has been unleashed, and it’s as strong as ever. We made our predictions, and they were pretty good, but now it’s time to take a look at the sets that peak our interest most.

There are so many incredible artists not listed below, including Yeah Yeah Yeahs, Grizzly Bear, Yeasayer, Kurt Vile and A-Trak. But with so many great acts to see (and we’re not even including the comedy tent, the Heineken Dome, late-night shows around SF or possible pop-up shows), it’s good to get an idea of which sets you will want to see, as conflicts will happen. Here are ten sets we’re looking forward to.

Follow our Outside Lands 2013 playlist on Spotify, featuring three tracks from each artist.

Paul McCartney

Were you one to pass up on Stevie Wonder last year for Skrillex? Then this does not matter to you. The ‘law of legend’ applies here — you don’t pass on a set by a member of The Beatles, with the exception of Ringo. Even then you probably should pick a Ringo set. I like dance music plenty, and often an EDM show can be the single most fun thing you can do at a music festival. It’s just not an option here, not for Kaskade or Pretty Lights — have an after-party at your apartment after the festival to make up for it and piss off your neighbors. Paul’s son James will also perform, so look for a father-son collaboration and other special guests. Macca would be an ideal Sunday closing set, but look for Sir Paul to play Friday or Saturday since he has dates scheduled in Canada the Monday through Wednesday after Outside Lands. -MF


Nine Inch Nails

Trent Reznor just cannot slow down. It’s a simple musical fact. Whether it’s winning Academy Awards for the “Social Network” soundtrack or forming a new band with his wife, he never lets up and he has totally reconfigured the 90’s industrial-rock staple that we have grown to love. With Adrian Belew of King Crimson fame playing guitar on NIN’s latest studio effort Hesitation Marks, songs are sure to take on a new identity, which seems to be what Reznor is going for. Add in Josh Eustis of now-defunct Telefon Tel Aviv, and this latest lineup that Reznor has put together is sure to excite the masses in Golden Gate Park. -KQ

UPDATE 5/15: Bassist Eric Avery has decided to quit the band.


Vampire Weekend

Vampire Weekend has gone from “skip” to “must-see” at Outside Lands with the release of their new album Modern Vampires Of The City, and what a gem it is. It’s convinced me not to skip them this year, unless they are up against personal bucket-lister Sir Paul McCartney. Their live act was beginning to feel stale, but the introduction of inspired new material with improved songwriting makes this Outside Lands set one not to miss. Do yourself a favor – check out Vampire Weekend and their new songs live. -KR


D’Angelo

The R&B genius is back at it after a multiyear hiatus, and this return has been slow and seemingly calculated, making one wonder if an album isn’t too far behind. His recent shows in NYC were widely hailed for their simplicity in intstrumentation, anchored by D’Angelo’s smooth vocals and a mix of old favorites, new offerings and choice covers. One cannot deny the brilliance of albums like VooDoo and Brown Sugar, and though it’s a name from the past for many, he is an artist with a rising stock. -KQ


The National

The nuanced, somber music created by The National is not for everyone, but those who are into The National love them, and for good reason. The knock-you-down then build-you up songwriting structure the Brooklyn-based indie group uses is contemplative yet comforting, and their show setlists include songs from their extensive catalogue. The National’s sixth LP will be available May 21, and you can stream it now (and it’s pretty damn good). The Pro-move here will be ditching a larger group to slinky up to the front of the main stage with a few like-minded friends, as proximity will be key – you’ll want to be closer to swooning super-fans with their hand over their heart as opposed to loud drunk chick inadvertently chatting into your ear during the quiet parts. The National will be performing in Los Angeles Saturday and Sunday, so plan on seeing them Friday. -MF


The Tallest Man on Earth

Kristian Matsson’s one-man show as The Tallest Man on Earth is a bit of a surprise on the bill. The Swedish singer-songwriter is not scheduled to play any other shows in the US after Bonnaroo summer, so San Francisco seems to be getting a one-off treat in August. He’s tenacious on stage, whipping around like a cobra ready to strike at critical moments for added emphasis. Matsson’s gritty, passionate vocals can be hynotic, and The Tallest Man should help music fans float away at the main stage with a mid-afternoon time slot. -MF


FOALS

Already approaching headliner status across the pond, these English rockers produce indie dance-punk that that runs the emotional gamut, from mysterious wall-of-sound ragers (“Inhaler”) to upbeat, rock-your-socks-off party anthems (“My Number”). No matter where the music takes you sonically, it’s pretty impossible to not dance, or at least gyrate when seeing this act live. Their set at Coachella was a top set of the weekend, and word is spreading about their third LP Holy Fire – it’s one of the best records of 2013 so far. FOALs are performing in LA on August 9th, so plan on catching them Saturday or Sunday (and hopefully at a late-night show, fingers crossed). -MF


Gary Clark Jr.

