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Run the Jewels leave no stone unturned in LA, capping off their 10th anniversary tour with a fourth & final night at Hollywood Palladium

October 20, 2023 by Josh Herwitt 1 Comment

Run the Jewels with The Alchemist, Tenacious D (DJ set) //
Hollywood Palladium – Los Angeles
October 14th, 2023 //

It’s almost hard to believe that more than a decade has already passed since El-P and Killer Mike formed Run the Jewels after being introduced to each other by Cartoon Network executive Jason DeMarco in 2011.

The Grammy-nominated hip-hop duo has rode a titanic wave of success over that span, putting out four albums in less than seven years with 2013’s self-titled debut paving the way for subsequent releases in 2014, 2016 and 2020.

To mark the occasion, RTJ announced a 10th anniversary tour consisting of four-night residencies in New York, Chicago, Atlanta and LA this year, with each LP being performed from start to finish on its respective date.

But the project’s fourth and most recent full length entitled RTJ4 — one that features Greg Nice, DJ Premier, 2 Chainz, Pharrell Williams, Mavis Staples, Josh Homme and Zack de la Rocha — is what propelled Jaime Meline and Michael Render into the Top 10 of the U.S. Billboard 200 for the first time thanks to more fans jumping on the bandwagon, and even though they were at Coachella last year on the main stage, RTJ had yet to schedule a proper LA show after dropping the 11-track effort due to the COVID-19 pandemic shutting down live music for 18 months.

That’s, in part, why we circled Saturday’s finale at the Hollywood Palladium on our calendar while also knowing it would be the last gig of the tour. We did wonder if Meline and Render would be running (no pun intended) on fumes by that point, but the two emcees seemed to be in great spirits when they took the stage after surprise DJ sets from Tenacious D and The Alchemist, the latter of which boasted guest appearances by Evidence and Rakaa Iriscience of Dilated Peoples, had riled up the capacity crowd.

As much as the beats and production that El-P cooks up in the lab are the catalyst for new RTJ material, the wordplay between Killer Mike and himself is what make them such a visceral force in front of any live audience no matter where they are at that moment. Plus, their stage antics and banter aren’t too shabby either. Not many acts in the hip-hop scene roll into town, specifically this one, and choose Jack Black of all celebrities to introduce them to a sold-out venue of 4,000 folks. Yet, that’s exactly what RTJ did when Black walked out to Queen’s epic hit “We Are the Champions” and sent fans into an absolute frenzy with his hype-man skills.

The beauty of an RTJ show, like any good concert, is that you simply don’t know what’s going to happen next. Sure, it was a little disappointing that de la Rocha didn’t grace us with his presence like he did only a couple of days earlier when Run the Jewels 2 was showcased in full, but El-P and Killer Mike weren’t about to wave goodbye without a cameo from their friend Joi, a longtime associate of the Atlanta-based Dungeon Family collective known for its collaborations with OutKast, Organized Noize and Goodie Mob, during an eight-song encore.

RTJ, however, weren’t about to wrap up (again, no pun intended) the tour with a Run the Jewels 3 cut. Instead, they fittingly went back to where things all started, unleashing the title track on Run the Jewels to send us home with one final banger and close the book on the “RTJX Tour.” Where they go from here following 10 years in the rap game, no one really knows. Neither does El-P or Killer Mike right now, and from what they have recently said, that’s the way they like it. Fortunately for us, so do we.

Setlist:
yankee and the brave (ep. 4)
ooh la la
out of sight
holy calamafuck
goonies vs. E.T.
walking in the snow
JU$T
never look back
the ground below
pulling the pin
a few words for the firing squad (radiation)

Encore:
Legend Has It
Oh My Darling Don’t Cry
Blockbuster Night Part 1
Talk to Me
Sea Legs
Close Your Eyes (And Count to Fuck)
Down (with Joi)
Run the Jewels

Filed Under: Editor's Picks, Featured, Photos Tagged With: 2 Chainz, Coachella, Coachella 2022, Coachella Music and Arts Festival, Coachella Music and Arts Festival 2012, Coachella Valley Music & Arts Festival, Coachella Valley Music & Arts Festival 2022, Coachella Valley Music and Arts Festival, Coachella Valley Music and Arts Festival 2022, Dilated Peoples, DJ Premier, Dungeon Family, El-P, Evidence, Goodie Mob, Greg Nice, Jack Black, Joi, Josh Homme, Killer Mike, Kyle Gass, Mavis Staples, Organized Noize, OutKast, Pharrell Williams, Queen, Rage Against the Machine, Rakaa Iriscience, Run The Jewels, Tenacious D, The Alchemist, Zack de la Rocha

Portola Music Festival 2023: Our awards & highlights from Year 2

October 9, 2023 by Molly Kish Leave a Comment

Photos by Matthew Medina // Written by Molly Kish //

Portola Music Festival //
Pier 80 – San Francisco
September 30th-October 1st, 2023 //

After a weekend of pavement-pounding electronic music that saw the second edition of Portola come in hot and leave the city of SF buzzing, our feet are just finally recovering. Assembling a lineup of up-and-coming talent and several legendary electronic artists, Goldenvoice dialed in a well-rounded roster this year but also improved upon both production and staging issues from its 2022 debut.

Even in the weeks leading up to the festival, the production company provided ample opportunities to hear and interact directly with Portola’s founders via Reddit AMAs, delivering some of the best social media content and marketing strategies by any Bay Area festival to date. It felt like Goldenvoice had something to prove and in turn, wanted to reassure their fans they were being heard.

On site, there were a number of improvements to the footprint at Pier 80 that included better cellphone service and stage designs. The Warehouse, being the main point of contention a year ago, was set up inversely with several entry points and exits. This allowed for much better traffic flow and sound quality, creating an immensely more enjoyable experience. The Crane Stage, meanwhile, was moved outside and had a completely different aesthetic as its big sky backdrop opened up the sound quality and was able to accommodate a larger crowd. And how could we not mention the secret Bowie bar in between the Ship Tent and Warehouse as a highlight of the weekend? Plus, reference points for those trying to meet up with friends once inside were a lot more abundant.

The crowd in 2023 felt very communal, with as many there to catch specific performers as there were to experience certain artists for the first time. During almost every set you could overhear people talk about how they have “always wanted to see this act” or how they were “blown away” by the performances they were witnessing. The stoke was real and palpable throughout the entire weekend, as both days brought relentless beats and epic headliners who left everything they had on the dance floor. Solidifying itself as easily one of the most intense Sundays every year, Portola held nothing back once again. With hopes of continuing the festival in the Bay despite Goldenvoice’s contract expiring next year, we can’t wait to see what’s to come in 2024.

Labrinth

PORTOLA MUSIC FESTIVAL 2023 AWARDS:

Headliner of the Weekend: Skrillex

Favorite Stage: Warehouse

Breakthrough Performance: Avalon Emerson

Best Dance Party: Todd Terje (DJ set)

Largest Crowd: Nelly Furtado

Best Legacy Act: Basement Jaxx (DJ set)

Hardest Set: Carl Cox

Best Performance: Labrinth

Most Cunty: COBRAH

Best Stage Production: Eric Prydz Presents HOLO

Favorite Festival Addition: Bowie bar

Best Activation: Brilliant Sticker Show & Rave Flyers exhibit

Favorite Merch: BYLT Coach Jacket

Best Afterparty: The Blaze with Barry Can’t Swim at Gray Area

Best Mascot: Portola rat

Portola Music Festival 2023 - Young Fathers

Portola Music Festival 2023 - Nelly Furtado

Portola Music Festival 2023 - Polo & Pan

Portola Music Festival 2023 - Eric Prydz Presents HOLO

Portola Music Festival 2023 - Chris Lake B2B Armand Van Helden

Portola Music Festival 2023 - Flying Lotus

Portola Music Festival 2023 - Little Simz

Portola Music Festival 2023 - Pabllo Vittar

Portola Music Festival 2023 - Thundercat

Portola Music Festival 2023 - Rina Sawayama

Portola Music Festival 2023 - Charlotte de Witte

Filed Under: Editor's Picks, Featured, Festivals Tagged With: 2ManyDJs, Armand Van Helden, Avalon Emerson, Azzecca, Barry Can't Swim, Basement Jaxx, Bolis Pupul, Bonobo, Carl Cox, Chaos In The CBD, Charlotte Adigéry, Charlotte Adigéry & Bolis Pupul, Charlotte de Witte, Chris Lake, Chris Lake b2b Armand Van Helden, Chromeo, COBRAH, DJ Koze, Dom Dolla, ELIO, Eliza Rose, Eric Prydz, Eric Prydz Presents HOLO, FKJ, Flying Lotus, Gray Area, Hot Chip, Jai Paul, Jayda G, Jockstrap, Jon Hopkins, Jyoty, Kavinsky, Kenny Beats, Labrinth, LF System, Little Dragon, Little Simz, Maddy Maia, Major Lazer, Major Lazer B2B Major League DJz, Major League DJz, Masego, Model/Actriz, Nelly Furtado, Overmono, Pabllo Vittar, Pier 80, Polo & Pan, Portola, Portola 2023, Portola Music Festival, Portola Music Festival 2023, Purple Disco Machine, Rina Sawayama, Roisin Murphy, Salute, Sam Gellaitry, SBTRK, Skin On Skin, Skrillex, The Blaze, The Dare, Thundercat, Todd Terje, Tokischa, Totally Enormous Extinct Dinosaurs, Underworld, Very Nice Person, Winston Surfshirt, Yeule, Young Fathers, Yung Singh

Goose make a compelling case in their Santa Barbara Bowl debut why they’re one of the hottest (jam) bands to catch live right now

October 5, 2023 by Josh Herwitt 2 Comments

By Josh Herwitt //

Goose //
Santa Barbara Bowl – Santa Barbara, CA
September 29th, 2023 //

What is it about jam bands that makes them so polarizing? Is it their penchant for improvisation, their long-running songs or their loyal, dedicated fans?

From the Grateful Dead and The Allman Brothers to Phish, Widespread Panic and many more, a lot of folks I come into contact with either love ’em or hate ’em. Regardless of where you stand on the matter though, the reality is that they have been part of the music ecosystem dating back to the early 60’s and continue to be more than six decades later.

With that in mind, there should be little debate to assert that Phish have stood squarely at the top of the jam-band mountain for the past 30-plus years. The Burlington foursome that formed in the early 80’s at the University of Vermont has taken the torch from the Dead and in their own way kept that fire burning bright, building a unique community of diehards often known for traveling far distances to see them rock out at least three hours each night.

But there’s a new kid on the block now, and even though they might call themselves an “American indie-groove band from Connecticut,” it’s no secret that Goose like to “jam” when they step onstage. Phish’s music, after all, has always been rooted in grooves, and in that regard, it feels like the five-piece named after an Anatidae waterfowl rather than an aquatic animal is certainly paying homage to Trey Anastasio, Jon Fishman, Mike Gordon and Page McConnell with that sort of description for their sonic creations.

For those following closely, the million-dollar question — figuratively and literally — in the jam scene of late has been if Goose are next in line to eventually succeed the almighty Phish. The two groups have already formed a friendly bond, with Anastasio sitting in with Goose last year for the second of two sold-out gigs at Radio City Music Hall that featured a more unexpected cameo appearance by Father John Misty, too.

Yet, it was less than six months after those shows in NYC that Rick Mitarotonda (guitar, vocals), Trevor Weeks (bass, poetry), Ben Atkind (drums), Peter Anspach (keyboards, guitar, vocals) and Jeff Arevalo (percussion, drums, vocals) were touring with Anastasio and his solo project on an eight-date run that offered them even more exposure to Phish’s fan (or should we say “phan”) base.

Every member of Goose, similar to Phish, is an excellent musician. Mitarotonda’s virtuosity and emotive solos are assuredly reminiscent of Anastasio’s at times, and you wouldn’t know that Anspach, a guitarist first and foremost, only started playing keyboards when he signed on as the fourth member of Goose in 2017. The formal training that Mitarotonda, Atkind and Arevalo each received while they were at Berklee College of Music in Boston is quite evident when you watch them perform, but for a band showcasing as much musicianship as Goose, their vocal capabilities are equally impressive. It’s something Mitarotonda has worked very hard at according to Anspach, whom he shares the role of lead vocalist with, and what could ultimately help separate Goose from the pack when you consider that singing hasn’t always been a priority for some musicians in the jam world.

Of course, Goose’s pursuit to not only be an outstanding outfit in the live space but also one that takes the album-making process just as seriously is another side to the quintet that’s refreshing and can’t be overlooked. After 2016’s Moon Cabin sans Anspach and subsequently 2021’s Shenanigans Nite Club, they made such clear when they hired an outside producer for the first time, and their decision to elect D. James Goodwin, who has worked with Bob Weir as well as established indie acts like Kevin Morby and Whitney, proved to be a good (no pun intended) choice for the release of Dripfield in 2022. Goose have made songwriting a priority early on in their ascent, but a smart marketing strategy that saw them gross more than $100,000 during the COVID-19 pandemic by livestreaming eight concerts from a barn in their home state has propelled them rather quickly into the mainstream. In fact, few jam bands have earned the opportunity to perform on late-night television like Goose have.

