
BottleRock Napa Valley //
Napa Valley Expo – Napa, CA
May 23rd-25th, 2025 //
As wildfires continue to rage in Los Angeles almost a week after they exploded all across the city on the same day BeachLife Festival revealed its plans for this year, another California music festival has made its own known.
But unlike Southern California mainstays Coachella and Lightning in a Bottle that both delivered their 2025 lineups earlier than usual, BottleRock up north in Napa Valley has remained mostly on schedule with the announcement of its latest roster not too far into the new year.
And after booking one of its best bills in 2024, the three-day event has secured another strong one with Green Day, Justin Timberlake and Noah Kahan headlining its 12th edition.
Meanwhile, an undercard just below the poster’s top line that boasts Benson Boone, Khruangbin, Cage the Elephant, Ice Cube, Sublime, Kaskade, Rebelution, Carin León, Goose, SOFI TUKKER and Public Enemy awaits over Memorial Day weekend.
Other notable acts who are scheduled to perform include 4 Non Blondes, Remi Wolf, E-40, Flo Rida, KALEO, Mon Laferte, Lawrence, Beach Bunny, The Story So Far, Dope Lemon, Allen Stone, Sharon Van Etten & The Attachment Theory, DRAMA, Lauren Mayberry, Robby Krieger of The Doors and so many more. Check out the full list above to find out the other artists getting “the first taste of summer” this May, which also features the always entertaining Williams-Sonoma Culinary Stage where several celebrity chefs team up with a wide variety of musicians and athletes to cook up something special.
Tickets can be purchased here beginning this Tuesday, January 14th at 10 a.m. PT with three-day GA passes selling for $456 plus fees while VIP, Skydeck and Platinum status have already sold out. Snag them while you can because they won’t be around forever!

UPDATE (January 15th): BottleRock has followed up this week’s big announcement with its 2025 daily lineups. Green Day and Sublime will lead the pack on Friday, while Timberlake and Boone hit the stage Saturday before Kahan and Khruangbin close out the fest on Sunday.
Single-day tickets go on sale here this Friday, January 16th at 10 a.m. PT with GA listed for $233 and VIP set at $598. Three-day GA passes are still available, but don’t expect that to last for long!




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So often sequels don’t deliver, but ascending hip-hop stars Killer Mike and El-P have simply progressed their brilliance as Run The Jewels one year removed from their first official collaboration. From the top of RTJ2, Michael Render manages to set a higher bar for pumped-up aggression, there’s more social activism laced throughout, more special guests that only add to the fuck boy-crushing populist mentality. And compared to RTJ1, there are more stand-alone gems that are primed for remixing and cultural integration. The sequencing is superb, and El and Mike are having more fun than ever as they tour the world and snowball momentum with their brand of hardcore, yet intricate rap that contains shades of weird. Like a championship baseball team, the songs in the two hole through cleanup hitter offer the biggest impact, wreaking instant classics upon us with masterful experimental production from El-P that emits new, subtle surprises the more you listen. As the album unfolds, tales of police brutality (“Early”), introspection and personal improvement (“Crown”), along with over the top raunch (“Love Again”) prove RTJ2 shines in every moment in a variety of ways through multiple lanes of success. -Mike Frash
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Singles jumps right out of the gates, showing its cards early, presenting the listener with Future Island’s trademark new-school, new-wave sound. Samuel Herring’s vocals are stunning as he pitches and growls through tales of the tougher side of love. It’s pretty, gripping and powerful while also holding certain pop sentiments, lending to an overall lightness while being arresting. “Seasons (Waiting On You)” is a quintessential slice of the emotion this band has become well known for both onstage and in the studio. “Doves” balances all the elements nicely, shining a light on the top-notch production featured on Singles. -KQ
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What we have here is one of the most addictive albums of 2014. Our Love keeps deep house in its front pocket with steady beats per minute and an introspective mantra-centric lyrical conceit, but it’s also exploratory in nature, finding success in consistently building toward intense, euphoric plateaus. A steady flow of pleasant sounds ascend into impacting transcendence with “Can’t Do Without You”, “Silver” and “Your Love Will Set You Free”, and you must give Snaith extra credit for the masterful pacing and song-to-song flow — there is never a “skip ahead” moment. Like many classic albums, it opens up if you give it more time to radiate around your head, and listening to it becomes more pleasurable over time, even though it is mostly presented in poetic simplicity. -MF
Benji must be interpreted as a concept album about death, but more importantly, it’s about the importance details related to memory. For example, the title is taken from what seems like a throw-away line toward the end of the breathtaking “Micheline”. It’s powerful, visceral storytelling that is self-reflexive and biographical, yet so relatable that it compels personal introspection from the listener’s own experiences. Mark Kozelek’s lyrics are the centerpiece of the listening experience — they are so deep and resonant that the instrumentals and production are absorbed secondarily, although the stripped-down approach is intentional and noteworthy. Built around obsessing about the state of human demise — and the randomness of it — it’s easy to join Kozelek’s dire state of mind hours or days after listening. -MF





































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