Kanye West to replace Frank Ocean as headliner at FYF Fest 2015 this weekend

FYF_post

FYF Fest //
LA Sports Arena & Exposition Park – Los Angeles
August 22nd-23rd, 2015 //

FYF Fest sent shock waves across the Internet less than two days before the festival takes place at the LA Sports Arena and Exposition Park, announcing that Kanye West will replace Frank Ocean as this Saturday’s headliner.

The festival officially released the news around 4:30 p.m. PT on Thursday, stating that Ocean had “decided on his own terms to cancel his appearance.”

FYF, now in its 12th year, changed its schedule in 2015, with music slated to go all the way up until 2 a.m. on Saturday and as late as 12:30 a.m. on Sunday.

The Frank-Ocean-for-Kanye-West trade isn’t the first shake-up to this year’s lineup. Earlier on Thursday, Resident Advisor reported that Ben UFO was forced to cancel his upcoming shows with Joy Orbison in Canada and the U.S., including his Saturday evening set in The Arena at FYF, due to visa issues. Orbison’s set had been extended by 80 minutes as a result, meaning that he was scheduled to perform for a total of two hours and 40 minutes, which might have been the longest festival set in the history of the modern-day music festival (or at least that we’ve ever seen). However, he is also dealing with visa issues — both him and Ben UFO are from London — and will now miss his FYF set after canceling his Friday night show in San Francisco at Public Works a few hours earlier.

UPDATE: FYF Fest announced the replacements for Ben UFO and Orbison on Friday evening. LA experimental producer Flying Lotus will perform a DJ set in The Arena from 8:10-9:10 p.m. on Saturday, followed by one of our favorite electronic musicians, Bonobo, hitting the decks from 11:15 p.m.-12:30 a.m. Both performances will be DJ sets.

Here is the updated schedule for this weekend’s festival:

SATURDAY SET TIMES

FYF Fest 2015 set times with Bonobo & Flying Lotus - Saturday

SUNDAY SET TIMES

FYF Fest 2015 set times with Bonobo & Flying Lotus - Sunday

Meanwhile, just last week, the two-day festival also announced that Deerhunter had canceled their performance, replacing the Atlanta indie-rock band with dance-punk outfit !!! (Chk Chk Chk), who we recently caught open for Hot Chip (read our review here) at the Greek Theatre.

Other big names performing at this year’s FYF Fest include Sunday headliner Morrissey, Bloc Party, D’Angelo and The Vanguard, Chet Faker, The Jesus and Mary Chain, FKA twigs, Purity Ring, Belle & Sebastian, Flume, Run the Jewels and Solange.

With all those acts already on the bill and now the late addition of Kanye, we have to say that we’re feeling pretty good about picking FYF as one of our eight California music festivals you won’t want to miss before the end of 2015. Single-day passes for FYF have long been sold out, but GA and VIP weekend passes can still be purchased for $175 and $329, respectively, here.

2015 FYF Fest lineup with Flying Lotus & Bonobo

FYF Fest unveils 2015 set times with later end times

2015 FYF Fest

FYF Fest //
LA Sports Arena & Exposition Park – Los Angeles
August 22nd-23rd, 2015 //

As the summer winds down, the 12th annual FYF Fest is almost upon us. With Frank Ocean and Morrissey set to headline the two-day festival near downtown LA next weekend, FYF has released its set times for both Saturday and Sunday. You can take a look at them below.

SATURDAY SET TIMES

2015 FYF Fest - Saturday set times

SUNDAY SET TIMES

2015 FYF Fest - Sunday set times

After ending the festival at midnight in previous years, FYF is taking things up a notch in 2015 with the music going all the way until 2 a.m. on Saturday. That should boast well for English analog electronic duo Simian Mobile Disco, who will put a stamp on Saturday’s festivities in The Arena after Frank Ocean finishes up on the Main Stage. The fun will come to an end a little bit earlier on Sunday, as FKA twigs will close up shop on The Lawn at 11:30 p.m. and is scheduled to play until 12:30 a.m. That’s still pretty late for a Sunday night at a music festival if you ask us. It’s why FYF Fest is one of our eight California music festivals you won’t want to miss before the end of 2015.

In other news, the festival announced yesterday that Atlanta indie-rock band Deerhunter have been forced to cancel their performance. In their place will be dance-punk outfit !!! (Chk Chk Chk), who we caught open for Hot Chip (read our review here) at the Greek Theatre earlier this week. !!! is scheduled to play The Lawn at 8:25 p.m. on Saturday.

While single-day passes for FYF have long been sold out, GA and VIP weekend passes can still be purchased for $175 and $329, respectively, here.

FYF Fest

Skipping FYF Fest? You can still see all these shows

2015 FYF sideshows

FYF Fest returns to the LA Sports Arena and Exposition Park this August for its 12th edition with an amalgam of trending indie in tow. It’s also one of our eight music festivals taking place in California that you won’t want to miss before the end of 2015.

But if you’re not keen on catching headliners Frank Ocean and Morrissey yet still want to see sub headliners like Bloc Party or The Jesus and Mary Chain without shelling out $175 for a two-day GA pass (single-day passes have already sold out, by the way), well then, you’re in a bit of luck.

FYF and Goldenvoice have announced a series of sideshows around the festival’s August 22nd-23rd dates, which include performances by Toronto experimental hip-hop/post-bop trio BADBADNOTGOOD, Northeastern legendary alt-rockers Dinosaur Jr. and even NorCal industrial hip-hop group Death Grips, who, if you can remember, broke up not all that long ago, reneging on an opportunity to tour with 90’s rock heavyweights Nine Inch Nails and Soundgarden last summer.

The sideshows start later this month, with LA’s own HEALTH kicking things off at The Echo before London-based post-punk revival band Savages finish the run off with a headlining gig at The Roxy on August 26th. It’s worth noting, however, that none of the sideshows will take place over the weekend of FYF, much like what Goldenvoice does in April by booking high-profile shows in and around Coachella’s two weekends.

Tickets for the sideshows go on sale at FYFpresents.com this Friday, July 10th at 10 a.m.


Here is the schedule for the festival’s upcoming sideshows with links to purchase tickets:

July 24th: HEALTH at The Echo // BUY TICKETS

August 19th: The Jesus and Mary Chain with A Place to Bury Strangers at The Fonda Theatre // BUY TICKETS

August 19th: Bloc Party at Glasshouse // BUY TICKETS

August 20th: The Jesus and Mary Chain with A Place to Bury Strangers at The Fonda Theatre // BUY TICKETS

August 20th: Bloc Party at The Roxy Theatre // BUY TICKETS

August 20th: METZ at The Echo // BUY TICKETS

August 21st: BadBadNotGood with Show Me the Body at The Regent Theater // BUY TICKETS

August 21st: NAILS at Echoplex // BUY TICKETS

August 21st: The Drums with Froth at Glasshouse // BUY TICKETS

August 21st: Lower Dens with Empress Of at The Echo // BUY TICKETS

August 21st: Dinosaur Jr. at The Roxy Theatre // BUY TICKETS

August 25th: Death Grips at Glasshouse // BUY TICKETS

August 26th: Savages at The Roxy Theatre // BUY TICKETS

August 26th: King Gizzard & The Lizard Wizard at The Echo // BUY TICKETS

2015 FYF Fest lineup

Treasure Island Music Festival unveils 2015 lineup featuring headliners The National, Deadmau5

Treasure Island Music Festival 2015

Treasure Island Music Festival //
Treasure Island – San Francisco
October 17th-18th, 2015 //

After bringing Outkast and Massive Attack to the bay last fall, Treasure Island Music Festival has released the lineup for its 2015 edition — and it’s another doozy.

Taking over the island in mid-October, Brooklyn indie rockers The National and Canadian progressive-house producer Deadmau5 will headline the two-day festival, while Robyn (with La Bagatelle Magique), CHVRCHES, The War on Drugs, Azealia Banks, Father John Misty, STS9, Run the Jewels, Panda Bear, Gorgon City and Jose Gonzalez are just some of the other highlights on this year’s bill.

But don’t sleep on some other artists further down on the poster, including Atlanta five-piece Deerhunter, Norwegian producer/DJ Cashmere Cat, San Diego post-hardcore band Drive Like Jehu, Ty Segall contributor Mikal Cronin and Canadian post-punk outfit Viet Cong, which we had the pleasure of witnessing at Rickshaw Stop back in March.

Tickets go on sale this Thursday, June 11th here starting at 10 a.m. and include two-day GA passes for an early-bird price of $149.50 (before increasing to $169.50) as well as two-day VIP passes for $315.

In the meantime, you can relive the best and worst of 2014’s festival here.

Treasure Island Music Festival

Sasquatch! continues to reign supreme as the Pacific Northwest’s premier music festival

Sasquatch! Music FestivalPhotos by Pedro Paredes // Written by Nik Crossman //

Sasquatch! Music Festival //
Gorge Amphitheatre – Quincy, WA
May 22nd-25th, 2015 //

2015 marked the 14th successful year of Sasquatch! Music Festival thanks to a hunch followed by a Pacific Northwest concert promoter. Back in 2002, when the U.S. festival scene was an infant, Adam Zacks decided to try his luck with an untapped market and bring the festival experience to the Pacific Northwest. The single-day festival sold out its first year, quickly validating Zacks’ hunch and setting the stage for one of the world’s most unique festival experiences.

Embracing the culture of the Pacific Northwest, Sasquatch! caters to the growing breed of indie-centric fans caring just as much about the festival experience (if not more) than the music itself. Over the last 14 years, Sasquatch! has become a “must-do” for festivalgoers and continues to impress with a stellar lineup playing against the majestic backdrop of The Gorge.

So, when I fell into tickets the week before the festival, I jumped at the opportunity to see some of my favorite bands jam out at Mother Nature’s cathedral. Having no campsite and no ride to/from the festival, I posted a Hail Mary message on the Sasquatch! Facebook page, asking a bunch of strangers to take me in as one of their own … and it worked! That’s when I realized Sasquatch! is more than the music — it’s coming together as a community to lend a hand and help a fellow human.

The two-hour drive from Seattle to The Gorge wet the appetite for the alluring landscapes to come. My two new friends and I arrived Friday afternoon, just in time to set up camp and catch the sun fall behind the mountainous horizon.

Sasquatch! - Little Dragon


Little Dragon

Friday

Kicking off the festival, Friday’s lineup included the sounds of Ought, Mother Mother, Gogol Bordello, Action Bronson, Angel Olsen, AlunaGeorge, Little Dragon, Of Monsters and Men, Sleater-Kinney and of course, Flume, the 23-year-old Australian DJ/producer who has been taking the electronic music scene by storm since dropping his debut album in 2012. Despite a little rain early Friday night, the festival was in full swing and the energy inside the grounds built on itself with each performance. The unique sound of Little Dragon had the crowd flowing together, sprinkling in rumors and heightened anticipation for SBTRK‘s set on Sunday night. “Will Little Dragon come out for ‘Wildfire’?!” By the time Flume dropped his first beat at the Bigfoot Stage, the energy was palpable and everyone could feel why this young DJ was chosen to close out Friday night.

Sasquatch! -  Modest Mouse


Modest Mouse

Saturday

With the loving melodies of Milo Green rushing over the Bigfoot State by mid-day, Twenty One Pilots picked up the tempo with an animated performance on the Sasquatch Stage, where the dynamic duo commanded their early-day crowd. Sylvan Esso threw down a Bigfoot dance party when their hit “Coffee” ignited the entire crowd to dance along with the ever-so-strange Amelia Meath on stage. Chromeo‘s love for themselves may only be surpassed by the massive turnout the funky duo brought to Sasquatch! main stage early in the evening. Their funk-tastic sound and vibrant stage presence was perfectly timed to set the stage for following acts like Glass Animals, Kiesza, Modest Mouse, ODESZA and Spoon. Kiesza took the El Chupacabra tent by stormy lights and surprisingly produced more vigor into the crowd than the Seattle duo ODESZA, who seemed to play a more mellow version of themselves than most are familiar with. Just down the hill from ODESZA, 22-year-old rock band Spoon spilled heavy guitar riffs over the crowd and presented an alternative ending to Saturday’s electronic scene. For the second night in a row, Sasquatch! closed out the night with a young, up-and-coming electronic act, staying true to their committed mix bag of new and established performers.

Sasquatch! - St. Vincent


St. Vincent

Sunday

Milky Chance wooed the crowd at the Sasquatch Stage in the late afternoon on Sunday with their unique electro-folk-reggae sounds, lead vocalists Clemens Rehbein’s deep, melodic vocals and the magnificent backdrop of The Gorge. Shortly after Milky Chance stirred the crowd, the unlikely future of rap, Kate Tempest, lived up to her reputation as a force to be reckoned with while showering the crowd with positive affirmations. The sun started setting behind The Gorge while the idiosyncratic St. Vincent moved so distinctly across the stage like an elegant robot, convincing the crowd they made the right choice. The sultry vixen Lana Del Rey attracted one of the largest crowds to the Sasquatch Stage on Sunday night. While Del Rey is not as active as some of her siren peers, her presence was not lacking. Captivating the masses while her white dress blew in the wind, Del Rey abandoned the stage to walk among her amorous fans before leaving her set early to pass the spotlight to an epic instrumental jam session by her band. Madeon, the 21-year-old child prodigy, proved himself once again in the El Chupacabra late on Sunday night when he led the crowd on a fantastic journey of impeccable mashups and psychedelic lights.

Sasquatch! - Slow Magic


Slow Magic

Monday

Monday was the last day of the four-day festival, and the crowds started to thin between the intermittent rain clouds playing hide and seek with the sun. Monday was also the day of drums, at least in the El Chupacabra. Armed only with a wolf mask, laptop and two drumsticks, Slow Magic kicked off the night in the Spanish-flavored tent with a one-of-a-kind experience. With his rare combination of synth and live drumming, Slow Magic is re-imagining electronic music as we know it. Not far behind the solo drumming DJ were the three-piece veterans The Glitch Mob. The trio conquered the stage with their new musical element “The Blade,” which combines both lights and instruments into something that looks like it came out of a space-age movie scene. Drumming their way into the bones of the crowd, The Glitch Mob elicited some of the most hands-in-the-air praise I saw all weekend. They closed out Sasquatch! with a bang, literally.

Sasquatch! Music Festival

Camping

The Sasquatch! campgrounds were far from organized, which presents pros and cons, pending what you’re after. The grueling trek from general camping to the grounds made going to the festival more of a commitment than many appreciated. After a few journeys to and from, premium camping seemed well worth the investment. The wheel-and-spoke layout of the grounds made it easy to find other campsites and stumble into the food trucks for a late-night zombie dog. The camping community itself was friendly and full of love for each other, inviting neighbors to play beer darts and other awesome lawn games.

Sasquatch! Music Festival

Activities

Despite the loving nature of the campers, the Sasquatch! campgrounds lacked the festival-sponsored activities so many of us have come to appreciate and expect like morning yoga classes at Coachella and personal development workshops at Lightning in a Bottle (LIB). The Sasquatch! community inside the grounds attempted to provide this outlet with a vintage arcade, self-defense demonstrations and community dance parties, but they fell short relative to other festivals. One could also argue the lack of art installations throughout the Sasquatch! grounds presents an area of improvement for the festival. That is, until they’re reminded of the natural art blanketing all of The Gorge. Well done, Mother Nature!