This hard-rocking blues guitarist has been making waves for the past year or two, and is on a meteoric quest to the top. Whether he is sitting in with the Stones in NYC or for the President at the White House, Clark can’t stop turning heads and taking names with his virtuosic guitar chops. Much like Alabama Shakes last year, the popularity of this act lies in a modern spin on Southern music and its palpability to many age groups. Fans of the blues are sure to be pleased as Clark weaves that genre into other styles, creating something fully unique. -KQ


Chromatics

The shimmering beauty from the Chromatics will shower upon Golden Gate Park as they continue to tour on the strength of their 2012 LP Kill for Love. Ruth Radelet’s angelic-cool voice breezes over minimalist noir-electro disco, and their live performance can be serious, sexy and danceable all the same time. Chromatics are one of the only acts in synth-pop territory this year at Outside Lands, so plan on seeing this foursome if you’re a fan of the Drive soundtrack (they were in it). -MF


Atlas Genius

Is Atlas Genius the Foster the People of 2013? When one hears the slickness of summer-tinged track “Trojans,” it’s pretty clear that it’s a strong contender for ‘Song of the Summer.’ One could even dub them part of the ‘Australian Invasion’ over the past few years alongside the likes of Tame Impala, Cut Copy and Empire of the Sun, all heralded acts that Atlas Genius will inevitably be compared to. When It Was Now will certainly fuel their massive summer schedule of festivals galore and loads more radio airplay. -KQ


Palma Violets, fresh faces of Britpop, invade The Independent

Palma-VioletsPhotos by James Nagel // Written by Kevin Quandt //

Palma Violets //
The Independent – San Francisco
April 23rd, 2013 //

The British have always been fanatical about their own rock bands, dating back to the origins of the genre. This has been the case for many years, and though the States aren’t vastly different, it is clear us Yanks will not get behind every export in record numbers (see: Blur and Stone Roses at Coachella this year). The new buzz oozing from the British Isles goes by the name Palma Violets, and are already being hailed as the next Arctic Monkeys, which is a helluva big deal over in Jolly Old.

Palma-Violets

Tuesday night had the quartet appearing at San Francisco’s the Independent on their first US national tour, largely revolving around two appearances at Coachella. Support duties where helmed by fellow Indio performers and a growing New York City act which goes by the name Guards. As the room steadily filled, the early birds were treated to a whirlwind of indie rock that played heavily on both pop and psychedelic elements, backed by one of the more aggressive fog machines I have witnessed. Their genuinely spirited stage presence made the audience more receptive to the thick sound they churned out early on a weeknight. Their debut release In Guards We Trust is worth a spin, as it’s a good possibility they will gain momentum this summer.

Palma-Violets

Palma Violet’s debut album, 180, dropped in February to mainly positive reviews as the young Englishmen played their patented play on the ever-expanding genre of rock and roll. Yes, it’s decidedly labeled as BritPop, but the sound runs much deeper as elements from American music can be found, as well. Comparisons aside, Palma Violets, consisting of Alexander “Chilli” Jesson(bass/vocals), Sam Fryer(guitar/vocals), Peter Mayhew(keyboards) and Will Doyle(drums), are a band to behold onstage in a live setting.

“Johnny Bagga’ Donuts” would be the first song, and from the first notes it was evident that these lads are in this whole thing to have a good time, and by extension, make the crowd join them. The enthusiasm is through the roof, whether via their hype-man/roadie that goes by Harry Violent or the band’s pension for joining the crowd, instruments and all. Early in the show, the two singers vocally resembled the full Cockney rasp of Joe, Mick and Paul of the Clash, and the stage energy mirrored the punk legends just enough. Add the warm synths that mixed into the thrash of bass and guitar, and the sound does come across as fully unique, while strangely familiar. “Chicken Dippers” showcased the vocal range of Sam Fryer as his voice lowered to a low baritone à la Julian Casablancas or Paul Banks. “Best Friend” was featured mid-set and received the most applause from the crowd, per the usual for an up-and-coming group’s fiery first single. One aspect that initially attracted me to 180 was the range of rock styles and sounds Palma Violets have managed to both cover, especially from guys not old enough to drink in the States.

One was not surprised when the encore came around that the band would close with a bang, and not a whimper. The mysterious ‘secret song’ off their release is entitled “Brand New Song.” Though not technically the most mind-blowing of their tracks, it is an uproarious anthem that celebrates all the fun of youth while demonstrating anything can and may happen at a show.

Savages display range & rage at The Independent

SavagesPhotos by Marc Fong // Written by Mike Frash //

Savages with No Bra //
The Independent – San Francisco
April 18th, 2013 //

London-based rock band Savages displayed range and rage that went through the roof on Thursday at The Independent with No Bra attached as support.

The all-female post-punk rockers have made quite the impression so far this year. They made a big slash at South by Southwest in March, and now the quartet is finishing up the U.S. leg of its tour at Coachella before heading back across the pond to perform in the UK and Europe over the next few months. And this has all happened without Savages having dropped their first album.

Lead singer Jehnny Beth is a stoic force onstage, constantly projecting strength by flashing fierce, wide eyes and holding traditional masculine body language alongside her bandmates in Gemma Thompson (guitar), Ayse Hassan (bass) and Fay Milton (drums). It’s refreshing to witness an act live as exciting as Savages, which successfully flips gender stereotypes on their head with ease.

But after catching them at this show in SF, you can bet that we will be spinning their debut LP Silence Yourself when it’s released stateside on May 7th via Matador Records.

Setlist:
No Face
Shut Up
City’s Full
Strife
Waiting for a Sign
Flying to Berlin
Another War
Give Me a Gun
Hit Me
My Condition
I Am Here
She Will
Husbands

Vampire Weekend at Fox Theater Oakland 4/17

Vampire-WeekendPhotos by Marc Fong // Written by Molly Kish //

Vampire Weekend with Tanlines //
Fox Theater – Oakland
April 17th, 2013 //

Vampire Weekend stopped by the East Bay on Wednesday night to a sold-out Fox Theater. Following the opening act dance party provided by the New York electro outfit Tanlines, the crowd’s energy was high and filled with anticipation for the east coast darlings to take the stage. Near identical to their Coachella performance on Sunday, the band rattled off a set list full of fast paced hits with no time for banter in between.

