Tame Impala

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2015

December 22, 2015 by The Bam Team 1 Comment

Caribou at The Fillmore // Showbams’ Photo of the Year, by Justin Yee

Ah, where did 2015 go? It felt like we were just ringing in a new year a couple months ago. But with another year in the rear-view mirror, it’s time to once again doll out our annual “Best of” lists. Much like we did in 2014, we heard a lot of music this year, whether it was at a show or at a festival, at work, on the bus or in our cars. From established headliners who continue to amaze us to emerging artists who rekindled our excitement for new music, our collective lives were filled with one musical memory after another over the past 12 months.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2015.

The 25 Best Live Music Acts of 2015

Listen to The Bam Team’s favorite songs of 2015:

Tycho at Lightning in a Bottle // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2015
1. Jack White at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 11th
There’s a reason why Mr. White was named our No. 1 live music act of 2014 around this time last year, and it’s not because he’s simply a guitar god. The Detroit native and former White Stripe is much more than that now, as he has proven with the kind of clever, genre-swirling songwriting that permeates his two solo albums Blunderbuss and Lazaretto. But witnessing White perform live almost feels like a musical right of passage in and of itself, reminding us that while inventive, mainstream rock ‘n’ roll may be harder to come by these days, it’s still far from dead. On this warm, spring night in the California desert, he imparted on us that “music is sacred” — not just with his words in between songs, but also with every ferverous note that he struck on his fret board. From the moment White appeared on the festival’s main stage, his 20-song, headlining set was bold and powerful, even if it would serve as one of his last shows for a while.

2. My Morning Jacket at Santa Barbara Bowl – Santa Barbara, CA – October 11th
3. Modest Mouse at Hollywood Forever – Los Angeles, CA – August 21st
4. Tycho at Lightning in a Bottle – Bradley, CA – May 24th
5. The War on Drugs at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 10th

Top 5 Albums of 2015
1. My Morning Jacket – The Waterfall
When My Morning Jacket announced that they would be releasing a new studio LP in May after nearly a four-year layoff, their longest between albums since forming in the late 90’s, I wasn’t sure if they could top what they had devised on 2011’s Circuital. But these Louisville rockers, rather, did just that, putting together a flawless record that opens with the inspiring “Believe (Nobody Knows)” and concludes with the gloomy, yet poignant “Only Memories Remain”. In between it all, frontman Jim James continues to build off his 2013 solo album, showing what a thoughtful songwriter he has become — knowing when to step on the gas pedal and when to ease off of it. With an already impressive catalog highlighted by 2005’s Z, it’s hard to definitively say that The Waterfall has taken over the throne as MMJ’s best album now, but there’s no doubt it belongs in the conversation.

2. Father John Misty – I Love You, Honeybear
3. Silversun Pickups – Better Nature
4. Jamie xx – In Colour
5. Tame Impala – Currents

Top 5 Songs of 2015
1. My Morning Jacket – “Tropics (Erase Traces)”
It’s only fitting that my favorite album of the year also boasts my favorite song of the year. The penultimate track on My Morning Jacket’s The Waterfall is an absolute rocker that gradually builds from the opening, Led Zeppelin-esque guitar lick before peaking midway through for a chilling finish. There might not be a better example in MMJ’s catalog that demonstrates how well Jim James and Carl Broemel play off each other, and if the two guitarists haven’t already, then they’ve certainly cemented themselves as one of rock’s best one-two punches by now.

2. The Weeknd – “The Hills”
3. Modest Mouse – “The Ground Walks, With Time in a Box”
4. Battles – “The Yabba”
5. Tame Impala – “The Less I Know the Better”

The Chemical Brothers at The Armory // Photo by Justin Yee

Molly Kish // San Francisco

Top 5 Shows of 2015
1. Jamie xx at Bimbo’s 365 Club – San Francisco, CA – July 31st
Whereas those familiar with his early XL Records mixtapes were satiated by his intermingling of Gil Scott-Heron and Idris Muhammad samples between hits, Jamie xx’s newfound, post-In Colour fans experienced equally breathtaking moments with the crowd hitting peak energy levels during the chorus of “Loud Places” amidst the glow of a warped-speed, neon-green strobe light. Another notable moment included the near-religious choral drop of “Gosh” that escalated the packed house to spiritual levels of enthusiasm, all while bathed in the glowing sparkle of Jamie Smith’s staggeringly iridescent, ceiling-to-floor disco ball and stage lights.

2. The Chemical Brothers at The Armory – San Francisco, CA – November 30th
3. Kate Tempest at The Independent – San Francisco, CA – May 20th
4. Kishi Bashi at Palace of Fine Arts Theatre – San Francisco, CA – January 30th
5. Caribou at The Fillmore – San Francisco, CA – March 1st

Top 5 Albums of 2015
1. Jamie xx – In Colour
Acclaimed London-based producer and half of electronic powerhouse The xx, Jamie Smith (aka Jamie xx) broke the mold this past year with his stunning solo debut In Colour. Earning top accolades within the music industry, including a 2015 Mercury Prize nomination and a Grammy nomination for “Best Electronic/Dance Album”, In Colour featured both individually conceptualized strokes of production ingenuity as well as many of the biggest contemporary-crossover hits this year. Smith explored his dubstep, house, garage and trip-hop influences on In Colour to deliver a genre-spanning masterpiece, highlighting his illustrious career as an electronic composer while setting the standard for the current and future state of EDM.

2. Kendrick Lamar – To Pimp a Butterfly
3. Tame Impala – Currents
4. The Weeknd – Beauty Behind the Madness
5. Lord Huron – Strange Trails

Top 5 Songs of 2015
1. Jamie xx – “Loud Places”
As part of a track list that included some of 2015’s most groundbreaking and genre-defining hits, “Loud Places” holds its own as a standout cut on Jamie xx’s monumental solo debut In Colour. It comes in toward the latter half of the UK producer’s LP and enlists the gorgeously haunting vocals of Romy Madley Croft, one of Jamie Smith’s partners in The xx and a longtime collaborator of his. Amid a packed roster of acclaimed vocalists, emcees and iconic samples, Croft’s contributions, while paired with a full choir, help manifest the lyrical content of the song while evoking a near-religious experience for its listener.

2. Tame Impala – “Let It Happen”
3. Robyn – “Love Is Free”
4. Kendrick Lamar – “King Kunta”
5. FKA twigs – “In Time”

Tame Impala at Outside Lands Music and Arts Festival // Photo by James Nagel

Brett Ruffenach // San Francisco

Top 5 Shows of 2015
1. Four Tet b2b Floating Points at Public Works SF – San Francisco, CA – May 3rd
Sparked by their set at Plastic Peoples in London earlier in the year — a set, coincidentally, that was named “Best of the Year” by THUMP a few days ago — SF’s own DJ Dials was kind enough to bring Kerian Hebden and Sam Shepherd, better known as Four Tet and Floating Points, to Public Works last May. Starting early in the evening, the two well-established English producers put on a scorching, non-stop, six-hour, vinyl-only DJ set. Kicking off the evening with over an hour of early-70’s Brazilian samba and steadily moving from there to all forms of funk, big band, soul, jazz and of course their own eclectic catalog of music, the two DJs seamlessly moved between tracks, bringing up and down the energy at just the right point to keep you guessing what’s going to happen next. After dozens and dozens of shows and DJ sets this year, I always keep thinking back to this one because it wasn’t only a chance to see an artist I like play their music — it was a chance to see two artists I like play the music that they love, and do it on an absolutely killer sound system.

2. Kendrick Lamar at Fox Theater Oakland – Oakland, CA – November 10th
3. Tame Impala at Outside Lands Music and Arts Festival – San Francisco, CA – August 8th
4. Jamie xx “In Colour” album release show at Church of St John-at-Hackney – London, England – July 16th
5. Nicolas Jaar at Symbiosis Gathering – Oakdale, CA – September 19th

Top 5 Albums of 2015
1. Kendrick Lamar – To Pimp a Butterfly
Kendrick wins. No contest. At this point, there’s nothing I can say that will be new or not already over-analyzed by the blogosphere over TPAB. All I can say is that TPAB is one of those rap albums that, just like Kanye West’s My Beautiful Dark Twisted Fantasy in 2010, expanded my understanding of what a rap album can be. From the very start you hear Lamar’s voice in the genius, FlyLo-produced “Wesley’s Theory” — a track that I think is among the greatest album openers ever — to the closing conversation with 2Pac in Mortal Man, TPAB is among the most ambitious and thoroughly conceptualized productions I have had the pleasure of hearing (and seeing) in my life.

2. Tame Impala – Currents
3. Nicolas Jaar – Nymphs I-IV
4. Jamie xx – In Colour
5. Beach House – Depression Cherry

Top 5 Songs of 2015
1. Pumarosa – “Priestess”
“Priestess” is a seven-minute, punk-meets-disco dance party that starts as an observation and ends as a declaration. Its declaration? To dance. Its lyrics (for instance: “Cut from clay and stone / Electricity flows through your spine and shoulders/In the night when we’re alone”), its visceral rhythm and undeniably entrancing, three-minute instrumental closing out the track (DAT SAX) are what make it an easy choice for my favorite of the year. In a culture engulfed in consumerism, celebrity and over-consumption, “Priestess” reminds us all that dancing is free. Dancing can be a protest. Dancing can be a celebration. Dancing is whatever you make of it. “Priestess” is a track that reaches into your soul and forces you to do one simple thing: dance. That’s something we all need in our lives every once and a while.

2. Kendrick Lamar – “Wesley’s Theory”
3. Jamie xx – “Gosh”
4. Tame Impala – “Eventually”
5. Nicolas Jaar – “Swim”

High Sierra Music Festival 2015 - The String Cheese Incident

The String Cheese Incident at High Sierra Music Festival 2015 // Photo by Benjamin Wallen

Benjamin Wallen // San Francisco

Top 5 Shows of 2015
1. Greensky Bluegrass at The Independent – San Francisco, CA – November 1st
Many bands get bigger and play bigger shows. Every now and then, you get to see them in a smaller venue with a more “intimate” feel. This was that show. Following a crazy night at the Fox Theater Oakland celebrating Halloween, the band crossed the Bay Bridge to play a birthday show for its dobro player Anders Beck at The Independent. It was a “Greatest Hits” setlist of all the songs I loved the most: past, present and future. The show was definitely intimate and filled with energy, and Greensky ended the night with some acoustic tunes. I think it says a lot about a band that can pack a big venue and then play a smaller venue and still the heat. This is my favorite band these days. They are consistently great and just too much fun.

2. String Cheese Incident at High Sierra Music Festival – Quincy, CA – July 3rd
3. The Sam Chase at High Sierra Sierra Music Festival – Quincy, CA – July 3rd
4. Jeff Austin Band at Great American Music Hall – San Francisco, CA – April 26th
5. The Devil Makes Three at Fox Theater Oakland – Oakland, CA – February 3rd

Top 5 Albums of 2015
1. Della Mae – Della Mae
These girls are damn talented as much as they are cute. I stumbled upon these five girls from Nashville while at The Chapel a few years back, and they were just damn good. Then, I heard that they were nominated for a Grammy and only beaten by the legendary Del McCoury Band. These ladies can pick and tick and get the crowd jumping. For Della Mae, powerful songs and epic throw-down jams are just par for the course. This album was Kickstarter-funded, which I was happy to contribute to, and continues the revival of bluegrass for the younger generation and modernizing the sound with the energy of youth. I find myself playing this album more and more each day from start to end — it’s just that good.

2. The Dustbowl Revival – With a Lamp Shade On
3. Father John Misty – I Love You, Honeybear
4. Nicki Bluhm and the Gramblers – Loved Wild Lost
5. Jackie Greene – Back to Birth

Top 5 Songs of 2015
1. Jackie Greene – “A Face Among the Crowd”
I have been a Jackie Greene fan since I moved to SF almost 10 years ago. This song I heard a number of years ago when Greene was uploading hotel room solo tracks on the road. This song was put up on Father’s Day for Greene’s dad and was a touching song. Creepily sitting in a hotel room, you can feel the emotion. Hearing it on a record in my home is just heaven. After some of those really tough days in life, I come home, put this song on while listening on my best pair of headphones and zone out — let all the crap from the day that doesn’t mean shit just fade away. This song does that for me, and as a music lover, finding this type of song is like finding gold on the street.

2. The Dustbowl Revival – “Standing Next to Me”
3. The California Honeydrops – “When It Was Wrong”
4. Father John Misty – “I Went to the Store One Day”
5. Nicki Bluhm & The Gramblers – “Mr. Saturday Night”

Father John Misty at Treasure Island Music Festival 2015 // Photo by Marc Fong

Andrew Pohl // San Francisco

Top 5 Shows of 2015
1. Father John Misty at Treasure Island Music Festival – San Francisco, CA – October 18th
Of all of the performers on Day 2 at the festival, Father John Misty held my attention the most. A stellar performance, hitting all of the right points, which gave me good reason to believe that he may in fact be one of the best frontmen of the last 10 years.

2. Hum at Slim’s – San Francisco, CA – September 18th
3. Fat Wreck Chords 25th Anniversary at Thee Parkside – San Francisco, CA – Aug 22nd & 23rd
4. Refused at Great American Music Hall – San Francisco, CA – May 28th
5. alt-J at Greek Theatre – Berkeley, CA – April 16th

Top 5 Albums of 2015
1. Tame Impala – Currents
From top to bottom, this is an album that I can listen to over and over without feeling burnt out (and believe me, I have). I appreciate the fact that on this album, they steer clear of too much “jam” and keep it straight forward. I can’t help but move my feet when I hear some of the tracks on Currents.

2. Kendrick Lamar – To Pimp a Butterfly
3. Failure – The Heart Is a Monster
4. Father John Misty – I Love You, Honeybear
5. God Is an Astronaut – Helios/Erebus

Top 5 Songs of 2015
1. Tame Impala – “The Less I Know the Better”
From the first time I heard this track, I knew it was the best song of the year. Infectious as hell, you cannot stop your body from getting into that groove.

2. Grimes – “Kill V. Maim”
3. Father John Misty – “Bored in the USA”
4. The Velvet Teen – “All Is Illusory”
5. Viet Cong – “Continental Shelf”

Viet Cong at Rickshaw Stop // Photo by Diana Cordero

Kevin Quandt // San Francisco

Top 5 Shows of 2015
1. Viet Cong at Rickshaw Stop – San Francisco, CA – March 5th
Viet Cong were easily one of the most brilliant bands in 2015 as they shook up South by Southwest (even when their drummer had a broken arm), generally not caring about the whole band-name fiasco and releasing a stellar debut LP. The brooding studio work from this Canadian outfit turned out to be way more accessible on the live stage as bassist/singer Matt Flegel bounced between playful banter and pile-driving post-punk.

2. Caribou at The Fillmore – San Francisco, CA – March 1st
3. Todd Terje (Live) at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 10th
4. Kendrick Lamar at Fox Theater Oakland – Oakland, CA – November 10th
5. BADBADNOTGOOD at FYF Fest – Los Angeles, CA – August 22

Top 5 Albums of 2015
1. Kendrick Lamar – To Pimp a Butterfly
No surprises here, as truly this was objectively the best album of the year. With expectations high from his growing fan base, Lamar delivered an LP that had it all: crushing singles, a bold concept and a clear message. The smorgasbord of genres and vibes TPAB lays out for the listener further shows that K-Dot’s bag of tricks has no end in sight.

2. Protomartyr – The Agent Intellect
3. DJ Paypal – Sold Out
4. Tame Impala – Currents
5. Archy Marshall – A New Place to Drown

Top 5 Songs of 2015
1. Tame Impala – “Let It Happen”
This track was our first taste of Currents, and it got fans salivating in no time. “Let It Happen” was the perfect amuse-bouche with Kevin Parker’s vision shifting a bit toward synths over his trusty Rickenbacker guitar, which slightly became the resounding chatter behind the LP. Oh yeah, and there was the “record skip” in the middle of the track that we all went mental over.

2. Ought – “Beautiful Blue Sky”
3. The Weeknd – “Can’t Feel My Face”
4. DJ Spinn – “Dubby” (feat. DJ Rashad & Danny Brown)
5. Deerhunter – “Snakeskin”

Filed Under: Best of, Best of 2015, Editor's Picks, Featured Tagged With: Archy Marshall, BADBADNOTGOOD, Best of 2015, Caribou, Coachella, Coachella 2015, Coachella Music and Arts Festival, Deerhunter, Della Mae, DJ Paypal, DJ Spinn & DJ Taso, Father John Misty, FKA twigs, Fox Theater Oakland, FYF Fest, FYF Fest 2015, Great American Music Hall, Greensky Bluegrass, High Sierra Music Festival, High Sierra Music Festival 2015, Hollywood Forever, Jack White, Jamie xx, Jeff Austin Band, Kendrick Lamar, Kishi Bashi, Lightning in a Bottle, Lord Huron, Modest Mouse, My Morning Jacket, Nicki Bluhm & The Gramblers, Nicolas Jaar, Ought, Outside Lands 2015, Outside Lands Music Festival, Outside Lands Music Festival 2015, Palace of Fine Arts Theatre, Protomartyr, Rickshaw Stop, Robyn, Santa Barbara Bowl, Silversun Pickups, String Cheese Incident, Symbiosis Gathering, Symbiosis Gathering 2015, Tame Impala, The California Honeydrops, The Chemical Brothers, The Dustbowl Revival, The Fillmore, The Independent, The Weeknd, Todd Terje, Todd Terje and the Olsens, Viet Cong

Outside Lands 2015 highlights: Eight years strong and feeling ‘fantastic’!

August 17, 2015 by The Bam Team 2 Comments

Photos by James Nagel, Marc Fong & Benjamin Wallen // Written by Molly Kish, Nik Crossman & Brett Ruffenach //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 7th-9th, 2015 //

We’re finally putting our lives back together after what was easily the biggest and most raging Outside Lands to date in its eight years. This year, local concert production company Another Planet Entertainment outdid itself on all fronts, bringing the best the Bay Area had to offer to Golden Gate Park. They pulled out all the stops and man, did they deliver!

From the amazing lineup of music, comedy, food and beverage to the near perfect weather and best crowd of characters you could ask for, Outside Lands Music and Arts Festival has officially become a bar-setting force to be reckoned with on the festival circuit. Those lucky enough to attend this year will wholeheartedly agree that the festival has become not only a staple within the Bay Area community, but also a premiere destination for crowds from around the world and one of the fastest growing festival experiences currently in production.

Here’s what stood out to us at Showbams in 2015. What was your standout moment?