You could tell by the turnout Goose received at their Santa Barbara Bowl debut — a day before making an inaugural appearance at Ohana Fest and a day after headlining The Wiltern in LA for the first time — they have come a long way in less than a decade. Though the 4,562-seat amphitheater wasn’t sold out, it was mostly full from the GA floor up to the A, B and C sections, a promising sign for any young band on the rise, with chants of “Gooooose” ringing out as the sun set over the Pacific Ocean.

Like any top-notch jam band, Goose craft a unique setlist every time they take the stage with an arsenal of covers at the ready and this outing would be no different. Much of the first set was carried by live cuts of material that has yet to be officially laid down in a recording studio, but Bruce Hornsby & the Range’s “The Way It Is” and Echo & the Bunnymen’s “The Killing Moon” that kicked off the evening’s second set provided everyone at the Bowl with a couple of familiar reference points. Nevertheless, the accessibility and hooks that Dripfield offers listeners are what sets Goose apart from other jam-oriented artists, and as its tracks — “Arrow” and “Hot Tea” plus “So Ready” (an alternate version of “Slow Ready” featuring some auto-tune from Mitarotonda) were what we were treated to in this case — take on their own size and shape under the bright lights, they’re destined to fill a room no matter how big or small it is. So with a European tour lined up next month and a couple of more arena performances before 2023 concludes, there’s no telling how high these guys will be flying by this time next year.

Setlist:
Set 1
Earthling or Alien?
Mr. Action
Time to Flee (with “Honeybee” teases)
The Way It Is (Bruce Hornsby & the Range cover)
Seekers on the Ridge pt. I (>)
Seekers on the Ridge pt. II
So Ready

Set 2
The Killing Moon (Echo & the Bunnymen cover) (>)
Arrow
Same Old Shenanigans
Everything Must Go

Encore:
Hot Tea

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Berklee College of Music, bob weir, Bruce Hornsby, Bruce Hornsby & the Range, D. James Goodwin, Echo & the Bunnymen, Father John Misty, Goose, grateful dead, Kevin Morby, Phish, Radio City Music Hall, Santa Barbara Bowl, The Allman Brothers, The Allman Brothers Band, The Wiltern, The Wiltern Theatre, Trey Anastasio, Trey Anastasio Band, Whitney, Widespread Panic, Wiltern Theatre

The Revivalists live up to their new album ‘Pour It Out Into the Night’ at LA’s Greek Theatre while on tour with Band of Horses

September 13, 2023 by Josh Herwitt 2 Comments

The Revivalists

By Josh Herwitt //

The Revivalists & Band of Horses with The Heavy Heavy //
Greek Theatre – Los Angeles
September 10th, 2023 //

It was only a couple of weeks ago when we mentioned that a great co-headline bill on a warm summer evening in Southern California can be a fun and unique way to experience live music. Well, it wouldn’t be very long before our next opportunity arrived in my inbox.

My Morning Jacket and Fleet Foxes at the Hollywood Bowl (read our show review here) was one pairing this year that we had circled on our calendar, but there have been several others worth catching of late, including The Revivalists and Band of Horses as they proved at LA’s Greek Theatre on a Sunday night.

Hot off the release of a fifth studio album, The Revivalists came into town primed to make memories with their Pour It Out Into the Night material for the mostly capacity crowd that greeted the octet comprised of David Shaw (lead vocals, guitar), Zack Feinberg (guitar), Ed Williams (pedal steel guitar), Rob Ingraham (saxophone), Andrew Campanelli (drums, percussion), Paulet “PJ” Howard (drums, percussion), George Gekas (bass) and Michael Girardot (keyboards, trumpet).

Band of Horses

The 12-track Pour It Out Into the Night dropped in June, and since then The Revivalists have been filling venues — whether it’s the Greek or Red Rocks (read our First Times coverage here) — and performing at major U.S. music festivals such as Bonnaroo and Lollapalooza. A solid chunk of the new LP has been featured throughout the New Orleans group’s live show, representing almost half of its gig in LA, as well-executed covers of Radiohead’s “High and Dry” from The Bends plus Tom Petty and the Heartbreakers’ 1980 hit “Refugee” punctuated a two-encore performance.

As interested as I was to hear each co-headliner, it was a little surprising to learn that The Revivalists were allotted more time than BoH. I expected that The Revivalists would go last and close things out, primarily because they were listed at the top of the tour’s poster, but BoH have been around longer and have higher metrics across most social media channels as well as music streaming services.

None of that, however, seemed to bother BoH leader Ben Bridwell, who appeared to be in fine spirits when he and his four henchmen — Creighton Barrett (drums, percussion), Ryan Monroe (keyboards, guitar, backing vocals), Matt Gentling (bass, backing vocals) and the band’s most recent addition Brett Nash (guitar, backing vocals), who replaced Ian MacDougall at the start of last year — walked onstage around 7:15 p.m. to a roaring applause from the mixed-aged audience, most of which had filed into its seats by the time The Heavy Heavy had wrapped up their 30-minute opening set.

The Revivalists

Being the project’s only continuous member, Bridwell has maintained a sound and vibe for BoH that’s uniquely his. It’s not just Southern rock or indie rock or folk rock — it’s all three thrown into a blender. For me, there is something about his voice that has always captured my attention since the Grammy nominees’ debut full-length Everything All the Time. It’s what helped separate themselves during their early days in Seattle amid a competitive scene that only continues to grow with each passing day as more new indie-folk acts emerge.

Now several records later, BoH are sitting on their sixth entitled Things Are Great that came out more than 18 months ago via BMG and marked their longest gap between releases after Why Are You OK landed in 2016 on Interscope (BoH have signed to several labels over the years). Bridwell has had to account for numerous lineup changes along the way, yet he still knows how to keep things exciting for fans by switching up the setlist regularly and working in a cover, whether it’s INXS, Brooks & Dunn or even The Stooges. This was only the fourth time in 2023, for instance, that “Our Swords” was played, which sees Bridwell swap his guitar for a bass on the deep cut and croon about stepping on toes in a purportedly metaphorical sense.

By the time The Revivalists unleashed their chart-topping single “Wish I Knew You” as we neared the finish line, there was no doubt that packaging them together with BoH on the same tour was a strong move. I have enjoyed ruminating about and discussing which artists or bands should share the stage, and although this wasn’t one that specifically came to mind, it assuredly worked. Was it a total match made in musical heaven? Probably not. Would Trombone Shorty have made more sense to pair with The Revivalists considering his ties to the Big Easy? Maybe so, but any reason to spend a few hours hanging out at the Greek, especially with two bands of this caliber, is a good enough one for me.

THE REVIVALISTS

Setlist:
Good Old Days
Don’t Look Back
The Long Con
It Was a Sin
Down in the Dirt
Catching Fireflies
Soulfight
Otherside of Paradise
All My Friends
How We Move
Pour It Out Into the Night
High and Dry (Radiohead cover)
You and I
Celebration

Encore #1:
Only You
Wish I Knew You
Kid (with The Heavy Heavy)

Encore #2:
Refugee (Tom Petty and the Heartbreakers cover)

BAND OF HORSES

Setlist:
Is There a Ghost
The Great Salt Lake
Hag
Crutch
Laredo
Lights
Never Tear Us Apart (INXS cover)
Casual Party
Warning Signs
No One’s Gonna Love You
Our Swords
Ode to LRC
The Funeral
The General Specific

THE HEAVY HEAVY

Setlist:
Man of the Hills
Go Down River
All My Dreams
Cherry
Dirt
One of a Kind
Miles and Miles

Filed Under: Editor's Picks, Featured, Photos Tagged With: Band of Horses, Bonnaroo, Brooks & Dunn, Fleet Foxes, Greek Theatre, Hollywood Bowl, INXS, Lollapalooza, My Morning Jacket, Radiohead, The Heavy Heavy, The Revivalists, The Stooges, Tom Petty, Tom Petty and the Heartbreakers, Trombone Shorty, Trombone Shorty & Orleans Avenue

My Morning Jacket & Fleet Foxes don’t let a tropical storm stop them from eventually sharing the stage at the Hollywood Bowl

September 4, 2023 by Josh Herwitt 3 Comments

By Josh Herwitt //

My Morning Jacket & Fleet Foxes //
Hollywood Bowl – Los Angeles
August 28th, 2023 //

When I was invited to photograph my first show at the Hollywood Bowl more than seven years ago now (read our review here), I already understood how special it is for those who have the opportunity to play under the amphitheater’s iconic bandshell.

As I explained back then, any artist or band with a headlining date at the historic music venue can officially say that they have “made it” and nothing has ever changed there. But for a group like My Morning Jacket that has been around 25 years, performing at one of LA’s most prized possessions carries a little extra weight.

That’s because the Louisville-bred rockers were so inspired by the place more than two decades ago that they chose a photo of it to serve as the cover artwork for their sophomore LP At Dawn.

“Something about its otherworldly shape spoke such magic,” MMJ recently shared on social media.

My Morning Jacket

And yet, somehow Jim James (lead vocals, guitar), Tom Blankenship (bass), Patrick Hallahan (drums, percussion), Bo Koster (keyboards, percussion, backing vocals) and Carl Broemel (guitar, pedal steel guitar, saxophone, backing vocals) had never taken the stage at the Bowl despite plenty of trips to the City of Angels in the past.

Because as much as things have changed for Jacket since 2001, let’s be real: the three-time Grammy nominees still aren’t popular enough anywhere, let alone Southern California, to fill the 17,500-person landmark on their own. MMJ would be lucky to sell half that number of tickets, especially on a Monday night after Tropical Storm Hilary postponed the event’s originally scheduled date more than a week.

The folks at KCRW fortunately had the answer. Finding a suitable partner in Fleet Foxes to pair with MMJ, the NPR member station assembled a co-headline bill that was one of the most enticing we’ve seen in a while. The Bowl can certainly offer them with its massive capacity, and we have attended a few good ones over the years — from 90’s alt-rock outfits Nine Inch Nails and Soundgarden to 2000’s indie darlings Grizzly Bear and TV on the Radio (read our show review here). Nevertheless, we can’t say it doesn’t come with some drawbacks.

There’s something about sitting at a rock concert that doesn’t feel right to me, and fresh off MMJ’s two sold-out shows at Red Rocks (read our review here) over the weekend that saw them surpass the two-hour mark both nights, it was quite a stark contrast to what we experienced in Colorado with most fans there standing from Row 1 to Row 70. The “wine and cheese” crowd in LA, on the other hand, couldn’t be bothered to get out of their seats for much of the night. James and company didn’t let that stop them from closing their 2023 summer tour with a powerful set, though — even if it was only 75 minutes. “Off the Record” and “Touch Me I’m Going to Scream Pt. 2” got extended outros, and “Wonderful (The Way I Feel)” with Fleet Foxes frontman Robin Pecknold was a treat. It’s not everyday that you get to hear two of the best voices in music today collaborating onstage together, and moments like those always feel in retrospect a little extra special to witness.

Fleet Foxes

Speaking of Fleet Foxes, this wasn’t our first time catching them at the Bowl. A co-headline performance with Beach House in 2017 actually served as our first encounter, and it just so happened that it was also the indie-folk act’s Bowl debut.

Pecknold (lead vocals, guitar) and his four sidekicks Skyler Skjelset (guitar, mandolin, backing vocals), Casey Wescott (keyboards, mandolin, backing vocals), Christian Wargo (bass, guitar, backing vocals) and Morgan Henderson (upright bass, guitar, woodwinds, violin, percussion, saxophone), plus touring member Christopher Icasiano (drums, percussion) and New York-based brass quartet The Westerlies, had no problem filling the stage and the space with their beautiful harmonies and thoughtful lyrics. And after last summer’s sold-out gig at the Greek Theatre (read our show review here), it’s clear that 2020’s Shore has not only offered them more commercial success but also the opportunity to keep the current lineup intact. After all, it’s not very often that you get to see an artist or band perform with 10 musicians due to financial concerns, and Fleet Foxes’ eclectic instrumentation as well as Pecknold’s golden pipes are what really elevates their material in a live setting.

Of course we would be remiss to mention the Buffalo Springfield tune “Expecting to Fly” that Fleet Foxes took on with James a couple of songs before waving goodbye, something that they also did at the Greek Theatre in Berkeley. Despite their psychedelic tendencies, MMJ have always leaned in the folk direction, and while Grizzly Bear might be the perfect fit for a co-headline situation with Fleet Foxes, MMJ are able to turn up the energy a lot more with their huge sound — no further proof was needed than the finishing punch of “One Big Holiday” and “Dancefloors” from 2003’s It Still Moves as the clock struck 10:45 p.m.

As much as our ears would have liked to hear more, it wasn’t in the cards. A strict curfew of 11 p.m. at the Bowl has always been in place, and that wasn’t going to change this time (or ever). But you could do a whole lot worse than to spend an evening at the Bowl with MMJ and Fleet Foxes before summer in LA finally slips away.