Vampire Weekend gave a teaser of their forthcoming album playing the two recently released singles “Diane Young” and “Step” and Ezra Koenig said they will have a setlist full of new material when they return in August. Be sure to catch them this summer at Outside Lands 2013, providing a welcome burst of energy to a festival bill near you!

Coachella 2013: Top sets during Weekend 1

Coachella

Coachella Weekend 1 came and went like a flash as it usually does. The buildup is the slow part: You make your predictions, do your homework after the lineup drops, fret over the soul-crushing set times, then throw your plans in the trash and have some fucking fun.

T’was a unique weekend as each day was different from the other, and not just by which acts were on what stages at any given time. Friday, the masses showed up early and entry was a hassle due to it, and a few gate-crashing episodes due to slow security lines raised anxiety even before stepping foot in the concert venue itself. However, the majority did not stick around for the midnight action shared between highly buzzed acts. Saturday brought a more unified crowd to sing along to the Femmes classics and nervously await a certain special guest to make an appearance with Phoenix. As a whole, this was the best day for the overall experience we have come to know and love out in Indio. Sunday was a bit mild on banner moments, and the winds seemed to dominate as a theme, both for those withstanding and those retreating the gale. Goose pimples and bandana face-masks were plentiful as the event winded down, just to do it all over again next week. Even with a musically less eventful Coachella compared to year’s past, it was the musical adventure so many long for year round.

Here are the most memorable sets we witnessed, for better or worse.

Day-1--PPIT

The Shouting Matches • Gobi Tent, 2:05 p.m.
Coachella Weekend 1 featured a premier performance from Justin Vernon’s über-blues project. The Bon Iver frontman played it cool most of the set behind dark glasses, laying out thick, bluesy guitar riffs. Jack-of-all-trades Phil Cook took over stage banter duties for most of the set, allowing Vernon to try his hat at slow-grinding bluesman. The Shouting Matches explored a couple lengthy jams that worked well. -MF

Dillon Francis • 2:30 p.m.
Crowds swelled rather early compared to year’s past, and many eager youths were chomping at the bit with the lengthy entry lines trying to catch the buzzy Dillon Francis. An upgraded, arena-sized Sahara tent was packed early on with throngs of fresh attendees bouncing to “Bootleg Fireworks” and other stylistic electronic mash-ups for the primarily under-21 masses. -KQ

Jake Bugg • Mojave Tent, 3:05 p.m. TOP SET
The teenage prodigy Jake Bugg impressed thoroughly at his early tent set, but it wasn’t only due to his excellent acoustic versions of “Two Fingers” and “Simple As This.” Bugg plugged in and let loose with his electric guitar for about half the set, and these songs proved to be the most successul and surprising. The young British singer-songwriter has already honed his live skills and is worth seeing live before his next trip through the states, when he’ll be packing theater-sized venues. -MF

Divine Fits • Outdoor Theatre, 4:35 p.m.
Britt Daniel (Spoon) and Dan Boeckner (Wolf Parade) brought their newish outfit to the Outdoor Theatre for an afternoon of power-pop rock. Coupling the unmistakable vocals of Daniel with the heavy chorded guitar romp that is Boeckner added up to an impressive performance. “My Love is Real” was a highlight as drummer Sam Brown of New Bomb Turks added thick rhythm for the sun drenched crowd to sway and stomp to. -KQ

Japandroids • Gobi Tent, 5 p.m.
Vancouver-based duo Japandroids had a tough time getting started due to sound issues, something that permeated the Gobi Tent Friday (the sound at TNGHT & Earl Sweatshirt was muted, but FOALS sounded great). Finally the set appeared ready to begin, until Brian King ran off stage, most likely to take a piss. David Prowse followed him offstage, then they returned to the stage to start “Fire’s Highway,” and we all discovered the sound was as shitty as it was when they were sound-checking. I’ve heard Japandroids play with immaculate sound quality, so it was time to move on… -MF

Japandroids

∆(Alt-J) • Mohave Tent, 5:20 p.m.
This british quintet was a highlight of the day as it charmed a large crowd with the band’s quintessentially unique take an indie rock, playing heavily off debut album An Awesome Wave. Cartoonish may be the best way to describe the singing style of Joe Newman, but once you’ve acquired the taste, it’s no joke and it shined brightly in the Mojave Tent. “Breezblocks” received a wonderful reception as revelers shook and weaved to the hypnotic rhythm while reciting the grand chorus. -KQ

Local Natives • Outdoor Theatre, 7 p.m.
A calm mellow fell over the crowd for the majority of the Local Natives sunset time slot at the Outdoor Theatre. Some enjoyed the slightly closer and better beer garden, while others neatly filled a sizable chunk of real estate in front of the stage. “Sun Hands” was the perfect shock to attendees before sending them back out into the great wild that is the Empire Polo Club. -KQ

Dog Blood • Sahara Tent, 7:40 p.m.
Combine Skrillex and Boys Noize and you have the two-headed EDM monster fans are getting to know as Dog Blood. This recent collaboration made waves at Ultra this year, and they blew minds in the thickly packed Sahara for a hard driving amalgamation of many of the current electronic styles. The sound resonating from the beefed up DJ booth wasn’t fully Skrillex, nor Boys Noize, which was refreshing to hear from these two superstars. -KQ