TOP SETS:

Artist: Lindsey Stirling
Set date/time: Friday, 3:40-4:30 p.m.
Location: Twin Peaks

Hailing from Gilbert, Ariz., Lindsey Stirling leaped around the Twin Peaks stage on Friday afternoon with violin in hand. Combining classical violin riffs with modern electronic beats, Stirling had the entire crowd dancing alongside while she made use of every inch of the stage. Despite her modesty, Lindsey put the violin down and treated Outside Lands with a rare and beautiful singing performance. Based on the reaction to the violin fairy’s voice, Stirling should be proud to put her strings down from time to time. -NC

Artist: D’Angelo & The Vanguard
Set date/time: Friday, 7:45-9 p.m.
Location: Sutro

“The Black Messiah” made his triumphant return to the Bay Area on Friday evening for a soul-clapping set with a sea of devoted fans. Outside of Karl Denson’s mighty performance on the Twin Peaks stage later on in the weekend, this was one of the few opportunities for funk fans to get down this year — and D’Angelo pulled out all the stops. Mirroring more of a religious revival than a R&B jam session, the sunset spectacle hit the crowd’s Friday night sweet spot. D’Angelo’s silky smooth vocals ushered in all the post-work/late arrivals, crooning out audience favorites from his latest joint “Ain’t That Easy” and “Sugah Daddy”, which book-ended a sultry set. For anyone who missed his sold-out shows at the Fox Theater Oakland earlier this year, the performance served as the perfect redemption amidst a collective of festival fans who all came prepared. -MK

Artist: Angus & Julia Stone
Set date/time: Saturday, 4:20-5:10 p.m.
Location: Sutro

Recently reunited after a few years of time apart, the brother-and-sister duo played a mix of old and new hits at the Sutro stage on Saturday afternoon. Their latest album brings a new sound to their discography and marks a milestone of achievement for the Australian siblings. Anyone with a brother and/or sister can appreciate the banter shared between Angus and Julia on stage. Describing Angus laying in the grass of a park staring at the clouds as inspiration for “Other Things”, Julia poked fun at his peculiar “state of mind.” -NC

Artist: Toro y Moi
Set date/time: Saturday, 5:15-6:05 p.m.
Location: Twin Peaks

Chaz Bundick is almost a great artist. Touring with a new full band as opposed to his typical synth-and-drum-machine combo, the new sound of Toro y Moi is a very nice expansion on their sound. That being said, Toro y Moi seemed to often come up flat when singing throughout the set, leaving more to be desired. I did love the new version of “So Many Details”, though. -BR

Artist: Tame Impala
Set date/time: Saturday, 6:30-7:40 p.m.
Location: Lands End

As the de facto opener for The Black Keys, Tame Impala brought their heavy compositions and trippy visuals to the Lands End stage to the delight of a crowd of young, old, sober and heavily intoxicated folks alike. Tame Impala’s ability to expand on and change up their studio recordings is what makes them the greatest rock band touring right now — breakdowns and glitchy, sonic asides in songs like “Mind Mischief”, “Elephant” and “Apocalypse Dreams” came out of nowhere, creating a wave of awe and amazement in the crowd. They were certainly a highlight of the weekend. -BR

Artist: Kendrick Lamar
Set date/time: Saturday, 8:40-9:55 p.m.
Location: Twin Peaks

As Kendrick Lamar’s incredible performance began to wrap up with his newest single “Alright”, a group of fans in the crowd proceeded to lift someone up in a wheelchair, who, if I recall correctly, was the same guy who had his photo famously taken at Outside Lands in 2013. Kendrick took notice and called him out — his sense of sincere appreciation for a place like the Bay Area was written all over his face. -BR

Artist: Hot Chip
Set date/time: Sunday, 4:20-5:20 p.m.
Stage: Lands End

An anxious crowd remained at the Lands Ends stage after Nate Reuss’ solo set on Sunday afternoon for an all-too-rare performance from percussion powerhouse Hot Chip. In recent years, only ever getting the chance to see the outfit in stripped-down DJ sets or as part of side projects/collaborations, the afternoon crowd full of die-hard, nu-disco fans were not disappointed as the UK dance veterans set the polo fields ablaze. Refraining from any slow builders, Hot Chip performed an hour-long set of career-spanning bangers, keeping the crowd moving with hit after hit, that seamlessly blended into one another. The set procured one of the most viral dance party moments of the festival, with the audience spiraling into a collective bliss as it came to a close. -MK

Artist: Dan Deacon
Set date/time: Sunday, 5:55-6:35 p.m.
Location: Panhandle

Dan Deacon, everyone’s favorite electronic experimentalist and figurative “adult camp counselor”, was the perfect pick-me-up for a festival-weary crowd between neighboring bass-heavy sets from ODESZA and Caribou. Playing to a crowd partially made up of Deacon enthusiasts and otherwise occupied by enthralled passersby, the one-man spectacle reeled in a sizable audience to the Panhandle stage for a lesson in crowd participation that was rivaled by no other act over the course of the weekend. Excited to see how his live-show magic would translate to a large-scale festival crowd, the audience was equal parts bewildered and attentive as they were beckoned into a storm of peer pressure and oddball antics, maestro-ed by none other than the king of interactive showmanship. The crowd relinquished control of the moment to the man in charge as he orchestrated colorful coordination amongst a sea of noise and frenzied electronica. Needless to say, established fans of Mr. Deacon were pleased while new converts lives were changed on Sunday afternoon. -MK

Artist: Caribou
Set date/time: Sunday, 6:40-7:40 p.m.
Location: Twin Peaks

Described by fellow musician Dan Deacon as “one of the most brilliant acts touring right now” just before their set, Caribou lived up to the hype. Starting with “Our Love”, the four-piece band led by Dan Snaith perfectly set the stage for the next hour — a series of tightly wound compositions that, as the song progresses, expand in rhythmic complexity before reaching a climax that will get even the most tired Sunday afternoon crowd moving. Heavily augmenting its live performances from its studio recordings, the band’s live rendition of “Jamelia” in particular was a highlight of the set. Caribou is a band not to be missed. -BR

Artist: Elton John
Set date/time: Sunday, 7:35-9:35 p.m.
Location: Lands End

The star-spangled legend sat at his majestic piano as the sun went down on Sunday and moved the crowd with his brilliant playing. The adoring audience hung on every word and joined in singing his most popular hits. Walking off stage quickly after his last song, the audience demanded more and Elton happily obliged. With rumors of Lion King songs being played at past performances, some doting fans wanted a second encore to the tune of “Circle of Life”. While he didn’t indulge the Lion King fans, his stellar performance was a perfect ending to an amazing weekend at Outside Lands, leaving everyone’s festival tank full of love. -NC

OUTSIDE LANDS 2015 AWARDS:

Biggest a.m. crowd: Leon Bridges

Best make-out session: Angus & Julia Stone

Biggest equipment malfunction/distraction: St. Vincent’s blown-out sound system

Best stage dive: Mac Demarco (obviously)

Biggest band crush: Tie between Tame Impala and First Aid Kit

Best shirtless appearance: Billy Idol

King and Queen of GastroMagic: Beignets & Bounce Brunch with Big Freedia & Brenda’s Soul Food; Morimoto Karaoke

Best Unofficial Stage: #NoMoFoMo by StubHub

Food & beverage crowd favorites: Berry Lemonade; Ringmaster Doughnut Cheeseburger

Best Avant-Garde Act: Lindsey Stirling

Sexiest Set of the Weekend: D’Angelo & The Vanguard

Best Fairground Change: The Barbary’s relocation

Rowdiest Crowd: Kendrick Lamar

Best Hometown Act: Green Velvet & Claude VonStroke

Best Vocals: St. Paul and The Broken Bones

Best Commitment to the Bit: Mac Sabbath with Richie Nakano

Most buzz-worthy artist: SZA

Best Crowd Participation: Dan Deacon

Biggest DJ Drop: ODESZA

Crowd Favorite DJ: DJ Mustard

Best Cover: Hot Chip’s transition from Bruce Springsteen’s “Dancing in the Dark” into an outro snippet of LCD Soundsystem’s “All My Friends” to close their set.

Most “Fantastic”: Elton John

Outside Lands 2015 - Unknown Mortal Orchestra

Outside Lands 2015 - Alex Bleeker and the Freaks

Outside Lands 2015 - Karl Denson's Tiny Universe

Outside Lands 2015 - D'Angelo & The Vanguard

Outside Lands 2015 - Green Velvet & Claude VonStroke

Filed Under: Editor's Picks, Featured, Festival Reviews, Festivals Tagged With: Alex Bleeker and the Freaks, Angus & Julia Stone, Another Planet, Another Planet Entertainment, Benjamin Booker, Bill Kreutzmann, Billy Idol, Caribou, Chet Faker, Classixx, Cold War Kids, D'Angelo and the Vanguard, Dan Deacon, Deltron 3030, Django Django, Elton John, G-Eazy, Giraffage, Green Velvet & Claude VonStroke, Hot Chip, Hundred Waters, James Bay, Karl Denson's Tiny Universe, Kendrick Lamar, Lindsey Stirling, Mac Sabbath, METZ, Mumford & Sons, Nate Ruess, Odesza, Outside Lands, Outside Lands 2015, Outside Lands Music Festival, Outside Lands Music Festival 2015, Slightly Stoopid, St. Vincent, Strand of Oaks, Tame Impala, The Black Keys, The Family Crest, The Revivalists, Toro Y Moi, Unknown Mortal Orchestra, Waters, Wilco

Tame Impala – Currents // Community Review

July 17, 2015 by The Bam Team Leave a Comment

Tame Impala – Currents //

One of the most anticipated albums of the year is officially out, but does Kevin Parker’s latest long player live up to the hype? After reaching the psych-rock summit with Tame Impala’s first two albums Innerspeaker and Lonerism, Parker has changed course on the group’s third LP, trading guitars for synthesizers while continuing to refine his production chops. What results is more pop than rock, more disco than neo-psychedelia, as Parker copes with heartbreak, loneliness (again) and plenty of other emotions.

Comment with your thoughts on Currents to win free tickets to an upcoming show in SF.

BAM TEAM RATING:

We have been hearing about a third Tame Impala album since the fall, when Kevin Parker and company embarked on a mini-tour across the U.S. before turning their attention to new material. With that kind of buildup over the past eight months, it’s hard to expect anything less than greatness from Parker. But the Australian multi-instrumentalist has done it again, and most importantly, he’s done it his way. The 13-track Currents is a step in a completely different direction from the hypnotizing psych-rock that dominated the band’s 2010 debut Innerspeaker and 2012 follow-up Lonerism, and it’s refreshing to see someone as young as Parker (he’s only 29 years old) taking this big of a risk after receiving as much commercial success as he has at this point. Yes, he could have played it safe, boring us to death with the same sonic formula he employed in the past, but instead, he opened himself — and his bandmates — up to a new world, one filled with new sounds and textures and one that fans should ultimately come to appreciate, if not now, then with some more time. -Josh Herwitt
4 BAMS // Top Song: “The Less I Know the Better”

People change, and when they do, there are a couple ways it can happen. Either change happens to you, arriving at your doorstep as a surprise, or you change proactively, grasping onto control before it’s gone. Tame Impala’s creative captain Kevin Parker has chosen the latter, evolving his form and lyrical content to marinate around this idea of personal change. Currents finds Parker dabbling in new song structures (most strikingly with singles “Let It Happen” and “Disciples”), now-famously abandoning his guitar for synthesizers, introducing the finger snap as a motif and opening up to elements of R&B, disco, trance and funk — all genres he admitted he wouldn’t allow to seep into his creative consciousness, until now. Parker’s words directly address his transition toward a new man throughout his LP3, ultra-poignantly in “Yes I’m Changing,” and most effectively in album closer “New Person, Same Old Mistakes”. The chorus is Parker’s internal dialogue battling, one side pushing forward into new life territory as self-doubt creeps in at every corner. But in verse, the call for change wins out, and at the same time, he addresses Tame Impala fans who will be disappointed by his new sound — “Finally taking flight / I know you don’t think it’s right / I know that you think it’s fake / Maybe fake’s what I like / Point is I have the right / I’m thinking in black and white / I’m thinking it’s worth the fight”. Parker is no phony, and his proactive evolution, skating down the road to pop stardom, makes Tame Impala the most essential rock outfit in contemporary music. -Mike Frash
4.5 Bams // Top Song: “New Person, Same Old Mistakes”

If Currents was a family member, it would be your favorite aunt you don’t see often enough, yet during each visit, it feels like no time has passed at all. Tame Impala’s third album delivers the delicious, driving psych-rock riffs they’re so well-known for, along with a few crucial pieces of advice (particularly in “Yes I’m Changing” and “Eventually”). The only thing missing from Currents is a sense of urgency, but its absence isn’t necessarily a bad thing. Instead, Kevin Parker keeps the vibe, well, tame, allowing you to ride the waves of the album without worrying about or even wondering where you are within it — as with any true current. -Rochelle Shipman
4 BAMS // Top Song: “Yes I’m Changing”

Kevin Parker is one hell of a producer. Currents, from its first listen, has a level of detail in its mixing that cannot be ignored. There are some fantastic moments throughout, kicking off with “Let It Happen”, which is about as explosive of an opening track as you can get. The groovy bass lines, especially in songs like “The Less I Know The Better”, really drive this entire album. “Past Life” has a great, trippy filter that washes over it in the chorus and perfectly accompanies the low voice narrating a story of a fated run-in. Some parts don’t seem as fully developed as they could have been, for example the intermission-like track “Disciples” or the songwriting in “‘Cause I’m a Man”, while the final track misses a big opportunity to bookend its massive opening introduction with a comparable conclusion. Currents is a ton of fun to listen to, and in preparation for what I expect to be an amazing set at Outside Lands next month, I’ll have this album on repeat for a while. -Brett Ruffenach
4 BAMS // Top Song: “Eventually”

What do you think of Tame Impala’s Currents? Keep the conversation going below with your quick review or comment! If we like your reply, we’ll hook you up with a free pair of tickets to your choice of show in San Francisco.

Write to ShowbamsSubmit@gmail.com if you’d like to write for Showbams and contribute quick reviews.

Filed Under: Community Review, Featured, New Music Tagged With: Community Review, Currents, Tame Impala

Sasquatch! continues to reign supreme as the Pacific Northwest’s premier music festival

June 1, 2015 by Nik Crossman 1 Comment

Photos by Pedro Paredes // Written by Nik Crossman //

Sasquatch! Music Festival //
Gorge Amphitheatre – Quincy, WA
May 22nd-25th, 2015 //

2015 marked the 14th successful year of Sasquatch! Music Festival thanks to a hunch followed by a Pacific Northwest concert promoter. Back in 2002, when the U.S. festival scene was an infant, Adam Zacks decided to try his luck with an untapped market and bring the festival experience to the Pacific Northwest. The single-day festival sold out its first year, quickly validating Zacks’ hunch and setting the stage for one of the world’s most unique festival experiences.

Embracing the culture of the Pacific Northwest, Sasquatch! caters to the growing breed of indie-centric fans caring just as much about the festival experience (if not more) than the music itself. Over the last 14 years, Sasquatch! has become a “must-do” for festivalgoers and continues to impress with a stellar lineup playing against the majestic backdrop of The Gorge.

So, when I fell into tickets the week before the festival, I jumped at the opportunity to see some of my favorite bands jam out at Mother Nature’s cathedral. Having no campsite and no ride to/from the festival, I posted a Hail Mary message on the Sasquatch! Facebook page, asking a bunch of strangers to take me in as one of their own … and it worked! That’s when I realized Sasquatch! is more than the music — it’s coming together as a community to lend a hand and help a fellow human.

The two-hour drive from Seattle to The Gorge wet the appetite for the alluring landscapes to come. My two new friends and I arrived Friday afternoon, just in time to set up camp and catch the sun fall behind the mountainous horizon.

Little Dragon

Friday

Kicking off the festival, Friday’s lineup included the sounds of Ought, Mother Mother, Gogol Bordello, Action Bronson, Angel Olsen, AlunaGeorge, Little Dragon, Of Monsters and Men, Sleater-Kinney and of course, Flume, the 23-year-old Australian DJ/producer who has been taking the electronic music scene by storm since dropping his debut album in 2012. Despite a little rain early Friday night, the festival was in full swing and the energy inside the grounds built on itself with each performance. The unique sound of Little Dragon had the crowd flowing together, sprinkling in rumors and heightened anticipation for SBTRK‘s set on Sunday night. “Will Little Dragon come out for ‘Wildfire’?!” By the time Flume dropped his first beat at the Bigfoot Stage, the energy was palpable and everyone could feel why this young DJ was chosen to close out Friday night.

Modest Mouse

Saturday

With the loving melodies of Milo Green rushing over the Bigfoot State by mid-day, Twenty One Pilots picked up the tempo with an animated performance on the Sasquatch Stage, where the dynamic duo commanded their early-day crowd. Sylvan Esso threw down a Bigfoot dance party when their hit “Coffee” ignited the entire crowd to dance along with the ever-so-strange Amelia Meath on stage. Chromeo‘s love for themselves may only be surpassed by the massive turnout the funky duo brought to Sasquatch! main stage early in the evening. Their funk-tastic sound and vibrant stage presence was perfectly timed to set the stage for following acts like Glass Animals, Kiesza, Modest Mouse, ODESZA and Spoon. Kiesza took the El Chupacabra tent by stormy lights and surprisingly produced more vigor into the crowd than the Seattle duo ODESZA, who seemed to play a more mellow version of themselves than most are familiar with. Just down the hill from ODESZA, 22-year-old rock band Spoon spilled heavy guitar riffs over the crowd and presented an alternative ending to Saturday’s electronic scene. For the second night in a row, Sasquatch! closed out the night with a young, up-and-coming electronic act, staying true to their committed mix bag of new and established performers.

St. Vincent

Sunday

Milky Chance wooed the crowd at the Sasquatch Stage in the late afternoon on Sunday with their unique electro-folk-reggae sounds, lead vocalists Clemens Rehbein’s deep, melodic vocals and the magnificent backdrop of The Gorge. Shortly after Milky Chance stirred the crowd, the unlikely future of rap, Kate Tempest, lived up to her reputation as a force to be reckoned with while showering the crowd with positive affirmations. The sun started setting behind The Gorge while the idiosyncratic St. Vincent moved so distinctly across the stage like an elegant robot, convincing the crowd they made the right choice. The sultry vixen Lana Del Rey attracted one of the largest crowds to the Sasquatch Stage on Sunday night. While Del Rey is not as active as some of her siren peers, her presence was not lacking. Captivating the masses while her white dress blew in the wind, Del Rey abandoned the stage to walk among her amorous fans before leaving her set early to pass the spotlight to an epic instrumental jam session by her band. Madeon, the 21-year-old child prodigy, proved himself once again in the El Chupacabra late on Sunday night when he led the crowd on a fantastic journey of impeccable mashups and psychedelic lights.