Sasquatch! Music Festival

Sustainability

While LIB has been dubbed as “The Greenest Festival in America,” you’d think all festivals would have a strong commitment to sustainably responsible business practices by now. This was an oversight for Sasquatch!, as recycling bins were nowhere to be found and trash cans were often overflowing — a pretty easy, yet significant improvement that needs to be made.

FYF Fest reveals 2015 lineup

FYF_post

FYF Fest //
LA Sports Arena & Exposition Park – Los Angeles
August 22nd-23rd, 2015 //

The 12th annual FYF Fest once again promises a delicious distillation of trending indie music, whether in the vein of electronic, rap or rock acts. Although, this year seems to be pretty lean in the traditional rock department.

Frank Ocean and Morrissey will headline the festival’s 2015 edition, while D’Angelo and the Vanguard, Deerhunter, Run the Jewels, Flume, Jon Hopkins, Spiritualized, FKA Twigs, Nicolas Jaar, Mac DeMarco, Thee Oh Sees and many more are also on the docket.

Produced in conjunction with LA concert promoter Goldenvoice, FYF will sell weekend passes for $175 and single-day passes for $109. Buy tickets starting this Friday, May 8th at 12 p.m.

FYF Fest

Killer Mike’s ‘fuck boy’ chant in response to fuck boy SXSW fan is all time

Run-the-JewelsPhotos by Alfonso Solis // Written by Mike Frash //

The music portion of SXSW got underway on Monday in Austin, and Run the Jewels were busy continuing their rise to the throne at the Spotify House. Then some shit went down …

Killer Mike was likely having a good day — Kendrick Lamar gave the substantive spitter a massive shout out in his new track, “Hood Politics,” which unleashed on Sunday. In contrast to Kdot’s “Control” verse that took on the genre at large, the praise for Killer Mike is particularly loud due to the lack of shout outs to others.

So as RTJ was firing up “Banana Clipper,” someone from the audience walked up on stage like he owned the place and looked to be on the hunt for El-P.

https://instagram.com/p/0TiTGRDvSV/

Killer Mike takes the role of bouncer with security seemingly minimal and hunts down the stage crasher with gusto.

The most appropriate part: this is the song where Mike later says, “I sent they mom a little cash and a sympathy letter/ Told her she raised a bunch a fuck boys, next time do better/ Bitch.” Mike reiterates this in his response to the situation:

https://instagram.com/p/0Tp-WSTc3Y/

“Fuck boy” is RTJ’s catch all for weak ass phonies, and the phrase is sprinkled throughout their two LPs. It represents everything El & Mike are against in their populist, antics-driven crusade for real. And Mr. Render’s response to the altercation feeds into RTJ’s growing influence and the moment perfectly.

The best part: Mike has El’s back and vice versa. These guys truly are brothers.

Run-the-Jewels4

Outside Lands 2015: Lineup locks, likely acts & long shots

1.OutsideLands2014_post

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 7th-9th, 2015 //

UPDATE: The lineup has been announced. View the full lineup here.

Outside Lands 2015 speculation season may now commence.

For the first year, wristbands will be used for all three-day GA and VIP tickets instead of paper tickets or PDF printouts. Could this be a sign that single-day tickets are a thing of the past?

As a comparison, Coachella moved over to wristbands the same year single-day tickets were abolished. If Superfly and Another Planet can sell out the entire weekend with only three-day passes, than why wouldn’t they punt on the one-day option?

We’ve looked at tour dates, researched competing festivals and considered Outside Lands’ curation history. Squamish Valley Music Festival in BC may be the same weekend from August 7th-9th, but those large metal flying birds make it so musicians can easily do both fests.

The same goes for acts booked in Europe the week after Outside Lands — many artists will play Lollapalooza or Osheaga, followed by Outside Lands, then they cross the pond for mid-August festivals abroad.

If you have a lead or opinion, drop us a comment below. We’ll be updating this list as new developments happen. So, allow us to play Nostradamus and offer these predictions.


Outside Lands fans

Lock It In

Kendrick Lamar – Ranger D tweeted he DLed KDot’s new album on March 16th, and he’s also headlining Bonnaroo.
Mumford and Sons – OSL fits their schedule between Squamish and their Washington “stopover.”
Tame Impala – These Aussie psych-rockers and APE loyalists are ready for a prime-time slot.
Deadmau5 – The mouse is atop many major lineups, including Bonnaroo, so his return to OSL seems logical.
St. Vincent – Annie Clark is worthy of headliner status, and she’s confirmed for Osheaga.
Sam Smith – The big question remains: Is he a Land’s End or Twin Peaks headliner?
Bassnectar – This APE regular is long overdue to helm Twin Peaks for a hometown blowout.
Hot Chip – Basically confirmed via Twitter. And they’re in LA on August 11th.
Wilco – The stars are aligning … Tweedy, Cline and company are confirmed for LA on August 5th.
Alabama Shakes – Playing Squamish. Remember how packed their first OSL appearance was?!?!
Run the Jewels – Accidentally confirmed on RTJ’s tour page and would mark OSL’s first B2B booking.
Sylvan Esso – They’ve played The Independent and Fox Theater Oakland in the past year, and they’ll be in the Midwest the week after OSL.
Django Django – Playing in LA on August 6th.
!!! (chk chk chk) – Played OSL four years ago, and they’re touring with Hot Chip in LA on August 11th.
Jeff the Brotherhood – Dates open and booked for Mumford “stopover” up north in Walla Walla.
Laura Marling – Playing LA on August 6th and a perfect selection for a Sutro Stage. (added March 17th)


Seems Likely

Elton John
The Black Keys
The War on Drugs
The Avett Brothers
Brandon Flowers
Death From Above 1979
Toro Y Moi
Of Monsters and Men
Interpol
First Aid Kit
Stromae
ODESZA
ScHoolboy Q
Gorgon City
The Kills
Slow Magic
Slightly Stoopid

Outside-Lands-2014_post


Looking Plausible

Drake (Downgraded to “Looking Plausible” 3/16)
Bruce Springsteen
Chance the Rapper
Caribou
Florence + The Machine (upgraded to “Looking Plausible” on March 18th with Osheaga announcement)
Axwell Λ Ingrosso
alt-J (upgraded on March 18th with Osheaga announcement)
Belle & Sebastian
The Decemberists (upgraded on March 18th with Osheaga announcement)
Flying Lotus
Father John Misty (upgraded to “Looking Plausible” on March 18th with Osheaga announcement)
Future Islands
Mac Demarco
Glass Animals
Hozier
Benjamin Booker
Alvvays
AWOLNATION
Strand of Oaks
Bahamas
Hiss Golden Messenger


Long Shot (but could happen)

Jack White
Sleater-Kinney
D’Angelo
Weezer (added March 18th with Osheaga announcement)
Jack Ü
Nas (added March 18th with Osheaga announcement)
TV on the Radio
Todd Terje
Gary Clark Jr. (added March 18th with Osheaga announcement)
Action Bronson (added March 18th with Osheaga announcement)
Viet Cong (added March 18th with Osheaga announcement)
Ben Harper & the Innocent Criminals (added March 18th with Osheaga announcement)
Marina & the Diamonds
MS MR (added March 18th with Osheaga announcement)
Charli XCX
Jamie xx
Kygo
San Fermin (added March 18th with Osheaga announcement)
Milky Chance


View our predictions from 2014.
View our predictions from 2013.

Outside Lands

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2014

St. Vincent at Fox Theatre Oakland // Showbams' Photo of the Year, by Pedro


St. Vincent at Fox Theater Oakland // Showbams’ Photo of the Year, by Pedro Paredes

Ah, year-end lists — they’re an exercise in subjectivity and personal experience if there has ever been one. But what better way is there to learn from each other and discover some great new music while capping off the year and beginning anew?

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2014.

The 25 Best Live Music Acts of 2014
Showbams’ Top 50 Albums of 2014

Listen to The Bam Team’s favorite songs of 2014:


Darkside at The Fillmore

Darkside at The Fillmore // Photo by James Nagel

Mike Frash // San Francisco

Top 5 Shows of 2014
1. Darkside at The Fillmore – San Francisco, CA – January 24th
Looking at my top five shows list for 2014, it appears I favor the weird, ya know, the good weird. This Darkside performance, the only SF show ever (for now) since Nicolas Jaar and Dave Harrington have put the project on indefinite hold, had patrons at The Fillmore in SF breathing and moving in unison. There was a magical feeling in the air as the hybrid of electronic and organic played out wonderfully with the duo tipping their hat to the past and setting a new standard for the brave new future of live music.

2. Panda Bear at The Fillmore – San Francisco, CA – May 22nd
3. tUnE-yArDs at The Fillmore – San Francisco, CA – June 6th
4. Phish at MGM Grand – Las Vegas, NV – October 31st
5. Volcano Choir at The Fillmore – San Francisco, CA – January 21st

Top 5 Albums of 2014
1. Run the JewelsRun the Jewels 2
Ever since Jamie and Mikey blew my mind performing Run the Jewels almost in its entirety at The Independent in August of 2013, I’ve been a loyal RTJ soldier. And without taking a break, El Producto and Killer Mike stepped it up to an even higher plateau with their production precision, an uncanny balance of fun and intense, while lyrically honing more on the important issues of our time. Sensing the unstoppable momentum, Run the Jewels are already heading back into the studio for Run the Jewels 3. When Mike was recently asked if they’d continue to name their albums numerically, he said “Why not?!? Zeppelin did it!” Exactly. Say it with me now: Festival headliners circa 2016?

2. The War on DrugsLost in the Dream
3. D’Angelo – Black Messiah
4. Aphex TwinSyro
5. The Antlers – Familiars

Top 5 Songs of 2014
1. Sturgill Simpson – “Turtles All the Way Down”
This is country music turned on its head, while staying mostly true to the hallmarks of the genre. Lyrically subversive while instrumentally emotive to the core, this song kept me coming back throughout 2014. It’s positive message of love winning over all else is certainly timeless, but when was the last time you heard a country tune tell a story of mind over matter transcendence? “There’s a gateway in our minds that leads somewhere out there, far beyond this place / Where reptile aliens made of light, cut you up and pull out all your pain.” Stirgill Simpson is as progressive as you can get within the realm of Americana, urging the listener to both think and feel.

2. St. Vincent – “Digital Witness”
3. Future Islands – “Seasons (Waiting on You)”
4. FKA twigs – “Two Weeks”
5. Flying Lotus – “Never Catch Me” feat. Kendrick Lamar


Nine Inch Nails

Nine Inch Nails // Photo by Rob Sheridan for NIN.com

Josh Herwitt // Los Angeles

Top 5 Shows of 2014
1. Nine Inch Nails & Soundgarden at Red Rocks Amphitheatre – Morrison, CO – July 21st
What a dream come true. Having the opportunity to see two of my favorite childhood bands at one of the best venues in the country would be hard to beat any year, let alone in 2014. Sharing the bill with Soundgarden on this tour, Trent Reznor made the most of a minimalist stage setup and trimmed-down lineup of sidekicks. Of the four shows (Red Rocks, Chula Vista, Irvine and Hollywood) I saw on this tour, this one felt particularly special. If this was one of the last times I ever got to see Nine Inch Nails perform live, it was a night I will never forget.

2. Jack White at The Fonda Theatre – Los Angeles, CA – June 10th
3. Cinquanta featuring Puscifer, A Perfect Circle and Failure at The Greek Theatre – Los Angeles, CA – May 10th
4. Queens of the Stone Age at The Forum – Los Angeles, CA – October 31st
5. Tool at Valley View Casino Center – San Diego, CA – March 16th

Top 5 Albums of 2014
1. The Black KeysTurn Blue
Akron’s favorite rockers answered the call this year, following up their Grammy-winning album El Camino with arguably their most ambitious effort to date — especially when you consider the turmoil that surrounded Dan Auerbach’s life at the time of its recording. Over the last five years, the Keys have become one of rock’s biggest bands, but they haven’t stopped taking risks as a result. Turn Blue dabbles in a myriad of styles, from the psychedelic sound of Pink Floyd on its opening track “Weight of Love” to the hip-hop groove on “10 Lovers.” For as many critics as they have, Auerbach and Patrick Carney have come a long way since their early years as strictly a blues duo.

2. The War on DrugsLost in the Dream
3. Jack WhiteLazaretto
4. Aphex TwinSyro
5. Death from Above 1979The Physical World

Top 5 Songs of 2014
1. Jack White – “High Ball Stepper”
Jack White seems to be on another level these days. The former White Stripe has grown into one of rock ‘n’ roll’s most exciting talents, and this blues-heavy, instrumental track showcases that better than any other offering on Lazaretto. White’s ferocious guitar riffs dominate the tune, taking listeners on an emotional roller coaster from start to finish. And when he plays “High Ball Stepper” live, the song takes on a new whole life of its own.

2. Foo Fighters – “Something for Nothing”
3. Interpol – “All the Rage Back Home”
4. TV on the Radio – “Happy Idiot”
5. Tycho – “Awake”


Jack White at BGCA // Photo by

Jack White at Bill Graham Civic // Photo by David James Swanson

Steven Wandrey // San Francisco

Top 5 Shows of 2014
1. Jack White at Bill Graham Civic Auditorium – San Francisco, CA – August 22nd
From the dramatic curtain drop that slammed into high-octane rock, this show never let off the gas. Even with a bum ankle, Jack White stalked the stage and held power over the crowd. When the slowest moments of a show are White Stripes ballads that you’re giddy to hear and the other half of the show is headbanging, guitar-slinging rock, it’s easy to see how this show cemented itself as the best of 2014.

2. Atomic Bomb! The Music of William Onyeabor at The Warfield – San Francisco, CA – May 6th
3. The War on Drugs at The Independent – San Francisco, CA – April 1st
4. Run the Jewels at Mezzanine – San Francisco, CA – November 14th
5. Duck Sauce at Outside Lands Music Festival – August 9th

Top 5 Albums of 2014
1. Flying LotusYou’re Dead!
This album makes me feel like I’m actually traveling through the underworld to the land of the dead. From front to back, the first thing that caught me about this album was its consistent message. Steven Ellison has an inviting sense of storytelling that’s infused with hip-hop but touches on an array of different music styles, involving a star-studded cast of guests, including Kendrick Lamar, Thundercat and Snoop Dog. I have a feeling Flying Lotus is on the forefront of creative hip-hop and that this album will prove to be influential down the line. More importantly, I just love listening to it. Taking wild turns from frenetic to serene, listening to this album from start to finish is a journey.

2. Aphex TwinSyro
3. Run the JewelsRun the Jewels 2
4. Future IslandsSingles
5. Tweedy – Sukierae

Top 5 Songs of 2014
1. Run the Jewels – “Oh My Darling Don’t Cry”
The minimalist production and deep, rumbling bass frequencies have helped this track become my No. 1 listened to on the album and also No. 1 for the year. The complimentary flow that El-P and Killer Mike have together is on display in this track. This cut has infected my brain like a virus (the good kind?), and I just can’t get enough.

