Just Like Heaven returns to Pasadena in 2023 with Yeah Yeah Yeahs, MGMT, Future Islands, Empire of the Sun, M83 & more on the bill

Just Like Heaven - 2023 lineup

Just Like Heaven //
Brookside at the Rose Bowl – Pasadena, CA
May 13th, 2023 //

While last Tuesday served as a big day for live music with Goldenvoice revealing the 2023 lineup for its signature event Coachella, the renowned California-based concert promoter is moving full steam ahead by announcing plans for one of its other annual music festivals this spring.

Just Like Heaven, which became an instant success in 2019 and expanded to two days that year for its debut, will return to the Brookside Golf Course at the Rose Bowl with another top-notch roster that most indie-music fans can get behind after an outstanding showing in 2022 featuring Interpol, Modest Mouse, The Shins, M.I.A. and a whole lot more (read our festival review here).

Even with that in mind, we think it’s safe to say that Goldenvoice CEO Paul Tollett and company have once again put together a heavenly assortment of indie artists and bands for its third edition.

This time Yeah Yeah Yeahs, MGMT, Future Islands, Empire of the Sun and M83 will lead the way for only one Saturday in May, but there’s plenty more stellar acts listed further down the the bill with an undercard that boasts Hot Chip, Caribou, The Walkmen, The Bravery, Fever Ray, Peaches, Azealia Banks, Ladytron, STRFKR, Metronomy, The Faint, The Sounds and Cults. See the poster above for those who are not already mentioned and are scheduled to perform. It’s worth bringing up that Yeah Yeah Yeahs, MGMT, STRFKR and The Faint were all part of the 2019 festivities down at the Queen Mary Park in Long Beach, yet as we know, so much has changed since then.

The inclusion of Peaches is particularly noteworthy considering that Merrill Nisker just took the stage at the fest last year and made quite an impression upon many of us (our photos will give you a clear idea about what we mean). How will she top her 2022 set? Well, you’ll just have to be there — or back here — to find out. MGMT, meanwhile, have been booked to play their 2007 debut LP Oracular Spectacular, so be sure to keep your eyes peeled in case you see Leonardo DiCaprio raving once “Kids” begins.

If you’re sold on going to Just Like Heaven, make sure to register for the presale here before GA passes go on sale this Friday, January 20th at 10 a.m. PT for $149 (Tier 1) and eventually increase to $169 (Tier 2) and $189 (Tier 3). GA+ wristbands will be a new option this year for $249 that offers a dedicated GA+ entry lane at the main entrance, fast-lane access at the main merch stand and an exclusive GA+ lounge with air-conditioned restrooms, shaded areas plus additional seating, complimentary bottled water and a dedicated bar for 21+ patrons. VIP and Clubhouse tickets, should you want to splurge, are also available for $369-389 and $649, respectively, prior to any additional fees. Mark your calendars because “heaven” for music lovers of all things indie is less than four months away!

Just Like Heaven 2023 - set times

UPDATE (May 1st): This year’s set times are here, and it’s no surprise there are plenty of conflicts to sort out from day to night. One of the toughest choices has to be just after 6 p.m. when Future Islands and Hot Chip are slated to perform only 10 minutes apart, but fans of both bands won’t be alone in that feeling at Just Like Heaven with STRFKR vs. The Faint, Ladytron vs. Fever Ray, Empire of the Sun vs. Caribou and MGMT vs. M83 also in play. Meanwhile, Yeah Yeah Yeahs will once again be the only act that won’t face any competition as the festival’s 2023 headliner. Find out who’s playing on which stage and when in the full list above.

UPDATE (May 11th): Just Like Heaven has announced that The Sounds will unfortunately no longer be performing this Saturday due to visa issues. Replacing them at 12:35 p.m. will be another Swedish band in The Hives after the well-dressed five-piece rocked the same Orion Stage at last year’s festival.

Just Like Heaven 2023 - map

UPDATE (May 12th): At almost 9 p.m. on the eve of its 2023 installment, the festival has released this year’s map with a similar layout to 2022. The Brookside at the Rose Bowl has been a nice location for Goldenvoice to host music festivals, and with only two stages to choose from at Just Like Heaven, the grounds are big enough to accommodate plenty of people, but at the same time, they aren’t nearly as large compared to other events i.e. Coachella that the concert promoter puts on annually. Nonetheless, we would still recommend wearing a good pair of walking shoes as there’s more limited seating areas for those with only GA access.

Just Like Heaven 2023

Coachella comes clean with 2023 lineup as Bad Bunny, BLACKPINK & Frank Ocean land headlining slots in the desert

Coachella - 2023 lineup

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 14th-16th & April 21st-23rd, 2023 //

It’s that day again when Coachella finally lets the cat out of the bag each year.

Many had speculated the famed California music festival would offer up its big secret this week as it often does once we ring in a new year, and Goldenvoice did just that for its latest installment on the same day Bonnaroo, Boston Calling and Sonic Temple all revealed their own lineups as well.

But after last year saw late lineup changes with Ye (fka Kanye West) — unsurprisingly — backing out as the headliner for Sunday and being replaced by Swedish House Mafia and The Weeknd, it appears that Goldenvoice CEO Paul Tollett is prepared should the same sort of scenario happen again at the Empire Polo Club this April.

Headlining will be Bad Bunny, BLACKPINK and Frank Ocean, and while two of those artists check the box that we referred to in 2022 when it comes to the fest featuring more international acts, this year’s Day 3 headliner — whose set was originally announced for the 2020 edition but was pushed back to 2023 as the COVID-19 pandemic sent Coachella on a three-year hiatus — is also one who has been known to cancel his performances.

If Ocean does this time, Tollett and company will have Calvin Harris waiting in the wings and ready to step onto the main stage after 10 p.m. much like SHM did in 2022 (with some help from The Weeknd). He could even elevate sub-headliners Gorillaz, ROSALÍA and/or Björk to the No. 1 spot since two of them have headlined Coachella before. Either way, the man who has been organizing the three-day event — which expanded to two weekends in 2012 — for more than 20 years now certainly has his share of options after locking down Harry Styles and Billie Eilish to lead the charge a year ago.

We should note that it’s not clear yet which day Harris will perform if all goes according to plan, but the five-time Grammy-nominated DJ/record producer has headlined once before in 2016 and was included as a sub-headliner in 2020 before it was ultimately canceled. We will provide updates about his status below whenever we have more information.

Given those contingencies, the roster for Coachella’s 22nd year has a lot to consider below the top line for all three days and there are plenty of names that stick out among the undercard. And though those receiving high placement on the poster like Burna Boy, Eric Prydz, Kali Uchis, The Chemical Brothers, Porter Robinson, boygenius, Porter Robinson, Kaytranada, $uicideboy$, Fisher + Chris Lake, Blondie, the Kid LAROI, A Boogie, Becky G, Charli XCX, Dominic Fike, Metro Boomin, Labrinth, Jai Paul and Underworld are worth considering, there are others farther down that deserve being mentioned here such as FKJ, SOFI TUKKER, Jai Wolf, Wet Leg, Chromeo, 2ManyDJs, SG Lewis, TESTPILOT, Mura Masa, Weyes Blood, Marc Rebillet, Alex G and Hiatus Kaiyote.

Tickets for Weekend 1 are almost sold out, though you can always jump on the wait list here after three-day GA and VIP passes go on sale here during a presale this Friday, January 13th at 11 a.m. PT.

UPDATE (April 19th): So much for not having any last-minute changes this year. But considering how capricious Ocean remains as a performer and what transpired during his Weekend 1 headlining set, it should not come as a complete shock that the Grammy-winning singer-songwriter has pulled the plug on his Weekend 2 performance only a few days before it’s scheduled to happen. What might be more surprising to learn, however, is that Ocean sustained two fractures and a sprain in his left leg while at the Empire Polo Club last week and still decided to perform (sort of). blink-182, the reunited pop-punk icons who were tapped as this year’s surprise addition when set times for Weekend 1 dropped (much like Arcade Fire were in 2022), will reportedly take over the headliner slot on Sunday after rocking the Sahara Tent last Friday to mark the band’s first show with its original lineup since 2014. If you thought last year was bad after Ye’s cancellation with less than two weeks to go, we think it’s fair to say Ocean just one-upped him but feel free to chime in with your thoughts in the comments section below.

UPDATE (April 20th): Coachella has confirmed with the release of its set times for Weekend 2 that Frank Ocean’s headlining performance has been canceled and will be replaced with another dose of blink-182 — for at least part of Sunday. But there’s also a TBA act now listed at 10:25 p.m. once blink wrap things up around 10:20 p.m., which will be Four Tet, Fred again.. and Skrillex following the trio’s big night in NYC at Madison Square Garden a couple of months ago when they performed a five-hour B2B marathon.

Coachella 2023

BottleRock locks in Red Hot Chili Peppers, Post Malone, Lizzo, Duran Duran, Lil Nas X & The Smashing Pumpkins to play 10th anniversary

BottleRock - 2023 lineup

BottleRock Napa Valley //
Napa Valley Expo – Napa, CA
May 26th-28th, 2023 //

With BeachLife Festival unveiling some exciting news last week by announcing its 2023 lineup, we can expect more music festivals in California to follow suit throughout this month.

But if you were wondering which one would be next, look no further than Napa Valley where BottleRock is gearing up for its 10th anniversary over Memorial Day weekend after tapping Metallica, P!NK, Twenty One Pilots and Luke Combs among others for 2022.

Arriving in our inboxes and social media feeds right on schedule, the three-day music festival’s roster delivers plenty of star power with Red Hot Chili Peppers, Post Malone, Lizzo, Duran Duran, Lil Nas X and The Smashing Pumpkins on the top line while Leon Bridges, Billy Strings, Wu-Tang Clan and The National lead an excellent undercard.

Other notable acts who have signed on to play BottleRock this May include CAAMP, Sheryl Crow, Nile Rodgers & CHIC, Carly Rae Jepsen, Bastille, Tove Lo, Phantogram, Japanese Breakfast, Quinn XCII, Yung Gravy, Thievery Corporation, Dayglow, ASHE, Lucius, Teddy Swims, Cautious Clay, Nicky Youre, Los Lobos, WAR, Taj Mahal, Mike Campbell & The Dirty Knobs, The Airborne Toxic Event, The Struts, Warren G, KennyHoopla, Jean Dawson, Lupe Fiasco, Peter Yorn and more. See the poster above for the rest of this year’s roster.

While the music usually serves as its biggest draw, the festival does offer guests access to a spa and silent disco. Of course, there’s also the Williams-Sonoma Culinary Stage, which pairs celebrity chefs with various musicians and athletes for several live cooking demonstrations you won’t want to miss.

Tickets can be purchased here beginning this Tuesday, January 10th at Noon PT. Three-day GA passes will go for $389 plus fees with VIP ($979), Skydeck ($1,799), The Suites ($1,899) and Platinum ($5,495) experiences available too, so make sure to set those alarm clocks stat for a BottleRockin’ good time!

BeachLife Festival ups the ante again this May with The Black Keys, Gwen Stefani, The Black Crowes & more booked for fourth edition

BeachLife Festival - 2023 lineup

BeachLife Festival //
Seaside Lagoon – Redondo Beach, CA
May 5th-7th, 2023 //

It’s the first week of the new year, and you know what that means … it’s almost festival season!

No, the Coachella lineup hasn’t dropped yet — although we’ll be sure to cover it here whenever that day comes soon — but in the meantime, another Southern California music festival has already revealed its plans for this year.

Taking over Redondo Beach’s waterfront for a fourth time, BeachLife Festival has put together another quality roster this May that once again leans heavily in the direction of rock ‘n’ roll but also incorporates pop, reggae, jam, funk and punk. And all things black is certainly back in 2023, as The Black Keys and The Black Crowes will bookend the three-day event that has three-time Grammy winner Gwen Stefani set to take the stage Saturday after a special performance from Sublime with Rome of 1992’s 40oz. to Freedom, marking more than 30 years since Sublime released their seminal debut album.