Slow Magic

Monday

Monday was the last day of the four-day festival, and the crowds started to thin between the intermittent rain clouds playing hide and seek with the sun. Monday was also the day of drums, at least in the El Chupacabra. Armed only with a wolf mask, laptop and two drumsticks, Slow Magic kicked off the night in the Spanish-flavored tent with a one-of-a-kind experience. With his rare combination of synth and live drumming, Slow Magic is re-imagining electronic music as we know it. Not far behind the solo drumming DJ were the three-piece veterans The Glitch Mob. The trio conquered the stage with their new musical element “The Blade,” which combines both lights and instruments into something that looks like it came out of a space-age movie scene. Drumming their way into the bones of the crowd, The Glitch Mob elicited some of the most hands-in-the-air praise I saw all weekend. They closed out Sasquatch! with a bang, literally.

Camping

The Sasquatch! campgrounds were far from organized, which presents pros and cons, pending what you’re after. The grueling trek from general camping to the grounds made going to the festival more of a commitment than many appreciated. After a few journeys to and from, premium camping seemed well worth the investment. The wheel-and-spoke layout of the grounds made it easy to find other campsites and stumble into the food trucks for a late-night zombie dog. The camping community itself was friendly and full of love for each other, inviting neighbors to play beer darts and other awesome lawn games.

Activities

Despite the loving nature of the campers, the Sasquatch! campgrounds lacked the festival-sponsored activities so many of us have come to appreciate and expect like morning yoga classes at Coachella and personal development workshops at Lightning in a Bottle (LIB). The Sasquatch! community inside the grounds attempted to provide this outlet with a vintage arcade, self-defense demonstrations and community dance parties, but they fell short relative to other festivals. One could also argue the lack of art installations throughout the Sasquatch! grounds presents an area of improvement for the festival. That is, until they’re reminded of the natural art blanketing all of The Gorge. Well done, Mother Nature!

Sustainability

While LIB has been dubbed as “The Greenest Festival in America,” you’d think all festivals would have a strong commitment to sustainably responsible business practices by now. This was an oversight for Sasquatch!, as recycling bins were nowhere to be found and trash cans were often overflowing — a pretty easy, yet significant improvement that needs to be made.

Sasquatch! Music Festival - Mother Mother

Sasquatch! Music Festival - Gogol Bordello

Sasquatch! Music Festival - Action Bronson

Sasquatch! Music Festival - Little Dragon

Sasquatch! Music Festival - Of Monsters and Men

Sasquatch! Music Festival - Sleater-Kinney

Sasquatch! Music Festival - Diarrhea Planet

Sasquatch! Music Festival - The War on Drugs

Sasquatch! Music Festival - Glass Animals

Sasquatch! Music Festival - Modest Mouse

Sasquatch! Music Festival - Kate Tempest

Sasquatch! Music Festival - Future Islands

Sasquatch! Music Festival - The Districts

Sasquatch! Music Festival - Sharon Van Etten

Sasquatch! Music Festival - Run the Jewels

Sasquatch! Music Festival - Kendrick Lamar

Filed Under: Editor's Picks, Featured, Festival Reviews, Festivals Tagged With: Action Bronson, Amelia Meath, Angel Olsen, Broncho, Chromeo, Diarrhea Planet, Flume, Future Islands, FUZZ, Glass Animals, Gogol Bordello, Gorge Amphitheatre, James Blake, Jenny Lewis, Kate Tempest, Kendrick Lamar, Kiesza, King Tuff, Lana Del Rey, Little Dragon, Live Nation, Madeon, Milky Chance, Milo Green, MO, Modest Mouse, Mother Mother, Odesza, Of Monsters and Men, Ought, Real Estate, Run The Jewels, Sasquatch!, Sasquatch! 2015, Sasquatch! Music Festival, Sasquatch! Music Festival 2015, SBTRK, Schoolboy Q, Sharon Van Etten, Sleater-Kinney, Slow Magic, Spoon, St. Vincent, Sylvan Esso, Tame Impala, The Districts, The Glitch Mob, The Gorge, The War on Drugs, Twenty One Pilots

Kevin Parker links to new Tame Impala track “Disciples” via intriguing reddit AMA

April 29, 2015 by Mike Frash 2 Comments

Photos by James Nagel // Written by Mike Frash //

Tame Impala mastermind Kevin Parker took to the reddit AMA community format on Thursday to answer questions from the masses for an intriguing information dump.

He also linked to a new track from Currents titled “Disciples.” Listen to it now:

Parker spoke on his favorite guitar petal (surprise! it’s reverb), how he’s developed his singing voice over time, along with the evolving nature of Tame Impala’s album artwork. His current artistic inspirations include Kanye West, Tyler, The Creator and Caribou.

The big takeaway? When he was asked about people downloading and streaming music for free:

Eh…. I feel like music will be free sooner or later, and i think I’m all for it. There’s all this talk of music needing a monetary value, this ownership of music, even that it needs a physical form. But intrinsically… it’s MUSIC, it should be better than that. Some of my most important musical experiences were from a burnt CD with songs my friend downloaded for me at a terrible digital quality… I didn’t care… it changed my life all the same. For me the value of music is the value you extract from it. You want to know a story? Up until recently, from all of tame impala’s record sales outside of australia I had received…. zero dollars. Someone high up spent the money before it got to me. I may never get that money. Then Blackberry and some tequila brand or something put my song in an ad. Then I bought a house and set up a studio. I know what you’re thinking… “wait so…when I bought an album I was helping some businessman pay for his mansion on an island somewhere, and when some dude bought a mobile phone he was helping to pay an artist? WHHHYY?” I’ll tell you why, IT’S MONEY. It doesn’t always go where you want it to go. It’s like a shopping trolley with a bung wheel. As far as I’m concerned the best thing you can do for an artist is LISTEN to the music…fall in love with it…….talk about it………get it however you can get it….Let the corporations pay for. This is just my brain rambling remember, I’m sure there are holes in my theories… for example I realise not everyone’s music is suited to a mobile phone ad, and it would be lame if artists tailored their music for that purpose.

Zero dollars on record sales until recently? This is a brutally honest indictment on the music industry as a whole. Also, what a refreshing artist take on music streaming, one that doesn’t feel forced like Jack White’s recent Tidal-cross promoting proclamations that “music is sacred.”

Parker also was asked about Tame Imapla’s LP3, Currents, and if it will be “more pop based” in line with “Let It Happen” and “‘Cause I’m A Man.” He said:

Pop you say….. That’s a broad word… I’ve always thought all Tame Impala was total pop (whatever pop is these days) (I guess because I don’t hear the oceans of reverb and distortion… which can influence ones perception of the “genre” of a song no doubt…). Like I heard this full on piano ballad R&B cover of Backwards once, and I was like woah! is that my song??

There’s a lot of different stuff on the new album, It definitely has the most variation of any album I’ve done in the past.

In response, a reddit user asked “Come on man, link me that shit, I wanna hear it,” and Parker replied “youtube bro. it’s all there.”

The promotional effort is clearly gearing up, Tame Impala played Conan between Coachella appearances, and still there is no album release date on the books. It makes you wonder if Parker might drop it out of nowhere on us. Is it possible the new album is spread out all over YouTube, ready to be discovered by internet sleuths? Probably not, but that would be fun and parallel to Parker’s statement on music streaming.

The most important revelation of the day: If he weren’t a musician, Parker would be a scarf designer “Because a well designed scarf is hard to come by…”

Filed Under: Featured, Music Story, News Tagged With: Kevin Parker, Tame Impala

Which 2015 Coachella artists will premiere new music on the polo fields?

April 6, 2015 by Josh Herwitt Leave a Comment

Photos by Marc Fong // Written by Josh Herwitt //

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 10th-12th & April 17th-19th //

The 2015 festival season gets kicked into high gear this Friday when the first weekend of Coachella takes over the Empire Polo Club. With a lineup featuring headliners AC/DC, Jack White and Drake among a myriad of other high-profile acts, there is so much good music that one can’t possibly see it all over three days in the desert. If you’ve already seen alt-J perform songs from This Is All Yours live, you might not see a need to catch their Saturday early-evening set, for example.

So, that got us thinking: who will likely be premiering new material this weekend in Indio?

We dug through the lineup and looked at which artists have recently released new tracks or albums prior to their set at Coachella, as well as artists planning to release new material later this year. Happy Coachella!

*All set times below are in PT.

ALABAMA SHAKES

New album: Sound & Color
Release date: April 21
Playing Coachella: Friday, 7 p.m. (Outdoor Theatre)

The Shakes will be making their Coachella debut in a big way this year with their sophomore LP Sound & Color slated to be released two days after the festival’s second weekend. The four-piece performed new singles “Don’t Wanna Fight” and “Gimme All Your Love” on SNL last month and should give fans a strong preview of the album before it officially drops.

ALESSO

New album: Forever
Release date: May 26
Playing Coachella: Friday, 11:35 p.m. (Sahara Tent)

Swedish DJ/producer Alesso (formerly Alessandro Lindblad) has come a long way in a few years and will finally drop his first studio album Forever toward the end of May. In February, he premiered a new track featuring Roy English entitled “Cool”, which reached as high as No. 21 on Billboard’s U.S. Hot Dance/Electronic Songs chart.

BUILT TO SPILL

New album: Untethered Moon
Release date: April 21
Playing Coachella: Sunday, 4:15 p.m. (Outdoor Theatre)

Indie-rock stalwarts Built to Spill will celebrate the release of their first full-length album in more than five years with their first-ever appearance at Coachella. So far, the band has released “Living Zoo” and “Never Be The Same”, but fans can expect to hear a lot more from Untethered Moon during their Sunday slot.

CLOUD NOTHINGS

New album: No Life For Me with Wavves
Release date: TBA
Playing Coachella: Friday, 1:55 p.m. (Gobi Tent)

After turning the corner last year with Here and Nowhere Else, Cleveland’s Cloud Nothings have already jumped back into the studio, but this time it’s to make a collaborative record with San Diego’s Wavves. With no release date pinpointed yet, it’s possible Cloud Nothings singer/guitarist Dylan Baldi could bring out Nathan Williams during their set and give fans a taste of what’s to come on No Life For Me.

DESAPARECIDOS

New album: Payola
Release date: June 23
Playing Coachella: Sunday, 4:35 p.m. (Gobi Tent)

Bright Eyes frontman Conor Oberst said in an interview last summer that his emo-garage side project plans to release its second full-length album this year, marking the band’s first in 13 years (check out new song “City on the Hill” above). Though the Nebraska band has disbanded and reunited a number of times, its current stretch together marks the longest since forming in 2001.

DRAKE

New album: Views from the 6
Release date: 2015
Playing Coachella: Sunday, 10:15 p.m. (Coachella Stage)

With plans to release his fourth studio album this year, Canadian rapper Drake takes his first swing at Coachella with a headlining slot on the festival’s final day. In the meantime, he’s kept his fans on their toes by dropping a fourth mixtape If You’re Reading This It’s Too Late, which debuted at No. 1 on the U.S. Billboard 200, in mid-February.

DUKE DUMONT

New album: TBA
Release date: 2015
Playing Coachella: Saturday, 8:20 p.m. (Sahara Tent)

UK deep house producer Adam George Dyment, who performs under the stage name Duke Dumont, put out a new EP and a couple of singles, including one featuring fellow Brit Jax Jones, last year. This year he’s already dropped a new single entitled “The Giver (Reprise)”, and there’s a strong possibility that we will hear more new tracks from the Blasé Boys Club record label owner on Sunday.

FKA TWIGS

New album: EP3 EP
Release date: TBA
Playing Coachella: Saturday, 9:35 p.m. (Gobi Tent)

Tahliah Debrett Barnett, aka FKA twigs, made a big splash when her debut album LP1 peaked at No. 16 on the UK Albums Chart and No. 30 on the U.S. Billboard 200 last year. The British singer-songwriter, who recently became engaged to actor Robert Pattinson, announced in November that she had begun work on a third EP, and just last month she released the first song “Glass & Patron” from it.

FLORENCE & THE MACHINE

New album: How Big, How Blue, How Beautiful
Release date: May 29
Playing Coachella: Sunday, 8:50 p.m. (Coachella Stage)

It’s only been three years since Florence Welch last played Coachella, but this time it will be with a new album’s worth of material to perform. The band’s third studio album will release in late May, and a couple of singles have already been shared over the past two months, including “What Kind of Man” and “St Jude”.

FLYING LOTUS

New album: TBA (as Captain Murphy)
Release date: TBA
Playing Coachella: Friday, 10 p.m. (Mojave Tent)

Steven Ellison took his game to a whole another level last year with You’re Dead! as he continues to work and collaborate with some of today’s brightest and most talented artists in hip-hop, jazz and electronic music. Ready to take his rap persona Captain Murphy into the studio for a new album this year, FlyLo just might drop some rhymes as well as beats for his fans who show up to his Friday set.

GHOSTFACE KILLAH

New albums: Twelve Reasons to Die II & Supreme Clientele Presents… Blue & Cream: The Wally Era
Release dates: 2015
Playing Coachella: Friday, 5:45 p.m. (Outdoor Theatre)

After coming out with his 11th studio album 36 Seasons last year, Ghostface Killah is expected to release two more albums in 2015, Twelve Reasons to Die II and Supreme Clientele Presents… Blue & Cream: The Wally Era. Scheduled to perform with his Wu-Tang colleague Raekwon, who also has a new album on the horizon, the duo’s set should feature plenty of new material from both of their upcoming albums.

JAMIE XX

New album: In Colour
Release date: June 1
Playing Coachella: Sunday, 8:20 p.m. (Gobi Tent)

Jamie Smith of The xx jumped into the electronic world with his 2011 remix album We’re New Here, and now more than four years later, the English producer will unveil his first proper LP in June. So far, he’s released singles “Loud Places” (featuring The xx’s Romy Madley Croft) and “Gosh”, but Smith could give fans a more in depth preview of In Colour when he performs Sunday.

KASKADE

New track: “Never Sleep Alone”
Release date: April 6
Playing Coachella: Sunday, 7:25 p.m. (Coachella Stage)

Superstar DJ and record producer Ryan Raddon, aka Kaskade, has dropped a brand-new track just in time for his huge Sunday night performance at Coachella. While it’s unclear right now if “Never Sleep Alone” will make it on to Kaskade’s new album (no title or release date announced yet), it’s a safe bet that he’ll be unleashing this one when he takes the stage.

KYGO

New tracks: “Stole the Show” feat. Parson James & “ID – Ultra Music Festival Anthem”
Release date: March 15
Playing Coachella: Sunday, 11 p.m. (Mojave Tent)

Kyrre Gørvell-Dahll, who goes by his stage name Kygo, has been one of EDM’s fastest-rising stars in the last year. After remix collaborations with Chris Martin and Avicii propelled his career to the next level, the 23-year-old producer from Norway dropped his second single “Stole the Show” last month and will hit the polo fields for the first time ever this spring.

LIL B

New album: TBA
Release date: 2015
Playing Coachella: Friday, 3:10 p.m. (Outdoor Theatre)

Brandon McCartney, professionally known as Lil B, has been called many things, from rapper to author to motivational speaker. The 25-year-old from Berkeley hasn’t put out any new music since 2011, but with his sophomore LP scheduled to come out at some point this year, he’s sure to perform some new tracks during his Sunday set at Coachella.

MAC DEMARCO

New album: TBA
Release date: TBA
Playing Coachella: Sunday, 3:05 p.m. (Outdoor Theatre)

Canadian singer-songwriter Mac DeMarco earned critical acclaim for his full-length album Salad Days last year, and fans of the “blue wave” rocker got some promising news over the weekend when he shared a compilation video that includes pieces of five new songs that are currently being mastered in the studio. Knowing his tendency for the unpredictable, fans could very likely hear some of those tracks live for the very first time this weekend.

MARTIN SOLVEIG

New track: “Intoxicated” (with GTA)
Release date: January 19
Playing Coachella: Sunday, 4:50 p.m. (Sahara Tent)

It’s been a while since Martin Laurent Picandet, aka Martin Solveig, has released a proper studio album. However, the French electro/nu disco producer dropped a new single with Laidback Luke last year, and he’s started this year off working with GTA on a brand-new track entitled “Intoxicated”.

NERO

New album: TBA
Release date: TBA
Playing Coachella: Friday, 9:35 p.m. (Outdoor Theatre)

NERO took home a Grammy in 2013 for their remix of “Promises” with Skrillex, and the British electronic music trio has remained relatively quiet since then. That’s supposed to change this year with the group planning to drop its follow-up to 2011’s Welcome Reality, but there’s been no official announcement regarding the album or a tour, making its Coachella performance that much more special.

R3HAB

New track: “Phoenix” (with Sander van Doorn)
Release date: March 9
Playing Coachella: Friday, 7:10 p.m. (Sahara Tent)

Fadil El Ghoul drops singles, not albums, and he’s been doing it consistently since 2009. The Dutch DJ is signed to Afrojack’s Wall Recordings imprint, and he collaborated with fellow countryman Sander van Doorn on his latest single “Phoenix”, which just came out last month.

RAEKWON

New album: Fly International Luxurious Art
Release date: April 28
Playing Coachella: Friday, 5:45 p.m. (Outdoor Theatre)

It’s taken Raekwon almost two additional years to drop his sixth studio album, but the Wu-Tang Clan member will finally do just that later this month after two weekends at Coachella. In fact, the record’s first two singles — “All About You” and “Soundboy Kill It” — were released toward the second half of 2013, while the third and most recent one, “Wall to Wall”, came out less than two months ago.

RATATAT

New album: TBA
Release date: TBA
Playing Coachella: Saturday, 11:15 p.m. (Sahara Tent)

It’s been almost five years since Ratatat put out an album, and it’s safe to assume one of the reasons the New York City duo is playing Coachella this year is due to the fact that it has a new album in the works. While not much is known about the record right now (although some fans believe it will be titled LP5 to follow appropriately after 2008’s LP3 and 2010’s LP4), this is one set that should showcase plenty of new music from Mike Stroud and Evan Mast.

SQUAREPUSHER

New album: Damogen Furies
Release date: April 20
Playing Coachella: Friday, 10:50 p.m. (Gobi Tent)

It’s been quite a while since Tom Jenkinson last played Coachella, but the UK native is primed to play the festival again this year with his 14th studio album on the horizon. Squarepusher has released three tracks, including “Stor Eiglass” (listen above), from his upcoming Damogen Furies at this point, so fans should surely hear plenty of new material from the IDM pioneer.

TAME IMPALA

New album: Currents
Release date: TBA
Playing Coachella: Friday, 9:15 p.m. (Coachella Stage)

Making their third Coachella appearance in the last five years, Australian psych rockers Tame Impala continue to soar under frontman Kevin Parker’s direction. While both SF and LA fans got to hear the band experiment in between songs during its fall mini-tour (read our reviews of the SF show and LA show), Tame Impala should have some more focused new material to share from their upcoming LP Currents, which the band only officially announced two days ago along with new single “‘Cause I’m a Man.”