2. Future Islands – “Seasons (Waiting on You)”
3. Sam Smith – “I’m Not the Only One”
4. Flying Lotus – “Never Catch Me” feat. Kendrick Lamar
5. Perfume Genius – “Queen”


Future Islands at The Chapel // Photo by

Future Islands at The Chapel // Photo by Pedro Paredes

Kevin Quandt // San Francisco

Top 5 Shows of 2014
1. Future Islands at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 12th
It’s been a banner year for the Baltimore darlings we have grown to love as Future Islands. Breaking through the underground touring circuit to being a highly sought-after festival act was quick and clean as the passionate stage performance of Samuel Harrington could not be ignored by growing audiences. A packed Gobi Tent was eating from the frontman’s palm as Herrington poured himself out on stage, belting out a set heavy on new tracks and old favorites. It was a pivotal point where both the band and audience knew that Future Islands had arrived at the next stage of their career.

2. The Cure at BottleRock Napa Valley – Napa, CA – May 30th
3. Phish at MGM Grand Arena – Las Vegas, NV – October 31st
4. Connan Mockasin at The Independent – San Francisco, CA – May 15th
5. Deerhoof at Great American Music Hall – San Francisco, CA – November 18th 

Top 5 Albums of 2014
1. The War on DrugsLost in the Dream 
Adam Granduciel had one helluva 2014 to brag about. His third studio album Lost in the Dream was an overwhelming success, and all for good reason as the lush waves of rock swell over the listener like a warm Christmas sweater, just less ugly than the one you wore to that one party. “Under the Pressure” opens this release in epic fashion and does not let up from there. Guitar rock is not dead!

2. Todd Terje – It’s Album Time
3. Run the JewelsRun the Jewels 2
4. D’Angelo – Black Messiah 
5. White Fence – For the Recently Found Innocent  

Top 5 Songs of 2014
1. Flying Lotus – “Never Catch Me” (feat. Kendrick Lamar)
Steven Ellison’s left-field meditation on death, as demonstrated on 2014’s release You’re Dead!, is not for everyone and is more about the full album than the sum of its parts (tracks). However, there is one shining beacon of a collaboration that could not be cast aside in the form of “Never Catch Me”. The partnership of one of the hottest MCs with one of the most sought-after producers was meant to be a brutally infectious slice of off-kilter street music. 

2. Caribou – “Can’t Do Without You”
3. Future Islands – “Seasons (Waiting on You)”
4. Beck – “Blue Moon”
5. Ariel Pink – “Put Your Number in My Phone”


Ryan Adams at Hardly Strictly Bluegrass 2014

Ryan Adams at Hardly Strictly Bluegrass 2014 // Photo by Pedro Paredes

Pete Mauch // Los Angeles

Top 5 Shows of 2014
1. Phish at MGM Grand – Las Vegas, NV – October 31st
Phish has made the tradition of covering other artists albums on Halloween, and this year they completely outdid themselves by covering essentially an album of only narrative and spooky sounds. The Disney-produced album The Thrilling and Chilling Sounds of the Taunted House was turned into a rock opera of sorts as Trey and company worked through completely new songs based off just minimal sounds, but the night didn’t just end there. The band played this rock opera sandwiched between two very strong sets of original Phish songs that could have held its own alone.

2. Lettuce’s Late Night in Red Barn at Summer Camp Music Festival – Chillicothe, IL – May 22nd
3. Future Islands at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 12th
4. Ryan Adams at The Fox Theater Pomona – Pomona, CA – October 11th
5. Todd Terje at FYF Fest – Los Angeles – August 24th

Top 5 Albums of 2014
1. Ryan Adams – Ryan Adams
When someone as prolific as Ryan Adams puts out a new record, you buy that record and you listen intently. The songs in his first self-titled album may seem simple at first listen, but they stay with you in the back of your mind until you just can’t take it and you re-listen again and again. This is exactly how what I’ve been doing the past few months since the release. Songs like “Gimme Something Good” and “Am I Safe” prove once again that Adams is still on top of his game.

2. The War on DrugsLost in the Dream
3. moe. – No Guts, No Glory
4. Todd Terje – It’s Album Time
5. Greensky Bluegrass – If Sorrows Swim

Top 5 Songs of 2014
1. Future Islands – “Seasons (Waiting on You)”
“People change / You know but some people never do / You know when people change, they gain a piece but they lose one too.” These lyrics are so uplifting and real, and the music to accompany these amazing lyrics ties the emotion perfectly together.

2. The War on Drugs – “Under the Pressure”
3. The Barr Brothers – “Come in the Water”
4. Temples – “Shelter Song”
5. Caribou – “Can’t Do Without You”


Old Crow Medicine Show at The Regency // Photo by Pedro Paredes

Old Crow Medicine Show at The Regency // Photo by Pedro Paredes

Pedro Paredes // San Francisco

Top 5 Shows of 2014
1. Darkside at The Fillmore – San Francisco, CA – January 24th
The album Nicolas Jaar and Dave Harrington put together in 2013 was a delight for the ears, but with the show they played at The Fillmore, they were going after every sense in your body. Jaar once said that Darkside’s music was more experiential rather than musical, and they surely succeeded in delivering one of the best musical experiences to all the lucky attendants on that cold January night.

2. Future Islands at The Chapel – San Francisco, CA – April 10th
3. St. Vincent at The Fox Theater Oakland – Oakland, CA – March 22nd
4. James Blake at The Chapel – San Francisco, CA – December 7th
5. Old Crow Medicine Show at The Masonic – San Francisco, CA – September 20th

Top 5 Albums of 2014
1. BeckMorning Phase
Beck’s Morning Phase follows the same breezy style as Sea Change, but the latter’s serenity seems to come from darker places. Morning Phase is, as the title suggests, a bit brighter and sets the tone for all the good things yet to come.

2. Run the JewelsRun the Jewels 2
3. Real EstateAtlas
4. The War on DrugsLost in the Dream
5. Perfume Genius – Too Bright

Top 5 Songs of 2014
1. alt-J – “Nara”
It is hard to isolate “Nara” as the best song of Alt-J’s latest album This is All Yours since the story told in it is not exclusive to that song and it comes back in different sections of the album (as well as in some of the musical arrangements). But “Nara”, a song about love, deserves to be listened again and again. The 2:58 mark is bliss to my ears.

2. tUnE-yArDs – “Water Fountain”
3. Run the Jewels – “Love Again”
4. Perfume Genius – “Fool”
5. Angel Olsen – “Hi-Five”


St. Vincent at Fox Theater Oakland // Photo by

St. Vincent at Fox Theater Oakland // Photo by Pedro Paredes

Andrew Pohl // San Francisco

Top 5 Shows of 2014
1. Nine Inch Nails & Soundgarden at Shoreline Amphitheatre – Mountain View, CA – August 24th
I had never seen either band live before and based on my experience, it was like they had never broken up or aged since the ’90s. Amazing stage/light shows to go along with what was hands down my most eagerly anticipated show of the year.

2. Cibo Matto at Slim’s – San Francisco, CA – February 26th
3. American Football at The Fillmore – San Francisco, CA – December 12th
4. Failure at Great American Music Hall – San Francisco, CA – May 14th
5. Crosses at The Independent – San Francisco, CA – March 30th

Top 5 Albums of 2014
1. St. VincentSt. Vincent
This album comes off like a chameleon, with many shifts but always staying very characteristically St. Vincent. I feel that she is one of the more important artists to come around over the last few years, and I am excited to see what she does next.

2. Nothing – Guilty of Everything
3. BeckMorning Phase
4. Fugazi – First Demo
5. The War on DrugsLost in the Dream

Top 5 Songs of 2014
1. Spoon – “Do You”
Spoon have a knack for throwing a good toe tapper in their albums. This song is short and sweet, and you cannot help but get caught up in its infectiousness.  

2. Ryan Adams – “Give Me Something Good”
3. St. Vincent – “Prince Johnny”
4. TV on the Radio – “Could You”
5. Nothing – “Bent Nail”


Arcade Fire at Shoreline Amphitheater // Photo by Justin Yee

Arcade Fire at Shoreline Amphitheater // Photo by Justin Yee

Justin Yee // San Francisco

Top 5 Shows of 2014
1) Future Islands at South by Southwest (Cheer Up Charlie’s) – Austin, TX – March 13th
2) Arcade Fire at Shoreline Amphitheatre – Mountain View, CA – July 30th
3) Chromeo at The Independent – San Francisco, CA – April 12th
4) James Blake at The Chapel – San Francisco, CA – December 7th
5) Outkast at Treasure Island Music Festival – San Francisco, CA – October 18th

Top 5 Albums of 2014
1) Future IslandsSingles
2) The War on DrugsLost in the Dream
3) ODESZA – In Return
4) Flying LotusYou’re Dead!
5) CaribouOur Love

Top 5 Songs of 2014
1) Future Islands – “Seasons (Waiting on You)”
2) Chromeo – “Come Alive” feat. Toro y Moi
3) Flying Lotus – “Never Catch Me” feat. Kendrick Lamar
4) Chet Faker – “1998”
5) Mac Demarco – “Let Her Go”


James Blake at The Chapel //

James Blake at The Chapel // Photo by Pedro Paredes

Eric Shaden // San Francisco

Top 5 Shows of 2014
1. James Blake at The Chapel – San Francisco, CA – December 7th
I feel bad telling friends about how great this show was since so few people were able to get tickets. An intimate venue hosting such a phenomenal artist was a no-brainer for my top pick. James covered hits from his albums as well as debuted new tracks and an incredible interlude of house jams. I just wish more friends could have seen this!

2. Chromeo at The Independent – San Francisco, CA – April 12th
3. Todd Terje at FYF Fest – Los Angeles, CA – August 24th
4. tUnE-yArDs at The Fillmore – San Francisco, CA – June 6th
5. Holy Ghost! at San Francisco Museum of Modern Art – San Francisco, CA – April 30th

Top 5 Albums of 2014
1. Run the JewelsRun the Jewels 2
What else can be said about this album that hasn’t been covered already? An outstanding sequel to Run the Jewels that expands on the original with top-notch production and punishing delivery from El-P and Killer Mike. Without a doubt my top choice of the year.

2. Syd Arthur – A Monstrous Psychedelic Bubble
3. D’Angelo – Black Messiah 
4. Sinkane – Mean Love
5. Todd Terje – It’s Album Time

Top 5 Songs of 2014
1. D’Angelo – “Sugah Daddy”
I imagine D’Angelo coming back with his long-awaited album in December showed which writers/blogs/etc. wrote their “Best of the Year” lists early. His style of soulful R&B is sorely needed, and “Sugah Daddy” is my favorite from the album. Looking forward to his tour in 2015!

2. Caribou – “Our Love”
3. Aphex Twin – “minipops 67 [120.2]”
4. Jungle – “Time”
5. Jamie xx – “Sleep Sound”


High Sierra Music Festival // Photo by Benjamin Wallen

High Sierra Music Festival // Photo by Benjamin Wallen

Benjamin Wallen // San Francisco

Top 5 Shows of 2014
1. High Sierra Music Festival – Quincy, CA – July 2nd-5th
2. Paul McCartney at Candlestick Farewell – Candlestick Park – San Francisco, CA – August 14th
3. Jamestown Revival at Great American Music Hall – San Francisco, CA – November 28th
4. The String Cheese Incident at Fox Theater Oakland – Oakland, CA – April 24th
5. Greensky Bluegrass at The Fillmore – San Francisco, CA – November 14th


Cali-Roots_fix

Scott Martin // San Jose

Top 5 Shows of 2014
1. California Roots Music Festival at Monterey Fairgrounds – Monterey, CA – May 23rd-25th
2. Rival Sons, Soft White Sixties & Sir Madam at The Fillmore – San Francisco, CA – September 25th
3. The Pimps of Joytime at The Independent – San Francisco, CA – February 15th
4. Caravan Palace & Rosin Coven at The Regency Ballroom – San Francisco, CA – April 16th
5. Jackie Greene at The Catalyst Club – Santa Cruz, CA – March 26th

Top 5 Albums of 2014
1. Bears Den – Islands
2. Milky Chance – Sadnecessary
3. Lana Del Rey – Ultraviolence
4. Mighty Oaks – Howl
5. Solstafir – Otta

Top 5 Songs of 2014
1. Bears Den – “Agape”
2. Bears Den – “Isaac”
3. Milky Chance – “Down by the River”
4. Mighty Oaks – “The Great Northwest”
5. Crosses – “Bitches Brew”


MIA at BFD // Photo by Marc Fong

MIA at BFD // Photo by Marc Fong

Nikki DeMartini // San Francisco

Top 5 Shows of 2014
1. MIA at Shoreline Amphitheatre for BFD 2014 – Mountain View, CA – June 1st
It had been four years since I saw MIA live and even though I’d prefer to see her play her own show rather than a set at a music festival, I was super excited to see her at BFD last summer. It was the first time in nearly 10 years that my cousin and I went to LIFE105’s annual summer show together. We lucked out and upgraded our tickets just in time to see MIA’s performance. Both of us were out of our seats, singing and dancing along to every song as soon as her set started. I was beside myself as MIA herself made her way off the stage, up into the seats of the venue and stopped near our row to spit lyrics as fans gathered and danced around her, myself included. I still can’t believe I danced with MIA!

2. OK Go at The Independent – San Francisco, CA – July 16th
3. Die Antwoord at The Fillmore – San Francisco, CA – May 22nd
4. Sylvan Esso at The Fillmore – San Francisco, CA – June 6th
5. MS MR at The Fillmore – San Francisco, CA – April 15th

Top 5 Albums of 2014
1. Sylvan Esso – Sylvan Esso
When I covered Sylvan Esso at The Fillmore earlier this year (when they opened for tUnE-yArDs), I had no idea who they were but ended up leaving the show a fan. Their self-titled debut album is an uplifting mix of danceable electropop tracks and indie rock that’s easy to lose yourself in. Their sparkly, layered and melodic sounds translate well whether you’re listening to the album or seeing them live. Sylvan Esso is one of three albums I bought in 2014, and it’s been on repeat ever since I picked it up.

2. Glass Animals – Zaba
3. Die Antwoord – Donker Mag
4. Iggy Azalea – The New Classic
5. First Aid Kit – Stay Gold

Top 5 Songs of 2014
1. Tove Lo – “Habits (Stay High)”
I really enjoy the simple percussion-driven melody and voluptuous vocals of Tove Lo’s hit single “Habits (Stay High)”. The subtle, yet engaging buildup to her belting, emotionally-charged lyrics has me singing along and turning it up every time I hear it on the radio. While it is very catchy, it’s not a super dancey song. However, it is a great go-to for karaoke. 

2. Die Antwoord – “Rat Trap 666”
3. Sylvan Esso – “Hey Mami”
4. First Aid Kit – “My Silver Lining”
5. The Dead Weather – “Buzzkill(er)”

Showbams

Showbams’ Top 50 albums of 2014

Best-albums-2014-coverBy Mike Frash, Josh Herwitt, Molly Kish, Steve Wandrey & Kevin Quandt //

Showbams presents the Top 50 albums released in 2014 (yes, all of 2014) that we just can’t stop listening to.

These are the albums that made us double-take upon first listen, while also being auditory art pieces that we continue to spin as we head into 2015. They are the bundles of songs that innovated and inspired us more than the rest, signifying musical progression, defining our time with a soundtrack that challenges traditional expectations, while boldly trekking into new frontiers of pop music.