Yeah Yeah Yeahs • Coachella Stage, 8:40 p.m.
Karen O commands crowds with the best of them, and every big performance from Yeah Yeah Yeahs confirms her place as one of the most enigmatic bandleaders of our time. She oozed intensity and sensuality while bopping all over the largest stage during hailed tracks like “Zero” and set closer “Maps.” The new tracks sounded as artsy and danceable as ever and Mosquito is sure to catch some serious attention as they prepare for a lengthy summer season. -KQ

FOALS • Gobi Tent, 10:50-11:40 p.m. TOP SET
FOALS destroyed their set against tough competition, making everyone present forget they were missing Blur & Jurassic 5. “Inhaler” and “Milk & Black Spiders” from FOALS’ 2013 LP Holy Fire were set highlights, but tracks from all three of their full-length records were present in the setlist. The British group is pure fire in concert, producing surprisingly technical live versions of their songs while at the same time extending or intensifying some sounds or instruments in response to the audience reaction in the moment. -MF

FOALS

How to Destroy Angels • Mojave Tent, 12 a.m. TOP SET
Trent Reznor’s new project took the stage for the second time ever, and the multi-dimensional presentation wowed the surprisingly sparse crowd in the Mojave Tent. “The Wake Up” began the set with the group veiled behind a curtain of white strings, creating an eerie outline of Atticus Ross, Rob Sheridan and the mystifying Marqueen Manndig. Presentation appeared to be key in the short time this act will be on the road before the return of NIN, even though the wall of sound aspect was a treat for the diehard fans of Reznor and everything he touches. -KQ

How-to-Destroy-Angels

Earl Sweatshirt • Gobi Tent, 12:05 a.m.
Sure, Friday at midnight was undoubtedly one of the most stacked schedule times, but the lack of throngs at Odd Future wunderkid Earl Sweatshirt’s banner set showed that one can’t be in more than one place at a time, which is a massive dilemma at Coachella. New single “Whoa” was delivered confidently, even if the sound was less than stellar. Tyler, the Creator aided his LA bud on old rarity “Orange Juice” and crowd favorite “AssMilk” while climbing scaffolding and generally causing a ruckus. -KQ

Day-2

Danny Brown • Outdoor Theater, 3 p.m.
Another moderatly hot day welcomed the wrist-banded festivilians to a more unified day and night compared to the calm finish of day 1. Detroit-born, gap-toothed hip-hop artist Danny Brown brought a feverish set of his unique brand of profane-ridden tunes to the Outdoor Theatre. His nasally delivery could be compared to Andre 3000, while his melodic flow is so neatly packed and wickedly clever it makes folks chuckle in awe. -KQ

Zane Lowe • Yuma Tent, 3 p.m.
The BBC 1 Radio DJ hailing from New Zealand played a spirited set of electro-house in the new official sixth stage. The Yuma Tent was an air conditioned oasis for dance purists needing a respite from the elements while also not wanting to rest their dancing feet. A hard wood floor was a proper addition to this space. Lowe kept things straight ahead, pounding the sizable system with original beats and a mixed set of dance styles before the tent packed up for The 2 Bears.

The inaugural Yuma Tent was so intimate with such quality DJs that most festival-goers did not have the opportunity to see some highly anticipated shows. Many people bought tickets for Coachella this year so they could dance to their favorite progressive DJs, but ultimately you had to sacrifice lots of other shows and wait in long lines to experience the Yuma Tent. This should be remedied for 2014, as Jamie xx would have probably filled out the Mojave Tent. Make the Yuma Tent bigger. -KQ

Yuma-Tent

Ben Howard • Outdoor Theatre, 4:10 p.m.
Ben Howard, another Brit, brought his soft semi-folk-rock material to a scorching Outdoor Stage, and the tunes he played were pretty standard. That is until “The Fear,” which built to an explosive peak not captured on Every Kingdom. It might have made sense to put 2 Chainz on the Outdoor and Ben Howard in the Mojave Tent based on the crowds. -MF

Ben-Howard

Violent Femmes • Coachella Stage, 6:05 p.m.
Many weren’t aware that this was to be the first show from the folk-punk legends in over six years. Furthermore, many of the younger patrons were likely completely unfamiliar with this act besides the occasional play on KROQ and other national alternative rock radio stations. What a surprise when they launched into their self-titled premier album, playing it in full. Classics like “Blister in the Sun,” “Add It Up,” and “Gone Daddy Gone” were passionately crooned by the majority of the crowd. -KQ

Major Lazer • Mojave Stage, 6:25 p.m.
Why Major Lazer didn’t play the Sahara is a mystery to me, but the EDM masses made the rare pilgrimage to Mojave to lap up Diplo’s worldly party. A frenetic set kept everyone jumping to Major Lazer hits like “Pon de Floor” and the ubiquitous Baauer banger “Harlem Shake” alike. Jillionaire is one helluva hype man keeping the crowd fully engaged at every track, instructing the crowd to remove their shirts, hold them in the air, eventually demanding they be tossed into the desert air in dance ecstasy. Many bros obliged. -KQ

Major-Lazer

Hot Chip • Coachella Stage, 7:35 p.m.
What a perfect sunset Saturday dance party. It was a set full of hits like “One Life Stand,” “Over and Over,” & “Ready For The Floor,” along with the amazing “Flutes.” This show conflicted with Yeasayer, Grizzly Bear, & Julio Bashmore, so there was plenty of room to shake it. Guitarist Pat Mahoney, also from LCD Soundsystem, added a busy 70’s guitar riff to many songs, including most of the new tracks from In Our Heads. -MF