TODD TERJE AND THE OLSENS

New album: N/A
Release date: N/A
Playing Coachella: Friday, 9:20 p.m. (Gobi Tent)

Norwegian DJ, songwriter and record producer Terje Olsen, better known as Todd Terje, made a big first impression last year with his debut LP It’s Album Time, and while he may not necessarily be debuting brand-new material at Coachella, he’ll be performing with a live band called The Olsens (from his label Olsen Records), much like he did at the 2014 edition of Oya Festival. So, although festivalgoers may not hear new songs from Terje per say, they’ll definitely be in for a real treat when he joins the party on Friday.

TORO Y MOI

New album: What For? (read our review here)
Release date: April 7
Playing Coachella: Saturday, 4:20 p.m. (Mojave Tent)

Chaz Bundick has stayed busy over the past year between his electronic side project Les Sins and writing Toro y Moi’s fourth studio album What For?, which drops just days before the band plays Coachella. And as we learned from the band’s recent show in SF, Bundick has incorporated more of a 70’s psych-disco-funk sound into the Toro y Moi repertoire.

TOUCHÉ AMORÉ

New album: Self Love (split with Self Defense Family)
Release date: 2015
Playing Coachella: Sunday, 1 p.m. (Mojave Tent)

Touché Amoré have long been known for splitting EPs with other post-hardcore bands, and that’s what they plan to do on Self Love with New York’s Self Defense Family this year. What it could mean is some new songs being debuted at Coachella, which is one of just four shows that the LA group has planned right now.

TOURIST

New track: “Holding On”
Release date: May 25
Playing Coachella: Saturday, 12:20 p.m. (Mojave Tent)

London-based artist William Phillips has slowly been climbing the ranks, but he’s already done some big things in 2015 after winning a Grammy for helping Sam Smith co-write his hit single “Stay With Me”. Since then, he’s released a new track entitled “Holding On” that features Australian artist Josef Salvat and American singer/pianist Niia before he plays at Coachella for the first time.

VIC MENSA

New album: Street Lights EP
Release date: 2015
Playing Coachella: Friday, 1:20 p.m. (Coachella Stage)

U.S. hip-hop recording artist Vic Mensa is a former member of Kids These Days and a founder of the hip-hop collective SAVEMONEY with Chance the Rapper. The Chicago native, who serves as a featured artist on Kanye West’s new track “Wolves”, plans to follow up his 2010 EP Straight Up this year with another EP by the name of Street Lights and should have some surprises in store at Coachella.

YELLOW CLAW

New album: Blood For Mercy
Release date: 2015
Playing Coachella: Saturday, 4:45 p.m. (Sahara Tent)

Amsterdam DJ trio Yellow Claw started winning over fans back in 2010 by mixing trap, hip-hop, dubstep, hardstyle and moombahton into their sets. With a number of EPs already out, they’re getting ready to release Blood For Mercy but have yet to officially release any tracks from the album.

Here’s a day-by-day breakdown of Coachella artists who will likely perform new material:

FRIDAY
Alabama Shakes
Alesso
Cloud Nothings
Flying Lotus
Ghostface Killah
NERO
R3hab
Raekwon
Squarepusher
Tame Impala
Todd Terje and the Olsens
Vic Mensa

SATURDAY
Deorro
FKA twigs
Ratatat
Toro Y Moi
Tourist
Yellow Claw

SUNDAY
Built to Spill
Desaparecidos
Drake
Duke Dumont
Florence & the Machine
Jamie xx
Kygo
Lil B
Mac DeMarco
Martin Solveig
Touché Amoré

Filed Under: Featured, Festivals Tagged With: Alabama Shakes, Alesso, Built To Spill, Cloud Nothings, Coachella, Coachella 2015, Coachella Music and Arts Festival, Deorro, Desaparecidos, Drake, Duke Dumont, Empire Polo Club, FKA twigs, Florence & the Machine, Flying Lotus, Ghostface Killah, Jamie xx, Kygo, Lil B, Martin Solveig, NERO, R3hab, Raekwon, Ratatat, Squarepusher, Tame Impala, Todd Terje and the Olsens, Toro Y Moi, Touché Amoré, Tourist, Vic Mensa, Yellow Claw

Tame Impala flash back to 80’s pop on new single

April 5, 2015 by Josh Herwitt Leave a Comment

Australian neo-psych rockers Tame Impala are in the process of recording their third LP Currents, which is scheduled to be released later this year on Interscope Records, and continue to show why it will be one of the most highly anticipated albums of 2015.

Just hours after announcing the title of the new record, the group revealed a new single, “‘Cause I’m a Man,” on its Facebook page early Sunday morning in the U.S. (consider it a little present from the Easter Bunny if you want).

Frontman Kevin Parker has recently said that the band would be taking a new approach to its songwriting for Currents, and the four-minute track sure isn’t anything like what we’ve heard from Tame Impala before. Right from the start, Parker injects a heavy dose of 80’s pop, taking us for a smooth ride before eventually turning to lines like “‘Cause I’m a man, woman / Don’t always think before I do / ‘Cause I’m a man, woman / It’s the only answer I got for you” during the song’s chorus.

With Tame Impala set to play Coachella next Friday, there’s a decent chance fans headed to Indio will get to hear this one played live for the first time ever, unless Parker and company decide to lay that honor on their Southern California fans in Pomona next Wednesday night when they kick off their two-month-long tour across the U.S.

While the new single doesn’t quite reach “Purple Rain” stature, even Prince might dig it.

Let us know what you think in the comments section after you listen to the track here:

You can also check out the music video here:

Filed Under: Featured, Music Story Tagged With: Currents, Tame Impala

Outside Lands 2015: Elton John, Mumford & Sons, The Black Keys, Kendrick Lamar are your headliners

March 24, 2015 by Mike Frash 5 Comments

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 7th-9th, 2015 //

The eighth Outside Lands Music and Arts Festival has unleashed its 2015 lineup, and it’s a winner. At first glance, this looks like the best lineup in the history of the fest.

The headliners are Elton John, Mumford and Sons, The Black Keys, Sam Smith, Kendrick Lamar & Wilco.

Other notable acts include Tame Impala, D’Angelo and the Vangaurd, St. Vincent, Hot Chip, Caribou, Mac DeMarco, Toro y Moi, Dan Deacon, First Aid Kit, ODESZA, Laura Marling, Sky Ferreria, Unknown Mortal Orchestra, Hurray for the Riff Raff, Classixx, Leon Bridges, Strand of Oaks, Green Velvet & Claude VonStroke, Natalie Prass, Django Django, Glass Animals, Speedy Ortiz, Shakey Graves, Lake Street Dive, Giraffage, Allah-Las, Benjamin Booker, METZ, DJ Mustard, The Revivalists, Iration, The Devil Makes Three, Twin Peaks, The Family Crest, Alvvays & Karl Denson’s Tiny Universe.

Also playing at Outside Lands 2015 are Axwell Λ Ingrosso, Ben Harper and the Innocent Criminals, Billy Idol, Porter Robinson, G-Easy, Slightly Stoopid, Chet Faker, Misterwives, DJ Mustard, Angus & Julia Stone, Robert DeLong, Ryn Weaver, James Bay, RL Grime, Milky Chance, GIVERS, St. Paul and The Broken Bones, SZA, The Sam Chase, Langhorne Slim & The Law, George Ezra, Fantastic Negrito, Broods, Lindsey Stirling, Nate Ruess, DMA’s, Alex Bleeker & The Freaks, Devon Baldwin, & The Tropics.

Watch the announcement video at Funny or Die and see the full lineup here.

Get your tickets starting Thursday at 10 a.m.

Filed Under: Featured, Festivals Tagged With: Alex Bleeker & The Freaks, Allah-Las, Alvvays, Angus & Julia Stone, Axwell Λ Ingrosso, Ben Harper and the Innocent Criminals, Benjamin Booker, Billy Idol, Broods, Caribou, Chet Faker, Classixx, Dan Deacon, D’Angelo and the Vangaurd, Devon Baldwin, DJ Mustard, Django Django, DMA's, Elton John, Fantastic Negrito, First Aid Kit, G-Easy, George Ezra, Giraffage, Givers, Glass Animals, Green Velvet & Claude VonStroke, Hot Chip, Hurray for the Riff Raff, Iration, James Bay, Karl Denson's Tiny Universe, Kendrick Lamar, Lake Street Dive, Langhorne Slim & The Law, Laura Marling, Leon Bridges, Lindsey Stirling, Mac Demarco, METZ, Milky Chance, MisterWives, Mumford and Sons, Natalie Prass, Nate Ruess, Odesza, Outside Lands 2015, Porter Robinson, RL Grime, Robert DeLong, Ryn Weaver, Sam Smith, Shakey Graves, Sky Ferreria, Slightly Stoopid, Speedy Ortiz, St. Paul and The Broken Bones, St. Vincent, Strand of Oaks, SZA, Tame Impala, The Black Keys, The Devil Makes Three, The Family Crest, The Revivalists, The Sam Chase, The Tropics, Toro Y Moi, Twin Peaks, Unknown Mortal Orchestra, Wilco

Outside Lands 2015: Lineup locks, likely acts & long shots

March 11, 2015 by The Bam Team 15 Comments

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 7th-9th, 2015 //

UPDATE: The lineup has been announced. View the full lineup here.

Outside Lands 2015 speculation season may now commence.

For the first year, wristbands will be used for all three-day GA and VIP tickets instead of paper tickets or PDF printouts. Could this be a sign that single-day tickets are a thing of the past?

As a comparison, Coachella moved over to wristbands the same year single-day tickets were abolished. If Superfly and Another Planet can sell out the entire weekend with only three-day passes, than why wouldn’t they punt on the one-day option?

We’ve looked at tour dates, researched competing festivals and considered Outside Lands’ curation history. Squamish Valley Music Festival in BC may be the same weekend from August 7th-9th, but those large metal flying birds make it so musicians can easily do both fests.

The same goes for acts booked in Europe the week after Outside Lands — many artists will play Lollapalooza or Osheaga, followed by Outside Lands, then they cross the pond for mid-August festivals abroad.

If you have a lead or opinion, drop us a comment below. We’ll be updating this list as new developments happen. So, allow us to play Nostradamus and offer these predictions.

Lock It In

Kendrick Lamar – Ranger D tweeted he DLed KDot’s new album on March 16th, and he’s also headlining Bonnaroo.
Mumford and Sons – OSL fits their schedule between Squamish and their Washington “stopover.”
Tame Impala – These Aussie psych-rockers and APE loyalists are ready for a prime-time slot.
Deadmau5 – The mouse is atop many major lineups, including Bonnaroo, so his return to OSL seems logical.
St. Vincent – Annie Clark is worthy of headliner status, and she’s confirmed for Osheaga.
Sam Smith – The big question remains: Is he a Land’s End or Twin Peaks headliner?
Bassnectar – This APE regular is long overdue to helm Twin Peaks for a hometown blowout.
Hot Chip – Basically confirmed via Twitter. And they’re in LA on August 11th.
Wilco – The stars are aligning … Tweedy, Cline and company are confirmed for LA on August 5th.
Alabama Shakes – Playing Squamish. Remember how packed their first OSL appearance was?!?!
Run the Jewels – Accidentally confirmed on RTJ’s tour page and would mark OSL’s first B2B booking.
Sylvan Esso – They’ve played The Independent and Fox Theater Oakland in the past year, and they’ll be in the Midwest the week after OSL.
Django Django – Playing in LA on August 6th.
!!! (chk chk chk) – Played OSL four years ago, and they’re touring with Hot Chip in LA on August 11th.
Jeff the Brotherhood – Dates open and booked for Mumford “stopover” up north in Walla Walla.
Laura Marling – Playing LA on August 6th and a perfect selection for a Sutro Stage. (added March 17th)

Seems Likely

Elton John
The Black Keys
The War on Drugs
The Avett Brothers
Brandon Flowers
Death From Above 1979
Toro Y Moi
Of Monsters and Men
Interpol
First Aid Kit
Stromae
ODESZA
ScHoolboy Q
Gorgon City
The Kills
Slow Magic
Slightly Stoopid

Looking Plausible

Drake (Downgraded to “Looking Plausible” 3/16)
Bruce Springsteen
Chance the Rapper
Caribou
Florence + The Machine (upgraded to “Looking Plausible” on March 18th with Osheaga announcement)
Axwell Λ Ingrosso
alt-J (upgraded on March 18th with Osheaga announcement)
Belle & Sebastian
The Decemberists (upgraded on March 18th with Osheaga announcement)
Flying Lotus
Father John Misty (upgraded to “Looking Plausible” on March 18th with Osheaga announcement)
Future Islands
Mac Demarco
Glass Animals
Hozier
Benjamin Booker
Alvvays
AWOLNATION
Strand of Oaks
Bahamas
Hiss Golden Messenger

Long Shot (but could happen)

Jack White
Sleater-Kinney
D’Angelo
Weezer (added March 18th with Osheaga announcement)
Jack Ü
Nas (added March 18th with Osheaga announcement)
TV on the Radio
Todd Terje
Gary Clark Jr. (added March 18th with Osheaga announcement)
Action Bronson (added March 18th with Osheaga announcement)
Viet Cong (added March 18th with Osheaga announcement)
Ben Harper & the Innocent Criminals (added March 18th with Osheaga announcement)
Marina & the Diamonds
MS MR (added March 18th with Osheaga announcement)
Charli XCX
Jamie xx
Kygo
San Fermin (added March 18th with Osheaga announcement)
Milky Chance

View our predictions from 2014.
View our predictions from 2013.

Filed Under: Featured, Festivals Tagged With: Action Bronson, Alabama Shakes, Alt-J, Alvvays, Awolnation, Axwell Λ Ingrosso, Bahamas, Bassnectar, Belle & Sebastian, Ben Harper, Ben Harper & the Innocent Criminals, Benjamin Booker, Brandon Flowers, Burce Springsteen, Caribou, Chance The Rapper, Charli XCX, CHK CHK CHK, D'Angelo, D'Angelo and the Vanguard, Deadmau5, Death from Above 1979, Django Django, Drake, Elton John, Father John Misty, First Aid Kit, Florence & the Machine, Flying Lotus, Future Islands, Gary Clark Jr, Glass Animals, Golden Gate Park, Gorgon City, Hiss Golden Messenger, Hot Chip, Hozier, Interpol, Jack Ü, Jack White, Jamie xx, JEFF the Brotherhood, Kendrick Lamar, Kygo, Laura Marling, Marina and the Diamonds, Milky Chance, MS MR, Mumford & Sons, Nas, Odesza, Of Monsters and Men, Outside Lands, Outside Lands 2015, Outside Lands Music Festival, Outside Lands Music Festival 2015, Predictions, Rumors, Run The Jewels, Sam Smith, San Fermin, Schoolboy Q, Slightly Stoopid, Slow Magic, St. Vincent, Strand of Oaks, Stromae, Sylvan Esso, Tame Impala, The Avett Brothers, The Black Keys, The Decemberists, The Kills, The War on Drugs, Todd Terje, Toro Y Moi, TV on the Radio, Viet Cong, Weezer, Wilco

Tame Impala offer more of the same at Fox Theater Oakland … and we still love it

November 18, 2014 by Mike Frash Leave a Comment

Photos by James Nagel & Sam Heller // Written by Mike Frash //

Tame Impala with Delicate Steve //
Fox Theater Oakland – Oakland
October 15th, 2014 //

One of the greatest bands currently creating new music and going out on epic tours, Tame Impala put on shows Saturday and Sunday at Fox Theater Oakland. So why did our favorite Aussies launch a mini-tour without any significant differences in their show since they last visited San Francisco and Oakland just over a year ago?

Saturday’s show featured the heady songs semi-inspired by the psychedelic movement of the 1960’s that we’ve come to love, and they’ve perfected the art of the improvisational interlude (when Tame Impala puts a song to bed, only to explode with two more intense minutes of the same song). These extended jams aren’t on record, but they help to spice up the group’s live experience.

One new element to the show on Saturday was enhanced visuals — the background screen extended from the floor to the ceiling, and Kevin Parker turned away from the audience to face the screen multiple times to concentrate on creating visualizations from his lead guitar playing. Parker’s instrument was represented on screen by a green line that circled, zigged, zagged and gets completely chaotic based on what notes he plucked and how intense they were struck. Granted these visuals look like something out of the first version of a Winamp visualizer, but it was still exciting and noteworthy.

Also, Parker ain’t afraid to represent. He was sporting swag that Tame Impala were selling at the merchandise booth. Next time Tame Impala come to town, I suspect it will be with a fresh scoop of new material.

Delicate Steve gave an exciting, powerful set steeped in emotive instrumentals that nicely set the stage for Tame Impala.

Tame Impala

Filed Under: Featured, Photos Tagged With: Delicate Steve, Fox Theater Oakland, Kevin Parker, Tame Impala

Tame Impala unveil new jams in LA despite faulty PA system

November 17, 2014 by Josh Herwitt 1 Comment

By Josh Herwitt //

Tame Impala //
Shrine Auditorium – Los Angeles
November 12th, 2014 //

When neo-psychedelic rockers Tame Impala announced in mid-August that they would be hitting the road this fall for a select number of U.S. dates, there was hope among fans that the Western Australia outfit would be using its nine-date run to test out some new material for a third full-length album.

After all, the Perth-based band led by 28-year-old mastermind Kevin Parker had already toured extensively over the past two years in support of its sophomore LP Lonerism, so surely there had to be a good reason why it was returning to the U.S. this month for only four shows, including three on the West Coast.

But while the motive behind Tame Impala’s mini-tour remained unclear, LA welcomed back Parker and his four sidekicks with open arms at the Shrine Auditorium, as they walked out on stage to a pre-recorded remix of Elton John’s “Can You Feel the Love Tonight?” and quickly saluted the more-than-appreciative crowd.

And by the second song of the night, they were doing exactly what their fans had hoped they would do, introducing a new tune, one that they debuted four months ago during a performance in the UK at Manchester Albert Hall. What followed weren’t new, fully conceptualized cuts per say, but the quintet kept the room on its toes, offering extended versions of “Sestri Levante” and “Endors Toi” before later uncorking an even newer jam toward the end of the band’s 14-song set.

Yet, for as important a moment as this was for Tame Impala — Parker said at one point that the gig was the largest the band had ever played as a headliner thanks to the Shrine’s 6,300-person capacity — technical issues during “Alter Ego” stemming from a faulty PA system unfortunately put a damper on everything that had come before it.

With the brief delay between songs serving unconventionally as the band’s encore break, Parker and company shook off some nerves and finished strong, saving some of their best for last, including the dreamy, Pink Floyd-esque “Apocalypse Dreams” and hit single “Feels Like We Only Go Backwards,” which drew quite a bit of scrutiny from the music journalism world earlier this year.

Taking a page out of 60’s psychedelia, Tame Impala closed things out with the heavily experimental, far from succinctly-titled “Nothing That Has Happened So Far Has Been Anything We Could Control,” waving goodbye to Angelinos afterward for most likely the last time before they return to the studio.