Despite only debuting in 2019, BeachLife has continued to up the ante and its latest roster once again boasts plenty of talent as Pixies, John Fogerty (performing the music of Credence Clearwater Revival), Modest Mouse, Band of Horses, CAAMP, Tegan & Sara, Iration, The Head and the Heart, Kurt Vile and the Violators, Dispatch, Noah Cyrus, LP, Sugar Ray, Mavis Staples, The Aiborne Toxic Event, Aly & AJ and Trampled by Turtles round out an excellent undercard. The inclusion of Modest Mouse is especially noteworthy given that Jeremiah Green, the band’s longtime drummer and one of its founding members, passed away at the age of 45 last week. Check out the poster above for the rest of the acts scheduled to take the stage.

The festival, as it did in both 2021 and 2022, will offer guests the unique opportunity to sit on the main stage and eat a four-course meal while being only a few feet away from the action as part of its DAOU SideStage Experience. So if you’re looking to get a little extra bougie for a weekend, that could be just the experience to make BeachLife a very memorable one this spring.

Speaking of tickets, they’re already on sale here! Three-day GA and GA+ passes can be purchased for $379 or $419, and VIP is available for $849 as well as single-day tickets for $159 (GA), $179 (GA+) and $339 (VIP). Of course, there’s always the three-day Admirals pass for $995 or Captain’s pass for $2,999 and $1,250 (single-day) as well if you’re looking to make a big splash so get ’em while they’re still hot.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2022

Best of 2022

After seeing what the live music industry endured the last two years due to the COVID-19 pandemic, 2022 was certainly a step in the right direction. For many artists and bands, this year marked the first since 2019 that they had the opportunity to step onstage — and that was a victory in and of itself.

While we aren’t completely out of the woods yet considering the coronavirus is still very much a part of our lives, there’s no signs of us returning to those dark and dire days of 2020. The shows simply must go on, and we are all better for it whether you’re a musician or just a fan.

Now as we turn to 2023 with cautious optimism, it’s time for us to share our annual “Best of” lists as we have done since this blog first began (see our 2021 picks here). We’ll be quick to admit we didn’t catch every show or hear all of the albums released in the past 12 months, but looking back on the year that was can not only be fun but also challenging with so much great music to consider.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2022.

Listen to The Bam Team’s favorite songs of 2022:

Tool - Viejas Arena


Tool at Viejas Arena // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2022
1. My Morning Jacket at Red Rocks Amphitheatre – Morrison, CO – August 26th-27th
2022 will go down as easily one of my favorite years for live music. So many of the artists and bands I love toured after being forced to sit on the sidelines for at least two years, and as I look back on all of the shows I was fortunate enough to witness, it would be a shame to not mention the ones that aren’t already included here, whether it was Eddie Vedder, Baroness, Royal Blood, Interpol and The Shins at Just Like Heaven, Jack White (two nights), The Kills, Puscifer on my big day, Fleet Foxes, Big Gigantic Telefon Tel Aviv, Moderat, Khruangbin and Arctic Monkeys — plus Lorde — at the debut of Primavera Sound LA, The Mars Volta, Bonobo, Foals, Modest Mouse performing The Lonesome Crowded West from start to finish to celebrate the LP’s 25th anniversary or The Smile closing out their North America tour. But this year’s No. 1 spot once again goes to My Morning Jacket, which have become my top live band over the last decade among some very stiff competition (see the rest of the bands listed below to get a better idea). With back-to-back dates in SoCal at the Santa Barbara Bowl and Hollywood Forever (read our review here) serving as a preview for what would come the following week, the Louisville-bred rockers left no stone unturned in their return to Red Rocks. If there was ever an act to catch — not once but twice — at the legendary amphitheater after visiting it more than a dozen times in my life so far, this was the one for me and MMJ proved it over two sold-out gigs with no repeats as always.

2. The War on Drugs at Shrine Auditorium – Los Angeles, CA – February 26th
3. Pearl Jam at The Forum – Inglewood, CA – May 6th
4. Tool at Viejas Arena – San Diego, CA – January 19th
5. Nine Inch Nails at Santa Barbara Bowl – Santa Barbara, CA – September 13th

Top 5 Albums of 2022
1. The Smile – A Light for Attracting Attention
It wasn’t until last year during a surprise performance for the concert video “Live at Worthy Farm” when we first learned of the latest side project from Radiohead members Thom Yorke and Jonny Greenwood with Sons of Kemet drummer Tom Skinner. But after putting out six singles off their debut LP that came out back in May, it was clear the three-piece wasn’t messing around. Across all 13 tracks on A Light for Attracting Attention, it’s safe to say there isn’t one worth skipping, reaffirming why Yorke remains one of the best songwriters out there in the last 30 years. And with him and Greenwood switching off between guitar, bass and synthesizer among a bevy of other instrumentation including vocoder, piano and harp, their talents are as palpable as they have ever been before. After all, hearing Yorke croon “Don’t mess with me” toward the beginning of “The Smoke” is an edict — literal or not — many would have a tough time disputing at this point.

2. Kendrick Lamar – Mr. Morale & the Big Steppers
3. Jack White – Fear of the Dawn
4. My Morning Jacket – MMJ Live Vol. 2: Chicago 2021
5. Bonobo – Fragments

Top 5 Songs of 2022
1. The Mars Volta – “Graveyard Love”
For fans of The Mars Volta, it has been a long wait since Omar Rodríguez-López and Cedric Bixler-Zavala hit the studio to record new material. Even with the project’s two constant members on good terms these days, it took more than a decade before anything would enter our earholes. But despite many of the prog-rock tendencies it demonstrated on earlier albums dating all the way back to 2003’s seminal De-Loused in the Comatorium, the duo’s seventh studio effort delves unexpectedly into new sonic territory. With a pop aesthetic running through it that surprisingly sees no song surpass the five-minute mark, The Mars Volta will undoubtedly be looked at as a departure from the days of “Cygnus…Vismund Cygnus” and “Cassandra Gemini” when Rodríguez-López and Bixler-Zavala were captivating At the Drive-In fans as well as new listeners. Nevertheless, its second single “Graveyard Love” stands tall as some of their best work to date and reminds us that these guys haven’t lost what made them so uniquely special.

2. The Smile – “Thin Thing”
3. Jack White – “Eosophobia”
4. Interpol – “Toni”
5. Moderat – “EASY PREY”


Pilot to Gunner - Hail Hallucinator

Andrew Pohl // San Francisco

Top 5 Shows of 2022
1. Yard Act at Rickshaw Stop – San Francisco, CA – April 21st
Funny story about this show … I had been hearing a lot of buzz about Yard Act, and I had only listened to one song played a few times on KEXP, which I really dug. I had been on the Rickshaw Stop’s email list, and the venue ran a contest for free tickets. I happened to win so I took a chance and opted to see Yard Act’s show that same week. Wanting to familiarize myself with their material more, I immediately dove head first into their album and was totally hooked, so I felt really good about this turn of events. I hadn’t been to a gig at Rickshaw Stop in many years and was eager to visit again, so it felt great to be back in a packed room again for an intimate evening of punk rock. The opening act Buzzed Light Beer fell a bit flat in my humble opinion, but once Yard Act took the stage, the room started buzzing with life. Lead singer James Smith’s command of the crowd is very nonchalant, but he also knows he has you hanging on every word. The set was fun and well-executed, and the UK quartet was clearly on its “A” game after a lengthy run of shows and in between weekend performances at Coachella. Much to the chagrin of those in attendance, Smith kept referring to the audience as “San Diego” (LOL), though he did tell us that he had some mushrooms the night before, so … you know. To round things out, Smith offered to do a magic trick during the last song of Yard Act’s set before their encore and coaxed fans to hand over any loose bills they had, which he pocketed and took backstage. As it turns out, he actually gifted the money to the bar staff, which I felt was a nice touch and very much on-brand.

2. THE FEST 20 – Gainesville, FL – October 28th–30th
3. Coheed & Cambria at Greek Theatre Berkeley – Berkeley, CA – August 14th
4. Bauhaus at The Masonic – San Francisco, CA – May 22nd
5. The Velvet Teen at Arlene Francis Center – Santa Rosa, CA – June 17th

Top 5 Albums of 2022
1. Pilot to Gunner – Hail Hallucinator
Brooklyn indie rockers Pilot to Gunner hadn’t put out an album for a decade, and to be honest, I hadn’t really paid much attention to them prior to Hail Hallucinator. The name was always out there and I had friends who were really into them, but I never got around to checking out their music for one reason or another. And not unlike many other bands that came before them (i.e. Seaweed, Far, The Murder City Devils), I am bummed that I was so late to the party. They are absolutely fantastic, and this record was easily my most listened-to during 2022. From start to finish, the 10-track LP hit all the marks for me in terms of stellar songwriting, original-sounding guitar work that still feels familiar and vocals carrying the torch of the early 2000’s indie/emo revival sound ala Hey Mercedes and Jimmy Eat World all while not completely aping either group. “Drop the Sun”, “We’re Blasting to Masses”, “Total Rager” and “Escape Season” are among its best tracks, but I simply love all of them from beginning to end.

2. Thee Sacred Souls – Thee Sacred Souls
3. Yard Act – The Overload
4. Soul Glo – Diaspora Problems
5. High Vis – Blending

Top 5 Songs of 2022
1. 3rd Secret – “I Choose Me”
The supergroup 3rd Secret surprised the music world when their debut self-titled LP arrived in mid-April. Comprised of members from Nirvana, Soundgarden, Hater and Giants in the Trees, the album is a tour de force brought to you by grunge and alt-rock royalty. Its lead single “I Choose Me” turns things up and right out of the gate you can’t help but feel a little washed over with nostalgia from guitarist Kim Thayil’s signature riffage in addition to the thundering cadence courtesy of bassist Krist Novoselic and drummer Matt Cameron. What makes the song — and the album — stand out to me, however, is the work of co-vocalists Jillian Raye and Jennifer Johnson. The pair deliver gorgeous singing atop the otherwise gritty instrumentation, harkening back to what made so many 90’s albums awesome with a beautiful balance of dark and light. I kept coming back to this song a lot throughout the year, and it made me really reflect on just how incredible the music that came out of the Pacific Northwest was when I was growing up. To hear this collection of musicians conjuring up those aural ghosts through a contemporary filter was not only refreshing, but also something that I was really looking for in 2022.

2. Yard Act – “The Overload”
3. Thee Sacred Souls – “Can I Call You Rose?”
4. Cave In – “New Reality”
5. High Vis – “0151”


Animal Collective - Greek Theatre


Animal Collective at Greek Theatre // Photo by Rochelle Shipman

Rochelle Shipman // Los Angeles

Top 5 Shows of 2022
1. PUP at The Fonda Theatre – Los Angeles, CA – April 21st
Two years and one full length after this show was originally supposed to occur, LA finally got to see PUP perform on their “Thank Fucking God” tour. Worth the wait would be a major understatement here as the Canadian punks transported us back to pre-pandemic times like nothing had ever happened — we were touching, we were screaming, we were moshing again! The night had such an innocent air to it. Despite the delay, 2019’s Morbid Stuff felt fresher than ever (and it still does).

2. Yaya Bey at Cafe Erzulie – Brooklyn, NY – June 16th
3. Animal Collective at Greek Theatre – Los Angeles, CA – May 20th
4. Vince Staples at The Fonda Theatre – Los Angeles, CA – August 23rd
5. Bright Eyes at Greek Theatre – Los Angeles, CA – June 23rd

Top 5 Albums of 2022
1. Lando Chill – if im being honest
The multi-hyphenate who’s based out of LA quietly dropped this mixtape early in the year, and it stood strong in my top spot from the start. With a sharp wit and silky delivery, Chill tears through pages of his diary without cutting a single corner. Thank God for vulnerability.