Because as music continues to become more accessible, the bridge between independent and mainstream gets shorter each year.

The 25 Best Live Music Acts of 2014
Showbams’ Top 50 Albums of 2014

Listen to The Bam Team’s favorite songs of 2014:


1. Run the JewelsRun the Jewels 2

run-the-jewelsSo often sequels don’t deliver, but ascending hip-hop stars Killer Mike and El-P have simply progressed their brilliance as Run The Jewels one year removed from their first official collaboration. From the top of RTJ2, Michael Render manages to set a higher bar for pumped-up aggression, there’s more social activism laced throughout, more special guests that only add to the fuck boy-crushing populist mentality. And compared to RTJ1, there are more stand-alone gems that are primed for remixing and cultural integration. The sequencing is superb, and El and Mike are having more fun than ever as they tour the world and snowball momentum with their brand of hardcore, yet intricate rap that contains shades of weird. Like a championship baseball team, the songs in the two hole through cleanup hitter offer the biggest impact, wreaking instant classics upon us with masterful experimental production from El-P that emits new, subtle surprises the more you listen. As the album unfolds, tales of police brutality (“Early”), introspection and personal improvement (“Crown”), along with over the top raunch (“Love Again”) prove RTJ2 shines in every moment in a variety of ways through multiple lanes of success. -Mike Frash


2. The War on DrugsLost in the Dream

war-on-drugs-lost-in-dream-album-coverWhen a truly inspired artist borrows from the past while looking to the future, the outcome can be something fully new and exciting, which is what we have here. The brilliance of Adam Granduciel lies in his delivery, both musically and lyrically, crooning about the sometimes-not-so-simple intricacies of existence. Life, love and everything else in between can be tricky, yet Granduciel calmly assures us that things can work out.

Granduciel knows how to structure albums with the best of them — this acutely demonstrated via the nine-minute, sprawling opener “Under the Pressure”. First single “Red Eyes” keeps on a similar path as we sink deeper in, bobbing along to the pounding drum machine that has been a constant over the years for the Philly-based band. “Disappearing” takes us soaring above the clouds as we hear new, thrilling piano instrumentation with warm bass lines, creating a sense of weightlessness and flight. An extremely strong finishing track, “In Reverse” perfectly captures the fleeting minutes on this release before jarring us back into a slightly crueler reality. The long play of this record is so rewarding, and it grows with hopes that more can be brought into the light. Oh, and that the state rock ‘n’ roll is just fine. -Kevin Quandt


3. D’Angelo and the VanguardBlack Messiah

dangelo-black-messiahThere’s an intentional off-kilter spontaneity and cohesive force at the center of D’Angelo’s first album in 15 years, Black Messiah. The percussive and vocal syncopation here makes the off-beat feel natural — layered vocals get treated with filters and are multi-tracked to lend an unfamiliar presence to the back-and-forth vocal pitch shifts D’Angelo employs from line to line.

The end product is a record that possesses its own musical language, telling stories that are incredibly meaningful, but achieve balance between serious and playful, while always being sexy. The confusing, driving funk of the first two cuts give way to “The Charade”, which manages to hit a rare aural sweat spot of ultra-pleasurability. But then “Sugah Daddy” follows as an unplanned Sunday in the park, with vocal scats skipping along to the breezy song’s pacing. D’Angelo arguably can now join the ranks of the all-time great R&B/soul artists with the delivery of his long-awaited third record. -MF


4. Future IslandsSingles

Future IslandSingles jumps right out of the gates, showing its cards early, presenting the listener with Future Island’s trademark new-school, new-wave sound. Samuel Herring’s vocals are stunning as he pitches and growls through tales of the tougher side of love. It’s pretty, gripping and powerful while also holding certain pop sentiments, lending to an overall lightness while being arresting. “Seasons (Waiting On You)” is a quintessential slice of the emotion this band has become well known for both onstage and in the studio. “Doves” balances all the elements nicely, shining a light on the top-notch production featured on Singles. -KQ


5. Aphex TwinSyro

FINAL MASTER SYRO DIGIPAK.inddRichard D. James has been practically an enigma for the last decade plus, hiding out in a small Scottish village of 300 and releasing no new music as Aphex Twin since 2006. But the long layoff hasn’t changed the fact that he remains one of the most unique and influential electronic producers in the game today. Some of James’ best material on Syro comes early on, from his club-oriented mixes like “minipops 67 [120.2]” to the techno funk ­he crafts on the ensuing “XMAS_EVET10 [120]” and “produk 29 [101].” These aren’t beats designed to make you sweat your ass off — if anything, the cerebral nature of James’ work makes him the ultimate antithesis of the current EDM scene. -Josh Herwitt


6. Flying LotusYou’re Dead!

Flylo_youre_deadOn Flying Lotus’s latest record You’re Dead!, the Los Angeles producer forgoes the acid kool-aide test for a cyanide kool-aide dive straight into a fourth dimensional confrontation with the afterlife. You’re Dead masterfully trips through the journey of the soul into the next episode with sun-scorched psychedelia, 8-bit snapshots of g-funk and gorgeously redemptive jazz. The cold transition between the frantic jazz freak out of Kendrick Lamar featuring “Never Catch Me” and the cooled-out West Coast bounce of Snoop Dogg and FlyLo alter-ego Captain Murphy’s “Dead Man’s Tetris” highlights the producer’s prolific ability to craft varying hip-hop textures. FlyLo fully buries his new album’s death aesthetic through ecstatic, free-form layers of acid jazz and sprawling EDM planes of sound. -John Venanzi, Community Review


7. St. VincentSt. Vincent

St. VincentAnnie Clark ups the electronic ante on her fourth studio album. Branching out of her experimental indie-pop compositions, she embraces more cohesive arrangements that ironically focus her creativity on deconstructed production and sound obstruction. Both equally impressive in sound quality and sass, the opening tracks “Rattlesnake” and “Birth in Reverse” set the tone for the rest of the records’ exciting stylistic shifts and the intriguing unveiling of Clark’s gritty rock goddess persona. “Digital Witness” is a spot-on snapshot of our brave new 21st century day-to-day reality. Unapologetic, raw and sonically genius, St. Vincent is Clark’s breakthrough moment, and she appears to be doing it all with ease. -Molly Kish


8. Mac DeMarcoSalad Days

Mac DemarcoMac DeMarco’s signature style is here. It’s still fresh and in ways stronger than ever; it’s more pointed, focused and accessible. DeMarco is able to write in a way that allows the listener to easily empathize with him, as he turns his issues into ones that most of us have dealt with at some point. In “Chamber of Reflection”, it’s easy to really feel a sense of solitude. “Goodbye Weekend” sounds like a stoney Sunday afternoon coming to a soothing end. Every track has a personality of its own while holding up the overall ethos of the album. This album is lighthearted enough for multiples listens in a row with its breezy beach vibe, but also easily induces deep thoughts with its many lyrical gems. -Steve Wandrey


9. CaribouOur Love

our-loveWhat we have here is one of the most addictive albums of 2014. Our Love keeps deep house in its front pocket with steady beats per minute and an introspective mantra-centric lyrical conceit, but it’s also exploratory in nature, finding success in consistently building toward intense, euphoric plateaus. A steady flow of pleasant sounds ascend into impacting transcendence with “Can’t Do Without You”, “Silver” and “Your Love Will Set You Free”, and you must give Snaith extra credit for the masterful pacing and song-to-song flow — there is never a “skip ahead” moment. Like many classic albums, it opens up if you give it more time to radiate around your head, and listening to it becomes more pleasurable over time, even though it is mostly presented in poetic simplicity. -MF


10. Sun Kil MoonBenji

Sun Kil MoonBenji must be interpreted as a concept album about death, but more importantly, it’s about the importance details related to memory. For example, the title is taken from what seems like a throw-away line toward the end of the breathtaking “Micheline”. It’s powerful, visceral storytelling that is self-reflexive and biographical, yet so relatable that it compels personal introspection from the listener’s own experiences. Mark Kozelek’s lyrics are the centerpiece of the listening experience — they are so deep and resonant that the instrumentals and production are absorbed secondarily, although the stripped-down approach is intentional and noteworthy. Built around obsessing about the state of human demise — and the randomness of it — it’s easy to join Kozelek’s dire state of mind hours or days after listening. -MF


11. Todd Terje – It’s Album Time
12. Ryan Adams – Ryan Adams
13. Sharon Van Etten – Are We There
14. Spoon – They Want My Soul
15. Ariel Pink – pom pom
16. Beck – Morning Phase
17. Jack White – Lazaretto
18. The Black Keys – Turn Blue
19. Tycho — Awake
20. TV on the Radio – Seeds

21. Sturgill Simpson – Metamodern Sounds in Country Music
22. Tweedy – Sukierae
23. Jungle – Jungle
24. Temples – Sun Structures
25. tUnE-yArDs – Nikki Nack
26. Death from Above 1979 – The Physical World
27. Ty Segall – Manipulator
28. The Antlers – Familiars
29. Real Estate – Atlas
30. Angel Olsen – Burn Your Fire For No Witness

31. Cold War Kids – Hold My Home
32. Interpol – El Pintor
33. Alt-J – This Is All Yours
34. Swans – To Be Kind
35. Strand of Oaks – HEAL
36. White Fence – For the Recently Found Innocent
37. Freddie Gibbs & Madlib – Piñata
38. Phantogram – Voices
39. Broken Bells – After the Disco
40. SOHN – Tremors

41. The New Pornographers – Brill Bruisers
42. Thom Yorke – Tomorrow’s Modern Boxes
43. Karen O — Crush Songs
44. Chet Faker – Built on Glass
45. Woods – With Light and with Love
46. Cloud Nothings – Here and Nowhere Else
47. Kishi Bashi – Lighght
48. Mark McGuire – Along The Way
49. Courtney Barnett – The Double EP: A Sea of Split Peas
50. Adult Jazz – Gist Is

Run-the-Jewels4

The-War-on-Drugs5

10.future-islands

4.st-vincent

12.Ryan Adams

Sharon-Van-Etten_post

Spoon

Tycho

TVOTR

Temples

8.tune-yards

Real-Estate

Interpol

alt-J

The 25 best live music acts of 2014

Best-Live-Acts-2014_post

It’s that palpable sense of excitement in the crowd, how musicians can seize the moment and make you feel something unexpected or enlightening. Being able to connect with music through a collective experience is breathtaking when it happens, especially when you can tell fellow fans (and sometimes the artists themselves) are affected similarly. Nothing beats a transformative show that takes you to another place — or one that just fucking rocks.

Showbams covered many excellent bands, musicians and DJs throughout 2014 — the following 25 acts are our favorite live performers of the year.

Showbams’ Top 50 Albums of 2014
The Bam Team’s 5 Favorite Shows, Albums & Songs of 2014

Listen to The Bam Team’s favorite songs of 2014:


25.sylvan_esso

25. Sylvan Esso

Singer Amelia Meath’s voice sparkles with the tone of Feist and the intonation of Regina Spektor, while Nick Sanborn’s live production hits the sweat spot of trending sound in 2014 — the wobbles and looping vocals are somehow familiar and fresh all at once. -Mike Frash, photo by James Nagel


24.Fucked Up

24. Fucked Up

Now, it’s hard to not say that [Damian] Abraham is the show here. Not only because he is a musical madman who would rather be in the pit with his fans than on the stage with his longtime band, but also because frankly, the rest of the band seemed aloof at times. Sure, all but one help in the vocal department, but trying to compete for attention with Abraham would be a futile effort. The frontman, now shirtless (which is tradition), was cruising all over The Indy like a whirlwind. First, he was up in the seats on house right, and the next thing you know, he is having a full-blown mock-luchadore wrestling match with a fan in front of the stage. I kid you not. -Kevin Quandt, photo by Pedro Paredes


23.parquet-courts

23. Parquet Courts

Andrew Savage and his newly-grown Sideshow Bob-esque afro couldn’t help but remark on the younger members of the crowd having the time of their life; “Sure like watching you boys move around out there,” he stated with a smirk. “Stoned and Starving” was oddly missing from the night’s set, possibly a product of not being awarded the headlining set on this night. Whatever, Parquet Courts don’t give a fuck. -Kevin Quandt, photo by Kory Thibeault


22.disclosure

22. Disclosure

It was refreshing to witness intelligent dance music prospering, playing to an enthusiastic & packed Greek Theater Berkeley for the first ever “Wild Life”. Disclosure are revamping contemporary dance music by repurposing past elements into poppy, progressive packages, which is consequently influencing mainstream music in a meaningful way. -Mike Frash, photo by Sam Heller


21.Blood Orange

21. Blood Orange

Dev Hynes and company gifted us with a performance abundant in groove and energy. The crowd intensity quickly translated from the stage onto the entire venue, with the London-native acting as the master of ceremony, surrounded by talent. Samantha Urbani’s (Friends singer and Hynes’ girlfriend) vocals on “It is What It Is” were beautiful and hypnotic, and put the audience in a soothing stage that was only broken when Dev Hynes decided to bring the house down with an explosive version of “Uncle Ace”. -Pedro Paredes, photo by Pedro Paredes


20.deerhoof

20. Deerhoof

The ever evolving musical dialect that Deerhoof have created for them, and them alone is a big takeaway. The four members share a vernacular on stage that only they speak. Greg Saunier’ musical training allow him to ebb and flow with the other members on stage; never playing over Satomi’s dainty vocals while allowing Dietrich to expand on his freakish chords. -Kevin Quandt, photo by Greg RaMar


19.Rubblebucket

19. Rubblebucket

It should be stated that Kalmia Traver is one of the best frontwoman in the business. She truly is the full package as she sings with a rigorous passion, dances joyously, plays baritone sax and wins the adoration of nearly every member of the audience. Her dedication is refreshing and infectious. The group’s sound has evolved to a more varied palette as comparisons to Arcade Fire could begin to fester in one’s mind. -Kevin Quandt, photo by Kory Thibeault


18.Volcano Choir

18. Volcano Choir

It was the minimalist songs, complimented by reverent crowd silence and attention, that were the memorable highlights…attempts at discovering new sound spaces is an absolute success for Volcano Choir, making Bon Iver seem almost boring in retrospect. It’s understandable why Vernon said this might be his new band — Vernon’s claim to fame almost seems superfluous now. -Mike Frash, photo by Chaya Frash


17.connan-mockasin

17. Connan Mockasin

It’s about time that the US markets pay a little more attention to this dream-psych export that has made waves in a handful of international markets, and for good reason. Sure, the likes of Ariel Pink and Animal Collective are hailed as gods in the genre, but Connan has something a little more unique to offer us. -Kevin Quandt, photo by Pedro Paredes


16.Sun-Kil-Moon

16. Sun Kil Moon

Before launching into “I Watched the Film The Song Remains the Same”, something rather extraordinary happened. He looked at a young male fan in the front and asked why he had headphones on his head. Then Kozelek forcefully stated, “You look like a fucking douchebag”, filling the venue with tension and a bit of laughter. This happened right before playing a track about coming to terms with once bullying a kid on the playground in his youth. In the song he discusses the incident, “though I grinned, deep inside I was hurting.” It appears this whole incident was a creative, effective way to foreshadow and show his contradictory nature, as opposed to him being horribly passive aggressive. -Mike Frash, Photo Courtesy of Sun Kil Moon