Setlist:
Be Above It, New Song, Solitude Is Bliss, Sestri Levante, Why Won’t You Make Up Your Mind?, It’s Not Meant to Be, Why Won’t They Talk to Me?, Elephant, Endors Toi/Jam, Oscilly, Mind Mischief, Half Full Glass of Wine, Newer Jam, Alter Ego

Encore:
Apocalypse Dreams, Feels Like We Only Go Backwards, Nothing That Has Happened So Far Has Been Anything We Could Control

Filed Under: Featured, Live Music Reviews Tagged With: Shrine Auditorium & Expo Hall, Tame Impala

Aussie psych rockers Pond deliver perfection at The Indy

November 5, 2014 by The Bam Team Leave a Comment

By Patrick Kelly //

Pond //
The Independent – San Francisco
October 30th, 2014

I have little idea how, but last week, Pond snuck into SF with limited fanfare. Months ago, when the show was announced, I had assumed it would be one of the buzziest shows of the year. With these Aussies rolling off the success of their sister group Tame Impala (the bands share a couple of members) and the psychedelic rock scene making a little comeback, I figured The Independent would be a scene within itself, resplendent with those calling out for a Tame Impala cover while trying to talk over the extended shredding.

What I got, thankfully, was the exact opposite: It was entirely about the music. I’ve known bands to be tighter at the end of their tour, but calling Pond’s performance “tight” would be an understatement. They nailed the licks and the jams; they had the confidence that everyone in the room knew how tight they were playing. And most importantly, they played it looooouuuud from the start. The fans, and they were true fans, ate up every minute of the hour-plus show –- the unheard tunes off the upcoming Man, It Feels Like Space Again, the complicated and catchy favorites off of Beard, Wives, Denim as well as Hobo Rocket and of course, the extended jams.

I had measured expectations coming in: Pond’s albums are forceful, interesting and catchy. But until you see the heart behind the tunes in person, it’s hard to predict if the force of their studio digs will show through live. With all of the heart they put forward last Thursday, it’s easy not only to say that they wildly exceeded my expectations, but also that they’ll almost surely be among my Top 10 shows of the year.

Filed Under: Featured, Live Music Reviews Tagged With: Pond, Tame Impala, The Independent

Tame Impala ‘plagiarism’ coverage grasping for straws, clicks

August 18, 2014 by Mike Frash 1 Comment

Tame Impala performing as The Spice Girls on Halloween 2013 in San Francisco.

By Mike Frash //

UPDATE 8/20: Hats off to Rolling Stone‘s Jason Newman, who actually took the time for some investigative journalism to follow up with the Rata publishers. They said that “It was a joke,” and Rolling Stone got a hold of Tame Impala’s Kevin Parker, who replied, “This is a joke, right?” Now, Pablo Ruiz is considering legal action thanks to the music media noise machine that spread the non-story on Monday.

Rolling Stone reported, “Ruiz told ESPN Radio that he would be interested in performing with the band when they play BUE Fest in Buenos Aries on November 24th.” So, maybe Tame Impala and Ruiz can join together for “Feels Like We Only Go Backwards” > “Océano” > “Feels Like We Only Go Backwards”, have a laugh and move on. Read our original On The Media report below:

Music blogs overshadow Tame Impala’s mini tour announcement with borderline slander.

Consequence of Sound, arguably the best U.S. music blog over the past couple of years, ran a story today reporting that another blog from South America has accused Tame Impala of plagiarism. Pitchfork picked up the story an hour later, and like a pack of flies on shit, many other music outlets followed suit from there, pointing to the CoS story.

Suddenly the headline is: Tame Impala are accused of stealing “Feels Like We Only Go Backwards”. In an age when headlines matter more than content, accusations like this stick in the hearts and minds of consumers longer than one news cycle.

So, who really made this accusation? CoS points to the “Chilean news site” Rata, a small music blog from Chile. Online media entities are the ones accusing here, not an individual, an artist or a record label. This source article seems to be satirical in nature, much like The Onion. The article claims “the discovery happened at a gathering where musicologists analyzed songs from different eras, and made this conclusion.” The video then, also made by Rata, offers “proof”:

Apparently those familiar with former pop star Pablo Ruiz have been joking about this similarity for a while now, but one could also argue that Pablo Ruiz plagiarized Ritchie Valens’ “La Bamba”. That doesn’t make it true just because someone said it or put it on the Internet.

I mean, come on, there’s evidence of Kevin Parker’s first demo of “Feels Like We Only Go Backwards” as he’s working through the songwriting process here:

All of this is a bit of a low blow considering Tame Impala announced a tour today, which visits New York, California and South America, including a stop at BUE Fest in Buenos Aires, Argentina. So, perhaps this is all a tie-in to promote the tour, but that sure would be testing the notion that “all publicity is good publicity.”

This is also a classic example of the echo chamber that is the music news industry at this point in time. One outlet reports, everyone else regurgitates the same thing with a link to the “source”, deferring journalistic integrity to the news breaker, all to get the article up ASAP before the East Coast finishes the work day. And so it goes …

Here’s hoping Tame Impala arrive in November at the Fox Theater in Oakland ready to road test some new material.

Filed Under: Featured, On The Media Tagged With: Consequence of Sound, On the Media, Pablo Ruiz, pitchfork, Plagiarism, Rata, Tame Impala

Showbams’ top shows of 2013

December 17, 2013 by The Bam Team 1 Comment

It’s been a rich year for music, but since most artists no longer rake in as much cash as they did in the past from record sales, performing live has become more essential. Easy access to streaming and torrents has created a world where music fans cultivate an increasingly wide-ranging palette. In turn, festivals have become exponentially more popular, out of necessity and due to the communal, diverse experiences festivals offer.

Most of the Showbams Team lives and frequents concerts in the Bay Area music scene (that’s what the “BAMS” in “Showbams” stands for), so many of our staff picks for best shows of 2013 took place in or around San Francisco.

The best live music performers blow minds on a nightly basis as they zig zag across the world, so if an act made our list, they probably left a lasting impact near you as well.

Click the links below to view the original show review.

El-P & Killer Mike as Run The Jewels // Photo by James Nagel

Mike Frash // Founder, Editor, Columnist // @MikeFrash

01. El-P & Killer Mike (Run The Jewels) – The Independent – July 31st
El-P & Killer Mike provided the most engrossing live performance I witnessed this past year, both in their opening solo sets and their combined tour de force as Run The Jewels. Killer Mike, perhaps the most fascinating rapper on the planet, had the audience in the palm of his hands by enforcing crowd participation while performing “R.A.P. Music” and an a cappella version of “Reagan”. El-P’s set contrasted perfectly with Mike’s more message-driven set, but the the most magical moments occurred when the duo donned their “36” Chains”. The super-clever spits came at machine gun pace, faster than brains can process, and El-P’s weird, abrasive-yet-fun production work kept the show flowing at a delightfully hyperactive pace. The future is blindingly bright for Run The Jewels as they aim to take the throne.

02. Nine Inch Nails – Outside Lands – August 10th
Nine Inch Nails triumphantly returned this summer after a couple last minute personnel changes, but in the end it felt as though Trent Reznor knows exactly what he is doing. Far from feeling like a greatest hits nostalgia show (while they did play nearly all their big singles), Nine Inch Nails guided the uninitiated (including myself) by unfolding the performance in segments. Starting with “Copy of A” from this year’s Hesitation Marks, the first portion was distinctively electronic as shadows silhouetted the players onto the background of the stage. Then the stage opened up to reveal a live drum set, and a handful of pure rock tracks took over. From there, the mix of crunchy, industrialized rock and alternative metal that NIN is known for, including “March of the Pigs” and “Head Like a Hole”, became the focal point. In all honesty, show closer “Hurt” elicited some tears. The experience was intense, surprisingly dance-oriented and breathtakingly emotional.

03. Savages – The Independent – September 29th
Savages made a big splash this year with their album Silence Yourself, and much of the publicity for the all female foursome out of London came from their phone “ban” at concerts. The idea behind this was to instill the idea of immersion into concert goers. Savages successfully put on a show that exhibited a “live in the moment” mentality through their songs and stage presence, and in turn the audience followed Jenny Beth and company to be hypnotically entranced. Savages curated a wholly attentive experience through the use of contrast, most notably in their look, their use of black and white, and the way Savages ultimately contrast with every other group that performs live.

04. FOALS – Coachella (Weekend 1) – April 12th
05. Atoms For Peace – Treasure Island Music Festival – October 29th
06. Deerhunter – FYF – August 24th
07. Bassnectar – Fox Theater Oakland – September 19th
08. Alt-J – Not So Silent Night at Oracle Arena – December 7th
09. The Flaming Lips and Tame Impala with White Denim – Bill Graham Civic – October 31th
10. Eric Prydz – Coachella (Weekend 1) – April 14th

Phoenix // Photo by Chaya Frash

Molly Kish // Artist Relations Manager, Columnist // @MollyKish

01. Phoenix – The Independent – April 1st
Preceding the release of their arena-filling 2013 smash album Bankrupt!, Phoenix stopped by San Francisco’s very own 500 person capacity venue to debut the new material. A last minute performance hosted a packed crowd of industry professionals and die-hard fans alike, and the setting felt more like a jam packed album release party than legitimate rock show. The French foursome dynamically performed their brand new tracks, fully engaging the attention of the audience through an intense stage show which fully used the venue’s limited space. Lead singer Thomas Mars even went as far as to stage dive, crowd surf, scale the back wall and return back full circle mid-encore without missing a beat. Catching a band of this magnitude, in a venue this size, performing yet to be released material was a once in a lifetime opportunity and one that anyone lucky enough to experience will undoubtedly remember forever.

02. Fiona Apple and Blake Mills – Zellerbach Hall at UC Berkely – October 8th
The only Bay Area stop on their “Anything We Want Tour”, guitar prodigy Blake Mills and the combustible Fiona Apple headlined an intimate performance this past October at UC Berkeley’s Zellerbach Hall. Billed as joint headliners, Mills and Apple playfully supported and challenged each other for command of the completely improvised set list and cohesively chaotic stage show that unveiled. The lecture hall audience was treated to a concert that highlighed both artists individuality, and as a collaborative duo, exercising complete creative control over an occasionally uncomfortably raw, extremely uncensored and truly unique live music experience.

03. Matthew Dear – Mezzanine – May 22nd
Catching the Ghostly International co-founder and experimental dance artist Matthew Dear in the spatial dimensions of the Mezzanine is amazing enough, however if the dance floor is nowhere near half capacity, you’re in for an unforgettable, private performance. Accompanied by a four person live band, Matthew Dear took the stage this past May with the bravado of a veteran rock star. Playing as though he were performing to a sold out arena, he dramatically danced and belted his way through crowd rousing favorites from his entire catalogue. Stage show theatrics involving the dismemberment of dozens of white roses and passionate crowd interactions stunned the unassuming audience members. The band dynamics, amazing set list and impeccably charismatic Matthew Dear ultimately enticed the intrigue of the entirely undersold venue, prompting everyone to actively participate in the spectacle that evening.

04. Major Lazer – The Independent – March 28th
05. Moving Units – DNA Lounge – September 11th
06. Washed Out – Rickshaw Stop – August 29th
07. Toro Y Moi – The Independent – March 2nd
08. The Postal Service – The Greek Theater Berkeley – July 27th
09. Yeasayer – Mezzanine – April 12th
10. Muse – Oracle Arena – January 28th

Arcade Fire as The Reflektors // Photo by Kevin Quandt

Kevin Quandt // Assistant Editor, Columnist // @KJQuandt

01. Arcade Fire as The Reflektors – Hollywood Palladium – October 31st
When I was lucky enough to score a ticket to this Halloween extravaganza, I knew I would be in for something special as I was in the process of falling in love with Reflektor. After donning a sharp suit and heading to Hollywood Boulevard, my show companion and I began to realize this was gonna be something special. The Palladium was alive as soon as you walked though the doors as revelers danced, socialized and admired each others outfits worn on this night. Obviously the band played heavy on the new tracks and the crowd was eating out of their hand for the duration with highlights such as “Here Comes the Night Time” and “We Exist”, to name a few. The evening didn’t end once the performance was done as the band joined the crowd for a post-show dance party to rival most. By the time we cruised out into the chilly night we were pretty thoroughly damp from the sweat that had amassed inside, and all was right on a Halloween in Hollywood.

02. Tame Impala – Coachella (Weekend 1) – April 14th
The continuously impressive Australian act delivered a loaded 40 minute set displaying their ability to crush, and expand, tracks on stage like rock and roll champs. Blustery winds blew through the Empire Polo Club, shaking the rows of palm trees behind the stage as if nature was swaying to the psychedelic goodness being enjoyed by the sizable crowd. The conditions may have led to some minor issues with a MIDI keyboard, but that didn’t phase them in the least and powered into a different direction without missing a beat. “Elephant” had an extended interlude before closing with old classic, “Half Full Glass of Wine”. Optimism at it’s finest.

03. Paul McCartney – Outside Lands – August 9th
A Friday night set just shy of 40 songs punctuated the first day of Outside Lands as living legend Paul McCartney captivated a packed crowd. Though not my first time seeing Sir Paul show, it was a special one in many ways on a foggy summer evening. The tenderness of “Blackbird” is always a thing of beauty, and the recently road-approved Beatles tune “Lovely Rita” were just a few of the highlights from this banner set. Macca has got it, straight up. I have preached to the power of his show since I was 15 years old, and on this night many got to experience that power first hand.

04. Phish – Lake Tahoe Outdoor Arena at Harveys – July 31st
05. Holy Ghost! – Treasure Island Music Festival – October 19th
06. Mac DeMarco – FYF – August 25th
07. David Byrne & St. Vincent – Fox Theater Oakland – July 21st
08. Thee Oh Sees – The Independent – January 11th
09. Pickwick – The Getty Center – Los Angeles, CA – July 13th
10. The Walkmen & Father John Misty – The Fillmore – January 24th

Sigur Rós // Photo by Marc Fong

Pete Mauch // Festival Manager & Columnist // @PeteMauch

01. Sigur Rós – Coachella (Weekend 2) – April 20th
Icelandic rockers Sigur Rós closed out night two of Coachella and put on an amazing performance that was highlighted by one of the most impressive visually striking stage set ups that I’ve seen. In addition to the mesmerizing video screen portrayal of various beautiful landscapes, the stage also had lamps with exposed bulbs that would light up in time to the music. The band was joined by a string and horn section for this unique experience, adding great texture to their already layered sound. The set was heavy on newer songs from their most recent album Kveikur with older tracks sprinkled in, which pleased new and old fans alike. Sigur Rós provide a truly amazing experience.

02. M83 with Hollywood Bowl Orchestra – Hollywood Bowl – September 22nd
French indie-pop rockers stepped it up at the Hollywood Bowl this year with a little help from the in house orchestra. It’s always tricky when mixing string instruments with electronic synthesizers, not to mention the full band, but M83 found the perfect medium. The band worked through most of their big hits like “Midnight City” and “Wait” with serious ambition and the subtle compliments from the orchestra really made the overall sound fuller.

03. Tame Impala – Fox Theater Pomona – May 30th
This Australian Psychedelic band had a banner year as they played all over the world, but on this particular night in Pomona they showcased why they are going to be one of the biggest bands around. Their sound is pure psychedelic bliss that oozes ever so sweetly over your ears. The band weaved effortlessly between older tracks like “Desire Be Desire Go” and newer songs like the ever so popular “Elephant” and “Feels Like We Only Go Backwards”. After a solid two plus hour set, Tame Impala walked off the stage and I found myself standing there speechless.

04. Phish – Dicks Sporting Goods Arena – Commerce City, CO – August 31st
05. Medeski Martin & Wood – UCLA Royce Hall – April 26th
06. Eric McFadden with Nels Cline and Mike Watt – The Mint – Los Angeles, CA – January 16th
07. Femi Kuti and The Positive Force – The El Rey Theater – Los Angeles, CA – January 18th
08. The Rolling Stones – Staples Center – Los Angeles, CA – May 3rd
09. Jim James – The Fonda Theater – Los Angeles, CA – May 11th
10. Anders Osborne with Neal Casal and Karl Denson’s Tiny Universe- The El Rey Theater – Los Angeles, CA – October 24th

Alt-J // Photo by Sam Heller

Kevin Raos // Columnist // @Semirec

01. Phish – Lake Tahoe Outdoor Arena at Harveys – July 31st
In late July Phish performed two concerts at Harvey’s Lake Tahoe Outdoor Arena. Night 2 of the run contained one of the most infamous moments in recent Phish history: The Tahoe Tweezer. This 36 minute jam odyssey has already found it’s place in Phish lore as one of the defining moments of the current era of Phish. It’s not just the length that makes this jam so impressive, but also the song’s content, as Phish and the audience interact back and forth driving the jam deeper and deeper. Magical moments of improvisation like this do not come around very often. WOO!

02. Bjork – Craneway Pavilion – Richmond, CA – May 28th
This was my first time having the pleasure of seeing Bjork live, and she fully lived up to the hype. The entire crowd was on pins and needles as she performed her 2011 album, Biophilia, in it’s entirety. It was an audio/visual experience unlike any other concert, complete with a Tesla Coil instrument controlled by iPads and a series of sound-generating pendulums to accompany Bjork’s majestic voice. Bjork is a talent unlike anything I have ever seen live.

03. Tom Waits – Bridge School Benefit (Shoreline Ampitheatre) – October 27th
Checked a big one off the bucket list with this performance at Neil young’s annual Bridge School Benefit. It’s a wonder why Mr. Waits doesn’t tour more often as he is as talented, and as much of a showman, as he ever was. His voice sounded great, including the usual gritty and rawness that you can expect. One of the longer sets of the evening, Waits plucked tunes from his entire catalogue, yet he pulled mostly from his latest record Bad As Me. Don’t miss a chance to see Tom Waits as his shows are few and far between these days. A truly special individual and unique talent to behold.

04. Tame Impala – Fox Theater Oakland – May 29th
05. Sigur Ros – Fox Theater Oakland – April 16th
06. Alt-J – Fox Theater Oakland – August 29th
07. Nine Inch Nails – Outside Lands – August 10th
08. Rhye – Outside Lands – August 9th
09. Alabama Shakes – Fox Theater Oakland – March 5th
10. Bassnectar – Hangout Music Festival – Gulf Shores, AL – May 18th

Shpongle // Photo by Mike Frash

The Festival Lawyer // Columnist // @FestivalLawyer

01. Shpongle – Sea of Dreams at Concourse Exhibition Center in SF – December 31st (2012)
Just a really interesting, weird and exotic New Year’s Eve show. He had a performance art group that accompanied him that night as well as a live violinist. This combo led to a really trippy, trance inducing sight and sound experience. So cool.