2. Smino – Luv 4 Rent
3. Pusha T – It’s Almost Dry
4. Yaya Bey – Remember Your North Star
5. Open Mike Eagle – Component System with the Auto Reverse

Top 5 Songs of 2022
1. Steve Lacy – “Bad Habit”
An earworm for the ages! This impossibly catchy tune took over TikTok and catapulted Mr. Lacy into the spotlight that he was born to occupy, whether he was ready for it or not. The cherry on top of his banner year was the singer-songwriter’s old iPhone (aka his instrument) landing on display in the Smithsonian.

2. Lando Chill – “guess”
3. Leggy – “Lipstick on the Mic”
4. Pusha T – “Brambleton”
5. Channel Tres – “Acid in My Blood”

Showbams

FOALS deliver another ‘sweaty good time’ at Hollywood Palladium while traversing the globe on their ‘Life Is Yours Tour’

FOALS - Yannis PhilippakisBy Josh Herwitt //

FOALS with Inner Wave, Gustaf //
Hollywood Palladium – Los Angeles
November 16th, 2022 //

What is it about FOALS that makes them one of the best rock ‘n’ roll bands to come out of the aughts? You know, that decade after the 90’s beginning more than 20 years ago?

A good starting point for most longtime listeners and fans of the British outfit would be Greece-born frontman Yannis Philippakis, whose gorgeous vocals and emotive guitar solos are often juxtaposed against his morose, yet impassioned lyrics.

And boy, let me tell you … when you’re feeling down, putting on one of FOALS’ masterpieces like 2013’s Holy Fire and 2015’s What Went Down can offer the emotional strength one might need to keep moving forward. You can hear it in Philippakis’ voice, and you can feel how much he’s pouring his heart and soul into the music. It’s really a beautiful thing to take in when it feels like the music industry has been largely condensed to 30-second soundbites with the rise of TikTok and proliferation of NFTs.

With founding member Edwin Congreave’s departure more than a year ago to pursue a postgraduate degree in economics at Cambridge University, the once-sextet has shrunk down to a trio consisting of Philippakis (lead vocals, lead guitar), Jack Bevan (drums, percussion) and Jimmy Smith (rhythm guitar, keyboards, synthesizer, backing vocals) in the studio, but you wouldn’t notice much of a difference from the sound of their seventh LP Life Is Yours that arrived in June and saw them collaborate with a number of producers, including John Hill, Dan Carey, A. K. Paul and Miles James, for the first time.

FOALS

If anything, the result is a shinier and catchier collection of songs in a pop sense, with its title track and lead single “Wake Me Up” setting the tone for the rest of the album. Life Is Yours was preceded by five singles, more than any other FOALS studio effort to date, and while others have had the same number of singles in the end, it wasn’t until after those records were released that they reached such a mark. In that regard, Life Is Yours is easily FOALS’ most accessible piece of work, but that doesn’t mean it’s not worthy of praise with Philippakis, Bevan and Smith sharing songwriting duties. It actually still fits in quite well with the rest of their burgeoning catalog, even if it isn’t as wide-ranging or commercially successful as 2019’s two-part Everything Not Saved Will Be Lost that would eventually top the UK Albums Chart.

FOALS, nonetheless, are still touring as a six-piece with three hired guns — Kit Monteith of Trophy Wife (percussion, sampler, backing vocals), Jack Freeman (bass, synthesizer, backing vocals) of Jagwar Ma and Joe Price (keyboards, synthesizer, backing vocals) — rounding out the lineup while always making sure to deliver a “sweaty good time” as Philippakis declared last Wednesday evening at the Hollywood Palladium during their first LA show since headlining the Shrine Expo Hall more than three years ago — and over six since the last time they set foot in the Art Deco-style theater (read our show review here).

The three-time Mercury Prize nominees were in good spirits as they often are when they come to town, particularly one where they spent time working on Life Is Yours and Smith also now resides. But on this night, FOALS weren’t just going to settle for the same setlist they uncorked less than 24 hours earlier in Oakland. Unlike our Bay Area counterparts, those of us in sunny SoCal would have the distinct pleasure of witnessing the tour debut of “Neptune” as the 10-minute epic came packaged in between What Went Down cuts “Snake Oil” and “Mountain at My Gates” heading into a brief encore break, marking only the fourth time it has been performed live so far. Of course I had hoped we would get to hear the full length’s namesake too with it being a personal favorite of mine, but considering the song hasn’t been in rotation for months dating back to July, it wasn’t all that surprising it wasn’t in the cards.

When Philippakis and company returned to the stage amid a roaring applause, it felt like they were just getting started. At the very least, FOALS know how to take things up a notch or two in the encore, and with Philippakis ripping through “Inhaler” while making his way through the crowd, it only reaffirmed their brand as an absolute force in live music. Some might claim the 60-plus stops on the “Life Is Yours Tour” extending into 2023 won’t stand up to some of their previous shows when we look back at them, but as our eardrums rattled for a final time to “Two Steps, Twice” off their 2008 debut Antidotes, it served as an immediate reminder that these past 15 years have truly been one hell of a ride for FOALS and those of us who have been here for them all.

Setlist:
Wake Me Up
The Runner
2001
(summer sky)
Olympic Airways
My Number
Black Gold
2am
In Degrees
Spanish Sahara
Red Socks Pugie
Providence
Snake Oil
Neptune (tour debut)
Mountain at My Gates

Encore:
Inhaler
Two Steps, Twice

Día y Noche de Los Muertos returns to Hollywood Forever, creating a cathartic experience with Ed Maverick, Hermanos Gutiérrez & more

Día y Noche de Los Muertos 2022By Iván Fernández //

Día y Noche de Los Muertos featuring Ed Maverick, Hermanos Gutiérrez, Son Rompe Pera, Thee Sacred Souls //
Hollywood Forever Cemetery – Los Angeles
October 29th, 2022 //

Typically, there’d be cause for serious concern when thousands of people congregate in a cemetery on a Saturday. The last thing we need in our not-quite-post-pandemic world is a mass gathering of a demonic cult or an apocalyptic scenario previously only imagined by the likes of the creators of the “Doom” video game franchise.

However, when the reason turns out to be the 23rd annual Día y Noche de Los Muertos event at the Hollywood Forever Cemetery in LA, the main concern is searching for a place to sit to eat between performances. The festival is one of the largest Day of the Dead-related events in the world outside of Mexico and Latin America. Attendees over the years have been regaled with impressive lineups of Mexican and Latin American artists along with the dozens of altars built by community members in honor of their departed loved ones.

For many years, the event at Hollywood Forever and the Día de los Muertos event at Self-Help Graphics on the other side of the county were the only large-scale celebrations of the cultural holiday in LA. In our post-“Coco” and “The Book of Life” world, they are national torchbearers for a region with the largest Latin American diaspora in the country.

The festival’s first edition in 1999 was a small affair featuring some live music, a couple of altars and roughly 300 people. At its peak about six to seven years ago, 40,000 people were dancing along near the memorial and burial sites of celebrities (one half of the original Ramones lineup, Johnny and Dee Dee, are laid to rest here along with Mel Blanc, Mickey Rooney, Burt Reynolds, Jonathan Gold, the DeMilles, the Chaplins, etc.) and non-celebs alike, some who were laid to rest in the late 19th century. Since 2021, the festival has pulled a Coachella of sorts and split into two separate events at the same location: a daytime cultural event dedicated to families and kids to learn about the history and specific cultural practices of Day of the Dead followed by a nighttime event featuring three stages of live music.

The 2022 edition welcomed over 20,000 people to the cemetery grounds for a day of music and remembrance. This year’s theme was dedicated to Mayahuel, the Aztec goddess of fertility and maguey (agave), the plant where pulque, mezcal and tequila are derived from. There’s a tragic backstory about the romance between Mayahuel and Quetzalcoatl, the feathered serpent, that ends in her death. His tears fall on her grave and create the agave plant, “producing pulque and mezcal to forever lesson our miseries and lift our grief,” to quote the event’s press release.

Día y Noche de Los Muertos 2022 - Thee Sacred Souls


Thee Sacred Souls

There was certainly something of that in the air this year. Though it was still a fun celebration of life, perhaps the weight of these past two years has made people’s sentiments heavier. You could see it in the elaborate altars placed along the pathways from the cemetery to stages and art exhibits.

Everywhere you looked, there was an old portrait of a married couple as well as photos of an infant, boys, girls and teens whose lives were all tragically cut short. The beauty in the Day of the Dead event is how these portraits are also adorned with items that reflected the warmth of their lives, however short or long. Creating an altar takes time and an emotional effort by their builders that helps them confront their grief. There may not have been much pulque or mezcal on the grounds, but the miseries of recent times were certainly lessened through these public displays of grief and love.

The performers for the night also did a wonderful job of bringing people together and lessening their miseries while lifting their grief. The night began with San Diego’s Thee Sacred Souls. The trio of singer Josh Lane, drummer Alex Garcia and bassist Sal Samano have seen their star rise quickly over the past year-and-a-half thanks to a combination of Lane’s Marvin Gaye-esque vocal styles and their mesmerizing take on Chicano soul and R&B.

Día y Noche de Los Muertos 2022 - Son Rompe Pera


Son Rompe Pera

Thee Sacred Souls were joined onstage with a pair of backup singers, a guitarist and a pianist/organ player to fill out their sound. Though the trio has just one full-length album to its name so far, songs such as “Can I Call You Rose?”, “Weak For Your Love” and “Love Comes Easy” have become instantly recognizable by the band’s growing legion of fans. Tears flowed, kisses were planted and lovers hugged as the band gracefully swung from one love balled to the next.

Son Rompe Pera, on the other hand, were the exact opposite. If you’re ever curious as to what a combination of cumbia and marimba music from Mexico’s southeastern coast sounds like when fused with the ethos and energy of hardcore punk, then you must make it your mission to watch these guys live.

At the heart of Son Rompe Pera’s sound is not an accordion, a guitar or a drum, but the graceful xylophone! Never have I seen so many people lose their minds over watching a guy who looks like Edward Munson’s Mexican twin rocking out on a minutes-long xylophone solo. Never have I also seen a mosh pit start thanks to a xylophone solo, and even less have I ever encountered a mosh pit where a man felt comfortable enough to run circles in it with his very young daughter cheering him on while riding on his shoulders.

Día y Noche de Los Muertos 2022 - Hermanos Gutiérrez


Hermanos Gutiérrez

The Mexico City outfit from the town of Naucalpan is also an example of how to restructure your recorded music for a live setting. Songs such as “Calculadora” and “Tortuga del Arenal” have a danceable, yet mellow rhythm to it on the album. When played live though, the songs take on a faster rhythm, with the marimba and cumbia accents ceding ground to the group’s punk vibe.

This is where I question the order of the artists on the lineup. Hermanos Gutiérrez went up next and played beautifully. Brothers Alejandro and Estevan Gutiérrez are two talented musicians who play guitar together, swapping between acoustic, electric and slide guitars during their shows. The Zurich-based duo’s instrumental music swept me away, carrying me into a mystical world soundtracked by their cinematic, western style.

Unfortunately, some in the crowd were still riding the high from Son Rompe Pera and jarred by the switch in energy and music, prompting me to wonder if it would have been better if Hermanos Gutiérrez performed before Son Rompe Pera. It’s a shame really, but it was wonderful to hear songs from their latest album El Bueno Y El Malo (The Good And The Bad), which they recorded with Dan Auerbach and released on The Black Keys frontman’s record label Easy Eye Sound, along with a few older cuts. There was something about listening to title track, “Tres Hermanos” and “Hermosa Drive” live in a cemetery that added to the experience and aura of the night’s festivities that no other performer had.