15.sharon-van-etten

15. Sharon Van Etten

Despite her songs being so often daunting and bleak in nature, Van Etten was able to break up the heaviness with the levity of her between song banter. One crowd member shouted to Van Etten that she should do standup comedy, to which Van Etten responded, “So you’re saying my music career is over,” to even more laughter…Songs from her new release are much fuller in comparison to earlier Van Etten offerings and the benefit was instantly felt when performed with her talented band. -Mark E. Ortega, photo by Pedro Paredes


14.The National

14. The National

Grown to be more comfortable with themselves, poised and energetic with precise control, The National’s music is more accessible and impactful than ever before, and the group is pulling it off in front of the biggest audiences of their career. Slowly winning over fans for 15 years, The National have earned it. -Mike Frash, photo by James Nagel


13.Flume

13. Flume

In the past year, Flume’s set has become more sophisticated, led by a restrained approach that intermingles hip-hop, trap, R&B and rap. The drops are inverted in their intensity compared to traditional EDM, offering slight delays and unpredictable syncopation…his ability to curate a festival-sized mega party cannot be questioned at this point. Fortune favors the bold. -Mike Frash, photo by Josh Herwitt


12.Ryan Adams

12. Ryan Adams

Ryan Adams impressed this year with sets laced full of cuts from his remarkable self-titled album, his 14th and newest. At his headlining show at Hardly Strictly Bluegrass, Adams transitioned his endearing goof-spaz stage banter into an impromptu gem of a song revolving around a someone holding balloons in the back of the show taking place in Golden Gate Park. -Mike Frash, photo by Pedro Paredes


11.Outkast

11. OutKast

OutKast was the reunion tour of the year, hitting a festival in nearly every region of the world. While Big Boi is the consistent, poised professional day after day, his partner André 3000 a bit of a wildcard, as we all witnessed as he turned his back on Coachella audience on opening night. But Dré’s rhymes were clean and on point as he sported a jumpsuit that told you how he really felt night to night. -Mike Frash, photo by Marc Fong


10.future-islands

10. Future Islands

Sam Herring is in no rush, and he takes it slow while the bass line marks a steady beat. He wants the people not just to feel, but to listen as well, and he takes time to give some context before commencing a new song.It became clear that Herring is all about making a connection with the audience…his style seems to draw inspiration from multiple sources, and I can’t help but to be reminded of the insane intensity of Ian Curtis, the shamanic charisma of Jim Morrison, and the storytelling skills of Johnny Cash. -Pedro Paredes, photo by Pedro Paredes


9.darkside

9. DARKSIDE

Simmering melodic-based atmosphere moved to dramatic slow-builds, and Nicolas Jaar would introduce a track along the way — all while creating tension. Then well-deserved bass drops revealed themselves in both sneaky and progressive ways, establishing a prolonged release in the form of the crowd losing their shit to four on the floor house beats and body-shaking bass…One of the most memorable transitions came deep into “Paper Trails” when the drop developed over four quick beats in a measure, from no bass to full on bass domination. It was a striking example of Jaar’s original, crafty abilities in the moment. -Mike Frash, Photo by James Nagel


8.tune-yards

8. tUnE-yArDs

Driven by percussion, vocals and ecstatic hyperactivity, tUnE-yArDs win with a lighthearted, quirky mentality that skewers conformity…this show had all the indications of an essential live performance; the music was thoroughly impacting, and the crowd was completely immersed and wide-eyed throughout, taking in tUnE-yArDs’ breathtaking sonic concoctions. -Mike Frash, photo by Pedro Paredes


7.mac-demarco2

7. Mac Demarco

DeMarco’s fans screamed in sheer delight as he transformed himself into some sort of pop-slacker, earning hoots and howls from a bevy of females in the crowd. His rise to King Weirdo status has been swift, and it’s been for good reason. His likeability, coupled with his unique playing style, is pretty damned infectious, after all. -Kevin Quandt, photo by Pedro Paredes


6.Arcade Fire

6. Arcade Fire

Throughout the Reflektor tour, Arcade Fire premiered a new cover each night. For example, halfway through their epic Coachella set, the band broke into the opening notes of Blondie’s “Heart of Glass”, only to be joined by Debbie Harry of Blondie fame for this full rendition. Arcade Fire successfully cultivated a party atmosphere, adding to the high level of revelry already there. -Molly Kish, Photo courtesy of Arcade Fire.


5.run-the-jewels

5. Run the Jewels

Much like at a Phish or Die Antwoord audience, most everyone in the room at Run the Jewels was there in “full buy-in” mode, not worried about what someone might think of you by getting a bit too into the moment. Which, when you think about it, is pretty elusive for a rap act that is beloved by the indie blogosphere and its readers. Yet, there is a collective acceptance, a mentality that has bubbled up from impromptu social media memes, gifs and videos that are moving RTJ into mainstream mentality. -Mike Frash, photo by Alfonso Solis


4.st-vincent

4. St. Vincent

Captivating an audience has never been much of an issue for St. Vincent due to the incredible musical talent Annie Clark possesses. Her amazing skills as songwriter, lyricist and guitar-shredding icon are nearly unmatchable in contemporary pop. This tour however is incredibly unique, in that it finally showcases these undeniable aspects of Clark on a grand scale. From the production elements to various costume and instrument changes amidst an encapsulating set design, Clark has finally emerged as a true rock star. -Molly Kish, photo by Pedro Paredes


3.the-war-on-drugs

3. The War on Drugs

Adam Granduciel has arrived to the next level, as The War on Drugs have broken through the underground in a big way with their latest release entitled, Lost in a Dream. The subsequent, and long awaited, tour has been nothing short of fantastic as an expanded band has led to their most sonically pleasing tour to date. -Kevin Quandt, photo by Sterling Munksgard


2.atomic-bomb

2. ATOMIC BOMB! The Music of William Onyeabor

Luaka Bop founder and musical virtuoso David Byrne unearthed Onyeabor’s self-released eight album discography and organized a top secret live music project called “ATOMIC BOMB! The Music of William Onyeabor”, bringing it to life on stage at the Warfield Tuesday for the third time ever.

With an all-star cast of incredible artists, the Atomic Bomb! band took the stage in a handful of lucky cities to provide a near-religious experience (mock-secular program included), reviving the spirit of Onyeabor’s body of work. Lending their various talents to the incredible performance, Alexis Taylor (Hot Chip), Kele Okereke (Bloc Party), Pat Mahoney (LCD Soundsystem), Joshua Redman, Money Mark, The Lijadu Sisters and Sinkane (the musical director) were accompanied by Byrne (along with a full horn section and backing band). -Molly Kish, photo by Marc Fong


1.Jack White

1. Jack White

It’s been Jack White’s year on the live music circuit. His endless Bonnaroo headlining set this year is now a recognizable career milestone based on word of mouth alone. He severely twisted his ankle in SF and kept touring against the advice of his doctor. Jack seemed more focused and engaged than on prior tours, while also appearing authentic, positive, comfortable and likable. Labeled as grumpy, sad and controlling in the past, White embodied the ambassador of fun, and a sharp haircut seemingly signified the “new” Jack White further. The newest item of actual substance is that the man is in the prime of his career, playing truly epic shows, proving to be the biggest rock star in the world with grit night after night. Without question, Jack White is one of the best live artists of 2014 — and now with a humble, inclusive attitude, his stock should only rise further. -Mike Frash, photo by David James Swanson

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Killer Mike’s emotional soliloquy on police brutality starts St. Louis show with a heavy dose of real

killer-mikePhotos by James Nagel // Written by Mike Frash //

As El-P has pointed out on twitter today, “far as I can tell me and my squad are the only Motherfuckers who fought tooth and nail to get IN to STL Last night.”

Run the Jewels, the dynamic duo of El-P and Killer Mike, are the closest thing America has to some form of political protest in music these days, so it’s only appropriate that one of the biggest breakthrough acts of the year would be performing in St. Louis mere hours after the Ferguson grand jury decided to not charge Michael Brown’s killer, policeman Darren Wilson, with murder.

So as rioting began in nearby Ferguson, and before the National Guard was sent into Missouri, Michael Render took the stage to deliver one of his most powerful speeches ever:

“It’s not about race, it’s not about class it is not about color — it is about what they killed him for. It is about poverty, it is about greed & it is about the war machine…it’s us against the mother fucking machine.

While this must-see speech isn’t too much of a surprise — Killer Mike has made multiple appearances on cable news outlets in the wake of the Michael Brown tragedy and Ferguson protests and Run the Jewels are on our “best stage banter spewing musicians in live music today” list – the content of Mike’s speech should go down in history as the quintessential reaction to the Grand Jury not indicting policeman Darren Wilson for murder. There’s anger, passion and lust for revenge, but ultimately a call for non-violent protest.

El-P and Killer Mike will be donating the proceeds from the forthcoming Meow The Jewels remix project to the families of Michael Brown and other victims of police brutality.

RELATED: The Unexpected Cult of Run the Jewels
RELATED: 10 most important political protest songs of the last 50 years

Listen to “Ddfh’ for more on Run the Jewels’ take on police brutality.

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The unexpected cult of Run the Jewels

Run-The-Jewels-POSTPhotos by Alfonso Solis // Written by Mike Frash //

Run the Jewels with Ratking, Despot //
Mezzanine – San Francisco
November 14th, 2014 //

“A lot’s happened in the last week, but we are gonna give you a blockbuster night.” -El-P at Mezzanine

Populist leaders and destroyers of fuck boys, purveyors of high fives, hugs and grit-grime aggression that’s cartoonishly giddy, delivering dead-serious messages while inviting you the listener to join them — Run the Jewels operate in a self-imposed world of duality.

And since releasing Run the Jewels 2 on October 28th, the duo of Michael Render and Jaime Meline has exploded. Shortly after rave reviews started rolling out, their show at San Francisco’s Mezzanine sold out, and suddenly tickets were going for $150 into the thousands. Were the tickets being sold in the $800-$1,200 range on StubHub from fans extending RTJ’s penchant for absurdity? Or perhaps the exceptional amount of hype and well-deserved praise being showered on El-P and Killer Mike meant some engineer from Google or Facebook would actually pay 30 times face value. Either way, it shows how popular Run the Jewels have become.

Run the Jewels created this atmosphere by engaging with their audience online, enabling their biggest fans to feel like part of the RTJ inner circle, sharing the cultural torch that’s currently lighting the way to bigger and better things for El-P and Killer Mike. They’ve wisely relied on their audience, which is growing in volume at an exponential rate thanks to their open relationship both new and established media, but more importantly, by creating direct lanes with their fans.

Run-the-Jewels3

The Emergence of a Cult Following

Certainly it helps when your new record will widely be considered one of the best albums of the year, but El-P and Killer Mike’s non-stop promotional blitz has been rooted in engaging their supporters, with the half-joking deluxe album options that turned into the forthcoming Meow The Jewels remix record, giving RTJ2 away for free via social media and with Tag The Jewels, a truly worldwide street art project that has sea legs of its own. Run the Jewels have grown into a progressive, cultish movement, one that is completely inclusive, as long as you are on the right side of history.

The Tag The Jewels project looks to take the Run the Jewels hand sign from both RTJ album covers and turn it into an iconic mainstay. Outside of Mezzanine on Jesse Street this past Friday, the brand-new Run the Jewels tour bus hovered over the venue’s entrance with the RTJ2 album cover adorning its side. Unsurprisingly, fans took this opportunity to stand between the two mummy-fist-talons, turning their right hand into a two-fingered gun and the left into a fist holding a real or invisible 36” chain.

During their SF show, El-P and Killer Mike used the hand sign as a calling card much more than on their first tour, throwing up the signal as many as five times — and all the way to the back of the rectangular club space, show-goers mimicked El and Mike, even throwing the RTJ hand sign up on impulse to show love back to the artists.

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“It’s all love and respect.” -Killer Mike at Mezzanine

Much like a Phish or Die Antwoord audience, most everyone in the room at Mezzanine was there in “full buy-in” mode, not worried about what someone might think of you by getting a bit too into the moment. Which, when you think about it, is pretty elusive for a rap act that is beloved by the indie blogosphere and its readers. Yet, there is a collective acceptance, a mentality that has bubbled up from impromptu social media memes, gifs and videos, including El-P auditioning cats for Meow The Jewels by playing them “Oh My Darling Don’t Cry”.

In Run the Jewels’ return to SF, the guys seemed thoroughly blunted when they arrived on stage. They could barely open their eyes for the first few songs, but this didn’t thwart the lyrical precision we’ve come to expect. Relying on audience participation more than the last tour, something that is likely organic since people know RTJ’s material better now, the crowd committed to reinforcing each song with key words and phrasing, creating a sense that we’re all in this thing together. During the show, El-P candidly mentioned that everyone in the room are family, and “we are family now because you paid me.” The crowd was alive and engaged more than a large majority of most concert experiences, to which El-P tweeted post show as “the livest show I’ve ever had in San Fran in 15 years. fuck.”

Run-the-Jewels

Invigorating, Giddy Aggression

Run the Jewels’ lyrical violence is intended as a form of fantasy. Killer Mike made sure it was clear to FOX News watchers that his name refers to “killing the mic” when he went to discuss protests in Ferguson, Mo. And during El-P and Killer Mike’s recent hour-long interview with Microphone Check on NPR Music (a must-listen for fans of Run the Jewels), they spoke to this point:

El-P: “You’re listening to our record and you’re gonna grin. You’re in on the fun. This is not us threatening the listener … We’re not going on records and just being like ‘We’re gonna kill you!’ We’re having fun, and we’re also completely comfortable in our ridiculousness.”

Killer Mike: “And we understand you do want to kill people. But you can’t do that. So, let this be a way for you to kill people and then go back to work and don’t kill anyone.”

Mike is alluding to Run the Jewels as an outlet for invigorating, giddy aggression — to get that aggression out in a way that is cathartic, that doesn’t hurt other people, that is punk rock in its nature.

For example, in “Lie, Cheat, Steal”, Killer Mike states, “A revolutionary banging’ on my adversaries / And I love Dr. King but violence might be necessary / Cause when you live on MLK and it gets very scary / You might have to pull you AK, send one to the cemetery.” While Mike may seem like a civil rights leader more in the vein of the Black Panthers than Martin Luther King Jr., this example is about righteous self-defense.

Bottom line, it’s refreshing to see prominent rappers who are standing up for the good of the people, all people excluding fuck boys. You won’t see Run the Jewels putting down gay people, but most notably, Run the Jewels love women.

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On Charges of Misogyny

Before launching into the most controversial song off RTJ2, El-P said “This city [San Francisco] has taught me that there is a place for filth in your life.”

Rap music has always had a reputation for being somewhat connected to misogyny. But when I first heard “Love Again (Akinyele Back)” through the second minute of the record, I thought that it was a bit of a departure since El-P and Killer Mike have a clear history of celebrating women.

For example, they satirize date rape’s place in contemporary club culture with “Twin Hype Back” character Chest Rockwell, who says ridiculous things in a cheesy way that contrasts RTJ’s machine gun fire smoothness. In speaking to political power, El-P rhymes “There’s truth where the filth is / There’s lies in the law / You want a whore with a white dress / I want a wife in a thong” in “Angel Dust”. And in “Get It”, El says all he wants is “a castle / and to move like a man with a minimum of harassment / the company of women with opinions and fat asses”. You won’t find any obvious denigration of women in RTJ1 or in Mike or Producto’s solo work, so it sounded a bit odd hearing them get hyper-aggressive in a sexual manner on “Love Again”.