The Postal Service • Coachella Stage, 8:50 p.m. TOP SET
The Postal Service show was surely one of the best pop sets of the weekend thanks to Jennie Lewis. Ben Gibbard, Jimmy Tamborello & Jen Wood were flawless as well, but Lewis’s sultry charisma, timing and all-around perfection made this a top set for me. From the building beat in “The District Sleeps Alone Tonight” to the outro of “Brand New Colony,” where “everything will change” was repeated until the session ended, the crowd was zoned in. As the last line was harmonized, I looked up to see all the Coachella spotlights meeting at a point in the sky directly above us and instantly was struck by goosebumps. -MF

Descendents • Outdoor Stage, 9:05 p.m.
Milo Aukerman and band were treated to an evening slot on the 2nd largest stage, up against the breezy Postal Service reunion. Manhattan Beach local punk legends treated their fans to classics like opener “Everything Sucks,” “Suburban Home,” and “I’m the One.” Though Aukerman’s voice is not the youthful squeal it once was, they still deliver in a pleasing way, especially to a home town-ish crowd that grew up on their classic releases. -KQ

Moby (DJ set) • Sahara Tent, 9:55 p.m.
It was another tough conflict-ridden time slot, as The xx, Two Door Cinema Club, Janelle Monáe & Franz Ferdinand all rubbed up against one-another. So how the hell did I end up at Moby? It’s a good question, and one I haven’t quite figured out yet. Sometimes, after all the planning, it’s best to go by your mood and follow your friends. That’s what happened here, and I’m glad I did. I was prime for for a euphoric dance party, and this DJ set from Moby sampled from a large variety of music and pop culture to create a fun, upbeat show. -MF

Moby

Phoenix • Coachella Stage, 11:35 p.m.
When Daft Punk is confirmed in the house, and they play a preview video the night before, and you consider Daft Punk showed up with Phoenix at Madison Square Garden in 2010, it’s kind of a no brainer to see the Phoenix set just in case. Well I became a sucker to the Daft Punk hype machine, but in this case I still won because I saw Phoenix perform live. R Kelly appeared as the special guest, spittin’ “Ignition” over a remixed “1901” and “Chloroform.” Thomas Mars has been finishing his recent shows by going to the back of the venue, thanking the audience, then crowd surfing back to the stage. Well, the crowd surfing didn’t quite work so well for the first festival try. Mars got hung up by grabbers multiple times, almost hung himself with his pink microphone cable, and he got knocked around on the dismount. The rest of the band had already extended the “Entertainment” reprise multiple times, and Mars was too winded to deliver the final line of the night. All he could get out was “Thank you Coachella!” I wonder if he’ll attempt this again Weekend 2. -MF

Sigur Rós • Outdoor Stage, 11:50 p.m. TOP SET
While a sizable chunk of the crowd awaited what potential surprise guest may come out with Phoenix on the Main Stage, a devote crowd enjoyed the sonic brain massage that is Iceland’s own Sigur Rós. Having seen this band since their first US performances, they are best enjoyed outside, whether it be in the fog swept fields of Golden Gate Park or the warm Indio evenings. The set featured a horn section, string section and a full piano, not to mention the Hopelandish, angelic singing and bowed guitar brilliance of frontman, Jónsi. Few live musical experiences can match up to the usual set closer, “Untitled #8,” and this rendition was no different. Truly one of the most transcendental builds in live music, it left most viewers floating out of the venue for the wrap to the second day. -KQ

Day-3

DIIV • Mojave Tent, 2:30 p.m.
Zachary Cole Smith has had a busy year after departing from Beach Fossils, but his diligence has paid off in dividends as DIIV has quickly garnered critical success as they win over new fans across the country. “Sometime” and “Doused” displayed their art-gaze rock style quite nicely among other tracks off the sublime album Oshin. -KQ

DIIV

Thee Oh Sees • Gobi Tent, 3:15 p.m. TOP SET
John Dwyer brought his disturbingly rocking flavor of psychedelic garage to the Gobi Tent for an unforgettable afternoon set. There was no let up after the first note (“The Dream”) as the pit grew and more joined in the pogo fever that swept the crowd during tracks like “Contraption/Soul Desert,” “Lupine Dominus,” and “Meat Step Lively.” Dwyer pulled Ty Segall from the VIP section to play tambourine the majority of the set, a nod to the tightness of the San Francisco garage-rock family. Look for a whirlwind summer as they release the scorching new album The Floating Coffin. -KQ

Jessie Ware • Mojave Tent, 3:45 p.m.
Jessie Ware is a star in the making. Her pop music has a dance edge to it, but it’s her natural charisma and mannerisms that communicate so effectively to the audience, making her super likable. She has a killer smile and knows she’s hot shit. “If You’re Never Gonna Move,” “Wildest Moments” and the rest of her tracks were well received, including an impromptu new song that she performed with her slightly embarrassed drummer Dornik Leigh to end the set. -MF

Jessie-Ware

Kurt Vile and the Violators • Outdoor Stage, 3:55 p.m.
As the winds started to relieve the weathered festival goers, Vile brought a cool breeze of his own to the Outdoor Theatre while Gaslight Anthem wailed on the big top. Vile couldn’t help but make a quip at the Springsteen-esque vocals pumping a good hundred yards from where he was churning out laid-back tunes. Opening with the title track off his recent Wakin on a Pretty Daze displayed his fondness for his new material, especially track “A Girl Named Alex,” which is quickly becoming a fan favorite. Vile and band may have been better served in one of the tents, but nothing fazed this prolific up-and-coming song writer. -KQ