Día y Noche de Los Muertos 2022 - Ed Maverick


Ed Maverick

The evening’s headliner Ed Maverick was a smart choice to close things out. I knew the fest had taken a somber and introspective turn when the promoters announced him to lead the lineup. In fact, the “Sad Boy Supreme” of Chihuahua, Mexico, was stopping through LA on his first-ever world tour — and he did not disappoint.

Even from a distance, it’s easy to tell that his sad-boy schtick isn’t a performance but who he truly is. It also shouldn’t be a surprise considering he titled one of his albums Mix Pa’ Llorar en Tu Cuarto (A Mix to Cry in Your Bedroom). And yes, he performed his sad-boy anthems, but he and his band gave the songs an aura that matched the grief-lifting vibes of the night.

Maverick and his band adapted other songs from Mix and his 2021 LP Eduardo to give them a larger presence live. “Hola, ¿cómo estás?,” for example, filled the event like an anthem meant for a stadium as opposed to the recorded version’s floating, atmospheric vibes. Meanwhile, “Fuentes de Ortiz”, “Acurrucar” and “Quiero” became cathartic sing-alongs for thousands of fans in attendance.

Maverick didn’t have too much to say between songs and let his music do most of the talking. However, when he did speak to the crowd, he had to pause with a smile and wait for the lull between screaming and cheering fans to be heard. He ended the night with a lengthy guitar solo that cemented his newfound status as a rock star and new king of the sad boys.

Whatever grief guests carried with them into the event, they certainly left feeling weightless after a long, fun and most importantly, cathartic experience.

A little rain doesn’t stop Bonobo from finishing his U.S. live tour for ‘Fragments’ with an electric hometown show at LA’s Greek Theatre

BonoboBy Josh Herwitt //

Bonobo with Tourist & O’Flynn //
Greek Theatre – Los Angeles
October 22nd, 2022 //

For those who have been following Simon Green’s work under the Bonobo moniker that the British DJ, producer and musician created more than two decades ago in the seaside city of Brighton, it shouldn’t necessarily be a surprise to hear his seventh LP Fragments arrived in January almost five years to the day since 2017’s Migration came out.

A lot has happened around the world over that span, though none more impactful than the COVID-19 pandemic of course. Green has even stated in interviews that the isolation he experienced during the lockdown stifled his creativity for much of 2020.

In fact, it wasn’t until he received Jamila Woods’ vocal parts that Fragments would begin to take shape, with “Tides” featuring the Chicago-based singer-songwriter, rapper and poet serving as its centerpiece. So while the 12-track album embodies Green’s struggles and introspection over the past two years with a deep sense of sorrow, it also offers moments of liberation and joy for the three-time Grammy nominee.

All of those emotions were channeled through Green’s music last Saturday at the Greek Theatre in his adopted hometown of LA. This wasn’t actually the first time he was headlining the historic amphitheater. No, we were there for that (read our show review here) as he shared the stage with Canadian electronic duo Bob Moses and demonstrated why his live performances are truly something special to witness.

Bonobo - Nicole Miglis


Nicole Miglis

Nonetheless, this gig marked the final date of his U.S. live tour in support of Fragments, and what better way to end a weeks-long trek across the states than on a rainy night in the City of Angels? Green might very well disagree given that the inclement weather had fans abandoning their seats for shelter on each side of the venue, but the precipitation would fortunately last for only part of Tourist’s opening set as the clouds parted before the evening’s main attraction.

By the time Green stepped onstage with his live band after 9 p.m., the Greek was ready to welcome him with open arms. It’s not often he performs with a string section behind him, but with the increasing costs that have come with touring on a larger scale, Green knows it’s not likely he’ll be able to do this again in the same capacity down the road as he confessed recently on social media. Almost a third of the songs that he would unveil featured Nicole Miglis of Hundred Waters on lead vocals, and with her touching on some newer and older Bonobo material, she filled in seamlessly as a proper substitute for Green’s wide swath of collaborators that has included Joji, Nick Murphy (aka Chet Faker) and Rhye to name a few.

There was a small hope in us too that Green would debut his brand-new single “Defender” after its drop three days prior, but despite our wish not coming true, the inclusion of “ATK” following its release in early September as well as 2019’s “Linked” proved this tour was more than just a celebration of Fragments. If anything, it was him reminding us how much his eclectic sound has been rooted in the UK dance clubs it pervaded amid the early 2000’s.

With the live music industry still in a state of recovery as many established artists struggle to make ends meet, there’s no telling what a live Bonobo show will look like in the future. One could see Green scaling back to not have as much instrumentation and instead utilizing more prerecorded stems to ease some of the financial burden — or he could simply stick to the major markets and pass on the smaller cities such as Flagstaff, Ariz. Either way, we have little doubt that however Green’s performances look one day, they will be like they have always been: beautiful, euphoric, sad and all of those feelings in between.

Setlist:
Polyghost
Rosewood
Counterpart
Surface (feat. Nicole Miglis)
Tides (feat. Nicole Miglis)
Kiara (feat. Nicole Miglis)
Bambro Koyo Ganda
Cirrus
Outlier
ATK
From You (feat. Nicole Miglis)
No Reason (feat. Nicole Miglis)
Linked
Age of Phase
Otomo

Encore:
Break Apart (feat. Nicole Miglis)
Kerala

Moderat are back to mesmerizing their fans again following an extended hiatus as they demonstrate at The Wiltern

ModeratBy Josh Herwitt //

Moderat //
The Wiltern – Los Angeles
September 23rd, 2022 //

With the music industry still recovering from the COVID-19 pandemic over the last two and a half years, it’s not hard to find a concert worth catching in LA at the moment. Artists and bands across every scene have been trying to make up for lost time, and those more specifically in the world of dance music have been no different.

But it’s not every day that you get to see a top-notch electronic act perform live inside one of the city’s most historic music venues on a Friday night.

And in the case of Moderat, it took the German supergroup consisting of Sascha Ring (aka Apparat) and Modeselektor members Gernot Bronsert and Sebastian Szary more than six years to release their fourth studio album More D4ta as the follow-up to 2016’s phenomenal III. While that remains Moderat’s largest gap between full-length efforts, they haven’t forgotten how to captivate their audiences after going on an extended hiatus.

The Berlin-based three-piece was greeted by a strong turnout at The Wiltern for its first LA show since 2017 when Ring, Bronsert and Szary played the Mayan (read our show review here) in between what many fans have considered to be two career-defining performances at Coachella — and we truly can’t disagree with that assessment from what we saw during Weekend 1 (read our festival review here).

After all, there aren’t a whole lot of electronic-leaning acts out there who are doing anything like what Moderat does when it comes to their approach and sound as they fuse electronic beats and textures behind live vocals — led by Ring with Bronsert and Szary assisting — and instrumentation.

Moderat

Caribou would be another one that comes to mind after witnessing the Grammy nominee’s gig at LA’s Greek Theatre last November (read our show review here), but unlike Moderat, Dan Snaith has had a knack for mixing 70’s funk and soul as well as 90’s hip-hop and R&B into his music over the years.

While you won’t hear any of those genres on More D4ta that Moderat put out in May via Modeselektor’s own Monkeytown Records, there are some similarly hypnotic moments throughout the 10-track LP. Just take new singles “Fast Land” and “Easy Prey” for instance, the latter of which surprisingly wasn’t on the group’s LA setlist despite being performed in Oakland the evening prior along with its 2014 remix of Jon Hopkins’ “Abandon Window” (yeah, I guess you could say we’re jealous about that).

Regardless of whatever songs we didn’t to get hear before Ring, Bronsert and Szary headed south to CRSSD Festival, there was plenty to enjoy. From the opening lines of “Reminder” to the mesmerizing audio-visual experience of “Bad Kingdom” that entrances us every time, Moderat had a packed crowd hanging on every word that Ring delivered by the time they ran through an encore that concluded with “Les Grandes Marches” and “No. 22” off their 2009 self-titled debut from what feels like ages ago.

There also aren’t many acts, electronic or not, that will come back out for a second encore. Moderat are built a little bit differently in that way though, and based on the applause they were showered with at The Wiltern, it wasn’t completely shocking to watch them return to the stage one last time and drop “Intruder” for those screaming “one more song!” at the top of their lungs.

Because after waiting five-plus years to tour the world again, can you really blame them?

Setlist:
Reminder
More Love
Animal Trails
Undo Redo
Doom Hype
Rusty Nails
Eating Hooks
Running
Neon Rats
Bad Kingdom
Ghostmother
A New Error

Encore #1:
Fast Land
Les Grandes Marches
No. 22

Encore #2:
Intruder

Primavera Sound LA 2022: The best & worst of the Barcelona music festival’s inaugural edition on U.S. soil

Primavera Sound LA 2022Photos by Josh Herwitt & courtesy of Primavera Sound LA // Written by Josh Herwitt //

Primavera Sound LA //
LA State Historic Park – Los Angeles
September 16th-18th, 2022 //

It’s no secret that Primavera Sound has had its sights set on Los Angeles for quite some time now. The Barcelona music festival that has been going strong for two decades expanded to Porto in 2012 and will finally stamp its brand on four more cities in 2022 after a two-year delay due to the COVID-19 pandemic.

LA is the first of those four cities, but with the festival’s other three new locations — São Paulo, Buenos Aires and Santiago — all launching in South America later this year, LA State Historic Park also served as Primavera Sound’s inaugural event in the states.

Spreading four stages across the 32-acre park that remains one of the best spots in the city to host a music festival before and after three years of renovations, PSLA welcomed a wealth of talent from the top line to the bottom. Lorde, Nine Inch Nails and Arctic Monkeys each delivered headline-worthy sets while an indie-leaning undercard highlighted by BICEP (Live), Cigarettes After Sex, Clairo, DARKSIDE, Drain Gang, Fontaines D.C., Girl in Red, GIVĒON, James Blake, King Krule, Khruangbin and Mitski all drew big crowds over the course of three days. In a lot of ways, PSLA fills a much-needed void after the sudden and disheartening end to FYF Fest, which would tout itself as the “best weekend of summer” for many live music fans and was one of our favorite multi-day festivals to cover (read more here).

Any time a new music festival launches though, there are always highs and lows. So without further ado, here are our best and worst moments from Primavera Sound’s first installment on U.S. soil:


Primavera Sound LA 2022

Best: The weather

After LA experienced its worst heat wave of the year earlier this month with temperatures reaching triple digits, the weather luckily cooled down just in time for PSLA. For many of us, a second layer of clothing wasn’t ever necessary from Friday afternoon to Sunday evening. After all, how often does that happen? With great music lined up throughout the day and a forecast hovering in the mid to high 70’s, it truly felt like a quintessential summer weekend in LA.

Primavera Sound LA 2022

Worst: Will Call line

When we arrived at the festival on Friday afternoon, the line at the box office quickly stood out. In fact, it was so long that we knew the wait would be at least an hour for those trying to pick up their passes, only to discover later via Twitter it was even longer for many even at 6 p.m. These are the kind of issues any first-year music festival hopes to avoid and can ultimately prepare for, but when you change your ticket delivery method to in-person on short notice after previously telling fans it would be done electronically, it’s no surprise that you end up pissing off some of your customers.

Primavera Sound LA 2022 - Lorde

Best: Lorde

The 25-year-old singer-songwriter has been making the rounds this year on an extensive world tour in support of 2021’s Solar Power, and there’s no question that her entire stage design and production was impressive to witness. Ahead of festival stops at Life Is Beautiful and Rifflandia over the same weekend, Lorde arrived onstage via a rotating staircase with some of her backing band and ran through 15 songs — from her 2013 debut single “Royals” to Melodrama hits like “Perfect Places” and “Green Light” — as PSLA’s first headliner. We wouldn’t necessarily call ourselves big fans, but we definitely understand why she was deserving of top billing.