MY MORNING JACKET

Setlist:
Wordless Chorus
Off the Record (Extended outro)
Spring (Among the Living)
Gideon
Wonderful (The Way I Feel) (with Robin Pecknold)
Steam Engine
Circuital
Love Love Love
Touch Me I’m Going to Scream Pt. 2 (Extended outro)
One Big Holiday
Dancefloors

FLEET FOXES

Setlist:
Sun Giant
Sunblind
Can I Believe You
Ragged Wood
Your Protector
He Doesn’t Know Why
Third of May/Ōdaigahara
Phoenix (Big Red Machine cover)
Bedouin Dress
White Winter Hymnal
Mykonos
Montezuma
Blue Ridge Mountains
Grown Ocean
Expecting to Fly (Buffalo Springfield cover) (with Jim James)
The Shrine/An Argument
Helplessness Blues

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Beach House, Big Red Machine, Buffalo Springfield, Fleet Foxes, Grizzly Bear, Hollywood Bowl, Jim James, KCRW, My Morning Jacket, Nine Inch Nails, Robin Pecknold, Soundgarden, The Westerlies, TV on the Radio

Celebrating 50 years of hip-hop, Tierra Whack makes one thing clear to her fans at The Broad: ‘Don’t worry about me’

September 1, 2023 by Rochelle Shipman 1 Comment

Photos by Joseph Gray // Written by Rochelle Shipman //

Tierra Whack //
The Broad – Los Angeles
August 26th, 2023 //

More than five years have passed since Tierra Whack gifted us with the ingenious Whack World, a stunning spitfire glimpse into the heart and mind of the North Philly rapper. It’s safe to say a lot has changed since then, but her debut album remains highly acclaimed. Whack made a rare appearance in LA last weekend to celebrate the 50th anniversary of hip-hop, playing a set at The Broad before none other than Grandmaster Flash himself. She sure wasn’t kidding when she sang, “Don’t worry about me / I’m doing good, I’m doing great, alright” back in 2018, and at this point, she might need to update her lyrics since that’s clearly an understatement.

She took the stage in a classically eclectic outfit: a custom-made dress comprised of three (!!!) different pairs of Levi’s jeans, complete with chunky white boots and spiky, neon red pigtails. The crowd’s initial anxious anticipation evaporated immediately as she bounded onstage, hopping around with a Tigger-like energy. At no point did she pause or falter under the unquestionable weight of all that denim, an appropriately wonky metaphor for some of the messages derived from her music if there ever was one.

Whack is well-known for being a brilliant wordsmith, but she’s equally known for her inventive visuals and the just plain fun she brings to her music. Finally seeing her in person makes that element a bit clearer; she quite simply has no choice because that child-like joy is embedded into her personality — for example, she rolled up to the show with a Bop-It in hand (and no one has ever looked cooler).

Her performance was tight and explosive, her toes nearly on the edge of the stage as she reached out to touch the hands stretching her way. She rapped ferociously, almost as though she was battling the sold-out crowd, rolling through hit after hit without another thought. Only when something would catch her attention did she veer slightly off course with wonder, letting her unscripted vulnerability take center stage, like when she gleefully noticed that some residents in the apartment building looming over us were getting a free show.

“Sing it to the windows!” she shouted during “Pet Cemetery” before turning and leading the crowd in crooning “all dogs go to heaven.”

One of the most impressive parts of Whack’s talent is how creatively she’s able to balance heavy subjects with a perfectly weird sense of humor and a touch of reality-based absurdity on top of that. At the age of 28, she emanates glee no matter what the topic is. Before launching into her country-tinged diss track “Fuck Off”, Whack requested middle fingers in the air, “even you VIP folk.” She scanned the attendees before landing on the lone photographer to the right of the stage. “Hey hey hey, you, with the shirt. Middle finger.” The photographer responded by lifting his camera to capture the direct attention she was giving him. “Nope, no camera. Middle. Finger,” she stated calmly. Once he obliged, she turned back to the crowd and said, “OK, let’s do it. We’re ready,” before launching into her zany, embellished country accent to sing, “Well honey, I’ve been so sick, so sad, whenever I’m happy it makes you mad / I hope your ass breaks out in a rash, you remind me of my deadbeat dad, fuck off.”

Whack worked her way through Whack World and offered a few of her loosies like “Meagan Good” and “Only Child”. As if it wasn’t enough for her to grace us with her presence — a seldom occurrence for an artist who certainly plays shows but never seems to tour — she showcased some brand-new material, instilling hope for 2024 back in the world. It was called “Shower Song”, and it sounded like it could have been a collaboration with Thundercat. It wasn’t to be clear, but it was so funky and so effortlessly funny that it would have easily fit into the fold on Thundercat’s 2017 LP Drunk. Tierra, if you are reading this, you goddamn do sound good when you are singing in the shower. Hang in there, folks … new Tierra Whack is imminent, and it is fire — although if you are paying attention, you already knew it would be.

It’s not every day you get to see a musical unicorn — not to mention two in one night — and it’s even more uncommon for an artist of that stature to truly deliver. Whack showed us that she may as well own UPS at this point, and she’s barely just begun. Pairing her with the legendary Grandmaster Flash proves that Whack, thankfully for us, is woven into the threads of hip-hop’s future, and we have a lot to look forward to in the next 50 years. Because if this set was any indication, hip-hop remains in good hands.

Setlist:
Flea Market
Pretty Ugly
Cable Guy
4 Wings
Hookers
Pet Cemetery
Fuck Off
Silly Sam
Fruit Salad
Sore Loser
Only Child
Shower Song (new song)
Meagan Good
Hungry Hippo

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Grandmaster Flash, The Broad, The Broad Museum, Tierra Whack

First Times: Covering a concert at Red Rocks as My Morning Jacket return to sacred ground for two awe-inspiring nights rain & shine

August 31, 2023 by Josh Herwitt 5 Comments

By Josh Herwitt //

My Morning Jacket with M. Ward //
Red Rocks Park and Amphitheatre – Morrison, CO
August 25th & 26th, 2023 //

No matter where you are from, a trip to Red Rocks should be on every live music fan’s bucket list. The mile-high, open-air amphitheater only a short drive from Denver in Morrison, Colo., has over the years become a destination venue for live music fans all around the globe with its otherworldly rock structure and stellar natural acoustics.

Red Rocks’ annual attendance numbers certainly prove that to be true, too. Just a couple of years ago, it received the distinct honor of being named the top-grossing and most-attended concert venue of any size in the world. For a lot of artists and bands, having the opportunity to perform in such a unique and sacred space ranks up there with playing other famous sonic sanctuaries like The Gorge Amphitheatre, Radio City Music Hall and the Hollywood Bowl.

That’s some elite company to be included with, but ask anyone who has been and they will say Red Rocks is worthy of such acclaim. It’s why the 9,525-person amphitheater also holds a special place in the hearts of so many performers, including one of live music’s absolute best: My Morning Jacket.

Since opening in 1941, Red Rocks has been home to quite a few noteworthy performances from U2 to Widespread Panic, with the latter holding the venue’s record for most consecutive sold-out shows at 69 after their latest three-night run in June. And though MMJ hasn’t nearly reached that high mark, there’s no doubt that some of their most important moments over the past quarter century have taken place in between “Creation Rock” and “Ship Rock.” So it shouldn’t be a surprise that fans travel from all corners of the country to catch the Louisville-bred outfit there.

Jacket’s very first appearance at the amphitheater, in fact, came in 2007 opening for the legendary Bob Dylan, but it only took another year before they were being offered their own date to headline. It wasn’t until 2012 for their “Spontaneous Curation Series” when MMJ started booking two nights “on the rocks,” with this year marking the quintet’s fifth time doing so for its 14th and 15th shows.

Nevertheless, it was a pair of performances at Red Rocks in 2019 that ultimately helped reignite the band and inspired Jim James (lead vocals, guitar), Tom Blankenship (bass), Patrick Hallahan (drums, percussion), Bo Koster (keyboards, percussion, backing vocals) and Carl Broemel (guitar, pedal steel guitar, saxophone, backing vocals) — with James coining the venue as “the birth canal of the universe” that year — to get back in the studio to record their ninth full-length album. Even the cover artwork for the ensuing, self-titled My Morning Jacket directly paid homage as you can see here. That’s how much one of Colorado’s most prized possessions has meant to the group’s success and longevity.

So after making the short pilgrimage from LA for two nights of MMJ at Red Rocks last August, I wasn’t about to miss them when it was announced that they would be returning for two more gigs in 2023. This time would be a little bit different, though. Not only had the supporting act changed with M. Ward slated for both shows, but being granted a photo credential for Friday and Saturday had finally afforded me the chance to capture a concert (or two) at the one and only “RR” with my camera equipment.

Red Rocks has always been one of my favorite places to witness live music. It’s somewhere that I have found myself going back to time and time again for almost two decades because there’s really nowhere else like it. The sound, atmosphere and fans all make it a one-of-a-kind experience and one of the best spots anywhere to watch a concert. From the first to the last row, there’s truly no bad seat in the house. Plus, the tailgating in the Lower South Lots alone is worth going for — and why you should always plan to arrive early before the doors open. You might even make some new friends in the parking lot!

For a band that rocks as hard as MMJ does, it only seems fitting that one of their beloved venues to visit would be Red Rocks. Friday’s show would see James and company not holding back as they performed their 2003 LP It Still Moves in its entirety, enlisting M. Ward to sit in on “Golden” and “Steam Engine”. As elated as I was to hear “Master Plan” again however, it was also the first time since 2018 that “Just One Thing” and “One in the Same” had been played. Thanks to an extended encore with deep cuts such as “Honest Man” from 2001’s At Dawn and “Smokin’ From Shootin'” off 2008’s Evil Urges, the evening still finished a lot better than it began after heavy rains put a damper on any pre-show partying and soaked plenty of us from head to toe.

Saturday’s forecast, on the other hand, proved to be quite the opposite. With clear skies and sunshine setting the stage for MMJ’s second night, we were treated to a setlist that was well worth hopping on a plane for. There was another sit-in from M. Ward — this time on “At Dawn” and “Off the Record” — but there was also the debut of Cat Stevens’ “The Wind” as well as a cover of Traffic’s “Feelin’ Alright?” for only the second time ever with surprise guest and Colorado native Nathaniel Rateliff on vocals. Those were definitely two of the biggest highlights (no pun intended) amid the light motif that MMJ signaled to us with “At Dawn”, “First Light”, “It’s About Twilight Now” and “The Dark” coming consecutively midway through their set, but it was the encore centered around a four-part “Cobra” — the track, after all, runs more than 24 minutes long on 2002’s Chocolate and Ice — with “Highly Suspicious”, “Off the Record” and “Touch Me I’m Going to Scream Pt. 2” interspersed in between, leaving the sold-out crowd mostly speechless. It was a setlist technique that you would see a jam band like Phish or Umphrey’s McGee employ, but not MMJ. The three-time Grammy nominees have always lived in the jam-adjacent space, even if they have been booked for some of the same music festivals you might find other jam bands at, including Bonnaroo, Hulaween and Peach. But ever since forming in 1998, MMJ have never presented or considered themselves to be a jam band and the same applies today.

Regardless of how you want to label their music, James, Blankenship, Hallahan, Koster and Broemel looked and sounded at Red Rocks as locked in as they ever have. A sincere joy emanated from all five members that was palpable the minute they walked onstage, and by the time MMJ had wound us down after more than two hours with “Love Love Love” to wrap up their two-night stand, nothing but immense gratitude and a genuine love for what we had just heard remained inside.

It’s safe to say that you can’t tell MMJ’s story now without referencing Red Rocks at some point along the way. The band knows that, and many of its most loyal enthusiasts have come to understand what’s there, too. Because if recent history serves as any indication, rocking out to MMJ under the stars while being surrounded by some red sandstone monoliths is like nothing else. Quite simply, it’s magical.

AUGUST 25TH

Setlist:
Mahgeetah (>)
Dancefloors
Golden (with M. Ward)
Master Plan (>)
One Big Holiday (>)
I Will Sing You Songs (>)
Easy Morning Rebel (>)
Run Thru
Rollin Back (>)
Just One Thing (first time since 2018)
Steam Engine (with M. Ward)
One in the Same (first time since 2018)

Encore:
Victory Dance
Least Expected (>)
The Way That He Sings
Honest Man
Feel You
Slow Slow Tune (>)
Smokin’ From Shootin’ (>)
Gideon
Wordless Chorus

Editors’ Note: “It Still Moves” 20th anniversary show; portions of “Wordless Chorus”, “At Dawn”, “Butch Cassidy”, “Feelin’ Alright?”, “Highly Suspicious” and “Cobra” were played during soundcheck.