02. The Cure – Austin City Limits – October 12th
When I first saw the Cure I was an eyeliner-wearing 80’s Goth kid. ACL has a 10 o’clock curfew, so when their set got close to 10 o’clock, Robert Smith announced, “Listen, we are going to play all the hits that we can until they shut us down.” What followed next was just a very cool trip down memory lane. Funny how music can just instantly take us back to a time or memory in our life.

03. Muse – Oracle Arena – January 28th
It’s always weird to see how much shit people talk about Muse. They seriously have a stage act only rivaled by groups like Swedish House Mafia (I still call SHM’s set at Coachella “The Night of a Million Lasers.”) Muse combines moving TV sets, lasers, even robots all combined with the stage bravado of legendary UK acts like Queen. If you can’t sing along with me at the top of your lungs to “Uprising” then you just are really missing out on a terrific experience.

04. Yeah Yeahs Yeahs – Coachella (Weekend 2) – April 19th
05. Bassnectar – Coachella (Weekend 2) – April 19th
06. Father John Misty – Fillmore – June 21st
07. Iggy Pop and the Stooges – C2SV Festival – St. James Park – San Jose, CA – September 28th
08. Disclosure – Treasure Island Music Fest – October 19th
09. Paul McCartney – Outside Lands – August 9th
10. Arctic Monkeys – Coachella (Weekend 2) – April 19th

Thundercat // Photo by James Nagel

James Nagel // Photographer // @JdropsKnowledge

01. Thundercat – The Independent – November 13th
Stephen Bruner delivered a performance that felt truly unique, deviating from the standards set on his album by slapping some soulful, jazzy rhythms on his epic bass. He wrapped the entire audience with the warm embrace of his music in the most personal, improvesed way.

02. Savages- The Independent – September 27th
Jenny Beth is a goddamn rockstar. Period.

03. The Flaming Lips with Tame Impala and White Denim – Bill Graham Civic – October 31st
This show was truly a surreal experience and did not disappoint when it came to the scope of the production. Confetti and balloons rained down endlessly it seemed, while the visual and lighting components completely enhanced this drone-filled yet enlightening event.

04. Toro Y Moi – Fox Theater Oakland – November 15th
05. Cut Copy – Fox Theater Oakland – November 2nd
06. Digitalism – The Independent – May 7th
07. !!! – Great American Music Hall – March 1st
08. El-P and Killer Mike (Run The Jewels) – The Independent – July 31st
09. Grouplove – The Independent – September 14th
10. Palma Violets – The Independent – April 25th

The Black Keyes // Photo by Sterling Munksgard

Sterling Munksgard // Photographer // @sterlingmphoto

01. The Black Keys – Bottle Rock – Napa, CA – May 10th
Bottle Rock was a first-year festival situated in the Napa wine country, and it featured a lineup which rivaled many well-established festivals. The Black Keys brought their in-your-face attitude and rocked the crowd good and hard. Bottle Rock was my fourth Keys show and they still had me singing along and dancing.

02. Empire of the Sun – Life Is Beautiful in Las Vegas, NV – October 27th
When I got home from this festival and showed my photos to friends and family, many people asked, “what kind of music was Empire of the Sun?” The only thing I could come up with was the showmanship of Kiss and the sound and style of Phoenix. But classification aside, this band was not only one of my favorites to watch on stage in 2013 but one of my favorite to photograph. Next time they are in town I will for sure be at their show.

03. Dave Matthews Band and Gogol Bordello – Jiffy Lube Live – Bristow, VA – July 27th
DMB keeps me coming back for more. At 60+ shows they still keep turning out new tunes and bringing back songs that haven’t been played in years. This show had many highlights including a show opening “Ants Marching”, something that band hadn’t done since 2004. The band also busted out fan favorites such as “Granny”, “Spoon”, “Long Black Veil”, “Crazy Easy”, and “#41”.

04. Tedeschi Trucks Band and The Black Crowes – Bill Graham Civic – December 14th
05. Imagine Dragons – Life is Beautiful – Las Vegas – October 27th
06. JJ Grey & Mofro – The Fillmore – November 15th
07. Grateful Grass feat. Keller Williams, Keith Moseley, Michael Kang and Jeff Austin – Rex Benefit – The Fillmore – December 7th
08. Sleigh Bells – Treasure Island Festival – October 20th
09. The Lumineers and Dr. Dog – The Greek Theater Berkeley – April 19th
10. Edward Sharpe and the Magnetic Zeros – Portland Rose Festival – Portland, OR – May 25th

!!! // Photo by James Nagel

Dara Shulman // Columnist

01. David Byrne and St. Vincent – Fox Theater Oakland – July 21st
Byrne’s eclectic and eccentric sound, coupled with St. Vincent’s own quirkiness and talent, proved to be a fantastic performance. Creating rich, warm sound, the eight-piece brass band was as impressive as the two talented singers themselves. Playing mostly off their solid album, Love This Giant, the combination of choreography and Talking Heads songs turned out to be the icing on the cake.

02. Paul McCartney – Outside Lands – August 9th
It’s not every day you get to see a Beatle play a three-hour set complete with fireworks. McCartney wowed the packed main stage playing his hits from the Beatles, Wings and his solo efforts. It’s hard to determine which was more impressive, the acoustic set which included a beautiful “Blackbird” or the set-closing sing-along that was “Hey Jude”. Eight more songs over two encores only helped to make this an all-time show.

03. !!! – Great American Music Hall – March 1st
Vocalist and dance machine Nic Offer never fails to entertain the crowd. Offer and the band were on fire when they debuted songs such as “Slyd” off their fifth-album release Thr!!!er. Their upbeat, dance rock kept the crowd moving throughout the show.

04. FOALS – Outside Lands – August 11th
05. Atoms for Peace – Treasure Island Music Festival – October 19th
06. Vampire Weekend – Outside Lands – August 11th
07. Primus – High Sierra Music Festival – July 5th
08. Holy Ghost! – Treasure Island Music Festival – October 19th
09. Cut Copy – Fox Theater – November 2nd
10. Robert Plant and the Sensational Space Shifters – High Sierra Music Festival – July 4th

View the Showbams 40 Best Albums of 2013
View the Showbams Contributor Picks for Best Songs of 2013
View the Showbams picks for Best Live Music Venues in 2013

Filed Under: Best of, Best of 2013, Editor's Picks, Featured Tagged With: !!!, Arcade Fire as The Reflektors, Bjork, Dave Matthews Band and Gogol Bordello, David Byrne and St. Vincent, El-P, Empire of the Sun, Fiona Apple and Blake Mills, Killer Mike, M83, Matthew Dear, Muse, Nine Inch Nails, Paul McCartney, Phish, Phoenix, Run The Jewels, Savages, Shpongle, Sigur Ros, Tame Impala, The Black Keys, The Cure, The Flaming Lips with Tame Impala and White Denim, Thundercat, Tom Waits

The Flaming Lips & Tame Impala deliver a Halloween Bloodbath at Bill Graham Civic

November 4, 2013 by James Nagel 5 Comments

The Flaming Lips

Photos by James Nagel // Written by Mike Frash //

The Flaming Lips & Tame Impala with White Denim //
Bill Graham Civic Auditorium – San Francisco
October 31st, 2013 //

In many ways, the triple-bill event that took place at Bill Graham Civic Auditorium in SF was the ideal Halloween gathering. The Flaming Lips, Tame Impala and White Denim all deal in the realm of psychedelic, weird music and the creation of lasting, memorable impressions.

Members from all three acts got into the spirit of the ghoulish holiday by getting into costume, with each band donning drag wear in some way. The crowd followed suit, displaying a variety of costumes from pink robots to requisite zombies and happy hippies.

Spending Halloween with one band on the rise, another that is fully realizing their potential and a headliner in the midst of artistic evolution proved to be a wonderful mental mind-fuck for the ages.

The Flaming Lips

White Denim performed an abbreviated 7 p.m. set that featured tracks off their new LP Corsicana Lemonade. “At Night in Dreams” was a delight to hear live, but the Austin-based group could have used another 30 minutes to flesh out a couple more new songs and jam out to a couple favorites like “Street Joy” and “Drug”.

The Flaming Lips, meanwhile, have abandoned the cheerleaders, the oversized hands, the hamster ball and many of the elements of spectacle Flaming Lips frontman Wayne Coyne and company have become known for over the years. The Heady Fwends release strongly hinted at a new direction last year, but their 2013 LP The Terror made it official — gone are the euphoric, melodic hyper-happy songs that illustrate visions of dancing on puffy clouds in the sky with Care Bears and unicorns, hello drone-filled soundscapes and slow building intensity!

A Halloween Bloodbath was promised and literally delivered by Coyne. Appearing to the “Halloween Theme” from John Carpenter’s films, Coyne took to his Matrix-style pedestal dressed as Carrie, pre-blood bath. After getting the bucket from a scantily clad woman on a bear, Coyne had a cinematic Jesus look for the rest of the show. Huge red balloons were unleashed and a visual stage production consistently delivered ‘wows’ that could likely surpass any dance show in the eye-candy department. The big red balloons didn’t quite fit the intense, drone-filled cuts the Flaming Lips played, but they served as a veil for all the folks who came for Yoshimi-era Flaming Lips.

Tame Impala

Overall, there is much more audience member internalizing with songs like “Look…The Sun Is Rising” and “The Terror” and less singalong numbers at a Flaming Lips concert these days. But when songs like the encore ballad “Do You Realize?” show up, they are much more effective.

Since the previous 30 minutes of music could have lent itself to a horror movie soundtrack with its intense, stressful sound and effect, “Do You Realize?” delivered an imprinting, memorable moment. The same thing happened mid-set during “Race for the Prize” — placing happy, positive songs after a half hour of intense, repetitive sound truly allows for a strong feeling of release. Kevin Parker from Tame Impala joined for the beginning of the Lips’ set, adding a hypnotic electric guitar layer.

This new sound allows Coyne to take advantage of technology to modulate his vocals, which helps him play to his strengths as a passionate frontman. The drone-filled, intense mind-melting chaos can be surprisingly peaceful if it’s expected and embraced. In many ways, the Flaming Lips have come full circle as an introspective, psychedelic freak out of a live act.

Tame Impala

If Tame Impala were to tour forever on Lonerism, it would be understandable and acceptable. They might be one of the best touring acts on the planet at the moment, and the project seems to be in the midst of realizing its full potential. This particular show marked the fourth time that the Australian band has performed in the Bay Area since last summer, and constant touring has made Parker and company better each time they come back to visit.

The grim reaper came on stage to introduce Tampe Impala as the Spice Girls, and sure enough the five guys looked the part. The set began with “Half Glass Full of Wine”, a song the group often encores with, signaling things weren’t quite normal. The group still play five or six cuts off InnerSpeaker live, and songs like “Solitude Is Bliss” and “It Is Not Meant To Be” have evolved magnificently over the years, allowing some of the riff heavy sound on Lonerism to spill over into earlier music.

“Elephant” got the Halloween treatment, transitioning a bit of Michael Jackson’s “Thriller” into the mix. The set highlight had to be an extended acid-psych section in “Be Above It” that could officially be called a mind melter. The weird jumped another level when an octopus-like costume made its way on stage. If you ever have to chance to witness Tame Impala perform live, I implore you to go.

THE FLAMING LIPS

Setlist:
Halloween Theme
The W.A.N.D.
Virgo Self-Esteem Broadcast
Silver Trembling Hands
Look…The Sun Is Rising
The Terror
Race for the Prize
Try to Explain
Gates of Steel (Devo cover)
Butterfly, How Long It Takes to Die
Turning Violent
A Spoonful Weighs a Ton

Encore:
Do You Realize?
Always There, In Our Hearts

Setlist:
Half Full Glass of Wine
Enors Toi
Solitude Is Bliss
Why Won’t You Make Up Your Mind?
Why Won’t They Talk to Me?
Desire Be Desire Go
Mind Mischief
It Is Not Meant to Be
Elephant (Michael Jackson’s “Thriller” snippit)
Be Above It
Feels LIke We Only Go Backwards
Apocalypse Dreams

Tame Impala performing as The Spice Girls on Halloween 2013 in San Francisco.

Filed Under: Editor's Picks, Featured, Photos Tagged With: Bill Graham Civic Auditorium, Tame Impala, The Flaming Lips, White Denim

Coachella Review: Top Sets Weekend 1

April 18, 2013 by Kevin Quandt & Mike Frash 11 Comments

Coachella Weekend 1 came and went like a flash as it usually does. The build up is the slow part: You make your predictions, do your homework after the lineup drops, fret over the soul-crushing set times – then throw your plans in the trash and have some fucking fun.

Twas a unique weekend as each day was different from the other, and not just by which acts were on what stages at any given time. Friday, the masses showed up early and entry was a hassle due to it, and a few gate-crashing episodes due to slow security lines raised anxiety even before stepping foot in the concert venue itself. However, the majority did not stick around for the midnight action shared between highly buzzed acts. Saturday brought a more unified crowd to sing along to the Femmes classics and nervously await a certain special guest to make an appearance with Phoenix. As a whole, this was the best day for the overall experience we have come to know and love out in Indio. Sunday was a bit mild on banner moments, and the winds seemed to dominate as a theme, both for those withstanding and those retreating the gale. Goose pimples and bandana face-masks were plentiful as the event winded down, just to do it all over again next week. Even with a musically less eventful Coachella, compared to year’s past, it was the musical adventure so many long for year round.

Here are the most memorable sets we witnessed, for better or worse.

The Shouting Matches • Gobi Tent, 2:05 p.m.
Coachella Weekend 1 featured a premier performance from Justin Vernon’s über-blues project. The Bon Iver frontman played it cool most of the set behind dark glasses, laying out thick, bluesy guitar riffs. Jack-of-all-trades Phil Cook took over stage banter duties for most of the set, allowing Vernon to try his hat at slow-grinding bluesman. The Shouting Matches explored a couple lengthy jams that worked well. -MF

Dillon Francis • 2:30 p.m.
Crowds swelled rather early compared to year’s past, and many eager youths were chomping at the bit with the lengthy entry lines trying to catch the buzzy Dillon Francis. An upgraded, arena-sized Sahara tent was packed early on with throngs of fresh attendees bouncing to “Bootleg Fireworks” and other stylistic electronic mash-ups for the primarily under-21 masses. -KQ

Jake Bugg • Mojave Tent, 3:05 p.m. TOP SET
The teenage prodigy Jake Bugg impressed thoroughly at his early tent set, but it wasn’t only due to his excellent acoustic versions of “Two Fingers” and “Simple As This.” Bugg plugged in and let loose with his electric guitar for about half the set, and these songs proved to be the most successul and surprising. The young British singer-songwriter has already honed his live skills and is worth seeing live before his next trip through the states, when he’ll be packing theater-sized venues. -MF

Divine Fits • Outdoor Theatre, 4:35 p.m.
Britt Daniel (Spoon) and Dan Boeckner (Wolf Parade) brought their newish outfit to the Outdoor Theatre for an afternoon of power-pop rock. Coupling the unmistakable vocals of Daniel with the heavy chorded guitar romp that is Boeckner added up to an impressive performance. “My Love is Real” was a highlight as drummer Sam Brown of New Bomb Turks added thick rhythm for the sun drenched crowd to sway and stomp to. -KQ

Japandroids • Gobi Tent, 5 p.m.
Vancouver-based duo Japandroids had a tough time getting started due to sound issues, something that permeated the Gobi Tent Friday (the sound at TNGHT & Earl Sweatshirt was muted, but FOALS sounded great). Finally the set appeared ready to begin, until Brian King ran off stage, most likely to take a piss. David Prowse followed him offstage, then they returned to the stage to start “Fire’s Highway,” and we all discovered the sound was as shitty as it was when they were sound-checking. I’ve heard Japandroids play with immaculate sound quality, so it was time to move on… -MF

∆(Alt-J) • Mohave Tent, 5:20 p.m.
This british quintet was a highlight of the day as they charmed a large crowd with their quintessentially unique take an indie rock, playing heavily off debut album An Awesome Wave. Cartoonish may be the best way to describe the singing style of Joe Newman, but once you’ve acquired the taste, it’s no joke and it shined brightly on the Mojave Stage. “Breezblocks” received a wonderful reception as revelers shook and weaved to the hypnotic rhythm while reciting the grand chorus. -KQ

Local Natives • Outdoor Theatre, 7 p.m.
A calm mellow fell over the crowd for the majority of the Local Natives sunset time slot at the Outdoor Theatre. Some enjoyed the slightly closer and better beer garden, while others neatly filled a sizable chunk of real estate in front of the stage. “Sun Hands” was the perfect shock to attendees before sending them back out into the great wild that is the Empire Polo Club. -KQ

Dog Blood • Sahara Tent, 7:40 p.m.
Combine Skrillex and Boys Noize and you have the two-headed EDM monster fans are getting to know as Dog Blood. This recent collaboration made waves at Ultra this year, and they blew minds in the thickly packed Sahara for a hard driving amalgamation of many of the current electronic styles. The sound resonating from the beefed up DJ booth wasn’t fully Skrillex, nor Boys Noize, which was refreshing to hear from these two superstars. -KQ

Yeah Yeah Yeahs • Coachella Stage, 8:40 p.m.
Karen O commands crowds with the best of them, and every big performance from Yeah Yeah Yeahs confirms her place as one of the most enigmatic bandleaders of our time. She oozed intensity and sensuality while bopping all over the largest stage during hailed tracks like “Zero” and set closer “Maps.” The new tracks sounded as artsy and danceable as ever and Mosquito is sure to catch some serious attention as they prepare for a lengthy summer season. -KQ

FOALS • Gobi Tent, 10:50-11:40 p.m. TOP SET
FOALS destroyed their set against tough competition, making everyone present forget they were missing Blur & Jurassic 5. “Inhaler” and “Milk & Black Spiders” from FOALS’ 2013 LP Holy Fire were set highlights, but tracks from all three of their full length records were present in the setlist. The British group is pure fire in concert, producing surprisingly technical live versions of their songs while at the same time extending or intensifying some sounds or instruments in response to the audience reaction in the moment. -MF

How to Destroy Angels • Mojave Tent, 12 a.m. TOP SET
Trent Reznor’s new project took the stage for the second time ever, and the multi-dimensional presentation wowed the surprisingly sparse crowd in the Mojave Tent. “The Wake Up” began the set with the group veiled behind a curtain of white strings, creating an eerie outline of Atticus Ross, Rob Sheridan and the mystifying Marqueen Manndig. Presentation appeared to be key in the short time this act will be on the road before the return of NIN, even though the wall of sound aspect was a treat for the diehard fans of Reznor and everything he touches. -KQ

Earl Sweatshirt • Gobi Tent, 12:05 a.m.
Sure, Friday at midnight was undoubtedly one of the most stacked schedule times, but the lack of throngs at Odd Future wunderkid Earl Sweatshirt’s banner set showed that one can’t be in more than one place at a time, which is a massive dilemma at Coachella. New single “Whoa” was delivered confidently, even if the sound was less than stellar. Tyler, the Creator aided his LA bud on old rarity “Orange Juice” and crowd favorite “AssMilk” while climbing scaffolding and generally causing a ruckus. -KQ

Danny Brown • Outdoor Theater, 3 p.m.
Another moderatly hot day welcomed the wrist-banded festivilians to a more unified day and night compared to the calm finish of day 1. Detroit-born, gap-toothed hip-hop artist Danny Brown brought a feverish set of his unique brand of profane-ridden tunes to the Outdoor Theatre. His nasally delivery could be compared to Andre 3000, while his melodic flow is so neatly packed and wickedly clever it makes folks chuckle in awe. -KQ

Zane Lowe • Yuma Tent, 3 p.m.
The BBC 1 Radio DJ hailing from New Zealand played a spirited set of electro-house in the new official sixth stage. The Yuma Tent was an air conditioned oasis for dance purists needing a respite from the elements while also not wanting to rest their dancing feet. A hard wood floor was a proper addition to this space. Lowe kept things straight ahead, pounding the sizable system with original beats and a mixed set of dance styles before the tent packed up for The 2 Bears.