But that was until the third verse of the song, where they hand it off to female rapper Gangsta Boo to flip the script and give a raunchy, sexually empowering section that holds up to nasty nasty of Run the Jewels.

In their NPR interview last week, El-P said, “Girls listen to raunchy, funny stuff too.” Killer Mike discussed that his wife has heard “Love Again” and immediately compared it to “Just Put It in My Mouth” by Akinyele. The guys then referenced 2 Live Crew and Too $hort as inspirations for the song as well.

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El-P and Killer Mike also addressed the inevitable presumption of misogyny some people have with “Love Again”:

Killer Mike: “So, my thing is, I trust that women are intelligent. And I get offended — I have five sisters … Women are human. I think that when we start saying equal and human, that’s across the board, you know? Women enjoy sex … I’m just happy that our audience gets it …

El-P: “… Our intention is clear. We know our intention. Listen, real story: We made that record, and it didn’t have Boo on it. And we went and got Boo because we knew what we needed for that record … We have good intentions. I know that we are not being misogynist because we are not, a) being completely serious and, b) we’re talking about fucking here. I’m sorry if you’re offending by my language … but you’re not gonna tell me that being raw or being filthy is misogyny. I know the difference.

By definition, misogyny is the dislike of, contempt for, or ingrained prejudice against women. And when you let that definition sink in and listen to “Love Again” on RTJ2, labeling Run the Jewels with hating women is absolutely ridiculous. Sure, Run the Jewels often treat women as sexual objects, but they project and treat women as intellectual equals.

During the performance of “Love Again” at Mezzanine, Mike relied on the crowd to take on the “Dick in your mouth all day” refrain, making it more of a collective, fun thing. But they performed only two-thirds of the song — the all-important Gansta Boo verse was not played disembodied or with a replacement performer. This takes away from RTJ’s spirit of equality and opens the door to critics — especially since El-P admitted in the NPR interview that Gangsta Boo’s verse was a last-minute addition to rectify the song. El and Mike should find a creative way to fix this, or not play the song live, if they want to shut the door on charges of misogyny.

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This was one of the most action-packed hours of live music I’ve ever seen. Ending with the final songs off of their two albums, “A Christmas Fucking Miracle” and “Angel Duster”, the cult of Run the Jewels was mostly spent as the clock approached 1 a.m. That said, most people would have been happy to hear more. Forget the last week though, El and Mike have had a non-stop couple of years and have already gone a long way to solidifying their legacy.

Run The Jewels – Run the Jewels 2 // Community Review

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Run the JewelsRun the Jewels 2 //

It’s thrilling to see Run The Jewels become more than a one-off project. El-P & Killer Mike clearly recognize they are stronger together, as they’ve now released their second record in two years — and once again, Run the Jewels 2 has been given away for free. Between this and inspiring a crowd-funded all-cat remix record of Run the Jewels 2 (we can’t wait), it’s safe to say El Producto & Michael Render get the internet and the king-making power they will continue to have by embracing and entertaining fans online.

What do you think of RTJ2? Leave a comment or quick review below to win free tickets to shows in SF.


BAM TEAM RATING:
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So often sequels don’t deliver, but ascending hip hop stars Killer Mike & El-P have simply progressed their brilliance as Run The Jewels one year removed from their first collaboration. So what’s the difference this time? From the top, Michael Render manages to set a higher bar for pumped up aggression, there’s more social activism laced throughout, more special guests (that don’t ever distract) and a handful stand-alone gems. Like a championship baseball team, the songs in the two hole through cleanup hitter serve the biggest impact, wreaking instant classics with masterful experimental production from El-P that emits new surprises with subsequent listens. RTJ have peaked awareness with the best PR campaign of 2014, using crowdsourcing and social media as a weapon while capturing our love of cats to a point of absurdity — something that ideally signifies these future headliners’ brand of fun, weird rap. -Mike Frash
4.5 BAMS // Top Song: “Oh My Darling Don’t Cry”
 
Hip-Hop duo EL-P and Killer Mike drop an aggressive release with their sophomore effort, Run the Jewels 2. It’s unapologetically in your face with dark, grimy beats and fervent lyrics that will raise the hairs on your middle fingers. They immediately set the tone on the second track, “Oh My Darling Don’t Cry” as EL-P boasts “Fuck the law, they can eat my dick” and don’t look back, following with collaborations from Zach De La Rocha, Travis Barker, Isaiah “Ikey” Owens (RIP) and Gangsta Boo. While there’s an angst on this record that will inspire the meanest of mean mugs and an underlining “fuck you” anthem that gives it elements of rock n’ roll and punk rock, it’s smoothed out by genuinely thoughtful compositions. These dudes aren’t just careless pissed off amateurs; they’re pissed off veterans that demand respect. If they don’t get some recognition after this record, then real hip-hop, as we know it, is doomed. -Anthony Presti
4 BAMS // Top Song: “Lie, Cheat, Steal”

One of the best hip hop albums of the last few years sees its follow up with Run The Jewels 2, starring nearly 40-year-old men Killer Mike and El-P. As unlikely as it sounds, these two are making some of the most progressive rap around. While not quite hitting the mark of their debut release, RTJ2 is a solid effort and the bass heavy production is sure to get heads nodding and trunks rattling unnecessarily loudly. -Steven Wandrey
3.5 BAMS // “Oh My Darling Don’t Cry”

Show me two rappers having a better time than El-P and Killer Mike. I dare you. They return along with producer Little Shalimar in tow for their second full length as Run The Jewels and up the ante on all that was awesome from their free-to-download debut. RTJ2 drips with brash aggression and trunk banging beats but equalizes with tones of seriousness that keeps the record diverse. El-P and Killer Mike are beyond skilled on the mic and when they get in a flow like this, just sit back and enjoy the show. Definition of a damn fun record. -Dale Johnson
4 BAMS // Top Song: “Oh My Darling Don’t Cry”

What do you think of RTJ2? Leave a comment or quick review below to win free tickets to shows in SF.

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11 songs with finger snaps from the past three years that won’t make you want to jab things in your ears

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By Mike Frash //

You can’t find a texture bed more minimalist than the repeating finger snap. When you think about it, cavemen and cave women probably made music by pressing their hand digits together.

And lately, finger snapping has bubbled up from the underground as dance producers have come to dominate modern pop production. And it’s everywhere. So, here are some songs from the past 30 months or so that have finger snaps and likely won’t make you want to project sharpened pencils in your ear hole. Unless you’re a rock purist — then you’ll probably hate this shit.

11. Glass Animals – “Gooey”



Glass Animals might have goofier lyrics than alt-J and Phish combined, but their sexy-smooth lounge rock is catching on. This finger snap in “Gooey” is more like a jangly clap-snap, but it counts.


10. Run The Jewels – “Sea Legs”



I try to infuse Killer Mike & El-P’s partnership Run the Jewels into most conversations, so why not find a way to get them on this snap list. Snaps only bookend “Sea Legs”, but look, I’m just trying to promote Meow the Jewels. Let’s make this happen.


9. Autre Ne Veut – “Counting”



Arthur Ashin’s falsetto-led future pop channels pain and chaos into a tight, emotive package with “Counting”, using brass and guitar as accent elements while the percussion, including (yes) snaps, dominate the mix.


8. Tinashe, Schoolboy Q – “2 On”

Tinashe released her likable first record in October 2014, and with “2 On”, she takes traditional male language and seemingly repackages it into “break-the-glass-ceiling” R&B-rap rhyming, that is until Schoolboy Q sets everything (unfortunately) back to normal with his opening line, “Uh, pull your panties down from under you, beat that pussy up, make you wanna holler Q.” Still, it’s a pretty addictive track.


7. How To Dress Well – “& It Was U”


Tom Krell is adept at letting his voice carry the emotional weight of his music, and none of his songs show this better than the snap-dominated “& It Was U”.


6. Classixx – “Dominoes”



Electronic music this silky and easy to digest puts it in the cross hairs of where pop is going, and the duo’s live show is a euphoric good time. Classixx will be at Treasure Island Music Festival 2014 in SF.


5. Perfume Genius – “Fool”

The new record from Perfume Genius is a gem, and Mike Hadreas gives a heaven’s call of a bellow in the middle of “Fool”, all while using snaps to keep the tune grounded.


4. DJ Koze – “Amydala (feat. Milosh)



If you never got around to listening to DJ Koze’s 2013 masterpiece Amydgala, get on that. The song “Amydala” features Milosh (the singer from Rhye), whose voice blends with all the musical elements on this driving track. Look for the snaps to add another layer on the back third.


3. Darkside – “Paper Trails”



The magical collaboration between Nicolas Jaar and Dave Harrington may be on hiatus (read our review here from their only SF show), but we can still revisit one of the best songs from 2013, which keeps its methodical pace with a snap (or at least a modulated clap that sounds like a snap).


2. Lorde – “Royals”

To not include Lorde’s wubby, snap-paced “Royals” in this list would be playing hipster-devil’s advocate. Lorde’s music is much better than most radio fodder (ahem Foster The People and Robin Thicke). And how is she only 17 still? She’s tracking ahead of Madonna in her influence on the pop landscape.


1. Dillon Francis feat. Totally Enormous Extinct Dinosaurs – “Without You”



DF + TEED combined forces for this 2013 insta-classic that uses finger snaps as the critical, minimalist linchpin for the inverted drop.

BONUS: We can’t forget the Super Mario Theme finger snap guy:

Meow the Jewels hits 10k in Kickstarter funding

Meow The Jewels

One of our favorite live acts of last (and this) year, Run the Jewels, have been building a media fervor as their next album, RTJ2, inches closer to an October 28th release. Killer Mike has made multiple appearances on cable news outlets in the wake of the Michael Brown tragedy and Ferguson protests, two dope new songs have been released as of late, and as we wait in anticipation for the new record, a genius collection of deluxe package offerings have stolen our hearts.

The bonus packages offered by Run the Jewels this past week have achieved for the duo a free round of viral advertising that might extend into unprecedented territory, while completely staying true to form and style.

If you haven’t checked out the bonus package choices yet, do it for a good laugh at least, but most attention has been given to the 40k bonus offering called “The Meow The Jewels Package”, promising “Run the Jewels will re-record RTJ2 using nothing but cat sounds for music.” Almost immediately, someone from Phoenix, Ariz., started a Kickstarter campaign and accompanying social media channels to crowd-fund the would be project.

Run the Jewels have captured the cultural zeitgeist by opening up their world to all cat-sourced production (Run the Jewels part one only had one cat’s meow.) El-P, whom is the sole producer of Run The Jewels, immediately confirmed that he will make this a reality if the Meow the Jewels Kickstarter total of $45,100 is met. And all the proceeds will go to charity.

Meow The Jewels3

Meow The Jewels hit 10k in funding on Sunday, with 622 total backers. With 36 days left to go (as of September 21st) there’s plenty of time to spread the word and bank small donations like the early days of the Obama campaign (There have been 16 backers whom have given $100 or more and no 1k backers…yet).

For backing Meow The Jewels, a plethora of sick swag is promised in return. Meow The Jewels stickers, “MTJ” branded lighters, shirts, bags of catnip, and final product vinyl signed by Mike and El-P are promised, and for being a 1k donator, you can submit your very own cat’s ridiculous utterances to be worked into the production of Meow The Jewels.

Consider donating today.

Killer Mike and El-P released one of the best albums of 2013 with their self-titled debut, self-producing the entire thing and releasing it as a free download a full year before U2 tried it. It was through the duo’s captivating live performances that word continued to spread about Run the Jewels — and now the guys are ready to catapult to the top tier of rap acts.

Even though cats may be providing all original sources of sound production for an RTJ2 remix album, Run the Jewels is still not for your children.

Meow The Jewels2

Outside Lands 2014 daily lineup highlights

Outside-Lands-2013

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 8th-10th, 2014 //

So, three-day tickets for Outside Lands Music and Arts Festival sold out in record time. Now’s your chance to snag single-day passes for SF’s premier music festival. Get ready: tickets go on sale Thursday, April 17th at 10 a.m.

Still choosing which day might be best for you? Here’s our take on the headliner options, along with choice picks and reasons to get there early this August in Golden Gate Park.

OSL-2014

Friday, August 8th

HEADLINER OPTIONS: Kanye West Vs. Arctic Monkeys (or Disclosure)

Yeezus himself will handle headlining duties on day one, but the real question is whether or not Arctic Monkeys or Disclosure will helm Twin Peaks come nightfall. Both acts are worthy of a headlining slot — time will tell.

CHOICE PICKS:

Run the Jewels: El-P + Killer Mike , “Rap’s most dangerous Duo”, are returning to SF after their game changing shows last year at the Independent. Expect top notch beats over future-forward production. In a perfect world they would open for West.



Phosphorescent: Matthew Houck’s understated, twisted take on indie rock is refreshingly breathtaking, exemplified most strikingly by the majestic “Song for Zula”:

Holy Ghost!: Ready for a disco-dance party fed by instrumentals? Yes you are. One of our favorite acts from the last year will set Golden Gate park ablaze.



DIGGING DEEP: (reasons to get there early)

• Mikal Cronin
• Greensky Bluegrass
• Typhoon
• Bear Hands

THE VERDICT: Eclectic with as many rap options as dance choices.

OutsideLands

Saturday, August 9th

HEADLINER OPTIONS: Tom Petty & The Heartbreakers vs. Macklemore & Ryan Lewis

This one’s going to be a pretty simple choice for most folks — the classic rock singalongs versus the contemporary pop-rap anthems. These headliners starkly contrast from one another.

CHOICE PICKS:

SBTRKT: Known to perform with iconic tribal masks, Aaron Jerome fuses innovative electronic production with drums, synth, keys & live singing, usually with help from touring partner Sampha. SBTRKT’s new EP Transitions delves into icy-instrumental territory.



Atmosphere: Slug and Ant are back this year, and they’ve got a new song entitled “Kanye West”, which doesn’t go after the Day 1 headliner, but it does address hip-hop crowd interactions in a playful, positive way.



Tycho: Scott Hansen is as much a visual artist as he is a musician — his projected imagery melds simple geometry and super slow-mo romanticism and works in hand with his newly cemented band’s ambient, yet driving beats. This one deserves a night time slot, say closing down the Panhandle Stage?



DIGGING DEEP: (reasons to get there early)

• Woods
• Jagwar Ma
• Valerie June
• Trails and Ways

THE VERDICT: Save for a handful of rowdy spots (Macklemore, Duck Sauce, Capital Cities), the offerings are relatively mellow.

OutsideLands2

Sunday, August 10th

HEADLINER OPTIONS: The Killers vs. Tiësto (or The Flaming Lips)

These two options to end the weekend are, once again, clear cut. But here’s hoping Ranger Dave harkens back to the early years and offers a third headliner option in The Flaming Lips. Their drone-psyche spectacle of a freak out deserves darkness and would offer an incredible third option.

CHOICE PICKS:

Cut Copy: Every time these electronic-oriented Australians swing through the Bay Area, we’ll be there. Dan Whitford & Co. will make you dance and reach for the sky.