Social Distortion • Coachella Stage, 6 p.m.
Orange County was fully represented by the legendary punk band Social Distortion and their fondly aging frontman, Mike Ness. What an honor for them to play the Main Stage, opening with “I Was Wrong” and including their stellar version of Johnny Cash’s “Ring of Fire.” They nodded back to the old days with a personal fave “Mommy’s Little Monster.” I applaud Goldenvoice in their decision to spotlight music that is quintessential to this geographic region of Southern California. -KQ

Tame Impala • Outdoor Stage, 6:25 p.m. TOP SET
As the gusty winds upgraded to blustery, Australian fuzz rockers churned up a storm of their own opening with “Solitude is Bliss.” Kevin Parker was visibly thrilled at the environment he found himself in, and this feeling was contagious to the crowd who were coming to the climax of their long weekend. This set was more exploratory than usual with an extended jam revolving around the heavy-as-lead single, “Elephant.” Palm trees swaying behind the Outdoor Theatre were all the visuals the fans needed, in total contrast to the Sahara rave, to reach even greater heights. “Enders Toi” was aborted as some of their equipment was giving the band trouble, luckily that didn’t distract the band from continuing on. “Half Glass Full of Wine” closed an impressive showing from the growing act that continues to thrill fans of rock and roll. -KQ

Tame-Impala

Pretty Lights • Outdoor Stage, 7:45 p.m.
The Pretty Lights show took place out in windy, open space, but that didn’t stop one of the best dance sets of the weekend. Derek Vincent Smith curated a varying set, beginning with his patented downtempo trip-hop/dubstep cuts, but then the set transitioned into Pretty Lights remixes, including Pink Floyd’s “Time” and his tripple-threat remix of Radiohead, Nirvana & NIN. Overall, the set was geared toward the masses or for someone’s first Pretty Lights show. Of course, the open air light show was excellent, and it didn’t matter that the screens had been lowered due to the sandstorm. -MF

Pretty-Lights

The Faint • Mojave Tent, 8:30 p.m.
Post-punk dance act the Faint have returned to the live circuit and regained their title as one of the most exciting bands to see, especially in a festival setting. Todd Fink sauntered out with his signature hat and launched into “The Conductor” before tearing through favorite “Glass Danse” off of the acclaimed album, Dance Macabre. With dance music and live rock becoming better bed fellows, one has to respect one of the originators from the last decade. “ParanoiaAttack” would be their last song, and everyone caught their breath before facing the now moderate sandstorm wreaking havoc on the polo fields. -KQ

Eric Prydz • Saharah Tent, 10:40 p.m. TOP SET
Choosing Eric Prydz to end the weekend was a rather easy choice, and it was done before we knew it would be smart to hide in the Sahara Arena to avoid the weather. The LA-Based Swedish DJ is worthy of headliner status at this point, as his progressive electro house is eclectic enough, unpredictable most of the time, and beyond fun. Prydz provided a massive exclamation point to a weekend that was packed with excitement. His hyperactive M83 cover of “Midnight City” was placed perfectly, and “Call On Me” signalled the end to the weekend musically. That was until the roadies decided to prank the buzzing crowd, continuously coming back and putting their arms in the air to falsely signal one more song. -MF

Eric-Prydz

What were your top sets? Leave a comment!

SF Show of the Week // Palma Violets at The Independent 4/23

Palma Violets - 180Written by Kevin Quandt //

Palma Violets //
The Independent – San Francisco
April 23rd, 2013 //

Palma Violets are currently on a whirlwind premier U.S. tour, hitting all the major demographics with a couple of banner festival sets at Coachella for good measure. On Tuesday, they will pull into SF for a headline bill at The Independent along with the Cults/Willowz off-shoot, which goes by the name of Guards.

Hailing from Lambeth, England, Palma Violets are a relatively new act creating their unique brand of garage-influenced rock. Tinges of psychedelia, coupled with the occasional organ flourish, add a refreshing depth to this new spin of the sound that made the world go crazy for the Arctic Monkeys a decade ago.

This traditional four-piece band garnered a wave of attention at the end of 2012, largely fueled by the breakout single “Best of Friends”. 180 is a charming rock LP that is sure to catch some ears in the coming months as the buzz swirls around these young lads. Tickets are available for $15, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Tuesday at 3 p.m.


Win-2-Tickets

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Purity Ring command attention at The Independent

Purity-RingWritten by Mike Frash

Purity Ring arrived in mid-2012 amid massive hype – they became one of the most anticipated groups in years after Megan James and Corin Roddick dropped “Ungirthed” in early 2011. Music blogs swooned over Roddick’s warped beats matched with James’ innocent, captivating voice.

Since releasing Shrines to critical acclaim, Purity Ring has repeatedly proven themselves as innovators on the live circuit. They did it again Monday at The Independent, the first of a three night stand in San Francisco (they played again at The Independent Tuesday and will be at Bottom of the Hill Wednesday). The samples and lighting are controlled by Corin Roddick and his custom-made drum kit that looks like it was transported from the future. He hits 8 or 10 bulb-shaped apparatuses that rise up from crooked, vine-like arms as if he’s playing a normal drum kit, but with each contact the cocoon lights that surround Megan James’ performing space react and change with a hypnotic effect that parallels Purity Ring’s music. James’ stage presence shows strong range; she portrays an innocent, lost girl with a low-glowing nightlight then transforms to a powerful woman striking a massive war drum, commanding attention.