AUGUST 26TH

Setlist:
Anytime
Touch Me I’m Going to Scream Pt. 1
Spring (Among the Living) (Beatles “Dear Prudence” outro)
Evil Urges (>)
War Begun (>)
At Dawn (with M. Ward)
First Ligh
It’s About Twilight Now (>)
The Dark
Lay Low
Only Memories Remain
Butch Cassidy (>)
The Wind (Cat Stevens cover) (first time played)
Regularly Scheduled Programming
Circuital
Feelin’ Alright? (Traffic cover) (with Nathaniel Rateliff)
Wasted

Encore:
Cobra (Pt. 1>)
Highly Suspicious
Cobra (Pt. 2>)
Off the Record (with M. Ward) (>)
Cobra (Pt. 3>)
Touch Me I’m Going to Scream Pt. 2
Cobra (Pt. 4>)
Holdin on to Black Metal
Love Love Love

My Morning Jacket with Nathaniel Rateliff

Filed Under: Editor's Picks, Featured, First Times, Live Music Reviews, Show Experience Tagged With: Bob Dylan, Bonnaroo, Cat Stevens, Hollywood Bowl, Hulaween, Jim James, M. Ward, My Morning Jacket, Nathaniel Rateliff, Nathaniel Rateliff & The Night Sweats, Phish, Radio City Music Hall, Red Rocks, Red Rocks Amphitheatre, Red Rocks Park & Amphitheatre, Red Rocks Park and Amphitheatre, Spontaneous Curation Series, Suwannee Hulaween, The Gorge, The Gorge Amphitheatre, The Peach Music Festival, Traffic, U2, Umphrey's McGee, Widespread Panic

Outside Lands 2023: Three full days of ‘giving life,’ saving face & switching up the game to celebrate the festival’s 15th anniversary

August 18, 2023 by Molly Kish 1 Comment

Photos by Christine Kemp & courtesy of Outside Lands // Written by Molly Kish //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 11th-13th, 2023 //

Taking a beat to fully process the 15th year of Outside Lands, we had a lot to consider in terms of our annual accolades for 2023. Our team has had the pleasure of covering the music festival’s evolution since 2012, and many of us have been on the journey with Bay Area concert promoter Another Planet Entertainment after attending OSL’s inaugural edition in 2008. But while we have learned to anticipate certain logistical nuances and look forward to countless familiarities at Golden Gate Park, this year felt different in several very unexpected and positive ways.

Walking into the festival grounds, the footprint had noticeable modifications from previous years, including brand-new stages and a relocated Wine Lands. McLaren Pass, typically home to Choco Lands, the Bubble Tea Party, Cocktail Magic and various food vendors, now included a paired-down, more communal place to sip wines from the best vineyards in the Bay. Switching spots with Cocktail Magic, the newly located Wine Lands provided a premier viewing location for the Toyota Music Den, which ended up being a backup stage for overflow acts on Saturday and a home base for surprise appearances/pop-up sets throughout the weekend.

The largest and most widely agreed upon, favorite new addition to the grounds was the Dolores Stage holding space in the Polo Field entryway. The open-air dance club brought a surge of new talent and life to the main field, highlighting DJs, drag performers and a schedule of explosive LGBTQ+ artists over three days. Providing a welcomed alternative to the SOMA Tent’s long lines and Saturday’s closure for dancefloor maintenance, the Dolores Stage proved to be a true festival MVP. The lineup highlighted an intrinsic part of Bay Area culture that never felt fully recognized on the scale that it should have been. Providing a non-stop homage to SF’s historic ballroom culture, performers hit the stage, runway and ground, keeping the sold-out crowd dancing and happy at one of the festival’s main access points.

Aside from some lineup alterations, structural damage and traffic-flow issues at the entrances and exits, OSL’s 15th anniversary was a massive success. Worried at moments that things could derail, the staff handled the various complications that came their way with super effective and seamless production pivots. Artists were quick to shift sets to alternate stages, pop-up performances kept fans excited and engaged, and the amount of satellite bars, lounges and interactive activations offered more than enough entertainment to keep the capacity crowd stoked. If this year’s success was any indication, we expect the positive changes to become mainstay additions for years to come and look forward to seeing what the future will hold for Northern California’s flagship music festival.

ODESZA

OUTSIDE LANDS 2023 AWARDS:

Headliner of the Weekend: ODESZA

Breakthrough Performance: Crumb

Largest Crowd: DJ DIESEL

Best Stage: Dolores Stage

Most Swoonworthy Set: Lana Del Ray

Hardest Hip-Hop Moment: Tobe Nwigwe

Fiercest Performance: Reparations

Tastiest Menu: Shuggies Trash Pie and Natural Wine

Best Vineyard: Deux Punx

Most Magical Cocktail: “Large Marge-arita” // Buttery Tipple

Favorite Lands: Wine Lands

Most Impactful Artist: Balloonski

Satellite Bar Star: #OceanLove Tour by Grey Whale Gin

Favorite Merch: Outside Lands reusable festival cup

Best Marketplace: San Franpsycho

Top Showcase: Hard French at Dolores Stage

Most Memorable Experience: Outside Lands x LIVE by Amazon Music

Bay Area Favorite: Anchor Steam’s final kegs on draft at Beer Lands

Best Night Show: Interpol at The Independent

Outside Lands 2023 – Nation of Language

Outside Lands 2023 - Diesel (Shaquille O'Neal)

Outside Lands 2023 – Samia

Outside Lands 2023 - Mariah the Scientist

Outside Lands 2023 - Megan Thee Stallion

Filed Under: Editor's Picks, Featured, Festival Reviews, Festivals Tagged With: aespa, Alex G, Alvvays, Âme, Âme B2B Trikk, Balloonski, beabadoobee, Becky Hill, Beer Lands, Blond:ish, Choco Lands, Cigarettes After Sex, Claptone, Cobra Man, Coco & Breezy, Crumb, Cuco, Daniel Avery, Denis Sulta, Diesel, Diesel (Shaquille O'Neal), Disco Lines, DJ DIESEL, Dolores Stage, Donny Benét, Dope Lemon, Eddie Zuko, EREZ, Ethel Cain, Evan Giia, Fake Fruit, Father John Misty, Fisher, Foo Fighters, Gabriels, Grace Ives, Holly Humberstone, Inhaler, Interpol, ISOxo, Izzy Heltai, J.I.D., Janelle Monáe, Jessie Murph, Joy Oladokun, Justin Jay, Kendrick Lamar, Kim Ann Foxman, L'Impératrice, Lana Del Rey, Lil Yachty, Lovejoy, Loverground, Maggie Rogers, Manila Grey, Mariah the Scientist, Megan Thee Stallion, midwxst, Mild Minds, Miss Dre, Monolink, NALA, Nanna, Nation of Language, NIKI, No Vacation, Noah Kahan, Nora En Pure, Odesza, Orion Sun, Orville Peck, Outside Lands, Outside Lands 2023, Outside Lands Music Festival, Outside Lands Music Festival 2023, Poolside, Pretty Sick, Raveena, Red Axes, Reparations, Sama' Abdulhadi, Samia, Shaq, Shaquille O'Neal, Soccer Mommy, SOMA Tent, The 1975, The Dip, The Jungle Giants, Tinlicker, Tobe Nwigwe, Tops, Trikk, Trixie Mattel, Upsahl, Venus & the Flytraps, VNSSA, Wednesday, WestEnd, WhoMadeWho, Wild Child, Willow, Wine Lands, Yaya Bey, Zack Fox, Zedd

On tour in support of Paramore this summer, FOALS offer their fans at The Belasco the raucous headline club show that we all needed

July 24, 2023 by Josh Herwitt Leave a Comment

By Josh Herwitt //

FOALS with Andy Stavas //
The Belasco – Los Angeles
July 18th, 2023 //

When FOALS rocked the Hollywood Palladium in November (read our show review here) after issuing their seventh LP Life Is Yours several months earlier, it marked the first time in more than three years since they last performed in LA.

But even after signing on as support for the second half of Paramore’s tour across North America this summer, these Brits out of Oxford were not going to let a couple of opening sets at the Kia Forum be their only shows in the City of Angels this year.

With a few days off in between tour dates and founding bassist Walter Gervers rejoining the band in May after a six-year absence, Yannis Philippakis (lead vocals, lead guitar), Jack Bevan (drums, percussion) and Jimmy Smith (rhythm guitar, keyboards, synthesizer, backing vocals) along with touring members Kit Monteith (percussion, sampler) and Joe Price (keyboards, synthesizer, backing vocals) didn’t pass up on the opportunity to make their latest trip to Southern California a little extra special with a raucous headlining performance in downtown LA at The Belasco last Tuesday.

FOALS have been opening their gigs with Life Is Yours lead single “Wake Up Me” following the album’s release more than a year ago now, and from there they stepped on the gas pedal with What Went Down standout “Snake Oil” to kick off a 16-song set that saw them perform Holy Fire deep cut “Providence” for the first time this year as well as its third single “Late Night” that remains a personal favorite and had not been played in LA since 2016 (read our show review here).

From a photographer’s perspective, I have always found it cool that FOALS are the only band I have covered with a photo policy of “last three songs.” And I can certainly understand why. Because when Philippakis and his bandmates return from an encore break, things often get turned up a notch as we have seen over the years. This time was no different of course, as they hit us with their recent trifecta consisting of “Mountain at My Gates”, “What Went Down” and “Two Steps, Twice” for a terrific encore that had Philippakis shedding his axe and nearly climbing into the crowd at one point.

What might be even more amazing for the three-time Mercury Prize nominees is that they have had three different bassists in the last 18 months, and you wouldn’t even know it from the way they sound right now. There seemed to be a renewed energy amongst these lads with Gervers back in the saddle, as Smith and him shared backing vocals on the same microphone during some of the evening’s most impassioned moments.

If you’ve seen FOALS a few times like I have, you know that they’re going to bring it every single time they step onstage. The UK outfit remains one of the best rock ‘n’ roll acts to come out of the aughts as far as we are concerned, and in that regard, it shouldn’t be a big surprise that FOALS have managed to build a loyal fan base in a crowded indie scene with honest lyrics and thoughtful musicianship. It’s why they’re on our short list of bands to catch every time they come to town, and with The Belasco serving as host to a couple of other excellent concerts I have witnessed so far this year — from Jack White to Fleet Foxes — it was only fitting for FOALS to also get a chance to unload on the 1,500-person venue.

Given this latest run in the Golden State, it could be a while before FOALS are back in SoCal again. By the time they are, there’s a good chance it will be to promote new music and with a band of this caliber after almost two decades in the game, we can’t say we don’t like the sound of that.

Setlist:
Wake Me Up
Snake Oil
2001
Olympic Airways
2am
In Degrees
My Number
Black Gold
Birch Tree
Spanish Sahara
Red Socks Pugie
Providence
Milk & Black Spiders
Late Night
Black Bull
Inhaler

Encore:
Mountain at My Gates
What Went Down
Two Steps, Twice

Filed Under: Editor's Picks, Featured, Photos Tagged With: Andy Stavas, Belasco Theater, Fleet Foxes, FOALS, Jack White, Kia Forum, Paramore, The Belasco

Les Claypool’s Fearless Flying Frog Brigade mark their first tour in 20 years with a sold-out gig at The Wiltern & Pink Floyd’s ‘Animals’

July 17, 2023 by Josh Herwitt 3 Comments

By Josh Herwitt //

Les Claypool’s Fearless Flying Frog Brigade with Moon Duo //
The Wiltern – Los Angeles
July 14th, 2023 //

There aren’t many musicians who have made a living at the intersection of the alt-metal and jam scenes quite like Les Claypool has.

Best known for being the founder, lead singer, bassist and primary songwriter of Primus since the three-piece formed nearly 40 years ago, the Northern California native has also made a habit of collaborating with artists and bands across a variety of genres during that stretch.

Just in the past year, he has toured with percussionist Mike Dillon, saxophonist Skerik and drummer Stanton Moore of Galactic for his side project Les Claypool’s Bastard Jazz before Primus performed with drummer Danny Carey and bassist Justin Chancellor of Tool during a benefit show back in April (you can watch them cover Tool’s 1997 single “Ænema” alongside Queens of the Stone Age guitarist Troy Van Leeuwen here).

Claypool’s résumé, moreover, has seen him team up with All-Star talent across the musical spectrum, whether it has been Green Jellö, Tom Waits, Trey Anastasio of Phish, Metallica, Buckethead, Stewart Copeland of The Police, Adrian Belew, Gov’t Mule, Jerry Cantrell of Alice in Chains, Bill Laswell, Zach Hill, Fishbone, Alex Lifeson of Rush, Charlie Hunter, Death Grips, Hank Williams III, Beats Antique or Josh Homme. Forgive us if we missed a few names there, but you get the idea that when it comes to friends in the music business, Claypool has no shortage of them.

Most recently though, he has spent the last several years working with Sean Ono Lenno — the son of John and Yoko — beginning in 2015 when the duo conceived The Claypool Lennon Delirium and now with Claypool reuniting his Fearless Flying Frog Brigade for their first concerts in 20 years.

Featuring a star-studded cast led by Claypool and supported by Lennon, Dillon, keyboardist Harry Waters — the son of Pink Floyd co-founder Roger Waters — and drummer Paolo Baldi formerly of CAKE, the quintet was also supposed to boast Skerik (born Eric Walton) on saxophone before he suffered a shoulder injury that has sidelined him for three months.

But that didn’t stop the Brigade from drawing a capacity crowd in LA when they arrived at The Wiltern last Friday on their “Summer of Green Tour” — the official title of the 42-date run that was even more fitting given the strong aroma of marijuana wafting through the historic theater as soon as I walked in.

Of course they performed Pink Floyd’s Animals as was expected, yet they still had a couple tricks up their sleeves that included The Claypool Lennon Delirium’s “Blood and Rockets: Movement I, Saga of Jack Parsons / Movement II, Too the Moon” and a cover of King Crimson’s single “Thela Hun Ginjeet” from 1981’s Discipline with Primus guitarist Larry LaLonde stepping onstage before an encore break.

And despite entering his seventh decade soon, Claypool hasn’t lost the ability to captivate an audience with his bass-playing techniques — from tapping and slapping to flamenco-like strumming and whammy bar bends — unique vocals, silly lyrics and costume changes, one of which was a pig mask as he took to his upright bass and later a disco helmet while manning a Whamola. Why not a frog mask, you ask? Considering the number of fans there who had their Claypool-approved frog caps on, well … you’ll just have to inquire with “Colonel Claypool” about that.