Lykke Li: The Swedish Songstress is returning to the touring circuit this year, and her first offerings from her forthcoming LP I Never Learn are more sedated than swirling. Li’s ownership of the stage and visceral passion request your attendance.



Flume: Skyrocketing electronic-music amalgamator Harley Streten creates big, bold beats centered by a chill tone. Since releasing his self-titled LP to worldwide acclaim in 2012, he’s brought in a host of top level rhymers to give the music new meaning and fresh life (listen below). We’re excited to see how this influences his live show.



DIGGING DEEP: (reasons to get there early)

• Gold Panda
• Courtney Barnett
• Jonathan Wilson
• Tumbleweed Wanderers

OVERALL VIBE: Sunday has a lot of high-decibel acts. A good day for dance enthusiasts.

Check out our Outside Lands 2014 playlist:

OL 2014 Daily Lineups

Five Outside Lands trends in 2014

Outside Lands 2014Photos by Marc Fong // Written by Mike Frash & Kevin Quandt //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 8th-10th, 2014 //

The lineup for the seventh annual Outside Lands Music and Arts Festival, taking place August 8th-10th in San Francisco’s Golden Gate Park, was announced Tuesday. Headliners Kanye West, Tom Petty & the Heartbreakers and The Killers were the focus of the many knee-jerk reactions, but what does the lineup say as a whole? Here are five trends we’ve spotted.

Three-day passes for the festival go on sale Thursday, April 10th at 10 a.m.

Outside-Lands

1. RAP IS REPRESENTED MORE THAN EVER
Outside Lands missed out on the OutKast nostalgia sweepstakes, but the far more controversial (and relevant), Yeezus has been crowned as the first rap headliner in the festival’s history (see below). Beastie Boys were slotted to headline the festival in 2009, and they sadly had to pull out due to Adam Yauch’s cancer diagnosis. Tenacious D ultimately became the headliner over M.I.A. The Bay Area doesn’t attract an abundance of hip-hop or rap in general, yet many in the SF music community have wondered when Outside Lands, now a top national festival, would get into the game. El-P and Killer Mike, one of most dynamic music duos in years, are working on a follow-up to their incredible Run the Jewels debut and are sure get Golden Gate Park pumped. Macklemore & Ryan Lewis performed at noon in 2011 at Outside Lands, and since then, they own four major singles and seemingly sell out every show they perform. But they are dangerously within the range of overexposure, and since winning “Best Rap Album” at the Grammys over Kendrick Lamar (and Macklemore felt the need to text-apologize to Lamar), some music fans are out for vitriolic blood. That said, Macklemore’s impact on the popular music landscape is undeniable. Atmosphere, Aer and Watsky, also successful suburban-oriented spitters in their own right, are also on the bill this year.

2. KANYE WEST IS AS DIVISIVE A FIGURE AS EVER
Reaction to Kanye West as the top headliner was distinctively negative Tuesday, at least from the loudest people. West is at the peak of his career, releasing two of the most essential albums of the past five years with Yeezus and My Beautiful Dark Twisted Fantasy. The mega-narcissistic artist of a generation is already busy working on a follow-up to be produced by Q-Tip and Rick Rubin, and it may be out before Outside Lands in August. Odds are Yeezus will pull back from minimalist trap production and go back to his soul-sampling roots to cast a wider net. West has won over music critics with his recent boundary-pushing efforts, but the question becomes, can he avoid a Kardashian-enhanced mainstream backlash bigger than the “Swifting” he pulled at the MTV Video Music Awards? Our money is on ‘Ye.

3. THE FIRST REPEAT HEADLINER
Now in its seventh year, Outside Lands has finally reached the point when we see our first repeat headliner in the form of classic rock demigod, Tom Petty and his band the Heartbreakers. Having played on the second day of the inaugural year to a healthy-sized crowd, Petty worked through some technical errors with a set heavy on his standout hits from the past decades. A new release and tour recently announced lead us to think that Mr. Charlie T. Wilbury is primed to have a big second half of 2014.

4. A SLIGHT SHIFT IN ELECTRONIC MUSIC CURATION
One thing that Showbams noticed when culling through the lineup was the inclusion of slightly more progressive EDM. What was once a genre more reserved for Treasure Island Music Festival is making its way to Golden Gate Park, hoping to turn some folks onto a newer style of electronic production. This new shift is mainly represented by Disclosure, Flume, SBTRKT and Gold Panda. Each act brings a quality that is slightly out of the “dance music” box, whether it’s Disclosure’s 2-step-garage sound or Gold Panda’s experimental beat production. Even after all these years, Another Planet and Superfly keeps us on our toes.

5. THE MOST ECLECTIC LINEUP YET
Outside Lands has always basked in musical diversity, and this notion is true now more than ever. As our collective access to music becomes easier and more plentiful, so does our acceptance of a greater variety of genres. In one weekend, festivalgoers will bounce to Big Freedia, get rural with Kacey Musgraves and dance with Duck Sauce. Whether it’s folk, EDM, hip-hop, indie rock, country or soul, Outside Lands’ eclectic lineup suits the integrity and character of SF and the Bay Area.

Follow our Outside Lands 2014 playlist on Spotify.

Outside Lands

Showbams’ top shows of 2013

Top-Shows-of-2013

It’s been a rich year for music, but since most artists no longer rake in as much cash as they did in the past from record sales, performing live has become more essential. Easy access to streaming and torrents has created a world where music fans cultivate an increasingly wide-ranging palette. In turn, festivals have become exponentially more popular, out of necessity and due to the communal, diverse experiences festivals offer.

Most of the Showbams Team lives and frequents concerts in the Bay Area music scene (that’s what the “BAMS” in “Showbams” stands for), so many of our staff picks for best shows of 2013 took place in or around San Francisco.

The best live music performers blow minds on a nightly basis as they zig zag across the world, so if an act made our list, they probably left a lasting impact near you as well.

Click the links below to view the original show review.

El-P & Killer Mike as Run The Jewels - Photo by James Nagel

El-P & Killer Mike as Run The Jewels // Photo by James Nagel

Mike Frash // Founder, Editor, Columnist // @MikeFrash

01. El-P & Killer Mike (Run The Jewels) – The Independent – July 31st
El-P & Killer Mike provided the most engrossing live performance I witnessed this past year, both in their opening solo sets and their combined tour de force as Run The Jewels. Killer Mike, perhaps the most fascinating rapper on the planet, had the audience in the palm of his hands by enforcing crowd participation while performing “R.A.P. Music” and an a cappella version of “Reagan”. El-P’s set contrasted perfectly with Mike’s more message-driven set, but the the most magical moments occurred when the duo donned their “36” Chains”. The super-clever spits came at machine gun pace, faster than brains can process, and El-P’s weird, abrasive-yet-fun production work kept the show flowing at a delightfully hyperactive pace. The future is blindingly bright for Run The Jewels as they aim to take the throne.

02. Nine Inch Nails – Outside Lands – August 10th
Nine Inch Nails triumphantly returned this summer after a couple last minute personnel changes, but in the end it felt as though Trent Reznor knows exactly what he is doing. Far from feeling like a greatest hits nostalgia show (while they did play nearly all their big singles), Nine Inch Nails guided the uninitiated (including myself) by unfolding the performance in segments. Starting with “Copy of A” from this year’s Hesitation Marks, the first portion was distinctively electronic as shadows silhouetted the players onto the background of the stage. Then the stage opened up to reveal a live drum set, and a handful of pure rock tracks took over. From there, the mix of crunchy, industrialized rock and alternative metal that NIN is known for, including “March of the Pigs” and “Head Like a Hole”, became the focal point. In all honesty, show closer “Hurt” elicited some tears. The experience was intense, surprisingly dance-oriented and breathtakingly emotional.

03. Savages – The Independent – September 29th
Savages made a big splash this year with their album Silence Yourself, and much of the publicity for the all female foursome out of London came from their phone “ban” at concerts. The idea behind this was to instill the idea of immersion into concert goers. Savages successfully put on a show that exhibited a “live in the moment” mentality through their songs and stage presence, and in turn the audience followed Jenny Beth and company to be hypnotically entranced. Savages curated a wholly attentive experience through the use of contrast, most notably in their look, their use of black and white, and the way Savages ultimately contrast with every other group that performs live.

04. FOALS – Coachella (Weekend 1) – April 12th
05. Atoms For Peace – Treasure Island Music Festival – October 29th
06. Deerhunter – FYF – August 24th
07. Bassnectar – Fox Theater Oakland – September 19th
08. Alt-J – Not So Silent Night at Oracle Arena – December 7th
09. The Flaming Lips and Tame Impala with White Denim – Bill Graham Civic – October 31th
10. Eric Prydz – Coachella (Weekend 1) – April 14th


Phoenix // Photo by Chaya Frash

Phoenix // Photo by Chaya Frash

Molly Kish // Artist Relations Manager, Columnist // @MollyKish

01. Phoenix – The Independent – April 1st
Preceding the release of their arena-filling 2013 smash album Bankrupt!, Phoenix stopped by San Francisco’s very own 500 person capacity venue to debut the new material. A last minute performance hosted a packed crowd of industry professionals and die-hard fans alike, and the setting felt more like a jam packed album release party than legitimate rock show. The French foursome dynamically performed their brand new tracks, fully engaging the attention of the audience through an intense stage show which fully used the venue’s limited space. Lead singer Thomas Mars even went as far as to stage dive, crowd surf, scale the back wall and return back full circle mid-encore without missing a beat. Catching a band of this magnitude, in a venue this size, performing yet to be released material was a once in a lifetime opportunity and one that anyone lucky enough to experience will undoubtedly remember forever.

02. Fiona Apple and Blake Mills – Zellerbach Hall at UC Berkely – October 8th
The only Bay Area stop on their “Anything We Want Tour”, guitar prodigy Blake Mills and the combustible Fiona Apple headlined an intimate performance this past October at UC Berkeley’s Zellerbach Hall. Billed as joint headliners, Mills and Apple playfully supported and challenged each other for command of the completely improvised set list and cohesively chaotic stage show that unveiled. The lecture hall audience was treated to a concert that highlighed both artists individuality, and as a collaborative duo, exercising complete creative control over an occasionally uncomfortably raw, extremely uncensored and truly unique live music experience.

03. Matthew Dear – Mezzanine – May 22nd
Catching the Ghostly International co-founder and experimental dance artist Matthew Dear in the spatial dimensions of the Mezzanine is amazing enough, however if the dance floor is nowhere near half capacity, you’re in for an unforgettable, private performance. Accompanied by a four person live band, Matthew Dear took the stage this past May with the bravado of a veteran rock star. Playing as though he were performing to a sold out arena, he dramatically danced and belted his way through crowd rousing favorites from his entire catalogue. Stage show theatrics involving the dismemberment of dozens of white roses and passionate crowd interactions stunned the unassuming audience members. The band dynamics, amazing set list and impeccably charismatic Matthew Dear ultimately enticed the intrigue of the entirely undersold venue, prompting everyone to actively participate in the spectacle that evening.

04. Major Lazer – The Independent – March 28th
05. Moving Units – DNA Lounge – September 11th
06. Washed Out – Rickshaw Stop – August 29th
07. Toro Y Moi – The Independent – March 2nd
08. The Postal Service – The Greek Theater Berkeley – July 27th
09. Yeasayer – Mezzanine – April 12th
10. Muse – Oracle Arena – January 28th


Arcade Fire as The Reflektors // Photo by Kevin Quandt

Arcade Fire as The Reflektors // Photo by Kevin Quandt

Kevin Quandt // Assistant Editor, Columnist // @KJQuandt

01. Arcade Fire as The Reflektors – Hollywood Palladium – October 31st
When I was lucky enough to score a ticket to this Halloween extravaganza, I knew I would be in for something special as I was in the process of falling in love with Reflektor. After donning a sharp suit and heading to Hollywood Boulevard, my show companion and I began to realize this was gonna be something special. The Palladium was alive as soon as you walked though the doors as revelers danced, socialized and admired each others outfits worn on this night. Obviously the band played heavy on the new tracks and the crowd was eating out of their hand for the duration with highlights such as “Here Comes the Night Time” and “We Exist”, to name a few. The evening didn’t end once the performance was done as the band joined the crowd for a post-show dance party to rival most. By the time we cruised out into the chilly night we were pretty thoroughly damp from the sweat that had amassed inside, and all was right on a Halloween in Hollywood.

02. Tame Impala – Coachella (Weekend 1) – April 14th
The continuously impressive Australian act delivered a loaded 40 minute set displaying their ability to crush, and expand, tracks on stage like rock and roll champs. Blustery winds blew through the Empire Polo Club, shaking the rows of palm trees behind the stage as if nature was swaying to the psychedelic goodness being enjoyed by the sizable crowd. The conditions may have led to some minor issues with a MIDI keyboard, but that didn’t phase them in the least and powered into a different direction without missing a beat. “Elephant” had an extended interlude before closing with old classic, “Half Full Glass of Wine”. Optimism at it’s finest.

03. Paul McCartney – Outside Lands – August 9th
A Friday night set just shy of 40 songs punctuated the first day of Outside Lands as living legend Paul McCartney captivated a packed crowd. Though not my first time seeing Sir Paul show, it was a special one in many ways on a foggy summer evening. The tenderness of “Blackbird” is always a thing of beauty, and the recently road-approved Beatles tune “Lovely Rita” were just a few of the highlights from this banner set. Macca has got it, straight up. I have preached to the power of his show since I was 15 years old, and on this night many got to experience that power first hand.

04. Phish – Lake Tahoe Outdoor Arena at Harveys – July 31st
05. Holy Ghost! – Treasure Island Music Festival – October 19th
06. Mac DeMarco – FYF – August 25th
07. David Byrne & St. Vincent – Fox Theater Oakland – July 21st
08. Thee Oh Sees – The Independent – January 11th
09. Pickwick – The Getty Center – Los Angeles, CA – July 13th
10. The Walkmen & Father John Misty – The Fillmore – January 24th


Sigur Rós // Photo by Marc Fong

Sigur Rós // Photo by Marc Fong

Pete Mauch // Festival Manager & Columnist // @PeteMauch

01. Sigur Rós – Coachella (Weekend 2) – April 20th
Icelandic rockers Sigur Rós closed out night two of Coachella and put on an amazing performance that was highlighted by one of the most impressive visually striking stage set ups that I’ve seen. In addition to the mesmerizing video screen portrayal of various beautiful landscapes, the stage also had lamps with exposed bulbs that would light up in time to the music. The band was joined by a string and horn section for this unique experience, adding great texture to their already layered sound. The set was heavy on newer songs from their most recent album Kveikur with older tracks sprinkled in, which pleased new and old fans alike.  Sigur Rós provide a truly amazing experience.

02. M83 with Hollywood Bowl Orchestra – Hollywood Bowl – September 22nd
French indie-pop rockers stepped it up at the Hollywood Bowl this year with a little help from the in house orchestra.  It’s always tricky when mixing string instruments with electronic synthesizers, not to mention the full band, but M83 found the perfect medium. The band worked through most of their big hits like “Midnight City” and “Wait” with serious ambition and the subtle compliments from the orchestra really made the overall sound fuller.