Now that Purity Ring is on their victory lap in San Francisco playing three sold-out shows between two weekends at Coachella, it’s clear that Purity Ring is part of music’s new mainstream – they may not be on the radio, but anyone that pays a bit of attention to new music has heard a couple of their tracks.

Upcoming Shows at The Independent
Savages – Thursday April 18
Deap Vally – Friday April 19
Palma Violets – Tuesday APril 23

Little Green Cars perform at The Chapel in San Francisco

Little-Green-CarsWritten by Mike Frash

Dublin-based Little Green Cars performed Thursday night at The Chapel in San Francisco as they work their way to Coachella. The harmonizing folksters will play a 12:30 set in the Gobi Tent Sunday.

Between Coachella weekends, Little Green Cars will bounce around the Southwest US, putting on intimate shows in San Diego, Phoenix & Los Angeles before heading home for a European tour. They are currently touring in support of their new LP Absolute Zero.

Coachella conflicts: 2013 set times announced

Coachella-2013

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 12th-14th & April 19th-21st, 2013 //

Set times dropped Tuesday evening, and Coachella shared they had been battling agents all day to explain the delay. Sounds like a fascinating behind-the-scenes documentary …

Although set times didn’t unleash any surprise acts (what no Lou Reed replacement?), the brand new Yuma Dome is confirmed as the 6th main performance area, not including The Do Lab or Heineken Dome. The Yuma Dome will host Seth Troxler, DJ Harvey, Four Tet, Julio Bashmore, The 2 Bears, Jamie Jones, Jamie xx and so many more. This additional platform on the outskirts of the tents and Do Lab will be the anti-Sahara Tent with a minimalist-dance edge.


Friday features one of the most brutal headline conflicts in years. The Stone Roses are on a mondo reunion tour, while How to Destroy Angels and Earl Sweatshirt are playing their first major shows. Poliça will be performing in the Gobi Tent after The Shouting Matches, Justin Vernon’s (Bon Iver) new project. Vernon collaborated with the members of Poliça in his side project Gaynes. You connect the dots…

Toughest Conflicts:
• The Stone Roses vs. Earl Sweatshirt vs. How to Destroy Angels
• Blur vs. Grinderman
• Modest Mouse vs. Local Natives (SUNSET)
• Japandroids vs. alt-J
• Poliça vs. Jake Bugg
• The Shouting Matches vs. Youth Lagoon vs. Beardyman vs. C2C

Saturday headliners will depend on your energy and vibe, as Phoenix, Sigur Rós, Booka Shade, New Order and Knife Party will create inner-group conflicts. Upon seeing The xx above The Postal Service and Major Lazer at 6 p.m. while Moby sub-headlines the Sahara Tent, the “been fighting with agents all day” reference starts to make sense.

It’s almost as if Goldenvoice is attempting to set a new tone in the Sahara Tent this year after house-pop like David Guetta and Calvin Harris dominated last year. Are they challenging the Sahara stalwarts to go see Franz Ferdinand, Two Door Cinema Club or The xx … or go check out the Yuma during Moby?

Toughest Conflicts:
• Phoenix vs. Sigur Rós vs. Booka Shade vs. New Order vs. Knife Party
• Hot Chip vs. Yeasayer vs. Grizzly Bear (SUNSET)
• Danny Brown vs. Baauer vs. Savages
• Wild Nothing vs. Birdy Nam Nam vs. Action Bronson

Sunday will be a tale of two scenes. Eric Prydz and Disclosure will be packed while Dead Can Dance & Red Hot Chili Peppers should be relatively spacious. Tame impala secured a Sunset-ish slot, but Roodriguez and James Blake will be playing in the tents at the same time. Pretty Lights seems odd at 7:30, but he’s the only EDM artist to get a featured slot on an outdoor stage this year.

Toughest Conflicts:
• Eric Prydz vs. Disclosure
• Nick Cave and the Bad Seeds vs. OMD vs. The Faint
• Vampire Weekend vs. Pretty Lights vs. Father John Misty vs. La Roux (SUNSET)
• Tame Impala vs. James Blake vs. Rodriguez (SUNSET-ISH)
• Kurt Vile and the Violators vs. Grimes
• Thee Oh Sees vs. Jessie Ware vs. Jamie xx

Outside Lands Music Festival 2013: Lineup rumors vs. reality

Outside Lands

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 9th-11th, 2013 //

The best fest in the West returns this August! Many may disagree with that statement due to the fact that Outside Lands is geographically located between two other premier music festivals in Coachella and Sasquatch! (and don’t forget the gem that is High Sierra Music Festival), but the Northern California fest now in its sixth year that is organized and curated by Another Planet Entertainment has a lot going for it.

The location in Golden Gate Park on the west side of SF, surrounded by public transportation, is prime and convenient. The foggy weather allows for extended high-energy partying. The sun is nice and all, but not when you have to hide from it for half the festival. There are no beer gardens — carry around your world-class beer like the grown-ass adult you are. And the food! The beer! The wine! It’s local and delicious. Outside Lands has unmatched food and beverage selections for a music festival. And the music is pretty choice as well.

So, it got us thinking, who will be performing at Outside Lands in August? By taking a look at bands & artists touring this summer and the shows/festivals they have already booked, we’ve narrowed down the lineup possibilities and classified each outfit as “rumor” or “reality.”