Claypool, after all, has always done things his own way, and for those at The Wiltern, it didn’t matter that the Brigade’s only studio album Purple Onion came out in 2002. With a ribbiting two-hour and 15-minute performance on the penultimate night of the group’s summer tour, one of our greatest bass players ever made it clear that he has no issue hopping (ribbit ribbit) back into any one of his many solo projects and sticking the landing with a full house on hand.

Setlist:
Up on the Roof
Rumble of the Diesel (Les Claypool song)
Amanitas (Les Claypool song)
Blood and Rockets: Movement I, Saga of Jack Parsons / Movement II, Too the Moon (The Claypool Lennon Delirium cover)
Pigs on the Wing, Part 1 (Pink Floyd cover)
Dogs (Pink Floyd cover)
Pigs (Three Different Ones) (Pink Floyd cover)
Sheep (Pink Floyd cover)
Pigs on the Wing, Part 2 (Pink Floyd cover)
Precipitation (Les Claypool and the Holy Mackerel cover)
One Better (Les Claypool song)
David Makalaster
David Makalaster II
Thela Hun Ginjeet (King Crimson cover) (with Larry LaLonde)

Encore:
Whamola
Cosmic Highway

Les Claypool's Fearless Flying Frog Brigade

Filed Under: Editor's Picks, Featured, Photos Tagged With: Adrian Belew, Alex Lifeson, Alice in Chains, Beats Antique, Bill Laswell, Buckethead, CAKE, Charlie Hunter, Death Grips, Duo de Twang, Fishbone, Galactic, Gov't Mule, Green Jellö, Hank Williams III, Jerry Cantrell, Josh Homme, King Crimson, Les Claypool, Les Claypool and the Holy Mackerel, Les Claypool's Bastard Jazz, Les Claypool's Fearless Flying Frog Brigade, Metallica, Mike Dillon, Moon Duo, Oysterhead, Phish, Pink Floyd, Primus, Roger Waters, Rush, Sean Ono Lennon, Skerik, Stanton Moore, Stewart Copeland, The Claypool Lennon Delirium, The Police, The Wiltern, The Wiltern Theatre, Tom Waits, Tool, Trey Anastasio, Warren Haynes, Wiltern Theatre, Zach Hill

King Gizzard & the Lizard Wizard close out their U.S. residency tour with an epic, three-hour marathon at LA’s iconic Hollywood Bowl

June 26, 2023 by Josh Herwitt 2 Comments

By Josh Herwitt //

King Gizzard & The Lizard Wizard //
Hollywood Bowl – Los Angeles
June 21st, 2023 //

Call me dramatic, but I think it’s fair to say that King Gizzard & the Lizard Wizard are music journalism’s worst nightmare.

As those devoted to The Gizz know well by now, pinning them down to one genre, one sound or one anything is damn near impossible. Psych rock, psych pop, prog rock, krautrock, boogie rock, heavy metal, hip-hop, synth-pop, jazz fusion, blues and everything else in between has been on the table for the Australian sextet since it formed more than a decade ago, and that’s exactly what makes them so intriguing to see in the flesh at a time when not many bands are commanding the same kind of listens, album sales or attendance numbers that many did three decades earlier.

Nevertheless, if there’s a cliché that can be attributed to these mates out of Melbourne, it’s that they are truly in a league of their own with no other outfit even remotely resembling what KGLW do. But arguably what is just as impressive as their affinity for experimenting with multiple genres is the fact that their fan base continues to grow at what feels like an exponential rate.

Their epic, three-hour marathon last Wednesday at the Hollywood Bowl to close out their U.S. residency tour marked my third time catching them live, and with each show, the band has noticeably graduated to bigger venues beginning with the Hollywood Palladium in 2018, the Greek Theatre in 2019 and now the world-famous, 17,500-person amphitheatre tucked into the Hollywood Hills off the Highland Blvd. exit on the 101 Freeway (note: they also headlined Desert Daze in 2022 with Tame Impala and Beach House).

Since their last proper LA performance (read our show review here), Stu Mackenzie (vocals, guitars, keyboards, flute, bass guitar, percussion, sitar, piano, organ, violin, clarinet, saxophone, zurna, drums), Ambrose Kenny-Smith (vocals, harmonicas, keyboards, percussion, piano, saxophone, guitar, organ), Joey Walker (guitars, vocals, bass, keyboards, piano, setar, percussion), Cook Craig (guitars, bass, piano, keyboards, percussion, vocals), Lucas Harwood (bass, piano, keyboards, percussion, vocals) and Michael Cavanagh (drums, percussion, vocals) have unloaded nine more albums in less than four years to reach a staggering total of 24 in their catalog. Of course some will remember the five LPs they dropped in 2017 along with 2022, and while it would be a surprise for them to top that output this year with merely one out so far and six months to go, you never really know what tricks KGLW have up their sleeves coming off a 15-date run across the states this month that featured four gigs at The Caverns in Tennessee and three at Red Rocks Amphitheatre in Colorado (including two on a weekday no less), The Salt Shed in Chicago and Remlinger Farms in Washington before taking a giant step forward under the Bowl’s iconic bandshell on the first day of summer for their final U.S. stop.

Given those circumstances and the fact that most of the seats throughout the venue were filled all the way to the top, this one felt like there was something a little extra special to it. The setlist matched the moment at least, with Mackenzie and company opening with the first three tracks on 2013’s Eyes Like the Sky — marking the first time they had been performed since 2018 — as well as “Evil Man” off the 10-song LP, which has only been played five times with the last coming more than seven years ago at the NME Awards.

But the release of PetroDragonic Apocalypse the week prior had provided KGLW fans all of five days to reacquaint themselves with the group’s brand of thrash metal it had debuted via 2019’s Infest the Rats’ Nest, and although we didn’t hear a lot of new material from these Aussies, they made sure to sprinkle in some that included “Gila Monster” (with a “Gaia” reprise to up the ante), followed by “Supercell” and “Witchcraft” toward the show’s midway point.

By then, I was being offered bourbon and methamphetamines by a middle-aged man in a Grateful Dead T-shirt who supposedly had traveled all the way from Tucson, Ariz., and had happened to find a home in the same Terrace Box — his seat was somewhere else from what he told me — that I agreed to occupy after finding another photographer sitting in my assigned seat. Not that I was interested in fighting over seat assignments or accepting any contraband from strangers, but the unexpected exchange certainly added to the overall weirdness and peculiarity of the evening.

Fortunately, there were still plenty of twists and turns for KGLW to unveil down the homestretch. From a snippet of the Beastie Boys’ “Intergalactic” at the end of “The Grim Reaper” to the thunderous drum solo following “Astroturf” that Cavanagh entranced us with, the night was not short on highlights thanks to the jams we were subsequently gifted around “Shanghai” and “Ambergris”, too.

What left the biggest impression on this particular bystander though had to be the face-melting trifecta of “Hypertension”, “Magma” and “The Dripping Tap” that would ensue over the final 45 minutes and draw a standing ovation by the time KGLW waved goodbye shortly after 10:30 p.m. And as I turned around with the packed crowd’s applause echoing throughout the venue, a sincere sense of gratitude quietly washed over me. I might not be able to name every album or song that these prolific, eccentric weirdos have put out like some diehards can, but if there was one show in 2023 I’m glad I didn’t skip, it very well could be this one.

Setlist:
Eyes Like the Sky (first time since 2018)
Year of Our Lord (first time since 2018)
The Raid (first time since 2018)
Evil Man (first time since 2016)
Rattlesnake
Pleura
Gaia (>)
Gila Monster (with “Gaia” reprise)
Supercell
Witchcraft
Organ Farmer
Crumbling Castle (>)
The Fourth Colour
The Grim Reaper (with “Intergalactic” by Beastie Boys at the end)
Magenta Mountain
Down the Sink
Astroturf (with drum solo after)
Shanghai (“I wanna grow wings and fly” jam)
The Garden Goblin
Ambergris (preceded by “sex” jam)
Iron Lung (>)
Hypertension
Magma
The Dripping Tap (with “Cellophane” tease)

*Editors’ Note: You can watch the full performance here.

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Beach House, Beastie Boys, Hollywood Bowl, King Gizzard & The Lizard Wizard, King Gizzard and the Lizard Wizard, NME Awards, Red Rocks Amphitheatre, Remlinger Farms, Tame Impala, The Grateful Dead, The Salt Shed

Outside Lands plans to keep the party going after hours in 2023 with Poolside, L’Impératrice, Soccer Mommy, Âme (Live) + Trikk & more

June 20, 2023 by Josh Herwitt 2 Comments

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 11th-13th, 2023 //

Calling all of you night owls in the Bay Area and beyond!

Outside Lands has dropped the lineup for its 2023 night shows, and there’s plenty of action to keep the party going past 10 p.m. once the music stops at Golden Gate Park on Friday-Sunday. This year’s late-night run to celebrate the three-day music festival’s 15th anniversary will boast 12 performances across eight SF venues “because there’s no such thing as too many next-level concerts” as its organizers say.

2023 night shows are here! i can't wait to hit up these after hours shows from outside lands artists

tix are on sale to the public friday, 6/23 at 10am pt. 2023 festival ticket holders, check your inbox soon for presale access! https://t.co/MGMul6tK1A pic.twitter.com/6DgchXD129

— Outside Lands (@sfoutsidelands) June 20, 2023

Some of the highlights beginning the evening before the fest kicks off include Poolside (with Harvey Sutherland), No Vacation (with Sour Widows), L’Impératrice, Diesel (aka Shaquille O’Neal), Soccer Mommy, Âme (Live), Trixie Mattel (DJ set) and Âme (Live) + Trikk.

Tickets for OSL’s 2023 night shows will go on sale to the public this Friday, June 23rd at 10 a.m. PT with priority access for festival ticket holders starting this week (check your inbox for an email).

Here is the schedule for the upcoming night shows with links to purchase tickets:

August 10th (THU): Poolside with Harvey Sutherland at Bimbo’s 365 Club, 8 p.m., $45-50, 21+ // BUY TICKETS

August 10th (THU): No Vacation with Sour Widows at California Academy of Sciences, 7:30 p.m., $21.25, 21+ // BUY TICKETS

August 11th (FRI): L’Impératrice at Bimbo’s 365 Club, 8 p.m., $46, 21+ // BUY TICKETS

August 11th (FRI): Diesel (Shaquille O’Neal) at 1015 Folsom, 10 p.m., $40-50, 21+ // BUY TICKETS

August 11th (FRI): Cobra Man & Donny Benét at The Independent, 10 p.m., $29.50-35, 21+ // BUY TICKETS

August 11th (FRI): Justin Jay at Monarch, 10 p.m., $20-35, 21+ // BUY TICKETS

August 11th (FRI): VNSSA at Public Works, 10 p.m., $40, 21+ // BUY TICKETS

August 11th (FRI): EVAN GIIA with DJ Aaron Axelsen at Rickshaw Stop, 10 p.m., $20-25, All Ages // BUY TICKETS

August 12th (SAT): Soccer Mommy with SASAMI at The Independent, 10 p.m., $36-40, 21+ // BUY TICKETS

August 12th (SAT): Trixie Mattel (DJ set) with DJ Mateo at Bimbo’s 365 Club, 10 p.m., $50-55, 21+ // BUY TICKETS

August 12th (SAT): The Jungle Giants with EREZ at Rickshaw Stop, 10 p.m., $25-30, All Ages // BUY TICKETS

August 13th (SUN): Âme Live + Trikk at The Great Northern, 10 p.m., $15-25, 21+ // BUY TICKETS

Filed Under: Featured, Festivals Tagged With: 1015 Folsom, Aaron Axelsen, Âme, Âme + Trikk, Âme B2B Trikk, Bimbo's 365 Club, California Academy of Sciences, Cobra Man, Diesel, Diesel (Shaquille O'Neal), DJ Aaron Axelsen, Donny Benét, Evan Giia, Harvey Sutherland, Justin Jay, L'Impératrice, Monarch, No Vacation, Outside Lands, Outside Lands 2023, Outside Lands 2023 night shows, Outside Lands Music Festival, Outside Lands Music Festival 2023, Outside Lands night shows, Poolside, Public Works, Public Works SF, Rickshaw Stop, Shaquille O'Neal, Soccer Mommy, Sour Widows, The Great Northern, The Independent, Trikk, Trixie Mattel, VNSSA

Avey Tare of Animal Collective gives us a peek into his process with an explosion of sounds & colors at a sold-out Lodge Room

May 18, 2023 by Rochelle Shipman 1 Comment

By Rochelle Shipman //

Avey Tare //
Lodge Room – Los Angeles
May 13th, 2023 //

There’s something to be said about Avey Tare’s unapologetic capability to just be himself. It’s a center-stage trait that has always been a driving force behind experimental-pop band Animal Collective, and that also rings true on the plethora of solo pursuits he has blessed us with. The multi-instrumentalist born David Michael Portner brought his trademark ingenuity to life at LA’s Lodge Room last Saturday, the sold-out cherry on top of a two-month, cross-country tour.