The inaugural Yuma Tent was so intimate with such quality DJs that most festival-goers did not have the opportunity to see some highly anticipated shows. Many people bought tickets for Coachella this year so they could dance to their favorite progressive DJs, but ultimately you had to sacrifice lots of other shows and wait in long lines to experience the Yuma Tent. This should be remedied for 2014, as Jamie xx would have probably filled out the Mojave Tent. Make the Yuma Tent bigger. -KQ

Ben Howard • Outdoor Theatre, 4:10 p.m.
Ben Howard, another Brit, brought his soft semi-folk-rock material to a scorching Outdoor Stage, and the tunes he played were pretty standard. That is until “The Fear,” which built to an explosive peak not captured on Every Kingdom. It might have made sense to put 2 Chainz on the Outdoor and Ben Howard in the Mojave Tent based on the crowds. -MF

Violent Femmes • Coachella Stage, 6:05 p.m.
Many weren’t aware that this was to be the first show from the folk-punk legends in over six years. Furthermore, many of the younger patrons were likely completely unfamiliar with this act besides the occasional play on KROQ and other national alternative rock radio stations. What a surprise when they launched into their self-titled premier album, playing it in full. Classics like “Blister in the Sun,” “Add It Up,” and “Gone Daddy Gone” were passionately crooned by the majority of the crowd. -KQ

Major Lazer • Mojave Stage, 6:25 p.m.
Why Major Lazer didn’t play the Sahara is a mystery to me, but the EDM masses made the rare pilgrimage to Mojave to lap up Diplo’s worldly party. A frenetic set kept everyone jumping to Major Lazer hits like “Pon de Floor” and the ubiquitous Baauer banger “Harlem Shake” alike. Jillionaire is one helluva hype man keeping the crowd fully engaged at every track, instructing the crowd to remove their shirts, hold them in the air, eventually demanding they be tossed into the desert air in dance ecstasy. Many bros obliged. -KQ

Hot Chip • Coachella Stage, 7:35 p.m.
What a perfect sunset Saturday dance party. It was a set full of hits like “One Life Stand,” “Over and Over,” & “Ready For The Floor,” along with the amazing “Flutes.” This show conflicted with Yeasayer, Grizzly Bear, & Julio Bashmore, so there was plenty of room to shake it. Guitarist Pat Mahoney, also from LCD Soundsystem, added a busy 70’s guitar riff to many songs, including most of the new tracks from In Our Heads. -MF

The Postal Service • Coachella Stage, 8:50 p.m. TOP SET
The Postal Service show was surely one of the best pop sets of the weekend thanks to Jennie Lewis. Ben Gibbard, Jimmy Tamborello & Jen Wood were flawless as well, but Lewis’s sultry charisma, timing and all-around perfection made this a top set for me. From the building beat in “The District Sleeps Alone Tonight” to the outro of “Brand New Colony,” where “everything will change” was repeated until the session ended, the crowd was zoned in. As the last line was harmonized, I looked up to see all the Coachella spotlights meeting at a point in the sky directly above us and instantly was struck by goosebumps. -MF

Descendents • Outdoor Stage, 9:05 p.m.
Milo Aukerman and band were treated to an evening slot on the 2nd largest stage, up against the breezy Postal Service reunion. Manhattan Beach local punk legends treated their fans to classics like opener “Everything Sucks,” “Suburban Home,” and “I’m the One.” Though Aukerman’s voice is not the youthful squeal it once was, they still deliver in a pleasing way, especially to a home town-ish crowd that grew up on their classic releases. -KQ

Moby (DJ set) • Sahara Tent, 9:55 p.m.
It was another tough conflict-ridden time slot, as The xx, Two Door Cinema Club, Janelle Monáe & Franz Ferdinand all rubbed up against one-another. So how the hell did I end up at Moby? It’s a good question, and one I haven’t quite figured out yet. Sometimes, after all the planning, it’s best to go by your mood and follow your friends. That’s what happened here, and I’m glad I did. I was prime for for a euphoric dance party, and this DJ set from Moby sampled from a large variety of music and pop culture to create a fun, upbeat show. -MF

Phoenix • Coachella Stage, 11:35 p.m.
When Daft Punk is confirmed in the house, and they play a preview video the night before, and you consider Daft Punk showed up with Phoenix at Madison Square Garden in 2010, it’s kind of a no brainer to see the Phoenix set just in case. Well I became a sucker to the Daft Punk hype machine, but in this case I still won because I saw Phoenix perform live. R Kelly appeared as the special guest, spittin’ “Ignition” over a remixed “1901” and “Chloroform.” Thomas Mars has been finishing his recent shows by going to the back of the venue, thanking the audience, then crowd surfing back to the stage. Well, the crowd surfing didn’t quite work so well for the first festival try. Mars got hung up by grabbers multiple times, almost hung himself with his pink microphone cable, and he got knocked around on the dismount. The rest of the band had already extended the “Entertainment” reprise multiple times, and Mars was too winded to deliver the final line of the night. All he could get out was “Thank you Coachella!” I wonder if he’ll attempt this again Weekend 2. -MF

Sigur Rós • Outdoor Stage, 11:50 p.m. TOP SET
While a sizable chunk of the crowd awaited what potential surprise guest may come out with Phoenix on the Main Stage, a devote crowd enjoyed the sonic brain massage that is Iceland’s own Sigur Rós. Having seen this band since their first US performances, they are best enjoyed outside, whether it be in the fog swept fields of Golden Gate Park or the warm Indio evenings. The set featured a horn section, string section and a full piano, not to mention the Hopelandish, angelic singing and bowed guitar brilliance of frontman, Jónsi. Few live musical experiences can match up to the usual set closer, “Untitled #8,” and this rendition was no different. Truly one of the most transcendental builds in live music, it left most viewers floating out of the venue for the wrap to the second day. -KQ

DIIV • Mojave Tent, 2:30 p.m.
Zachary Cole Smith has had a busy year after departing from Beach Fossils, but his diligence has paid off in dividends as DIIV has quickly garnered critical success as they win over new fans across the country. “Sometime” and “Doused” displayed their art-gaze rock style quite nicely among other tracks off the sublime album Oshin. -KQ

Thee Oh Sees • Gobi Tent, 3:15 p.m. TOP SET
John Dwyer brought his disturbingly rocking flavor of psychedelic garage to the Gobi Tent for an unforgettable afternoon set. There was no let up after the first note (“The Dream”) as the pit grew and more joined in the pogo fever that swept the crowd during tracks like “Contraption/Soul Desert,” “Lupine Dominus,” and “Meat Step Lively.” Dwyer pulled Ty Segall from the VIP section to play tambourine the majority of the set, a nod to the tightness of the San Francisco garage-rock family. Look for a whirlwind summer as they release the scorching new album The Floating Coffin. -KQ

Jessie Ware • Mojave Tent, 3:45 p.m.
Jessie Ware is a star in the making. Her pop music has a dance edge to it, but it’s her natural charisma and mannerisms that communicate so effectively to the audience, making her super likable. She has a killer smile and knows she’s hot shit. “If You’re Never Gonna Move,” “Wildest Moments” and the rest of her tracks were well received, including an impromptu new song that she performed with her slightly embarrassed drummer Dornik Leigh to end the set. -MF

Kurt Vile and the Violators • Outdoor Stage, 3:55 p.m.
As the winds started to relieve the weathered festival goers, Vile brought a cool breeze of his own to the Outdoor Theatre while Gaslight Anthem wailed on the big top. Vile couldn’t help but make a quip at the Springsteen-esque vocals pumping a good hundred yards from where he was churning out laid-back tunes. Opening with the title track off his recent Wakin on a Pretty Daze displayed his fondness for his new material, especially track “A Girl Named Alex,” which is quickly becoming a fan favorite. Vile and band may have been better served in one of the tents, but nothing fazed this prolific up-and-coming song writer. -KQ

Social Distortion • Coachella Stage, 6 p.m.
Orange County was fully represented by the legendary punk band Social Distortion and their fondly aging frontman, Mike Ness. What an honor for them to play the Main Stage, opening with “I Was Wrong” and including their stellar version of Johnny Cash’s “Ring of Fire.” They nodded back to the old days with a personal fave “Mommy’s Little Monster.” I applaud Goldenvoice in their decision to spotlight music that is quintessential to this geographic region of Southern California. -KQ

Tame Impala • Outdoor Stage, 6:25 p.m. TOP SET
As the gusty winds upgraded to blustery, Australian fuzz rockers churned up a storm of their own opening with “Solitude is Bliss.” Kevin Parker was visibly thrilled at the environment he found himself in, and this feeling was contagious to the crowd who were coming to the climax of their long weekend. This set was more exploratory than usual with an extended jam revolving around the heavy-as-lead single, “Elephant.” Palm trees swaying behind the Outdoor Theatre were all the visuals the fans needed, in total contrast to the Sahara rave, to reach even greater heights. “Enders Toi” was aborted as some of their equipment was giving the band trouble, luckily that didn’t distract the band from continuing on. “Half Glass Full of Wine” closed an impressive showing from the growing act that continues to thrill fans of rock and roll. -KQ

Pretty Lights • Outdoor Stage, 7:45 p.m.
The Pretty Lights show took place out in windy, open space, but that didn’t stop one of the best dance sets of the weekend. Derek Vincent Smith curated a varying set, beginning with his patented downtempo trip-hop/dubstep cuts, but then the set transitioned into Pretty Lights remixes, including Pink Floyd’s “Time” and his tripple-threat remix of Radiohead, Nirvana & NIN. Overall, the set was geared toward the masses or for someone’s first Pretty Lights show. Of course, the open air light show was excellent, and it didn’t matter that the screens had been lowered due to the sandstorm. -MF

The Faint • Mojave Tent, 8:30 p.m.
Post-punk dance act the Faint have returned to the live circuit and regained their title as one of the most exciting bands to see, especially in a festival setting. Todd Fink sauntered out with his signature hat and launched into “The Conductor” before tearing through favorite “Glass Danse” off of the acclaimed album, Dance Macabre. With dance music and live rock becoming better bed fellows, one has to respect one of the originators from the last decade. “ParanoiaAttack” would be their last song, and everyone caught their breath before facing the now moderate sandstorm wreaking havoc on the polo fields. -KQ

Eric Prydz • Saharah Tent, 10:40 p.m. TOP SET
Choosing Eric Prydz to end the weekend was a rather easy choice, and it was done before we knew it would be smart to hide in the Sahara Arena to avoid the weather. The LA-Based Swedish DJ is worthy of headliner status at this point, as his progressive electro house is eclectic enough, unpredictable most of the time, and beyond fun. Prydz provided a massive exclamation point to a weekend that was packed with excitement. His hyperactive M83 cover of “Midnight City” was placed perfectly, and “Call On Me” signalled the end to the weekend musically. That was until the roadies decided to prank the buzzing crowd, continuously coming back and putting their arms in the air to falsely signal one more song. -MF

What were your top sets? Leave a comment!

Filed Under: Festival Reviews, Festivals Tagged With: Alt-J, Ben Howard, Danny Brown, DIIV, Dillon Francis, Divine Fits, Dog Blood, Earl Sweatshirt, Eric Prydz, FOALS, Hot Chip, How to Destroy Angels, Jake Bugg, Japandroids, Jessie Ware, Kurt Vile, Kurt Vile & The Violators, Kurt Vile and the Violators, Local Natives, Major Lazer, Moby, Phoenix, Pretty Lights, Sigur Ros, Social Distortion, Tame Impala, The Descendents, The Faint, The Postal Service, The Shouting Matches, Thee Oh Sees, Violent Femmes, Yeah Yeah Yeah's, Zane Lowe

Coachella conflicts: 2013 set times announced

April 10, 2013 by Kevin Quandt & Mike Frash 1 Comment

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 12th-14th & April 19th-21st, 2013 //

Set times dropped Tuesday evening, and Coachella shared they had been battling agents all day to explain the delay. Sounds like a fascinating behind-the-scenes documentary …

Although set times didn’t unleash any surprise acts (what no Lou Reed replacement?), the brand new Yuma Dome is confirmed as the 6th main performance area, not including The Do Lab or Heineken Dome. The Yuma Dome will host Seth Troxler, DJ Harvey, Four Tet, Julio Bashmore, The 2 Bears, Jamie Jones, Jamie xx and so many more. This additional platform on the outskirts of the tents and Do Lab will be the anti-Sahara Tent with a minimalist-dance edge.

Friday features one of the most brutal headline conflicts in years. The Stone Roses are on a mondo reunion tour, while How to Destroy Angels and Earl Sweatshirt are playing their first major shows. Poliça will be performing in the Gobi Tent after The Shouting Matches, Justin Vernon’s (Bon Iver) new project. Vernon collaborated with the members of Poliça in his side project Gaynes. You connect the dots…

Toughest Conflicts:
• The Stone Roses vs. Earl Sweatshirt vs. How to Destroy Angels
• Blur vs. Grinderman
• Modest Mouse vs. Local Natives (SUNSET)
• Japandroids vs. alt-J
• Poliça vs. Jake Bugg
• The Shouting Matches vs. Youth Lagoon vs. Beardyman vs. C2C

Saturday headliners will depend on your energy and vibe, as Phoenix, Sigur Rós, Booka Shade, New Order and Knife Party will create inner-group conflicts. Upon seeing The xx above The Postal Service and Major Lazer at 6 p.m. while Moby sub-headlines the Sahara Tent, the “been fighting with agents all day” reference starts to make sense.

It’s almost as if Goldenvoice is attempting to set a new tone in the Sahara Tent this year after house-pop like David Guetta and Calvin Harris dominated last year. Are they challenging the Sahara stalwarts to go see Franz Ferdinand, Two Door Cinema Club or The xx … or go check out the Yuma during Moby?

Toughest Conflicts:
• Phoenix vs. Sigur Rós vs. Booka Shade vs. New Order vs. Knife Party
• Hot Chip vs. Yeasayer vs. Grizzly Bear (SUNSET)
• Danny Brown vs. Baauer vs. Savages
• Wild Nothing vs. Birdy Nam Nam vs. Action Bronson

Sunday will be a tale of two scenes. Eric Prydz and Disclosure will be packed while Dead Can Dance & Red Hot Chili Peppers should be relatively spacious. Tame impala secured a Sunset-ish slot, but Roodriguez and James Blake will be playing in the tents at the same time. Pretty Lights seems odd at 7:30, but he’s the only EDM artist to get a featured slot on an outdoor stage this year.

Toughest Conflicts:
• Eric Prydz vs. Disclosure
• Nick Cave and the Bad Seeds vs. OMD vs. The Faint
• Vampire Weekend vs. Pretty Lights vs. Father John Misty vs. La Roux (SUNSET)
• Tame Impala vs. James Blake vs. Rodriguez (SUNSET-ISH)
• Kurt Vile and the Violators vs. Grimes
• Thee Oh Sees vs. Jessie Ware vs. Jamie xx

Filed Under: Featured, Festivals Tagged With: Action Bronson, Alt-J, Baauer, Beardyman, Birdy Nam Nam, Blur, Booka Shade, C2C, Coachella, Coachella 2013, Coachella Music and Arts Festival, Coachella Music and Arts Festival 2013, Danny Brown, Disclosure, Earl Sweatshirt, Eric Prydz, Father John Misty, Franz Ferdinand, Grinderman, Grizzly Bear, Hot Chip, How to Destroy Angels, Jake Bugg, James Blake, Jamie xx, Japandroids, Jessie Ware, Knife Party, Kurt Vile, Kurt Vile & The Violators, Kurt Vile and the Violators, La Roux, Local Natives, Major Lazer, Moby, Modest Mouse, New Order, Nick Cave, Nick Cave & The Bad Seeds, Nick Cave and the Bad Seeds, OMD, Phoenix, Poliça, Pretty Lights, Rodriguez, Savages, Sigur Ros, Tame Impala, The Faint, The Postal Service, The Shouting Matches, The Stone Roses, The xx, Thee Oh Sees, Two Door Cinema Club, Vampire Weekend, Wild Nothing, Yeasayer, Youth Lagoon

Coachella 2013: What you should know before you go

February 1, 2013 by Kevin Quandt & Mike Frash 15 Comments

So now that we have had time to let the 2013 Coachella line-up settle in, it’s pretty good, right? People were freakin’ out there for a minute. There has been a universal panning of the Red Hot Chilli Peppers performing as the closing headliner, even though they were a last hour addition. And rightfully so – there have been some popular sets that have shut down Coachella the past few years (Dre/Snoop, Kanye West, Gorillaz).

Goldenvoice clearly lost an expectation game with the reactions to the headliners this year, most notably due to the rumors swirling around Daft Punk and Rolling Stone. That didn’t stop them from selling out both weekends within a day, including weekend one within 15 minutes, so saying Goldenvoice lost anything is pure silliness.

Rock, particularly British Rock, leads the charge this year (Blur, The Stone Roses, the xx, New Order, Hot Chip, Grizzly Bear, James Blake, alt-J, Jessie Ware).

Conversely, Electronic Dance Music bro-house is gone compared to 2012. There is no major DJ act closing out a night on the main stage for the first time in years. There are no EDM acts on the top two lines of any day. It seems like a concerted effort was made by Goldenvoice to enact a change in direction, and it has been welcomed by many Coachella vets.

Subscribe to the Spotify Playlist Coachella 2013.

Friday should be a day to remember, as there are plenty of reunions and first time performances scheduled (see below). Lou Reed fits the “living legend” bill, Nick Cave’s supposedly on-hiatus Grinderman will appear for a one-off, and half of The Smiths songwriting partnership will be present with Johnny Marr performing. Bassnectar or Dog Blood (Skrillex & Boys Noize project) will close the Sahara Tent, and Justin Vernon’s new blues project The Shouting Matches will play one of their first shows. Hopefully Vernon sticks around for the weekends and makes some surprise appearances with the many acts he is associated with.