Primavera Sound LA 2022

Worst: Food & drink

We will eventually get to the limited viewing space that under-21 guests were offered, but even if you wanted to drink at PSLA, the options were simply not good. This was certainly not the place for craft beer enthusiasts, as your choices were Heineken or the low-calorie Tecate Alta that tasted mostly like beer-flavored water for $12 each. Not only would it be nice to have seen local breweries — there are two excellent ones located across the street from the festival’s entrance — featured, but in a city such as LA with a food-and-drink scene that’s one of the best in the country, partnering with major beer and liquor brands along with a handful of Smorgasburg LA restaurants doesn’t exactly cut it anymore. The only food stall in one of the VIP areas selling “California style” Philly cheeseteaks made us think about how much Goldenvoice has elevated its game in this respect, with top-notch local options at Just Like Heaven (read our festival review here) from Goldburger to Homage Brewing standing out as examples most recently in May.

Primavera Sound LA 2022 - Khruangbin

Best: Khruangbin

The Houston three-piece that has made 70’s Thai funk sound cool again has been one of the hottest acts to tour over the past five years, as evidenced by their three sold-out shows at LA’s Greek Theatre last November. While most might have come Saturday to see Nine Inch Nails, it was K-bin who would steal the show before Trent Reznor and company ever played a note. Those who made it to the main stage for sunset were treated to an hour of grooves, as Mark Speer (guitar, vocals), Laura Lee (bass, vocals) and Donald Johnson (drums, vocals) hypnotized us with fan favorites “María También” and “So We Won’t Forget” before diving into a melody of covers that embraced a wide array of artists, from MF DOOM, The Isley Brothers, Tina Turner and Chris Isaak to 90’s hip-hop legends A Tribe Called Quest, Ol’ Dirty Bastard, Warren G and Dr. Dre.

Primavera Sound LA 2022

Worst: Art installations

Sometimes it can be easy to forget how spoiled we are in California when it comes to all of the music festivals we have. Not only do many of our best and brightest such as Coachella, Outside Lands and Lightning in a Bottle showcase a wide range of musical genres, but they also feature their own unique art installations that continue to push the envelope. In the case of Primavera Sound, let’s just say that’s not its M.O. While we can’t fault the festival for keeping the focus strictly on the music, LA State Historic Park did seem to lack some color aesthetically. That said, there were a couple of highlights off the stage, including the vinyl market that was curated by KCRW and Beat Swap Meets as well as the FLATSTOCK poster show series making its only West Coast stop of the year and featuring locals like Kii Arens of La-La Land Prints.

Primavera Sound LA 2022

Best: Signs, sightlines & sound

With the Primavera Sound brand being all about the music, our eyes were mostly focused on the artists performing. Nevertheless, the signs, sightlines and sound at PSLA were all on point. The downtown LA skyline served as a fitting backdrop like it usually does at LASHP, and despite poor audio issues playing a role at outdoor music festivals, we didn’t experience any while we were on the ground so kudos to the organizers for locking that down. If anything, the decibels across the fest’s four stages were so high that we found ourselves needing ear protection most of the weekend.

Primavera Sound LA 2022 - Nine Inch Nails

Worst: Short headliner sets

After Primavera Sound LA unveiled the lineup for its debut this year, we presumed all three headliners would receive at least 90 minutes each day. So when the set times dropped more than a couple weeks in advance, it was a bit of a shock seeing only 75 minutes designated for each of them. A Hall of Fame band like Nine Inch Nails has more than 10 studio albums and several EPs in its catalog but were only granted enough time to crank out 16 songs, many of which have been setlist staples for years up to this point. Though NIN classics like “Wish”, “March of the Pigs”, “Closer”, “Gave Up” and “Head Like a Hole” are never tracks to lack energy live, we’re happy we caught their sold-out gig at the Santa Barbara Bowl (read our show review here) four days earlier for the chance to hear a cover of David Bowie’s “I’m Afraid of Americans” and multiple other deep cuts.

Primavera Sound LA 2022 - Arctic Monkeys

Best: Arctic Monkeys

It was clear when we showed up for PSLA’s final day that the attendance felt bigger than the day prior. Although that seemed a little odd considering it was Sunday and not Saturday, it was a testament to the fan base Arctic Monkeys have built at the 20-year mark. The English rockers haven’t toured since 2018’s Tranquility Base Hotel & Casino, and with their forthcoming seventh LP The Car slated to come out next month, frontman Alex Turner and his bandmates gave us a taste with the disco funk that they’ve cooked up on “I Ain’t Quite Where I Think I Am” midway through their headlining performance. And even though we didn’t hear lead single “There’d Better Be a Mirrorball” despite it being the only track that they have officially released so far, there were plenty of other thrilling moments for us to remember in between the opening notes of “Do I Wanna Know?” and the closing “R U Mine?” to end the night. Here’s hoping we don’t have to wait too long before there’s a return date to California after the new album drops.

Primavera Sound LA 2022

Worst: Under-21 viewing areas

Most of PSLA’s guests are of legal drinking age, and with the festival boasting a number of alcohol-related sponsors that included Cuervo and Smirnoff, it certainly caters to the over-21 crowd. But for those who weren’t, the viewing areas at the Primavera and Tecate Alta stages were less than ideal. Besides the allotted space being too small and positioned off to the side, underage guests were only informed 10 days in advance. If you’re not 21 yet, make sure to temper your expectations — or we’d recommend waiting until you are before attending.


Primavera Sound LA photographers featured: Nicolita Bradley, Lindsey Byrnes, Pooneh Ghana, Miranda McDonald, Ismael Quintanilla III & Quinn Tucker.

New music or not, Nine Inch Nails are still commanding sold-out crowds at the Santa Barbara Bowl & beyond in 2022

Nine Inch NailsBy Josh Herwitt //

Nine Inch Nails with Yves Tumor //
Santa Barbara Bowl – Santa Barbara, CA
September 13th, 2022 //

If there was ever a time in his long and illustrious career when Trent Reznor had seemingly little left to prove, it would be now.

After all, the 57-year-old Nine Inch Nails mastermind who formed the project more than three decades ago while working as an assistant engineer and janitor at Right Track Studios in Cleveland has racked up nearly every accolade for his music, from Grammys and Oscars to Emmys and even a CMA Award, with only a Tony standing in his way of EGOT status.

But aside from the latest two installments of the soundtrack-oriented Ghosts at the start of the COVID-19 pandemic, it has already been a few years since NIN released new material after the six-track Bad Witch arrived in 2018 and the now-Hall of Fame band embarked upon its “Cold and Black and Infinite” tour across North America that concluded with Reznor and company playing a whopping six nights at the Hollywood Palladium with anything in the NIN catalog on the table thanks to a more stripped-down stage production of mostly smoke and lights the industrial-rock act is still currently showcasing.

So when NIN announced in February a limited number of dates for 2022, there was a sense among fans — or at least this one right here — that new music would be imminent at some point this year. Reznor, in fact, had actually hinted at the 2021 Academy Awards that there was more to come from NIN, though we have yet to hear any since then.

Nine Inch Nails

That certainly hasn’t mattered when it comes to NIN’s ticket sales, however. Outside of a few festival appearances that includes a headlining performance at Primavera Sound LA this Saturday, just about every show this year has been sold out and things were no different on Tuesday when Reznor’s outfit returned to the Santa Barbara Bowl for the first time since 2009.

The 4,562-seat amphitheater continues to be one of our favorite places in California — if not the entire country — to catch a concert, and despite the coastal city’s music scene being a bit more laidback than LA’s, you wouldn’t have known it by the time NIN stormed onstage shortly after Yves Tumor wrapped up his opening set.

With the outdoor venue’s strict 10 p.m. curfew always at play, there was no time to spare for Reznor, Atticus Ross, Robin Finck, Alessandro Cortini and Ilan Rubin, and the five-piece made the most of its one-hour, 45-minute gig with deep cuts like “Last” and “Heresy” preceding setlist staples that featured “March of the Pigs”, “Piggy” and “Closer” from The Downward Spiral as well as “The Perfect Drug”, the 1997 cut on the “Lost Highway” soundtrack that only made its live debut in 2018 but has already been played 30 more times thanks to Rubin’s thunderous ambidexterity on the drum kit.

Of course, we would be remiss to not also mention the high energy of “Reptile” and a groovy cover of David Bowie’s haunting single “I’m Afraid of Americans” as other highlights before being punched in the mouth by the trifecta of “Gave Up”, “The Hand That Feeds” and “Head Like a Hole” leading into a brief encore break. Yet, it was the penultimate “Even Deeper” off The Fragile that truly put us on cloud nine for the rest of the evening and reminded us that with or without new songs, we’re all lucky to still have NIN filling our earholes after wondering eight years ago if we would ever see them perform live again.

NINE INCH NAILS

Setlist:
Mr. Self Destruct
Wish
Last
March of the Pigs
Piggy
The Lovers
The Frail
The Wretched
Reptile
God Break Down the Door
Copy of A
Closer (with “The Only Time” breakdown)
This Isn’t the Place
Heresy
The Perfect Drug
I’m Afraid of Americans (David Bowie cover)
Gave Up
The Hand That Feeds
Head Like a Hole

Encore:
Even Deeper (preceded by band introductions)
Hurt

YVES TUMOR

Setlist:
Jackie
Gospel for a New Century
Medicine Burn
Operator (with “Be Aggressive” chant)
Cntra
Kerosene!
Romanticist
Dream Palette
Mtora
…And Loyalty Is a Nuisance Child
Secrecy Is Incredibly Important to the Both of Them

BeachLife Festival goes ‘California Country’ as The Lumineers, Dierks Bentley, Brandi Carlile & more headline inaugural BeachLife Ranch

BeachLife Ranch - 2022 lineup

BeachLife Festival //
Seaside Lagoon – Redondo Beach, CA
September 16th-18th, 2022 //

Who here has heard of “California Country” before?

Well … if you haven’t or aren’t the biggest fan of country music, BeachLife Festival is here to introduce to a new way of thinking about the genre. The three-day music festival, which put together an excellent 2022 lineup for its third edition in May, is trying its hand at something different this weekend as it fuses country- and Americana-leaning acts to create BeachLife Ranch.

For their first go-around, the BeachLife organizers have enlisted The Lumineers, Dierks Bentley, Brandi Carlile, Daryl Hall & John Oates, Ashley McBryde and Wilco to lead the inaugural event that will also call Redondo Beach’s Seaside Lagoon home. But that’s not all: the fest has also lined up a Waylon Jennings tribute featuring Shooter Jennings and special guests Yelawolf, Lukas Nelson, Devon Allman, John Doe, Chris Shiflett of Foo Fighters fame and more for Saturday’s festivities.

But if that’s not enough for you, the undercard for BeachLife Ranch’s debut certainly delivers its own array of stars between Waxahatchee, Lukas Nelson & Promise of the Real, Pete Yorn, The Infamous Stringdusters, Jamestown Revival, Greensky Bluegrass, The White Buffalo and Drive-By Truckers in only three days. You can check out the poster above for the rest of this year’s roster.

Itching to go now?

Tickets can still be purchased here, with three-day GA and GA+ passes available for $299 or $379, and VIP is available for $699 as well as single-day tickets for $139 (GA), $159 (GA+) and $319 (VIP). And if you’re really looking to throw down some cash, there’s always the three-day Admiral and Outlaw passes for $995 and $2,999, respectively, so saddle up and get ’em before it’s too late!