On his phenomenal new album 7s, Tare takes the listener on a familiar mystical underwater journey — deep thoughts accompanied by a soft guitar, whimsical and vulnerable to a degree that nearly makes you blush. Despite that, it was still a bit surprising to see him step onstage and deliver the entire show completely alone (not to mention flawlessly, obviously). He navigated a maze of pedals, keys, strings and cables like the seasoned mastermind that he is, perhaps unironically singing, “Alone in a field I wonder how it is explained / That a person comes into the field of making sound and putting it together …” I found myself staring at the answer as he strummed a guitar and baring his entire soul onstage. In Tare’s case at least, it’s apparent that this person simply has no other choice but to make sound and put it together.

For the amount of instruments and equipment that he had onstage with him, nothing could hide the fact that Tare’s most valuable instrument is himself. Yes, his ability to play guitar and keyboards as well as to sing (and so on) is an essential part of his musical persona; however, they almost pale in comparison to his capability to express himself through nothing more than his very own body. Sound pulses through his veins just like blood runs through ours. It comes out in so many forms during a show — from measured yelps and head-to-toe shrieks to excerpts of heavy, rhythmic breathing. In those moments it appears he has surrendered all control and accepted pure freedom, finding his truest self (and borderline speaking his own language). His authenticity resonated with the capacity audience every time, garnering cheers and echoes that only grew each time his fits got wilder.

Tare was stationed right in front of the 7s album cover and flanked by two alligators, switching between acoustic and electric guitars just as seamlessly as the neon lights overhead changed palettes. He hardly looked up except to spare a modest grin from time to time, almost as though he forgot the audience was there, and he barely spoke except to express gratitude.

Nevertheless, the energy in the room was buzzing throughout the entire set, folks pushing up against the stage desperate to be within shrieking distance of Tare. He seemingly had something for everyone, touching on all different corners of his solo catalog and even throwing in a quick version of “Chocolate Girl” in honor of the Animal Collective classic Spirit They’re Gone, Spirit They’ve Vanished, which was recently reissued.

Under the glow of the star-shaped chandelier inside this stunning, funny little masonic lodge on the outskirts of LA, for an hour and a half Tare gave us a peek into his process. It was an explosion of sounds and colors, a pure and absolute balm for the soul. It felt like a perfect summer night, even though it was the middle of May — nonsensical, yet peaceful and not unlike Tare himself.

Setlist:
Midnight Special
The Musical
Lips at Night
Hey Bog
Ghost of Books
Neurons
Ms. Secret (acoustic)
Coral Lords (acoustic)
Mystical
Invisible Darlings
Saturdays (Again)
Chocolate Girl (Animal Collective song)

Filed Under: Editor's Picks, Featured, Photos Tagged With: Animal Collective, Avey Tare, Lodge Room

Portola Music Festival returns to SF’s Pier 80 for second edition while tapping Eric Prydz & Skrillex as headliners in 2023

May 17, 2023 by Josh Herwitt 2 Comments

Portola Music Festival //
Pier 80 – San Francisco
September 30th-October 1st, 2023 //

Well, look who’s back …

Portola, that’s who! Just when you thought we were done announcing lineups for music festivals this year, one of Goldenvoice’s newest events has returned for another go-around.

This time the two-day fest will have Eric Prydz and Skrillex, both of whom performed at Coachella last month, lead the charge after Flume and The Chemical Brothers were assigned headlining duties for its inaugural edition. But unlike last year, Portola 2023 will also boast a special guest that sees Chris Lake and Armand Van Helden teaming up for a B2B set on Saturday before Prydz presents his world-famous HOLO show.

Endorsed by DJing weenies, cats everywhere and Nicole Kidman herself* 🌐 Register now for first access to passes this Friday at 10am PT

*not actually endorsed by Nicole Kidman*https://t.co/20jE5z2jbS pic.twitter.com/j19UcjMpYe

— Portola Festival (@PortolaFestival) May 17, 2023

While the roster again leans primarily in the electronic direction, there are a few diversions — from funk and soul to hip-hop and R&B — sprinkled in that adds some variety to an excellent undercard. Here are just some of the acts you won’t want to miss at SF’s Pier 80 as September turns to October: Polo & Pan, Labrinth, FKJ, Thundercat, Nelly Furtado, Rina Sawayama, Jai Paul, Carl Cox (hybrid set), Underworld, Major Lazer B2B Major League DJz, Charlotte de Witte, Purple Disco Machine, The Blaze, Dom Dolla, Bonobo (DJ set), Hot Chip, Masego, Chromeo, Bassment Jaxx (DJ set), Tokischa, Little Dragon, Flying Lotus, Kenny Beats, Flying Lotus, Little Simz, SBTRKT, Todd Terje (DJ set), DJ Koze, Róisín Murphy, Jon Hopkins, 2manydjs (Live), Overmono, Kavinsky, Totally Enormous Extinct Dinosaurs (Live), Pabllo Vittar, Young Fathers and Jockstrap.

You can buy tickets to Portola starting this Friday, May 19th at 10 a.m. PT with payment plans available, but make sure to register here for your presale code. Two-day GA passes start at $339.95 and increase to $379.95 (or $229.95-$249.95 for single-day tickets) while two-day VIP can be purchased for $559.95 before jumping to $629.95 (or $324.95 for one day) here if you’re age 21 and up.

Who’s ready to dance the day away down by the bay?!

UPDATE (August 15th): There’s still six weeks to go before Portola’s second installment, but you don’t have to wait for set times anymore! That’s right, folks … you can find the schedule for both days above, and make sure to download the festival’s mobile app here before getting your groove on at Pier 80.

Filed Under: Featured, Festivals Tagged With: 2ManyDJs, Armand Van Helden, Avalon Emerson, Azzecca, Barry Can't Swim, Basement Jaxx, Bolis Pupul, Bonobo, Carl Cox, Chaos In The CBD, Charlotte Adigéry, Charlotte Adigéry & Bolis Pupul, Charlotte de Witte, Chris Lake, Chris Lake b2b Armand Van Helden, Chromeo, COBRAH, DJ Koze, Dom Dolla, ELIO, Eliza Rose, Eric Prydz, Eric Prydz Presents HOLO, FKJ, Flying Lotus, Goldenvoice, Hot Chip, Jai Paul, Jayda G, Jockstrap, Jon Hopkins, Jyoty, Kavinsky, Kenny Beats, Labrinth, LF System, Little Dragon, Little Simz, Maddy Maia, Major Lazer, Major Lazer B2B Major League DJz, Major League DJz, Masego, Model/Actriz, Nelly Furtado, Overmono, Pabllo Vittar, Pier 80, Polo & Pan, Portola, Portola 2023, Portola Music Festival, Portola Music Festival 2023, Purple Disco Machine, Rina Sawayama, Roisin Murphy, Salute, Sam Gellaitry, SBTRK, Skin On Skin, Skrillex, The Blaze, The Dare, Thundercat, Todd Terje, Tokischa, Totally Enormous Extinct Dinosaurs, Underworld, Very Nice Person, Winston Surfshirt, Yeule, Young Fathers, Yung Singh

It’s great to see Mike Patton back onstage & performing once again as Mr. Bungle rile up a sold-out crowd at Hollywood Palladium

May 15, 2023 by Josh Herwitt 1 Comment

By Josh Herwitt //

Mr. Bungle with Melvins, Spotlights //
Hollywood Palladium – Los Angeles
May 11th, 2023 //

When news broke in Sept. 2021 that Faith No More and Mr. Bungle had canceled their upcoming tour dates with lead singer Mike Patton citing “mental health reasons” for the decision, I was concerned.

Patton, after all, had been one of my favorite vocalists growing up, and considering all of the incredible musicians we have lost over the past decade, I was afraid we might have another leave us far too soon. The sudden and tragic passing of Chris Cornell back in 2017 had hit me hard as it had for many fans of 90’s alternative rock, but I knew that losing someone as influential and talented as Patton would also be difficult for me to stomach.

Thankfully those fears of mine didn’t come true despite Patton battling depression during the COVID-19 pandemic and eventually being diagnosed with agoraphobia. Because with a vocal range that spans six octaves, the Northern California native has carved out a rather unique career as a singer, producer, film composer and voice actor over the last three decades, regularly collaborating with other genre-bending artists like avant-garde jazz saxophonist John Zorn, hip-hop producer Dan the Automator and classical violinist Eyvind Kang on music outside of the heavy material he has been known to write as a member of FNM, Mr. Bungle, Fantômas, Tomahawk and Dead Cross.

Patton, nevertheless, has always maintained a relentless work ethic. His schedule would often see him juggling a myriad of projects simultaneously — whether it was fronting one of his five bands, serving as a producer for Merzbow, The Dillinger Escape Plan, Sepultura, Melvins, Melt-Banana and Kool Keith or running Ipecac Recordings alongside co-founder Greg Werckman for the last 20-plus years.

But that all changed in 2020 when the coronavirus spread and much of the world locked down. Afraid to go outside and be around people, Patton turned to alcohol as a way to cope but found himself unable to perform and in need of some professional help. The isolation, like it had for plenty of others, had gotten to him and zapped his confidence, causing him to freak out right before FNM were slated to hit the road and pull the plug on a dozen shows (none have been rescheduled so far).

“That’s when I kind of lost it, and it was ugly and not cool,” he told Rolling Stone last summer about his struggles. “I didn’t want to be in front of people, which is weird because I spent half of my life doing that.”

So when Patton made his first appearance onstage a few months later with Mr. Bungle touring in South America, there was a sense of relief that the 55-year-old was finally in a better place and back on track. Then came a spring tour announcement at the beginning of this year, offering further evidence that he was ready to make up for lost time on an 11-date run on the West Coast with labelmates Melvins and Spotlights that included a sold-out showing at the Hollywood Palladium last Thursday.

For everything that he has been through, Patton seemed to be in good spirits when Mr. Bungle took the stage in LA shortly after 10 p.m. The quintet made up of Patton (lead vocals, keyboards, samples), Trey Spruance (lead guitar, keyboards, backing vocals), Trevor Dunn (bass, backing vocals), Anthrax’s Scott Ian (rhythm guitar, backing vocals) and Slayer’s Dave Lombardo (drums, glockenspiel) has been kicking off several of its headlining sets on the “Geek Show 2023” tour with a cover of John Sebastian from The Lovin’ Spoonful before tearing into tracks — including “Bungle Grind”, “Eracist”, “Anarchy Up Your Anus”, “Methematics” and “Raping Your Mind” — off the group’s fourth LP titled The Raging Wrath of the Easter Bunny Demo that dropped toward the end of 2020, and with the Palladium’s large ballroom floor packed to the gills, you could tell that the capacity crowd had been waiting eagerly through both supporting acts to be whipped into a frenzy.

No further indication of that was necessary less than a minute into Mr. Bungle’s performance, as one crowd surfer after another came crashing into the photographer’s pit at the front of the stage and into multiple pairs of arms from the venue’s security team. And while the conditions for those of us on the photo list weren’t totally ideal given that we were only allowed to capture Mr. Bungle’s first two songs (plus unexpectedly dodge numerous horizontal bodies), it was quite a way to cover live music for the first time since being sidelined with a ruptured Achilles tendon.

I will be first to admit that Mr. Bungle, which only reunited a few years ago as a thrash metal outfit with Ian and Lombardo signing on, isn’t my favorite project featuring Patton. After more than a 20-year gap between albums, their latest is actually a re-recording of the outfit’s first self-released demo tape from 1986. That doesn’t make it bad of course, though it would be nice to hear something else new by this current iteration of the band. But as someone who has experienced his own health setback recently, I know it’s not always easy getting back out there, and that could certainly still be the case for Patton at times. You never know what someone else is going through or when will be the last time you see them, and that’s something you often learn with age. But life moves pretty fast, too … and right now we’re all better off with Patton in it once again.

MR. BUNGLE

Setlist:
Welcome Back (John Sebastian cover)
Bungle Grind
Eracist
Spreading the Thighs of Death
Territory (Sepultura cover)
Hypocrites
Speak English or Die (Stormtroopers of Death cover) (changed to “Speak Spanish or Die”)
Glutton for Punishment
Anarchy Up Your Anus
Methematics
Hell Awaits (Slayer cover) (intro)
True / Cold War / True
Raping Your Mind
World Up My Ass (Circle Jerks cover)
Sudden Death

Encore:
Loss of Control (Van Halen cover)
My Ass Is on Fire (with PEP tag)

MELVINS

Setlist:
Snake Appeal
Zodiac
Copache
I Want to Hold Your Hand (The Beatles cover)
Hammering
Never Say You’re Sorry
Evil New War God
Let It All Be
Blood Witch
Your Blessened
A History of Bad Men
Honey Bucket

SPOTLIGHTS

Setlist:
The Alchemist
Sunset Burial
Algorithmic
False Gods
Part IV

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Anthrax, Chris Cornell, Circle Jerks, Dan the Automator, Dead Cross, Eyvind Kang, Faith No More, Fantômas, Geek Show, Greek Show 2023, Greg Werckman, Hollywood Palladium, Ipecac Recordings, John Sebastian, John Zorn, Kool Keith, Melt-Banana, Melvins, Merzbow, Mike Patton, Mr. Bungle, Sepultura, Slayer, Spotlights, Stormtroopers of Death, The Beatles, The Dillinger Escape Plan, Tomahawk, Van Halen

Wow! Coachella unearths 2023 set times & drops another surprise as blink-182 unexpectedly get ready to rock the Empire Polo Club

April 13, 2023 by Josh Herwitt 5 Comments

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 14th-16th & April 21st-23rd, 2023 //

When the calendar turns to April, we all know what that means …

Yeah, that’s right — Coachella is just around the corner, and unlike a year ago when Swedish House Mafia and The Weeknd were elevated to headliner status with less than two weeks to go, it looks like there won’t be any last-minute lineup changes in 2023 (and we can thank the absence of a particular rapper for that).