03. Tame Impala – Fox Theater Pomona – May 30th  
This Australian Psychedelic band had a banner year as they played all over the world, but on this particular night in Pomona they showcased why they are going to be one of the biggest bands around. Their sound is pure psychedelic bliss that oozes ever so sweetly over your ears. The band weaved effortlessly between older tracks like “Desire Be Desire Go” and newer songs like the ever so popular “Elephant” and “Feels Like We Only Go Backwards”. After a solid two plus hour set, Tame Impala walked off the stage and I found myself standing there speechless. 

04. Phish – Dicks Sporting Goods Arena – Commerce City, CO – August 31st
05. Medeski Martin & Wood – UCLA Royce Hall – April 26th
06. Eric McFadden with Nels Cline and Mike Watt  –  The Mint – Los Angeles, CA – January 16th
07. Femi Kuti and The Positive Force – The El Rey Theater – Los Angeles, CA – January 18th
08. The Rolling Stones – Staples Center – Los Angeles, CA – May 3rd
09. Jim James – The Fonda Theater – Los Angeles, CA – May 11th
10. Anders Osborne with Neal Casal and Karl Denson’s Tiny Universe- The El Rey Theater – Los Angeles, CA – October 24th


Alt-J // Photo by Sam Heller

Alt-J // Photo by Sam Heller

Kevin Raos // Columnist // @Semirec

01. Phish – Lake Tahoe Outdoor Arena at Harveys – July 31st
In late July Phish performed two concerts at Harvey’s Lake Tahoe Outdoor Arena. Night 2 of the run contained one of the most infamous moments in recent Phish history: The Tahoe Tweezer. This 36 minute jam odyssey has already found it’s place in Phish lore as one of the defining moments of the current era of Phish. It’s not just the length that makes this jam so impressive, but also the song’s content, as Phish and the audience interact back and forth driving the jam deeper and deeper. Magical moments of improvisation like this do not come around very often. WOO!

02. Bjork – Craneway Pavilion – Richmond, CA – May 28th
This was my first time having the pleasure of seeing Bjork live, and she fully lived up to the hype. The entire crowd was on pins and needles as she performed her 2011 album, Biophilia, in it’s entirety. It was an audio/visual experience unlike any other concert, complete with a Tesla Coil instrument controlled by iPads and a series of sound-generating pendulums to accompany Bjork’s majestic voice. Bjork is a talent unlike anything I have ever seen live.

03. Tom Waits – Bridge School Benefit (Shoreline Ampitheatre) – October 27th
Checked a big one off the bucket list with this performance at Neil young’s annual Bridge School Benefit. It’s a wonder why Mr. Waits doesn’t tour more often as he is as talented, and as much of a showman, as he ever was. His voice sounded great, including the usual gritty and rawness that you can expect. One of the longer sets of the evening, Waits plucked tunes from his entire catalogue, yet he pulled mostly from his latest record Bad As Me. Don’t miss a chance to see Tom Waits as his shows are few and far between these days. A truly special individual and unique talent to behold.

04. Tame Impala – Fox Theater Oakland – May 29th
05. Sigur Ros – Fox Theater Oakland – April 16th
06. Alt-J – Fox Theater Oakland – August 29th
07. Nine Inch Nails – Outside Lands – August 10th
08. Rhye – Outside Lands – August 9th
09. Alabama Shakes – Fox Theater Oakland – March 5th
10. Bassnectar – Hangout Music Festival – Gulf Shores, AL – May 18th


Shpongle // Photo by Mike Frash

Shpongle // Photo by Mike Frash

The Festival Lawyer // Columnist // @FestivalLawyer

01. Shpongle – Sea of Dreams at Concourse Exhibition Center in SF – December 31st (2012)
Just a really interesting, weird and exotic New Year’s Eve show. He had a performance art group that accompanied him that night as well as a live violinist. This combo led to a really trippy, trance inducing sight and sound experience. So cool.  

02. The Cure – Austin City Limits – October 12th
When I first saw the Cure I was an eyeliner-wearing 80’s Goth kid. ACL has a 10 o’clock curfew, so when their set got close to 10 o’clock, Robert Smith announced, “Listen, we are going to play all the hits that we can until they shut us down.”  What followed next was just a very cool trip down memory lane.  Funny how music can just instantly take us back to a time or memory in our life.

03. Muse – Oracle Arena – January 28th
It’s always weird to see how much shit people talk about Muse. They seriously have a stage act only rivaled by groups like Swedish House Mafia (I still call SHM’s set at Coachella “The Night of a Million Lasers.”)  Muse combines moving TV sets, lasers, even robots all combined with the stage bravado of legendary UK acts like Queen. If you can’t sing along with me at the top of your lungs to “Uprising” then you just are really missing out on a terrific experience. 

04. Yeah Yeahs Yeahs – Coachella (Weekend 2) – April 19th
05. Bassnectar – Coachella (Weekend 2) – April 19th
06. Father John Misty – Fillmore – June 21st
07. Iggy Pop and the Stooges – C2SV Festival – St. James Park – San Jose, CA – September 28th
08. Disclosure – Treasure Island Music Fest – October 19th
09. Paul McCartney – Outside Lands – August 9th
10. Arctic Monkeys – Coachella (Weekend 2) – April 19th


Thundercat // Photo by James Nagel

Thundercat // Photo by James Nagel

James Nagel // Photographer // @JdropsKnowledge

01. Thundercat – The Independent – November 13th
Stephen Bruner delivered a performance that felt truly unique, deviating from the standards set on his album by slapping some soulful, jazzy rhythms on his epic bass. He wrapped the entire audience with the warm embrace of his music in the most personal, improvesed way. 

02. Savages- The Independent – September 27th
Jenny Beth is a goddamn rockstar. Period. 

03. The Flaming Lips with Tame Impala and White Denim – Bill Graham Civic – October 31st
This show was truly a surreal experience and did not disappoint when it came to the scope of the production. Confetti and balloons rained down endlessly it seemed, while the visual and lighting components completely enhanced this drone-filled yet enlightening event. 

04. Toro Y Moi – Fox Theater Oakland – November 15th
05. Cut Copy – Fox Theater Oakland – November 2nd
06. Digitalism – The Independent – May 7th
07. !!! – Great American Music Hall – March 1st
08. El-P and Killer Mike (Run The Jewels) – The Independent – July 31st
09. Grouplove – The Independent – September 14th
10. Palma Violets – The Independent – April 25th


The Black Keyes // Photo by Sterling Munksgard

The Black Keyes // Photo by Sterling Munksgard

Sterling Munksgard // Photographer // @sterlingmphoto

01. The Black Keys – Bottle Rock – Napa, CA – May 10th 
Bottle Rock was a first-year festival situated in the Napa wine country, and it featured a lineup which rivaled many well-established festivals. The Black Keys brought their in-your-face attitude and rocked the crowd good and hard. Bottle Rock was my fourth Keys show and they still had me singing along and dancing. 

02. Empire of the Sun – Life Is Beautiful in Las Vegas, NV – October 27th
When I got home from this festival and showed my photos to friends and family, many people asked, “what kind of music was Empire of the Sun?” The only thing I could come up with was the showmanship of Kiss and the sound and style of Phoenix. But classification aside, this band was not only one of my favorites to watch on stage in 2013 but one of my favorite to photograph. Next time they are in town I will for sure be at their show.  

03. Dave Matthews Band and Gogol Bordello – Jiffy Lube Live – Bristow, VA – July 27th
DMB keeps me coming back for more. At 60+ shows they still keep turning out new tunes and bringing back songs that haven’t been played in years. This show had many highlights including a show opening “Ants Marching”, something that band hadn’t done since 2004.  The band also busted out fan favorites such as “Granny”, “Spoon”, “Long Black Veil”, “Crazy Easy”, and “#41”.  

04. Tedeschi Trucks Band and The Black Crowes – Bill Graham Civic – December 14th
05. Imagine Dragons – Life is Beautiful – Las Vegas – October 27th
06. JJ Grey & Mofro – The Fillmore – November 15th
07. Grateful Grass feat. Keller Williams, Keith Moseley, Michael Kang and Jeff Austin – Rex Benefit – The Fillmore – December 7th
08. Sleigh Bells – Treasure Island Festival – October 20th
09. The Lumineers and Dr. Dog – The Greek Theater Berkeley – April 19th
10. Edward Sharpe and the Magnetic Zeros – Portland Rose Festival – Portland, OR – May 25th


!!! // Photo by James Nagel

!!! // Photo by James Nagel

Dara Shulman // Columnist

01. David Byrne and St. Vincent – Fox Theater Oakland – July 21st
Byrne’s eclectic and eccentric sound, coupled with St. Vincent’s own quirkiness and talent, proved to be a fantastic performance. Creating rich, warm sound, the eight-piece brass band was as impressive as the two talented singers themselves. Playing mostly off their solid album, Love This Giant, the combination of choreography and Talking Heads songs turned out to be the icing on the cake.

02. Paul McCartney – Outside Lands – August 9th
It’s not every day you get to see a Beatle play a three-hour set complete with fireworks. McCartney wowed the packed main stage playing his hits from the Beatles, Wings and his solo efforts. It’s hard to determine which was more impressive, the acoustic set which included a beautiful “Blackbird” or the set-closing sing-along that was “Hey Jude”. Eight more songs over two encores only helped to make this an all-time show.

03. !!! – Great American Music Hall – March 1st
Vocalist and dance machine Nic Offer never fails to entertain the crowd. Offer and the band were on fire when they debuted songs such as “Slyd” off their fifth-album release Thr!!!er. Their upbeat, dance rock kept the crowd moving throughout the show.

04. FOALS – Outside Lands – August 11th
05. Atoms for Peace – Treasure Island Music Festival – October 19th
06. Vampire Weekend – Outside Lands – August 11th
07. Primus – High Sierra Music Festival – July 5th
08. Holy Ghost! – Treasure Island Music Festival – October 19th
09. Cut Copy – Fox Theater – November 2nd
10. Robert Plant and the Sensational Space Shifters – High Sierra Music Festival – July 4th


View the Showbams 40 Best Albums of 2013
View the Showbams Contributor Picks for Best Songs of 2013
View the Showbams picks for Best Live Music Venues in 2013

El-P and Killer Mike make ‘rap church’ a reality as Run the Jewels

Run-The-JewelsPhotos by James Nagel // Written by Mike Frash //

All hyperbole aside, El-P and Killer Mike have joined forces to produce one of the best live-music experiences of the year as Run the Jewels. Those present at The Independent for sold-out shows July 30th & 31st were treated to a triple threat of sets — Killer Mike got things started with an incredibly memorable solo set before El-P took over for the second act. Then, just before midnight, the best rap duo alive joined forces to Run the Jewels in epic fashion.

Killer-Mike

Killer Mike might look and sound intimidating to some, but he’s really the Robin Hood of Rap, a populist leader at heart that looks out for the downtrodden. As much as Michael Render despises the government, racial-based violence and institutionalized religion, he sure presents himself as a preacher — a most awesome evangelist of justice and women’s rights while still enjoying life’s vices.

He connects with everyone in the room through individualized eye contact, by sitting down on the stage with his legs dangling and by projecting everything he stands for passionately, and it draws the audience in. Everything Mike does works toward the message that we (the audience and Killer Mike himself) are on the same team, working together to fight the people, actions & power that create society’s ills — most notably politicians, police and racially-based hatred.

Killer-Mike2

But let’s be clear — if you’re not on Killer Mike’s team, watch out; Mike’s foes are repeatedly the subject of his vitriol and death wishes. While introducing “Burn”, a new song dedicated to Oscar Grant, Mike simply stated that the police officer who shot the young black man should be killed. Mike cultivates an ‘Us vs. Them’ mentality, and by engaging with concert goers this way, it wills everyone to reciprocate by participating in call-and-response moments while putting hands in the air.

Killer-Mike

Mike’s banter is as entertaining as his R.A.P. music, and the control he exhibits over his rhymes, body language & subsequently the audience is admirable. Almost everyone in attendance got involved in a striking a cappella version of “Reagan”, but Mike switched up the form of the song to make “fuck Ronald Reagan” the refrain so everyone could sing along multiple times. With no instrumentals in the background, Mike slowed the song down, delivering the lyrics with whispered urgency, like he was telling a secret.

The high point of the set arrived during Mike’s introduction to “R.A.P. Music”, when he allowed himself to be vulnerable by sharing an important moment in his life. Render discussed how his mentor challenged him six years ago when he was formulating a new album. His mentor asked him if he wanted to make a party record, or something meaningful. That was clearly a turning point in Michael Render’s life, and it’s obvious he picked the correct path — Killer Mike has certainly found his calling. He continued on, saying “God is in the building tonight,” and that we were experiencing “Rap Church.” This is his standard introduction to the song — but Mike showed extra emotion Wednesday night. He said he’s never had a religious experience in a Church, but we were giving him that feeling people look for in religion. But in reality, Mike Render only gets back what he gives on stage. Hands down, Killer Mike is one of the best entertainers in music today.

El-P

El-P, the sole producer of Killer Mike’s music and their collaboration Run the Jewels, took the stage with two instrumentalists and a second MC to perform his solo work. El-P exhibited his hyperactive spits with fire, contrasting perfectly with Mike’s message-driven music. Random sounds like clown horns, crying babies and dolphin squeaks pop in to add elements of humor during otherwise serious songs. While introducing the second song of his set, El-P got serious, only to drop quickly into “The Full Retard” with spastic flair.

El Producto is such a future-forward, progressive producer, and beats from all three sets came from his pioneering brain. His style is based in weirdness — his instrumentals utilize non-standard form and his sound layering, often built off modulated vocal beats, cross-pollinates with so many genres like dance and rock music successfully.

Run-The-Jewels

El-P and Killer Mike (aka Run the Jewels) got into character with their faux-opulent chains, and they said as much before they performed their album Run the Jewels in its entirety. They held their chains in one hand and pointed at them with the other, as portrayed on the cover of the Run the Jewels album. But before starting, El-P disclosed that their jewels were fake, but the chains make them feel good and powerful when they are worn. It proved to be a candid lesson about 21st Century materialism, showing that it’s more important how you feel over how you spend.

Half way through the set, Killer Mike complained to his tour manager that they need wireless microphones — and that is a fact. He then turned his annoyance into a vaudeville-esque skit, shuffling over to EL-P to hold the twisted cables over their heads, joking that they were connected by friendship beyond the physical tanglement happening in the moment.

Run-The-Jewels

El-P stopped the set before “Get It” to tell the story of how he was discovered. El-P was at a club in San Francisco when he slipped DJ Qbert one of his early records. Qbert previewed the track in one ear, nodded in approval, then mixed in El-P’s cut, proceeding to scratch over it for four minutes. All the producers in the room ran over to meet him, and the rest is history. Then El-P introduced DJ Qbert himself to guest DJ for the song.

By seeing El-P and Killer Mike perform their solo material, then their collaborative work as Run the Jewels, adds up to the perfect equation. They are an ideal yin-yang duo, complementing each other with grace. Killer Mike has more fun but still interjects meaningful messages into a handful of songs, while El-P tones down his cartoonish antics in favor of machine gun back-and-forth rap mastery. Together they have produced a concert experience with an entertainment-first mentality, something that music fans — not just hip hop or rap fans — will enjoy thoroughly.