Friday Reunions

Damon Albarn’s Blur returning to the US for the first time since their reunion is a pretty big deal, though the American masses may not agree. Sure “Song 2” is a bit played out, but there are albums full of some of the best Brit-pop in decades. Songs like “Coffee and TV” and “She’s So High” beckon back to the 90s for many, but not all. Luckily this reunion is including Graham Coxon, a seminal part to the vocal arrangements of Blur.

The co-headliner for Friday is also an English exported reunion, courtesy of the Manchester sound-makers The Stone Roses, fresh off a 15 year hiatus. Sure, New Order captured American fans a little more than the Roses, but they created a serious body of work for well over a decade starting in the mid-80s. John Squire’s guitar-work is something to marvel in as aspects of the Roses’ sound would be borrowed by some serious US acts like the Pixies. Having released an album last year, the Coachella masses should plan to hear these tracks coupled with hits like, “I Wanna Be Adored.”

Jurassic 5 is a name more fans will recognize over the one-two combo of Blur and the Roses. After a 6 year break, the LA hip-hop collective are back on the circuit with a banner set. The question will be if all the original members show up, as many of the artists have branched off to become successful solo artists; mainly Cut Chemist, Chali 2na and Nu-Mark. While the landscape of hip-hop has shifted a bit since their departure, tracks like “Quality Control” and “Concrete Schoolyard” will whip the crowd into a frenzy as equally as Danny Brown.

UPDATE – Jurassic 5 doesn’t know “How far” reunion can go.

Possible Friday Collaborations
Johnny Marr with Modest Mouse
Justin Vernon with Poliça

Friday Firsts (First shows ever/First in the US)

How To Destroy Angels – Trent, Marqueen, and Atticus will debut their newest project on Friday, and boy is it gonna be something. As many miss Nine Inch Nails, this band is pretty damned close in sound and personnel, and their two released EPs show great strength and should be an awesome early evening set in the warm desert winds. Look for their upcoming LP, and likely national tour.

TNGHT – The duo that is Hudson Mohawke and Lunice has almost single handedly birthed the trap music sub-genre that is permeating bass music and hip-hop alike. Their debut EP is so fresh and hot, I needed an oven mitt to flip the vinyl. Having only played a show or two in NYC, this will be the marquee US debut of this Canadian meets Scottish production duo. The kids are gonna be losing their shit for this set, as trap is all the rage on the dance floor. Second in command to this movement is Baauer, who is featured this year as well. Will Kanye make an odd appearance on stage as he did in New York?

Earl Sweatshirt – Years in the making, and the anticipation is still sky high for Thebe’s live, full set premier. Expect massive crowds for this Odd Future cast-away, as his talent is undeniable, his story unbelievable and his allure is unquenchable. This set has lots of guest potential, as his OFWGKTA crew will likely be in tow for support both morally and lyrically. The Earl mixtape from a few years ago is such an impressive collection of explicit, yet Rhodes smart tunes that many fans are dying to hear them first hand from the man himself. Will Flying Lotus don his Captain Murphy cape and back Earl on the massive track “Between Friends?” Will Syd tha Kid be on the decks and buttons?

Best Friday “Bottom-Liners”

•Purity Ring’s sound is as future-pop as it gets, and the light-show matches the duo’s vibe and timing. Each light change is controlled by percussionist & beat-maker Corin Roddick’s drum strikes. Hopefully they are given a night tent set so they can show what they’ve got.

•Jamie xx (Jamie Smith) is the chief producer, percussionist and DJ for The xx (performing Saturday), and he’s already well known for his progressive sound and excellent remixes.

•The lo-fi dream-pop from Trevor Powers’ Youth Lagoon will be a chill way to get started Friday.

•Beardyman uses live sounds to make instant dance grooves, and it’s impressive how good he is at his niche skill.

•Lord Huron is an indie-folk rock group on the rise. Their 2012 record Lonesome Dreams was highly underrated.

•Palma Violets are a buzzy British psych-rock group that wil likely have a big year. Catch them early when most people haven’t arrived yet.

Saturday is stacked: Phoenix, the xx, The Postal Service, Sigur Rós, New Order, Hot Chip, Grizzly Bear. If you are as excited as we are about the top two lines for Saturday, be ready to make tough decisions. There will be conflict. This doesn’t even include Yeasayer, Franz Ferdinand or Spiritualized into the conflict factor. Saturday is fucking stacked. It appears Knife Party will close the Sahara, and Simian Mobile Disco, Major Lazer & Richie Hawtin should deliver top notch electronic sets. Saturday also features FOALS, Ben Howard, Danny Brown, Janelle Monáe, Wild Nothing, El-P, & Booka Shade.

Saturday Reunions

The banner reunion on Saturday is squarely held by The Postal Service, the exciting collaboration of Ben Gibbard and Jimmy Tamborello. Their first announced show since 2005 came as a surprise to most music junkies as mumblings of The Smiths, as always, took first prize in the reunion hype category. Their upbeat electro-pop sound is pretty perfect for a sunset Saturday show, maybe warming up the majority to the dance-rock stylings of Phoenix later that night. Will Jenny Lewis make an appearance to sing as she did many times in their touring days a decade ago?

Many readers and attendees may not be familiar with The Make-Up, and that’s cool, but this soul-garage-politico-punk act is a force to see. The organ driven sound is highly infectious, and their live show has been compared to a punk rock gospel. Having only recently regrouped to play ATP, persuaded by Les Savvy Fav, this will be their marquee return, similar to Refused last year. Maybe Dischord co-owner Ian McKaye will accompany his labelmates for a track.

Violent Femmes slowly faded off the radar about 5 years ago as Gordon Gano and Brian Ritchie were tangled in royalty lawsuits stemming from the sale of “Blister in the Sun” to Wendy’s. It now appears the hatchet has been buried and they are returning to what they have been at for a couple of decades, making kitschy alternative rock. Their folk-driven sound is unmistakably likable, and devastatingly difficult to not sing along to. “Gone Daddy Gone” and “Add it Up” will be heard throughout the polo fields in the afternoon on Saturday. Will we get some surprise members to their infamous Horns of Dilemma?

Toss The Descendents in the “sort-of reunion” column, but don’t diminish their key addition to the quintessential Southern California festival lineup. Birthed in Manhattan Beach in the late 70s, this seminal punk band that pioneered the skate, even pop-punk sound is still playing shows when singer Milo Aukerman can fit it between his demanding job as a biologist. Surely, the majority of attendees will recognize the Buddy Holly-glasses wearing frontman and his cartoonish caricature. They’ve been back at it a few years now, but mainly at small punk festivals, not the 80,000-size crowd that will be in attendance. Milo Goes to College is a must in your pre-fest rotation.

Possible collaborations:
Danny Brown & El-P
Danny Brown & Purity Ring
Ian McKaye with The Descendents

Saturday “Firsts:” (First shows ever/First in the US)

Savages – London’s all-female post-punk band have been building lots of buzz and lots of comparisons as they bring a fresh act to the music landscape this year. It’s hard to not hear Siouxsie and Banshees and the infectious howl of Karen O at first listen, but there’s a lot more going on here. Coachella will be their first trip across the ‘Pond’ and they will be hitting the road hard before, after and in the middle of the festival.

Best Saturday “Bottom-Liners”

•Birdy Nam Nam is a four man turntabilist crew from France, and their sound champions a mix of jazz, funk & downtempo. Asses will be shaking.

•Action Bronson is fire breathin’ fat fuck who spits mostly about food, and he does it damn well over sick beats. All true.

•Bummed about no Warpaint? Get your girl power on early with Savages (check out the preview above).

•Singer-songwriter Kurt Vile made a delicious record with Smoke Ring For My Halo in 2011, and he’s got a new LP lined up for later this year. Preview his new songs in April.

•If you like Hot Chip, check out The 2 Bears, which is a DJ collaboration between Hot Chip’s Joe Goddard and producer Raf Rundell. Think Hot Chip’s tone with more dancing and less instruments.

Sunday has the “dreaded” Red Hot Chili Peppers headlining, but Wu-Tang will get more love. Nick Cave and the Bad Seeds and RHCP may create the most empty scene on the main stage ever. Cool dads will profit. On the other side of the field Pretty Lights and Eric Prydz will be spilling ragers outside of the Sahara Tent parameter. If there is a god Tame Impala will get a sunset slot. Where will the house crew consisting of Julio Bashmore, Jamie Jones, Loco Dice, Maya Jane Coles, etc. end up? Sunday has a deep undercard with Grimes, the Faint, Father John Misty, Tanlines, Jessie Ware, Disclosure, Cloud Nothings & Thee Oh Sees.

Sunday Reunions

Wu Tang Clan’s inclusion this year isn’t so much a reunion, but a re-introduction. After talk of a new album around 2011 went quiet, fueled by reserved speculation by some members, it appears this new recording will see the light of day this year, and Coachella will likely mark the beginning of a busy year for RZA, GZA, Method Man, Raekwon, Ghostface Killah, Inspectah Deck, U-God, and Master Killah.

Possible Collaborations:
Jessie Ware live with Disclosure
Justin Vernon with James Blake

Sunday “Firsts:” (First shows ever/First in the US)

Excision – Many EDM artists are creating bigger, brighter and blinkier stages on the road and festival circuit, and Canadian brostep artist Excision is the next to toss his hat into the ring. Excision presents the Executioner will be making it’s big stage debut at Coachella after a few US dates. It promises to be loud, flashing and full of pre-pubescent kids losing their collective minds.

La Roux – Even though the synth-pop princess and her producer aren’t a new act to the US or even Coachella, their cancellation from last year is being rectified with a slot in 2013. Look for some new material from this act in the upcoming year after a hiccup in the previous.

Best Sunday “Bottom-Liners:”

•Zachary Cole Smith from Beach Fossils started DIIV (originally “Dive” until they were sued) as a solo project, and their dreamy, building indie songs will put a smile on your face.

•Little Green Cars offers five-part harmony anthems in the vein of Local Natives and First Aid Kit.

•The electro-pop group White Arrows put on a great show, and their set can get pleasantly psychedelic and heady at times.

•Wild Belle is a prime candidate to be a 2013 breakout group, and their set at Treasure Island Music Festival went over well last October. Elliot and Natalie Bergman’s debut LP will arrive in March.

Subscribe to the Spotify Playlist Coachella 2013.

Filed Under: Featured, Festivals Tagged With: Action Bronson, Beardyman, Ben Howard, Birdy Nam Nam, Blur, Booka Shade, Boys Noize, Cloud Nothings, Coachella, Coachella 2013, Daft Punk, DIIV, Disclosure, Dog Blood, Earl Sweatshirt, Eric Prydz, Excision, Father John Misty, FOALS, Franz Ferdinand, Goldenvoice, Grimes, Grizzly Bear, Hot Chip, How to Destroy Angels, James Blake, Jamie Jones, Jamie xx, Janelle Monáe, Jessie Ware, Johnny Marr, Julio Bashmore, Jurassic 5, Justin Vernon, Knife Party, Kurt Vile, La Roux, Little Green Cars, Loco Dice, Lord Huron, Lou Reed, Major Lazer, Maya Jane Coles, Modest Mouse, New Order, Nick Cave & The Bad Seeds, Palma Violets, Phoenix, Poliça, Pretty Lights, Purity Ring, Red Hot Chilli Peppers, Richie Hawtin, Rolling Stones, Savages, Seth Troxler, Sigur Ros, Simian Mobile Disco, Skrillex, Spiritualized, Tame Impala, Tanlines, The 2 Bears, The Descendents, The Faint, The Make-Up, The Postal Service, The Shouting Matches, The Stone Roses, The xx, Thee Oh Sees, TNGHT, Violent Femmes, White Arrows, Wild Belle, Wild Nothing, Wu Tang Clan, Yeasayer, Youth Lagoon

Coachella 2013: Predictions, wishes & rumors vs. reality

January 14, 2013 by Mike Frash 7 Comments

By Mike Frash //

With a casual tweet, festival season is about to begin. Anticipation over the imminent 2013 Coachella lineup is building, and recent history shows the festival lineup could come this week.

Do you have your accommodations set? Hopefully your ticket is taken care of, because Coachella 2013 could already be close to sold out.

Presale ticketing for this year’s Coachella sold out within hours of going on sale both weekends last May, and it was the first time pre-sale sold out in such a quick fashion. The Coachella 2012 general on-sale sold out within an hour for both weekends a year ago, and if you weren’t ninja-quick at getting into the waiting room, you were shit out of luck. Take all this into account, and there might be a very limited amount of tickets available after the 2013 lineup drops. Is it possible Coachella 2013 is completely sold out from presale ticketing?

Headliners: Reality vs. Rumors
The headliner rumors arrived early this year, with speculation over The Rolling Stones and Daft Punk dominating the conversation. At this point The Rolling Stones seems like the more likely of the two to be headlining, even though they haven’t played a whole lot of festivals since Altamont in 1969. Besides, Coachella rumors about Daft Punk and David Bowie playing Coachella are a yearly running gag at this point — we’ll believe it when we see it. Bowie even has a confirmed album coming out in the spring, but his bandmates are saying Ziggy has ruled out performing live … forever.

Reunions are a big part of Coachella’s top-notch lineups, and last year saw the regrouping of At The Drive-In, Pulp and Refused. This year it looks like The Postal Service and My Bloody Valentine could happen. Blur would also make sense since they reunited at the Olympics last year. Black Sabbath was reportedly on board to headline last year until they had to pull out at the last moment, and they have a new album coming out in June. Outkast would be the perfect hip-hop headliner, but that seems unlikely with Big Boi pushing his new LP. Wu-Tang Clan seems like the most likely rap act to play the main stage, but are they big enough to headline one of the three days each weekend?

Last year saw The Black Keys headline Friday along with Swedish House Mafia, and most people thought The Black Keys weren’t worthy of headliner status. But Coachella is good at king-making groups and artists, elevating them to the top level simply by making them headliners. Goldenvoice could repeat last year’s Friday concept by crowning Phoenix, The xx or Mumford and Sons headliners while putting deadmau5 on the top line to satiate the EDM masses.

Reality (likely headliners):
The Rolling Stones, The Postal Service, deadmau5, My Bloody Valentine, Black Sabbath, Pearl Jam, Phoenix, Red Hot Chili Peppers, Wu Tang Clan, No Doubt, Mumford & Sons, The xx

Rumors (probable wishlist-fiction):
Daft Punk, Outkast, David Bowie, Nine Inch Nails (How to Destroy Angels is likely)

Artists to see before they get big:
Last year, Frank Ocean, Kendrick Lamar, Death Grips, Azealia Banks, First Aid Kit, and lots of other artists performed at Coachella before getting exponentially bigger by the end of 2012. Possible contenders for 2013 include Angel Haze, AlunaGeorge, FIDLAR, Foxygen, Wilde Belle, & Earl Sweatshirt, although the hype for Earl is already tremendously loud.

Best EDM acts most likely to not perform in the Sahara Tent:
• deadmau5
• Bassnectar
• Tiesto
• Simian Mobile Disco
• Andy Stott
• Nicolas Jaar
• Dan Deacon
• John Talabot
• Disclosure
• Totally Enormous Extinct Dinosaurs

Artists most likely to return for second consecutive year:
Kendrick Lamar and Dawes, because Dawes somehow plays every festival.

Headlines we’d like to see:
“Frank Ocean, Tyler The Creator join Earl Sweatshirt’s first solo set”
“Progressive-house trend baffles Sahara tent candy-kids”
“Thom Yorke, Bradford Cox & Trent Rezner play a combined 9 sets each weekend”
“Katie Perry attends Coachella again, never considered for performing duties.”

Plausible Acts We’d Like to See:
Alabama Shakes
alt-J
AlunaGeorge
Andy Stott
Angel Haze
Animal Collective
Atlas Sound
Atoms for Peace
Bassnectar
Bat for Lashes
Beach House
Ben Howard
Big Boi
Bjork
Black Sabbath
Blur
Cloud Nothings
Chromatics
Crystal Castles
CHVRCHES
Dan Deacon
Divine Fits
Disclosure
Die Antwoord
Django Django
Ducktails
Earl Sweatshirt
Father John Misty
Fiona Apple
Frightened Rabbit
Grimes
Grizzly Bear (Added 1.17.13)
Haim
Hot Chip
How to Dress Well
James Blake
Jamie Lidell
Japandroids
Jessie Ware
John Talabot
Jim James
Kendrick Lamar
Kishi Bashi
Killer Mike
Local Natives
New Order
Nicolas Jaar
Nick Cave and the Bad Seeds
Major Lazer
Matthew Dear
Mumford & Sons
Passion Pit
Penguin Prison
Phoenix
Pretty Lights
Sigur Ros
Skrillex
Spiritualized
Stars
STRFCKR
Tame Impala
The Faint
The Joy Formidable
The Knife
The Postal Service
The Rolling Stones
The Walkmen
The xx
Toro Y Moi
TNGHT
Ty Segall
Unknown Mortal Orchestra
Vampire Weekend
Warpaint
Wavves
Wild Belle
Wild Nothing
Yeah Yeah Yeahs
Yeasayer
Yo la Tengo
!!!

Filed Under: Featured, Festivals Tagged With: !!!, Alabama Shakes, Alt-J, AlunaGeorge, Andy Stott, Angel Haze, Animal Collective, Atlas Sound, Atoms for Peace, Bat for Lashes, Beach House, Ben Howard, Big Boi, Bjork, Black Sabbath, Blur, Chromatics, Cloud Nothings, Coachella, Coachella 2013, Crystal Castles, Dan Deacon, Die Antwoord, Disclosure, Divine Fits, Django Django, Ducktails, Earl Sweatshirt, Father John Misty, Fiona Apple, Frightened Rabbit, Grimes, Haim, Hot Chip, James Blake, Jamie Lidell, Japandroids, Jessie Ware, Jim James, John Talabot, Kishi Bashi, Local Natives, Major Lazer, Matthew Dear, Mumford & Sons, Nick Cave and the Bad Seeds, Nicolas Jaar, Passion Pit, Penguin Prison, Phoenix, Sigur Ros, Spiritualized, Stars, STRFCKR, Tame Impala, The Faint, The Joy Formidable, The Postal Service, The Rolling Stones, The Walkmen, The xx, Toro Y Moi, Ty Segall, Unknown Mortal Orchestra, Vampire Weekend, Warpaint, Wavves, Wild Belle, Wild Nothing, Yeah Yeah Yeah's, Yeasayer, Yo la Tengo

Showbams’ best live music photography of 2012

December 27, 2012 by The Bam Team 6 Comments

Ultraísta at The Independent – By Michael Frash

Click a photo to view full size.
Click the band and venue link to view the photo’s full article.
Click the photographer name to view more photos.

M83 at Treasure Island Music Festival – By Marc Fong