But after casually including Grammy winners Arcade Fire in its 2022 set times for Weekend 1, the three-day music and arts festival has once again stunned us with another surprising addition while unleashing the schedule for the first weekend of its 22nd installment and after 11 p.m. PT on Wednesday no less (at 11:07 p.m. PT to be exact).

See you at Coachella on Friday 6:30pm Sahara Tent @blink182 😎 pic.twitter.com/BTev2wGUUr

— Tom DeLonge (@tomdelonge) April 13, 2023

This time, it’s blink-182 being thrown into the mix despite not being listed on the official lineup poster as Mark Hoppus (bass, vocals), Tom DeLonge (guitar, vocals) and Travis Barker (drums) storm the Sahara Tent on Friday for their first-ever appearance at Coachella. It’s particularly shocking given that the band had to postpone the Latin American leg of its highly anticipated reunion tour because Barker dislocated and tore ligaments in his left ring finger during rehearsals earlier this year. The last proper show that the reunited pop-punk icons played with their original lineup prior to DeLonge’s second exit was in 2014, so we would recommend getting there early — as in, well before their scheduled start of 6:45 p.m. — if you are hoping to catch what should be a memorable performance. Heck, maybe that’s why DeLonge typed 6:30 p.m. in his tweet? Or could it simply be a typo? Either way, it won’t be too long before we know for sure which one it is.

Regardless of what time blink takes the stage, there are always so many tough decisions to make at Coachella, and it doesn’t get any easier when a legendary 90’s act finally gets the chance to rock the Empire Polo Club. There’s also a world-famous DJ making his long-awaited return — seven years, in fact — on Saturday in case you forgot (we imagine Calvin Harris fans certainly haven’t).

Nevertheless, we want to hear it straight for those of you who are headed out to the desert: What’s your biggest conflict this year and who are you most excited for?

WEEKEND 1 SET TIMES

WEEKEND 2 SET TIMES

As you can see above, Coachella has finally confirmed with the release of its set times for Weekend 2 that Frank Ocean’s headlining performance has been canceled and will be replaced with another dose of blink-182 — for at least part of Sunday — as we shared a day ago.

See you Sunday @blink182

Four Tet x Fred again.. x Skrillex will also be joining Sunday evening pic.twitter.com/0OqMq7I1Kz

— Coachella (@coachella) April 21, 2023

But there’s also a TBA act now listed at 10:25 p.m. once blink wrap things up around 10:20 p.m., and we now know it will be Four Tet, Fred again.. and Skrillex following their big night in NYC at Madison Square Garden a couple of months ago already stamping their footprint squarely on this year’s electronic scene less than a quarter of the way into 2023.

MAP

A little more than 24 hours before the gates officially open, this year’s map has arrived and there’s not a whole lot that has changed in a matter of 12 months. There is one alteration that’s worth noting for those keeping tabs, however.

After allowing guests only one way to access the Sonora, Gobi and Mojave Tents last year, the fest has reinstituted a direct — albeit narrow — path from the Sahara Tent to them like there was in 2019. While that might create a bit more foot traffic close to The Do LaB Stage, the walk to those three stages won’t be nearly as far if you’re coming from that side of the polo fields. For many attendees, this route should definitely come in handy (and save you a few steps) at some point from Friday to Sunday.

So whether you’ll be in Indio or watching the YouTube livestream from the comfort of your couch, there’s plenty of good music to witness over the course of three days. If you’re still thinking about going and are looking for tickets, you can hop on the waitlist for Weekend 1 here or purchase them for Weekend 2 (GA and VIP) here along with whatever parking and shuttle passes remain.

Happy Coachella!

Shifting some things around today 🌴 Meet you at Los Fabulosos Cadillacs at 2:10 on Outdoor Theatre – check the Schedule to keep up with the latest. pic.twitter.com/1y6g8Omc6r

— Coachella (@coachella) April 16, 2023

UPDATE (April 16th): The first two days didn’t see any last-minute changes to the schedule, but there was one announced on Sunday. Los Fabulosos Cadillacs have been moved from the Coachella Stage to the Outdoor Theatre and will begin at 2:10 p.m. instead of 2:30 p.m., leaving Jacqk Glam to slide up 40 minutes and pushing Stick Figure back to 3:20 p.m.

Frank Ocean is not scheduled to appear on the Coachella livestream. The current schedule is in the description → https://t.co/oweGcgaTZs

— YouTube (@YouTube) April 17, 2023

But the most disappointing news on Day 3 was for those watching all of the action at home. Despite listing both acts on the schedule earlier in the day, Coachella has pulled the livestream for Björk and Frank Ocean this evening. 2023 will mark Björk’s third appearance at the Empire Polo Club and first since 2007, while Ocean is expected to close out the festival as Sunday’s headliner after postponing what has been considered to be a highly anticipated performance — his first in six years — and was originally announced when the 2020 lineup dropped. Despite there being no official word about Björk, YouTube did confirm the change for Ocean. With that in mind, we will have to make do with Noname, Big Wild, Weyes Blood, 2manydjs, Kali Uchis, Jai Wolf, DRAMA and Sudan Archives, among others, providing the entertainment. Stream on, Couchchellans!

Filed Under: Featured, Festivals Tagged With: $UICIDEBOY$, 070 Shake, 1999.ODDS, 21 Savage, 2ManyDJs, 9th Wonder, A Boogie Wit Da Hoodie, Adam Beyer, AG Club, Airrica, Alex G, Ali Sethi, Angèle, Ashnikko, ¿Téo?, Bad Bunny, Bakar, Becky G, BENEE, Big Wild, Bjork, BLACKPINK, Blink-182, Blondie, Bonnaroo, Bonnaroo 2023, Boris Brejcha, Boston Calling, Boston Calling 2023, boygenius, BRATTY, Burna Boy, Calvin Harris, CamelPhat, Cannons, Carlita, Cassian, Charli XCX, Chloé Caillet, Chris Lake, Chris Stussy, Christine and the Queens, Chromeo, Coachella, Coachella 2023, Coachella Music and Arts Festival, Coachella Music and Arts Festival 2023, Coachella Valley Music & Arts Festival, Coachella Valley Music & Arts Festival 2023, Coachella Valley Music and Arts Festival, Coachella Valley Music and Arts Festival 2023, Colyn, Conexión Divina, DannyLux, Dennis Cruz + PAWSA, Despacio, Destroy Boys, Diddy, Diljit Dosanjh, Dinner Party, DJ Tennis + Carlita DJ Tennis, Doechii, Dombresky, DOMi, DOMi & JD Beck, Dominic Fike, Don Toliver, Donavan's Yard, DPR IAN, DPR LIVE + DPR IAN DPR LIVE, DRAMA, EarthGang, El Michels Affair, Eladio Carrión, Elderbrook, Elyanna, Eric Prydz, Eric Prydz Presents HOLO, Ethel Cain, Fisher, Fisher + Chris Lake, FKJ, Flo Milli, Four Tet, Fousheé, Francis Mercier, Frank Ocean, Fred again.., Future, Gabriels, GloRilla, Gordo, Gorillaz, Guns N' Roses, Hiatus Kaiyote, HOLO, Horsegirl, Hot Since 82, IDK, Idris Elba, Jackson Wang, Jai Paul, Jai Wolf, Jamie Jones, Jan Blomqvist, JD Beck, John Digweed, John Legend, Joy Crookes, Julien Baker, Juliet Mendoza, Jupiter & Okwess, Kali Uchis, Kamasi Washington, Kanye West, Kaytranada, Keinemusik, Kenny Beats, Knocked Loose, Kyle Watson, Labrinth, Latto, Lava La Rue, LCD Soundsystem, Lewis OfMan, Los Bitchos, Los Fabulosos Cadillacs, LP Giobbi, Lucy Dacus, Maceo Plex, Magdalena Bay, Malaa, Marc Rebillet, Mareux, Mathame, Metro Boomin, Minus the Light, MK, Mochakk, Momma, Monolink, MUNA, Mura Masa, NIA ARCHIVES, Noname, Nora En Pure, Oliver Koletzki, Overmono, Paris Texas, Phoebe Bridgers, Pi'erre Bourne, Porter Robinson, Pusha T, Rae Sremmurd, Rebelution, Remi Wolf, Robert Glasper, Romy, Rosalía, Saba, Sasha, Sasha & John Digweed, Sasha Alex Sloan, Scowl, SG Lewis, Shenseea, Skrillex, Sleaford Mods, Snail Mail, Sofi Tukker, Sonic Temple, Sonic Temple 2023, Sonic Temple Art & Music Festival, Sonic Temple Art & Music Festival 2023, Soul Glo, Stick Figure, Sudan Archives, Sunset Rollercoaster, Swedish House Mafia, Tale of Us, Terrace Martin, Testpilot, The Blaze, The Breeders, The Chemical Brothers, The Comet Is Coming, The Garden, The Kid LAROI, The Linda Lindas, The Murder Capital, The Weeknd, Tobe Nwigwe, TSHA, TV Girl, Two Friends, UMI, Uncle Waffles, Underworld, Vintage Culture, Wet Leg, Weyes Blood, WhoMadeWho, Whyte Fang, Willow, Yaeji, Ye, Yung Lean, Yungblud, Yves Tumor and Its Band

Ohana Festival rolls into 2023 with The Killers, HAIM, Eddie Vedder, The Chicks, Foo Fighters & Pretenders lined up for seventh year

April 11, 2023 by Josh Herwitt 2 Comments

Ohana Festival //
Doheny State Beach – Dana Point, CA
September 29th-October 1st, 2023 //

It’s that time again, Ohana fam.

The three-day festival founded by Eddie Vedder returns to Doheny State Beach for its seventh edition after making a splash last year with Stevie Nicks, Eddie Vedder, Jack White and P!nk headlining, and unlike previous installments, 2023 will boast a pair of headliners each day for the very first time as the calendar shifts from September to October.

Riding into Day 1 will be The Killers and HAIM, who were booked for the fest’s 2022 “Encore” session until it was canceled, plus a stellar undercard featuring Father John Misty, Japanese Breakfast, Franc Moody, Glen Hansard, Hermanos Gutiérrez and Amos Lee on Friday.

Your #OhanaFest 2023 Lineup is here! 🌴 Sign up for a presale code TODAY: https://t.co/MBP8krCrWN Presale begins this Thursday, April 13 at 10am PT! pic.twitter.com/6aU3mvgMsC

— The Ohana Fest (@TheOhanaFest) April 11, 2023

Saturday once again sees Vedder leading the way, but this time he will have some solid help from The Chicks as the country stars make their debut appearance at Ohana Festival. And for those who want to rock out beforehand, you definitely won’t want to miss noteworthy sets by Grammy winners The War on Drugs and jam-band favorites Goose.

Putting a bow on the weekend, meanwhile, will be Foo Fighters and Pretenders at the top of Sunday’s bill following performances by Rainbow Kitten Surprise, The Backseat Lovers, Suki Waterhouse, Thee Sacred Souls and more earlier in the day. See the poster above for the rest of the artists scheduled to take the stage in Dana Point.

Tickets can be purchased starting this Thursday, April 13th at 10 a.m. PT during the festival’s presale, but you must sign up here to receive a presale code if you want to reserve your spot! Both three-day and single-day GA passes will go for $479 and $169, respectively, with three-day and single-day VIP admission available for $1,499 and $549. Of course, there’s also the three-day Ultimate VIP option if you and a friend (it’s a two-person package) have a cool $9,950 in your festival budget to shell out.

UPDATE (May 23rd): Ohana has announced that Rainbow Kitten Surprise will no longer be performing in 2023 and have been replaced on Sunday by Deaf Charlie featuring Pearl Jam bassist Jeff Ament and former Fitz and the Tantrums drummer John Wicks. Peep the updated poster above for the latest lineup.

Filed Under: Featured, Festivals Tagged With: Amos Lee, Big Joanie, Brooks Nielsen, Charley Crockett, Danielle Ponder, Deaf Charlie, Dehd, Dhani Harrison, Eddie Vedder, Emma Routhier, Father John Misty, Fitz & the Tantrums, Fitz and the Tantrums, Foo Fighters, Franc Moody, Glen Hansard, Goose, Haim, Hermanos Gutierrez, Jack White, Japanese Breakfast, Jeff Ament, John Wicks, Lido Pimienta, Lucius, Ohana Fest, Ohana Fest 2023, Ohana Festival, Ohana Festival 2023, P!nk, Pearl Jam, Pretenders, Rainbow Kitten Surprise, Shame, Stevie Nicks, Suki Waterhouse, TALK, The Alive, The Aquadolls, The Backseat Lovers, The Chicks, The Killers, The Ohana Festival, The Ohana Festival 2023, The War on Drugs, Thee Sacred Souls, Trousdale, Wunderhorse

Goldenvoice announces inaugural Power Trip festival in 2023 led by Guns N’ Roses, Iron Maiden, AC/DC, Ozzy Osbourne, Metallica & Tool

March 30, 2023 by Josh Herwitt Leave a Comment

Power Trip //
Empire Polo Club – Indio, CA
October 6th-8th, 2023 //

Goldenvoice has made a name for itself over the years — for more than two decades, in fact — as the creator of the Coachella Valley Music and Arts Festival in addition to hosting many concerts and plenty of other large-scale, multi-day events throughout the Southern California region.