Ahead of their Red Rocks shows, My Morning Jacket are firing on all cylinders after rocking the Santa Barbara Bowl & Hollywood Forever

My Morning Jacket - Hollywood Forever Cemetery

My Morning Jacket at Hollywood Forever Cemetery

By Josh Herwitt //

My Morning Jacket //
Santa Barbara Bowl & Hollywood Forever Cemetery – Santa Barbara & Los Angeles
August 16th & 17th, 2022 //

When My Morning Jacket made the “deeply painful” decision to cancel their three-night New Year’s run at the Mission Ballroom in Denver last year with the COVID-19 pandemic still wreaking havoc thanks to the rise of the omicron variant, it was a gut punch for the Louisville rockers and their most diehard fans, many of whom were traveling from out of state to see them.

But more than six weeks later, the five-piece would announce its 2022 tour encompassing 33 dates with most of the venues booked, not surprisingly, being at outdoor amphitheaters and/or open spaces with a lawn. Keeping everyone’s safety in mind has always been the band’s priority first and foremost, and with the spring and summer bringing us the warmest months of the year, there was no way MMJ were going to further risk experiencing any cancellations during what we’ve dubbed as “outdoor concert season.”

And yet even with all the precautions that had been taken by everyone, it still wasn’t enough to prevent more COVID misfortune when frontman Jim James tested positive in June, just a day before the band’s two hometown shows — its first in six years — were scheduled to take place. While the news had MMJ fans once again feeling bummed about the state of live music after the last two-plus years, James (lead vocals, guitar) and his bandmates in Tom Blankenship (bass), Patrick Hallahan (drums, percussion), Bo Koster (keyboards, percussion, backing vocals) and Carl Broemel (guitar, pedal steel guitar, saxophone, backing vocals) have certainly put that behind them now after taking more than a month off from touring during July and part of August.

Believe it or not, MMJ in many ways sound better than they ever have after witnessing two of their three performances in California, starting with a return to the Santa Barbara Bowl last Tuesday only 11 months after their last visit (read our show review here) and continuing the following night in LA among the many celebrities now deceased — even “Toto” from the “Wizard of Oz” — at the Hollywood Forever Cemetery.

James, for one, has always sounded great at the mic and with a guitar in his hands, but he’s also never looked more at ease onstage despite his recent bout with the virus, shedding the big pair of sunglasses he once donned (as you can see here) for the naked eye — a clear sign that MMJ’s primary songwriter isn’t hiding from us if he ever was trying to previously.

My Morning Jacket - Santa Barbara Bowl

My Morning Jacket at Santa Barbara Bowl

Arriving in Santa Barbara two days after making a stop at Frost Amphitheater on the campus of Stanford University, the clock hit 7:30 p.m. and MMJ went to work, diving straight into their self-titled LP that came out last October with “Never in the Real World”. James and company didn’t wait long at all to turn up the volume, however, with “Lay Low” subsequently sending the crowd into a frenzy early on. The six-minute track off 2005’s seminal Z has always been a personal favorite of mine to hear live and would quickly set the tone for the rest of the evening.

For a band that has always put an emphasis on mixing up its setlists and will rarely perform songs in the same order though, it was a couple of cuts on its debut album The Tennessee Fire that were surprising to hear midway through its standard 2 1/2-hour set. In fact, it was the first time this year — and just the fifth over the last five years — that MMJ have played “I Will Be There When You Die” while the acoustic “If All Else Fails” has been heard on solely a handful of occasions so far in 2022.

While other highlights in Santa Barbara included an extended version of “Steam Engine” with Broemel trading his axe for the sax at one point and just the third time “I Never Could Get Enough” has made it onto a setlist, it was the Hollywood show that grabbed more of the MMJ fanbase’s attention. Of course, the heightened interest around it was somewhat understandable considering that it’s not every day you get to catch a concert inside a cemetery, let alone one where rock icons like Johnny Ramone and Chris Cornell are buried, but the setting was, at most, half the story on The Fairbanks Lawn as day eventually turned to night.

Breathing life into “What a Wonderful Man” and James’ own “State of the Art (A.E.I.O.U.)” for only the second time this year and first since the jam-adjacent group’s three-day “One Big Holiday” destination event back in March, we had hoped that MMJ would be setting up for a special finish down the stretch and that’s exactly what they gifted us with a 17-minute “Dondante” that conjured up some major disco vibes. With the Z finale serving as one of several tunes MMJ has been known to stretch out when they perform live, it felt rather fitting to hear what James wrote after the passing of his late bandmate Aaron Todovich while being surrounded by a bunch of tombstones.

Even though MMJ had more music lined up for us before hitting the road for New Mexico, that was all many of us needed to hear to be satisfied. After waiting almost a decade for another “Dondante” in LA since their epic, three-night run at The Wiltern, everything else that ensued — from the one-two punch of “Wasted” and “Dancefloors” to a more abbreviated encore featuring “Wordless Chorus” and “Touch Me I’m Going to Scream Pt. 2” that ended things on a spooky note — was gravy. After all, this is an act that has always kept its fans on their toes, and as MMJ gear up this weekend for their most significant shows of the tour with two sold-out nights at Red Rocks Amphitheatre, there’s no telling what’s in store when James steps into what he has coined “the birth canal of the universe.” Call it whatever you want Mr. James because either way, we’ll be there for it when the lights go down and the first note is struck.

SANTA BARBARA BOWL – AUGUST 16TH

Setlist:
Never in the Real World
Lay Low
Compound Fracture
Least Expected
Mahgeetah
Feel You
Victory Dance
Gideon
Holdin On to Black Metal
I Will Be There When You Die
If All Else Fails
Tropics (Erase Traces)
Spring (Among the Living)
Steam Engine
I Never Could Get Enough
Touch Me I’m Going to Scream Pt. 1
Love Love Love
Complex
One Big Holiday

Encore:
In Color
Circuital
Touch Me I’m Going to Scream Pt. 2
Wordless Chorus

HOLLYWOOD FOREVER CEMETERY – AUGUST 17TH

Setlist:
Feel You
What a Wonderful Man
Off the Record
I Will Sing You Songs
Victory Dance
Evil Urges
Golden (dedicated to “Toto” from “The Wizard of Oz”)
I’m Amazed
Spring (Among the Living)
Complex
One Big Holiday
State of the Art (A.E.I.O.U.) (Jim James song)
Love Love Love
Least Expected
Circuital
Dondante
Wasted
Dancefloors

Encore:
Wordless Chorus
Touch Me I’m Going to Scream Pt. 2

Outside Lands 2022: Tough conflicts, must-see acts, what to drink & our very own scavenger hunt

Outside Lands 2022Photo by Marc Fong // Written by Molly Kish & Kevin Quandt //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 5th-7th, 2022 //

Outside Lands takes over Golden Gate Park this weekend in celebration of its 14th year. Growing in fans and footprint since 2007, it has become a pilar of the Bay Area music scene and remains widely known as one of the country’s top-rated festivals. OSL kicks off August with three-jam packed days of music, food, art and magic, and this year’s edition aims to maintain its legacy while also continuing to diversify the fest’s roster of genre-expanding talent.

Changes for this year include several new lounges, an expanded SOMA Tent and augmented-reality installations throughout the festival grounds. Food vendors appear to have a larger presence, and the Outsider Art showcases have returned with live painting, balloon art and crowd-controlled AV pathways.

With the lineup being stacked, there are definitely plenty of tough conflicts, many of which are forcing attendees to make some tough decisions. To help you navigate OSL 2022, we put together a guide of recommendations and scavenger hunt (PRINT HERE) so you can get the most out of the experience.

Plus, don’t forget to create your own schedule here!

Outside Lands 2022 - SOMA Tent

Tough Conflicts

Like death and taxes, one thing is for certain at any given music festival: the dreaded schedule conflicts that can dampen many attendees’ plans to see all their favorite artists. Unless you plan to work on your GGP sprinting skills, you’ll likely be forced to make some rather difficult decisions. Below, you’ll find a few of our toughest conflicts.

Dayglow (Friday, 5:20 p.m. Twin Peaks) vs. Washed Out (Friday, 5:20 p.m. Sutro)

This is kind of an interesting conflict as sonically, these two artists aren’t super far away from each other, yet a decade separates their rise to success. Dayglow, aka Sloane Struble, is a young Texan that continues to build his brand of throwback indie-pop in exciting ways that has been making waves with the younger demographic that is likely to be in strong attendance. His earworm tracks certainly bear influence from bands like Phoenix and Foster the People. I also have to believe Struble is keen on Washed Out in his formative years, hence why this conflict will be tough for the crowd and artist alike.

It’s been a couple years since the release of Washed Out’s last album, but that doesn’t mean the “godfather of chillwave” still can’t draw a crowd. It has been 13 years since this artist cemented his hipster status with “Feel It All Around” being featured as the opening track to the TV series “Portlandia”. Will we see a “generational divide” in the crowd between these two sets?

Green Day (Saturday, 8:25 p.m. Lands End) vs. Polo & Pan (Saturday, 8:30 p.m. Sutro)

It’s no big surprise that GD is up against one of the more popular dance acts on the bill for this year. The tricky part here is that both acts are simply crushing it with their current live show., Billie Joe and company put on one helluva headline performance at Lollapalooza over the past weekend, and you can surely bet they’ll only want to top it for their hometown crowd. That’s no easy feat as the power trio is widely known for their crowd interplay, covers and wall-to-wall energy.

Strike that 90’s punk angst against the French swagger of Polo & Pan, and we’ve got a real “Sophie’s choice” on our hands here. The Saturday party crowd is sure to be assembled in Lindley Meadow to hear the tropical-laced French house that is simply infectious.

Dixon (Sunday 3:30 p.m. SOMA Tent) vs. Wet Leg (Sunday 4 p.m. Sutro)

Sure, these two artists bring radically different music, so many fans of these acts won’t see this as a conflict. However, German powerhouse DJ Dixon is always worth catching, especially in the newly expanded SOMA Tent. Expect a pummeling mixture of techno and house, chock full of dramatic emotions that may transport you to the storied Berghain in Berlin. On the other hand, Wet Leg continue their dominant year as the tongue-in-cheek indie darlings hailing from Isle of Wight. Sure, Rhian Teasdale and Hester Chambers are still earning confidence onstage, but if you’re looking for more light-hearted guitar rock, head to Sutro.


Outside Lands 2022 - Illenium

Must-See Acts

Artist: Robert Glasper
Set date/time: Saturday, 2:50-3:40 p.m.
Location: Sutro

We’re thrilled to see some jazz make its way onto the OSL bill in 2022, and Glasper was a keen choice as he steps out to make a bigger name for himself after being a sideman for far too long. Even if the name isn’t recognizable, there’s little doubt that you’ve heard his playing on many of your favorite hip-hop releases of the past 10 years. He recently made waves at the Blue Note Jazz Festival in Napa this past weekend, playing in multiple configurations with various jazz and hip-hop stars. It wouldn’t surprise us if Dave Chappelle or Yasiin Bey (aka Mos Def) made a brief appearance for this afternoon set.

Artist: Illenium
Set date/time: Sunday, 8:20-9:35 p.m.
Location: Twin Peaks

It hasn’t been more than four years since we’ve seen Illenium grace the OSL bill, and we’ve included this selection as it’s billed as a “Special Hometown Performance.” What exactly does this mean? To be honest, we aren’t sure but are certainly curious to see what added production or even special guests Illenium may include. His bass-heavy selections that run the gamut of future bass to beat-driven pop-punk will certainly please the younger crowd, but his recent prevalence in the Las Vegas nightclub scene could pull the 30-something tech crowd to finish their weekend at Twin Peaks. Wonder who will have more lasers: Illenium or Posty? A laser battle in Golden Gate Park is the stuff we dream of, right?


Outside Lands 2022 - Beer Lands

Beer Lands

There’s little doubt that the masses that will stampede Golden Gate Park over the next three days will arrive thirsty. Literally. The beer-swilling variety know where to go for all things craft brews, and this year is no exception as the ever-changing list of breweries offers all our local favorites alongside some fresh choices. Also, don’t be fooled by the name, as Beer Lands offers options for cider (i.e. Ace and Golden State) and hard kombucha (i.e. Strainge Beast).