UPDATE: We didn’t do half bad! The lineup was announced on Tuesday, April 16th.

OSL

Paul McCartney – Reality

Macca

Already announced as a headliner for Bonnaroo, Paul McCartney has been listed as a confirmed artist over at Last.fm. And based on Outside Lands’ history, this legendary act makes too much sense. Envision the polo fields chanting “naaaah, naah nah nanana naaaaaaah” to close out the weekend. Sounds better than a mailed in Happy Birthday (sorry Stevie).

Daft Punk – Rumor

Daft-Punk

Just … no. Don’t get your hopes up. Even though APE tweeted this recently:

APE-Tweet

A James Murphy DJ set seems more likely. Rumors swirled around Coachella, then Lollapalooza and Glastonbury after Daft Punk announced their new record Random Access Memories will be out via Columbia on May 21st.

Save it. The iconic French duo already said they will not be touring in 2013, but a 2014 tour seems likely once they update their live show to incorporate the new jams, which sound like true 1970s disco. Hope I’m wrong on this, but Daft Punk does not seem likely.

Green Day – RealityGreen-Day

Festival organizers mentioned last August that they had already booked a headliner for 2013. This immediately made me think Green Day, as they had three records pending release at the time. Green Day would certainly be playing festivals in support of the new material throughout 2013 (and they are), and the Bay Area natives have never played Outside Lands. There is a big gap in their touring schedule in early August as well.

Atoms for Peace – Rumor

Atoms-for-Peace

Thom York’s electronic/rock supergroup, which also features Radiohead producer Nigel Godrich & Red Hot Chili Pepper’s Flea, would be a suitable headliner at any summer festival. But the group will be touring Europe in July and have no dates set in August. Atoms for Peace announced an LA & Santa Barbara show October 16 & 17, so plan on seeing them at Treasure Island Music Festival.

Nine Inch Nails – Reality

NIN

Nine Inch Nails would be a great grab and a must-see headliner, and their current schedule makes it possible. They’ll be headlining Lollapalooza, and they have dates scheduled in Europe starting August 15, but NIN still has Outside Lands weekend open. The new NIN lineup is Reznor, Eric Avery from Jane’s Addiction, Adrian Belew from King Crimson, Josh Eustis from Telefon Tel Aviv and previous NIN members Alessandro Cortini and Ilan Rubin.

Mumford & Sons – Rumor

Mumford-and-Sons

Mumford & Sons have a gap in their schedule from August 9-11, and they will be in North America for Lollapalooza & Osheaga Music Festivals the weekend before Outside Lands. They will also be touring in North America after Outside Lands, so it’s possible they could headline OSL. But Mumford & Sons will be playing the Greek Theater Berkeley for three dates in late May, so Outside Lands seems far fetched. Tickets go on sale Friday at 10am are sold out.

Phoenix – Reality

phoenix

It already seemed fishy that Phoenix would skip the Bay Area during Fauxchella, opting for Davis over SF or Oakland. Then on Thursday The Independent added a last-minute Phoenix date for Monday April 1, and obviously many people did not score tickets. Phoenix is a confirmed headliner at Lollapalooza, then they have a gap in their schedule from August 9-11 before heading to Europe.

Queens of the Stone Age – Reality

QOTSA

Queens of the Stone Age will be at Outside Lands, as they are performing at Lollapalooza, then Squamish Music Festival in BC Canada right before and during Outside Lands. SF is the next logical festival stop.

Vampire Weekend – Reality

Vampire-Weekend

Just like QOTSA, Vampire Weekend are signed onto Lollapalooza and Squamish Music Festivals. Plan on Vampire Weekend being near the top of the Outside Lands lineup when it comes out.

The Postal Service – Rumor

Postal-Service

The Postal Service has a gap in their schedule from August 9th-11th, but they most likely will not be at Outside Lands. They have two dates lined up at the Greek Theater Berkeley, and there are tickets still available for the July 27th show.

Willie Nelson – Reality

Willie-Nelson

Willie Nelson falls right into the wheelhouse of Outside Lands legends that have played in the past. And the red-headed stranger will be playing at The Hollywood Bowl on Friday, August 9.

The National – Reality

The-National

The National will be playing the Greek Theater in Los Angeles on August 10th, so it only makes sense that they will be at Outside Lands on Friday or Sunday. Last.fm has already indicated The National is a confirmed group. The National into Paul McCartney to end the weekend would be a winning combination.

Other Likely Performers at Outside Lands:
The Lumineers
Pretty Lights
Macklemore & Ryan Lewis
Hot Chip
Grizzly Bear
Jurassic 5
Kaskade
FOALS
Crystal Castles
Gogol Bordello
Divine Fits
Fitz & the Tantrums
Band of Horses
Young the Giant
Edward Sharpe and the Magnetic Zeros
Toro Y Moi
Major Lazer
Ben Howard
Steve Martin & Steep Canyon Rangers
Tegan & Sara
Freighted Rabbit
Hall & Oates
Holy Ghost
DIIV
Wavves
Matt & Kim
Childish Gambino
Jessie Ware
Wild Nothing
Atlas Genius
Reignwolf
Baauer
Capitol Cities
IO Echo
Icona Pop
Wild Belle
Midi Matilda
Bear Mountain
Deap Valley
Diamond Rings
Little Green Cars
Family of the Year
Keys N Krates
The Neighbourhood

OSL