But for those who are fans of hard rock and heavy metal, the famed concert promoter still sees you and hears you — loud and clear.

In a somewhat similar vein to the inaugural Desert Trip in 2016 that saw The Rolling Stones, Bob Dylan, Paul McCartney, Neil Young, Roger Waters and The Who take over the same site as Coachella for two weekends, Goldenvoice CEO Paul Tollett and company are finally catering to headbangers everywhere with the debut of Power Trip this October.

Register now at https://t.co/eoqxriOQCn for first access to tickets starting Thursday, April 6 at 10am PT.

Hotel and VIP Packages available starting Tuesday, April 4 at 10am PT. pic.twitter.com/4RPNUDkuCX

— Power Trip (@Powertriplive) March 30, 2023

Taking the desert by storm for three days at the Empire Polo Club out in Indio, Power Trip will welcome six legendary acts beginning with Guns N’ Roses and Iron Maiden on Friday and resuming with AC/DC and Ozzy Osbourne on Saturday before concluding with Metallica and Tool on Sunday.

Those interested in attending can register here for tickets that will go on sale starting Thursday, April 6th at 10 a.m. PT. Three-day GA tickets will be available for $599 or $699 that includes a shuttle pass, while three-day reserved floor, reserved grandstand and pit seats will go for $799-$1,599 and boast exclusive access to the fest’s North and South Lounges where food and drink vendors, restrooms, shaded seating areas and full cash bars can be found. If you are willing to splurge and go even bigger though, there are a variety of three-day VIP packages that you can purchase for $1,749-$2,999. There are also a number of camping options should you choose not to stay at one of the event’s featured hotels, plus a few add-ons like camping campion parking or preferred parking and a limited-edition print by J. Bannon.

So, who’s ready to go on a power trip this year?

pic.twitter.com/Ze3W7g2kLo

— Power Trip (@Powertriplive) July 10, 2023

UPDATE (July 10th): Bad news, Power Trippers … Ozzy has canceled his appearance at this year’s festival, citing issues with his current health. The legendary singer wasn’t supposed to perform again until the summer of 2024 but agreed to join the Power Trip lineup when he was approached about it. While Ozzy’s body is “not ready” for what would have marked the Hall of Famer’s first show in almost five years, he did hint that his replacement will be announced soon and are even “personal friends” of his. So, who do you think it will be? You can offer up your best guess in the comments below, and stay tuned for more updates on Power Trip here.

Welcome @judaspriest to Power Trip 🤘🌵 pic.twitter.com/SqKRpbFDhG

— Power Trip (@Powertriplive) July 11, 2023

UPDATE (July 11th): One day after announcing that Ozzy will not be performing at Power Trip after all, the fest has revealed his replacement. Filling in for “The Godfather of Heavy Metal” on Saturday will be none other than Judas Priest. The English heavy metal act’s last and 18th album Firepower dropped in 2018, but despite it being more than five years since Judas Priest released new material, 2022 marked a banner year as the six-piece celebrated its 50th anniversary with a new North American tour and was also inducted into the Rock and Roll Hall of Fame. Set on going to Power Trip now? You can still pick up tickets here with flexible payment options available until July 15th, so don’t miss out on what’s sure to be a rockin’ good time in the California desert.

Filed Under: Featured, Festivals Tagged With: AC/DC, Bob Dylan, Coachella, Coachella Music and Arts Festival, Coachella Valley Music & Arts Festival, Coachella Valley Music and Arts Festival, Desert Trip, Desert Trip 2016, Empire Polo Club, Guns N' Roses, Iron Maiden, Judas Priest, Metallica, Neil Young, Ozzy Osbourne, Paul McCartney, Power Trip, Power Trip 2023, Roger Waters, The Rolling Stones, The Who, Tool

HARD Summer Music Festival changes locations, moves back to two days in 2023 with Kaskade B2B John Summit, Skrillex B2B Four Tet

March 7, 2023 by Josh Herwitt 1 Comment

HARD Summer Music Festival //
LA Memorial Coliseum, Exposition Park & BMO Stadium – Los Angeles
August 5th-6th, 2023 //

If you thought Outside Lands Music and Arts Festival delivered a big splash by releasing its 2023 lineup to celebrate the 15-year mark this August, HARD Summer is making its own noise just hours later.

After extending to three days in 2022, the annual Southern California music festival is moving back to two with a brand-new location and a stacked roster that once again favors electronic and hip-hop fans.

While a variety of SoCal venues — Whittier Narrows Recreation Area, the Fairplex in Pomona and Auto Club Speedway in Fontana — have played host to HARD Summer over the years, the fest’s latest home for the past two had been the NOS Events Center in San Bernardino. But HARD founder and CEO Gary Richards has always had his sights set on returning to LA since leaving the city’s limits following its 2013 edition at the previous iteration of LA State Historic Park.

🔋🔥 PULL UP & POP OFF – UR #HSMF23 LINEUP IS HERE 🔥🔋 + MORE TBA 👀

HARD Summer 2-Day + Single Day Passes go On Sale this Friday, 3/10 @ 10AM PT! 🔗 https://t.co/s83XEy4OqM pic.twitter.com/FKtxngKRVF

— HARD Events (@HARDFEST) March 7, 2023

Now, the event will migrate 63 miles west to the LA Memorial Coliseum, Exposition Park and BMO Stadium with Kaskade B2B John Summit and Skrillex B2B Four Tet tapped as headliners, plus two special guests in 21 Savage and Kid Cudi.

This year’s undercard, meanwhile, isn’t too shabby either, littered with more B2B sets and other huge names that include Diplo B2B Blond:ish, Black Coffee, Kayzo B2B Sullivan King, Oliver Tree, Gorgon City, Yellow Claw B2B Flosstradamus, Dillon Francis, Deorro, The Martinez Brothers, Jungle (DJ set), Bicep (Live), 4B B2B JSTJR, TBA B2B Sonny Fodera, Diesel, Ludacris, Peekaboo, Fat Joe and more. Check out the poster above for the rest of acts who have been booked.

GA and VIP passes are on sale this Friday, March 10th at 10 a.m. PT here for fans ages 18 and over, with payment plans also available for single-day or weekend tickets after a $9.95 deposit.

UPDATE (May 1st): With more than four months to go until showtime, HARD Summer has uncovered a handful of 2023 lineup additions that sees MK B2B Sonny Fodera, Yung Bae, PAWSA, Rochelle Jordan and nøll joining the party this August in downtown LA. Scope out the poster above for the latest updates to the roster and sign up for the SMS hotline here to receive first access to tickets, lineups and more via text message.

UPDATE (August 2nd): Set times are here, and while there’s a whole lot to choose from, there’s also some tough decisions to make after 9 p.m. on both Saturday and Sunday. Give the schedules above a good look before leaving for Exposition Park this weekend, and most importantly, have a great time!

Filed Under: Featured, Festivals Tagged With: 21 Savage, 4B b2b JSTJR, Alix Perez, AMÉMÉ, Auto Club Speedway, Azzecca, Ben Sterling, Bicep, Bicep Live, Black Coffee, Blanke, Blond:ish, Blossom, BMO Stadium, Boys Noize, Chasewest, Chee, CHEE x Jon Casey, Chuwe, CHYL, Club Tularosa, Denis Sulta, Deorro, DEVAULT, Diesel, Dillon Francis, Diplo, Diplo b2b BLOND:ISH, Dirt Monkey, Disco Lines, DJ Dials, Emo Nite, Exposition Park, Fairplex, Fat Joe, Fleur Shore, Flosstradamus, Four Tet, Frosttop, fun2bjane, Giolì & Assia, Gorgon City, Hamdi, HARD Summer, HARD Summer 2023, HARD Summer Music Festival, HARD Summer Music Festival 2023, Hayden James, ISOxo, IT HZ, John Summit, Jon Casey, Jungle, Kai Wachi, Kaivon, Kaskade, Kaskade B2B John Summit, Kayzo, Kayzo B2B Sullivan King, Kid Cudi, Kitty Ca$h, Knock2, LA Memorial Coliseum, LA State Historic Park, Lauren Lane, Lauren Lane B2B Ms. Mada, Laxcity, Loco Dice, Los Angeles Memorial Coliseum, Ludacris, Luude, Mija, MK, MK (Marc Kinchen), MK B2B Sonny Fodera, Ms. Mada, NALA, nøll, Netsky, NIK P, Ninajirachi, Noizu, NOS Events Center, Odd Mob, Oliver Tree, PAWSA, PEEKABOO, Rochelle Jordan, Rohaan, Rossi., SAYMYNITTI, Senza, Sippy, Skrillex, Skrillex B2B Four Tet, Sonny Fodera, Space Laces, Sullivan King, Tape B, The Martinez Brothers, Toman, Toman B2B Rossi., Two Feet, Whittier Narrows Recreation Area, Wilkinson, Wuki, Yellow Claw, Yellow Claw B2B Flosstradamus, Yunè Pinku, Yung Bae

Celebrating its 15th year in 2023, Outside Lands hands the baton over to Kendrick Lamar, Foo Fighters & ODESZA

March 7, 2023 by Josh Herwitt 3 Comments

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 11th-13th, 2023 //

Now that a handful of California’s music festivals — whether it’s BeachLife, BottleRock, Coachella, Just Like Heaven or Lightning in a Bottle — have announced what their plans will be this year, it’s once again time for Outside Lands to join the party.

SF’s signature event turns 15 this August at Golden Gate Park, but after returning to its usual timing in 2022 and granting headlining duties to Green Day, Post Malone and SZA, it’s handing the baton over to a triumvirate of standouts in Kendrick Lamar, Foo Fighters and ODESZA.

K.Dot returns to OSL for the first time since the 17-time Grammy winner ambushed the Twin Peaks stage back in 2015, while Foo Fighters, who suffered the tragic loss of drummer Taylor Hawkins last March and have yet to reveal his replacement behind the kit, will end their own decade-long drought after playing the three-day event in 2012. ODESZA’s last appearance, in the meantime, was the most recent of the three in 2018, yet much has changed for the Seattle electronic duo made up of Harrison Mills and Clayton Knight over that time.

ranger dave is pleased to announce the outside lands 2023 lineup! don't miss @kendricklamar, @foofighters, @odesza, lana del rey, & more as we celebrate 15 years, august 11-13

3-day tickets on sale tomorrow at 10am pt https://t.co/5NkMRCkQm5 pic.twitter.com/tixHIUjtAB

— Outside Lands (@sfoutsidelands) March 7, 2023

In addition to the aforementioned headliners, this year’s undercard is nothing to sneeze at — starting with Lana Del Rey, The 1975, Megan Thee Stallion, Zedd, Janelle Monáe, Maggie Rogers and Fisher. Other names on the 2023 lineup worth paying attention to include Lil Yachty, Noah Kahan, Cigarettes After Sex, J.I.D, Interpol, Willow, Father John Misty, Tobe Nwigwe, Orville Peck, aespa, beabadoobee, L’Impératrice, Cuco, Nora En Pure, Poolside, Alvvays, NIKI, Alex G, Soccer Mommy, Diesel (Shaquille O’Neal), Monolink, Raveena, Trixie Mattel, Mariah the Scientist and ISOxo.

Last year’s edition of OSL saw the SOMA Tent — which remains the fest’s home for all things dance music — expand after making its debut in 2021, and fans can expect the dancefloor to be packed as Âme b2b Trikk, Blond:ish, Claptone, Coco & Breezy, Daniel Avery, Denis Sulta, Disco Lines and more get ready to hit the decks from Friday to Sunday. Check out the poster above for the rest of the artists slated to perform.

Three-day GA, GA+ (a new ticket tier), VIP and Golden Gate Club passes go on sale here for $499, $674, $1,029 and $4,899 this Wednesday, March 8th at 10 a.m. PT, so take a peek at our previous coverage here before you pick one up!

UPDATE (April 18th): Daily lineups for OSL 2023 are out, with Kendrick Lamar headlining Friday, Foo Fighters rocking Saturday and ODESZA closing down the festival Sunday. Peek at the daily schedules above before single-day tickets go on sale here for $199 (GA), $299 (GA+) and $449 (VIP) starting this Wednesday, April 19th at 10 a.m. PT. And if you’re thinking about purchasing a three-day ticket payment plan and putting down just $99 up front, you can still do that for a limited time here!

UPDATE (May 11th): Interpol has confirmed that they will be performing their 2002 debut LP Turn On the Bright Lights in full from start to finish during the band’s set at OSL this year. Fans of the New York post-punk revivalists should pick up their single-day tickets here!

UPDATE (August 1st): With less than a couple of weeks to go, your 2023 set times have arrived. See the schedules above for all of your potential conflicts at OSL’s 15th anniversary so you can formulate a plan before getting to Golden Gate Park. Who will the TBA act on Saturday be?!?! Take your best guess in the comments below.