New to the “Beer Lineup” this year is a nice mix of up-and-coming local breweries. Santa Cruz’s buzzy Humble Sea will make their debut and are likely to offer some of their DDH hazy IPAs that have put them on the map in the past couple of years. SF’s Laughing Monk has no shortage of varieties to offer to attendees, but we think their Peach Kettle Sour or Prophetess Blonde Ale would go down easy in the polo fields. Old Caz Beer, out of Rohnert Park, are a young brew crew with a lot to offer, so keep your eyes peeled for potentially pouring their RPX Pale Ale and maybe they’ll even bring their Lavender Radler or Pineapple Seltzer. Golden State Cider of Sonoma will make their debut in 2022, yet the question remains if they will bring their Mighty Dry, Brut, Jamaica, Ginger Grass or maybe something exclusive to the festival. Come thirsty, my friends.

OUTSIDE LANDS 2022 SCAVENGER HUNT: PRINT HERE

Outside Lands - updated 2022 lineup

After more than two years, Telefon Tel Aviv finally gets the chance to entrance fans at Lodge Room before taking a break from performing

Telefon Tel AvivBy Josh Herwitt //

Telefon Tel Aviv with Chasms //
Lodge Room – Los Angeles
July 29th, 2022 //

More than a decade has passed since Joshua Eustis tragically lost the other half of Telefon Tel Aviv.

Forming the band with his high school friend Charles Cooper in 1999, the two would go on to release an EP, three LPs and a number of remixes together while carving out their own space in the glitch and IDM scenes alongside Leftfield, The Future Sound of London and Boards of Canada to name a few. But just two days after unveiling their third full length Immolate Yourself, Cooper was found dead.

Cooper’s accidental death marked a major turning point for Eustis. Had the time come for him to shut it down for good or should he continue to make music under the TTA moniker in honor of his bandmate?

Over the next four years, Eustis would find himself working with other bands. He co-produced Puscifer’s Conditions of My Parole in 2011 and then toured with Nine Inch Nails, manning any instrument that was requested of him whether it was guitar, bass, keyboards, saxophone or even the erhu.

Eustis, though, wasn’t ready to give up on a solo career quite yet so he returned to the studio in 2014 after NIN’s “Tension Tour” to focus on a different project named Sons of Magdalene before turning his attention to recording the first TTA album without Cooper.

Telefon Tel Aviv

The end result, almost five years later, would be 2019’s Dreams Are Not Enough. The nine-track effort on Ghostly International officially put TTA back on the map as it garnered high praise from music critics, including Pitchfork (if you can believe that), and offered him the chance to take the stage again.

So when Eustis announced in early 2020 that he would be playing a TTA show in his current hometown, it was an opportunity to cross another 90’s electronic act off my bucket list. Of course, the performance would end up being rescheduled twice due to the COVID-19 pandemic, but it finally came to fruition last Friday at LA’s Lodge Room inside the same historic, three-story building that the Highland Park Masonic Temple once called home.

To make things all the more special, Eustis had previously said on social media in advance that Lodge Room and Grey Area in San Francisco would serve as TTA’s final two dates in support of Dreams Are Not Enough and the last ones he’ll perform live (“like, not DJing” in his words) stateside for a while.

That might not be what TTA fans outside of California wanted to hear after waiting patiently for live music to come back safely, yet given the fact that Eustis has produced Apparat, Drab Majesty, Tropic of Cancer and Vatican Shadow among others and spent a few years in synthwave trio The Black Queen with Greg Puciato and Steven Alexander of The Dillinger Escape Plan, it’s not hard to understand why he’s taking a break now.

And while no one knows how “long” it will be except for maybe Eustis, if this was the only night I ever got to see TTA in the flesh, it will certainly not go lost on me.

Setlist:
Intro
The Means Whereby Lovers Are Waylaid
A Younger Version of Myself
Standing at the Bottom of the Ocean
Mouth Agape
What It Is Without the Hand That Wields It
Introductory Nomenclature
Something Akin to Lust
Not Breathing
Arms Aloft
Mean Friend (Telefon Tel Aviv Remix)

Encore:
I Dream of It Often
The Birds

Sharon Van Etten, Angel Olsen & Julien Baker deliver all the feels at LA’s Greek Theatre on ‘The Wild Hearts Tour’

The Wild Hearts Tour - Sharon Van Etten, Angel Olsen & Julien Baker


Sharon Van Etten (center), Angel Olsen (left) & Julien Baker (right)

By Steph Port //

Sharon Van Etten, Angel Olsen & Julien Baker with Quinn Christopherson //
Greek Theatre – Los Angeles
July 28th, 2022 //

It was a beautiful summer night in LA last Thursday as “The Wild Hearts Tour” featuring the powerhouse indie trio of Sharon Van Etten, Angel Olsen and Julien Baker rolled into the Greek Theatre for the first of two much-anticipated dates. The show left us with all the feels, completely in awe of all three artists, and ultimately not wanting it to end.

After cheekily walking onstage to Manfred Mann’s “Quinn the Eskimo”, Alaskan-born singer-songwriter Quinn Christopherson opened the evening with a set of his dreamy, minimalist pop songs from across his catalog of EPs and singles.

Julien Baker


Julien Baker

Baker then took the stage and opened with an old favorite in “Sprained Ankle” before unveiling mostly newer songs from last year’s Little Oblivions as well as a few from 2017’s Turn Out the Lights. Baker’s powerful vocals and raw, vulnerable lyrics had us glued to her visage and utterly impressed by the 26-year-old’s skilled, energetic guitar playing the entire way.

The sun went down just in time for Angel Olsen to serve us a dose of her quintessential moody-musical medicine. Joined by a large, colorful band that included a string section, Olsen’s performance contained a slew of the brooding ballads that we love her for, many from her new album Big Time that came out in June and of course her breakout hit “Shut Up Kiss Me” off 2016’s My Woman. Although her songs bend toward the emotional, Olsen’s stage banter featured lighthearted jokes and jovial crowd interactions that only endeared us to her more.

Angel Olsen


Angel Olsen

Finally, the incredible Sharon Van Etten brought an energy and focus that had us fully entranced and powerless to her presence. Her signature, edgy brand of rock was on full display as she and her band traversed across her deep discography, including tracks off her sixth LP We’ve Been Going About This All Wrong the New Jersey native unleashed back in May. Playing in her new hometown of LA since she moved cross country in 2019, Van Etten spoke to the crowd about the origins of her latest material after writing and recording as a new mother in her home studio during the COVID-19 pandemic. We listened as she humbly opened up her heart to share her experience with us.

Olsen joined Van Etten onstage to close out the evening with a crowd-pleasing rendition of their popular 2021 duet “Like I Used To” that was produced by Grammy winner John Congleton. As the tote bag being sold at the merch stand proclaimed, “I went to ‘The Wild Hearts Tour’ and all I got was emotional.” While that’s certainly true, in reality we ended up getting much, much more.

Sharon Van Etten


Sharon Van Etten

SHARON VAN ETTEN

Setlist:
Headspace
Comeback Kid
No One’s Easy to Love
Anything
Come Back
Hands
Every Time the Sun Comes Up
All I Can
Darkish
Born
Mistakes
Seventeen

Encore:
Like I Used To (with Angel Olsen)

ANGEL OLSEN

Setlist:
Dream Thing
Big Time
Ghost On
Right Now
Shut Up Kiss Me
Sister
Go Home
Through the Fires
All Mirrors
All the Good Times
Chance

JULIEN BAKER

Setlist:
Sprained Ankle
Bloodshot
Tokyo
Shadowboxing
Favor
Relative Fiction
Heatwave
Ringside
Faith Healer
Hardline
Ziptie

QUINN CHRISTOPHERSON

Setlist:
Bubblegum
Just Like Céline
Evelene
Loaded Gun
2005
(Unknown)
Thanks

As his career continues to soar, Grammy winner Thundercat emits hypnotic joy in his hometown for a sold-out crowd at The Broad

ThundercatBy Rochelle Shipman //

Thundercat with Ginger Root //
The Broad – Los Angeles
July 21st, 2022 //

“Is this real?” I remember muttering out loud, squinting at the words “Thundercat plays The Broad.” Not a music venue but instead, a fancy art museum in downtown LA that’s so LA it might as well be located in Los Feliz and it may or may not be pronounced “The Brode.”

Of course it was real. This is LA. So despite my best attempts to spend last Thursday on my couch in solitude, I found myself going to a show on an otherwise-perfect couch night, standing on a grass plot amid a concrete jungle. It wasn’t a big space, with the stage tucked behind a thin line of bicycle racks and high-rise apartments towering over us on both sides of the designated performance area. But as part of its “Summer Happenings” series, the museum remained open to all attendees, offering a brief reprieve from the sold-out crowd and a prime opportunity to check out the exhibits without having to schedule another visit. I wasn’t expecting Thundercat to lead me to my first-ever Basquiats IRL, but what can I say? The man contains multitudes.

Psych-soul-pop trio Ginger Root took the stage before Thundercat, and the Huntington Beach natives had the crowd cheering before they struck their first note. Band leader and singer-songwriter Cameron Lew looked like he was born to be up there, directing touring members Matt Carney (drums) and Dylan Hovis (bass) as well as the audience with minimal effort while crooning into a bright red, upside down telephone. They were a perfect pairing with the main attraction on an ideal summer night, their bubbly tunes impeccably catchy and impossibly funky.

After that, the man himself — the coolest man I’ve ever seen — took the stage. A man who is truly more cat than human. No literally — peep the paw prints on his palms. Born Stephen Lee Bruner in his native LA, he even moves with the energy of a feline: swift and sleek, totally in control and always on his own terms. His fingers flew across the bass strings as quickly and naturally as he cracked the next joke in his songs. A handful of times throughout the night, his concentrated demeanor melted away and he blessed us with his brilliant child-like smile.

It’s really hard not to smile yourself when you’re at a Thundercat concert. It’s almost like his long fingers emit this hypnotic joy, electrifying his fans and spreading pure glee. Even when he isn’t grinning, the 37-year-old musician and actor has this air of amazement, as if he can’t believe how talented he is either.

After welcoming us a few songs into his set, he paused and said, “I’m in Star Wars.” Everyone cheered and he beamed, proudly repeating, “I’m in Star Wars. I can’t believe I get to say that. I’m in Star Wars.” The well-deserved applause intensified, and Thundercat smiled while closing his eyes, soaking in the tender moment.

Thundercat

Over the next hour or so, the lawn and the stage were enveloped in a mutual bliss, everyone forgetting they were smack in the middle of DTLA; Thundercat center stage showing us exactly why it’s OK — in fact, better — to just breathe in and go with the flow. The result will inevitably be beautiful, and if you’re lucky (or Thundercat), a straight jam. His bedazzled Gucci hair barrettes sparkled in the spotlight as he shredded, a constant glinting reminder that Thundercat is a star.

For a man who isn’t afraid to say what all of us are thinking (for example, “If you’re not bringing tacos, I suggest you turn and walk away” and “I may be covered in cat hair, but I still smell good”), Bruner was surprisingly demure onstage. He wasn’t exactly quiet, but when he did talk, he was intentional and he didn’t mince words. He spoke about how many friends he has lost lately, noting how the entire crowd has lost so many loved ones over the last two years, before dedicating a song to comedian Jak Knight.

“We just lost Michael Henderson, too. Do you know him?” Silence. “I assumed as much … He played with Miles Davis.”

Not so fast — he backtracked, noting that Michael Henderson also did way more than play with Miles Davis. As if that wasn’t enough. His tone was solid but somber.

“It is what it is,” he stated with a wistful, yet peaceful acceptance while directly referencing his Grammy-winning album It Is What It Is that dropped in 2020 at the beginning of the COVID-19 pandemic.

But the commonly used phrase isn’t just the title of Thundercat’s latest masterpiece. It’s also a lesson we could all benefit to keep in mind as we watch society disintegrate and our planet melt through the gaps in between our fingers. There’s only so much chaos and heartache we can stomach before we have to accept it for what it is. Not to roll over by any means but instead find acceptance and balance throughout life. Because why go down in a panic when we could enjoy the ride?

Primavera Sound LA reveals ‘Primavera In The City’ side shows for inaugural 2022 edition with GIVĒON, DARKSIDE, Stereolab & more

Primeravera Sound LA - Primavera In The City - 2022 side shows

Primavera In The City //
LA venues – Los Angeles
September 13th-20th, 2022 //

When Primavera Sound announced in 2019 that it would be coming to LA the following year before the COVID-19 pandemic turned life upside down, it marked the first time one of the world’s most renowned music-festival brands would stretch its wings outside of the small European empire founder Pablo Soler and his team have built since 2001 to finally touch down on U.S. soil.

But if Primavera Sound was looking to make a big splash for its first year in the City of Angels, look no further than the newly announced “Primavera In The City” side shows. Stretching across seven venues from Hollywood to Koreatown and Echo Park to DTLA, the 10 gigs over the course of a week will boast GIVĒON, Drain Gang, DARKSIDE, Stereolab, Little Jesus & Divino Niño, Bad Gyal, Jehnny Beth, CHAI, Tim Hecker and Special Interest.

Highlights from the poster certainly include GIVĒON and DARKSIDE taking the stage at the always-spooky Hollywood Forever Cemetery on back-to-back days, while Stereolab will play The Wiltern the night before their Friday set at the fest. But don’t sleep on also catching Savages singer Jehnny Beth rock Zebulon and Canadian electronic musician Tim Hecker at community center Pico Union Project that’s located in one of the city’s “most diverse and economically challenged neighborhoods.”

Tickets for the Primavera Sound LA side shows go on sale here this Friday, July 29th at 10 a.m. PT, but ticket holders have already been sent a special presale code via email to purchase them in advance so make sure to check your inboxes pronto!


Here is the schedule for the upcoming side shows with links to purchase tickets:

September 13th (TUE): Special Interest at The Echo, 7 p.m., $18, All Ages // BUY TICKETS

September 13th (TUE): Jehnny Beth at Zebulon, 8 p.m., $26.78, 21+ // BUY TICKETS

September 14th (WED): Tim Hecker at Pico Union Project, 8 p.m., $35, All Ages // BUY TICKETS

September 14th (WED): Little Jesus & Divino Niño at Echoplex, 7 p.m., $23, All Ages // BUY TICKETS

September 14th (WED): DARKSIDE at Hollywood Forever Cemetery, 8 p.m., $49.50, All Ages // BUY TICKETS

September 15th (THU): Drain Gang at Hollywood Palladium, 7 p.m., $35, All Ages // BUY TICKETS

September 15th (THU): Stereolab at The Wiltern, 7 p.m., $35, All Ages // BUY TICKETS

September 15th (THU): GIVĒON at Hollywood Forever Cemetery, 7 p.m., $69.50, All Ages // BUY TICKETS

September 16th (FRI): Bad Gyal at Echoplex, 10 p.m., $25, All Ages // BUY TICKETS

September 20th (TUE): CHAI at The Echo, 7 p.m., $25, All Ages // BUY TICKETS

Big Gigantic throw down at Hollywood Palladium with a host of special guests in support of their new album ‘Brighter Future 2’

Big GiganticBy Josh Herwitt //

Big Gigantic with Goldfish, Party Pupils, Covex //
Hollywood Palladium – Los Angeles
July 9th, 2022 //

You might not be aware, but Big Gigantic have been releasing new music consistently for more than a decade now.

The longest stretch between albums for the instrumental electronic/hip-hop/jazz act from Boulder, Colo., in fact, has been less than four years, and after dropping 2020’s Free Your Mind just before the COVID-19 pandemic took the world by storm, saxophonist/producer Dominic Lalli and drummer Jeremy Salken have already delivered another fresh set of tracks to tickle our earholes.

Hitting 18 U.S. cities this summer in support of an eighth LP entitled Brighter Future 2 that dropped last month, the duo took the stage at the Hollywood Palladium last Saturday for its first proper LA show in a while. The last time we caught Big G in the City of Angels (read our review here) ourselves, they were at another Tinseltown venue only a few blocks away and it was there that I began to wonder if I was too old to be attending their shows.

Big Gigantic - Dominic Lalli


Big Gigantic’s Dominic Lalli

Well, more than seven years have passed since then and I guess not much has changed for yours truly. Even though I didn’t happen to catch Lalli and Salken when they played The Novo in 2018, I have seen plenty of Big G performances from Avalon Hollywood to Red Rocks Amphitheatre. But this was the first tour I have witnessed that has included multiple special guests, and on this night a modest-sized crowd was treated to appearances by Covex, Party Pupils, Goldfish and ELOHIM — to name a few — during their roughly 90-minute set.

Lalli has always been at the center of things for Big G. The formally trained saxophonist who went to the Manhattan School of Music spent a few years touring with Colorado funk ensemble The Motet before he started making electronic music in 2008 but has become a seasoned veteran on the decks at this point. And with Salken laying the beat down on top of Lalli’s production, they had no problem filling the entire 4,000-person ballroom with their big (gigantic) sound.

As the years pass and I find myself listening to less and less EDM, I know there’s always Big G to bring me back to my more youthful days. Who knows when they’ll return to SoCal, and with coronavirus cases in California on the rise again, it’s hard to know when the next throwdown will be. Until then, we’ll make sure to savor every last moment of this one.

Fleet Foxes show a sold-out crowd at LA’s Greek Theatre why they are one of our most important indie bands over the past 15 years

Fleet FoxesBy Josh Herwitt //

Fleet Foxes with Tim Bernardes //
Greek Theatre – Los Angeles
July 8th, 2022 //

What is it about Fleet Foxes that makes them one of the most important indie bands over the past 15 years? Is it frontman Robin Pecknold’s golden baritenor and clever lyrics or is it the group’s lush vocal harmonies and eclectic instrumentation?

While the talent coming out of Pecknold’s mouth has been evident ever since the indie-folk act from the Seattle area dropped its debut EP in 2006, Fleet Foxes’ sound has continued to evolve and grow in that time past the Grizzly Bear comparisons, with 2020’s Grammy-nominated Shore exhibiting more of that sonic progression despite a three-year hiatus in the mid-2010’s and signing to their third record label in four albums.

None of those subplots seemed to have much effect on the final product, though. The gorgeous 15-track effort, if anything, represents another major step forward for Pecknold, and at the age of only 36, there’s no doubt that in a crowded landscape he has already proven to be one of the best songwriters out there after 2011’s Helplessness Blues and 2017’s Crack-Up cracked (no pun intended) the Top 10 on the U.S. Billboard 200.

But even though Shore didn’t quite reach the same level of commercial success after being intentionally released on the autumnal equinox, it boasts some of Fleet Foxes’ catchiest melodies. It also established Pecknold (vocals, guitar) as more than just the band’s primary songwriter and truly the project’s creative mastermind after making the record without any of the other full-time members’ involvement. He instead worked with a myriad of collaborators in the studio, from Christopher Bear and Daniel Rossen of Grizzly Bear to Kevin Morby and horn quartet The Westerlies, overseeing every step of the process right next to recording and mixing engineer Beatriz Artola. So in many ways, Shore is Pecknold’s baby and his baby alone after he was locked down for three months in his New York City apartment at the beginning of the COVID-19 pandemic.

Fleet Foxes

That said, you wouldn’t necessarily just know that by seeing one of Fleet Foxes’ shows on their current 28-date North American tour that included a sold-out stop in LA last Friday at the Greek Theatre, which Pecknold told us was his favorite venue in the country when he walked onstage to introduce opener Tim Bernardes, the Brazilian musician who also contributed vocals to “Going-to-the-Sun Road” on Shore. It was actually a surprising admission to hear from Pecknold, but considering that his parents don’t live far from the historic amphitheater and were in attendance this night, you could have thought Pecknold was just playing to the crowd early on. Or maybe it’s his admiration for The Beach Boys, who are scheduled to play the same stage later this summer, that has helped inform his opinion. Don’t get us wrong … the Greek is undeniably one of the best places in LA to witness live music, and it’s even in our Top 10 U.S. venues. We just can’t necessarily agree with Pecknold on this one as much as we admire and respect him. All differences aside, he did sound as good as he ever has — and maybe even better than on the last Fleet Foxes tour cycle when we caught them co-headline the Hollywood Bowl in 2017 with Beach House and perform at Coachella the following year — with his voice maturing like a fine wine.

For this run, Pecknold has been joined by more than just his usual four sidekicks in Skyler Skjelset (guitar, mandolin, backing vocals), Casey Wescott (keyboards, mandolin, backing vocals), Christian Wargo (bass, guitar, backing vocals) and Morgan Henderson (upright bass, guitar, woodwinds, violin, percussion, saxophone). Christopher Icasiano (drums, percussion) has come onboard this year as a touring member, and with likely a bigger budget than the last time, Pecknold made sure to bring three-fourths of The Westerlies on tour, too. There was even a call for “Post” … you know, as in the 27-year-old Post Malone, who has become friends with Pecknold in recent years and invited him in May to sing “Love/Hate Letter to Alcohol” with a choir during his “Saturday Night Live” performance. It’s too bad he was allegedly sick, according to Pecknold.

Fleet Foxes have been setting the tone for these latest gigs with the first three tracks off Shore before going all the way back to their self-titled debut LP to deliver “Ragged Wood”, “Your Protector” and “He Doesn’t Know Why” respectively. Of the 24 songs that we heard at the Greek, nine were from Shore, with “I’m Not My Season” earning the solo acoustic treatment midway through the set. Pecknold has been known, however, to accept song requests while engaging with fans, and he did his best to oblige us on at least a couple of occasions over the course of two hours while also issuing a few jokes about Gen Z culture. There was the second half of “The Shrine/An Argument” dedicated to Pecknold’s friend Kerwin Frost, who was sitting a few rows in front of us, and the live debut (albeit a partial performance) of “Young Man’s Game” that was prompted by the audience.

It’s not uncommon at any concert for folks to head home when a band walks offstage to take its encore break, but when Pecknold and company returned from theirs after a few minutes, they were greeted by a roaring applause. After all, these were no fair-weather fans, and in a city like LA that has been on the receiving end of such criticism, nothing felt further from the truth as Fleet Foxes sent us home with the Helplessness Blues title track. Maybe it was because Pecknold proclaimed within the first few songs of the evening that this was the best show he had ever played or because it was the first time in nearly 11 years that the band had played the Greek. Whatever the reason, it’s clear that there’s still plenty of love for Fleet Foxes in the City of Angels and far, far beyond.

Setlist:
Wading in Waist‐high Water
Sunblind
Can I Believe You
Ragged Wood
Your Protector (followed by joke with “Montezuma” tease)
He Doesn’t Know Why
Featherweight
Third of May/Ōdaigahara
White Winter Hymnal
Phoenix (Big Red Machine cover)
Mearcstapa
Mykonos
I’m Not My Season (solo acoustic)
Blue Spotted Tail (solo acoustic)
The Kiss (Judee Sill cover)
The Shrine/An Argument (“An Argument” only; dedicated to Kerwin Frost)
Drops in the River
A Long Way Past the Past
Young Man’s Game (Live debut – partial; audience request)
Blue Ridge Mountains
Grown Ocean

Encore:
For a Week or Two
Going-to-the-Sun Road (with Tim Bernardes)
Helplessness Blues